Wild Strawberries (1957) [MultiSub] [Film] - (Ingmar Bergman)
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0:44 - 0:46In our relations with other people,
-
0:46 - 0:50we mainly discuss and evaluate
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0:50 - 0:54their character and behavior.
-
0:54 - 0:58That is why I have withdrawn
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0:58 - 1:02from nearly all so-called relations.
-
1:02 - 1:09This has made my oldage
rather lonely. -
1:09 - 1:15My life has been full of hard work,
and I am grateful. -
1:15 - 1:18It began as toil
for bread and butter -
1:18 - 1:23and ended in a love for science.
-
1:23 - 1:29I have a son, also a doctor,
who lives in Lund. -
1:29 - 1:34He has been married for many years.
They have no children. -
1:34 - 1:46My old mother is still alive
and is very active, in spite of her age. -
1:46 - 1:52My wife Karin
has been dead for many years. -
1:52 - 1:57Dinner is served, Professor Borg.
-
1:57 - 2:00Thank you.
-
2:00 - 2:04I am lucky
in having a good housekeeper. -
2:04 - 2:09Perhaps I should add
that I am an old pedant, -
2:09 - 2:13which at times
has been rather trying -
2:13 - 2:20for myself and those around me.
-
2:20 - 2:24My name is Isak Borg,
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2:24 - 2:28and I am 78.
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2:28 - 2:48Tomorrow I shall receive
an honorary degree in Lund Cathedral. -
2:48 - 3:52WILD STRAWBERRIES
-
3:52 - 3:56In the early hours of June 1st,
-
3:56 - 4:01I had a weird
and very unpleasant dream. -
4:01 - 4:04I dreamt that during
my morning walk -
4:04 - 4:10I lost my way among empty streets
-
4:10 - 9:23with ruined houses.
-
9:23 - 9:24Are you ill?
-
9:24 - 9:28Miss Agda, please prepare
some breakfast. I'm taking the car. -
9:28 - 9:32Please, Professor! Go back to bed
and I'll bring you coffee at 9:00, -
9:32 - 9:36and we'll leave at 10:00 as planned.
-
9:36 - 9:40Oh, well, I'll go without breakfast.
-
9:40 - 9:43And who will pack your tails?
-
9:43 - 9:48- I will do it myself.
- And what about me? -
9:48 - 9:53You can come in the car or fly.
Please yourself. -
9:53 - 9:58I've looked forward to seeing you get
your honorary degree. -
9:58 - 10:02And we had arranged
everything so nicely, -
10:02 - 10:05and now you're taking the car.
-
10:05 - 10:08The ceremony isn't until 5:00.
-
10:08 - 10:12If I leave at once, I've got 14 hours
before the ceremony. -
10:12 - 10:16You'll ruin everything!
-
10:16 - 10:19What about your son who is expecting you
at the airport in Malmo? -
10:19 - 10:26You can think up an explanation.
-
10:26 - 10:30If you go by car,
I won't come at all. -
10:30 - 10:33Now listen, Miss Agda!
-
10:33 - 10:38Take the car, and you'll ruin
the greatest day of my life. -
10:38 - 10:40We're not married, Miss Agda.
-
10:40 - 10:45I thank God for that every night.
-
10:45 - 10:50I've used my common sense for 74 years,
and it won't let me down now. -
10:50 - 10:52Is that your last word?
-
10:52 - 10:56Yes.
-
10:56 - 11:02But I shall say plenty to myself
about selfish, crabby old men -
11:02 - 11:08who never think of those who have
served them faithfully for 40 years. -
11:08 - 11:11Incredible that I have put up...
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11:11 - 11:16with your bossing for so long.
-
11:16 - 11:19Just give the word,
and I'll leave tomorrow. -
11:19 - 11:32I'm going by car anyway,
and you can do as you damn well please. -
11:32 - 11:42I happen to be grown-up
and needn't take orders from you. -
11:42 - 11:45No one can pack like you, Miss Agda.
-
11:45 - 11:48Really?
-
11:48 - 11:50Old sourpuss.
-
11:50 - 11:52Shall I boil you a couple of eggs?
-
11:52 - 12:01Yes, please, if you will be
so extremely kind. -
12:01 - 12:11The faculty should have made me
honorary idiot. -
12:11 - 12:14I'll calm the old girl down
with a present. -
12:14 - 12:17I hate resentful people.
-
12:17 - 12:22I wouldn't hurt a fly,
let alone Miss Agda. -
12:22 - 12:24Toast?
-
12:24 - 12:26No, don't trouble yourself
on my account. -
12:26 - 12:35What are you cross about?
-
12:35 - 12:43Don't you want a cup?
-
12:43 - 12:45Good morning, Uncle Isak.
-
12:45 - 12:49Well, well, why is my daughter-in-law
up at this hour? -
12:49 - 12:53Who can sleep when you and Aunt Agda
are making such a row? -
12:53 - 12:56There has been no row.
-
12:56 - 12:59No, not at all.
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12:59 - 13:01You're taking the car to Lund?
-
13:01 - 13:02Yes.
-
13:02 - 13:04Can I come with you?
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13:04 - 13:06You're going home?
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13:06 - 13:09Yes, I want to go home.
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13:09 - 13:11Home to Evald?
-
13:11 - 13:12You don't need to ask why.
-
13:12 - 13:15I would take the train
if I could afford it. -
13:15 - 13:18Of course you may ride with me.
-
13:18 - 13:23I'll be ready in ten minutes.
-
13:23 - 13:53Good heavens!
-
13:53 - 13:57Please don't smoke.
I can't stand cigarette smoke. -
13:57 - 13:59I forgot.
-
13:59 - 14:03There should be a law
forbidding women to smoke. -
14:03 - 14:05Beautiful weather.
-
14:05 - 14:09Yes, but sultry.
-
14:09 - 14:12- I think we'll have a thunderstorm.
- So do I. -
14:12 - 14:13No, give me a cigar anytime.
-
14:13 - 14:17That's stimulating and relaxing.
That's a vice for men. -
14:17 - 14:20And what vices may a woman have?
-
14:20 - 14:23Weeping, giving birth
and speaking ill of her neighbors. -
14:23 - 14:26How old are you really, Uncle Isak?
-
14:26 - 14:27Why do you ask?
-
14:27 - 14:29No reason. Why?
-
14:29 - 14:32I know why you asked.
-
14:32 - 14:37Oh, well.
-
14:37 - 14:41Don't pretend.
You don't like me. You never have. -
14:41 - 14:43I only know you
as a father-in-law. -
14:43 - 14:45Why are you going home?
-
14:45 - 14:47On impulse. Nothing more.
-
14:47 - 14:50Evald happens to be my son.
-
14:50 - 14:51So he is.
-
14:51 - 14:55Evald and I are very much alike.
We have our principles. -
14:55 - 14:57You don't need to tell me that.
-
14:57 - 14:58Now, this loan, for instance.
-
14:58 - 15:00I know exactly
what you're going to say. -
15:00 - 15:03He should have paid it back
when he became an associate professor. -
15:03 - 15:06It's a matter of honor for him
to pay back 5,000 a year, -
15:06 - 15:07and so on, and so on.
-
15:07 - 15:09A promise is a promise.
-
15:09 - 15:12For us, it means
that we never can be free together, -
15:12 - 15:14and that your son
works himself to death. -
15:14 - 15:17You have your own income.
