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When am I in Head Voice and When am I in Falsetto?

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    When am I in Head Voice and When am I in Falsetto?
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    This is a question I receive almost everyday.
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    Inside this video I’ll define both head
    voice and falsetto and show you how you can
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    know whether you’re in falsetto or whether
    you’re in head voice when you sing.
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    Hi, I’m Chuck Gilmore with Power To Sing.
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    I ‘ll define falsetto as a disconnected
    tone.
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    You can be in falsetto on high, medium and
    some low notes.
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    And you can be connected on low notes and
    break into falsetto.
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    However, the pitch will change to a higher
    pitch when you do.
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    However, you can only bring falsetto down
    from high pitches to somewhere around A3 (Thats
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    the A below Middle C) before it must transition
    back into chest voice.
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    If you do it loud or hard it’s not a smooth
    transition.
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    It’s a real clunk or break-like feeling
    back into chest voice.
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    When you’re in falsetto the vocal cords
    come together with just the outer edges.
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    They barely touch together as you sing.
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    As a result more air escapes through the vocal
    cords.
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    Please watch theses videos, for more about
    falsetto and head voice.
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    In contrast, head voice is a connected tone.
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    The vocal cords are coming together with more
    of the edges touching deeper into each other.
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    The result is that the tone, being already
    a connected tone, does not have to reconnect
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    into chest.
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    Since it’s already connected it blends smoothly
    into chest voice.
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    Proper embouchure which allows brass players
    to play their instrument could be compared
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    to head voice.
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    Without the proper embouchure too much air
    escapes and it’s difficult to generate sound
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    waves.
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    With too little vocal cord making vibration,
    there’s too much air passing through the
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    vocal cords which causes an imbalance between
    the air and vocal cord muscle.
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    The results is a breathy, airy tone which
    can get louder to a certain point, but lacks
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    deeper overtones.
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    If we are unable to bridge and transition
    into head voice, we pull the chest voice higher
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    and higher until it breaks into falsetto.
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    Why is it often hard to tell just by listening
    to the sound whether you’re in falsetto
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    or head voice?
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    It’s hard because head voice and falsetto
    resonate in the same place...in the head cavities.
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    However, falsetto is a disconnected tone with
    very little cord participating in the sound
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    making.
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    Whereas head voice is a connected tone with
    more of the vocal cord making sound but less
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    air flow balancing with the vocal cords enables
    me to do it softly.
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    Also, Head voice and falsetto can both feel
    very released without tension or reach.
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    It can be confusing to us at first, because
    they actually feel similarly easy and light.
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    Through the years I’ve learned to feel the
    difference between the connected tone with
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    more vocal cord versus the disconnected tone
    with very little vocal cord.
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    For example if I yodel, first my cords are
    connected then I disconnect them into falsetto.
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    I’ll try it on different pitches.
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    It’s easy for me to demonstrate a yodel
    in chest voice.
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    You can really hear the disconnection.
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    It’s harder for me to demonstrate a yodel
    in mix and head voice.
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    I have a hard time doing it loud enough for
    you to hear.
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    But I can feel it disconnect into falsetto.
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    (I don’t know if I can disconnect and get
    back into mix.
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    I can disconnect but you can’t tell)
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    We’ve already touched on this, but if you
    are still confused, sustain the note above
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    your first bridge in question and bring it
    down into chest firmly on “oh” until it
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    either blends into chest or it clunks as it
    reconnects into chest.
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    If it blended smoothly, you were in connected
    head voice.
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    If it clunked or broke back into chest, you
    were in falsetto.
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    Keep in mind it is possible to break but reconnect
    into head voice.
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    However, if you’re experiencing this, it’s
    likely the larynx is rising which causes the
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    cords to slip into falsetto and the tone disconnect.
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    Do you know your vocal type?
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    Your vocal type tells you what you tend to
    do as you sing through the first bridge of
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    your voice.
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    If you pull chest or flip into falsetto or
    are too light, you will always be dealing
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    with breaking into falsetto and struggling
    to develop a strong head voice.
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    Go to PowerToSing.com and take the vocal test,
    which I call the PowerTest.
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    Take the quiz and discover your vocal type.
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    Then visit the Knowledge Center and watch
    the videos about your vocal type.
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    Download the free exercises and start practicing
    them.
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    They’re designed to help you learn to bridge,
    which will enable you to sing into your head
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    voice without using falsetto.
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    If you liked this video, give it a thumbs
    up, subscribe and share it with a friend.
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    In the comment section below, I’d love to
    hear how you’ve learned to tell the difference
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    between falsetto and head voice.
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    Also, be sure to follow Power To Sing on Facebook,
    Instagram, and Twitter.
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    Links are also included on Power To Sing’s
    Youtube Homepage and at PowerToSing.com.
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    I’m Chuck Gilmore with Power To Sing.
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    You can sing higher with beauty, confidence
    and power.
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    I’ll see you inside the next video.
Title:
When am I in Head Voice and When am I in Falsetto?
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Duration:
10:13

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