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This Boy's Life (1993) Leo DiCaprio Full Movie HD

  • 1:27 - 1:31
    It was 1957 and we're driving
    from Florida to Utah.
  • 1:32 - 1:34
    After my mother was beaten
    by her boyfriend...
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    ... we hightailed it
    for the uranium fields.
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    We were gonna change our luck...
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    ... which hadn't been so hot since
    our family broke up five years ago.
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    I spy with my little eye
    something that begins with C.
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    - Cactus. Cactus.
    - Nope.
  • 1:52 - 1:54
    - No?
    - It's upwards.
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    - Up. Up in the...
    - Clouds. Clouds.
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    Okay, your turn.
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    I was caught up in my mother's freedom,
    her delight in her freedom.
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    She was going to get rich on uranium
    and I was going to help her.
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    - How does this thing work, anyway?
    - Well, I think it causes like a...
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    It makes a black light that causes
    uranium traces to glow.
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    We can walk along the street
    and find uranium?
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    Well, it was everywhere
    in Moab, they say.
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    We were too late in Moab.
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    That guy said nobody had found
    uranium in Salt Lake City.
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    That means we'll have
    the place to ourselves, huh?
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    - Yeah.
    - This could be a big break for us.
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    If this works out,
    just think about it.
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    We could get a real house
    and we could get rid of this damn Nash.
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    We'd have no more money worries.
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    It'd be just like
    heaven on a June day.
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    Heaven on a June day.
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    Damn it.
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    If I had one wish right now, only one
    wish, you know what it would be?
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    I'd like to burn this
    goddamn Nash to a crisp.
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    I'm serious. I hate it.
  • 4:02 - 4:06
    I hate the man who invented it.
    I hate the factory who produced it.
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    Almost makes me want to see Roy.
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    He was the only one who could
    make it stop overheating.
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    My God, he was boring.
    Boring and mean.
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    You sure got crappy
    taste in boyfriends.
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    Come on, let's go get
    rich in Salt Lake.
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    Wait a minute.
    You're pulling my leg, right?
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    No. We came here to look for uranium.
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    If you're looking for uranium,
    why didn't you go to Moab?
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    We went there,
    but everybody beat us.
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    So you came here just
    on the chance you'd find uranium?
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    Yeah.
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    Do you mind me saying something
    that might sound rude?
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    Lady, you got more courage
    than you got common sense.
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    - So, what'd the man say?
    - Don't ask.
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    My mom had her own way of solving
    problems. She left them behind.
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    That's what she
    did with the Nash, just left it.
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    Things are going to start looking up.
    I can feel it.
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    The good times are coming.
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    My mom had high hopes,
    especially for me.
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    I'd been giving her no end
    of grief since she left Dad.
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    I decided I was gonna do better.
    I'd have straight- arrow friends.
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    I was gonna get all A 's in school
    and keep my nose clean.
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    I promised it and meant it.
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    We give new boys
    the benefit of the doubt.
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    This is the second time
    you've been in front of me.
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    I think you'd better give your mother
    a call, tell her to come down here.
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    She works.
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    She's working.
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    - It wasn't me who broke their window.
    - Please.
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    - Believe them instead of me.
    - Lf you care for me, be quiet.
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    If you'd cared anything about me,
    you would've stayed married to Dad.
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    I didn't really mean that.
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    I knew it wasn't true.
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    My father went his own way
    before they called it quits...
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    ... and took my older brother,
    Gregory, with him.
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    Sometimes I had to blame somebody,
    and she was the only one there.
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    - What time is it?
    - 7, almost.
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    Why didn't you wake me?
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    I started dinner. The potatoes are
    frying and I'm heating up hot dogs.
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    - I'm sorry.
    - I know you are.
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    I know your father doesn't call
    and your brother doesn't write...
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    ...but you know it's not my fault.
    - I know.
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    Okay.
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    Hello?
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    Hello, Roy.
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    A Winchester! Thanks.
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    I found me a room. But it's clear
    the hell and gone across town.
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    And I think I got a job lined up doing
    tune-ups at a Texaco station.
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    So how you like it at Winstead's?
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    - How do you know where I work, Roy?
    - I've been here almost a week.
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    And you've been following me
    around for a week?
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    How did you find me?
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    You like that rifle, Toby?
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    It's the best present ever. I love it.
    I'll go pretend I'm shooting.
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    Don't point it at anybody
    or I won't teach you to shoot.
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    - It's not loaded.
    - You heard me. Anything or anybody.
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    - It's got no bullets.
    - Don't make me say it again.
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    Fine. I'll just go point it
    at the sky then.
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    Don't.
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    Roy, don't!
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    Don't, Roy. Toby's still awake.
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    You are one sweet thing, baby.
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    It's just the sight of you
    makes my dick hard.
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    Don't, Roy.
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    Don't, now.
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    He's not going to hear anything!
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    Look, I'm...
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    Sorry, baby. I'm sorry.
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    Come on, you know I didn't mean that.
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    I'm just so glad to see you.
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    Most afternoons,
    I'd wander around in a trance.
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    Sometimes I'd go downtown,
    stare at the merchandise.
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    Maybe I'd shoplift. Maybe not.
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    I used to imagine I saw my father
    coming toward me.
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    I'd wait for him to recognize me.
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    I knew it wasn't him. He lived
    back East, married to a rich woman.
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    His nickname was Duke
    and that's how I thought of him...
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    ... as a duke living in a castle
    far away.
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    A few minutes later,
    I'd pick someone else.
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    - I'm home.
    - Hi, honey.
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    - We going someplace?
    - We sure are.
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    - Where?
    - I don't know. Any ideas?
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    - Phoenix.
    - Good. I was thinking Phoenix.
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    Or Seattle. Plenty of opportunities
    in both places.
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    What about your fabulous boyfriend?
    The fabulous, boring Roy.
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    - Is he coming too?
    - God, I hope not.
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    I looked out the window at work today,
    he was across the street watching.
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    - So uncool.
    - You didn't think so last night.
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    "I just love my new rifle, Roy!
    It's the bestest present I ever had."
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    Shut up.
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    There.
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    Now? We're leaving now?
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    - What about the food?
    - Leave it.
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    - Even the canned stuff?
    - Are you coming or staying?
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    Ask him when the next one
    to Phoenix is.
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    - When's the next bus to Phoenix?
    - Tomorrow morning. 11:45.
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    - How about Seattle?
    - Yeah, what about Seattle?
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    Leaves in, what, three...
    No, two minutes.
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    - Is this the bus to Seattle?
    - Yes, it is.
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    Hurry. Come on.
    Seattle, here we go!
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    I always had a good head for figures.
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    If I got a CPA license, I bet we could
    make a real go of it in Seattle.
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    I know what.
    I'll advertise for roommates.
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    - Hey, Ter.
    - Hey, Jack.
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    What did your mom say
    about skipping school?
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    Who listens?
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    Did you go to Wanda's last night?
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    You make out?
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    Make out good?
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    How good?
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    Fucked her till her nose bled.
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    Sure you did.
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    Hey, Jack. Terry.
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    Oh, look! It's Elvis, Elvis and Elvis.
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    Does your face hurt?
    Because it's killing me.
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    Silver.
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    - Anybody here?
    - Help! Help!
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    Help! I'm in here!
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    Oh, well. Lois, baby, come here. I got
    six hot inches just waiting for you.
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    - Yeah, you wish.
    - Oh, Lois. I want you so bad!
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    Come on,
    you make my dick hard, baby!
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    Come on, baby. I'll do better
    than Superman. Just give me a chance.
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    How did you find me?
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    Oh, Lois. Daddy-o's going to make you
    happy-o. Tie them ropes around me.
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    You couldn't even get it up, Silver.
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    We had to talk dirty for a while.
    It was a formality...
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    ... like crossing yourself with holy
    water when you went into a church.
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    After that, we shut up
    and watched the show.
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    We softened. We surrendered. We watched
    Superman have dumb adventures...
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    ... with dorky plots
    and we didn't laugh at them.
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    - It looks better with the bow in back.
    - He'll love it.
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    You say he's getting serious already?
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    I think so. He keeps talking
    to me about marriage.
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    - He's dying to meet Toby.
    - Three dates. You got him.
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    - I'm not sure I want him.
    - Don't want who?
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    It's the tough guy
    who can't be bothered to go to school.
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    Don't want who?
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    Dwight. Remember?
    I told you about him.
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    Please, use a glass.
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    He's that guy that comes
    from the boondocks? The mechanic?
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    Dwight. What a stupid name.
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    Dwight.
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    - Caroline.
    - Hello?
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    Hi.
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    - The door was open.
    - Behave.
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    Thank you.
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    Introduce you to everybody.
    I'll take your hat.
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    - This is Marian.
    - Marian.
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    - And Kathy.
    - Kathy.
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    And this is my son.
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    - So you're Toby?
    - No.
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    - You're not Toby?
    - No.
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    He wants to be called Jack. Silly,
    but he read those Jack London books.
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    I'll call him anything he wants. People
    can call me anything they want...
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    ...as long as they don't call me
    late for supper.
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    - A cup of coffee before we go?
    - I could stand a cup of java, yeah.
  • 18:19 - 18:22
    - Have a seat.
    - Over here?
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    - So, Jack, do you like school?
    - No.
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    - You don't like school?
    - No.
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    - That's the way it is with kids today.
    - He might like it if he ever went.
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    Have another cookie.
    Keep your strength up.
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    My son's decided to try to drive me
    to an early grave. Truly.
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    Straighten up
    and be polite now, honey.
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    - Who made this?
    - I did.
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    Well, all I can say is, you people
    are pretty lucky...
  • 19:00 - 19:04
    ...to live in a house
    with a cup of coffee like this.
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    Wait.
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    - Thank you.
    - You're welcome.
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    Just a little trick I learned
    in the Navy.
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    So, Jack, I hear you're invited up
    to Dwight's next week for Thanksgiving.
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    You'll love it. Great air, great water.
    And for scenery, just step outside...
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    ...and open your eyes.
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    And there's a turkey shoot
    Thanksgiving Day. I signed you up.
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    - Really? Can I bring my Winchester?
    - Sure.