-
15:17 - 15:19Especially when one considers
the fact that you're filthy rich -
15:19 - 15:20and don't need the money.
-
15:20 - 15:27A promise is a promise.
And I know Evald respects that. -
15:27 - 15:40Perhaps.
But he also hates you. -
15:40 - 15:43What doy ou have against me?
-
15:43 - 15:45Shall I be frank?
-
15:45 - 15:48Yes, I'm asking you.
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15:48 - 15:50You're a selfish old man, Uncle Isak.
-
15:50 - 15:56You're utterly ruthless
and never listen to anyone but yourself. -
15:56 - 16:02But you hide it all behind
your old-world manners and charm. -
16:02 - 16:08Beneath your benevolent exterior,
you're as hard as nails. -
16:08 - 16:14But you can't fool us
who have seen you at close quarters. -
16:14 - 16:19Remember when
I came to you a month ago? -
16:19 - 16:22I had a stupid idea
that you might help Evald and me. -
16:22 - 16:24So I asked to stay with you
for a week or two. -
16:24 - 16:27Remember what you answered?
-
16:27 - 16:31I said I'd be delighted.
-
16:31 - 16:36Perhaps you've forgotten,
but you said, -
16:36 - 16:40"Don't try to draw me
into your marital squabbles. -
16:40 - 16:42I don't give a damn.
-
16:42 - 16:44You and Evald must make
the best of it." -
16:44 - 16:45Did I say that?
-
16:45 - 16:49- Not only that.
- Oh, no. -
16:49 - 16:51These were your very words:
-
16:51 - 16:54"I have no respect
for mental suffering, -
16:54 - 16:57so don't come lamenting to me.
-
16:57 - 17:01If you need therapy,
you'd better see a shrink. -
17:01 - 17:05Or why not a minister?
It's in fashion now." -
17:05 - 17:08Did I say that?
-
17:08 - 17:11Your judgments are very categorical,
Uncle Isak. -
17:11 - 17:18I should hate to depend on you.
-
17:18 - 17:23I have liked having you
about the house. -
17:23 - 17:24Like a cat.
-
17:24 - 17:27A cat or a human being.
-
17:27 - 17:32You're a fine young woman,
and I'm sorry you dislike me. -
17:32 - 17:35- I don't dislike you.
- Really? -
17:35 - 17:42- I feel sorry for you.
- Sorry? -
17:42 - 17:46I'd like to tell you about a dream
I had this morning. -
17:46 - 17:48I'm not very interested in dreams.
-
17:48 - 18:05No. No, of course not.
-
18:05 - 18:08Where are you going now?
-
18:08 - 18:43I want to show you something.
-
18:43 - 18:49We lived here every summer
during the first 20 years of my life. -
18:49 - 18:54There were ten of us children.
Perhaps you knew that. -
18:54 - 18:55Does anyone live here now?
-
18:55 - 19:01No, not this summer.
-
19:01 - 19:04I'll go swimming, if you don't mind.
We have plenty of time. -
19:04 - 19:19Yes, by all means, do.
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19:19 - 19:34The place where
wild strawberries grow! -
19:34 - 19:39Perhaps I got a little sentimental.
-
19:39 - 19:42Perhaps I got a little tired
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19:42 - 19:46and felt a bit sad.
-
19:46 - 19:51It's not impossible that I began
to think of this and that, -
19:51 - 19:56associated with places
where I played as a child. -
19:56 - 20:00I don't know how it happened,
-
20:00 - 20:02but the day's clear reality
-
20:02 - 20:08dissolved into the even clearer
images of memory -
20:08 - 20:10that appeared before my eyes
-
20:10 - 20:31with the strength
of a true stream of events. -
20:31 - 20:34Sara.
-
20:34 - 20:37Sara,
-
20:37 - 20:41it's your cousin Isak.
-
20:41 - 20:47Well, I've become quite old,
of course, so I don't look the same. -
20:47 - 20:59But you, you haven't changed at all.
-
20:59 - 21:02Good morning, sweet cousin.
What are you doing? -
21:02 - 21:05Picking strawberries, silly.
Can't you see? -
21:05 - 21:08And who shall be favored
with these delicious berries -
21:08 - 21:11picked in the early morn
by a lovely young woman? -
21:11 - 21:15Nonsense. You know quite well
that it's Uncle Aron's name day today. -
21:15 - 21:17I forgot to make a present.
-
21:17 - 21:20So he'll get a basket
of wild strawberries instead. -
21:20 - 21:21I'll help you.
-
21:21 - 21:25You see, Sigbritt and Charlotta made
a tapestry and Angelica baked a cake, -
21:25 - 21:27and Anna has painted
a really good picture, -
21:27 - 21:30and Kristina and Birgitta
wrote a song that they'll sing to him. -
21:30 - 21:33That's the best one.
Uncle Aron is stone-deaf. -
21:33 - 21:36He'll be very pleased,
and you're stupid. -
21:36 - 21:41And you have a darned cute nape.
-
21:41 - 21:43You know you shouldn't do that.
-
21:43 - 21:45- Says who?
- I say. -
21:45 - 21:48Besides, you're an unusually
insufferable young man -
21:48 - 21:50who thinks he's really something.
-
21:50 - 21:53I'm your cousin,
and you're in love with me. -
21:53 - 21:56With you!
-
21:56 - 21:59Come and be kissed on the lips.
-
21:59 - 22:03If you don't behave, I'll tell Isak
you're always trying to kiss me. -
22:03 - 22:07Little Isak! I could beat him up
with one arm. -
22:07 - 22:10You know quite well that Isak and I
are secretly engaged. -
22:10 - 22:14So secretly, everyone knows it.
-
22:14 - 22:17It's not my fault that the twins
let the cat out of the bag. -
22:17 - 22:22When is the wedding?
When is the wedding? -
22:22 - 22:27I don't know which of you four brothers
is the least conceited, -
22:27 - 22:29but I think it's Isak.
-
22:29 - 22:31Isak is the nicest, anyway.
-
22:31 - 22:34And you're the horridest, nastiest,
-
22:34 - 22:39silliest, stupidest--
I can't find the words to describe you! -
22:39 - 22:42Admit you've got
a weak spot for me. -
22:42 - 22:45And you reek of cigars.
-
22:45 - 22:48It's a nice manly smell.
-
22:48 - 22:52And the twins,
who know most things, -
22:52 - 22:57say you've been up to no good
with that Berglund girl. -
22:57 - 23:03She's not a nice girl, the twins say.
And I agree. -
23:03 - 23:06How pretty you are
when you blush. -
23:06 - 23:10You must kiss me.
I can't bear it any longer. -
23:10 - 23:14Now that I think of it,
I'm madly in love with you. -
23:14 - 23:19- You're just saying that.
- No. -
23:19 - 23:21And the twins say
-
23:21 - 23:25that you're mad about girls.
-
23:25 - 23:36Is that true?
-
23:36 - 23:40Oh, look what you've done!
-
23:40 - 23:45And what will Isak say,
who really loves me? -
23:45 - 23:52I'm so sad!
You've hurt me so! -
23:52 - 23:54You've made
a bad woman of me. -
23:54 - 23:56At any rate, nearly.
-
23:56 - 24:00I never want to see you again,
at least not before brunch. -
24:00 - 24:05I have to hurry.
Help me pick up the strawberries. -
24:05 - 24:37Oh, and now I've got
a stain on my apron! -
24:37 - 24:41Where's Isak?
