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Froken Julie 1951

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    GRAND PRIZE
    CANNES FILM FESTIVAL 1951
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    MISS JULIE
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    From the Play by
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    Screenplay and Direction by
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    To the barn!
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    Good evening,
    and welcome!
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    - Jean, you promised...
    - Later.
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    He doesn't want to.
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    Look at Jean!
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    Jean!
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    Miss Julie's crazy again
    this evening!
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    I drove the count to the boat,
    then stopped by the barn to dance,
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    where I saw Miss Julie dancing
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    with the gamekeeper.
    She saw me and...
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    She's crazy.
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    She always has been,
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    but even more
    now that the engagement's off.
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    Still, isn't it odd that she'd rather
    stay at home with the servants
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    than visit relatives
    with her father?
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    Probably doesn't dare show her face
    after the scandal with her fiancé.
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    Will you need
    the horse this evening, miss?
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    - I'm going to join my father.
    - All the way to Sundby?
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    Shouldn't Jean drive you, miss?
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    Let's go dance in the barn.
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    I don't want to.
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    Charmant.
    But you might have warmed the plate.
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    You're fussier than the count himself
    when you get started.
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    Don't pull my hair.
    You know how sensitive I am.
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    It was just a little love tug.
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    Beer on Midsummer's Eve?
    No, thanks.
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    I have something better.
    Yellow seal, mind you.
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    Let's have a little glass.
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    Very good.
    Just a touch too cool.
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    What's that infernal smell?
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    Some wretched brew
    Miss Julie wants for Diana.
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    Cooking for that mongrel
    on a holiday? Is she sick?
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    She ran around with the pug
    from the lodge,
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    and Miss Julie
    will have none of it.
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    Viola!
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    Jean promised to dance.
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    I'll teach you to run
    after someone else's fiancé.
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    Jean, will you dance
    with me now?
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    Of course.
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    But what a figure!
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    Those shoulders, and those...
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    Listen to you.
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    I've talked to Viola,
    who helps dress her.
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    Viola? I've been out riding
    with Miss Julie.
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    - Then you've seen a thing or two!
    - I'll say.
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    You know what happened
    at Lovers' Point?
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    What?
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    It was the same day
    Diana betrayed her mistress.
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    Miss Julie wanted to look
    at the water lilies,
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    and her fiancé
    and I went along.
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    Bring me one, my knight.
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    Bring me one.
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    In a bad mood today?
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    Jean!
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    No!
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    You care more about your dog
    than about me!
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    Diana!
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    Diana, come here!
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    Give me that.
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    Allez!
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    And that was the end
    of the engagement.
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    And there she sits.
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    Yes, there she sits.
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    Come on!
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    And her fiancé went off?
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    To his place
    on the other side of the lake.
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    And now he's celebrating
    Midsummer's Eve with her father.
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    No wonder
    she's too ashamed to go.
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    Is that ready?
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    There's a bottle on the steps.
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    Are the ladies keeping secrets?
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    Curious?
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    What a lovely scent of violets.
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    The nerve! So now you know
    perfumes as well?
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    And you dance well too.
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    No, don't look.
    Go away.
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    A magic potion
    for Midsummer's Eve
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    in which to spy
    your future sweetheart's reflection?
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    You'd need sharp eyes for that.
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    Bottle up the rest.
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    Come dance with me, Jean.
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    Forgive me,
    but I promised Kristin this dance.
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    She can have the next.
    May I, Kristin?
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    Go along, Jean,
    and be grateful for the honor.
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    With all respect,
    is it wise for Miss Julie
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    to dance twice
    with the same partner?
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    What do you mean?
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    Perhaps I should speak
    more plainly.
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    It doesn't look good
    to favor one servant over the others.
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    Favor?
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    I, mistress of the house, honor
    the servants' ball with my presence.
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    But if it doesn't suit you,
    never mind.
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    See to the horse.
    I'll find another partner.
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    No.
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    Drive me to the stables.
    I'll see to Diana myself.
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    The bottle.
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    Here now, Diana.
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    You're not angry
    because I left you, are you?
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    Will you dance with me now?
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    You're a good girl.
    I'm sure you'll make a good wife.
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    Some gentleman,
    leaving his lady's side!
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    On the contrary.
    I rushed back to the one I abandoned.
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    Now come and dance.
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    Why are you in uniform on a holiday?
    Take that off at once.
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    Then please step outside,
    while I put on my black coat.
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    Bashful on my account?
    I'll turn my back.
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    Is Jean your fiancé?
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    We call it that.
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    Call it that?
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    Miss Julie
    has been engaged herself.
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    Ours was a proper engagement.
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    But nothing came of it.
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    Very nice, Monsieur Jean,
    very nice!
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    - Is Madame poking fun?
    - And you?
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    You wish to speak French,
    monsieur?
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    Where did you learn French?
    - Switzerland.
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    I worked at a hotel in Lucerne.
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    Quite the gentleman.
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    Charming!
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    You flatter me.
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    Me flatter you?
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    My natural modesty
    can only lead me to believe
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    it was the sort of exaggeration
    sometimes called flattery.
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    What conversation!
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    Weren't you born around here?
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    Yes, my father was
    a farm laborer here.
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    I recall seeing Miss Julie as a child.
    Of course, you didn't notice me.
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    - Really?
    - Oh, yes. I remember once...
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    I mustn't speak of that now.
    - Oh, yes, do!
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    No, it wouldn't do.
    Perhaps another time.
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    - Is it that awful?
    - Not at all.
