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Jiro Dreams of Sushi

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    What defines
    "deliciousness"?
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    Taste is tough
    to explain, isn't it?
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    I would see ideas
    in dreams.
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    My mind was bursting
    with ideas.
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    I would wake up
    in the middle of the night.
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    In dreams, I would have
    visions of sushi.
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    Once you decide
    on your occupation,
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    you must immerse yourself
    in your work.
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    You have to fall in love
    with your work.
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    Never complain
    about your job.
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    You must dedicate your life
    to mastering your skill.
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    That's the secret
    of success
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    and is the key to being
    regarded honorably.
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    I have published several
    restaurant guidebooks.
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    I went to every sushi, soba,
    tempura, and eel restaurant in Tokyo.
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    Nobody has eaten more
    of these foods than I have.
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    Out of the hundreds
    of restaurants that I ate at,
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    Jiro's was the best by far.
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    When I went to Jiro
    the first time, I was nervous.
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    After going for years,
    I am still nervous.
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    Jiro has a very stern look
    on his face when he's making sushi.
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    It's comfortable for people
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    who like to have sushi
    served at a fast pace.
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    But for people who want
    to drink and eat slowly while chatting,
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    it won't be a comfortable
    eating experience.
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    All of the sushi is simple.
    It's completely minimalist.
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    Master chefs from around the world
    eat at Jiro's and say,
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    "How can something so simple
    have so much depth of flavor?"
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    If you were to sum up
    Jiro's sushi in a nutshell...
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    "Ultimate simplicity
    leads to purity."
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    - Excuse me.
    - Yes?
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    Do you have a pamphlet
    for this restaurant?
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    We don't have pamphlets.
    We only have business cards.
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    Could I have one, please?
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    May I have one?
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    I came all the way
    from Shizuoka.
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    Here are a few cards.
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    - Can I make reservations?
    - Reservations are mandatory here.
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    How early do I need
    the reservation?
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    - One month in advance.
    - One month in advance?
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    Yes.
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    Since it's February now,
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    we're taking reservations
    for March.
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    I see.
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    Reservations can be made
    for lunch and dinner?
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    Yes, for both.
    The price starts at 30,000 yen.
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    - 30,000 yen?
    - It starts at 30,000 yen.
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    - Okay.
    - The sushi and prices vary,
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    depending on what's
    available at the market.
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    - I see.
    - So it starts from 30,000 yen.
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    Can we order drinks
    and appetizers to start?
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    We only serve sushi.
    We don't have appetizers.
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    - Really?
    - Yes.
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    - You don't have any other dishes?
    - No.
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    - Only sushi.
    - Yes.
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    - Okay, thank you.
    - Thank you.
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    For fast eaters, a meal there
    might last only 15 minutes.
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    In that sense, it's the most expensive
    restaurant in the world.
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    But people who eat there are
    convinced it's worth the price.
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    We're not trying
    to be exclusive or elite.
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    The techniques we use
    are no big secret.
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    It's just about
    making an effort
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    and repeating
    the same thing every day.
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    There are some who are born
    with a natural gift.
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    Some have a sensitive palate
    and sense of smell.
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    That's what you call
    "natural talent."
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    In this line of business,
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    if you take it seriously,
    you'll become skilled.
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    But if you want
    to make a mark in the world,
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    you have to have talent.
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    The rest depends
    on how hard you work.
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    He repeats the same
    routine every day.
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    He even gets on the train
    from the same position.
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    He has said that
    he dislikes holidays.
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    The holidays are too long for him.
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    He wants to get back
    to work right away.
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    It's unthinkable
    for most people.
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    Is it good?
    Is it too firm?
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    - Overall it's a little tough.
    - Is it?
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    Probably because
    it is young.
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    But the toughness
    isn't that bad.
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    If it doesn't taste good,
    you can't serve it.
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    It has to be better
    than last time.
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    That's why I always taste the food
    during preparation.
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    - It hasn't marinated enough.
    - It is a bit fatty.
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    This doesn't taste
    right either.
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    - How long has this marinated?
    - For about five hours.
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    - Put it back in.
    - It needs work.
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    Let's marinate it
    in vinegar a little longer.
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    My father is right.
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    - Let's marinate it again.
    - Put it in the vinegar again.
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    Put that one in the vinegar too.
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    - We'll try it again before serving.
    - Okay.
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    I've seen many chefs
    who are self-critical,
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    but I've never seen another chef
    who is so hard on himself.
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    He sets the standard
    for self-discipline.
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    He is always looking ahead.
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    He's never satisfied
    with his work.
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    He's always trying to find ways
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    to make the sushi better
    or to improve his skills.
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    Even now, that's what
    he thinks about every day.
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    A great chef has
    the following five attributes.
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    First, they take their work
    very seriously
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    and consistently perform
    on the highest level.
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    Second, they aspire
    to improve their skills.
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    Third is cleanliness.
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    If the restaurant
    doesn't feel clean,
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    the food isn't
    going to taste good.
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    The fourth attribute
    is impatience.
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    They are not prone
    to collaboration.
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    They're stubborn and insist
    on having things their own way.
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    What ties these attributes together
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    is passion.
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    That's what makes a great chef.
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    Jiro has all of these attributes.
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    He's a perfectionist.
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    The difference between Jiro today
    and Jiro 40 years ago
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    is only that he stopped smoking.
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    Other than that,
    nothing has changed.
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    When I apprenticed for him,
    he wasn't famous yet.
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    But he always worked
    incredibly hard.
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    He would only take a day off
    if it was a national holiday.
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    The only time
    he wasn't at the restaurant
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    was when there was
    an emergency, like a funeral.
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    But he would still keep
    the restaurant open.
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    I would say to the customers,
    "Jiro is at a funeral,
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    so I will be your chef today."
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    I've worked hard,
    so I have no regrets.
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    Seriously.
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    If Jiro has any regrets,
    then he's crazy!
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    I feel sorry for his older son.
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    He should let
    Yoshikazu take over.
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    Don't you think?
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    Yoshikazu is already 50.
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    Yes, he's only
    12 years younger than I am.
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    Yoshikazu,
    you probably didn't think
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    you'd be working
    with your father so long.
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    I thought he was going
    to retire long ago.
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    Everyone thought Jiro might
    retire 10 years ago.
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    He was hospitalized once
    when he was 70.
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    Then the Roppongi Hills
    branch was opened.
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    Those were the two times
    when he might have retired.
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    After he was hospitalized, we weren't
    sure he could continue working.
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    How old were you when
    you started training?
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    I started when I was 19.
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    You didn't like it at first?
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    I hated it at first.
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    For the first two years,
    I wanted to run away.
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    We can have them
    sit here and here.
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    But that way, Mr. Taniguchi
    would have to sit at seat nine.