-
24:41 - 24:46Out fishing with Papa,
and they can't hear the gong. -
24:46 - 25:42Anyway, Papa said
not to wait with brunch. -
25:42 - 25:44In Jesus' name
we take our seat. -
25:44 - 25:56Bless, O Lord,
this food we eat. Amen. -
25:56 - 26:00Benjamin, go and wash
your hands at once. -
26:00 - 26:03How old do you have to be
to learn cleanliness? -
26:03 - 26:05I have.
-
26:05 - 26:09Sigbritt, pass Angelica the porridge.
-
26:09 - 26:13Your fingernails are filthy.
-
26:13 - 26:17Hagbart, pass the bread.
-
26:17 - 26:20Don't take so much butter.
-
26:20 - 26:24Charlotta, the salt is lumpy.
You let it get damp. -
26:24 - 26:26How often have I told you
not to let it sit out? -
26:26 - 26:30It's paint under my nails.
-
26:30 - 26:31Who gathered
the wild strawberries for me? -
26:31 - 26:35- I did.
- What? -
26:35 - 26:39Speak up, dear.
Uncle Aron can't hear. -
26:39 - 26:42I did!
-
26:42 - 26:46Fancy your remembering
my name day. -
26:46 - 26:49How kind ofyou.
-
26:49 - 26:53Couldn't Uncle have a drink
to celebrate? -
26:53 - 26:57Never when Papa is not at home.
-
26:57 - 27:00Uncle has already had three drinks.
-
27:00 - 27:04We saw him when we went out
to bathe at 8:00. -
27:04 - 27:07So you've picked berries too.
Thank you. -
27:07 - 27:11Twins, speakwhen spoken to.
-
27:11 - 27:16And as you didn't make your beds,
you can dry the silver. -
27:16 - 27:19You will do as Auntie says.
-
27:19 - 27:22Benjamin, don't bite your nails.
-
27:22 - 27:25Anna, what are you doing?
Remember you're not a little girl anymore. -
27:25 - 27:27I want to give Uncle my picture.
-
27:27 - 27:30Please, Auntie, can't we give him
our presents now? -
27:30 - 27:32- Where is your present?
- Under the table. -
27:32 - 27:35No, after we've eaten.
-
27:35 - 27:40A very advanced work of art:
Fritjof and Ingeborg. -
27:40 - 27:44You can't tell which is Fritjof!.
-
27:44 - 27:49What were Sara and Sigfrid doing
in the wild strawberry patch? -
27:49 - 27:52We saw you! We saw you!
-
27:52 - 27:55The twins ought to be muzzled.
-
27:55 - 27:57The twins will be quiet
or leave the table. -
27:57 - 27:59No freedom of speech, eh?
-
27:59 - 28:01Shut up, you brats.
-
28:01 - 28:06Sara's blushing! Sara's blushing!
-
28:06 - 28:09Sigfrid is blushing too!
Sigfrid and Sara! Sigfrid and Sara! -
28:09 - 28:14Quiet, everybody!
-
28:14 - 28:16But Sara!
-
28:16 - 28:44They're lying! They're lying!
-
28:44 - 28:51Isak is so fine and good,
-
28:51 - 28:55so moral and sensitive.
-
28:55 - 28:59He wants us to read poetry
-
28:59 - 29:01and talk about the next life
-
29:01 - 29:06and play four-handed piano.
-
29:06 - 29:11And he only wants to kiss
in the dark, -
29:11 - 29:14and he talks about sin.
-
29:14 - 29:18He's on such a terribly high level,
-
29:18 - 29:22and I feel so worthless.
-
29:22 - 29:29And I am worthless--
there's no denying it. -
29:29 - 29:33But sometimes it seems to me
that I'm a lot older than Isak, -
29:33 - 29:35if you know what I mean.
-
29:35 - 29:41And then I think he's a child,
although we're the same age. -
29:41 - 29:46And Sigfrid is so bold and exciting,
and I want to go home. -
29:46 - 29:49I don't want to be here all summer
-
29:49 - 29:51and be an object of ridicule
for the twins and all of you. -
29:51 - 29:53I don't want to!
-
29:53 - 29:56I'll speak to Sigfrid.
-
29:56 - 29:57If he doesn't behave,
-
29:57 - 30:00I'll make sure he's made to study
during the summer holidays. -
30:00 - 30:02Papa will fix that
as easy as anything. -
30:02 - 30:05He too thinks Sigfrid is a
good-for-nothing and needs to work. -
30:05 - 30:09Poor little Isak
who's so good to me. -
30:09 - 30:14How unfair everything is.
-
30:14 - 30:16All will be well, you'll see.
-
30:16 - 30:20Listen, now they're singing
for Uncle Aron. -
30:20 - 30:26How silly to write a song
for a deaf old man. -
30:26 - 30:27How typical of the twins.
-
30:27 - 30:32Flowers nod, grasses bow
-
30:32 - 30:38Around our lovely house
-
30:38 - 30:44We our Uncle Aron celebrate
-
30:44 - 30:46And with our song
-
30:46 - 30:51Ornament his brow
-
30:51 - 30:55Four cheers for Uncle Aron.
-
30:55 - 31:06Hurrah, hurrah, hurrah, hurrah!
-
31:06 - 31:08I'll run down and meet
Isak and Uncle. -
31:08 - 31:11You do that.
-
31:11 - 31:17I was overwhelmed by feelings
of emptiness and sadness, -
31:17 - 31:22but was soon awakened
from my reveries -
31:22 - 31:25by the voice of a young girl
asking me repeatedly about something. -
31:25 - 31:27Is this your house?
-
31:27 - 31:29No, it's not.
-
31:29 - 31:32You're lucky to be telling the truth.
-
31:32 - 31:35It's my dad who owns the whole
headland, including the house. -
31:35 - 31:39I lived here once.
Two hundred years ago. -
31:39 - 31:41Oh, yeah?
-
31:41 - 31:45- Is that your car up at the gate?
- Yes, that's my car. -
31:45 - 31:46Looks antique.
-
31:46 - 31:49Yes, it's antique, like its owner.
-
31:49 - 31:54So you have self-irony too.
That's fantastic. -
31:54 - 31:56Where are you going?
I mean, in which direction? -
31:56 - 31:58Well, I'm going to Lund.
-
31:58 - 32:01But that suits me perfectly.
You see, I'm on my way to Italy. -
32:01 - 32:04I'm honored.
-
32:04 - 32:06My name's Sara.
Silly name, isn't it? -
32:06 - 32:09My name's Isak.
It's silly too. -
32:09 - 32:11Weren't they married?
-
32:11 - 32:16No, unfortunately.
That was Abraham and Sara. -
32:16 - 32:17Let's leave, then.
-
32:17 - 32:21I have another lady with me.
Here she comes. -
32:21 - 32:24- Marianne, this is Sara.
- Hello. -
32:24 - 32:26We're going to have company
as far as Lund. -
32:26 - 32:30Sara's off to Italy, but she's promised
to ride a ways with us. -
32:30 - 32:34Ironic again, but it suits you.
-
32:34 - 32:40Let's be off.
-
32:40 - 32:44Hey, guys, I've got a lift
almost to Italy. -
32:44 - 32:52That's Anders and that's Viktor
and this is Father Isak. -
32:52 - 32:59That peach you're gaping at
is Marianne. -
32:59 - 33:01What a big bus.
-
33:01 - 33:03Yes, there's room for us all.
