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It's as if he's saying,
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"No, no more. I don't want to play
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yet another song." [laughing]
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You imagine that he's been singing
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and playing the flute
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so beautifully that
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his audience is asking for more
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Well look at the pleasure on his face
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he looks so self-satisfied
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He's just turned away,
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his hand is up
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The other hand is still on the flute
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as if he's just stopped with his finger
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in one of its holes
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I can't possibly play another.
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[laughs] Or, he could just be pausing
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and singing
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Which is a standard type
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that we see in 17th century Dutch paintings
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The thing, of course, that carries this painting
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is the brushwork
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its sense of formality, its sense of the momentary
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the way in which the fluidity
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of the artist's hand moving through
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this canvas, and the motion
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of the figure himself
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are so beautifully brought together.
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I thought what you were going to say
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what carries this painting is the feather
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[chuckles] Okay. Because it's so wild,
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this giant white feather
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that completes this circular form
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that starts down by his mouth
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There's all that space above,
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so that his face is even
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slightly lower than center
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also the sense of the space to move in
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that the artist has only captured this one frame
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there are plenty of other things
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that are going around outside of what
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we could see