Wilde (1997) full movie (subtitled)
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1:09 - 1:42He's coming! He's coming!
-
1:42 - 1:44All right, now.
-
1:44 - 1:52Let's give a good
Colorado welcome here! -
1:52 - 1:55- Hello, sir. You're most welcome.
- Thank you, thank you. -
1:55 - 1:57All right, everybody, listen up.
-
1:57 - 2:04I want to introduce you
to Oscar Wilde. -
2:04 - 2:07Welcome to
the Matchless Silver Mine. -
2:07 - 2:09Today, we opened up a new seam.
-
2:09 - 2:12We're gonna name it after you.
-
2:12 - 2:13How very kind.
-
2:13 - 2:18I look forward to collecting
the royalties. -
2:18 - 2:21Now, why don't you
follow me over here. -
2:21 - 2:27Great lecture you gave last night.
We're honored to have you visit us. -
2:27 - 2:51If you'd just like to step in here.
There ya go, sir. -
2:51 - 2:52I thought I was descending
into hell... -
2:52 - 2:57but with these angel faces to greet me,
it must be paradise. -
2:57 - 2:59Is this the way to my personal seam?
-
2:59 - 3:02Of course, I should have preferred
gold... purple and gold. -
3:02 - 3:07But we live in a Silver Age, alas.
-
3:07 - 3:10So much that is exquisitely beautiful
is wrought from suffering, from pain... -
3:10 - 3:14from toil... broken bones
and blistered skin. -
3:14 - 3:17Benevenuto Cellini understood silver.
-
3:17 - 3:20He took the metal that you mine
so nobly down here... -
3:20 - 3:23and transformed it into works of art
for popes and princes. -
3:23 - 3:26Cellini... is he a wop?
-
3:26 - 3:28The Renaissance man, in every sense.
-
3:28 - 3:31The greatest silversmith
the world has ever seen... -
3:31 - 3:34but a genius in life
as well as art. -
3:34 - 3:37He experimented with
every vice known to man. -
3:37 - 3:39- He committed murder.
- He killed a man? -
3:39 - 3:47More than one.
-
3:47 - 3:51Thank you.
-
3:51 - 3:54I'd like to meet Cellini.
Why didn't you bring him with you? -
3:54 - 3:55I'm afraid he's dead.
-
3:55 - 4:53Who shot him?
-
4:53 - 4:58Is Miss Lloyd connected
to Lloyd's Bank? -
4:58 - 4:59A pity.
-
4:59 - 5:02But she's comfortable, Ada.
-
5:02 - 5:03A thousand a year.
-
5:03 - 5:05Then I congratulate you, Lady Wilde.
-
5:05 - 5:09Now that Oscar's been to America
and sown his Wildean oats... -
5:09 - 5:11it's time he settled down.
-
5:11 - 5:13But weren't they very rough?
-
5:13 - 5:15No, charming.
Well, charming to me. -
5:15 - 5:17With each other, it's true
they could be a little brusque. -
5:17 - 5:21They hanged two men in the theater
one night before I gave a lecture. -
5:21 - 5:27I felt like the sorbet
after a side of beef. -
5:27 - 5:30I know your friend is famous, Ada...
notorious, at least... -
5:30 - 5:32but I don't understand for what.
-
5:32 - 5:36For being himself,
Lady Mount-Temple. -
5:36 - 5:38Don't Americans talk
the most wonderful slang, though? -
5:38 - 5:41Well, I did hear one lady say...
-
5:41 - 5:43"After the heel-lick
I shifted my day goods." -
5:43 - 5:46What on earth did she mean?
-
5:46 - 5:49She meant that she changed
her clothes after a dance. -
5:49 - 5:55Connie, my love, Lady Mount-Temple
is so anxious to meet you. -
5:55 - 5:57I knew your father, Miss Lloyd.
-
5:57 - 6:01She's delightful, and not stupid.
Really, not stupid at all. -
6:01 - 6:04Is that quite a reason to marry her?
-
6:04 - 6:08Well, I must marry someone.
-
6:08 - 6:11And my mother has our future
planned out in every detail: -
6:11 - 6:14I'm to go into Parliament,
we're to have a nice house... -
6:14 - 6:17and live a proper, settled life...
literature, lectures... -
6:17 - 6:20the House of Commons, receptions
for the world in general at 5:00. -
6:20 - 6:22How dreary.
-
6:22 - 6:24Your attendance will
not be required at those. -
6:24 - 6:28But your sphinxiness will be essential
for our intimate little dinners at 8:00. -
6:28 - 6:32It will be a grand life,
a charming life. -
6:32 - 6:34I see Constance will be busy
preparing the dinners... -
6:34 - 6:37but what will she contribute
to the literature and lectures? -
6:37 - 6:39She'll correct the proofs
of my articles. -
6:39 - 6:49Oh, what a little sunbeam.
-
6:49 - 6:52I do love her, Ada. She's...
-
6:52 - 6:54Silent.
-
6:54 - 6:59- I find her very silent.
- But so sympathetic. -
6:59 - 7:38And I do need an audience.
-
7:38 - 7:43I don't see how you can possibly
take it all in, reading at that speed. -
7:43 - 7:45Try me.
-
7:45 - 7:52I know better.
-
7:52 - 7:54Where are we dining tonight?
-
7:54 - 7:55At the Leversons.
-
7:55 - 7:59Then you must show your true colors
as a propagandist for dress reform. -
7:59 - 8:02The cinnamon
cashmere trousers, I think. -
8:02 - 8:05And the cape with the ends
that turn up into sleeves. -
8:05 - 8:16I don't think I can wear
those trousers anymore. -
8:16 - 8:18A new Wilde for the world!
-
8:18 - 8:24Another genius for Ireland!
-
8:24 - 8:37We shall have to buy you
a whole new wardrobe. -
8:37 - 8:39Ernest proposed to me
under that statue. -
8:39 - 8:42Really, the things that go on in front
of works of art are quite appalling. -
8:42 - 8:44The police should interfere.
-
8:44 - 8:48We were made not to marry,
whereas you and Constance are so happy. -
8:48 - 8:50Everyone says so.
-
8:50 - 8:53It's perfectly monstrous how people
say things behind one's back... -
8:53 - 8:55that are absolutely true.
-
8:55 - 8:59So your audience has proved
as responsive as you hoped? -
8:59 - 9:02Receptive, yes. Responsive?
-
9:02 - 9:04I always wonder what she's thinking.
-
9:04 - 9:08I expect it's about the baby.
-
9:08 - 9:10Yes. Well, Constance is
such a natural mother. -
9:10 - 9:15She's invited Robbie into the nest
while his parents are abroad. -
9:15 - 9:19Robbie is Canadian.
You can tell by his youth. -
9:19 - 9:22Have you been brought
to England to mature, Mr. Ross? -
9:22 - 9:26Well, that was the idea,
but it doesn't seem to be working. -
9:26 - 9:30I've lived here since I was three,
and you see the pitiful result. -
9:30 - 9:33Robbie comes from a long line
of imperial governors. -
9:33 - 9:35His grandfather was
Prime Minister of Upper Canada. -
9:35 - 9:37Or was it Lower Canada?
-
9:37 - 9:39The British will take their class system
with them wherever they go. -
9:39 - 9:41They apply it even to continents.
-
9:41 - 9:44Are you planning
to govern a continent? -
9:44 - 9:54No. I don't even plan
to govern myself. -
9:54 - 9:57Very nicely turned leg.
-
9:57 - 10:01Hello, sir.
-
10:01 - 10:05Shall I give you these, my love?
I'll see if I can find a cab. -
10:05 - 10:17Coming through there, gents.
Mind your backs. -
10:17 - 10:30Can you move
out of the way, please? -
10:30 - 10:36Looking for someone?
-
10:36 - 10:46Cab, cab!
-
10:46 - 10:49Bedtime.
-
10:49 - 10:57Just one more cigarette.
