< Return to Video

How to add Light Leaks into your footage with Adobe Premiere Pro - MYM #3

  • 0:00 - 0:04
    hey guys welcome to my channel my name
    is Uri Soglowek and I'm an
  • 0:04 - 0:05
    israeli video producer
  • 0:05 - 0:09
    and today I have a special tutorial for
    you
  • 0:09 - 0:12
    and it is about light leaks how to edit
  • 0:12 - 0:19
    light leaks into your footage and before
    we go on to the tutorial I wanted to let
  • 0:21 - 0:24
    you know that we actually shooting this
    in 4k
  • 0:24 - 0:28
    with their black magic production camera
    and it has
  • 0:28 - 0:33
    Rokinon 14mm lens
    it's amazing to see how close I am to
  • 0:33 - 0:33
    the camera
  • 0:33 - 0:38
    and it looks amazing and we're also
    going to have some comparison footage
  • 0:38 - 0:40
    between this camera in other cameras
  • 0:40 - 0:44
    the Canon 5d mark 3 the Canon 6d
    the t2i
  • 0:44 - 0:48
    and also with the other lenses on this
    camera and other cameras
  • 0:48 - 0:52
    so stayed tuned for that and remember
    to
  • 0:52 - 0:55
    subscribe to the channel: by clicking on
    the link that is now
  • 0:55 - 1:01
    on-screen and also come and visit us in
    our website and see all the courses that
  • 1:01 - 1:02
    we have for you
  • 1:02 - 1:04
    so now let's move on to the tutorial
  • 1:04 - 1:06
    alright so let's get going and as they
  • 1:06 - 1:09
    said they wanted to show you some kind
    of affect that I
  • 1:09 - 1:13
    was playing a role and as you can see we
    have the live footage down here
  • 1:13 - 1:17
    and then we have sorry here
  • 1:17 - 1:20
    and then we have an adjustment layer and
    I'm gonna make a video telling you all
  • 1:20 - 1:21
    about that
  • 1:21 - 1:24
    and then I have this
  • 1:24 - 1:27
    background which is just the
  • 1:27 - 1:31
    image let me find it
  • 1:31 - 1:34
    this image is
  • 1:34 - 1:38
    here red background this is it
  • 1:38 - 1:42
    and this is an image I've done with
    Photoshop and I have the title
  • 1:42 - 1:45
    which is just white text on
  • 1:45 - 1:50
    transparent background and I'm gonna
    also make some videos on the
  • 1:50 - 1:56
    title Windows and then this is the
    outcome
  • 1:56 - 2:01
    this is this leary's the white tax in
    this leary's the red background
  • 2:01 - 2:04
    and adjustment layer don't really see in
    the video but will
  • 2:04 - 2:07
    so we have the video here and then we're
    cutting over
  • 2:07 - 2:10
    to this title
  • 2:10 - 2:14
    with doing that with what is known as
    light streaks and
  • 2:14 - 2:18
    thing is you free for a second just move
    this video sorry these two layers
  • 2:18 - 2:25
    just to the side and we press play you
    can see the right now the cut his condom
  • 2:25 - 2:28
    very strict school goes from the video
  • 2:28 - 2:32
    to the title that's nice but I wanted to
    do something else
  • 2:32 - 2:36
    not to come repeat myself all the time
    so what I've done
  • 2:36 - 2:39
    is I'm used these videos these are
  • 2:39 - 2:42
    leave years old videos and the for you
    the phase
  • 2:42 - 2:48
    using their plus key on the keyboard you
    can see the teachers light leaks pre
  • 2:48 - 2:51
    and then this is
  • 2:51 - 2:56
    06 and this is 16 any free go over here
    to the project window
  • 2:56 - 2:59
    in a press this one and I open it up
  • 2:59 - 3:04
    in the source want it or I can play this
    video and you can see that we have a
  • 3:04 - 3:06
    black video and
  • 3:06 - 3:09
    the lights these knives drew nice
  • 3:09 - 3:13
    life streaking across the screen also
    here this one here
  • 3:13 - 3:18
    Missy so this one is more
  • 3:18 - 3:21
    more interns and this one is a little
    bit less intense
  • 3:21 - 3:26
    but it looks very naturally doesn't look
    like he was made by a computer he was
  • 3:26 - 3:30
    actually not made both by a computer he
    was made by a technique called
  • 3:30 - 3:33
    lens whacking I'm gonna tell you all
    about that in future
  • 3:33 - 3:39
    but right now what we have here is we
    have this video which is actually a
  • 3:39 - 3:41
    black v deal with the
  • 3:41 - 3:45
    the lights on it and what I've done is a
  • 3:45 - 3:48
    told premiered to take out the
  • 3:48 - 3:52
    black pixels just leavin anything
  • 3:52 - 3:56
    that is not dark for anything that is
    not black
  • 3:56 - 3:59
    which is anything else in the video so
  • 3:59 - 4:03
    let's I'm gonna show you how to do that