  • 19:54 - 19:56
    - I'll get that turkey.
    - You might.
  • 19:57 - 20:01
    Look, it can sit up and talk
    just like a normal human being.
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    Come on, Dwight.
    We're going to be late.
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    Thank you. Thank you.
  • 20:13 - 20:17
    Here's your hat.
    Not too much television now.
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    Jack. Ladies.
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    I love a man who knows how to dress.
  • 20:27 - 20:31
    - He's so appealing.
    - What a dope.
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    Okay, come on.
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    - I'll make a muslin for you.
    - You will?
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    Drag a lot of dirt up the aisle
    with a train, you know.
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    Please.
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    Allow me.
  • 21:29 - 21:34
    There you go. Just a little trick
    I learned in the Navy.
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    - He wasn't that bad.
    - Let me try this.
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    Who made this? Did you make this?
  • 21:44 - 21:48
    I'd love to live in a house
    with a cup of java like that.
  • 21:48 - 21:50
    You do.
  • 21:51 - 21:53
    - You need a light?
    - Yes.
  • 21:53 - 21:56
    There you go. Kids today, I tell you.
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    - Are you through?
    - I do believe I am through.
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    - Be polite to Dwight this weekend.
    - Okay.
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    - I mean it.
    - I said, okay, didn't I?
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    He's gone to a lot of trouble.
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    And you never know, I mean,
    Concrete might be fun.
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    Concrete, my favorite town.
  • 22:24 - 22:27
    - Welcome to beautiful Concrete.
    - Please stop that.
  • 22:28 - 22:30
    Stop what?
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    Please try to be nice, okay?
  • 22:45 - 22:48
    - All right.
    - Thank you.
  • 22:58 - 23:01
    The air is like wine up at my place.
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    I wouldn't live anywhere else.
    That's the God's honest truth.
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    There's good schools, honest people
    and the finest fishing in the world.
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    There's hunting too. I don't flatter
    myself, but I'm a whiz with a rifle...
  • 23:17 - 23:20
    ...and Concrete allows me
    to prove that.
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    Dwight kept babbling on
    about the virtues of Concrete...
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    ... but all I could think about
    was shooting that turkey.
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    Here we are. Welcome to Concrete,
    my home sweet home.
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    Some of the finest people in the whole
    state of Washington. That's no lie.
  • 23:44 - 23:47
    Lots of churches too.
    Lots of churches.
  • 23:47 - 23:50
    A neighbor says, "Looking for
    nice churches, go to Concrete.
  • 23:50 - 23:52
    Looking for sin, go to hell."
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    I think that's funny, don't you? Jack?
  • 23:56 - 23:59
    Toby? Jack, that is. Jack?
  • 24:21 - 24:25
    Kids, this is my friend Caroline Wolff
    and her boy, Jack.
  • 24:25 - 24:26
    - Hi, I'm Norma.
    - Hi.
  • 24:27 - 24:29
    - Nice to meet you.
    - Nice to meet you.
  • 24:29 - 24:32
    Skipper, Norma, and my baby, Pearl.
  • 24:32 - 24:33
    - Hello.
    - Hi.
  • 24:33 - 24:35
    - Hello, Pearl.
    - Hi.
  • 24:36 - 24:39
    - Let's go in, look at the house.
    - Sure.
  • 24:43 - 24:45
    This is the house.
  • 24:46 - 24:49
    This is the living room.
  • 24:49 - 24:54
    And over here
    is the dining room and piano.
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    And this is the kitchen, over here.
  • 25:01 - 25:06
    I plan on getting all new fixtures,
    and that stuff will all be taken out.
  • 25:06 - 25:09
    It'll be much bigger and nicer.
  • 25:14 - 25:18
    And up here are the three bedrooms
    and the bath.
  • 25:19 - 25:20
    Plenty of room.
  • 25:21 - 25:24
    And this is...
  • 25:24 - 25:27
    This is a kind of a lounging area.
  • 25:27 - 25:30
    You know, just in case you want to...
  • 25:32 - 25:33
    ...Iounge.
  • 25:35 - 25:38
    - Over there is where I work. Joe.
    - Dwight.
  • 25:39 - 25:42
    - How about you kids? You like it here?
    - It's fine.
  • 25:42 - 25:44
    - Hi, John.
    - Hi.
  • 25:44 - 25:47
    - It's a little isolated.
    - It's not that isolated.
  • 25:47 - 25:51
    It's not that isolated.
    Pretty isolated, though.
  • 25:51 - 25:54
    There's plenty to do
    if you'd take the initiative.
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    When I was young, we didn't have TV.
    We used our imagination.
  • 25:58 - 26:03
    We read the classics, played musical
    instruments. A bored kid is a lazy kid.
  • 26:03 - 26:07
    - What musical instrument do you play?
    - Sax. Tenor sax.
  • 26:07 - 26:10
    - Let me do that.
    - Thank you.
  • 26:15 - 26:17
    - Thank you.
    - You're quite welcome.
  • 26:17 - 26:22
    - What about the schools? How are they?
    - There isn't one. We go to Chinook.
  • 26:23 - 26:25
    - Chinook High.
    - A few miles downriver.
  • 26:25 - 26:28
    - Forty miles.
    - Come on, it's not that far.
  • 26:28 - 26:30
    I clocked it. It's 39 miles.
  • 26:30 - 26:33
    - Come on, just stow it. Stow it.
    - It is.
  • 26:33 - 26:37
    You'd bellyache if the school
    was in your backyard.
  • 26:37 - 26:40
    Now just shut your goddamn pie-hole!
  • 26:46 - 26:49
    So how big is this turkey going to be?
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    - "Turkey shoot" is a figure of speech.
    - So there's no real turkey?
  • 26:54 - 26:58
    It's just regulation paper targets.
    It's a test of skill.
  • 26:58 - 27:04
    And I just found out yesterday, Jack,
    they won't let kids shoot.
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    - You said I could.
    - I know.
  • 27:08 - 27:11
    - It's not fair. You said that I could.
    - I know...
  • 27:11 - 27:15
    ...but they got it screwed up
    and told me wrong at first.
  • 27:15 - 27:18
    - You did tell him.
    - I don't make the rules.
  • 27:18 - 27:23
    If I made the rules, I might make
    different ones. But I don't make them.
  • 27:23 - 27:27
    Okay. That's okay, honey.
  • 27:28 - 27:31
    Don't worry. You can watch.
  • 27:48 - 27:51
    - Why ain't you gonna get to shoot?
    - Shut up.
  • 27:52 - 27:55
    Next shooters, on your marks.
  • 27:58 - 27:59
    - Is that it?
    - There you go.
  • 28:00 - 28:02
    - Okay, good luck.
    - Thanks, John.
  • 28:03 - 28:05
    Wolff, please. Caroline Wolff.
  • 28:06 - 28:08
    You mean you want to enter too?
  • 28:09 - 28:11
    I think it's against the rules.
  • 28:11 - 28:15
    That sign says this is an NRA club,
    and I'm an NRA member.
  • 28:15 - 28:19
    That allows me to participate
    in the activities of other chapters.
  • 28:23 - 28:25
    - You'll be the only woman.
    - Fine.
  • 28:26 - 28:27
    There you go.
  • 28:27 - 28:30
    - I got it. I got it.
    - Thank you.
  • 28:30 - 28:33
    Always a first time for everything.
  • 28:43 - 28:47
    - Eighty-four!
    - Eighty- four.
  • 28:49 - 28:51
    Dwight Hansen.
  • 28:51 - 28:53
    - Good luck, dear.
    - You can do it, Dad.
  • 28:53 - 28:58
    Dwight! Get on up there, buddy.
  • 29:09 - 29:11
    Come on, Dwight. Show us your stuff.
  • 29:38 - 29:40
    Twenty-four!
  • 29:41 - 29:46
    Twenty- four, Dwight Hansen.
  • 29:48 - 29:51
    - Nice.
    - I could have done better.
  • 29:51 - 29:55
    - Caroline Wolff.
    - Oh, yeah!
  • 30:04 - 30:07
    Mama, shake that thing!
  • 30:33 - 30:35
    Ninety-three!
  • 30:36 - 30:38
    Ninety- three.
  • 30:38 - 30:44
    Ninety- three for Caroline Wolff.
    Congratulations, Miss Wolff.
  • 30:46 - 30:48
    - That was real good.
    - Thank you.
  • 30:48 - 30:51
    - Where did you learn to shoot?
    - Beginner's luck.
  • 30:52 - 30:57
    Wasn't she good? Wasn't she good, kids?
    I'm really impressed.
  • 30:58 - 31:02
    My gun, bolt's not working.
    It's the third gun I've bought.
  • 31:02 - 31:06
    It just won't work right.
    Fucking thing.
  • 31:06 - 31:08
    That was really good.
  • 31:15 - 31:17
    - What gives?
    - Mom won the turkey shoot.
  • 31:17 - 31:22
    Oh, God. Now we're in for it. Dad
    thinks he's some kind of big hunter.
  • 31:23 - 31:27
    - Well, he killed a deer once.
    - That was with the car, Pearl.
  • 31:41 - 31:44
    Could you pass the salt
    and pepper, Pearl?
  • 31:54 - 31:56
    I got just one thing to say.
  • 31:58 - 32:02
    I'm sitting at the table
    with the best damn shot in the county.
  • 32:03 - 32:06
    You should have seen her.
  • 32:06 - 32:09
    - Almost got every one of them.
    - I missed two.
  • 32:28 - 32:30
    He's good.
  • 32:34 - 32:36
    Yeah, Toby! Jack.
  • 32:37 - 32:39
    You should do that.
  • 32:51 - 32:53
    Good, Toby! Jack. Sorry. Jack.
  • 32:53 - 32:56
    I know, not Toby. Jack.
  • 33:35 - 33:39
    I blew it off, man.
    I blew this fucking turkey's head off.
  • 33:40 - 33:43
    - With a.22?
    - Fucking-A. Winchester.22, pump.
  • 33:44 - 33:46
    Wolff, you are so full of shit.
  • 33:46 - 33:49
    Don't believe me. See if I care.
  • 33:50 - 33:53
    A.22 bullet would only make
    a hole in his head.