-
10:57 - 11:04No. No, thanks, Robbie.
-
11:04 - 11:08Don't stay up too late, Robbie.
-
11:08 - 11:14Good night.
-
11:14 - 11:17Good night, Oscar.
-
11:17 - 11:34Good night, Robbie.
-
11:34 - 11:40He's asleep.
-
11:40 - 11:45He's so beautiful.
-
11:45 - 11:50Almost as beautiful
as his mother. -
11:50 - 12:15I don't know what I'd do without you,
my constant Constance. -
12:15 - 12:18Good night, my dear.
-
12:18 - 12:40Good night.
-
12:40 - 12:43A university education
is an admirable thing, of course... -
12:43 - 12:47so long as you remember that nothing
worth knowing can ever be taught... -
12:47 - 12:49least of all at Cambridge.
-
12:49 - 12:51But you told me...
-
12:51 - 12:55in ancient Greece the older men
taught the younger. -
12:55 - 12:58They drew them out.
-
12:58 - 13:01I look forward to being
drawn out immensely. -
13:01 - 13:04Yes, well, Greek love...
platonic love... -
13:04 - 13:09is the highest form of affection
known to man, of course. -
13:09 - 13:11You also told me...
-
13:11 - 13:13that the Greeks put statues of Apollo
in the bride's chamber... -
13:13 - 13:17so she would have beautiful sons.
-
13:17 - 13:24But I can't help noticing that here
the statue's in your bedroom. -
13:24 - 13:43Constance prefers a bath.
-
13:43 - 13:47She was so beautiful
when I married her, Robbie. -
13:47 - 13:49Slim, white as a lily...
-
13:49 - 13:51such dancing eyes.
-
13:51 - 13:54I've never seen such love
in a pair of eyes. -
13:54 - 14:28She was...
-
14:28 - 14:32Nothing should reveal the body...
-
14:32 - 14:35but the body.
-
14:35 - 14:47Didn't you say?
-
14:47 - 14:53There has to be a first time
for everything, Oscar... -
14:53 - 15:04even for you.
-
15:04 - 15:07Hush. There's
a good little fellow. -
15:07 - 15:12Come on. Come on, now. There.
-
15:12 - 15:15Now, come on, Cyril.
It's time for your bath. -
15:15 - 15:19Be a good boy.
Don't make such a fuss! -
15:19 - 15:23You've got to get undressed.
Come on. -
15:23 - 15:25I know you hate it.
-
15:25 - 15:28Boys, Mrs. Wilde,
they never do what they're told. -
15:28 - 15:31Oh, we're going to have
a girl next time. -
15:31 - 15:37- Aren't we, Oscar?
- I must go. -
15:37 - 15:40Good night, my dear.
Now you behave, Cyril. -
15:40 - 15:44Remember, a gentleman should take
a bath at least once a year. -
15:44 - 15:47- Good night.
- Come on, Cyril. -
15:47 - 15:48It's not that bad.
-
15:48 - 15:52I shan't be back till late.
I'm dining with the Asquiths. -
15:52 - 15:53Hush now.
-
15:53 - 16:33Come on, now.
-
16:33 - 16:37Do you love me?
-
16:37 - 16:39I feel...
-
16:39 - 16:41like a city that's been...
-
16:41 - 16:45under siege for 20 years.
-
16:45 - 16:48Suddenly the gates are thrown open...
-
16:48 - 16:54and the citizens come pouring out...
-
16:54 - 16:56to breathe the air
and walk the fields... -
16:56 - 17:01and pluck the wildflowers.
-
17:01 - 17:03I feel...
-
17:03 - 17:08relieved.
-
17:08 - 17:12You don't worry about Constance?
-
17:12 - 17:15"Every afternoon,
on their way home from school... -
17:15 - 17:17the children used to play
in the garden of the selfish giant. " -
17:17 - 17:19Is that the garden where we play?
-
17:19 - 17:24No, this is much larger and lovelier
than that, with soft green grass. -
17:24 - 17:26There's grass where we go.
-
17:26 - 17:30Yes, but are there 12 peach trees
that burst into delicate blossoms... -
17:30 - 17:33of pink and pearl every springtime
and bear rich fruit in the autumn? -
17:33 - 17:34Are there, Mama?
-
17:34 - 17:38I don't think there are,
Cyril, no. -
17:38 - 17:42Would you hand me a matchstick,
and I'll put this hussar's head back on? -
17:42 - 17:48Thank you.
-
17:48 - 17:51"The birds sat on the trees
and sang so sweetly... -
17:51 - 17:53that the children used
to stop their games to listen. -
17:53 - 17:56'How happy we are here,'
they said to each other." -
17:56 - 17:59I don't know how they could be happy
if there was a giant. -
17:59 - 18:03There wasn't, you see, not yet.
He was away, visiting a friend. -
18:03 - 18:06You're always away.
-
18:06 - 18:09Yes, but I only go for a night or two
at a time, and I always come back. -
18:09 - 18:12Whereas this giant,
the one whose garden it was... -
18:12 - 18:15he'd been away for seven years,
staying with an ogre in Cornwall. -
18:15 - 18:18"And after seven years,
when he'd said all he had to say... -
18:18 - 18:21because his conversation
was very limited... -
18:21 - 18:24he decided to return home
to his own castle. -
18:24 - 18:28When he found the children playing
in his garden, he was very angry. -
18:28 - 18:31'What are you doing here? ' he cried.
-
18:31 - 18:34And all the children ran away.
-
18:34 - 18:36'My own garden...
-
18:36 - 18:39is my own garden! '
Said the giant. -
18:39 - 18:42'And I won't allow anyone
to play in it except myself.' -
18:42 - 18:45So he built a high wall
all around... -
18:45 - 18:48put up a large notice board on which
was written, in capital letters: -
18:48 - 18:53'Trespassers will be prosecuted."'
-
18:53 - 18:56Arthur, you're trespassing.
Cyril will now eat you. -
18:56 - 18:58It's Mr. Ross, sir, with Mr. Gray.
-
18:58 - 19:00Heavens, I must fly.
-
19:00 - 19:03The horses of Apollo are pawing
impatiently at the gates. -
19:03 - 19:05I beg your pardon?
-
19:05 - 19:09Papa must go.
-
19:09 - 19:13You will come back
and finish the story? -
19:13 - 19:15Of course I will.
-
19:15 - 19:19Come on, Cyril.
It's almost teatime. -
19:19 - 19:22I really don't know why people bother
painting portraits anymore. -
19:22 - 19:26You can get a much better likeness
with a photograph. -
19:26 - 19:28A photograph's just
one moment in time... -
19:28 - 19:31one gesture, one turn of the head.
-
19:31 - 19:34Yes, portraits are not
likenesses, Mr. Gray. -
19:34 - 19:38Painters show the soul
of the subject, the essence. -
19:38 - 19:39The essence of the sitter's
vanity, you mean. -
19:39 - 19:42Well...
-
19:42 - 19:46this is a portrait
of Lady Battersby as a young woman. -
19:46 - 19:49She's over there,
as a matter of fact. -
19:49 - 19:58I must go and console her.
-
19:58 - 20:00How nice to see you.
-
20:00 - 20:03Poor thing.
-
20:03 - 20:05I expect in her heart...
-
20:05 - 20:06she thinks she still
looks like this. -
20:06 - 20:09If we could look young
and innocent forever... -
20:09 - 20:12Do you think we'd want to?
-
20:12 - 20:14If our souls were ugly, yes.
-
20:14 - 20:21Give a man a mask,
and he'll tell you the truth. -
20:21 - 21:04Have we had enough of this?
Shall we go and have dinner somewhere? -
21:04 - 21:08Dorian Gray is the most
wonderful book I've ever read. -
21:08 - 21:10And the end,
when the servants break in... -
21:10 - 21:13and they find him wizened,
old and dead... -
21:13 - 21:16and the picture young again...