    before just
  • 4:03 - 4:07
    let's go here let's go somewhere else
    let's move the video here
  • 4:07 - 4:12
    the current time indicator here let's
    grab this video and put it here
  • 4:12 - 4:15
    and as you can see
  • 4:15 - 4:19
    you have the title and then you know the
    suddenly the black video popping up
  • 4:19 - 4:23
    because what right now we can see is dis
    lear because
  • 4:23 - 4:26
    this layers above these layers and new
    features
  • 4:26 - 4:29
    press the keyboard you can see that
    we're moving over to the black
  • 4:29 - 4:35
    you do and light streaks and as I said I
    want to get premiered to take out to all
  • 4:35 - 4:36
    the black
  • 4:36 - 4:39
    pixels leave anything that is not black
  • 4:39 - 4:43
    and to do that I just need to click the
    video and then go over here
  • 4:43 - 4:48
    over here to the effect controls and
    then go to sorry no motion but pasady
  • 4:48 - 4:51
    and then under blend modes I can change
    deuce to
  • 4:51 - 4:56
    screen to know what happens is that
    permian knows he has to take out
  • 4:56 - 5:00
    all the black pixels and leave teen
    anything for Islam blacken
  • 5:00 - 5:05
    suddenly we have this alright so this is
    the first part
  • 5:05 - 5:10
    and them the second part if we look at
    this we have two layers here
  • 5:10 - 5:14
    you see we have light leaks free 06 and
    then we have 16 soul
  • 5:14 - 5:18
    what I've done is
  • 5:18 - 5:22
    first if you take this poor here we'll
    move it aside
  • 5:22 - 5:25
    you can see that I lined it up in a way
    that
  • 5:25 - 5:28
    the last frame you can see my brother is
    the most intense
  • 5:28 - 5:32
    frame when you free zoom in a little bit
    more using their
  • 5:32 - 5:35
    plus key on the keyboard you can see
    that defame me
  • 5:35 - 5:41
    delay your side you can see the numbers
    going up 04 05 06
  • 5:41 - 5:45
    and this is how premier is telling us
    how many frames we're pushing the video
  • 5:45 - 5:47
    aside so right now I'm pushing it
  • 5:47 - 5:51
    four door to the right 6 frame 7 framed
    eight frames and
  • 5:51 - 5:56
    then the other side is the same 6789
    frames
  • 5:56 - 6:00
    and what I want to do is a one line up
    line it up in a way that the last frame
  • 6:00 - 6:02
    where you see my brother
  • 6:02 - 6:05
    is the most intense one and and
    discolored
  • 6:05 - 6:09
    cover up the move between this frame to
    this frame
  • 6:09 - 6:12
    so I think this is it now
  • 6:12 - 6:16
    yeah this is it and now we have this
  • 6:16 - 6:20
    light going cross and then it goes very
    bright and then we have this
  • 6:20 - 6:24
    okay so looks good and then on to have
    done is a
  • 6:24 - 6:27
    took another layer alright
  • 6:27 - 6:31
    and this one is actually a longer video
  • 6:31 - 6:35
    and I did the same thing if you press
    this click the X
  • 6:35 - 6:38
    London then you go to the effect control
    you can see that the blend mode is also
  • 6:38 - 6:41
    on screen
  • 6:41 - 6:44
    and what I've done is actually to add
  • 6:44 - 6:48
    another lightly ok and if you see you
    look here it's kinda
  • 6:48 - 6:53
    very subtly very gentle body just term
  • 6:53 - 6:58
    this one that the big one here that we
    have here was very intense and I wanted
  • 6:58 - 6:59
    to add something that
  • 6:59 - 7:04
    kinda gets the I being ready to having
  • 7:04 - 7:08
    something appear on screen alright so
  • 7:08 - 7:12
    both of them together give these affect
  • 7:12 - 7:15
    you see it's very simple Sperry gentle
  • 7:15 - 7:19
    but I like it very much Its a very nice
    effect hey guys
  • 7:19 - 7:23
    my name is a result will work and I am
    israeli video producer
  • 7:23 - 7:27
    and I wanted to let you know that we
    have a brand new course for you guys
  • 7:27 - 7:31
    know this course is very special and
    it's going to take you through all the
  • 7:31 - 7:32
    steps
  • 7:32 - 7:36
    all making a 3d intro sold going to our
    website
  • 7:36 - 7:40
    if you click the link that is now on the
    screen you are going to be directed into
  • 7:40 - 7:42
    a website then you can see the course
  • 7:42 - 7:47
    it is a very nice course we work a lot
    to get it exactly like you we wanted to
  • 7:47 - 7:50
    so we really hope you get it and have
    fun
Title:
How to add Light Leaks into your footage with Adobe Premiere Pro - MYM #3
Description:

more » « less
Duration:
07:51

English subtitles

Revisions