  • 33:53 - 33:57
    Yeah, one bullet, maybe.
  • 33:59 - 34:01
    Oh, I see.
  • 34:01 - 34:04
    So you hit the turkey
    more than once...
  • 34:04 - 34:08
    ...while he was flying, in the head.
  • 34:10 - 34:12
    Fuck you.
  • 34:12 - 34:14
    Fuck you too.
  • 34:18 - 34:23
    Fuck you. Fuck you! Fuck you, man!
  • 34:26 - 34:27
    What did he do?
  • 34:28 - 34:31
    He violated school property
    and he flouted the law.
  • 34:31 - 34:34
    Can you say that in English, please?
  • 34:35 - 34:38
    He wrote obscene words on the wall.
  • 34:38 - 34:39
    Did you do it?
  • 34:40 - 34:43
    - He didn't do it.
    - He wrote obscene words on the wall.
  • 34:44 - 34:46
    What obscene words?
  • 34:48 - 34:50
    "Fuck you."
  • 34:52 - 34:54
    That's one obscene word.
  • 34:55 - 35:00
    Look, Mrs. Wolff,
    Jack's teachers like him...
  • 35:00 - 35:04
    ...but they feel he's fallen in
    with the wrong kind of friends.
  • 35:04 - 35:08
    Is that nicotine stains
    on your fingers?
  • 35:08 - 35:10
    I hope not.
  • 35:12 - 35:14
    Well, back to the point.
  • 35:15 - 35:17
    I think two weeks suspension.
  • 35:50 - 35:53
    - So, what do we do?
    - What do you mean?
  • 35:54 - 35:57
    I mean, what shall we do?
    Because this isn't working.
  • 35:58 - 36:01
    We barely have any money.
    Kathy's moving out now.
  • 36:01 - 36:04
    - And you've gone wild. You lie.
    - No, I don't.
  • 36:04 - 36:05
    Yes, you do.
  • 36:06 - 36:09
    You're smoking
    and stealing from Marian's purse.
  • 36:09 - 36:13
    I can't handle it anymore.
    It scares me. I don't know what to do.
  • 36:13 - 36:15
    So you tell me.
  • 36:17 - 36:22
    I can be better. And I will be.
  • 36:25 - 36:30
    I hate the way I am.
    I don't know why I do it.
  • 36:36 - 36:39
    I talked to Dwight the other day.
  • 36:40 - 36:44
    After Christmas he wants you
    to go to Concrete and live with him.
  • 36:44 - 36:47
    Go to school up there.
  • 36:47 - 36:50
    What are you gonna do,
    give me away to him?
  • 36:51 - 36:55
    Well, if you two get along
    and things work out, I...
  • 36:57 - 36:59
    He and I might get married.
  • 37:05 - 37:08
    I don't know what else to do.
  • 37:09 - 37:11
    You have to tell me it's okay.
  • 37:18 - 37:19
    All right.
  • 37:21 - 37:25
    Just think of it
    like an adventure. Okay?
  • 37:32 - 37:37
    I put in both sweaters. Be sure you
    wear them. It's chilly there at night.
  • 37:37 - 37:39
    Okay, I will.
  • 37:51 - 37:54
    You don't have to go
    if you don't want.
  • 37:54 - 37:57
    It's not too late to change your mind.
  • 37:57 - 37:59
    It's okay. I'll go.
  • 38:02 - 38:05
    Here I am, you lucky people.
  • 39:16 - 39:18
    Sorry.
  • 39:55 - 39:56
    I'm sick to my stomach.
  • 39:57 - 40:00
    Sick to your stomach?
    A hotshot like you?
  • 40:00 - 40:03
    - I'm not a hotshot.
    - That's what I hear.
  • 40:03 - 40:06
    I hear you're a real hotshot.
  • 40:07 - 40:11
    Go where you want,
    do what you want.
  • 40:12 - 40:14
    Isn't that right?
  • 40:15 - 40:18
    A regular man about town,
    a performer too. Right?
  • 40:19 - 40:20
    You a performer?
  • 40:21 - 40:23
    I hear you do me.
  • 40:26 - 40:28
    I hear you're real good at doing me.
  • 40:28 - 40:31
    - Is that right?
    - No, sir.
  • 40:31 - 40:34
    That's a goddamn lie.
  • 40:35 - 40:40
    If there's one thing I can't stomach,
    it's a liar, Jack.
  • 40:41 - 40:45
    - I'm not a liar.
    - Sure, you are. You or Marian.
  • 40:45 - 40:51
    Is Marian a liar? She says you're quite
    the little performer. Is that a lie?
  • 40:51 - 40:56
    Tell me that's a lie and we'll go back
    so you can call her a liar to her face.
  • 40:56 - 40:58
    You want me to do that?
  • 41:00 - 41:03
    Did you hear what I said?
    You want me to do that?
  • 41:06 - 41:09
    - No.
    - Then you must be the liar, right?
  • 41:10 - 41:11
    And you're a performer?
  • 41:13 - 41:15
    Let's see your act.
  • 41:16 - 41:19
    Go on, do your act.
    Come on, let's see your act.
  • 41:20 - 41:22
    - I can't.
    - Sure you can.
  • 41:23 - 41:24
    Here.
  • 41:25 - 41:27
    Do me with the lighter.
  • 41:27 - 41:30
    Go on, take it.
    Take it, hotshot.
  • 41:31 - 41:32
    Take it.
  • 41:35 - 41:37
    Go on, take it. Take it!
  • 41:40 - 41:42
    You pull that hotshot stuff
    around me...
  • 41:42 - 41:45
    ...and I'll break every bone
    in your body.
  • 41:45 - 41:48
    Do you understand?
    I'll pop your head like a zit.
  • 41:48 - 41:50
    You're in for a change.
  • 41:50 - 41:56
    You're in for a whole other
    ball game, buddy. Oh, yeah.
  • 42:12 - 42:15
    So you'll be
    in Miss Graham's class, right?
  • 42:15 - 42:20
    - Yeah. Is she nice?
    - She's okay. She's pretty.
  • 42:20 - 42:25
    - I hate changing schools.
    - I've never. I've been here all my life.
  • 42:25 - 42:29
    Speaking of changing, I had a talk
    with Jack on the way up here...
  • 42:29 - 42:32
    ...and he wants to be a better boy.
  • 42:32 - 42:34
    Things weren't going well in Seattle.
  • 42:35 - 42:39
    The police came to his house
    and talked with Caroline about him.
  • 42:39 - 42:42
    That's right. The police.
  • 42:44 - 42:48
    - Idle hands are the devil's workshop.
    - Criminal.
  • 42:49 - 42:52
    So I found our Jack
    a little something to do.
  • 42:52 - 42:55
    I picked up two barrels
    of horse chestnuts in the park...
  • 42:56 - 42:58
    ...and you can hull them
    in the evenings.
  • 43:00 - 43:03
    I also enrolled you in the Boy Scouts.
  • 43:03 - 43:09
    And I got you a paper route.
    Starts every Monday, from 3 to 6:30.
  • 43:09 - 43:13
    Every afternoon, 3 to 6:30.
    Pays 55 bucks a month.
  • 43:14 - 43:16
    What do you say?
  • 43:18 - 43:20
    I'll do it.
  • 43:24 - 43:28
    - I wanna be better.
    - That's what I like to hear.
  • 43:33 - 43:38
    Okay, let's get this place cleaned up.
    Let's get the dishes going.
  • 43:38 - 43:40
    Let's show Jack
    how we do it in Concrete.
  • 43:42 - 43:45
    Jack? Let's go. Come on.
  • 44:47 - 44:49
    I don't believe that crap.
  • 44:49 - 44:53
    I believe there is such a thing
    as a bad boy. Bad clear through.
  • 44:54 - 44:58
    It's gonna be my job to turn you
    around, to set you straight.
  • 44:58 - 45:03
    That's right, to kill or cure.
    Kill or cure.
  • 45:03 - 45:07
    Caroline told me about your rich daddy
    and prep- school brother.
  • 45:07 - 45:11
    Your fancy days are over.
    You're a Concrete boy now.
  • 45:45 - 45:48
    I'm going to get you a Scout uniform.
  • 45:48 - 45:49
    Really?
  • 45:50 - 45:53
    One for me too.
    Don't believe in doing things halfway.
  • 45:53 - 45:55
    - Lf you're serious about the Scouts...
    - I am.
  • 45:56 - 45:58
    Then do it right.
    We'll do it right together.
  • 45:59 - 46:02
    I got you a subscription.
    I'll take it out of your route money.
  • 46:03 - 46:04
    Boys' Magazine?
  • 46:05 - 46:09
    It's the Scout magazine.
    It tells what it means to be a Scout.
  • 46:09 - 46:14
    What kind of boy you need to be
    and about merit badges and stuff.
  • 46:14 - 46:16
    "Suggested Good Turns a Scout Can Do:
  • 46:16 - 46:21
    Assist a foreign boy with English.
    Help put out a burning field.
  • 46:21 - 46:24
    Give water to a crippled dog."
    I could do those.
  • 46:24 - 46:30
    Hell, yes. You're a bright kid and
    I want this Scout thing done right.
  • 46:31 - 46:34
    - I'm not going!
    - The hell you say.
  • 46:35 - 46:39
    I'm not! This is Skipper's
    and it doesn't fit. I'm staying home.
  • 46:39 - 46:44
    You're gonna shit and fall back in it,
    that's all. Now get out here.
  • 46:44 - 46:45
    Look.
  • 46:48 - 46:51
    Shut your pie-hole.
    You look fine.
  • 46:52 - 46:55
    - I look like an idiot.
    - You act like an idiot.
  • 46:55 - 46:57
    You said you'd get me a new one.
  • 46:57 - 47:02
    I said I'd try to get you a new one.
    Besides, this one is new to you.
  • 47:02 - 47:05
    - The sleeves hang down.
    - All you do is piss and moan.
  • 47:05 - 47:09
    Piss and moan!
    You're all jazzed up in new stuff.
  • 47:09 - 47:11
    They didn't have secondhand in my size.
  • 47:12 - 47:14
    Pull the other leg, it's got bells.
  • 47:14 - 47:18
    Will you tell Caroline
    that you wouldn't join the Scouts...