-
21:16 - 21:18I fainted.
-
21:18 - 21:21My family say it's dull and wicked.
-
21:21 - 21:31Dull?
-
21:31 - 21:34It's sublime.
-
21:34 - 21:38It's about the masks
we wear as faces... -
21:38 - 21:44and the faces we wear as masks.
-
21:44 - 21:46That my son should have written
a work of such... -
21:46 - 21:51People say it's full
of dangerous paradoxes. -
21:51 - 21:54Hardly anyone will speak
to us anymore. -
21:54 - 22:00We're ceasing to be respectable.
-
22:00 - 22:05Artists care nothing
about respectability. -
22:05 - 22:07It's only jealousy.
-
22:07 - 22:14It's the spite of the untalented
for the men of genius. -
22:14 - 22:16Where is Oscar?
-
22:16 - 22:20He's in the Lake District,
writing a play. -
22:20 - 22:23- A drama?
- A comedy. -
22:23 - 22:27Robbie Ross has gone
to keep him company. -
22:27 - 22:30I do like Robbie.
-
22:30 - 22:33And they both love you.
-
22:33 - 22:37Oh, it'll be a great success.
-
22:37 - 22:54Oscar's made for the stage.
-
22:54 - 23:05- Author! Author!
- Author! -
23:05 - 23:07Oscar, please!
-
23:07 - 23:25- Magnificent!
- Well done, everybody. -
23:25 - 23:29Ladies and gentlemen,
I have enjoyed this evening immensely. -
23:29 - 23:34The actors have given us a charming
rendering of a delightful play... -
23:34 - 23:37and your appreciation
has been most intelligent. -
23:37 - 23:41I congratulate you on the great success
of your performance... -
23:41 - 23:43which persuades me that you think
almost as highly of this play... -
23:43 - 23:58as I do myself.
-
23:58 - 24:00Absolutely splendid, Oscar.
An absolute triumph! -
24:00 - 24:03- Thank you so much. Thank you.
- Well done. -
24:03 - 24:06How sweet of you to say so.
-
24:06 - 24:10It went so well, Oscar.
-
24:10 - 24:12Even better than I'd...
-
24:12 - 24:15They loved it.
They absolutely loved it. -
24:15 - 24:17And I, dear boy, love you.
-
24:17 - 24:19Congratulations, Oscar.
-
24:19 - 24:21Thank you.
-
24:21 - 24:23It's good to see you.
-
24:23 - 24:26Hello.
-
24:26 - 24:28Mr. Wilde.
Wonderful, really wonderful. -
24:28 - 24:30- Oscar.
- Sphinx! -
24:30 - 24:35You really must be careful.
You're in grave danger of becoming rich. -
24:35 - 24:39- It was wonderful. I knew it would be.
- Thank you, Robbie. -
24:39 - 24:42Everyone's dying to know
who the real Lady Windermere is. -
24:42 - 24:45The real Lady Windermere is every woman
in this room, and most of the men. -
24:45 - 24:46- Oscar!
- Lionel! -
24:46 - 24:48It's a wonderful play.
-
24:48 - 24:50My cousin Lord Alfred Douglas
is here. -
24:50 - 25:05He would like very much
to congratulate you. -
25:05 - 25:08- Wonderful.
- Oscar, this is Bosie Douglas. -
25:08 - 25:12We met last year.
Lionel brought me to tea at Tite Street. -
25:12 - 25:17How could I possibly forget?
-
25:17 - 25:19I love your play.
-
25:19 - 25:22The audience didn't know
whether you meant your jokes or not. -
25:22 - 25:24You shocked them...
-
25:24 - 25:26especially with your speech.
-
25:26 - 25:30But the more frivolous you seem,
the more serious you are, aren't you? -
25:30 - 25:32- I love that.
- Thank you. -
25:32 - 25:35I always say,
the young are the only critics... -
25:35 - 25:37with enough experience
to judge my work. -
25:37 - 25:39- Splendid, Oscar.
- We need shocking. -
25:39 - 25:42People are so banal.
And you use your wit like a foil. -
25:42 - 25:46You cut through all those
starched shirt fronts. -
25:46 - 25:50You draw blood.
It's magnificent. -
25:50 - 25:53I wish you'd draw some blood
down in Oxford... -
25:53 - 25:55though you'd need a miracle.
-
25:55 - 25:57All the dons at my college
have dust in their veins. -
25:57 - 26:01At which college
do you educate the fellows? -
26:01 - 26:03Magdalen.
-
26:03 - 26:04My own college.
-
26:04 - 26:09I shall claim the privilege of
a graduate and take tutorials with you. -
26:09 - 26:13Come soon, then.
They're threatening to send me down. -
26:13 - 26:22How could they be so cruel
to one so beautiful? -
26:22 - 26:25Dons... they're so middle class.
-
26:25 - 26:29Oscar, you've shocked the whole
of London, smoking on stage like that. -
26:29 - 26:30Excellent.
Then we shall run for a year. -
26:30 - 26:33Oscar, you must say something
to Marion Terry. -
26:33 - 26:35She was good, wasn't she?
-
26:35 - 26:38So good, I think she wrote
most of the lines herself. -
26:38 - 26:47- Excuse me, Lord Alfred.
- Bosie, please. -
26:47 - 26:50- You must be so thrilled, Oscar.
- I know. -
26:50 - 26:52Isn't it humiliating?
-
26:52 - 26:56" 'My own garden is my own garden, '
said the giant. -
26:56 - 27:00So he built a high wall
all round it... -
27:00 - 27:02and put up a notice board:
-
27:02 - 27:05'Trespassers will be prosecuted.'
-
27:05 - 27:09He was a very selfish giant.
-
27:09 - 27:12The poor children
had now nowhere to play. -
27:12 - 27:14They tried to play on the road...
-
27:14 - 27:18but the road was very dusty and full of
hard stones, and they did not like it. -
27:18 - 27:21They used to wander round the high wall
when their lessons were over... -
27:21 - 27:25and talk about
the beautiful garden inside. -
27:25 - 27:29'How happy we were there, '
they said to each other. " -
27:29 - 27:33I hope he was
a very beautiful boy. -
27:33 - 27:37Well, pretty, you know,
in a street-Arab sort of way. -
27:37 - 27:46There's no point being blackmailed
by an ugly one. -
27:46 - 27:50What's tiresome is he's threatened
to show my letters to my father. -
27:50 - 27:56Who will show them to all his friends
for the excellence of their style. -
27:56 - 28:00You don't know him.
He's a brute. -
28:00 - 28:06Really. He carries a whip
wherever he goes. -
28:06 - 28:09He used to beat my mother.
-
28:09 - 28:12He beat my brothers.
He thrashed me from the age... -
28:12 - 28:16My dear boy.
-
28:16 - 28:21Of course, he's
practically illiterate. -
28:21 - 28:24He probably won't understand
the letters anyway. -
28:24 - 28:26By an unforgivable oversight,
I've never been blackmailed myself... -
28:26 - 28:30but my friends assure me that
a hundred pounds will usually suffice. -
28:30 - 28:31Really?
-
28:31 - 28:34God, l... You promise?
-
28:34 - 28:38Leave it to Lewis...
George Lewis... my solicitor. -
28:38 - 28:49He knows what he's doing.
He acts for the Prince of Wales. -
28:49 - 28:52Leave me not to pine
-
28:52 - 28:56Alone and desolate
-
28:56 - 29:01No fate seem fair as mine
-
29:01 - 29:06No happiness
-
29:06 - 29:08So great
-
29:08 - 29:09Isn't he killing, Mr. Wilde?
-
29:09 - 29:12- And nature day by day
- He's perfect. -
29:12 - 29:15He's perfect in every way.
-
29:15 - 29:19In accents clear
-
29:19 - 29:25This joyous roundelay
-
29:25 - 29:29He loves me
-
29:29 - 29:39He is here
-
29:39 - 29:43He loves me
-
29:43 - 29:57He is here
-
29:57 - 29:59That was lovely. Well done, Bosie.