-
33:03 - 33:22Put your luggage in the trunk,
if you don't mind. -
33:22 - 33:26I must tell you, Isak,
that Anders and I are going steady. -
33:26 - 33:29We're crazy about each other.
-
33:29 - 33:33Viktor's the chaper one.
Daddy insisted. -
33:33 - 33:38Viktor is in love with me too.
-
33:38 - 33:41It's a brilliant move of Daddy's.
-
33:41 - 33:46I may have to seduce Viktor
to get rid of him. -
33:46 - 33:50I'd better tell you I'm a virgin.
That's why I'm so cheeky. -
33:50 - 33:52And I smoke a pipe.
-
33:52 - 33:59Viktor says it's good for you.
He's crazy about anything healthy. -
33:59 - 34:02I was once in love
with a woman called Sara. -
34:02 - 34:05No! She was like me, wasn't she?
-
34:05 - 34:08She was, actually.
-
34:08 - 34:09What happened to her?
-
34:09 - 34:14She married my brother Sigfrid
and had six children. -
34:14 - 34:18She's 75 now
and quite a beautiful old lady. -
34:18 - 34:22I can't think of anything worse
than growing old. -
34:22 - 35:10Oh, dear,
now I have put my foot in it. -
35:10 - 35:12Are you all right?
-
35:12 - 35:15I have no excuse.
It's all our fault. -
35:15 - 35:22My wife was driving.
Are you all right? -
35:22 - 35:28The murderers must introduce
themselves! My name's Alman. -
35:28 - 35:31That's mywife Berit.
You can see she has been an actress. -
35:31 - 35:34That's the complication
we were discussing when-- -
35:34 - 35:36Come here, Berit,
and say you're sorry. -
35:36 - 35:40I'm so sorry.
It was all my fault. -
35:40 - 35:44I was just going to hit my husband
when that curve appeared. -
35:44 - 35:50God punishes some people at once,
eh, you Catholic? -
35:50 - 35:53Let's get your car upright.
-
35:53 - 35:56- Oh, never mind us. Please.
- Shut up, Sten. -
35:56 - 36:03Some people are unselfish,
though you don't think so. -
36:03 - 36:09My wife is a little nervous.
We've had a shock. -
36:09 - 36:14Just look at him measuring
his strength with the youngsters, -
36:14 - 36:25straining his flabby muscles
to show off in front of that cute girl. -
36:25 - 36:31Darling, you might have a stroke.
-
36:31 - 36:34My wife likes ridiculing me.
-
36:34 - 37:40I let her.
It's psychotherapy. -
37:40 - 37:46I never know whether mywife
is really crying or just play acting. -
37:46 - 37:51I'll be damned if it isn't real.
-
37:51 - 37:54It happens when you catch
a glimpse of death. -
37:54 - 37:56Can't you shut up?
-
37:56 - 37:59My wife can really live a part.
-
37:59 - 38:03For two years,
she made me think she had cancer -
38:03 - 38:07and plagued us
with every possible symptom, -
38:07 - 38:10even though the doctors
could find nothing wrong with her. -
38:10 - 38:15Eventually we believed her
more than the doctors! -
38:15 - 38:18It's natural that you're upset,
-
38:18 - 38:20but why not leave your wife
in peace for a while? -
38:20 - 38:23A woman has a right
to her tears, eh? -
38:23 - 38:27Don't get in the way
of a woman's tears. -
38:27 - 38:32You are beautiful,
but old Berit's a bit past her prime. -
38:32 - 38:34So you can afford to defend her.
-
38:34 - 38:37I sympathize with her.
For several reasons. -
38:37 - 38:40Very sarcastic!
-
38:40 - 38:43Yet you don't seem
in the least hysterical. -
38:43 - 38:47But little Berit is.
-
38:47 - 38:49Do you know
what that means for me? -
38:49 - 38:51I gather you're a Catholic.
-
38:51 - 38:53Quite right.
That's how I stand it. -
38:53 - 38:56We ridicule each other.
-
38:56 - 38:58She has her hysteria.
I have my Catholicism. -
38:58 - 39:02So, you see,
we need each other. -
39:02 - 39:15It's only egoism
that we haven't killed each other. -
39:15 - 39:17There it came.
-
39:17 - 39:23That's what is called syncopes,
isn't it? -
39:23 - 39:28Very funny.
-
39:28 - 39:33If I'd had a stopwatch,
I could have timed the explosion. -
39:33 - 39:41Shut up! Shut up!
-
39:41 - 39:46This may be too blunt,
-
39:46 - 39:59but for the children's sake,
will you please get out. -
39:59 - 40:32Forgive us, if you can.
-
40:32 - 40:37It was with mixed feelings
I saw this region again. -
40:37 - 40:40I had my first practice here,
-
40:40 - 40:54and my old mother lives nearby.
-
40:54 - 40:58Hello there, Doctor.
-
40:58 - 41:00So you're in these parts again,
Doctor? -
41:00 - 41:06Shall I fill it up?
Pass me the key to the hood. -
41:06 - 41:11Eva! Come here a moment!
-
41:11 - 41:15It's Dr. Borg in person.
-
41:15 - 41:19Mom and Dad and the whole countryside
still talk about him. -
41:19 - 41:23The world's best doctor.
-
41:23 - 41:27Let's call the baby after him.
-
41:27 - 41:30Isak Akerman-- not a bad name
for a prime minister. -
41:30 - 41:33Suppose it's a girl.
-
41:33 - 41:42We only have boys.
-
41:42 - 41:45And how's your father these days?
-
41:45 - 41:49Oh, Dad's getting a bit decrepit.
-
41:49 - 41:53But Mom's as lively as a cricket.
-
41:53 - 41:56And you're going to see
your mother, Doctor? -
41:56 - 42:00She's amazing.
She must be at least 95. -
42:00 - 42:05- Ninety-six.
- Imagine that. -
42:05 - 42:07What do I oweyou?
-
42:07 - 42:10- This is on Eva and me!
- Absolutely not! -
42:10 - 42:14Don't insult us, Doctor.
We can do the proper thing too! -
42:14 - 42:19Why should you pay
for my gasoline? -
42:19 - 42:23There are things
that can't be paid back-- -
42:23 - 42:24not even with gas.
-
42:24 - 42:27We haven't forgotten.
-
42:27 - 42:31Ask anyone around here.
-
42:31 - 42:36They all remember your kindness.
-
42:36 - 42:39Maybe I should have stayed here.
-
42:39 - 42:44What doyou mean?
-
42:44 - 42:47You said you should have stayed.
-
42:47 - 42:49Did l?
-
42:49 - 42:54Well, thanks anyway.
-
42:54 - 42:59Let me know when the new son arrives,
and I'll be the godfather. -
42:59 - 43:22You know where to find me.
-
43:22 - 43:27During lunch I was in good spirits
-
43:27 - 43:31and told the young people about
my years as district medical officer. -
43:31 - 43:34My stories were quite a success,
-
43:34 - 43:38and I don't think they laughed
merely out of courtesy. -
43:38 - 43:47I had wine with the lunch,
and then port with the coffee. -
43:47 - 43:53Ah, when creation shows
so much beauty, -
43:53 - 43:56how radiant must be its source!
-
43:56 - 43:59He is going to be a minister,
and Viktor a doctor. -
43:59 - 44:01Reciting poetry
is against our agreement -
44:01 - 44:05not to discuss God
or science on this trip. -
44:05 - 44:07It was beautiful!