  • 47:18 - 47:23
    ...because him didn't like
    his little uniform? Okay.
  • 47:25 - 47:27
    I wanna show you something.
  • 47:28 - 47:30
    "Words for Thought:
  • 47:30 - 47:34
    No boy, given over to dissipation
    or negativity, can stand the gaff.
  • 47:35 - 47:37
    He quickly tires and gives up.
  • 47:37 - 47:41
    He is the type who usually
    lacks courage at the crucial moment.
  • 47:42 - 47:45
    He cannot take punishment
    and come back smiling."
  • 47:45 - 47:46
    Anybody we know?
  • 47:49 - 47:51
    Hotshot?
  • 47:52 - 47:54
    Anybody we know?
  • 47:54 - 47:57
    - Fine, but this stinks.
    - Hotshot.
  • 47:58 - 48:00
    Me and Concrete are in your blood.
  • 48:00 - 48:04
    We'll make a man of you.
    In years, you'll thank me.
  • 48:04 - 48:08
    You'll remember me.
    Me and Concrete. Right?
  • 48:08 - 48:10
    - How do I look?
    - You look fine.
  • 48:12 - 48:14
    Fire.
  • 48:15 - 48:17
    Food.
  • 48:19 - 48:21
    Rapids.
  • 48:23 - 48:25
    Want.
  • 48:27 - 48:29
    People.
  • 48:31 - 48:33
    Twinkle.
  • 48:35 - 48:37
    Father.
  • 48:42 - 48:43
    We are gathered together...
  • 48:43 - 48:45
    ...in the sight of God...
  • 48:45 - 48:48
    ...to join together this man
    and this woman...
  • 48:48 - 48:50
    ...in the state of holy matrimony.
  • 48:50 - 48:56
    It is an honorable estate, instituted
    of God and signifying unto us...
  • 48:56 - 49:01
    ...the mystical union which exists
    between Christ and his church.
  • 49:01 - 49:05
    It is, therefore, not to be
    entered into lightly...
  • 49:05 - 49:11
    ...but reverently, discreetly,
    and in fear of God.
  • 50:05 - 50:08
    Honey, let's not do it
    this way tonight.
  • 50:08 - 50:12
    - It's good this way.
    - I know, but I want to see your face.
  • 50:13 - 50:16
    No. I don't like that way.
  • 50:17 - 50:19
    You don't like to do it face to face?
  • 50:19 - 50:23
    I don't like that way.
    I don't like to see the face.
  • 50:24 - 50:26
    - You mean, never?
    - No.
  • 50:26 - 50:28
    - But that's crazy.
    - Look!
  • 50:28 - 50:32
    You can get it doggie-style
    or laying on your side.
  • 50:32 - 50:35
    This is my house and I get to say.
    Got it?
  • 50:36 - 50:37
    Sorry.
  • 52:33 - 52:35
    Want some?
  • 52:36 - 52:39
    - Some what?
    - Coffee.
  • 52:39 - 52:41
    No.
  • 52:46 - 52:50
    - Happy wedding breakfast.
    - Good morning.
  • 52:50 - 52:52
    - Jack.
    - Good morning, Daddy.
  • 52:52 - 52:55
    - Where's the paper?
    - It's by the toaster.
  • 52:55 - 52:57
    - Coffee?
    - Thank you.
  • 52:58 - 53:02
    - So how is the bride this morning?
    - Don't.
  • 53:02 - 53:06
    - The bride doesn't wanna chat.
    - That's enough.
  • 53:06 - 53:09
    The bride sure is snotty this morning.
  • 53:09 - 53:12
    So, Jack, how are you feeling
    this morning?
  • 53:12 - 53:14
    I'm okay.
  • 53:16 - 53:20
    - So did you have fun last night?
    - You bet we did.
  • 53:22 - 53:23
    Good.
  • 53:24 - 53:26
    She's good enough, man.
  • 53:26 - 53:30
    - She wanted to, but I didn't want to.
    - You said no?
  • 53:30 - 53:31
    You guys are sick.
  • 53:32 - 53:34
    I'm sorry.
  • 53:35 - 53:37
    Look who's coming.
  • 53:38 - 53:40
    - Who's that?
    - Arthur Gayle.
  • 53:40 - 53:42
    What a homo.
  • 53:42 - 53:44
    - He walks like a girl.
    - Yeah.
  • 53:45 - 53:48
    Runs like one, talks like one,
    throws like one.
  • 53:48 - 53:52
    And probably takes a pee like one too.
    Just squats right down.
  • 53:53 - 53:57
    He mouthed off to me the other day.
    I was gonna sock him.
  • 53:57 - 54:00
    He called me a bourgeois.
  • 54:00 - 54:03
    - What's a bourgeois?
    - I don't know.
  • 54:04 - 54:06
    Call him a homo.
  • 54:06 - 54:09
    - Why?
    - Just see what he says.
  • 54:12 - 54:17
    My, my. What do we have here?
    Elmer Fudd and his hunting boys.
  • 54:19 - 54:21
    Look at all that yellow.
  • 54:21 - 54:25
    Didn't your mama teach you
    to wash your hands after you pee?
  • 54:26 - 54:27
    Shut up.
  • 54:27 - 54:32
    Strike one. That was very good.
    Very original.
  • 54:32 - 54:36
    Did you just make that up?
    That was very, very clever.
  • 54:38 - 54:41
    Why don't you just fuck off,
    dick-lick?
  • 54:41 - 54:43
    Excuse me!
  • 54:46 - 54:51
    Has anyone told you you look exactly
    like a pile of steaming dog turd?
  • 54:52 - 54:57
    Yeah? Well, at least
    I'm not a great, big homo.
  • 55:01 - 55:03
    Come on.
  • 55:03 - 55:05
    Get him. Come on, get him!
  • 55:08 - 55:10
    Take him, Jack.
  • 55:10 - 55:12
    Come on, take him out!
  • 55:14 - 55:16
    Asshole!
  • 55:20 - 55:22
    Fucking asshole!
  • 55:23 - 55:25
    Come on!
  • 55:28 - 55:30
    Get him. Get him!
  • 55:32 - 55:34
    Kick his ass, Jack.
  • 55:49 - 55:53
    Get up, son of a bitch!
    You stink of dog shit! Get up.
  • 55:53 - 55:55
    I'll kill you!
  • 55:59 - 56:00
    Take it back.
  • 56:02 - 56:04
    Take it back!
  • 56:05 - 56:09
    - Okay.
    - Say it.
  • 56:10 - 56:12
    - I take it back.
    - No.
  • 56:13 - 56:15
    Say, "You're not a homo."
  • 56:20 - 56:22
    You're not a homo.
  • 56:27 - 56:29
    Come on, Pepper.
  • 56:41 - 56:45
    Well. So!
  • 56:45 - 56:47
    Who won?
  • 56:49 - 56:51
    He can't see out of one eye.
  • 56:51 - 56:57
    Hot damn! You actually gave
    Little Lord Gayle a black eye?
  • 56:57 - 57:01
    - Yeah. It's not black yet.
    - But it's all puffed up?
  • 57:01 - 57:04
    Then it's a shiner, right? Right?
  • 57:05 - 57:07
    How'd it start?
  • 57:07 - 57:09
    I called him a sissy.
  • 57:09 - 57:13
    He can't sue you for slander.
    He fights for the pink team.
  • 57:13 - 57:16
    Goddamn kid's queer.
    Did you make him cry?
  • 57:18 - 57:20
    Yeah. He was ready to.
  • 57:20 - 57:23
    I called him a big-ass
    squat-to-pee sissy.
  • 57:23 - 57:26
    I'd have won bigger,
    but he hit when I wasn't looking.
  • 57:26 - 57:29
    He dry-gulched you?
    Wait a minute. That's your fault.
  • 57:30 - 57:33
    There's no excuse for getting
    dry-gulched. You got me?
  • 57:34 - 57:36
    I'm gonna show you a few moves...
  • 57:36 - 57:40
    ...that'll leave Miss Gayle
    wondering what month it is. Okay?
  • 57:40 - 57:43
    I said to this kid,
    "Stop doing that."
  • 57:43 - 57:48
    He said, "What business is it to you?"
    I said, "I don't think it's right."
  • 57:48 - 57:51
    He said, "What will you do?"
    I said, "Something."
  • 57:52 - 57:57
    He said, "You and who else?" I said,
    "The three of us: Me, myself and I."
  • 57:57 - 58:01
    After school, he's waiting for me.
    He yells something.
  • 58:01 - 58:07
    People like that, you gotta hurt them
    or they'll never leave you alone.
  • 58:07 - 58:10
    So it was real hot out. Okay?
  • 58:10 - 58:13
    There were horse turds
    laying all over the place.
  • 58:14 - 58:18
    I picked up a big, mushy one
    and go up to him, not acting tough.
  • 58:18 - 58:22
    Acting more like,
    "I'm so scared. Please don't hurt me."
  • 58:22 - 58:27
    Minding my business. And I say to him,
    "Excuse me. What's the problem?"
  • 58:27 - 58:30
    And he goes...
  • 58:30 - 58:32
    I go...
    I jam that turd in his fat mouth.
  • 58:33 - 58:37
    Then I sucker punch him.
    He goes down, and I kick his face...
  • 58:37 - 58:40
    ...jump on his head, then
    I jam another turd down his throat...
  • 58:40 - 58:43
    ...kick his fucking teeth
    a couple times.
  • 58:43 - 58:49
    And that was the end. Never bothered
    me again, that piece of shit.
  • 58:53 - 58:55
    Just a little tale.
  • 58:56 - 58:59
    You're getting it.
    That's it. Good hit.
  • 59:00 - 59:01
    Try for my face.
  • 59:01 - 59:04
    That's it.
    Keep yourself in the fight.
  • 59:04 - 59:07
    Keep it open. Open.
    That's it. Wide open.
  • 59:09 - 59:10
    One, two, three, four!
  • 59:13 - 59:15
    This is nothing
    compared to what you'll get.
  • 59:15 - 59:19
    Keep that guard up.
    When you go like that, bring it back.
  • 59:19 - 59:21
    Keep your guard up!
    Try the jab.
  • 59:21 - 59:23
    - I am.