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    Just a bit awkward.
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    Look at her.
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    A fine wife she'll make!
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    I wonder if she snores.
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    No, she doesn't.
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    But she talks in her sleep.
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    How would you know?
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    I've heard her.
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    Why don't you sit down?
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    - I dare not in your presence.
    - And if I order you to?
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    Then I obey.
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    Wait.
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    Get me something to drink first.
    - There's nothing but beer.
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    You call that nothing?
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    I have such simple taste
    that I prefer it to wine.
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    Allow me.
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    Aren't you having any?
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    I'm not a beer lover,
    but if Miss Julie commands...
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    Drink to my health.
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    I believe the big boy is shy.
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    To my mistress.
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    Now kiss my shoe.
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    You should have been an actor.
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    - This won't do. Someone might see.
    - So?
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    You're no longer a child.
    A lady drinking alone with a man...
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    - Kristin's here!
    - Asleep!
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    Then I'll wake her up.
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    Wake up, Kristin.
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    Leave those who sleep in peace!
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    Good night.
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    Come dance with me, Jean.
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    Jean!
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    Where is he?
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    We saw her come out.
    They went to the barn.
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    He's with her!
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    Get away from me,
    you farmhand!
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    Who are you looking for,
    sweetheart?
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    Where are they?
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    You're a strange one,
    you know that?
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    So are you.
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    Everything is strange.
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    Life.
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    People.
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    Everything is just muck
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    floating on the water
    until it sinks.
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    I have a dream
    every now and then.
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    I've climbed up high
    and can't get down.
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    I'm dizzy...
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    but I must climb down.
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    I don't have
    the courage to jump.
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    I can't hold on.
    I wish I would fall.
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    I'll find no rest until I get down...
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    down.
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    And once I'm down,
    I long to go even deeper.
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    Down... down...
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    Have you ever felt like that?
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    No.
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    I often dream
    I'm lying under a tall tree.
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    I want to climb up to the top
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    and rob the nest
    of its golden eggs.
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    I climb and climb,
    but the trunk is so smooth,
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    and it's so far
    to the first branch.
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    I've never reached the top,
    but one day I will,
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    if only in my dreams.
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    - What is it?
    - Oh, nothing.
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    Sit down.
    Let me help you.
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    Sit still.
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    Do as I say.
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    I think you're shaking...
    a big, strong fellow like you.
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    With such arms!
    - Miss Julie!
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    Will you sit still?
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    There.
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    Kiss my hand
    and say thank you.
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    Kiss my hand.
    - Listen to me.
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    You're asking for it!
    - For what?
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    Are you still a child at 25?
    It's dangerous to play with fire.
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    Behave!
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    - Was that in play or serious?
    - Serious.
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    You play too seriously,
    and that's the danger.
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    I'm tired of play and ask permission
    to resume my work.
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    Have you ever been in love?
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    We don't use that word,
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    but I was sick once
    when I couldn't have the girl I wanted.
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    Who was she?
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    Who was she?
    - You can't make me tell you.
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    If I ask as an equal,
    as a friend?
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    Who was she?
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    It was you.
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    How strange.
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    Yes, isn't it?
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    Ludicrous.
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    You know how the world
    looks from below?
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    No, you don't.
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    See the hovel on the gray plains
    on the other side of the lake?
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    That was the home I shared
    with seven siblings and a pig,
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    there where not even
    a single tree grows.
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    But from the window I could see
    the wall around the count's park,
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    with apple trees
    growing over it.
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    It was the Garden of Eden,
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    and fierce angels
    watched over it.
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    Do you despise me now?
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    All little boys steal apples.
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    Another time I got into
    the Garden of Eden with my mother
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    to weed the onion beds
    and garden paths.
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    There stood a Turkish pavilion
    covered with flowering jasmine.
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    The door was open.
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    I'd never seen
    anything so beautiful.
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    My mother wasn't watching,
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    so I plucked up my courage
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    and snuck in.
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    It was early in the morning.
    No one was likely to come by.
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    I'd never been in the manor.
    All I'd ever seen was the church.
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    But this was
    much more beautiful.
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    Pictures on the walls...
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    red curtains on the windows...
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    with fringe.
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    It was like a dream.
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    A picture of the emperor.
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    Suddenly my hand
    brushed against something.
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    Now do you understand
    where I was?
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    I'm coming!
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    I couldn't climb
    out the window.
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    But there was one way out
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    for someone like me...
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    and I had no choice
    but to take it.
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    Hello, little boy.
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    Off with you, you little brat!
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    Jean, chase that urchin
    out of the garden!
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    You there!
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    Yes, you!
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    Hey!
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    Where have you been?
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    Where have you been?
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    You little scoundrel!
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    Stop that little thief!
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    Stop that thief!
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    It must be a dreadful
    misfortune to be poor.
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    Oh, Miss Julie...
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    a dog can lie
    on the countess's sofa,
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    a horse can have his nose patted
    by the young lady's hand,
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    but a servant...
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    You know what I did?
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    The next Sunday, when the family
    went to visit our grandmother,
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    I fixed it
    so I could stay home.
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    There I was
    that Sunday morning
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    scrubbing myself
    with soap and hot water.
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    Then I put on my best clothes,
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    and went to church...
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    where I was certain
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    I'd catch a glimpse of you.
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    I went home
    determined to die...
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    for now I'd seen you.
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    But I wanted to die pleasantly,
    with no pain.
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    I remembered it was dangerous
    to sleep under an elder tree,
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    and we had a big one
    in full bloom.