-
29:59 - 30:00Yes, absolutely enchanting.
-
30:00 - 31:28More tea, anyone?
-
31:28 - 31:31I don't want to sit here.
I want to sit there. -
31:31 - 31:35You heard what Lord Alfred said.
-
31:35 - 31:37I want everyone to look at us.
-
31:37 - 31:50I want everyone to say, "Look,
there's Oscar Wilde with his boy." -
31:50 - 31:55So, what shall we let people
see us eating? -
31:55 - 31:58Fois gras and lobster
and champagne. -
31:58 - 32:00For two.
We do everything together. -
32:00 - 32:10Very good, Mr. Wilde.
-
32:10 - 32:13I think he enjoyed thrashing me.
-
32:13 - 32:17All my family are mad.
-
32:17 - 32:22My uncle slit his throat last year
in a railway hotel. -
32:22 - 32:25Which station?
-
32:25 - 32:29Euston.
-
32:29 - 32:34All life's really serious journeys
involve a railway terminus. -
32:34 - 32:38And now I must go
to the station myself. -
32:38 - 32:42Sarah Bernhardt thinks she knows
better than I do how to play Salome. -
32:42 - 32:45Stay.
-
32:45 - 32:48Please stay.
-
32:48 - 32:53At least till this evening.
-
32:53 - 32:56Sarah is divine, as you are.
-
32:56 - 33:00She will be wonderful at the play's
climax when Salome kisses the lips... -
33:00 - 33:03of the severed head
ofJohn the Baptist. -
33:03 - 33:07"Ah, thou wouldst not suffer me
to kiss thy mouth, Jokanaan." -
33:07 - 33:10Jokanaan is
an old Hebrew name forJohn. -
33:10 - 33:12"Well, I will kiss it now.
-
33:12 - 33:15I will bite it with my teeth
as one bites a ripe fruit. -
33:15 - 33:20Yes, I will kiss
thy mouth, Jokanaan. -
33:20 - 33:24Thy body is white like the snows
that lie on the mountains... -
33:24 - 33:28like the snows that lie
on the mountains ofJudea... -
33:28 - 33:31and come down into the valleys.
-
33:31 - 33:33The roses in the garden
of the queen of Arabia... -
33:33 - 33:44are not so white as thy body. "
-
33:44 - 33:48I'm not good enough
for him anymore. -
33:48 - 33:51I'm just the son
of a carpenter, while Bosie... -
33:51 - 33:56Oscar's only ever
been smitten before. -
33:56 - 33:59He was smitten with me.
He was smitten with you. -
33:59 - 34:07I wasn't smitten.
-
34:07 - 34:08I loved him.
-
34:08 - 34:14Well, now he's fallen in love.
-
34:14 - 34:18I'm halfway to hellfire.
I'm not joking. -
34:18 - 34:23Someone else was
a carpenter's son. -
34:23 - 34:27I've given in
and become a Catholic. -
34:27 - 34:30I find confession...
-
34:30 - 34:31wonderfully consoling.
-
34:31 - 34:34I can't go to confession...
-
34:34 - 34:40when I want to kill Bosie...
-
34:40 - 34:50or myself.
-
34:50 - 34:52- Oscar's furious.
- He has no right to be. -
34:52 - 34:55He knew perfectly well the Lord
Chamberlain would never allow... -
34:55 - 34:57a play with biblical characters.
-
34:57 - 35:00Oscar doesn't think there should be
censorship of plays at all. -
35:00 - 35:02Of course there
must be censorship. -
35:02 - 35:05Or people would say what they meant,
and then where should we be? -
35:05 - 35:08- When is he coming to join us?
- He's not. -
35:08 - 35:10He must stay
and look after Lord Alfred. -
35:10 - 35:14Those Douglases are always ill,
when they're not demented. -
35:14 - 35:16One of them roasted
a kitchen boy on a spit. -
35:16 - 35:19And Bosie's father,
Lord Queensberry... -
35:19 - 35:21he's a dreadful man, Constance...
-
35:21 - 35:24eoesn't believe in God
or marriage. -
35:24 - 35:26A marquis should set
a proper example... -
35:26 - 35:30or what are the upper classes for?
-
35:30 - 35:31I tell you...
-
35:31 - 35:37I wouldn't want a daughter of mine
to marry a Douglas. -
35:37 - 35:39I haven't got a daughter.
-
35:39 - 35:48Plenty of time still, my dear.
-
35:48 - 35:51I see.
-
35:51 - 35:54It's my fault.
-
35:54 - 36:01After Vyvyan was born,
all I could think of was the children. -
36:01 - 36:05So that's why Oscar spends
so much time with his men friends. -
36:05 - 36:07Oscar needs disciples.
-
36:07 - 36:11Lord Alfred's a poet.
A very fine poet, Oscar says. -
36:11 - 36:17He's studying classics.
Oscar and he talk about Plato. -
36:17 - 36:20There's nothing wrong.
-
36:20 - 36:22Really, there isn't.
-
36:22 - 36:24It's not whether
there is anything wrong. -
36:24 - 36:27It's whether or not
there appears to be. -
36:27 - 36:29That's all people care about.
-
36:29 - 36:34The empire was not built
by men like Bosie Douglas. -
36:34 - 36:38"Then the spring came...
-
36:38 - 36:42only in the garden of the selfish giant
it was still winter. -
36:42 - 36:44The birds did not care to sing in it,
as there were no children. -
36:44 - 36:48And the trees forgot to blossom.
-
36:48 - 36:51The snow covered up the grass
with her great white cloak... -
36:51 - 37:47and the frost painted
all the trees silver. " -
37:47 - 37:49Let's go out.
-
37:49 - 37:55If you like.
-
37:55 - 37:59The thing about renters is you
don't have to consider their feelings. -
37:59 - 38:02But if someone is willing to give one
pleasure, one should show gratitude. -
38:02 - 38:05No. Money, that's all they want.
-
38:05 - 38:10What's wonderful about going
to Taylor's is no one pretends. -
38:10 - 38:20You just do it
and be done with it. -
38:20 - 38:24I do love you, Oscar.
-
38:24 - 38:30But variety is
the spice of life. -
38:30 - 38:34You can watch me, if you like.
-
38:34 - 38:39You must attempt to keep a grasp
upon your sobriety. -
38:39 - 38:42That is disgusting.
We'll have less of that. -
38:42 - 38:45- Good evening.
- Lord Alfred. -
38:45 - 38:47Alfred Taylor, this is Oscar.
-
38:47 - 38:49Delighted to make
your acquaintance, Oscar. -
38:49 - 38:52Charles Parker. I remember you.
-
38:52 - 38:54Hello, Oscar.
-
38:54 - 39:02Charming to see you again.
-
39:02 - 39:04- Do you smoke?
- I do everything. -
39:04 - 39:10- Yeah, everything that pays.
- Expertly, I might add. -
39:10 - 39:12Mr. Wilde, some wine.
-
39:12 - 39:14Thank you.
-
39:14 - 39:20- It's a nice case.
- I want you to keep it. -
39:20 - 39:23Thank you.
-
39:23 - 39:27So, this is a den of vice.
I should call it more of a garden. -
39:27 - 39:29Such pretty flowers, Mr. Taylor.
-
39:29 - 39:32How wise of you to keep
the curtains closed. -
39:32 - 39:34They would never grow
in the common light of day. -
39:34 - 39:37- Who are you calling common?
- Certainly not you, dear boy. -
39:37 - 39:49You seem to be a flower
of the rarest hue. -
39:49 - 39:53Bosie never told me that you
were a botanist, Mr. Taylor... -
39:53 - 39:56that you roam the earth, climbing
the highest peaks of the Himalayas... -
39:56 - 39:58and plunging
into the darkest forests... -
39:58 - 40:02of Borneo to return triumphant...