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    Have these guests
    on seats one, two and three.
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    No, that won't work.
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    It wouldn't be fair to the people
    who reserved last year.
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    Have them sit close together
    to fit the other party.
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    It's essential
    to check every detail.
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    What the staff might not notice,
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    I notice because I have been
    doing it for so long.
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    I give them detailed
    instructions on what to do.
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    Working there wasn't easy.
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    I worked for him
    until he was 60.
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    I wouldn't say
    he is eccentric.
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    He just works
    relentlessly every day.
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    That's how shokunin are.
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    The way of the shokunin is
    to repeat the same thing every day.
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    They just want to work.
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    They aren't trying to be special.
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    I could always tell
    from his facial expressions
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    if he was in a good mood
    or a bad mood.
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    And when it was best
    not to bother him.
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    Once your boss,
    always your boss.
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    Let's just say
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    I don't sleep with my feet
    in his direction.
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    Remove the part
    with tough meat.
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    We'll age a small tuna
    for about three days.
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    We'll age a larger tuna
    for up to 10 days.
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    When you compare
    fatty tuna and lean tuna,
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    these days most people
    prefer the taste of fat.
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    Before World War ll,
    they used to cook fatty tuna.
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    The taste of the fatty tuna
    is simple and predictable.
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    But the flavors of leaner cuts
    are subtle and sophisticated.
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    Each tuna has
    its own unique taste,
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    but it is the leaner meat that carries
    the essence of the flavor.
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    We can't buy
    just any tuna.
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    The tuna vendor works
    exclusively with tuna.
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    Our shrimp vendor
    only sells shrimp.
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    Each vendor is
    a specialist in his field.
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    We are experts in sushi,
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    but in each of their specialties,
    the vendors are more knowledgeable.
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    We've built up a relationship
    of trust with them.
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    Sushi was originally sold
    from street stands.
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    In New York, there are
    food vendors on the street.
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    Sushi was once served
    the same way.
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    It is said that
    the "California" roll
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    was invented
    between 1983 and 1985.
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    Sushi's popularity spread
    quickly to New York...
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    and then spread to Europe.
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    In France, the first Michelin guide
    was published in 1900.
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    Michelin inspectors
    look first for quality.
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    Next they look for originality,
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    and finally
    they look for consistency.
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    Jiro's restaurant easily
    meets their standards.
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    A perfect three-star
    Michelin rating means
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    it is worth making
    a trip to that country
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    just to eat at that restaurant.
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    When Jiro got three stars,
    everyone was astonished.
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    There are only 10 seats there!
    The restroom is outside the premises.
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    There's not another three-star
    restaurant in the world like that.
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    But the Michelin
    investigators say,
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    "No matter how many times
    you eat at Jiro's,
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    the sushi there is incredible."
    They said that three stars
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    is the only rating adequate
    for the restaurant.
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    I've never had
    a disappointing experience there.
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    That's nothing short
    of a miracle.
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    The layout of this second
    restaurant is different
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    because I'm right-handed
    and my father is left-handed.
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    The interiors are reversed.
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    The photo on the right
    is Jiro's Sukiyabashi.
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    This is my Roppongi.
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    Together, they are symmetrical.
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    My father's skill is incomparable.
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    He's been making sushi
    since before I was born,
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    so there's nothing
    I can do to top him.
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    I have to lower my prices
    to satisfy my customers.
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    Some of his customers say
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    they get nervous eating in front
    of my father at his place.
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    They say I serve the same sushi
    in a more relaxed atmosphere.
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    That's why they like coming here.
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    When l opened this restaurant,
    my father said,
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    "Now you have no home
    to come back to."
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    He said that I would be
    buried in Roppongi.
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    Failure was not an option.
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    When you open your own restaurant,
    you need to be tough.
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    I told him to leave
    and open this restaurant
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    because I knew he could do it.
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    If he weren't ready,
    I wouldn't have made him go.
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    But I felt he was ready,
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    so I gave him a gentle push
    out the door.
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    But I told him,
    "There is no turning back.
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    You must make your own way."
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    When I say things like this,
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    people often disagree.
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    But when I left home at the age of nine,
    that's what I was told.
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    When I was in the first grade,
    I was told
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    "You have no home
    to come back to.
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    That's why you have
    to work hard."
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    I knew that
    I was on my own.
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    And I didn't want to have to sleep
    at the temple or under a bridge,
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    so I had to work
    just to survive.
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    That has never left me.
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    I worked even if the boss
    kicked or slapped me.
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    Nowadays, parents tell their children, "You can
    return if it doesn't work out."
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    When parents say
    stupid things like that,
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    the kids turn out
    to be failures.
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    I don't know much
    about my parents.
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    I don't know
    much about my father.
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    This is me.
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    It's 1927 or 1928.
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    They had a professional
    photographer come
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    just to take this picture.
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    So, back then,
    my father was making money.
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    He made good money taking
    people on boat rides.
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    But his business failed
    and his life fell apart.
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    All he did was drink.
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    Later, he went to work
    at a military factory in Yokohama.
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    I heard that he died.
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    But I didn't go to the funeral.
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    I lived with him until I was seven.
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    I never heard from him again.
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    I was on my own after that.
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    Our father started as an apprentice
    and was paid almost nothing.
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    According to our mother,
    when they got married
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    they only had 10 yen
    in their bank account.
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    That's how poor we were.
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    I remember when Coca-Cola
    in cans first came out.
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    All the other kids
    were drinking Coke,
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    but we were so poor
    we didn't get to drink it.
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    Back then, in most
    canned drinks
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    the flavors
    were on the bottom.
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    I thought you had
    to shake the can.
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    I shook it, and when l opened it
    the liquid burst out.
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    We had saved up for months!
    My brother was furious.
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    Less than half the liquid
    remained in the can.
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    I felt so sorry.
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    Even now, he probably
    thinks about it.
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    I still feel guilty.
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    When the kids were small,
    Takashi would say,
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    on the rare occasion that I was
    at home sleeping in on a Sunday,
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    "Mom, there's a strange man
    sleeping in our house!"
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    It's a true story.
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    I would get up at 5:00
    in the morning and go to work.
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    I would get home after 10:00
    at night when he'd be asleep.
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    When they were young,
    I didn't get to see them often.
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    I wasn't much of a father.
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    I was probably more
    like a stranger.
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    Our father was always
    strict with himself.
  • 25:20 - 25:25
    We hold ourselves
    to the same standard.
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    I let them graduate
    from high school.
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    Then they wanted
    to go to college,
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    but I convinced them
    to help out at my restaurant.
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    They didn't go to college.
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    It's difficult to maintain a restaurant
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    and it's difficult to leave
    and start your own.
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    It's normal to be competitive
    when you're younger.