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    I filled the oats bin with elder flowers
    and lay down in them.
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    Have you ever noticed
    how soft oats are?
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    As soft to the touch
    as human skin.
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    I fell asleep
    and woke up quite sick,
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    but I didn't die,
    as you can see.
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    You tell a story well,
    you know that?
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    I've heard
    the upper classes speak.
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    - You listen to our conversations?
    - Of course!
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    And I've heard a good deal,
    sitting up front in the carriage
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    or rowing the boat.
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    Once I heard Miss Julie
    and a girlfriend...
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    - Heard what?
    - Nothing I can repeat.
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    But there's not that big a difference
    between one class of people and another.
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    Shame on you!
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    Now I'll be off to bed.
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    - On Midsummer's Eve?
    - I've no desire to dance with that mob.
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    Row me out on the lake.
    I want to watch the sunrise.
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    Take my advice and go to bed.
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    Am I to obey you now?
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    Yes. That crowd's
    coming to look for me.
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    I love them, just as they love me.
    Let them come.
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    They don't love you.
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    They take your food
    and spit behind your back.
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    If they see us together,
    you're lost.
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    Look what I found!
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    My room!
    There's no other choice!
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    If they try to break in,
    I'll shoot! Come!
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    No, kill me!
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    Jean!
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    Open this door!
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    What are we to do?
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    - Run away.
    - Where?
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    Switzerland, the Italian lakes.
    You've never been.
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    What will we do?
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    I'll start a hotel...
    everything first-class.
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    That's the life!
    Always new faces, new languages.
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    Never a minute
    for nerves or brooding.
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    Bells ringing,
    trains whistling, buses arriving.
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    And gold pieces clanging on the counter.
    That's the life!
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    - What about me?
    - You?
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    Mistress over all,
    the jewel of the house.
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    With your looks and manners,
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    you'll be the queen who sets the slaves
    in motion with an electric button.
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    I'll salt up the bills,
    and you'll sweeten them
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    with your loveliest smiles.
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    Let's get out of here
    on the next train.
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    Let's see.
    We'll be in Malmö at 6:30,
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    Hamburg at 8:40.
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    Frankfurt, Munich, Basel, Como.
    We'll be there in three days.
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    Tell me you love me.
    Take me in your arms.
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    I'd like to, but I dare not.
    Not under this roof.
  • 43:32 - 43:34
    I love you, beyond a doubt.
  • 43:34 - 43:36
    Do you doubt it, Miss Julie?
  • 43:37 - 43:41
    Miss? Call me Julie.
    There are no more barriers between us.
  • 43:41 - 43:44
    I can't!
    There are barriers between us.
  • 43:44 - 43:46
    There's the past.
  • 43:46 - 43:48
    There's the count.
  • 43:49 - 43:52
    I have only to hear
    that bell upstairs.
  • 43:53 - 43:57
    And when I see his boots there,
    so stiff and cocky...
  • 43:58 - 44:01
    Tradition and prejudice!
  • 44:01 - 44:04
    Just let us get
    to a true republic.
  • 44:04 - 44:07
    I'm a servant today,
    but in two years I'll be my own man,
  • 44:07 - 44:11
    and I might... just might...
    end up a count myself!
  • 44:11 - 44:13
    Just tell me you love me.
  • 44:13 - 44:16
    I'll say it a thousand times... later.
  • 44:16 - 44:17
    But not here.
  • 44:18 - 44:20
    Above all,
    no sentimentality.
  • 44:20 - 44:23
    We must keep a cool head...
  • 44:24 - 44:26
    like sensible people.
  • 44:26 - 44:29
    Come sit down. We'll talk
    as if nothing's happened.
  • 44:29 - 44:33
    My God!
    Have you no feelings at all?
  • 44:33 - 44:38
    Of course.
    No man feels more deeply than I do.
  • 44:38 - 44:41
    But the count
    may be back any moment.
  • 44:41 - 44:44
    Until then...
  • 44:45 - 44:48
    What do you think
    of my plans?
  • 44:48 - 44:51
    Have you got the capital
    for such an undertaking?
  • 44:52 - 44:53
    Of course.
  • 44:53 - 44:56
    My expert knowledge, vast
    experience, skill with languages.
  • 44:57 - 44:59
    The very best kind of capital.
  • 44:59 - 45:02
    But that won't even
    buy you a train ticket.
  • 45:02 - 45:04
    That's why you
    must be my partner.
  • 45:04 - 45:06
    But I possess nothing.
  • 45:07 - 45:09
    Well, then, that's off.
  • 45:10 - 45:11
    Everything will go on
    as before.
  • 45:11 - 45:14
    You think I'll live under this roof
    as your concubine?
  • 45:14 - 45:18
    You think I can look
    my father in the face after this?
  • 45:22 - 45:24
    What do you want?
  • 45:24 - 45:27
    Viola says Miss Julie wants me
    to go get the count.
  • 45:29 - 45:32
    Nonsense! Go to bed.
    The count will return when he wants to.
  • 45:33 - 45:36
    Oh, God! My father!
    What have I done?
  • 45:36 - 45:39
    Keep calm
    and don't play the fine lady.
  • 45:39 - 45:43
    Let me treat you
    to something special, little girl.
  • 45:43 - 45:47
    Is this what love is?
  • 45:49 - 45:52
    Do you know what love is?
  • 45:52 - 45:54
    Me? I should say so.
  • 45:54 - 45:56
    Don't you think
    I've been here before?
  • 45:56 - 45:59
    Watch your tone.