    - Try it. Come on.
  • 59:24 - 59:27
    Want me to call you
    Miss Jackie Wolff?
  • 59:27 - 59:32
    Oh, my. Go, Jackie.
    Jackie! Jackie.
  • 59:32 - 59:36
    What about the honeymoon night?
    Dwight seems so shy.
  • 59:36 - 59:41
    - No, I wouldn't say he was shy, no.
    - Come on, Caroline. Fill me in.
  • 59:41 - 59:44
    We're still getting to know
    each other.
  • 59:44 - 59:47
    Okay. So how's Jack doing?
  • 59:47 - 59:49
    You're not trying.
  • 59:49 - 59:54
    - Are him and Dwight getting along okay?
    - They're like father and son.
  • 59:54 - 59:58
    Really? That's just great.
    Caroline, are you okay?
  • 59:58 - 60:02
    I'm fine. Things are just fine.
  • 60:04 - 60:08
    You said you were going to teach me
    how to dry-gulch somebody.
  • 60:08 - 60:09
    Okay.
  • 60:10 - 60:14
    You can always kick somebody
    in the balls. But this one's better.
  • 60:14 - 60:19
    What you do is hit them in the throat
    with the side of your forearm, like that.
  • 60:20 - 60:21
    You wait until...
  • 60:22 - 60:24
    Now that's dry-gulching.
  • 60:24 - 60:28
    Hit them in the throat,
    but do it before they expect it.
  • 60:28 - 60:31
    You got that?
    Before they're expecting...
  • 60:31 - 60:33
    You got that? Now you try it.
  • 60:34 - 60:36
    - Come on, you try it.
    - No.
  • 60:36 - 60:39
    - Don't be afraid.
    - No, you'll hurt me.
  • 60:39 - 60:41
    - Just try it.
    - No.
  • 60:41 - 60:46
    Try it. I'll hurt you
    if you don't do it. Come on!
  • 60:46 - 60:48
    Come on.
    Let's go, goddamn it!
  • 60:48 - 60:52
    Let's start, you little
    fucking sissy all your goddamn life.
  • 60:53 - 60:56
    Quitter! Gonna be a goddamn quitter?
    Let's go! Damn you.
  • 60:56 - 61:02
    Don't go shy. You're acting as sissy as
    Little Miss Arthur Gayle, you know that?
  • 61:02 - 61:06
    I'm gonna call you
    Little Miss Jackie Wolff.
  • 61:06 - 61:11
    My, yes. Oh, Jackie.
    My, yes. Little Miss Jackie Wolff.
  • 61:11 - 61:14
    Is that what you want me to call you?
  • 61:14 - 61:18
    Is that what you want the kids
    to call you? Jackie Wolff?
  • 61:18 - 61:21
    Come on. Let's go.
    Come on. Let's do it.
  • 61:21 - 61:24
    Jesus Christ,
    if you're gonna act like...
  • 61:30 - 61:32
    You just about
    got dry-gulched, mister.
  • 61:36 - 61:39
    Ask him again, please.
    I need it so much.
  • 61:39 - 61:44
    I asked him already. I asked him
    last week. I asked him this morning.
  • 61:44 - 61:46
    He wants you to keep the route.
  • 61:46 - 61:51
    Then make him give me the money.
    It's mine, and I earned it. It's $220.
  • 61:51 - 61:55
    He won't. He wants to keep it
    until you really need it.
  • 61:55 - 62:00
    It's not fair! I ought to be able
    to keep my own money.
  • 62:00 - 62:02
    But it's mine, Mom!
  • 62:05 - 62:07
    Ask him about my gym shoes.
  • 62:07 - 62:10
    I can practice barefoot.
    For games, I need them.
  • 62:11 - 62:14
    I won't do it, Jack.
    I won't be a referee.
  • 62:15 - 62:20
    The bride won't argue.
    The bride won't even raise her voice.
  • 62:20 - 62:22
    I'll tell you what she'll do.
  • 62:22 - 62:27
    The bride will go over there and
    slap the hell out of the bride's son.
  • 62:27 - 62:30
    Does the bride's son
    want his face slapped?
  • 62:30 - 62:34
    I hate it here, you know that?
    I wanna just get up and go.
  • 62:34 - 62:39
    I don't have another get-up-and-go
    left in me. Do you understand that?
  • 62:40 - 62:44
    I can't run anymore.
    I've hit a brick wall here.
  • 62:45 - 62:50
    This whole thing isn't perfect for me
    either. Let me impress that on you.
  • 62:50 - 62:54
    I don't exactly wake up singing
    every morning.
  • 62:56 - 63:02
    I know you don't believe me now,
    but it's the best thing.
  • 63:02 - 63:04
    Okay?
  • 63:10 - 63:14
    I'm gonna make this marriage work.
    I won't join in any fights.
  • 63:15 - 63:17
    I won't even raise my voice.
  • 63:22 - 63:25
    You see these?
  • 63:25 - 63:28
    He picked them for me last night
    on his way home.
  • 63:29 - 63:30
    Big deal.
  • 63:32 - 63:35
    I'm trying to concentrate
    on the good stuff.
  • 63:39 - 63:41
    What do you think?
  • 63:41 - 63:44
    I think I look like a fool.
    But who cares?
  • 63:45 - 63:48
    Six weeks to graduation
    and California here I come.
  • 63:57 - 64:00
    You have to try and concentrate
    on the good stuff.
  • 64:01 - 64:03
    Come on.
  • 65:05 - 65:07
    You like my dog?
  • 65:14 - 65:19
    - Yeah, he's nice.
    - He's smart too. He can talk.
  • 65:22 - 65:24
    Sure, I just about believe you.
  • 65:24 - 65:27
    Pepper, what's on a tree?
  • 65:28 - 65:29
    Bark.
  • 65:30 - 65:33
    I wanna ask you,
    how's the world treating you?
  • 65:34 - 65:36
    Rough?
  • 65:36 - 65:39
    I know how you mean.
  • 65:39 - 65:43
    That's dumb.
    A little funny, though.
  • 65:48 - 65:52
    How come your dad
    never comes to meetings?
  • 65:52 - 65:56
    I don't have a dad.
    I never did.
  • 65:56 - 66:00
    I sprang full-blown
    from my mother's imagination.
  • 66:03 - 66:05
    Wanna walk home with me and Pepper?
  • 66:09 - 66:13
    I knew I'd like you,
    because you're an alien.
  • 66:13 - 66:15
    An alien?
  • 66:15 - 66:20
    You and I don't belong in Concrete.
    This place would like to kill us.
  • 66:20 - 66:23
    Come on, that's a little dramatic.
  • 66:23 - 66:25
    - You think so?
    - Yeah.
  • 66:25 - 66:29
    Do you know what chickens do
    when one chicken's different?
  • 66:29 - 66:32
    With black feathers on its head, say?
  • 66:32 - 66:35
    They peck at that black spot
    until the chicken's dead.
  • 66:35 - 66:37
    They can't stand that it's different.
  • 66:38 - 66:43
    We're both different. Your difference
    is something other than my difference.
  • 66:43 - 66:45
    But we're both aliens here.
  • 66:45 - 66:50
    See, I don't exactly feel like an alien.
    I've got friends, you know.
  • 66:50 - 66:55
    They're idiots. You act like an idiot
    when you're around them.
  • 66:55 - 66:57
    A prediction:
  • 66:57 - 67:01
    If you stay in Concrete,
    you'll wind up working at the A & P.
  • 67:01 - 67:05
    Either that, or you'll go on a rampage
    with a hunting rifle.
  • 67:05 - 67:11
    And you'll wind up a recluse who
    likes to dress in his mama's old clothes.
  • 67:11 - 67:12
    Maybe.
  • 67:12 - 67:14
    Maybe.
  • 67:15 - 67:17
    One thing I know...
  • 67:17 - 67:19
    ...no matter how many times I repeat...
  • 67:20 - 67:22
    ...my primary goal
    is to get out of Concrete.
  • 67:22 - 67:24
    Burma-Shave!
  • 68:25 - 68:27
    Thank you, Joe Feeney.
  • 68:27 - 68:31
    And here's a happy tune that features
    our happy Norwegian.
  • 68:32 - 68:33
    "The Laughing Polka. "
  • 68:34 - 68:38
    See, honey? You gotta try
    and find the good stuff.
  • 68:38 - 68:40
    You're a hog.
    Don't tell me you're not.
  • 68:41 - 68:43
    How do you know Skipper
    didn't do it, or Norma?
  • 68:43 - 68:47
    - I told them to stay away from this candy.
    - How do you know I ate any?
  • 68:47 - 68:51
    I counted them. You hogged down
    11 chocolates since yesterday.
  • 68:51 - 68:52
    So what?
  • 68:52 - 68:56
    That makes you a hog!
    I just wanna establish that fact.
  • 68:56 - 69:01
    Mr. Hotshot Hog and I have
    just been establishing some facts:
  • 69:01 - 69:05
    One, he's a pig who gobbles down candy.
    Two, he lies about it.
  • 69:06 - 69:10
    Three, he lays around on his candy-ass,
    day and night, reading.
  • 69:10 - 69:15
    And four, he's not getting $ 10 gym
    shoes. That's what we've come up with.
  • 69:15 - 69:16
    Dad, just lay off.
  • 69:17 - 69:20
    Don't give me that shit!
    Shut your goddamn pie-hole.
  • 69:20 - 69:22
    Why don't you take up for me?
  • 69:22 - 69:25
    Why don't you help me
    straighten him out?
  • 69:25 - 69:29
    All he ever does is read or listen
    to music or sing. I'm sick of it.
  • 69:29 - 69:33
    "Blue Monday."
    I'm so sick of that shit!
  • 69:33 - 69:36
    When he's not singing, he's watching
    TV. Don't say you don't.
  • 69:37 - 69:40
    When I come home,
    I feel the TV to see if it's warm...
  • 69:41 - 69:46
    ...and it always is. This is the news.
    I want you to know I'm wise to you.
  • 69:46 - 69:49
    Big deal!
    I don't wanna do my paper route.
  • 69:49 - 69:54
    I bet you don't. You'd rather
    lay on your ass and read all day.