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    You need competition
    in order to improve.
  • 26:21 - 26:23
    But if we both were
    to continue working
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    at our father's restaurant,
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    when he retires only one
    of us could be the head chef.
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    And I don't think I'm inferior
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    to my brother just because
    I was born later.
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    Were you jealous when Takashi
    started his own restaurant?
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    In Japan, the eldest son
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    succeeds his father's position.
  • 26:51 - 26:56
    That's what is expected of me.
  • 27:18 - 27:20
    We came back to work
    after World War ll.
  • 27:22 - 27:26
    The masters said that
    the history of sushi is so long
  • 27:26 - 27:29
    that nothing new
    could be invented.
  • 27:31 - 27:33
    They may have
    mastered their craft,
  • 27:33 - 27:36
    but there's always room
    for improvement.
  • 27:38 - 27:40
    I created sushi dishes
  • 27:41 - 27:44
    that didn't exist back then.
  • 27:58 - 28:00
    I would make sushi in my dreams.
  • 28:00 - 28:03
    I would jump out of bed
    at night with ideas.
  • 28:12 - 28:14
    How did you serve shrimp before?
  • 28:14 - 28:16
    Like everyone else,
    we boiled it in the morning
  • 28:16 - 28:18
    and put it in the refrigerator.
  • 28:18 - 28:20
    And then we took it out
    when it was time to serve.
  • 28:20 - 28:22
    It was a lot easier back then.
  • 28:22 - 28:26
    Now we wait to boil the shrimp
    until the customer arrives.
  • 28:26 - 28:28
    It's more work,
    but it's worth it.
  • 28:28 - 28:30
    Octopus is another example.
  • 28:30 - 28:32
    I always felt that
    my preparation was decent.
  • 28:32 - 28:34
    But I've since refined
    my technique.
  • 28:35 - 28:38
    Back then, I would massage
    the octopus for about 30 minutes.
  • 28:38 - 28:40
    Now it is massaged
    for 40 to 50 minutes.
  • 28:44 - 28:47
    It's hard work
    for the apprentices.
  • 28:50 - 28:53
    Too often,
    octopus tastes like rubber.
  • 28:53 - 28:55
    It has no flavor.
  • 28:57 - 29:01
    We massage it to give it
    a soft texture.
  • 29:01 - 29:04
    To bring out the fragrance
    of the octopus, we serve it warm.
  • 29:20 - 29:21
    Shokunin try to get
  • 29:22 - 29:25
    the highest quality fish
    and apply their technique to it.
  • 29:28 - 29:33
    We don't care about money.
  • 29:49 - 29:55
    All I want to do
    is make better sushi.
  • 29:55 - 29:58
    I do the same thing over
    and over, improving bit by bit.
  • 29:59 - 30:02
    There is always a yearning
    to achieve more.
  • 30:02 - 30:05
    I'll continue to climb,
    trying to reach the top,
  • 30:05 - 30:09
    but no one knows
    where the top is.
  • 30:27 - 30:29
    Even at my age,
    after decades of work,
  • 30:29 - 30:32
    I don't think I have
    achieved perfection.
  • 30:39 - 30:41
    But I feel ecstatic all day.
  • 30:41 - 30:44
    I love making sushi.
  • 30:44 - 30:47
    That's the spirit
    of the shokunin.
  • 31:04 - 31:05
    When to quit?
  • 31:06 - 31:08
    The job that you've worked
    so hard for?
  • 31:08 - 31:13
    I've never once hated this job.
  • 31:13 - 31:16
    I fell in love with my work
  • 31:16 - 31:21
    and gave my life to it.
  • 31:21 - 31:24
    Even though I'm 85 years old,
  • 31:24 - 31:28
    I don't feel like retiring.
  • 31:31 - 31:33
    That's how I feel.
  • 31:33 - 31:36
    When Jiro retires
  • 31:36 - 31:39
    or when the inevitable
    happens,
  • 31:39 - 31:44
    sushi may never reach
    that level again.
  • 31:45 - 31:50
    But if Yoshikazu carries on
    his father's legacy
  • 31:50 - 31:56
    and continues Jiro's style
    of only making the finest sushi,
  • 31:56 - 32:00
    other chefs may follow his lead
  • 32:00 - 32:05
    and restaurants that focus only
    on sushi may still flourish.
  • 32:05 - 32:07
    It's not going to be easy
  • 32:07 - 32:11
    for Yoshikazu to succeed his father
    at the same restaurant.
  • 32:14 - 32:16
    Even if Yoshikazu makes
    the same level of sushi,
  • 32:16 - 32:18
    it will be seen as inferior.
  • 32:18 - 32:21
    If Yoshikazu makes sushi
    that's twice as good as Jiro's,
  • 32:21 - 32:23
    only then will
    they be seen as equals.
  • 32:23 - 32:26
    That's how influential
    his father is.
  • 32:29 - 32:32
    Sometimes, when the father
    is too successful,
  • 32:32 - 32:35
    the son can't surpass him.
  • 32:36 - 32:41
    The first place I worked at
    was a famous restaurant.
  • 32:41 - 32:45
    But when the son took over, all
    the customers left and didn't come back.
  • 32:48 - 32:49
    It will be difficult.
  • 32:49 - 32:54
    I don't have anyone
    to take over for me.
  • 33:00 - 33:06
    Jiro's ghost will always
    be there, watching.
  • 33:06 - 33:10
    I think it will be difficult
    when Jiro departs.
  • 33:24 - 33:29
    I wish my father could
    make sushi forever.
  • 33:29 - 33:31
    But at some point
  • 33:31 - 33:34
    I'm going to have
    to take his place.
  • 33:34 - 33:39
    People tell me that I should preserve
    what my father has built.
  • 33:39 - 33:44
    We've gone through a lot to maintain
    the integrity of this restaurant.
  • 33:44 - 33:47
    I must continue
    my father's tradition.
  • 34:13 - 34:16
    Jiro stopped going to the
    fish market at the age of 70.
  • 34:16 - 34:19
    He collapsed
    while smoking a cigarette.
  • 34:20 - 34:22
    He had a heart attack.
  • 34:24 - 34:27
    It was after that he stopped
    going to the market.
  • 34:29 - 34:32
    He felt that if he continued to go,
  • 34:32 - 34:34
    he wouldn't be able to pass
    the torch to his son.
  • 34:34 - 34:38
    So the heart attack
    was a catalyst
  • 34:38 - 34:40
    for Yoshikazu to start
    going to the market.
  • 35:45 - 35:49
    - He's the undisputed champ.
    - That's not true.
  • 35:49 - 35:54
    They did a TV special about him
    and even showed a re-run!
  • 35:54 - 35:57
    I'm humbled that
    Jiro respects my taste.