  • 45:59 - 46:02
    Where'd you get that wine?
    - From the cellar.
  • 46:02 - 46:05
    - My father's burgundy.
    - Isn't it good enough?
  • 46:05 - 46:08
    And I'm drinking beer!
  • 46:08 - 46:11
    It just shows
    I have better taste.
  • 46:11 - 46:15
    Have I been drunk
    or just dreaming the whole night?
  • 46:15 - 46:18
    Midsummer's Eve,
    the feast of innocent games.
  • 46:18 - 46:20
    Innocent!
  • 46:20 - 46:22
    A servant is a servant!
  • 46:22 - 46:24
    And a whore is a whore!
  • 46:24 - 46:29
    O God, end this wretched life!
    Save me!
  • 46:29 - 46:31
    I can't deny
    I feel sorry for you.
  • 46:32 - 46:35
    Looking up at you on the terrace
    from the onion beds...
  • 46:35 - 46:40
    I can tell you now... I had
    the same nasty thoughts all boys do.
  • 46:40 - 46:43
    - But you wanted to die for me.
    - What?
  • 46:43 - 46:46
    Oh, the oats bin.
    That was just talk.
  • 46:47 - 46:50
    - You mean lies.
    - Just about.
  • 46:50 - 46:54
    I read a story about a chimney sweep
    who hid in a bin of lilacs
  • 46:54 - 46:57
    to escape being sued
    for child support.
  • 46:58 - 47:02
    So I'm to lure in your customers,
    doctor your bills...
  • 47:02 - 47:05
    - No, I'll do that part.
    - To think a human soul could be so filthy!
  • 47:05 - 47:09
    - Then wash it clean!
    - Lackey! Stand up when I speak to you!
  • 47:10 - 47:14
    Lackey's wench! Servant's mistress!
    Shut up and get out of here!
  • 47:14 - 47:15
    You call me vulgar?
  • 47:16 - 47:20
    I've never seen a scullery maid
    throw herself at a man like you did.
  • 47:21 - 47:24
    I've only seen such behavior
    among beasts and whores!
  • 47:24 - 47:27
    You're right. Strike me, step on me.
    I deserve no better.
  • 47:29 - 47:31
    No, forgive me
    for the things I've said.
  • 47:32 - 47:34
    I've no wish to strike
    one who's unarmed,
  • 47:34 - 47:38
    least of all a woman.
  • 47:39 - 47:43
    Miss Julie,
    you're a magnificent woman,
  • 47:43 - 47:46
    and far too good
    for the likes of me.
  • 47:47 - 47:50
    I can never win your love.
    - Are you so sure?
  • 47:51 - 47:54
    That I might love you...
    there's no doubt about that,
  • 47:54 - 47:57
    for you are good
    and beautiful and refined.
  • 47:57 - 48:02
    You're like mulled wine
    rich with spice,
  • 48:02 - 48:04
    and one kiss from you...
  • 48:04 - 48:06
    - Not like this!
    - How then?
  • 48:07 - 48:10
    On my knees, kissing your shoe?
    No, I won't!
  • 48:10 - 48:13
    - I loathe you but can't escape you.
    - Then escape with me!
  • 48:13 - 48:17
    Escape?
    Yes, we shall escape!
  • 48:17 - 48:19
    Jean!
  • 48:23 - 48:25
    Are you in here?
  • 48:26 - 48:29
    Good Lord, I'm hungry.
  • 48:30 - 48:36
    Are you here, Jean?
    Lord am I sleepy.
  • 48:39 - 48:41
    Give me some wine.
  • 48:46 - 48:49
    Go get ready.
    I'll see to a carriage.
  • 49:12 - 49:14
    Hey, wake up!
  • 49:25 - 49:29
    Miss Julie wants her carriage.
    On your feet!
  • 50:10 - 50:11
    Come here.
  • 50:17 - 50:22
    You've told me your life story.
    Now I'll tell you mine.
  • 50:22 - 50:27
    We should get better acquainted
    before setting off together.
  • 50:28 - 50:31
    - Don't drink any more.
    - What's it matter?
  • 50:32 - 50:34
    You must see me as I am.
  • 50:35 - 50:38
    Besides, everyone knows
    my secrets.
  • 50:41 - 50:46
    My mother there
    came from quite plain stock.
  • 50:46 - 50:52
    She was raised with the ideas
    of the day about women's freedom.
  • 50:53 - 50:55
    She didn't want to marry,
  • 50:55 - 50:58
    and she told my father so
    when he proposed.
  • 51:01 - 51:03
    She said no.
  • 51:03 - 51:05
    She wouldn't be my wife,
  • 51:05 - 51:07
    but she'd gladly be my mistress.
  • 51:12 - 51:16
    She's a child.
    So innocent, so wonderful.
  • 51:16 - 51:18
    Let her have her way.
  • 51:20 - 51:23
    - What does this mean?
    - We love each other.
  • 51:23 - 51:26
    - And marriage?
    - Unnecessary.
  • 51:29 - 51:33
    Wait till you see her.
    All your doubts will vanish.
  • 51:33 - 51:38
    I can see you now
    when I bring her from town.
  • 51:38 - 51:41
    You'll come rushing
    from beyond the lake
  • 51:41 - 51:46
    in a great flurry of boats
    and horses and carriages.
  • 52:21 - 52:25
    They won't see what's right.
  • 52:28 - 52:31
    Then I won't see them either!
  • 52:38 - 52:41
    Berta, listen to me.