  • 69:54 - 69:59
    You're going to deliver those papers if
    I have to walk behind you with a whip.
  • 69:59 - 70:02
    Yeah? Then give me the money
    that I earned.
  • 70:02 - 70:05
    I'm putting it in the bank
    for when you need it.
  • 70:05 - 70:09
    - You'll thank me later.
    - Make him buy gym shoes.
  • 70:09 - 70:12
    How can I play basketball
    without any gym...?
  • 70:16 - 70:20
    It's not the shoes, is it?
    Or the candy, or anything else.
  • 70:20 - 70:24
    It's me. You can't stand
    the fact that I exist.
  • 70:24 - 70:28
    No, it's not that at all.
    It's just that I...
  • 70:28 - 70:32
    You have to be well-behaved.
    Your rich daddy doesn't care.
  • 70:32 - 70:35
    Somebody's gotta train you.
    You need to be trained...
  • 70:35 - 70:40
    ...not to be a fucking hog
    and hog everybody's candy!
  • 70:42 - 70:47
    - What's the matter?
    - I will not referee!
  • 70:49 - 70:54
    I think you've upset your mother, so
    let's go to the Scouts and let her rest.
  • 70:54 - 70:58
    Honey, you just lay down
    and rest a while.
  • 70:58 - 71:00
    Now look what you did.
  • 71:00 - 71:02
    Got her upset too.
  • 71:16 - 71:21
    Check for the tongue tonight, otherwise
    you won't get your lifesaving badge.
  • 72:45 - 72:47
    Whose dog is that on the porch?
  • 72:48 - 72:49
    Yours.
  • 72:50 - 72:52
    - Mine?
    - Yeah, you said you wanted a dog.
  • 72:52 - 72:57
    - A collie. Not that thing.
    - Well, he's yours. You paid for him.
  • 72:57 - 73:02
    - Get ready for Norma's play.
    - What do you mean, I paid for him?
  • 73:17 - 73:19
    My Winchester's gone!
  • 73:19 - 73:23
    That dog's purebred English bulldog.
    A champion. Don't forget that.
  • 73:24 - 73:25
    I don't want it!
  • 73:25 - 73:28
    You're out of luck.
    That rifle's in Seattle.
  • 73:28 - 73:30
    I want my rifle!
  • 73:30 - 73:33
    Want in one hand and
    shit in the other.
  • 73:33 - 73:34
    That Winchester was mine!
  • 73:35 - 73:40
    Champ is your dog. I trade some piece
    of crap for a valuable hunting dog...
  • 73:40 - 73:44
    ...and all you do is piss and moan.
    - I'm not pissing and moaning.
  • 73:44 - 73:49
    The hell you aren't! You can just make
    your own deals from now on.
  • 73:53 - 73:57
    I said, don't ever touch me again,
    because...
  • 73:59 - 74:02
    ... I'm absolutely finished.
    This is the end.
  • 74:03 - 74:04
    I want you to get out!
  • 74:05 - 74:08
    This impassioned testimony helped sway
    the jury to acquit...
  • 74:08 - 74:12
    ... Cheryl Crane of the murder
    of Johnny Stompanato...
  • 74:12 - 74:16
    ... boyfriend of Cheryl's mother,
    film star Lana Turner.
  • 74:16 - 74:21
    The jury returned a verdict
    of justifiable homicide...
  • 74:21 - 74:25
    ... allowing Cheryl to go free
    for the killing of Stompanato.
  • 74:25 - 74:29
    The stabbing occurred during an
    argument, when Cheryl grabbed a knife...
  • 74:30 - 74:36
    ... said to her mother, "You don't have to
    take that!" and stabbed Stompanato.
  • 74:36 - 74:39
    His threatening behavior
    was a factor...
  • 74:39 - 74:42
    ... in the jury's verdict
    of justifiable homicide.
  • 74:42 - 74:47
    A violent final chapter in this affair
    ends in the famous pink bedroom...
  • 74:47 - 74:49
    ... of Lana Turner's
    Beverly Hills mansion.
  • 77:03 - 77:06
    - Hello.
    - That your car in the ditch back there?
  • 77:07 - 77:08
    - Yeah.
    - How did it get there?
  • 77:09 - 77:14
    - It's hard to explain.
    - Get in then, we'll have to tow it.
  • 77:24 - 77:29
    Hey. Anybody home?
  • 77:29 - 77:33
    Your mom said you were sick.
    Feeling better?
  • 77:33 - 77:35
    Yeah.
  • 77:35 - 77:37
    Get some sleep, did you?
  • 77:38 - 77:41
    - About four hours.
    - Well, you must have needed it.
  • 77:44 - 77:45
    Good.
  • 77:46 - 77:49
    Oh, by the way...
  • 77:49 - 77:53
    ...you didn't hear a funny
    pinging noise in the engine, did you?
  • 77:53 - 77:57
    God, look at me. I gotta shave.
    I look terrible.
  • 77:57 - 77:59
    - What engine?
    - I was downtown with Champ...
  • 78:00 - 78:04
    ...and I met a guy who recognized him.
    Said he'd seen my dog this morning.
  • 78:05 - 78:08
    He told me a story
    how he and the dog met.
  • 78:08 - 78:11
    I thought you'd like to hear about it.
  • 78:11 - 78:13
    What do you think about that?
  • 78:14 - 78:17
    I don't know what
    you're talking about.
  • 78:24 - 78:26
    Dwight! Stop!
  • 78:27 - 78:31
    You steal my car?
    You steal my car?
  • 78:31 - 78:33
    - Stop!
    - Don't you steal my car!
  • 78:34 - 78:36
    Stop! Don't!
  • 78:48 - 78:53
    Only me on this whole earth
    to straighten you out.
  • 78:53 - 78:58
    And I'll do it. Kill or cure.
    Kill or cure.
  • 79:01 - 79:04
    Now get your ass up.
    You're going to school.
  • 80:02 - 80:04
    Come on, Jack.
  • 80:04 - 80:06
    Hurry up.
  • 80:08 - 80:11
    Come on, Wolff. Move it.
  • 80:38 - 80:40
    A lot can happen in two years.
  • 80:40 - 80:43
    Skipper and Norma had left
    and moved to Seattle.
  • 80:43 - 80:45
    I was gonna get out too.
  • 80:46 - 80:49
    But in the meantime
    I made some new friends.
  • 80:51 - 80:53
    - Gorilla blood.
    - Psycho, shut up.
  • 80:54 - 80:57
    - Fuck you.
    - Hey, look, there goes Carol Baumgarten.
  • 80:57 - 81:01
    - Ain't she sweet? She's hot for Wolff.
    - Yeah, I wish.
  • 81:01 - 81:04
    Won't do her any good.
    He's saving himself for Rhea.
  • 81:05 - 81:06
    - Know what?
    - Fuck off.
  • 81:06 - 81:10
    He said even the inside of her arm
    turns him on. Her arm.
  • 81:10 - 81:13
    You slay me, Wolff.
    She is pretty, though.
  • 81:14 - 81:17
    I'd sure like to eat
    Rhea Clark's pussy.
  • 81:17 - 81:20
    - Give it a rest.
    - No, I mean it. I mean it.
  • 81:20 - 81:23
    I'd like to get down
    and really grovel on it.
  • 81:24 - 81:27
    Spend about a week
    with my face right in it.
  • 81:55 - 81:58
    Meeting newsmen,
    Mr. Truman pledges to support...
  • 81:58 - 82:03
    - ... John F. Kennedy for president.
    - I ask your help in this campaign.
  • 82:07 - 82:12
    It's good news, they say that Truman's
    gonna campaign for Kennedy.
  • 82:12 - 82:16
    I gave $25 to his office today.
  • 82:16 - 82:22
    - I was thinking, I could go work...
    - Here I am, you lucky people.
  • 82:30 - 82:33
    The SOB had been on my back
    for a week at work...
  • 82:33 - 82:37
    ...saying I stole his wrench
    and poured oil all over his tools.
  • 82:38 - 82:41
    Well, he went one step too far
    with old Dwight.
  • 82:41 - 82:44
    He spat on the floor as I went by.
    I walked back to him...
  • 82:45 - 82:48
    ...acting dainty, humble and scared.
    Then he took his eyes off me.
  • 82:49 - 82:51
    I dry-gulched that son of a bitch.
  • 82:51 - 82:56
    He never gave me another second's
    grief, and that was five years ago.
  • 82:57 - 83:01
    Yeah, come here. Come on.
    Come here, Champ.
  • 83:01 - 83:03
    Come here. Come on. Thattaboy.
  • 83:03 - 83:07
    I heard Mr. Kennedy
    on the news again tonight.
  • 83:08 - 83:11
    I don't know. It seems that
    every once in a while...
  • 83:11 - 83:17
    ...somebody comes along who
    doesn't seem like he's such a liar.
  • 83:18 - 83:23
    - Kennedy, the senator from Rome.
    - He gives me hope.
  • 83:23 - 83:27
    I know what he gives you
    and it sure as hell isn't hope.
  • 83:27 - 83:31
    You're right there.
    He is very attractive.
  • 83:31 - 83:35
    He does have pearly-white teeth.
    I don't think that's it.
  • 83:35 - 83:38
    Come on, boy. Attaboy.
  • 83:41 - 83:47
    - I'm gonna go work for the campaign.
    - No, that's a bad idea. Bad idea.
  • 83:47 - 83:51
    Too many Republicans in town.
    They hear you work for Democrats...
  • 83:52 - 83:55
    ...they'll take their cars
    someplace else to be fixed.
  • 83:55 - 83:59
    Right, boy? Right, my little baby boy?
    Come to Daddy.
  • 84:01 - 84:06
    Oh, Ricky. Please let me come down
    and work for you at the club.
  • 84:07 - 84:08
    What are you doing?
  • 84:09 - 84:10
    - Champ.
    - Get away.
  • 84:10 - 84:11
    Champ!
  • 84:11 - 84:16
    - Champ. Sit. Sit.
    - Treat me like Lucy, I'll act like her.
  • 84:16 - 84:20
    I'm working for the Kennedy's campaign.
    Are you through?
  • 84:20 - 84:23
    - You're not working for them.
    - We'll see.