  • 35:57 - 36:03
    My methods
    and standards are
  • 36:03 - 36:06
    a little unusual compared
    to other vendors.
  • 36:06 - 36:09
    It is encouraging
    that he trusts me.
  • 36:09 - 36:13
    I'm what you might call
    "anti-establishment."
  • 36:13 - 36:18
    I either buy my first choice,
    or I buy nothing.
  • 36:20 - 36:25
    If 10 tuna are for sale,
    only one can be the best.
  • 36:25 - 36:27
    I buy that one.
  • 36:47 - 36:49
    The first impression
    is very important.
  • 36:52 - 36:54
    We have to predict what
    a fish will be like
  • 36:54 - 36:56
    based on experience and instinct.
  • 36:58 - 37:00
    I dig out a piece of the tail
    and examine it.
  • 37:02 - 37:05
    By checking the texture
    with my fingers,
  • 37:05 - 37:08
    I can tell how good it will taste.
  • 37:20 - 37:22
    This is the basic process
    of choosing the fish.
  • 37:33 - 37:35
    Not good.
  • 37:38 - 37:41
    People are saying there are
    a lot of tuna here.
  • 37:46 - 37:47
    This is nothing.
  • 39:13 - 39:15
    - How is the halibut?
    - Good and fresh.
  • 39:16 - 39:17
    Okay, good.
  • 39:17 - 39:23
    His grandfather was known
    as "the god of sea eel."
  • 39:23 - 39:25
    He was a legend.
  • 39:26 - 39:28
    I never met him in person,
  • 39:29 - 39:31
    but that's what I've heard.
  • 39:33 - 39:35
    - Do you have octopus?
    - Yes.
  • 39:35 - 39:38
    Today's octopus is from...
  • 39:38 - 39:41
    - Sajima?
    - It's from Yokosuka.
  • 39:42 - 39:44
    Was the color too dark?
  • 39:44 - 39:47
    I don't care about the color.
  • 39:48 - 39:50
    It just has to taste good.
  • 39:50 - 39:51
    The flavor is all that matters.
  • 39:54 - 39:56
    This one is two kilograms,
  • 39:56 - 39:59
    and this one is a little smaller.
  • 40:24 - 40:28
    We are picky
    about who we sell to.
  • 40:28 - 40:31
    We want customers
    who appreciate good fish.
  • 40:33 - 40:39
    Even at my age,
    I'm discovering new techniques.
  • 40:39 - 40:41
    But just when you think
    you know it all,
  • 40:41 - 40:43
    you realize that you're
    just fooling yourself
  • 40:43 - 40:45
    and then you get depressed.
  • 41:00 - 41:04
    You must hold the shrimp firmly.
  • 41:05 - 41:07
    Put pressure on them.
  • 41:07 - 41:10
    If you hold them gently,
    they'll try to escape.
  • 41:12 - 41:15
    Very few shrimp came in today.
  • 41:15 - 41:16
    They don't have any.
  • 41:16 - 41:18
    They didn't sell out.
    No shrimp came in.
  • 41:18 - 41:21
    Just tell them
    that we sold out.
  • 41:21 - 41:23
    There were only
    three kilograms
  • 41:23 - 41:26
    of wild shrimp
    in this whole market.
  • 41:26 - 41:28
    That's all.
  • 41:30 - 41:34
    Everybody thinks
    we always have shrimp,
  • 41:34 - 41:36
    but it's hard to find them.
  • 41:36 - 41:39
    Sometimes, when I see
    the shrimp in the morning,
  • 41:39 - 41:42
    I'll say, "Ah,
    this is worthy of Jiro."
  • 41:43 - 41:45
    That's the way I do business.
  • 41:45 - 41:47
    It's not about the money.
  • 41:49 - 41:51
    These days, young people
    want an easy job.
  • 41:51 - 41:53
    They want lots of free time
  • 41:53 - 41:55
    and they want lots of money.
  • 41:55 - 41:58
    But they aren't concerned
    with building their skills.
  • 41:58 - 42:03
    When you work
    at a place like Jiro's...
  • 42:04 - 42:07
    you are committing
    to a trade for life.
  • 42:08 - 42:11
    Most people can't keep up
    with the hard work and they quit.
  • 42:11 - 42:13
    Have there been
    a lot of cases like that?
  • 42:13 - 42:16
    People often suddenly quit
    and disappear.
  • 42:16 - 42:18
    They'll just leave
    without notice.
  • 42:18 - 42:20
    What's the shortest
    an apprentice has lasted?
  • 42:20 - 42:22
    One day.
  • 42:25 - 42:28
    Really, one day. They come in
    the morning, but by night they are gone.
  • 42:34 - 42:37
    I've always loved anything fast.
  • 42:37 - 42:40
    I wanted to become a fighter pilot,
  • 42:40 - 42:43
    but they don't accept
    people with bad vision.
  • 42:43 - 42:45
    Then I wanted
    to be a race car driver,
  • 42:45 - 42:48
    but I didn't have enough money.
  • 42:48 - 42:51
    You need a sponsor because
    race cars are so expensive.
  • 42:51 - 42:53
    When I was a kid,
  • 42:54 - 42:57
    I was sure I would be
    an F1 racer.
  • 42:58 - 43:01
    - You're a speed freak?
    - Yes, I'm crazy.
  • 43:03 - 43:06
    My car can go 300 kph.
  • 43:12 - 43:14
    Hello, Sho-chan.
  • 43:14 - 43:19
    They wanted nappa
    and mulukhiya cabbage.
  • 43:20 - 43:21
    How are you doing?
  • 43:21 - 43:23
    Not doing too well.
  • 43:23 - 43:25
    I want to retire.
  • 43:25 - 43:28
    You don't want to work?
  • 43:28 - 43:30
    I'm exhausted, but your dad
    is working so hard.
  • 43:30 - 43:33
    Yeah, he's working hard.
    He's working harder than I am.
  • 43:33 - 43:36
    He's full of energy.
  • 43:36 - 43:39
    Thank you.
    I hope you feel better.
  • 43:55 - 44:01
    When you work for Jiro,
    he teaches you for free.
  • 44:01 - 44:03
    But you have to endure
    10 years of training.
  • 44:03 - 44:05
    If you persevere for 10 years,
  • 44:05 - 44:09
    you will acquire the skills to be
    recognized as a first-rate chef.
  • 44:32 - 44:36
    It's sad to see that there are no
    very young apprentices at Jiro's.
  • 44:36 - 44:40
    Taking 10 years to learn
    the necessary skills
  • 44:40 - 44:43
    is a long time compared
    to other fields of work.
  • 44:55 - 44:57
    When did you want
    to become a sushi chef?
  • 44:57 - 45:00
    I was about 17.