-
40:02 - 40:05to this delightful conservatory
in the shadow of Westminster Abbey... -
40:05 - 40:08to exhibit your specimens.
-
40:08 - 40:11The boys are all Londoners, actually.
-
40:11 - 40:13Impossible.
I see Londoners every day... -
40:13 - 40:17but never such
exotic blooms as these. -
40:17 - 40:19Does he always talk like this?
-
40:19 - 40:31Not when he's in bed.
-
40:31 - 40:33I am discreet.
-
40:33 - 40:38Bosie is far too grand for that.
He wants everyone to know. -
40:38 - 40:41- You must understand...
- I must be with young people, Robbie. -
40:41 - 40:44They're so frank and free.
-
40:44 - 40:46They make me feel young myself.
-
40:46 - 40:48That's all very well,
but what would you say... -
40:48 - 40:51if someone wanted
to go to bed with your son? -
40:51 - 40:53Cyril's eight.
-
40:53 - 40:58What will you say when he's 18?
-
40:58 - 41:02Nothing. He must do
as his nature dictates... -
41:02 - 41:05as I only wish I had done.
-
41:05 - 41:09"'I do believe the spring has come
at last,' said the giant. -
41:09 - 41:12He jumped out of bed,
and looked out of the window." -
41:12 - 41:14- What did he see?
- You tell me. -
41:14 - 41:16No, you tell it.
-
41:16 - 41:20All right.
"He saw the most wonderful sight. -
41:20 - 41:22Through a little hole
in the wall... -
41:22 - 41:25the children had crept back
into the garden and were sitting... -
41:25 - 41:27on the branches of the trees.
-
41:27 - 41:30And every tree that he could see,
there was a little child. -
41:30 - 41:31The trees were so glad that they..."
-
41:31 - 41:34They covered themselves
with blossoms! -
41:34 - 41:35Blossoms!
-
41:35 - 41:39"And were waving their arms gently
above the children's heads. -
41:39 - 41:43And the birds were twittering
and singing above them with delight. -
41:43 - 41:47And the flowers were looking up
through the grass and laughing. -
41:47 - 41:51Oscar, it's time the boys changed,
or we'll miss the train. -
41:51 - 41:53Come on, boys.
-
41:53 - 41:55Papa, can't we stay?
-
41:55 - 41:59Papa's got to work.
He's got to finish his play. -
41:59 - 42:01Yes, poor dear Papa.
-
42:01 - 42:03Poor Papa.
-
42:03 - 42:10Poor, poor, poor, poor, poor Papa.
-
42:10 - 42:12Where is Oscar?
We haven't seen him at all. -
42:12 - 42:15Where do you think he is? He's working.
He is a writer, after all. -
42:15 - 42:18I hear your father's threatening
to shoot Lord Roseberry. -
42:18 - 42:22Really? He usually
prefers the horsewhip. -
42:22 - 42:24Says he's been buggering
your brother. -
42:24 - 42:27Well, Roseberry is Secretary of State
for Foreign Affairs... -
42:27 - 42:30and Francis is
his private secretary. -
42:30 - 42:32Actually, Francis is
about to get engaged. -
42:32 - 42:37What's your father
talking about, then? -
42:37 - 42:39He's obsessed with sex.
-
42:39 - 42:41He thinks Oscar's buggering me...
-
42:41 - 42:55as though I'd allow
anyone to do that. -
42:55 - 43:01I'm sick of the country.
-
43:01 - 43:09Let's get back to London.
-
43:09 - 43:12What's the point of us living together
if you're always working? -
43:12 - 43:17- I have responsibilities... a family.
- God, not that again! -
43:17 - 43:26I ask my friends over from Oxford,
and you just disappear. -
43:26 - 43:28I'd be better off
staying at my mother's. -
43:28 - 43:32- At least she's there.
- You asked me to take this house... -
43:32 - 43:33Now I'm bored with it.
-
43:33 - 43:37- And with you.
- I can't give it up. -
43:37 - 43:42It's paid for in advance.
Until I finish my new... -
43:42 - 43:44Bosie, dear...
-
43:44 - 43:46you have beauty,
you have breeding... -
43:46 - 43:49and, most glorious of all,
you have youth. -
43:49 - 43:51But you are very fantastical
if you think that pleasures... -
43:51 - 43:54don't have to be earned
and paid for. -
43:54 - 43:58Whenever I want to do anything,
you say you can't afford it... -
43:58 - 44:00but you give all those renters
cigarette cases. -
44:00 - 44:03But I've lavished presents on you!
-
44:03 - 44:06Every penny I've earned from my play
I have spent on you! -
44:06 - 44:08I'm sure you've been counting.
-
44:08 - 44:12You're so mean
and penny-pinching... -
44:12 - 44:14and middle-class, all you can
think about is your bank balance. -
44:14 - 44:17For God's sake!
This is intolerable! -
44:17 - 44:23No gentleman ever has the slightest idea
what his bank balance is! -
44:23 - 44:24You're absurd!
-
44:24 - 44:27Telling everyone
how they ought to live. -
44:27 - 44:30You're so vulgar!
-
44:30 - 44:32I never want
to see you again, ever. -
44:32 - 44:36All right, then.
If that's what you want, then you go! -
44:36 - 44:41Get out!
-
44:41 - 44:44"But in the farthest corner
of the garden... -
44:44 - 44:48it was still winter, and in it
was standing a little boy. -
44:48 - 44:53He was so small, he could not reach up
to the branches of the tree. -
44:53 - 44:56'Climb up, little boy, '
said the tree. -
44:56 - 44:59But the little boy was too tiny. "
-
44:59 - 45:02Egypt is lovely this time of year.
-
45:02 - 45:06- But you mustn't idle your time away.
- Mother. -
45:06 - 45:10And I want you
to promise me something: -
45:10 - 45:14Not to write to Oscar Wilde.
-
45:14 - 45:18I can't do that.
I love Oscar. -
45:18 - 45:20I love him as a disciple
loves his teacher. -
45:20 - 45:24But he's not fit to teach anything.
He's evil. -
45:24 - 45:28Do you really think your own son
could love someone evil? -
45:28 - 45:32I just wish I could love Oscar
as loyally, devotedly... -
45:32 - 45:37unselfishly and purely
as he loves me. -
45:37 - 45:42But I'm not as good as he is.
-
45:42 - 45:46I probably never will be.
-
45:46 - 46:03Good-bye, then.
-
46:03 - 46:05"I adore simple pleasures.
-
46:05 - 46:08They are the last refuge
of the complex. -
46:08 - 46:11But, if you wish,
let us stay here. -
46:11 - 46:13Yes, let us stay here.
-
46:13 - 46:17The Book of Life begins
with a man and a woman in a garden." -
46:17 - 46:19"It ends with 'Revelations."'
-
46:19 - 46:21Yes. Mr. Tree, may I?
-
46:21 - 46:24I'm delighted, of course,
that you find my lines funny... -
46:24 - 46:27but please don't try and make
the audience laugh with them. -
46:27 - 46:30They should sound completely
spontaneous and natural... -
46:30 - 46:32as though people spoke
like that all the time. -
46:32 - 46:34Yes, of course.
-
46:34 - 46:37Let's try again.
-
46:37 - 46:40You should break with Bosie
more often, Oscar. -
46:40 - 46:44Then we'd have more of
your spontaneous and natural plays. -
46:44 - 46:47Bosie was envious.
That's why he stopped Oscar working. -
46:47 - 46:50- That's not true.
- Of course it is. -
46:50 - 46:53His poems aren't nearly
as good as you pretend... -
46:53 - 46:55and he knows it.
-
46:55 - 47:00- He's just a shallow little...
- Rivulet. -
47:00 - 47:04Bosie's a child, a vulnerable child.
He needs love. -
47:04 - 47:07We all need love.
-
47:07 - 47:09But which of us can give it?