  • 84:23 - 84:27
    You're not working for the campaign!
    Get that through your head.
  • 84:28 - 84:32
    - You're not.
    - There's no reason on earth why I can't.
  • 84:32 - 84:35
    There is every reason in the world.
    I just told you.
  • 84:35 - 84:39
    - You can count on it. I'll do it.
    - What?
  • 84:39 - 84:41
    - Count on it.
    - I told you why.
  • 84:46 - 84:48
    I'll be through in a minute.
  • 84:53 - 84:57
    You left the lid
    off the damn toothpaste again.
  • 84:57 - 85:00
    Dwight, is that the best
    you can come up with?
  • 85:01 - 85:05
    This is my house, and I get to say
    about the toothpaste. You got that?
  • 85:06 - 85:10
    Huh? Have you? Huh?
  • 85:10 - 85:15
    If you lived with your dad, Duke, and his
    rich wife, things might be different.
  • 85:15 - 85:21
    But he's not here now, is he? Is he?
    Oh, Duke. Duke, are you here?
  • 85:21 - 85:25
    Duke? Dukie? Are you here?
  • 85:25 - 85:28
    Oh, how sad. Duke's not here.
    Oh, boo-hoo.
  • 85:28 - 85:33
    My house. My bathroom. I get to say
    about the toothpaste. You got that?
  • 85:37 - 85:41
    Come on. Come on. Give me an excuse.
    Come on.
  • 86:11 - 86:14
    - Hey.
    - You didn't pick this up yesterday.
  • 86:14 - 86:18
    - You got nothing higher than a C.
    - Shut up.
  • 86:21 - 86:24
    - Voilá.
    - You're gonna get caught someday.
  • 86:24 - 86:27
    Oh, I'm so scared. Really.
  • 86:27 - 86:31
    You act more like those morons
    you hang around with every day.
  • 86:32 - 86:37
    - I'm Psycho. I'm retarded.
    - He hears you do that, you're dead.
  • 86:39 - 86:44
    - Let me copy your math homework.
    - No. But I'll show you how to do it.
  • 86:45 - 86:51
    I tell you I'm thirsty and you offer me
    a sandwich. Thank you and fuck you.
  • 86:52 - 86:57
    I take it back. You don't act like Psycho,
    you act like Dwight.
  • 87:02 - 87:06
    I know it.
    He's winning, isn't he?
  • 87:08 - 87:12
    I do act like him
    and I feel like him sometimes.
  • 87:12 - 87:15
    I've gotta get out of this place
    or I'm dead.
  • 87:16 - 87:19
    - You've said that for two years.
    - This time I mean it.
  • 87:19 - 87:22
    I'll live with Gregory in Princeton.
  • 87:23 - 87:25
    The brother who never calls?
  • 87:25 - 87:29
    - That brother?
    - I may go to a prep school like he did.
  • 87:29 - 87:31
    - Like my dad.
    - What about your grades?
  • 87:32 - 87:35
    - What about money?
    - Dwight owes me over $ 1200.
  • 87:36 - 87:39
    If he hadn't kept my paper route money
    I'd be okay.
  • 87:39 - 87:43
    If the dog hadn't stopped to pee,
    he would have caught the rabbit.
  • 87:47 - 87:51
    You know what?
    I think Dwight was right about you.
  • 87:51 - 87:54
    I think you do fight for the pink team.
  • 88:04 - 88:06
    My brother and I had been in touch.
  • 88:07 - 88:11
    He said the road from Concrete
    to Princeton starts with SATs.
  • 88:11 - 88:15
    And that I could take them
    at the Lakeside School in Seattle.
  • 88:15 - 88:18
    Dwight said I had
    as much chance of passing...
  • 88:18 - 88:22
    ... as he had of farting his way through
    the "Star- Spangled Banner. "
  • 88:54 - 88:58
    Hi, honey. Would you take
    that trash out for me, please?
  • 89:04 - 89:06
    Thank you.
  • 89:33 - 89:37
    My application forms came today,
    and he threw them away.
  • 89:37 - 89:40
    I thought I was helping.
    I'd save him some trouble.
  • 89:40 - 89:44
    He's got no chance of getting into
    some fancy prep school.
  • 89:44 - 89:47
    Your nose is always pressed
    against the bakeshop window.
  • 89:48 - 89:50
    - What?
    - You're afraid that someone...
  • 89:50 - 89:54
    ...is gonna get what you never had.
    It makes you mean.
  • 89:54 - 89:55
    You know something?
  • 89:55 - 90:00
    One day that meanness will snap back
    and slap you in the face.
  • 90:00 - 90:04
    Oh, I'm so scared. I'm so scared.
    I'm so scared!
  • 90:06 - 90:09
    This is all you gave me for dinner?
  • 90:18 - 90:22
    When I went to fill out applications,
    I ran into a wall.
  • 90:22 - 90:26
    They wanted letters of recommendation
    from teachers.
  • 90:26 - 90:28
    I could write these myself.
  • 90:28 - 90:32
    But they wanted my grades on
    our official school transcript forms.
  • 90:32 - 90:35
    - And this was a problem.
    - I won't do it.
  • 90:35 - 90:38
    You work in the office.
    No one will know.
  • 90:38 - 90:41
    I'm surprised you
    want help from the pink team.
  • 90:42 - 90:46
    I'm asking you for help. I heard
    I did really well on those tests.
  • 90:46 - 90:49
    But it's not enough.
    I've got to cheat and lie.
  • 90:49 - 90:52
    If they want A's,
    I have to give them to them.
  • 90:52 - 90:55
    - It's so simple. You're the only way I...
    - No!
  • 90:58 - 91:01
    Why should you get to be
    the one who leaves?
  • 91:03 - 91:05
    Why not me?
  • 91:46 - 91:48
    You could leave too, you know.
  • 91:48 - 91:53
    No. I've grown progressively fond
    of Concrete.
  • 91:53 - 91:58
    I think I'll stay here all alone and
    dress up in my mama's old clothes.
  • 91:59 - 92:02
    You know, like you said.
  • 92:29 - 92:32
    Excuse me. I need some help here.
    Fuck!
  • 93:26 - 93:31
    Jack! Jack, you got letters
    from those schools!
  • 94:18 - 94:22
    Hey, Wolff!
    Bring that bottle over here.
  • 94:22 - 94:26
    Brand new,
    with a nice shine and everything.
  • 94:26 - 94:31
    Bullshit. Nobody in your family's
    ever been in a Corvette.
  • 94:31 - 94:33
    - But you're going to own one?
    - Yeah.
  • 94:33 - 94:36
    - Go pick it up.
    - I'm gonna move to Seattle.
  • 94:36 - 94:40
    I'll get a job at Bendix
    and drive to work in my Vette.
  • 94:40 - 94:44
    My uncle can have any car.
    Makes big bucks as an electrician.
  • 94:44 - 94:47
    - Yeah, how big?
    - $ 175 a week, take home.
  • 94:47 - 94:50
    - Bullshitter.
    - Even supervisors don't make that.
  • 94:50 - 94:54
    Then how are you gonna
    make enough to drive a Vette?
  • 94:55 - 94:58
    - I'll drive a T-Bird.
    - I'm gonna own a Vette...
  • 94:58 - 95:01
    ...even if I have to rob
    the Bendix payroll.
  • 95:01 - 95:03
    You losers. Bunch of losers.
  • 95:04 - 95:08
    - Who you calling a loser?
    - Jackie called us losers.
  • 95:12 - 95:14
    All of you!
  • 95:18 - 95:22
    You're gonna drive a Fairlane,
    just like your daddy does.
  • 95:22 - 95:24
    Tell me something, Psycho. Tell me.
  • 95:24 - 95:29
    How you gonna drive a T-Bird if you're
    a janitor like your entire family?
  • 95:29 - 95:34
    Forget about being an electrician.
    You can't even pass 10th-grade math.
  • 95:35 - 95:39
    - Who died and made you King Shit?
    - Yeah. You're no better than us.
  • 95:40 - 95:42
    I know, that's my point, Psycho.
  • 95:44 - 95:46
    You guys are my buddies.
  • 95:48 - 95:51
    You guys are my pals.
  • 95:56 - 96:00
    My dear old dad's called Dwight.
  • 96:02 - 96:06
    Welcome to beautiful Concrete.
  • 96:36 - 96:41
    We only take boys who want to work.
    Is that you?
  • 96:42 - 96:44
    I want you to start evenings now.
  • 96:44 - 96:50
    And I'd want you to work all summer.
    No vacations.
  • 96:50 - 96:52
    Food-service work isn't easy.
  • 96:53 - 96:56
    It doesn't come to you
    in a year or two.
  • 96:56 - 97:01
    So, you think you got what it takes
    to be an A & P management trainee?
  • 97:01 - 97:04
    Yeah, it's exactly what I've got.
  • 97:06 - 97:09
    - Now, where did this...?
    - I got another one.
  • 97:09 - 97:12
    You're gonna finish this puzzle.
  • 97:12 - 97:18
    Look. See this one? See this house?
    So it's got to go with the house.
  • 97:18 - 97:21
    I got the top together.
  • 97:21 - 97:23
    Excellent. You're very good at this.
  • 97:24 - 97:29
    You're gonna finish this entire puzzle
    and I have only put in one piece.
  • 97:30 - 97:32
    I got it. Found it.
  • 97:32 - 97:35
    No, right here. Look, I got it.
  • 97:36 - 97:39
    Carla and Skipper are the best.
  • 97:45 - 97:48
    - Hi, I'm home.
    - Hi, sweetheart.
  • 97:48 - 97:51
    You're late. We started dinner.
  • 97:51 - 97:53
    - Sorry.
    - We had to go ahead and eat.
  • 97:53 - 97:57
    - Give me a second, I'll get your dinner.
    - I'll get some at work.
  • 97:57 - 98:01
    I don't want you to go to work
    on an empty stomach.
  • 98:01 - 98:04
    - I'm in a rush, sorry.
    - There's a plate in the oven.
  • 98:05 - 98:08
    - Put it on the table.
    - What are these?
  • 98:08 - 98:11
    Blueberry muffins.
    I made them for you.
  • 98:16 - 98:19
    I was trying to listen to a record.