  • 45:00 - 45:05
    I needed a job but couldn't
    decide what to do.
  • 45:05 - 45:09
    I wanted to do
    something with food
  • 45:10 - 45:11
    and sushi is the coolest food.
  • 45:12 - 45:14
    That's how I decided.
  • 45:14 - 45:19
    I went to several restaurants,
    but the sushi here was the best.
  • 45:19 - 45:21
    So I applied for the job.
  • 45:22 - 45:23
    The atmosphere was
    different too.
  • 45:24 - 45:25
    This place has
    an interesting vibe.
  • 45:27 - 45:32
    I came here to eat
    by myself when I was 24.
  • 45:32 - 45:34
    The place made me nervous.
  • 45:34 - 45:35
    Did Jiro make you sushi?
  • 45:36 - 45:38
    - No, it was you.
    - Oh, really?
  • 45:38 - 45:40
    I was so nervous eating here.
  • 45:41 - 45:42
    I don't remember that at all.
  • 45:42 - 45:45
    Now you guys are
    all fulfilling your dreams.
  • 45:47 - 45:49
    Maybe you think you made
    the wrong decision.
  • 45:51 - 45:52
    Okay, let's get to work.
  • 46:00 - 46:02
    Everybody works to please Jiro.
  • 46:02 - 46:06
    All that matters is
    Jiro's approval.
  • 46:06 - 46:10
    Jiro is like the maestro
    of an orchestra.
  • 48:03 - 48:04
    When you first sit down at Jiro's
  • 48:04 - 48:06
    they give you
    a hand-squeezed hot towel.
  • 48:07 - 48:10
    An apprentice must first be able
    to properly hand squeeze a towel.
  • 48:10 - 48:13
    At first the towels are so hot,
    they burn the apprentice's hands.
  • 48:13 - 48:15
    It's very painful training,
    which is very Japanese.
  • 48:16 - 48:19
    Until you can adequately squeeze a towel, they
    won't let you touch the fish.
  • 48:19 - 48:22
    Then you learn to cut
    and prepare the fish.
  • 48:23 - 48:26
    After about 10 years,
    they let you cook the eggs.
  • 48:34 - 48:38
    I had been practicing making
    the egg sushi for a long time.
  • 48:40 - 48:43
    I thought I would be good at it.
  • 48:46 - 48:48
    But when it came
    to making the real thing,
  • 48:49 - 48:50
    I kept messing up.
  • 48:56 - 48:59
    I was making up to four a day.
  • 49:01 - 49:04
    But they kept saying,
    "No good, no good, no good."
  • 49:04 - 49:08
    I felt like it was
    impossible to satisfy them.
  • 49:08 - 49:10
    After three or four months,
  • 49:10 - 49:14
    I had made over 200
    that were all rejected.
  • 49:26 - 49:29
    When I finally did
    make a good one
  • 49:29 - 49:32
    Jiro said, "Now this is
    how it should be done."
  • 49:32 - 49:34
    I was so happy I cried.
  • 49:37 - 49:42
    It was a long time before Jiro
    referred to me as a shokunin.
  • 49:55 - 49:58
    I wanted to shout, "You just called me
    a shokunin, didn't you?"
  • 50:00 - 50:02
    I was so happy that I wanted
    to throw my fist into the air!
  • 50:03 - 50:05
    But I tried not to let it show.
  • 50:07 - 50:10
    That's what you strive for
    after all these years.
  • 50:36 - 50:40
    After Nakazawa opens
    his own place,
  • 50:40 - 50:42
    Takeshita and Masuda
  • 50:42 - 50:46
    will be promoted to
    Nakazawa's position.
  • 50:46 - 50:50
    The work that Takeshita
    and Masuda were doing
  • 50:51 - 50:56
    will be taken over
    by newcomers.
  • 50:59 - 51:01
    I'm in charge of tasting.
  • 51:11 - 51:12
    You should slice the fish thinner.
  • 51:19 - 51:21
    The rest is okay.
  • 51:22 - 51:25
    Make sure you slice the fish thinly.
  • 51:25 - 51:28
    Only apply gentle pressure.
  • 51:29 - 51:32
    He gives me advice.
    Yoshikazu says,
  • 51:32 - 51:34
    "Press the sushi as if you are
    pressing a little chick."
  • 51:34 - 51:37
    - A chick?
    - Right, a baby chicken.
  • 51:37 - 51:39
    You don't want to squash it.
  • 51:39 - 51:43
    But there is much
    you can't learn from words.
  • 51:43 - 51:46
    I have to keep practicing.
  • 51:46 - 51:49
    There's too much wasabi.
  • 51:52 - 51:54
    - It's making me cry.
    - I'm sorry.
  • 51:54 - 51:57
    - You just grated the wasabi, right?
    - Yes.
  • 52:01 - 52:04
    Okay, good job.
  • 52:43 - 52:44
    He needs time to grow.
  • 52:46 - 52:50
    There is still
    a long way for him to go,
  • 52:50 - 52:53
    but I think he will improve.
  • 52:55 - 52:58
    It depends
    on how hard he works.
  • 53:34 - 53:39
    In order to make delicious food,
    you must eat delicious food.
  • 53:42 - 53:45
    The quality of ingredients
    is important,
  • 53:45 - 53:50
    but one must develop a palate capable
    of discerning good and bad.
  • 53:50 - 53:54
    Without good taste,
    you can't make good food.
  • 53:58 - 53:59
    If your sense of taste is lower
  • 54:00 - 54:02
    than that of the customers,
    how will you impress them?
  • 54:05 - 54:09
    When I think of someone with a highly
    acute sense of taste and smell,
  • 54:09 - 54:12
    the first person I think of is the great
    French chef Joël Robuchon.
  • 54:14 - 54:18
    I wish I were as sensitive as he.
  • 54:19 - 54:22
    I have a very good
    sense of smell,
  • 54:22 - 54:23
    but he's on another level.
  • 54:24 - 54:26
    His sensitivity is very high.
  • 54:28 - 54:30
    If I had his tongue and nose,
  • 54:30 - 54:32
    I could probably make
    even better food.
  • 54:50 - 54:52
    He knows everything about rice.
  • 54:52 - 54:55
    He's different
    from the other dealers.
  • 54:56 - 54:59
    He knows so much.
  • 54:59 - 55:02
    That's why we trust him.
  • 55:02 - 55:04
    However, sometimes
    he seems so knowledgeable
  • 55:04 - 55:06
    that I get suspicious
    he's making it all up!
  • 55:11 - 55:15
    The hotel near Takashi's restaurant
    came to me.
  • 55:15 - 55:19
    I told them certain rice can only
    be prepared by Jiro's disciples.
  • 55:19 - 55:22
    - It was the Hyatt Hotel.