-
47:09 - 47:12Wish you a merry Christmas
-
47:12 - 47:17We wish you a merry Christmas
-
47:17 - 47:19And a happy New Year
-
47:19 - 47:22Good tidings we bring
-
47:22 - 47:25To you and your kin
-
47:25 - 47:27We wish you a merry Christmas
-
47:27 - 47:31And a happy New Year
-
47:31 - 47:33- Cracker time!
- It is cracker time. -
47:33 - 47:36I won this time. Look. There.
One for you, one for me. -
47:36 - 47:40"And the giant's heart melted
as he looked out. -
47:40 - 47:43'How selfish I have been, '
he said. -
47:43 - 47:46'Now I know why the spring
would not come here. -
47:46 - 47:49I will put that little boy
on top of the tree... -
47:49 - 47:51and I will knock down the wall,
and my garden shall be... -
47:51 - 47:54the children's playground
forever and ever. ' -
47:54 - 47:58He was really very sorry
for what he had done. " -
47:58 - 48:02This is really nice, even though...
-
48:02 - 48:05"So he crept downstairs and opened
the front door quite softly... -
48:05 - 48:11and went out into the garden.
-
48:11 - 48:14That he did not see
the giant coming. -
48:14 - 48:18And the giant stole up behind him
and took him gently by the hand... -
48:18 - 48:21and put him up into the tree.
-
48:21 - 48:23And the tree broke
at once into blossom... -
48:23 - 48:25and the birds came and sang on it,
and the little boy... -
48:25 - 48:28stretched out his two arms...
-
48:28 - 48:30and flung them
round the giant's neck... -
48:30 - 49:05and kissed him. "
-
49:05 - 49:08I don't care what people think.
I love you. -
49:08 - 49:11It's all that matters to me.
It was agony being away from you. -
49:11 - 49:14Well, here I am.
-
49:14 - 49:16Oh, Bosie, you're
my catastrophe, my doom. -
49:16 - 49:19Everyone says so, even me.
-
49:19 - 49:23I missed you.
-
49:23 - 49:33I thought you might like something
to celebrate your return. -
49:33 - 49:36When I saw them in the window,
they begged me on their knees... -
49:36 - 49:40to make them yours.
-
49:40 - 49:58I'll put them on now.
They're superb. -
49:58 - 50:01- I'll sit there. I want a proper table.
- Is there something wrong, my lord? -
50:01 - 50:04This young fool wants me
to sit by the service door. -
50:04 - 50:06Oh, God, my father.
-
50:06 - 50:11I'm extremely sorry. He's new,
and he didn't know who you were. -
50:11 - 50:19Bosie, you're not going to flee.
-
50:19 - 50:26Give me the menu.
-
50:26 - 50:28I'll have the pea soup
and then the salmon. -
50:28 - 50:32Will you have it with us, Papa?
-
50:32 - 50:40I'm lunching with Oscar Wilde.
Will you join us? -
50:40 - 50:43I told you never to see
that vile cur again. -
50:43 - 50:49He's not vile or a cur.
He's utterly delightful. Come and see. -
50:49 - 50:53How do you know what he's like
when you've never met him? -
50:53 - 51:05You're not a man to be influenced
by other people's opinions. -
51:05 - 51:09Oscar, you've never met
my father, have you? -
51:09 - 51:14Lord Queensberry.
-
51:14 - 51:19Bosie has told me so much about
your exploits on the racetrack. -
51:19 - 51:24I've never heard such bad luck
as yours with the Grand National. -
51:24 - 51:26Bosie tells me
that you would have won... -
51:26 - 51:30but that your cousin
wouldn't let you ride the horse? -
51:30 - 51:33Bloody fool said I was too old.
-
51:33 - 51:38Why, you're never too old.
I'd ridden Old Joe on the gallops. -
51:38 - 51:40Came in at 40 to 1.
-
51:40 - 51:42No horse could ever have carried me
over the jumps, I fear. -
51:42 - 51:45What are you having?
-
51:45 - 51:47- Pea soup and salmon.
- Then I shall join you. -
51:47 - 51:50Spring is the time
to lunch on salmon... -
51:50 - 51:54though I always think it tastes so much
nicer if you've caught it yourself. -
51:54 - 51:55You fish?
-
51:55 - 51:57I used to when I lived in Ireland.
-
51:57 - 52:00My father had the most charming
hunting lodge... -
52:00 - 52:02on an island in a lake.
-
52:02 - 52:09- Do you know the west of Ireland?
- Not really. -
52:09 - 52:25Whereabouts, exactly?
-
52:25 - 52:28The Christians go around pretending
they know who God is and how He works. -
52:28 - 52:31I've got no time for that tomfoolery.
-
52:31 - 52:34If you don't know something,
you should stand up and say so... -
52:34 - 52:38not go around pretending
you believe in some mumbo jumbo. -
52:38 - 52:41I can believe in anything,
provided it's incredible. -
52:41 - 52:44That's why I intend to die a Catholic,
though I couldn't possibly live as one. -
52:44 - 52:49Catholicism is such a romantic religion.
It has saints and sinners. -
52:49 - 52:52The Church of England
only has respectable people... -
52:52 - 52:54who believe in respectability.
-
52:54 - 52:58You get to be a bishop not by what
you believe but by what you don't. -
52:58 - 53:01That's true enough.
-
53:01 - 53:03It's the only church where
the skeptic stands at the altar... -
53:03 - 53:06and St. Thomas the Doubter
is prince of the apostles. -
53:06 - 53:11No, I couldn't possibly die
in the Church of England. -
53:11 - 53:14Where do you stand on cremation?
-
53:14 - 53:18I'm not sure I have a position.
-
53:18 - 53:21I'm for it.
-
53:21 - 53:23I wrote a poem:
-
53:23 - 53:26"When I am dead, cremate me."
-
53:26 - 53:28That's how it begins.
-
53:28 - 53:32"When I am dead, cremate me."
-
53:32 - 53:36What do you think of that
for an opening line? -
53:36 - 53:37It's challenging.
-
53:37 - 53:39I'm a challenging sort of man.
-
53:39 - 53:42That's why people don't like me.
-
53:42 - 53:44I don't go along with
the ordinary ways of thinking. -
53:44 - 53:47Then we are exactly alike.
-
53:47 - 53:50Another glass of brandy?
-
53:50 - 53:53I find that alcohol,
taken in sufficient quantities... -
53:53 - 53:57can produce all the effects
of drunkenness. -
53:57 - 54:00You were there for ages.
-
54:00 - 54:04You stayed talking till after 4:00.
I knew you'd like him. -
54:04 - 54:07Well, he's got charm,
I admit that. -
54:07 - 54:08But that's bad.
-
54:08 - 54:10Men shouldn't be charming.
-
54:10 - 54:13It's disgusting.
I don't think much of his action. -
54:13 - 54:16Let's have a look at the bay.
-
54:16 - 54:18Mind you, Wilde's no fool.
-
54:18 - 54:21Talks wonderfully,
really wonderfully. -
54:21 - 54:24But that means nothing
when what he says is such rot. -
54:24 - 54:27Worse than rot... evil.
-
54:27 - 54:30Which is why I insist
you stop seeing him forthwith. -
54:30 - 54:31"Insist"?
What's that supposed to mean? -
54:31 - 54:36It means I will cut off your allowance
if you don't do as I say. -
54:36 - 54:40- Trot him up and down a bit!
- Look, Father. -
54:40 - 54:43You wasted time at Oxford pretending
you were going into the Foreign Office. -
54:43 - 54:45Thank God you didn't
when thatJew queer Roseberry... -
54:45 - 54:48can become Foreign Secretary and bugger
all the juniors, including your brother. -
54:48 - 54:50That's all lies.
-
54:50 - 54:52You spent your whole time
writing obscene poetry. -
54:52 - 54:54My poems aren't obscene.
-
54:54 - 54:57They're in the manner of Wilde.