-
44:07 - 44:11How can anyone today
study to become a minister! -
44:11 - 44:16Your rationalism is as dry as dust.
-
44:16 - 44:18I say that modern man--
-
44:18 - 44:20I say that--
-
44:20 - 44:25believes only in himself
-
44:25 - 44:27and his biological death.
-
44:27 - 44:29Modern man is a figment
of your imagination. -
44:29 - 44:33Man regards death with horror.
-
44:33 - 44:37Religion for the people.
Opium for the aching limb. -
44:37 - 44:39How sweet they both are!
-
44:39 - 44:41I always agree with the one
I spoke with last. -
44:41 - 44:44Once you believed in Santa Claus--
now in God. -
44:44 - 44:48You never had any imagination!
-
44:48 - 44:50What do you say, Professor?
-
44:50 - 44:56Whatever I said
would be met with tolerant irony, -
44:56 - 44:58so I'll say nothing.
-
44:58 - 45:00I'm sure they'll be disappointed.
-
45:00 - 45:06No, Sara. Very, very happy.
-
45:06 - 45:09"Where is the friend I seek
-
45:09 - 45:15at break of day?
-
45:15 - 45:19When night falls, when--"
-
45:19 - 45:23"When night falls,
I still have not found Him." -
45:23 - 45:27"My burning heart
shows me His traces--" -
45:27 - 45:31Are you religious, Professor?
-
45:31 - 45:35"I see His traces
-
45:35 - 45:45wherever flowers bloom.
-
45:45 - 45:51His love is mingled with every air."
-
45:51 - 45:54"His voice calls
in the summer wind." -
45:54 - 45:58Not bad for a love poem.
-
45:58 - 46:04I've gone all solemn again
for no reason. -
46:04 - 46:09Well, I'm going to call on my mother.
I'll be back soon. -
46:09 - 46:23- May I come?
- Of course. -
46:23 - 46:32Here comes the thunder.
-
46:32 - 46:37I have just sent you a telegram
-
46:37 - 46:40on your great day.
-
46:40 - 46:42And now you're here.
-
46:42 - 46:48We all have our bright moments,
dear Mother. -
46:48 - 46:51Is that your wife over there?
-
46:51 - 46:54I don't want to talk to her.
-
46:54 - 46:57She has done us too much harm.
-
46:57 - 47:00No, Mother dear.
-
47:00 - 47:04This is Evald's wife, Marianne.
-
47:04 - 47:10Well, let her come
and say hello to me. -
47:10 - 47:12Good day, Mrs. Borg.
-
47:12 - 47:15And why are you
gadding about like this? -
47:15 - 47:17I have been in Stockholm for a visit.
-
47:17 - 47:22Why aren't you with Evald
and the child? -
47:22 - 47:25Evald and I have no children.
-
47:25 - 47:31These young people nowadays!
I bore ten children. -
47:31 - 47:39Will you please hand me
that big box over there. -
47:39 - 47:42My mother lived in this house.
-
47:42 - 47:46Do you remember
coming to see her, Isak? -
47:46 - 47:48Very well.
-
47:48 - 47:52Here are some of your toys.
-
47:52 - 47:57I have been trying to think
which of you owned what. -
47:57 - 48:01Ten children,
and all dead except Isak. -
48:01 - 48:03Twenty grandchildren.
-
48:03 - 48:06Evald's the only one
who comes to see me. -
48:06 - 48:10Don't get me wrong--
I'm not complaining. -
48:10 - 48:13Fifteen great-grandchildren
whom I have never seen. -
48:13 - 48:19I send presents
for all their birthdays. -
48:19 - 48:25I get letters of thanks,
but nobody bothers to visit me -
48:25 - 48:29unless they want to borrow money.
-
48:29 - 48:32Oh, I know I'm tiresome.
-
48:32 - 48:34Don't think that, Mother.
-
48:34 - 48:37And I've one more fault.
-
48:37 - 48:39I don't die.
-
48:39 - 48:43The inheritance
isn't being divided up -
48:43 - 48:47the way these crafty young people
had planned. -
48:47 - 48:51This was Sigbritt's doll.
-
48:51 - 48:54She got it when she turned eight.
-
48:54 - 48:57I made the dress myself.
-
48:57 - 48:59But she never cared for it
-
48:59 - 49:01so it went to Charlotta.
-
49:01 - 49:07She took care of it--
I remember it clearly. -
49:07 - 49:09Do you see who that is?
-
49:09 - 49:13Sigfrid was three
and you were five. -
49:13 - 49:16And myself.
-
49:16 - 49:20What a fright
one looked in those days. -
49:20 - 49:21May I have it?
-
49:21 - 49:25By all means.
It's only rubbish. -
49:25 - 49:27And here's a coloring book.
-
49:27 - 49:32I don't know whose it was.
-
49:32 - 49:36They've all put their names in it.
-
49:36 - 49:38Kristina has scrawled:
-
49:38 - 49:44"I love Papa more than
anything in the whole world." -
49:44 - 49:50And Birgitta has put:
"I'm going to marry Papa." -
49:50 - 49:56Isn't that funny?
I laughed when I saw it. -
49:56 - 50:00Don't you think it's cold in here?
-
50:00 - 50:03No, not particularly.
-
50:03 - 50:06I have felt cold all my life.
-
50:06 - 50:10Mostly my stomach.
I wonder why. -
50:10 - 50:13You have low blood pressure.
-
50:13 - 50:18Let us have some tea,
and we can sit and talk. -
50:18 - 50:25No, thank you, Mother.
We won't disturb you any longer. -
50:25 - 50:28Sigbritt's eldest boy
will soon be 50. -
50:28 - 50:32I thought of giving him
Father's gold watch. -
50:32 - 50:45It has no hands.
Does that matter? -
50:45 - 50:50I remember when Sigbritt's boy
was a newborn. -
50:50 - 50:55He used to lie in the lilac arbor
at the summer house. -
50:55 - 51:00Now he's turning 50.
-
51:00 - 51:05And little cousin Sara used to
carry him around and sing to him. -
51:05 - 51:09She married Sigfrid,
that good-for-nothing. -
51:09 - 51:14Well, you must go now,
or you'll be late for the ceremony. -
51:14 - 51:20I am very glad you came,
and I hope to seeyou again. -
51:20 - 51:50Give my love to Evald.
Good-bye. -
51:50 - 51:52Where are Anders and Viktor?
-
51:52 - 51:58They started arguing about God,
and then they lost their tempers. -
51:58 - 52:02And Anders tried
to twist Viktor's arm, -
52:02 - 52:06and Viktor said that was
a lousy argument for God's existence. -
52:06 - 52:09I said they could talk
about me instead. -
52:09 - 52:14Then they told me to shut up
because I didn't understand the debate, -
52:14 - 52:16so I left.
-
52:16 - 52:20They went up the hill to fight it out
because each insisted... -
52:20 - 52:23the other had hurt
his innermost feelings. -
52:23 - 52:29- Where are they now?
- Up there. -
52:29 - 52:31I'll see to them.
-
52:31 - 52:34Which one do you like best?
-
52:34 - 52:36Which one do you like best?
-
52:36 - 52:40I don't know.
Anders is going to be a minister-- -
52:40 - 52:43He's a darling.
-
52:43 - 52:45But a minister's wife--
-
52:45 - 52:48Viktor's nice too.
In a different way. -
52:48 - 52:51- Viktor will go far, of course.
- What do you mean? -
52:51 - 52:57A doctor earns more money.