    - Oh, the Grand Hyatt.
  • 55:22 - 55:25
    - They asked you for our rice?
    - I told them, "No way!"
  • 55:25 - 55:28
    I said even if I wanted
    to sell it to them...
  • 55:30 - 55:34
    only Jiro knows
    how to cook it!
  • 55:35 - 55:39
    If Jiro told me to sell it
    to them, I would,
  • 55:39 - 55:43
    but I can't sell it to them just
    because they ask for it.
  • 55:43 - 55:47
    Everybody loves our rice.
  • 55:47 - 55:50
    But if they can't cook it,
    what's the use?
  • 55:50 - 55:55
    It takes significant skill
    to cook this rice.
  • 55:55 - 56:01
    What's the point of buying rice
    that you can't cook?
  • 56:01 - 56:04
    - It's not so easy, is it?
    - Mmm.
  • 56:04 - 56:07
    You can't cook rice
    like this just with big talk.
  • 56:24 - 56:28
    We put a lot
    of pressure on the rice.
  • 56:30 - 56:34
    The lid itself is so heavy
    that it takes two hands to lift.
  • 56:34 - 56:37
    And then we place
    a big pot of water on top.
  • 56:40 - 56:44
    With the type of rice we use,
  • 56:44 - 56:47
    you need a lot of pressure.
  • 56:49 - 56:51
    I can't think
    of any other restaurant
  • 56:51 - 56:54
    that puts this much pressure
    on the rice.
  • 56:54 - 56:56
    But that's fine with us,
  • 56:56 - 56:58
    because we can keep using
    the best rice
  • 56:59 - 57:01
    and our rivals won't
    be able to imitate us.
  • 57:07 - 57:13
    The temperature of the rice
    is very important.
  • 57:17 - 57:20
    Most people think
    sushi is cold.
  • 57:20 - 57:25
    But actually, the rice should be
    served at body temperature.
  • 57:25 - 57:29
    We've devised techniques to maintain
    the perfect temperature when serving.
  • 57:33 - 57:37
    The temperature and freshness
    of the fish
  • 57:37 - 57:39
    are crucial.
  • 57:46 - 57:49
    Each ingredient has an ideal moment
    of deliciousness.
  • 57:50 - 57:53
    Mastering the timing
    of sushi is difficult.
  • 57:54 - 57:58
    It takes years of experience
    to develop your intuition.
  • 58:03 - 58:07
    The sushi must be eaten
    immediately after it is served.
  • 58:10 - 58:13
    To explain umami...
    it takes more than just
  • 58:13 - 58:15
    a good piece of tuna to create
    the sensation of umami.
  • 58:18 - 58:20
    - It's when...
    - You eat it together
  • 58:20 - 58:22
    with vinegared rice
    and soy sauce.
  • 58:22 - 58:25
    The umami is brought out
    through the balance of the flavors.
  • 58:30 - 58:33
    For example,
    when you drink a good beer,
  • 58:34 - 58:36
    you'll exclaim "Ahh!"
    after you drink it.
  • 58:36 - 58:38
    That's a form of umami.
  • 58:38 - 58:40
    Or when you take a bath,
  • 58:41 - 58:44
    you say "Ahh!"
    because it feels good.
  • 58:53 - 58:57
    The most important part
    of making good sushi is this:
  • 58:57 - 59:01
    creating a balance between
    the rice and the fish.
  • 59:01 - 59:04
    If they are not in complete harmony,
    the sushi won't taste good.
  • 59:04 - 59:07
    The order is also important.
    In traditional Japanese cuisine,
  • 59:07 - 59:09
    there is a progression
    in how the dishes are served.
  • 59:09 - 59:12
    Heavier flavors are
    served later in the course.
  • 59:12 - 59:14
    There is an ebb and flow
    to the menu.
  • 59:14 - 59:15
    For 10 years,
    Jiro pondered ways
  • 59:15 - 59:18
    to incorporate this
    concept into his menu.
  • 59:18 - 59:20
    Seven years ago,
    he formed the structure
  • 59:20 - 59:22
    of the tasting course
    that he serves today.
  • 59:22 - 59:26
    From all the fish
    at Tsukiji market,
  • 59:26 - 59:28
    he chooses
    the highest quality fish
  • 59:28 - 59:32
    and creates
    the course menu of the day.
  • 59:32 - 59:36
    I was lucky enough to be
    the first person to try this menu.
  • 59:36 - 59:39
    When I ate the sushi,
    I felt like I was listening to music.
  • 59:39 - 59:42
    Jiro's sushi course
    is like a concerto.
  • 59:46 - 59:49
    The meal is divided
    into three movements.
  • 59:49 - 59:51
    Classic items,
    like tuna and kohada,
  • 59:51 - 59:54
    are presented
    in the first movement.
  • 60:51 - 60:54
    The items in
    the second movement
  • 60:54 - 60:57
    are fresh catches of the day.
  • 61:07 - 61:13
    Certain items that can only be found
    seasonally are served.
  • 61:20 - 61:24
    Some of the fish is raw,
    while some is cooked.
  • 61:29 - 61:31
    The second movement is
    like an improvisation.
  • 61:31 - 61:33
    It's like a cadenza.
  • 61:44 - 61:47
    In the third movement,
    sea eel, kanpyo
  • 61:47 - 61:51
    and egg comprise
    a traditional finale.
  • 62:21 - 62:23
    There are dynamics in the way
    the sushi is served,
  • 62:23 - 62:25
    just like music.
  • 62:27 - 62:31
    You're consuming
    Jiro's philosophy with every bite.
  • 63:04 - 63:07
    He's watching us much more closely
    than we're watching him.
  • 63:10 - 63:12
    I make the sushi different sizes
  • 63:12 - 63:14
    depending on
    the customer's gender.
  • 63:18 - 63:19
    If I made everybody's
    the same size,
  • 63:20 - 63:21
    it would disrupt
    the pace of the meal.
  • 63:21 - 63:24
    So I make the sushi
    a little smaller for the ladies
  • 63:24 - 63:28
    so everybody finishes
    at the same time.
  • 63:28 - 63:30
    That's incredible.
  • 63:30 - 63:32
    If the men and women
    are seated randomly,
  • 63:32 - 63:35
    does it make things difficult?
  • 63:36 - 63:39
    The first thing we do is memorize
    the seating arrangement.
  • 63:39 - 63:43
    Man, woman,
    woman, man, et cetera.
  • 63:43 - 63:46
    If Jiro notices
    a guest using his left hand,
  • 63:46 - 63:49
    the next piece of sushi will be
    placed on the left side.
  • 63:49 - 63:52
    So you adjust accordingly
    for that guest.
  • 63:52 - 63:54
    I'm left-handed,
    so l understand
  • 63:55 - 63:57
    how left-handed people feel.