  • 52:42 - 52:46
    These curtains will not be raised
    until they come beg your forgiveness.
  • 53:00 - 53:03
    We have one friend left.
  • 53:03 - 53:05
    Robert...
  • 53:05 - 53:08
    you're a man
    of these modern times.
  • 53:08 - 53:11
    You come from simple folk,
    just like Berta.
  • 53:11 - 53:16
    Stand by us
    and help us raise
  • 53:16 - 53:17
    our child.
  • 53:17 - 53:18
    What child?
  • 53:18 - 53:22
    I mean...
    the son we'll have someday.
  • 53:33 - 53:36
    The carriage is ready, Doctor.
  • 53:40 - 53:42
    There's no doubt about it.
  • 53:43 - 53:45
    She's with child.
    Congratulations.
  • 53:45 - 53:47
    God in heaven!
  • 53:47 - 53:49
    Is she happy?
  • 53:49 - 53:51
    Extremely.
  • 53:54 - 53:56
    A child!
  • 54:02 - 54:05
    My darling.
  • 54:24 - 54:27
    She's dead!
  • 54:27 - 54:28
    What's that?
  • 54:29 - 54:32
    Dead? Who's dead?
  • 54:36 - 54:38
    What's this nonsense?
  • 54:39 - 54:41
    What kind of household is this?
  • 54:42 - 54:44
    Quiet, woman!
  • 54:52 - 54:53
    Is she...
  • 54:54 - 54:57
    She's no more dead
    than you or me.
  • 54:59 - 55:01
    You fell for her trick.
  • 55:07 - 55:09
    He who laughs last laughs best.
  • 55:34 - 55:36
    Show him his son.
  • 56:01 - 56:02
    You're dismissed.
  • 56:02 - 56:04
    Good night.
  • 56:43 - 56:46
    Thus I came into this world
  • 56:46 - 56:49
    against my mother's wishes.
  • 56:52 - 56:54
    Then I had to be raised.
  • 56:55 - 56:59
    I was to be an example
    that women were equal to men.
  • 57:01 - 57:04
    I was dressed in boys' clothes.
  • 57:51 - 57:53
    Julie.
  • 57:56 - 58:00
    I had to learn to groom
    the horses every morning.
  • 58:02 - 58:04
    I was watched like a hawk.
  • 58:06 - 58:09
    I went along on hunts.
  • 58:09 - 58:12
    I was so frightened.
  • 58:13 - 58:15
    I had to learn to till the land.
  • 58:18 - 58:23
    Sometimes I was so tired
    the plow would drag me along.
  • 58:24 - 58:27
    And slaughtering the calves.
  • 58:28 - 58:30
    The blood!
  • 58:43 - 58:45
    The men on the estate
    were assigned women's work.
  • 59:05 - 59:07
    And the women
    were given men's work.
  • 59:21 - 59:25
    As a result,
    the estate almost went under.
  • 59:26 - 59:29
    We were the laughingstock
    of the whole countryside.
  • 59:30 - 59:34
    Then one day my father
    awoke from the spell.
  • 59:42 - 59:44
    Wicked child!
  • 59:48 - 59:51
    Look what she's playing with!
    Is this the thanks I get?
  • 59:51 - 59:53
    You little...
  • 59:55 - 59:57
    No, you don't.
  • 60:00 - 60:02
    My Blenda!
  • 60:06 - 60:09
    My poor little girl.
  • 60:38 - 60:39
    Stop it!
  • 60:44 - 60:46
    Listen, Berta.
  • 60:47 - 60:51
    We're calling our friends back
    and having a proper church wedding.
  • 60:51 - 60:53
    Understand?
  • 60:58 - 61:00
    Come and dance, Julie.
  • 61:38 - 61:41
    For the last time:
    Do you still refuse to attend?
  • 61:44 - 61:46
    Then we'll manage without you.
  • 61:51 - 61:54
    - Carl...
    - It's too late!
  • 62:19 - 62:20
    Blenda!
  • 62:20 - 62:22
    Where's my Blenda?
  • 62:32 - 62:33
    Where's my Blenda?
  • 62:39 - 62:43
    Friends,
    seven years ago I vowed
  • 62:43 - 62:47
    these curtains would not rise
    until you all gathered here again.
  • 62:47 - 62:50
    That moment has come.
    May the flames outside blaze
  • 62:51 - 62:53
    in the name of friendship,
    truth and liberty!
  • 62:53 - 62:56
    Cheers!
  • 63:00 - 63:03
    Fire! Fire!
  • 63:04 - 63:07
    The house is on fire!
  • 63:37 - 63:40
    Save all that can be saved.
  • 64:19 - 64:21
    Where's Julie?
  • 64:25 - 64:27
    Where's Julie?
  • 65:20 - 65:23
    We lost everything
  • 65:23 - 65:25
    and had to sleep in the carriages.
  • 65:27 - 65:31
    Father didn't know where he'd find
    the money to rebuild.
  • 65:33 - 65:38
    Then Mother advised him
    to borrow from their best friend.
  • 65:40 - 65:42
    Father agreed.
  • 65:43 - 65:48
    But he wasn't allowed to pay interest,
    which surprised him.
  • 65:49 - 65:52
    Mother argued passionately,
  • 65:52 - 65:55
    but Father didn't
    understand a word.
  • 65:56 - 65:59
    But they had a friend
    who was willing to help.
  • 65:59 - 66:02
    And what a friend!
  • 66:06 - 66:10
    And so the manor was rebuilt.
  • 66:19 - 66:22
    Do you know
    who started the fire?