And ministers are out of date. -
52:57 - 53:02Though he has got nice legs
and a sweet neck. -
53:02 - 53:17But how can anyone believe in God?
-
53:17 - 53:44Well? Does God exist?
-
53:44 - 53:49I dozed off,
but was haunted by vivid -
53:49 - 53:56and humiliating dreams.
-
53:56 - 54:02There was something overpowering
in these dream images -
54:02 - 54:19that bored relentlessly into my mind.
-
54:19 - 54:24Haveyou looked in the mirror, Isak?
-
54:24 - 54:28Then I'll show you
what you look like. -
54:28 - 54:31You're a worried old man
who's soon going to die, -
54:31 - 54:36but I have all my life before me.
-
54:36 - 54:39That hurt your feelings, after all.
-
54:39 - 54:42No, it didn't hurt.
-
54:42 - 54:48Yes, it hurt
because you can't bear the truth. -
54:48 - 54:53The truth is that
I've been too considerate. -
54:53 - 54:58And so became unintentionally cruel.
-
54:58 - 54:59I understand.
-
54:59 - 55:05No, you don't understand.
We don't speak the same language. -
55:05 - 55:07Look in the mirror again.
-
55:07 - 55:10No, don't turn away.
-
55:10 - 55:12I see.
-
55:12 - 55:15Listen to me.
-
55:15 - 55:19I'm going to marry
your brother Sigfrid. -
55:19 - 55:25Love is almost a game for us.
-
55:25 - 55:31Look at your face now.
Try to smile! -
55:31 - 55:35There! Now you're smiling.
-
55:35 - 55:38But it hurts so.
-
55:38 - 55:43As professor emerit us,
you ought to know why it hurts. -
55:43 - 55:46But you don't know.
-
55:46 - 55:52You know so much,
and you don't know anything. -
55:52 - 55:53I must go.
-
55:53 - 56:26I promised to keep an eye
on Sigbritt's baby. -
56:26 - 56:29Poor little thing.
-
56:29 - 56:33Hush, baby. Sleep.
-
56:33 - 56:36Don't be afraid of the wind
-
56:36 - 56:41or the birds
-
56:41 - 56:45or the waves of the sea.
-
56:45 - 56:48I'm here with you,
holding you tight. -
56:48 - 56:52Don't be afraid, little one.
-
56:52 - 56:55It will soon be day again.
-
56:55 - 56:57No one will hurt you.
-
56:57 - 60:09I am with you.
I am holding you. -
60:09 - 61:29Please come in, Professor Borg.
-
61:29 - 61:39Have you brought
your examination book? -
61:39 - 61:54Please identify the bacterial specimen
under the microscope. -
61:54 - 62:00There must be something wrong.
-
62:00 - 62:02Not with the microscope.
-
62:02 - 62:06I can't see a thing.
-
62:06 - 62:24Please read this text.
-
62:24 - 62:27What does it mean?
-
62:27 - 62:30I don't know.
-
62:30 - 62:31Really?
-
62:31 - 62:36I'm a doctor, not a linguist.
-
62:36 - 62:43What you see on the blackboard
is a doctor's first duty. -
62:43 - 62:49Don't you know what that is?
-
62:49 - 62:51Let me think.
-
62:51 - 62:54Take your time.
-
62:54 - 62:59A doctor's first duty--
-
62:59 - 63:02A doctor's--
-
63:02 - 63:04I've forgotten.
-
63:04 - 63:09A doctor's first duty
is to ask for forgiveness. -
63:09 - 63:25Of course! Now I remember!
-
63:25 - 63:31You have been accused of guilt.
-
63:31 - 63:37I'll make a note that you haven't
understood the charge. -
63:37 - 63:40Is it serious?
-
63:40 - 63:54Unfortunately, Professor.
-
63:54 - 63:55I have a weak heart.
-
63:55 - 63:58I'm an old man.
-
63:58 - 64:01You must be lenient with me.
It's only fair. -
64:01 - 64:04There's nothing about your heart
in my papers. -
64:04 - 64:06Do you want to stop the examination?
-
64:06 - 64:15No, for God's sake, no!
-
64:15 - 64:33Please diagnose the patient.
-
64:33 - 64:57The patient is dead.
-
64:57 - 65:00What are you writing in my book?
-
65:00 - 65:03- My verdict.
- And that is? -
65:03 - 65:09That you are incompetent.
-
65:09 - 65:15You are also accused of some minor
but still serious offenses. -
65:15 - 65:20Callousness, selfishness,
ruthlessness. -
65:20 - 65:23Your wife has made the charge.
-
65:23 - 65:25You'll be confronted with her.
-
65:25 - 65:28But myw ife has been dead for years!
-
65:28 - 65:32Do you think I'm joking?
-
65:32 - 65:35Please come with me.
-
65:35 - 67:58You have no choice.
-
67:58 - 68:01Many forget a woman
who has been dead for 30 years. -
68:01 - 68:05Some cherish
a sweet and fading picture, -
68:05 - 68:11but you can recall this scene
at any time. -
68:11 - 68:15Tuesday, May 1 st, 1917.
-
68:15 - 68:17You stood on this very spot.
-
68:17 - 68:37and heard and saw what that man
and woman said and did. -
68:37 - 68:41Now I'll go home and tell Isak.
I know just what he'll say. -
68:41 - 68:46"My poor girl, I'm sorry for you."
-
68:46 - 68:50Just as if he were God.
-
68:50 - 68:57Then I'll weep and say,
"Do you really feel sorry for me?" -
68:57 - 69:02He'll say, "Yes, very sorry."
-
69:02 - 69:06Then I'll weep even more
and ask him to forgive me. -
69:06 - 69:07He'll say,
-
69:07 - 69:15"You mustn't beg my forgiveness.
There is nothing to forgive." -
69:15 - 69:20But he doesn't mean
a word he says -
69:20 - 69:24because he's cold as ice.
-
69:24 - 69:29And suddenly he gets very tender,
-
69:29 - 69:33and I scream at him that he's mad
-
69:33 - 69:37and that his hypocrisy makes me sick.
-
69:37 - 69:40Then he says
he'll get me a sedative -
69:40 - 69:45and that he understands
everything quite well. -
69:45 - 69:49And I tell him it's his fault
that I am as I am. -
69:49 - 69:55And he looks sad
and says it is his fault. -
69:55 - 69:58But he doesn't really care
about anything -
69:58 - 70:24because he's so cold.
-
70:24 - 70:26Where is she?
-
70:26 - 70:30Gone. All are gone.
-
70:30 - 70:35Removed by an operation,
Professor. -
70:35 - 70:39A surgical masterpiece.
No pain. -
70:39 - 70:42Nothing that bleeds or trembles.
-
70:42 - 70:45How silent it is.
-
70:45 - 70:48A perfect achievement
in its way, Professor. -
70:48 - 70:50And the punishment?
-
70:50 - 70:54I don't know.
The usual, I suppose. -
70:54 - 70:56The usual?
-
70:56 - 70:58Loneliness.
-
70:58 - 71:00Loneliness?
-
71:00 - 71:04Precisely.
-
71:04 - 71:06Is there no mercy?
-
71:06 - 71:29Don't ask me. I don't know.
-
71:29 - 71:32What's this?
-
71:32 - 71:35The children wanted
to stretch their legs. -
71:35 - 71:38But it's still raining.
-
71:38 - 71:44I told them about today
and they want to honor you. -
71:44 - 71:45Slept well?