  • 98:29 - 98:30
    Hello?
  • 98:31 - 98:35
    Yeah, he's here. Are you Tobias?
  • 98:39 - 98:40
    Hello?
  • 98:42 - 98:44
    - Who was that?
    - I don't know.
  • 98:44 - 98:45
    All right.
  • 98:47 - 98:50
    Okay, tomorrow, then.
  • 98:50 - 98:52
    Bye.
  • 98:57 - 98:58
    Well?
  • 99:00 - 99:03
    It was Hill School,
    the last one I applied to.
  • 99:03 - 99:05
    They haven't accepted me yet...
  • 99:06 - 99:09
    ...but they're sending somebody in
    to interview me.
  • 99:19 - 99:23
    I enjoy my classes,
    especially the advanced ones.
  • 99:23 - 99:27
    But lately I've been feeling restless.
    It's hard to explain.
  • 99:27 - 99:33
    Oh, come on, that's easy to explain.
    You're bored. Not being challenged.
  • 99:34 - 99:39
    Toby, your application was very good.
    But many boys want to go to Hill...
  • 99:39 - 99:42
    ...and not everybody is comfortable
    at prep school.
  • 99:43 - 99:47
    I think I would. Both my father
    and brother went to prep schools.
  • 99:47 - 99:52
    - Is that right? Where?
    - Deerfield and Choate.
  • 99:52 - 99:57
    I see. Well, you might like it.
  • 99:57 - 100:03
    Hill was difficult for me, though.
    Academically, it was hard.
  • 100:03 - 100:07
    Then, my last year things changed.
    My classmates grew close in ways...
  • 100:08 - 100:11
    ...I never would've thought possible.
    So close that...
  • 100:11 - 100:16
    ...well, I still think of them
    as sort of a second family.
  • 100:16 - 100:20
    I want that. I do.
  • 100:20 - 100:25
    She says, "No, I don't want you to
    do that." And I said, "Let me get down...
  • 100:25 - 100:30
    ...and grovel in it." I mean, I ate her
    pussy till my tongue was calloused.
  • 100:30 - 100:32
    Then, I noticed her nipples got hard.
  • 100:33 - 100:37
    You know, not big fat nipples,
    but hard raisin nipples.
  • 100:37 - 100:40
    So she goes off like
    this Roman candle.
  • 100:40 - 100:45
    I mean, that woman can scream.
    I says, "You liked that, didn't you?
  • 100:45 - 100:48
    You like the old Arch Cook special,
    don't you?"
  • 100:49 - 100:51
    Bye, Richie.
  • 100:56 - 101:01
    Toby, boys at Hill talk roughly too,
    sometimes.
  • 101:01 - 101:05
    I can see you've led
    rather a sheltered life.
  • 101:07 - 101:09
    Yeah.
  • 101:12 - 101:16
    You seem like a fine boy, and
    I'm going to give you a good report.
  • 101:16 - 101:21
    But there are lots of boys applying.
    We'll just have to wait and see...
  • 101:21 - 101:26
    Hotshot. It's the hotshot boy.
  • 101:26 - 101:30
    Guy who thinks he knows everything,
    thinks he's smart.
  • 101:31 - 101:35
    Fella, what you don't know
    would fill a book.
  • 101:36 - 101:38
    Edsel's a shit car.
  • 101:43 - 101:46
    He's a mechanic,
    he did bad work on our car.
  • 101:46 - 101:49
    It's just, he acts like that.
    I don't know why.
  • 101:50 - 101:54
    - Well, good luck.
    - Thanks.
  • 102:41 - 102:45
    I know what'll make you feel good.
    That man called.
  • 102:45 - 102:51
    You got the scholarship. They're gonna
    give you $2300 a year. Great, huh?
  • 102:52 - 102:57
    So I guess you'll be leaving soon.
    I'm gonna miss you.
  • 102:58 - 103:04
    I'm making hot dogs. Want one?
    Can you put mustard on bread for us?
  • 103:21 - 103:27
    Hey, what are you doing home so...?
    Toby got the scholarship. $2300.
  • 103:27 - 103:32
    Hey, leopard. I say, hey, leopard.
    I know you, leopard.
  • 103:33 - 103:37
    I can see those spots
    that you can't change, leopard.
  • 103:37 - 103:41
    Huh, leopard? Huh?
  • 103:43 - 103:47
    He thinks he'll go to a fancy school
    and fool everybody.
  • 103:47 - 103:49
    Not a chance.
  • 103:52 - 103:55
    I know a thing or two
    about a thing or two.
  • 103:55 - 103:59
    I sure do. Sure do.
  • 104:00 - 104:02
    - Who threw this away?
    - I did.
  • 104:02 - 104:06
    - You threw it away? Why?
    - Because it was empty.
  • 104:06 - 104:08
    - That look empty?
    - Looks empty to me.
  • 104:08 - 104:11
    - To me too.
    - Look again, hotshot.
  • 104:11 - 104:13
    - Is it empty? Is it empty?
    - Dad.
  • 104:13 - 104:16
    - Now, now, now, is it empty?
    - Stop!
  • 104:16 - 104:22
    Now, Mr. Bigtime-Hotshot-
    Prep-School-Fucker, is it empty?
  • 104:22 - 104:27
    - Is it empty? Huh?
    - No.
  • 104:27 - 104:32
    Good. All right. Now, clean it out.
  • 104:39 - 104:41
    Clean it out!
  • 104:42 - 104:46
    Now, was it empty?
  • 104:46 - 104:49
    - Huh? Was it empty?
    - Yes.
  • 105:37 - 105:39
    Come on, you fuck!
  • 105:40 - 105:42
    Come on. Come on.
  • 106:07 - 106:09
    Get away from him!
  • 106:09 - 106:12
    Get away from him or I'll kill you.
  • 106:16 - 106:17
    What's going on here?
  • 106:17 - 106:22
    I got the scholarship and he went nuts.
    He's crazy. I'm leaving!
  • 106:22 - 106:25
    Great. Go. Finally. About time.
    About time. Go.
  • 106:25 - 106:27
    I'm gone!
    Give me my paper route money.
  • 106:28 - 106:30
    - That money is gone with the wind.
    - No!
  • 106:30 - 106:31
    I spent it.
  • 106:32 - 106:33
    For things we needed!
  • 106:33 - 106:35
    It's gone! Poof!
  • 106:36 - 106:39
    Know something? It's not
    that you're disappointing.
  • 106:39 - 106:45
    - You're consistently disappointing.
    - Fancy talk. Fancy talk for a whore.
  • 106:45 - 106:48
    Yeah, I know a thing or two
    about a thing or two.
  • 106:48 - 106:51
    I got friends in this town
    and they tell me things.
  • 106:52 - 106:56
    I heard a guy at campaign headquarters
    got you a job in Washington, D.C.
  • 106:56 - 106:59
    You're gonna run off with him,
    right, whore?
  • 106:59 - 107:03
    - You're pathetic.
    - Miss Whore. Liar! Whore! You know it.
  • 107:04 - 107:05
    Mom, you can leave too.
  • 107:05 - 107:09
    I'm leaving.
    You don't have to stay for this shit!
  • 107:10 - 107:11
    - I don't, do I?
    - No.
  • 107:11 - 107:15
    - Liar! Whore!
    - I could leave with you, couldn't I?
  • 107:15 - 107:17
    Yes, you could.
  • 107:17 - 107:20
    - I could walk right out, couldn't I?
    - Yes.
  • 107:20 - 107:22
    - What?
    - I'm leaving you, Dwight.
  • 107:22 - 107:25
    - No. No, you're not. What about me?
    - I'm leaving.
  • 107:26 - 107:28
    - What about me?
    - I'm leaving you.
  • 107:28 - 107:30
    Why stay? You don't even like me.
  • 107:31 - 107:33
    No, you're not leaving.
    You're not leaving.
  • 107:34 - 107:36
    Keep away from us.
  • 107:37 - 107:40
    You always sided against me,
    thought you were better.
  • 107:40 - 107:44
    I tried. I did the best I could.
    What about me?
  • 107:45 - 107:49
    What am I supposed to do?
    Crawl off in some ditch and die?
  • 107:49 - 107:51
    What about me?
  • 107:56 - 108:00
    What about me? What about me?
  • 108:00 - 108:06
    When is it ever Dwight's turn
    for some consideration? What about me?
  • 108:08 - 108:12
    I'll tell you one thing,
    you'll remember me!
  • 108:13 - 108:15
    - It was as easy as that.
    - You'll remember me!
  • 108:15 - 108:18
    We just picked up and left.
  • 108:18 - 108:23
    You can dream of a moment for years and
    still somehow miss it when it comes.
  • 108:23 - 108:28
    You've got to reach through the flames
    and take it or lose it forever.
  • 108:28 - 108:31
    I took it. So did my mother.
  • 108:32 - 108:34
    We never looked back.
  • 108:43 - 108:46
    I borrowed money
    from everybody we know.
  • 108:46 - 108:50
    - So here's the extra $200 for tuition.
    - Thanks.
  • 108:50 - 108:54
    There's another 50 there, get
    yourself a blazer or something, okay?
  • 108:54 - 108:56
    Okay.
  • 108:58 - 109:00
    Well...
  • 109:01 - 109:04
    You're sure you're gonna be all right?
  • 109:04 - 109:08
    Yeah, Mom, my bus comes in two hours.
    I'll be fine.
  • 109:15 - 109:18
    I'm going to miss you so much.
  • 109:23 - 109:25
    Get on the bus, Mom.
  • 109:32 - 109:33
    I love you.
  • 109:36 - 109:40
    I know that, Mom.
    I've always known that.
  • 109:42 - 109:44
    All aboard.
  • 109:50 - 109:51
    - Bye, honey.
    - Bye.
  • 110:03 - 110:05
    I love you.
  • 110:15 - 110:18
    Ripped by
    ..::McLane::..
Title:
This Boy's Life (1993) Leo DiCaprio Full Movie HD
Description:

In BluRay. A Drama Starring Robert De Niro, Ellen Barkin & Leonardo DiCaprio.

more » « less
Video Language:
English
Duration:
01:54:43

English subtitles

Revisions