  • 66:22 - 66:24
    Your mother.
  • 66:25 - 66:27
    Do you know
    who the friend was?
  • 66:28 - 66:29
    Your mother's lover.
  • 66:30 - 66:32
    You know
    whose money it was?
  • 66:32 - 66:34
    Just a moment.
  • 66:35 - 66:37
    No, I don't know.
  • 66:37 - 66:41
    My mother's.
    She'd entrusted it to her friend.
  • 66:41 - 66:43
    Who copped it.
  • 66:44 - 66:46
    Exactly.
  • 66:47 - 66:49
    He kept it.
  • 66:50 - 66:53
    But my father found out.
  • 66:58 - 67:01
    He couldn't bring suit,
  • 67:01 - 67:04
    or pay his wife's lover,
  • 67:05 - 67:08
    or prove it was
    his wife's money.
  • 67:20 - 67:21
    Papa!
  • 67:22 - 67:24
    What was that?
  • 67:27 - 67:28
    Poor Papa!
  • 67:34 - 67:36
    The count's shot himself.
    We must get him into bed.
  • 67:36 - 67:39
    Jean, come here!
  • 67:41 - 67:43
    Good Lord!
  • 67:48 - 67:51
    The count shot himself!
  • 68:44 - 68:49
    After Papa's
    abortive attempt at suicide,
  • 68:50 - 68:53
    she took charge of me.
  • 69:09 - 69:12
    She taught me
    to hate and mistrust men.
  • 69:19 - 69:23
    And one fine day you got engaged
    to the county attorney.
  • 69:31 - 69:32
    It's just a little Christmas present.
  • 69:36 - 69:39
    It's just a little Christmas present.
  • 70:53 - 70:55
    But you got engaged.
  • 70:57 - 71:00
    Yes, to make him my slave.
  • 71:00 - 71:02
    And he didn't want to be?
  • 71:02 - 71:05
    He did,
    but I wouldn't let him.
  • 71:07 - 71:11
    Frankly, I'm tired of all this.
    I'm going to bed.
  • 71:12 - 71:15
    You know what a man owes
    a woman he's dishonored?
  • 71:18 - 71:21
    Here.
    I won't be in debt to anyone.
  • 71:21 - 71:26
    Is there no other solution besides
    going abroad to marry and divorce?
  • 71:26 - 71:29
    Supposing I don't want to?
  • 71:29 - 71:30
    Don't want to?
  • 71:30 - 71:35
    I come from better stock.
    There are no arsonists in my family.
  • 71:35 - 71:40
    Your ancestor was a miller
    whose wife once slept with the king.
  • 71:40 - 71:42
    I have no such ancestry.
  • 71:43 - 71:46
    This is what I get
    for confiding in a scoundrel,
  • 71:46 - 71:48
    for sacrificing my family's honor.
  • 71:48 - 71:49
    Honor?
  • 71:49 - 71:52
    Dishonor!
  • 72:25 - 72:28
    Dear God, help me!
    Where shall I turn?
  • 72:29 - 72:33
    I was mad, but is there no salvation?
    God, help me!
  • 72:33 - 72:36
    Calm down.
    Stay here then.
  • 72:36 - 72:38
    I can't.
    People know. Kristin knows.
  • 72:39 - 72:40
    No, she doesn't.
  • 72:40 - 72:45
    - It could happen again.
    - That's true.
  • 72:45 - 72:47
    No.
  • 72:48 - 72:50
    - And the consequences?
    - What's that?
  • 72:51 - 72:52
    The consequences!
  • 72:53 - 72:57
    What was I thinking? We must
    get away before the count returns.
  • 72:57 - 73:00
    I'm so tired!
    I can't!
  • 73:01 - 73:05
    I order you: Go get some money
    and come back here.
  • 73:05 - 73:06
    Stay with me.
  • 73:07 - 73:10
    Now you're crazy again.
  • 73:12 - 73:13
    No! Now go!
  • 73:14 - 73:16
    Speak kindly to me, Jean.
  • 73:16 - 73:18
    A command
    always sounds unfriendly.
  • 73:18 - 73:21
    See how it feels?
  • 74:12 - 74:14
    Hey there!
  • 74:26 - 74:28
    What have you two been up to?
  • 74:29 - 74:34
    Miss Julie dragged the servants in here.
    Did you sleep right through it?
  • 74:34 - 74:36
    Yes, like a log.
  • 74:36 - 74:38
    Are you dressed for church?
  • 74:38 - 74:42
    You promised to come
    to church with me today.
  • 74:43 - 74:45
    So I did.
  • 74:45 - 74:48
    You're right. Let's go.
  • 74:49 - 74:52
    I'm so sleepy.
  • 74:53 - 74:55
    What have you been
    doing all night?
  • 74:56 - 74:58
    You're all green in the face.
  • 74:58 - 75:01
    I sat and talked
    with Miss Julie.
  • 75:01 - 75:04
    That creature
    has no idea of what's proper.
  • 75:05 - 75:07
    Say, Kristin.
  • 75:09 - 75:12
    It's funny
    when you think about it.
  • 75:12 - 75:14
    Miss Julie!
  • 75:15 - 75:18
    What's so funny exactly?
  • 75:19 - 75:21
    Everything.
  • 75:22 - 75:25
    Have you been
    drinking together?
  • 75:28 - 75:29
    Shame on you!
  • 75:30 - 75:31
    Look me in the eye!
  • 75:32 - 75:33
    Yes!
  • 75:34 - 75:36
    Can this be?