That's filthy enough for me. -
54:57 - 54:59Have you ever actually read
any of Oscar's poems? -
54:59 - 55:03I wouldn't sully my mind
with perverted trash like that. -
55:03 - 55:05Tell him to pick his feet up!
-
55:05 - 55:08He's not straight!
-
55:08 - 55:10Are you calling Oscar a pervert?
-
55:10 - 55:12Because that's libelous.
-
55:12 - 55:15I'm not saying he is one.
I'm saying he's posing as one... -
55:15 - 55:17which is worse.
-
55:17 - 55:19His wife's divorcing him.
-
55:19 - 55:23Did you know that?
For sodomy! -
55:23 - 55:26- That's completely untrue!
- I hope it is. -
55:26 - 55:33Because if it were true,
I'd shoot him on sight. -
55:33 - 55:38You will cease to see Wilde,
or I'll cut you off without a penny. -
55:38 - 55:41As though I wanted your money...
-
55:41 - 55:44what little you have left
from your tarts. -
55:44 - 55:47How dare you speak
to your father like that. -
55:47 - 55:51What a funny little man you are.
-
55:51 - 55:54Come back here,
you filthy-minded sissy! -
55:54 - 55:56You're absurd!
-
55:56 - 55:59And you're nothing but a bum-boy!
-
55:59 - 56:04You're pathetic!
-
56:04 - 56:07I'm a bloody good shot.
Better than he is. -
56:07 - 56:09I'll shoot him through the heart
if he threatens me. -
56:09 - 56:11Hadn't you better use
a silver bullet then? -
56:11 - 56:13Here's one for the Black Douglas.
-
56:13 - 56:15Bosie, for God's sake!
-
56:15 - 56:17And one for his liver!
One for his lights! -
56:17 - 56:23One for his stinking rotten soul!
-
56:23 - 56:26I'll save one for myself.
-
56:26 - 56:45My own father...
he wants to kill me. -
56:45 - 56:49My life is everything
I ever wanted. -
56:49 - 56:52I have fame.
-
56:52 - 56:55I have recognition.
-
56:55 - 56:58With two plays
about to open in London... -
56:58 - 57:01I may even have money.
-
57:01 - 57:05The world is at my command...
-
57:05 - 57:10yet I can't command myself.
-
57:10 - 57:26I can't command
my feelings for you. -
57:26 - 57:29- Thank you.
- Constance, my dear. -
57:29 - 57:40How nice.
-
57:40 - 57:43I brought you your letters.
-
57:43 - 57:47You haven't been home
for so long. -
57:47 - 57:53Thank you.
-
57:53 - 57:56It's so much more convenient
for Oscar living in the West End... -
57:56 - 57:58when he has a play coming on.
-
57:58 - 58:01I'm like a northern businessman
keeping an eye on his factory. -
58:01 - 58:04The boys ask for you
all the time. -
58:04 - 58:07They're longing to see you.
-
58:07 - 58:10Oscar has to make sure
the play's a success, Constance. -
58:10 - 58:12I'll come round this afternoon...
-
58:12 - 58:16for tea.
-
58:16 - 58:23It's the dress rehearsal
this afternoon. -
58:23 - 58:25Tomorrow then.
I'll come tomorrow. -
58:25 - 58:34Well, tomorrow then.
-
58:34 - 58:37Good-bye, my dear.
-
58:37 - 58:46Good-bye.
-
58:46 - 58:57Good-bye, Constance.
-
58:57 - 59:00- Something like that.
- I'm not trying to get anything. -
59:00 - 59:04I hope so. It would be rather fun.
Perhaps a codfish. -
59:04 - 59:07Codfish. I've a strong feeling
that codfish live rather deeper. -
59:07 - 59:14- Do you think we'll have skate...
- Possibly. -
59:14 - 59:18I don't think there'll be anything
for our table tonight, my love. No luck. -
59:18 - 59:21I think I'd better stay.
You're getting a cold. -
59:21 - 59:25No, no. I'm all right.
Let's get the boys some ices. -
59:25 - 59:29- Boys, you stay and look after nanny.
- Oh, all right. -
59:29 - 59:31We'll look after nanny.
-
59:31 - 59:35I could take the boys to the dentist
on Thursday on their way back to school. -
59:35 - 59:37But the whole point of them
having dentistry now... -
59:37 - 59:45is so they can stuff themselves with
sweets for a week before we lose them. -
59:45 - 60:09- Are you quite sure?
- Bosie'll look after me. -
60:09 - 60:11Get your coat on, quick!
-
60:11 - 60:15I've got a present for you!
-
60:15 - 60:17Oh, God.
-
60:17 - 60:20- You're not still seedy, are you?
- Bosie, where have you been? -
60:20 - 60:23I've had no one to talk to,
no one to look after me. -
60:23 - 60:27Don't be so pathetic.
I've found you the divinest boy. -
60:27 - 60:30- Bosie, you promised Constance...
- Bugger Constance. -
60:30 - 60:32I'm not your nanny.
Come on. We're going out. -
60:32 - 60:36Bosie, please.
-
60:36 - 60:40You look such an idiot
lying there. Revolting. -
60:40 - 60:42- Have you forgotten how to wash?
- As a matter of fact... -
60:42 - 60:46I'm dying for a glass of water.
-
60:46 - 60:50- You know where the jug is.
- Bosie, darling. -
60:50 - 60:53It stinks in here. You'll be wanting me
to empty your chamber pot next. -
60:53 - 60:58Well, I emptied your chamber pot.
I looked after you. -
60:58 - 61:00Well, I'm not looking after you.
Not now. -
61:00 - 61:03You don't interest me.
Not when you're ill. -
61:03 - 61:05You're just a boring middle-aged man
with a blocked-up nose. -
61:05 - 61:10- Bosie, dearest boy.
- Shut up! -
61:10 - 61:14"Dearest boy, darling Bosie."
It doesn't mean anything. -
61:14 - 61:17You don't love me. The only person
you've ever loved is yourself. -
61:17 - 61:19You like me.
You lust after me. -
61:19 - 61:24You go about with me because
I've got a title. That's all. -
61:24 - 61:26You like to write about
dukes and duchesses... -
61:26 - 61:28but you know nothing about them.
-
61:28 - 61:30You're the biggest snob
I've ever met... -
61:30 - 61:33and you think you're so daring
because you fuck the occasional boy. -
61:33 - 61:36Please, you're killing me.
-
61:36 - 61:37You'll just about do
when you're at your best. -
61:37 - 61:42You're amusing... very amusing... but when
you're not at your best, you're no one. -
61:42 - 61:46All I asked for
was a glass of water. -
61:46 - 61:52For Christ's sake!
There you are then! -
61:52 - 62:01Now will you shut up
about the fucking water? -
62:01 - 62:03There are two boys
waiting out there. -
62:03 - 62:05If you're not coming,
I'll fuck them both myself. -
62:05 - 62:10I'll take them to the Grand and
fuck them in front of the whole hotel... -
62:10 - 62:28and I'll send you the bill.
-
62:28 - 62:29Drink this.
-
62:29 - 62:37- It will help your fever.
- He's ashamed of loving men. -
62:37 - 62:40His father bullies him,
his mother spoils him... -
62:40 - 62:42and then berates him
for being spoiled. -
62:42 - 62:49Neither of them gives him any real love.
They're torturing him. -
62:49 - 62:52And what's truly dreadful
is that when... -
62:52 - 62:56he can't bear it
and has one of his... -
62:56 - 62:58he becomes
exactly like his father. -
62:58 - 63:04- And he hates himself for that.
- You're too kind about him. -
63:04 - 63:10You can't be too kind about
someone who's been so hurt. -
63:10 - 63:16Yet if I go on trying to come
between Bosie and his father... -
63:16 - 63:18that'll destroy me.
-
63:18 - 63:23Bosie's quite capable
of destroying you on his own. -
63:23 - 63:25Look how much you wrote
while he was away. -
63:25 - 63:29Two wonderful plays
which will run for years. -
63:29 - 63:40Back comes Bosie,
and what have you written since? -
63:40 - 63:44You know how much I...