  • 63:58 - 64:00
    That's so considerate.
  • 64:00 - 64:03
    Jiro is making more sushi now
    than ever before.
  • 64:05 - 64:07
    Before, customers would
    start with drinks.
  • 64:07 - 64:09
    And then they would
    eat appetizers.
  • 64:09 - 64:12
    Then they would eat four
    or five sushi at the end.
  • 64:12 - 64:14
    And then they would be full.
  • 64:14 - 64:17
    Now l only make sushi
    from start to finish.
  • 64:17 - 64:19
    I make 20 pieces per person.
  • 64:19 - 64:20
    Jiro is the oldest chef
  • 64:20 - 64:23
    to have been awarded
    three stars by Michelin.
  • 64:25 - 64:28
    He's in the Guinness Book
    of World Records.
  • 64:28 - 64:33
    Nobody in their 80s
    is working day and night like Jiro.
  • 64:33 - 64:38
    Jiro was given the Meikou Award
    by the Japanese government.
  • 64:38 - 64:42
    He went to the award ceremony
    during the day
  • 64:42 - 64:45
    and was back at work here
    in the evening.
  • 64:45 - 64:47
    He said he got tired
    of sitting around.
  • 64:49 - 64:53
    When we have good tuna,
    I feel great.
  • 64:54 - 64:56
    While I'm making the sushi,
  • 64:57 - 64:58
    I feel victorious.
  • 64:59 - 65:00
    That's how it makes me feel.
  • 65:00 - 65:03
    Thank you for the delicious meal.
  • 65:06 - 65:08
    Take care of yourself!
  • 65:10 - 65:14
    - Thank you very much.
    - The sushi was so delicious.
  • 65:14 - 65:16
    Thank you very much.
  • 65:16 - 65:20
    Until the end, l only want to work
    with the best fish.
  • 65:21 - 65:24
    Yoshikazu and I have
    meetings at night.
  • 65:25 - 65:27
    I tell him what I want
    for the next day.
  • 65:27 - 65:28
    He sometimes tells me
  • 65:29 - 65:31
    that there isn't
    any good fish available,
  • 65:31 - 65:35
    but he still comes back
    with enough fish for one day.
  • 65:36 - 65:39
    I first noticed that good seafood
    was becoming scarce
  • 65:39 - 65:43
    when the akagai started
    to disappear.
  • 65:43 - 65:45
    And then the good
    hamaguri disappeared.
  • 65:45 - 65:48
    It used to be easy
    to get good anago,
  • 65:48 - 65:50
    but now they're gone.
  • 65:51 - 65:53
    If you have a sushi restaurant,
  • 65:53 - 65:58
    you'll have to find substitutes
    for certain types of fish.
  • 65:58 - 66:02
    But is there a substitute for tuna?
    I don't think so.
  • 66:03 - 66:06
    Back when I was younger,
  • 66:07 - 66:12
    there was never a shortage
    of high-quality fish.
  • 66:13 - 66:15
    In the past, when I would
    go to the market,
  • 66:15 - 66:17
    I could see the big tuna
    that were just cut open
  • 66:17 - 66:20
    and I would ask them
    to bring out the ones I liked.
  • 66:20 - 66:22
    That was true for any fish.
  • 66:22 - 66:26
    You can't find fish
    like that anymore.
  • 66:30 - 66:32
    When we were kids,
  • 66:32 - 66:35
    sushi was too expensive
    to eat regularly.
  • 66:40 - 66:42
    Now they have sushi
    on conveyor belts
  • 66:43 - 66:44
    and in convenience stores.
  • 66:44 - 66:46
    Sushi is available
    everywhere,
  • 66:46 - 66:49
    which has caused
    a shortage of fish.
  • 66:52 - 66:54
    The problem is over-fishing.
  • 66:54 - 66:57
    The tuna stocks are
    declining each year.
  • 66:57 - 67:02
    It takes 10 years for them
    to weigh 100 kilograms.
  • 67:02 - 67:05
    Net-fishing
    and bottom-trawling methods
  • 67:05 - 67:07
    catch everything,
    even the young fish.
  • 67:07 - 67:13
    Regulations on catching only
    bigger fish should be enforced.
  • 67:13 - 67:15
    Catching the smaller fish
    before they've matured
  • 67:16 - 67:18
    lowers the overall numbers.
  • 67:23 - 67:28
    Businesses should balance profit
  • 67:28 - 67:34
    with preserving
    natural resources.
  • 67:49 - 67:51
    Without fish,
  • 67:51 - 67:55
    we can't do business.
  • 67:55 - 67:58
    However, that doesn't mean
    they should catch
  • 67:58 - 68:01
    all the fish
    to the brink of extinction.
  • 68:01 - 68:03
    For posterity,
  • 68:04 - 68:07
    we must be conscious
    of this issue.
  • 68:33 - 68:35
    Welcome!
  • 68:36 - 68:38
    It has been awhile.
    How are you doing?
  • 68:40 - 68:42
    - How are you?
    - I'm doing great!
  • 68:42 - 68:45
    - We're still alive!
    - What are you saying?
  • 68:45 - 68:47
    This is my oldest son.
  • 68:47 - 68:49
    He looks just like you.
  • 68:51 - 68:54
    Thank you for gathering.
  • 69:01 - 69:05
    When Jiro and this guy
    were in the first grade,
  • 69:05 - 69:08
    they were infamous troublemakers.
  • 69:08 - 69:10
    I wasn't a bully.
  • 69:10 - 69:12
    He was.
  • 69:13 - 69:16
    He was the number one
    troublemaker.
  • 69:17 - 69:19
    I was number two.
  • 69:19 - 69:23
    Later, when you were
    at school,
  • 69:23 - 69:27
    I was delivering lunches
    for military draftees.
  • 69:27 - 69:29
    She brought all her friends
    to the window,
  • 69:29 - 69:30
    they all looked down at me
  • 69:31 - 69:34
    and she yelled,
    "He's the one who bullied me!"
  • 69:36 - 69:39
    I said, "I'm not just bullying her,
    I'm bullying everyone!"
  • 70:01 - 70:05
    They'll get mad at us
    if we go in.
  • 70:05 - 70:08
    You're not supposed to clap
    your hands at a Buddhist temple.
  • 70:08 - 70:10
    Of course.
    Did you know that?
  • 70:10 - 70:12
    Yes, you don't clap
    in a Buddhist shrine.
  • 70:13 - 70:14
    You're going
    to get in trouble.
  • 70:14 - 70:17
    It's okay,
    I'm not doing anything bad.
  • 70:19 - 70:22
    Where is everybody?
  • 70:39 - 70:41
    I haven't been here
    for a long time.