  • 75:36 - 75:38
    Yes, it can.
  • 75:40 - 75:42
    I'd never have believed it!
  • 75:42 - 75:44
    Shame on you!
  • 75:44 - 75:48
    - Jealous?
    - Of her? Never!
  • 75:48 - 75:51
    If it was Viola,
    I'd scratch her eyes out.
  • 75:52 - 75:54
    But Miss Julie!
  • 75:55 - 75:57
    And the count!
  • 75:59 - 76:00
    The count?
  • 76:00 - 76:03
    He's suffered so much.
  • 76:03 - 76:06
    Good Lord, what will he think?
  • 76:27 - 76:29
    I'll say good-bye now.
  • 76:30 - 76:34
    I've arranged
    to catch the morning train.
  • 76:35 - 76:37
    Yes, of course.
  • 76:37 - 76:40
    We're going
    to watch the sunrise.
  • 76:41 - 76:44
    But then we'll see you to your train.
    - Fine.
  • 76:44 - 76:48
    - Are you all packed?
    - Yes.
  • 76:59 - 77:01
    Give her a chance.
  • 77:01 - 77:03
    You're fond of her,
  • 77:03 - 77:06
    and deep down she's fond of you.
  • 77:06 - 77:09
    Come see her one last time.
  • 77:09 - 77:11
    Don't go yet.
  • 77:36 - 77:38
    I must see her once more.
  • 77:49 - 77:51
    This is really -
  • 77:51 - 77:53
    Go get ready.
    We'll go to church.
  • 77:53 - 77:55
    The poor count.
  • 77:57 - 77:59
    Shh! Kristin's awake.
  • 78:00 - 78:02
    What's wrong with you?
    - What?
  • 78:03 - 78:05
    You're pale as a corpse,
    and your face is dirty.
  • 78:06 - 78:07
    Let me wash up.
  • 78:17 - 78:20
    The sun's coming up.
  • 78:22 - 78:25
    - Come with me. I've got money now.
    - Enough?
  • 78:25 - 78:27
    I can't travel alone.
  • 78:27 - 78:32
    Midsummer's Day, a crowded train,
    people staring. I can't!
  • 78:33 - 78:37
    And all the childhood memories.
  • 78:38 - 78:41
    Midsummer days, and the church
    decked with birch leaves.
  • 78:41 - 78:44
    The table laid for dinner.
  • 78:44 - 78:47
    Dancing, music and games.
  • 78:49 - 78:54
    We try to run,
    but our memories follow behind.
  • 78:54 - 78:56
    I'll come with you,
    but in a moment.
  • 79:04 - 79:06
    - What's that?
    - My finch.
  • 79:06 - 79:09
    We're not taking a birdcage!
  • 79:10 - 79:13
    I can't leave it with strangers.
    I'd rather you killed it!
  • 79:13 - 79:17
    - Give it here. I'll wring its neck.
    - Don't let it suffer.
  • 79:18 - 79:20
    My little Serine,
    dying for your mistress.
  • 79:21 - 79:24
    Don't make a scene.
    Your life's at stake.
  • 79:27 - 79:28
    Kill me too!
  • 79:28 - 79:32
    I loathe and despise you!
    I curse the day I met you!
  • 79:32 - 79:34
    I curse the day I was born!
  • 79:34 - 79:37
    - Go now!
    - No, I must look.
  • 79:37 - 79:40
    Quiet! I hear a carriage.
  • 79:45 - 79:47
    Think I can't stand
    the sight of blood?
  • 79:47 - 79:50
    I'd like to see your whole sex
    floating in a sea of blood!
  • 79:51 - 79:53
    You think I love you
    and want your child.
  • 79:54 - 79:56
    You cur, you wear my collar!
  • 79:56 - 80:01
    A lackey with my coat of arms!
    So I'm to be my housemaid's rival?
  • 80:01 - 80:04
    You think I'll flee like a coward,
    but I'm staying.
  • 80:05 - 80:09
    The carriage has stopped.
    My father's home.
  • 80:09 - 80:11
    He's going up the steps.
  • 80:12 - 80:16
    He sees the desk forced open,
    the money gone.
  • 80:16 - 80:18
    He rings
  • 80:18 - 80:21
    this bell twice
    for the servants.
  • 80:23 - 80:26
    Then he sends for the police,
    and they arrive.
  • 80:28 - 80:31
    And there I stand before him.
  • 80:31 - 80:35
    I'll tell everything,
    if only it will end.
  • 80:35 - 80:37
    Just let it all end!
  • 80:37 - 80:42
    He goes into his room
    without a word and-
  • 80:57 - 81:00
    And thus there'll be
    an end to all of us.
  • 81:01 - 81:04
    All will be peace and quiet
  • 81:04 - 81:06
    and eternal rest.
  • 81:07 - 81:09
    The coat of arms
    will be shattered...
  • 81:10 - 81:14
    while the servant's line
    continues on in the orphanage,
  • 81:14 - 81:18
    wins laurels in the gutter
    and ends in jail.
  • 81:19 - 81:21
    Bravo, Miss Julie!
  • 81:21 - 81:24
    There's royal blood speaking!
  • 81:24 - 81:25
    Bravo!
  • 81:27 - 81:29
    Help me, Kristin!
  • 81:29 - 81:34
    - What's all this fuss on the Sabbath?
    - I'll be shaving.
  • 81:34 - 81:39
    Kristin, Jean and I can't stay.
    We have to go away.
  • 81:39 - 81:41
    I have an idea.