-
71:45 - 71:56Yes, but recently I've had
the weirdest dreams, -
71:56 - 72:00as if I must tell myself something
I won't listen to when I'm awake. -
72:00 - 72:03What's that?
-
72:03 - 72:07That I'm dead.
Although I'm alive. -
72:07 - 72:10You and Evald are very alike.
-
72:10 - 72:12So you've said.
-
72:12 - 72:14He said the same thing.
-
72:14 - 72:17About me?
-
72:17 - 72:18No. About himself.
-
72:18 - 72:23But he's only 38.
-
72:23 - 72:25May I tell you about it?
-
72:25 - 72:31Yes, I'd be grateful.
-
72:31 - 72:35A few months ago
I wanted to talk to Evald, -
72:35 - 72:37so he drove me down to the sea.
-
72:37 - 72:44It was raining then too.
He sat where you sit now. -
72:44 - 72:48Well, you've trapped me.
What do you want to say? -
72:48 - 72:52Something unpleasant, of course.
-
72:52 - 72:54I wish I didn't have to.
-
72:54 - 72:57You have found someone else.
-
72:57 - 72:59Don't be childish.
-
72:59 - 73:04You tell me in funereal tones
that you must talk to me, -
73:04 - 73:07and then you find it
hard to begin. -
73:07 - 73:13Come on, for heaven's sake!
Don't keep me on tenterhooks! -
73:13 - 73:15I almost want to laugh now.
-
73:15 - 73:17Whatever do you think
I'm going to tell you? -
73:17 - 73:22That I've killed someone,
or stolen the faculty funds? -
73:22 - 73:26I'm going to have a baby.
-
73:26 - 73:28Are you sure?
-
73:28 - 73:30The doctor told me yesterday.
-
73:30 - 73:36So that was the secret.
-
73:36 - 73:41I might as well tell you
that I intend to have this child. -
73:41 - 74:00- You've made up your mind?
- Yes, I have. -
74:00 - 74:02You know I don't want a child.
-
74:02 - 74:05You'll have to choose
between me and the child. -
74:05 - 74:09- Poor Evald.
- Don't "poor Evald" me! -
74:09 - 74:12It's absurd to bring children
into this world -
74:12 - 74:15and think they'll be better off
than we are. -
74:15 - 74:19- That's just an excuse.
- Call it what you want. -
74:19 - 74:24I was an unwanted child
in a hellish marriage. -
74:24 - 74:27Is he even sure I'm his son?
-
74:27 - 74:31That's no excuse
for behaving like this. -
74:31 - 74:32I must be at the hospital at 3:00.
-
74:32 - 74:37I have neither the time nor the desire
to discuss this any further. -
74:37 - 74:40You're a coward.
-
74:40 - 74:41Yes.
-
74:41 - 74:44This life sickens me.
-
74:44 - 74:46I will not be forced to take on
-
74:46 - 74:48a responsibility that will make me live
for one day longer than I want to. -
74:48 - 75:06And you know
that I mean what I say. -
75:06 - 75:08I know that this is wrong.
-
75:08 - 75:10There's neither right nor wrong.
-
75:10 - 75:14We act according to our needs.
-
75:14 - 75:16And what are they?
-
75:16 - 75:21Yours is a hellish desire
to live and to create life. -
75:21 - 75:23And yours?
-
75:23 - 75:40Mine is to be dead.
Stone-dead. -
75:40 - 75:48If you want to smoke a cigarette,
I don't mind. -
75:48 - 75:53Why have you told me all this?
-
75:53 - 76:01I saw you with your mother,
and I was panic-stricken. -
76:01 - 76:05I don't understand.
-
76:05 - 76:10I thought: That's his mother.
-
76:10 - 76:15An old woman, cold as ice,
-
76:15 - 76:20more forbidding than death.
-
76:20 - 76:23And this is her son,
-
76:23 - 76:27and there are light-years
between them. -
76:27 - 76:31He himself says
he's a living corpse. -
76:31 - 76:39And Evald is growing
just as lonely, cold and dead. -
76:39 - 76:43And I thought of the baby inside me.
-
76:43 - 76:47All along the line,
there's nothing but cold and death -
76:47 - 76:51and loneliness.
-
76:51 - 76:54It must end somewhere.
-
76:54 - 76:59But you're going back to Evald!
-
76:59 - 77:02To say I can't agree
to his conditions. -
77:02 - 77:06I want this child.
No one can take it from me. -
77:06 - 77:12Not even the man
I love most ofall. -
77:12 - 77:14Can I help you?
-
77:14 - 77:17No one can help me.
-
77:17 - 77:21We are too old.
Things have gone too far. -
77:21 - 77:24What happened after your talk?
-
77:24 - 77:27Nothing.
I left him the next day. -
77:27 - 77:31Hasn't he gotten in touch with you?
-
77:31 - 77:37- I don't want us to get--
- To get what? -
77:37 - 77:42Like those two in the car today.
-
77:42 - 77:45I was just thinking of them.
-
77:45 - 77:49It reminded me of my own marriage.
-
77:49 - 77:51But we love each other.
-
77:51 - 77:54Long may he live
Long may he live -
77:54 - 77:59May he live to be
a hundred years old -
77:59 - 78:02We heard you're celebrating
a grand occasion today. -
78:02 - 78:06With these simple flowers
we want to say -
78:06 - 78:11that we are very impressed
that you've been a doctor for 50 years. -
78:11 - 78:16We know you must be
a very wise old man -
78:16 - 78:18who knows everything about life
-
78:18 - 78:25and has learned
all the instructions by heart. -
78:25 - 78:29Thank you.
-
78:29 - 79:01Now we must go on.
It's getting late. -
79:01 - 79:06So you did come.
Evald and I had given up hope. -
79:06 - 79:09A nice drive is relaxing, isn't it?
-
79:09 - 79:13You'll have to get
into your tails at once. -
79:13 - 79:17Good afternoon, Marianne.
I've told Evald you're coming. -
79:17 - 79:21Thank you.
That was most kind. -
79:21 - 79:23So you came after all, Miss Agda.
-
79:23 - 79:29I considered it my duty.
But my pleasure's been spoiled. -
79:29 - 79:32Welcome, Father.
-
79:32 - 79:34As you see,
I've brought Marianne with me. -
79:34 - 79:37- Hello, Marianne.
- May I put my things upstairs? -
79:37 - 79:40The guest room as usual, Father?
-
79:40 - 79:46Let me take your bag.
It's rather heavy. -
79:46 - 79:49- Did you have a good trip?
- Yes, it was pleasant. -
79:49 - 79:50Who are those young people?
-
79:50 - 79:53I don't know. They're nice,
and they're off to Italy. -
79:53 - 79:56- They seem nice.
- Yes, they're very nice. -
79:56 - 80:04It's a quarter past 4:00.
-
80:04 - 80:15I've bought you new shoelaces.
-
80:15 - 80:17I'm leaving tomorrow,
so don't worry. -
80:17 - 80:20- Areyou going to a hotel?
- No, why? -
80:20 - 80:23Can't we share the bedroom
for one more night? Unless you object. -
80:23 - 80:27- Give me a hand unpacking?
- It's nice to see you. -
80:27 - 80:29And unexpected.
-
80:29 - 80:30Same here.
-
80:30 - 80:33Are we going on
to the banquet afterwards? -
80:33 - 80:45Yes, I'll just call Stenberg
and tell him I'll have a lady with me. -
80:45 - 82:22Hurry up, Professor!