  • 70:46 - 70:47
    - The flowers are dead.
    - Yes, they are.
  • 70:48 - 70:49
    Just water them.
  • 70:50 - 70:52
    I guess we were supposed
    to bring flowers.
  • 70:52 - 70:54
    Maybe next time.
  • 71:00 - 71:02
    I don't know why
    I come here.
  • 71:02 - 71:04
    My parents
    didn't take care of me.
  • 71:04 - 71:07
    You shouldn't say things like that in front of your
    ancestors.
  • 71:07 - 71:09
    You'll be punished.
  • 71:09 - 71:11
    Lots of spider webs.
  • 71:33 - 71:37
    When I was in school,
  • 71:37 - 71:41
    I was a bad kid.
  • 71:41 - 71:44
    Later, when I was invited
    to give a talk at the school,
  • 71:44 - 71:47
    I wasn't sure if I should tell the kids
    that they should study hard
  • 71:48 - 71:52
    or that it is okay to be a rebel.
  • 71:52 - 71:56
    I wasn't sure what advice
    to give the kids.
  • 71:56 - 71:58
    Studying hard
    doesn't guarantee
  • 71:58 - 72:01
    you will become
    a respectable person.
  • 72:01 - 72:03
    Even if you're a bad kid,
  • 72:04 - 72:07
    there are people
    like me who change.
  • 72:07 - 72:11
    I thought that would be
    a good lesson to teach.
  • 72:11 - 72:16
    But if I said that bad kids can succeed
    later on like I did,
  • 72:16 - 72:19
    all the kids would
    start misbehaving,
  • 72:19 - 72:21
    which would be a problem.
  • 72:22 - 72:24
    Always doing what
    you are told
  • 72:24 - 72:27
    doesn't mean
    you'll succeed in life.
  • 73:11 - 73:14
    There were customers today
  • 73:14 - 73:17
    that came to eat
    after seeing us on TV.
  • 73:18 - 73:22
    I am usually the one on TV
    and I'm the one making the sushi,
  • 73:22 - 73:24
    which is what
    the customers expect.
  • 73:26 - 73:29
    They think that Nakazawa
    just carries the fish from the kitchen.
  • 73:30 - 73:33
    Customers think that all
    Yoshikazu does is cut the fish.
  • 73:33 - 73:36
    They think the staff
    in the kitchen has it easy.
  • 73:36 - 73:39
    And they think the master
    making sushi has the hardest job.
  • 73:39 - 73:41
    But in reality,
    the sushi is 95% complete
  • 73:41 - 73:43
    before the fish
    is brought out to me.
  • 73:44 - 73:46
    So the guy who is
    doing the least work
  • 73:47 - 73:48
    gets to take all the limelight.
  • 73:49 - 73:53
    I entrust all the preparations
    to these guys.
  • 73:53 - 73:56
    I'm in the luckiest
    position right now.
  • 73:57 - 74:00
    Customers still think that
    he does all the preparations.
  • 74:01 - 74:02
    They probably do.
  • 74:03 - 74:05
    They think he still
    does everything.
  • 74:05 - 74:07
    But if you think about it,
  • 74:07 - 74:10
    they're all just doing
    what I taught them.
  • 74:10 - 74:12
    Is sushi easily
    misunderstood?
  • 74:12 - 74:15
    The person making the sushi
    is almost like a performer.
  • 74:15 - 74:17
    It is misunderstood that way.
  • 74:17 - 74:19
    Compared to tempura
    or soba chefs,
  • 74:19 - 74:22
    sushi chefs are
    more interesting to watch.
  • 74:22 - 74:25
    - That may be true.
    - It's like the sushi chef is on a stage.
  • 74:25 - 74:27
    That may be true.
  • 74:27 - 74:29
    My job is the easiest!
  • 74:31 - 74:34
    If I don't keep working,
    my body will become worthless.
  • 74:34 - 74:37
    If my body stops functioning,
    then I will have to quit.
  • 74:37 - 74:40
    Or if I look too hideous to be here,
    then I will retire.
  • 74:40 - 74:42
    It's not up to me.
  • 74:43 - 74:46
    If the customers see me
    and think that I look too senile...
  • 74:48 - 74:51
    if that's what people think,
    then I will have no choice.
  • 74:51 - 74:54
    If I stopped working at 85,
  • 74:54 - 74:57
    I would be bored
    out of my mind.
  • 74:57 - 75:00
    I would be kicked
    out of the house.
  • 75:00 - 75:03
    My wife would kick me out
    for being such a nuisance.
  • 75:03 - 75:07
    I have been able to carry on
  • 75:07 - 75:12
    with the same job
    for 75 years.
  • 75:12 - 75:15
    It's hard to slow down.
  • 75:15 - 75:18
    I guess I'm in the last
    stretch of the race.
  • 75:23 - 75:25
    The Michelin inspectors said,
  • 75:26 - 75:27
    "Jiro's sushi is
    incredible every time."
  • 75:28 - 75:30
    They said, "Three stars
    is the only rating
  • 75:30 - 75:32
    that is adequate
    for the restaurant."
  • 75:35 - 75:37
    Later on, I heard that
    during the first year
  • 75:37 - 75:39
    that Jiro's was
    checked by Michelin
  • 75:39 - 75:43
    Jiro didn't make sushi
    for Michelin even once.
  • 75:43 - 75:45
    Yoshikazu was the one
    who made sushi for them.
  • 76:44 - 76:50
    I want both of my sons
    to continue on.
  • 76:50 - 76:54
    They both will run
    their own restaurants.
  • 77:02 - 77:04
    I will admit I trained my sons
  • 77:05 - 77:07
    more strictly than
    the other apprentices.
  • 77:07 - 77:10
    But I did so for the sake
    of their futures,
  • 77:11 - 77:13
    not because I wanted
    to be mean to them.
  • 77:16 - 77:19
    It's something that I thought about
    from the beginning.
  • 77:21 - 77:24
    Even if I were
    to be gone right now,
  • 77:24 - 77:27
    I know they can go on.
  • 77:39 - 77:44
    Yoshikazu just needs to keep it up
    for the rest of his life.
  • 77:44 - 77:47
    That's what is most important.
  • 77:48 - 77:53
    He should just keep
    doing the same thing
  • 77:53 - 77:57
    for the rest of his life.
  • 79:15 - 79:17
    Always...
  • 79:17 - 79:20
    look beyond
    and above yourself.
  • 79:23 - 79:25
    Always try...
  • 79:27 - 79:29
    to improve on yourself.
  • 79:29 - 79:33
    Always strive
    to elevate your craft.
  • 79:33 - 79:36
    That's what he taught me.
Title:
Jiro Dreams of Sushi
Description:

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Duration:
01:22:27

English subtitles

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