  • 81:41 - 81:45
    Let's all three of us
    open a hotel in Switzerland.
  • 81:45 - 81:48
    I have money.
    You can oversee the kitchen.
  • 81:49 - 81:50
    Wouldn't that be nice?
  • 81:50 - 81:53
    Say yes!
  • 81:54 - 81:58
    You've never traveled.
    You must see the world.
  • 81:58 - 82:02
    It's such fun just to take a train.
    New faces, new countries.
  • 82:02 - 82:05
    We'll see the zoo in Hamburg.
  • 82:05 - 82:07
    You'll like it.
  • 82:07 - 82:10
    And there's
    the museums in Munich.
  • 82:10 - 82:13
    And then we'll set up our hotel.
  • 82:13 - 82:17
    I'll be in the office, and Jean
    will see to the tourists. What a life!
  • 82:17 - 82:22
    Trains whistling, buses arriving,
    bells ringing everywhere.
  • 82:22 - 82:26
    And you'll sit like a queen
    in the kitchen.
  • 82:27 - 82:29
    You won't be standing
    over the stoves, of course.
  • 82:29 - 82:33
    With your looks...
    and this isn't just flattery...
  • 82:33 - 82:37
    you'll catch yourself
    a rich Englishman one day.
  • 82:37 - 82:41
    We'll all be rich, and we'll build
    a big villa on Lake Como.
  • 82:43 - 82:46
    Of course it rains there
    now and then.
  • 82:48 - 82:53
    But the sun must shine sometime,
    even if the sky is dark.
  • 82:54 - 82:59
    Otherwise we can
    come home again.
  • 83:00 - 83:02
    Here...
  • 83:03 - 83:05
    or somewhere else.
  • 83:05 - 83:09
    Miss Julie,
    do you really believe all this?
  • 83:09 - 83:11
    I...
  • 83:11 - 83:16
    I don't believe
    in anything anymore.
  • 83:16 - 83:19
    So you thought you'd run off!
  • 83:19 - 83:21
    Run off? Who said that?
  • 83:21 - 83:23
    And I was to be
    this woman's kitchen maid?
  • 83:24 - 83:27
    - Don't speak of your mistress like that.
    - Mistress!
  • 83:28 - 83:30
    Have you no respect
    for your betters?
  • 83:33 - 83:38
    Are you coming to church?
    You could use a good sermon now.
  • 83:38 - 83:40
    No, you go on alone.
  • 83:40 - 83:43
    I'll do that.
  • 83:43 - 83:46
    Our savior died for our sins,
  • 83:46 - 83:51
    and if we have faith in him,
    he'll take our guilt upon himself.
  • 83:51 - 83:55
    If only I had your faith.
  • 83:55 - 83:58
    I'll go by myself.
  • 83:58 - 84:02
    And I'll tell the stable hand
    not to let the horses out,
  • 84:02 - 84:06
    in case someone tries to get away
    before the count returns.
  • 84:07 - 84:08
    Good-bye!
  • 84:08 - 84:10
    Damn you!
  • 84:24 - 84:26
    What would you do
    if you were me?
  • 84:27 - 84:29
    If I were you?
  • 84:29 - 84:31
    I don't know.
  • 84:34 - 84:36
    Wait. I do.
  • 84:38 - 84:40
    This?
  • 84:51 - 84:53
    Home we go, then.
  • 85:07 - 85:08
    I can't!
  • 85:08 - 85:10
    My father couldn't either.
  • 85:11 - 85:13
    He had to get revenge first.
  • 85:15 - 85:18
    Now my mother
    has gotten revenge through me.
  • 85:19 - 85:20
    Julie?
  • 85:30 - 85:34
    She's still asleep, but we'll wake her.
    Have a smoke on the terrace.
  • 85:36 - 85:38
    Who's to blame?
  • 85:38 - 85:40
    I don't know.
  • 85:41 - 85:45
    What's it matter?
    I must bear the consequences.
  • 85:48 - 85:50
    The count's back.
  • 85:55 - 85:57
    Yes, sir?
  • 85:58 - 85:59
    Yes, sir.
  • 86:00 - 86:01
    At once, sir.
  • 86:02 - 86:03
    Half an hour.
    Yes, sir.
  • 86:04 - 86:06
    What did he say?
  • 86:06 - 86:10
    He wants his boots
    and coffee in half an hour.
  • 86:10 - 86:12
    I'm so tired.
    I can't do anything.
  • 86:13 - 86:15
    I can't run,
    I can't live, I can't die.
  • 86:16 - 86:19
    Help me!
    Command me, and I'll obey like a dog!
  • 86:20 - 86:22
    I don't know why,
    but now I can't either.
  • 86:22 - 86:24
    I don't understand.
  • 86:25 - 86:30
    Since I heard his voice...
    I can't explain it.
  • 86:30 - 86:34
    It's the damned servant in me!
  • 86:38 - 86:39
    I believe...
  • 86:42 - 86:46
    if he came and told me
    to slit my throat...
  • 86:47 - 86:49
    I'd do it on the spot.
  • 88:08 - 88:10
    Julie!
  • 88:36 - 88:38
    She's leaving
    on the morning train.
  • 88:39 - 88:42
    Dear Lord, that's my train!
  • 88:55 - 88:57
    We have to stop her.
Title:
Froken Julie 1951
Video Language:
Swedish
Julien Gruet edited English subtitles for Froken Julie 1951
Julien Gruet edited English subtitles for Froken Julie 1951

English subtitles

Revisions