-
82:22 - 82:28During the ceremony,
-
82:28 - 82:32my thoughts strayed
to the day's events, -
82:32 - 82:37and it was then I decided
-
82:37 - 82:40to write down what had happened.
-
82:40 - 82:46In this jumble of events,
-
82:46 - 83:16I seemed to discern
an extraordinary logic. -
83:16 - 83:19Did you enjoy the ceremony?
-
83:19 - 83:22Yes, thank you.
-
83:22 - 83:24Areyou tired, Miss Agda?
-
83:24 - 83:26I won't deny it.
-
83:26 - 83:31Take one of my sleeping pills.
-
83:31 - 83:36Miss Agda, I am sorry
about this morning. -
83:36 - 83:38Are you ill, Professor?
-
83:38 - 83:40No. Why?
-
83:40 - 83:44I don't like the sound of it.
-
83:44 - 83:49Is it so rare
for me to say I'm sorry? -
83:49 - 84:16Do you want the carafe
on the table? -
84:16 - 84:20Thank you anyway, Professor.
Good night. -
84:20 - 84:24Miss Agda,
-
84:24 - 84:28as we have known each other
-
84:28 - 84:31for so many years,
-
84:31 - 84:34don't you think we could call
each other Agda and Isak? -
84:34 - 84:37No, I don't.
-
84:37 - 84:39Why not?
-
84:39 - 84:43Have you brushed your teeth,
Professor? -
84:43 - 84:47No intimacies for me, thank you.
-
84:47 - 84:49It's all right between us as it is.
-
84:49 - 84:52But we are old now.
-
84:52 - 84:58Speak for yourself.
A woman is jealous of her reputation. -
84:58 - 85:02What would people think if we
suddenly began to say Agda and Isak? -
85:02 - 85:04They would make fun of us.
-
85:04 - 85:08Are you always right?
-
85:08 - 85:10Almost always.
-
85:10 - 85:22At our age,
we should know how to behave. -
85:22 - 85:26Good night, Professor.
I'll leave the door ajar. -
85:26 - 86:16You know where I am
if you want anything. -
86:16 - 86:20Father Isak! You were splendid
in the procession. -
86:20 - 86:22We were terribly proud
to know you. -
86:22 - 86:26An old girl is giving us a lift
all the way to Hamburg. -
86:26 - 86:29- Anders is mad about her.
- Oh, be quiet. -
86:29 - 86:31We just wanted to say good-bye.
-
86:31 - 86:36Good-bye. And thank you
for your company. -
86:36 - 86:38It's you I really love, you know.
-
86:38 - 86:43Today, tomorrow, always.
-
86:43 - 86:45I'll remember.
-
86:45 - 86:53Come on.
-
86:53 - 87:00We have to go now.
-
87:00 - 87:15Let me hear from you.
-
87:15 - 87:19- I think Uncle is asleep.
- Evald! -
87:19 - 87:20Yes, Father?
-
87:20 - 87:23Areyou back already?
-
87:23 - 87:28Marianne lost the heel on a shoe.
-
87:28 - 87:31So you're going to the dance?
-
87:31 - 87:34I suppose so.
-
87:34 - 87:37- How are you, Father?
- Excellent. -
87:37 - 87:42- Heart all right?
- Excellent. -
87:42 - 87:46Sleep well.
-
87:46 - 87:51Sit down a moment.
-
87:51 - 87:54Anything special?
-
87:54 - 88:01How is it to be
between you and Marianne? -
88:01 - 88:03Forgive my asking.
-
88:03 - 88:05I don't know.
-
88:05 - 88:10It's not my business, but--
-
88:10 - 88:12But wouldn't it--
-
88:12 - 88:14I have asked her to stay with me.
-
88:14 - 88:17Shouldn't you-- I mean--
-
88:17 - 88:21- I can't live without her.
- You mean alone? -
88:21 - 88:24I can't live without her.
That's what I mean. -
88:24 - 88:26Oh, I see.
-
88:26 - 88:28It will be as she wants.
-
88:28 - 88:32And she--
-
88:32 - 88:36She says she'll think about it.
-
88:36 - 88:38About that debt of yours--
-
88:38 - 88:40Don't worry,
you'll get your money. -
88:40 - 88:45That's not what I meant.
-
88:45 - 88:47How are you, Uncle Isak?
-
88:47 - 88:49Fine.Just fine.
-
88:49 - 88:52I lost a heel.
Will these shoes do? -
88:52 - 88:57They're very nice.
-
88:57 - 89:03Thanks for coming with me.
-
89:03 - 89:06I like you, Marianne.
-
89:06 - 89:17I like you too, Uncle Isak.
-
89:17 - 89:22If I have been worried
or sad during the day, -
89:22 - 89:28it often calms me
to recall childhood memories. -
89:28 - 89:43I did so on this evening too.
-
89:43 - 89:47Isak, there are no
wild strawberries left. -
89:47 - 89:49Auntie wants you
to look for your papa. -
89:49 - 89:52We'll sail around and meet you
at the other side of the island. -
89:52 - 89:57I can't find either Papa or Mama.
-
89:57 -Come, I'll help you.
- Title:
- Wild Strawberries (1957) [MultiSub] [Film] - (Ingmar Bergman)
- Description:
-
Smultronstället, Fresas salvajes, Les fraises sauvages, Morangos Silvestres, Wilde Erdbeeren, Mansikkapaikka, Lesne jahody, Fragii Salbatici, Divlje jagode (1957). - After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence.
With the exception of his elderly housekeeper Miss Agda who he treats almost like a surrogate platonic wife, widowed seventy-eight year old Dr. Isak Borg, a former medical doctor and professor, has retreated from any human contact, partly his own want but partly the decision of others who do not want to spend time with him because of his cold demeanor. He is traveling from his home in Stockholm to Lund to accept an honorary degree. Instead of flying as was the original plan, he decides to take the day long drive instead. Along for the ride is his daughter-in-law Marianne, who had been staying with him for the month but has now decided to go home. The many stops and encounters along the way make him reminisce about various parts of his life. Those stops which make him reminisce directly are at his childhood summer home, at the home of his equally emotionally cold mother, and at a gas station where the attendants praise him as a man for his work. But the lives of other people they ...
------------------------------------------------
El profesor Borg, un eminente físico, debe ir a Estocolmo para recibir un homenaje de su universidad. Sobrecogido, tras un sueño en el que contempla su propio cadáver, decide emprender el viaje en coche con su nuera, que acaba de abandonar su casa, tras una discusión con su marido, que se niega a tener hijos. Durante el viaje se detiene en la casa donde pasaba las vacaciones cuando era niño, un lugar donde crecen las fresas salvajes y donde vivió su primer amor. (FILMAFFINITY)Premios
1959: Nominada al Oscar: Mejor guión original
1959: Globo de Oro: Mejor película extranjera
1959: National Board of Review: Mejor película extranjera, Mejor actor (Sjöström)
1958: 2 nominaciones al BAFTA: Film internacional, Actor extranjero (Sjöström)
1958: Festival de Berlín: Oso de Oro, Premio FIPRESCI
1959: Festival de Mar de Plata: Mejor película-----------------------------------------------
- Video Language:
- Swedish
- Duration:
- 01:31:53
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Amara Bot edited English subtitles for Wild Strawberries (1957) [MultiSub] [Film] - (Ingmar Bergman) | |
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