-
63:44 - 63:48Iove and admire you...
-
63:48 - 63:51but you're throwing
your genius away. -
63:51 - 63:54- For what?
- It's highly ironic. -
63:54 - 63:58Queensberry thinks Bosie and I
are locked in nightly embrace... -
63:58 - 64:04and in reality, we've been
the purest model of Greek love since... -
64:04 - 64:09Bosie doesn't like doing it with me,
but I've loved him. -
64:09 - 64:14- I've educated him.
- But he's never grown up. -
64:14 - 64:17And he never will.
-
64:17 - 64:20I'm not taking him back, Robbie.
-
64:20 - 64:24Not again.
-
64:24 - 64:26I can't.
-
64:26 - 64:31I've been very foolish,
very fond... -
64:31 - 64:33but now I must grow up myself.
-
64:33 - 64:36Oh, please, don't do that.
-
64:36 - 64:42You're an artist.
Artists are always children at heart. -
64:42 - 64:49Oh, Robbie,
I sometimes I wonder if... -
64:49 - 64:56Back page, sir.
-
64:56 - 65:00My God. Francis Douglas.
-
65:00 - 65:02- What?
- Bosie's brother. -
65:02 - 65:07He's been found shot.
He's dead. -
65:07 - 65:12But he's just got engaged.
-
65:12 - 65:27Poor, poor Bosie.
He'll be utterly distraught. -
65:27 - 65:30He killed himself.
-
65:30 - 65:34It was my father.
He drove him to it. -
65:34 - 65:39I'm sure your father's
just as upset as everyone else. -
65:39 - 65:44No, he's not.
-
65:44 - 65:47He says it's a judgment
on Roseberry and my mother... -
65:47 - 65:59and me and you.
-
65:59 - 66:03We've got to stop him, Oscar...
-
66:03 - 66:09before he drives
my whole family to suicide. -
66:09 - 66:13I promise you, I won't let him
hurt you ever again. -
66:13 - 66:22I promise.
-
66:22 - 66:28It's not enough.
I want him stopped. -
66:28 - 66:33I want the whole world
to know what he's done... -
66:33 - 66:40what an evil man he is.
-
66:40 - 66:42Table, my lord?
-
66:42 - 66:44Is Lord Alfred here?
And that shit and sod Wilde? -
66:44 - 66:48No, my lord. Not tonight.
-
66:48 - 67:04Bugger must be at Kettner's.
-
67:04 - 67:09Is my son staying here?
-
67:09 - 67:11Is Lord Alfred Douglas
staying here? -
67:11 - 67:15No, sir, he's not.
-
67:15 - 67:22- What about Wilde?
- No, sir. -
67:22 - 67:26If I find
they have been staying here... -
67:26 - 68:01I'll give you the biggest
whipping of your life. -
68:01 - 68:14Well, I expect you two would
like a drink after your exertions. -
68:14 - 68:16I must ask you to leave,
Mr. Wilde. -
68:16 - 68:19My dear man,
what are you talking about? -
68:19 - 68:22At once, please.
-
68:22 - 68:38What's the matter? My father
cracking the whip downstairs, is he? -
68:38 - 68:41- My lord.
- Bosie. -
68:41 - 68:44You're not frightened of what
this little man thinks, are you? -
68:44 - 68:53I think the pleasures of the evening
should be resumed elsewhere. -
68:53 - 68:55You're such a coward.
-
68:55 - 68:57You say you despise convention...
-
68:57 - 69:01but you're the most
conventional man I know. -
69:01 - 69:12Come on then.
If we're going, let's go. -
69:12 - 69:14Until tomorrow, Tommy.
-
69:14 - 69:16Good-bye, sir.
-
69:16 - 69:24I goes in, and there's
all this tropical fruit laid out. -
69:24 - 69:27Wait a minute, Oscar!
-
69:27 - 69:31Alfred, how nice to see you.
And Charlie, looking so well. -
69:31 - 69:34I'm afraid I'm busy this evening,
but we must have dinner again soon. -
69:34 - 69:39It's not a question of dinner.
I got a letter of yours to Lord Alfred. -
69:39 - 69:42It's a nice letter, Oscar.
Beautiful. -
69:42 - 69:46"Lips like roses. The madness
of kisses in ancient Greece." -
69:46 - 69:48Then I expect
it's one of my prose poems. -
69:48 - 69:50There's a gentleman's
offered me 60 pounds for it. -
69:50 - 69:53Then you must accept, Alfred.
I've never received so large a sum... -
69:53 - 69:55for a prose work of that length
in all my life. -
69:55 - 69:59Tell him I'm delighted that someone
in England values my work so highly. -
69:59 - 70:01- Well, he's gone away.
- He's gone to the country. -
70:01 - 70:06Well, I'm sure
he'll be back soon. -
70:06 - 70:10Oscar, look. You couldn't
let us have something, could you? -
70:10 - 70:14Bit short at the moment.
You know. -
70:14 - 70:17Of course. Of course.
-
70:17 - 70:19Here's half a sovereign. Now you mind
you take good care of that letter. -
70:19 - 70:24Lord Alfred is going to publish it
in sonnet form in his new magazine. -
70:24 - 70:29For fuck's sake.
-
70:29 - 70:32It's no good
trying to rent you. -
70:32 - 70:35You just laugh at us.
-
70:35 - 70:38- Here.
- Thank you. -
70:38 - 70:42He can be very careless,
Lord Alfred. -
70:42 - 70:45What a wonderfully
wicked life you lead. -
70:45 - 70:52You boys. You boys.
-
70:52 - 70:55- Where is he?
- Mr. Wilde is not receiving visitors. -
70:55 - 70:57- Where is he?
- He's busy, sir. I cannot... -
70:57 - 71:02I wish you would get out of my way.
Get out of my way! -
71:02 - 71:05Excuse me, sir,
there's a gentleman... -
71:05 - 71:07You!
-
71:07 - 71:10Listen to me.
-
71:10 - 71:14You're a bugger!
-
71:14 - 71:17I don't allow people to talk to me like
that in my house, Lord Queensberry... -
71:17 - 71:20or anywhere else.
-
71:20 - 71:24I suppose you've come to apologize for
the lies you've been spreading about me? -
71:24 - 71:28I've come to tell you
to leave my son alone, you sodomite. -
71:28 - 71:32The marquis appears to be very obsessed
with other people's sexual activities. -
71:32 - 71:34Has it anything to do
with his new wife... -
71:34 - 71:37I wonder, and the fact that she's
seeking divorce for non-consummation? -
71:37 - 71:41Unless you swear that you'll have
nothing more to do with Bosie... -
71:41 - 71:42I shall go to Scotland Yard.
-
71:42 - 71:44You can go to the devil.
-
71:44 - 71:47You and your...
Who is this gargoyle? -
71:47 - 71:51You're a queer!
And a sham! A poseur! -
71:51 - 71:56If I catch you and Bosie together again,
I'll give you such a thrashing. -
71:56 - 71:59I believe Lord Queensberry
once invented some rules for boxing. -
71:59 - 72:01I've no idea what they are...
-
72:01 - 72:03but the Oscar Wilde rule
is to shoot on sight. -
72:03 - 72:06- Now, kindly leave my house.
- You can shut up! -
72:06 - 72:14I shall leave
when I'm damn well ready. -
72:14 - 72:16It's a scandal
what you've been doing. -
72:16 - 72:20All the scandal is your own.
-
72:20 - 72:22Your treatment of your wives...
-
72:22 - 72:24your neglect of your children...
-
72:24 - 72:28and, above all,
the depraved insistence... -
72:28 - 72:33that they be as tyrannical
and unloving as you are yourself. -
72:33 - 72:36Arthur, this is
the Marquis of Queensberry... -
72:36 - 72:41the most infamous brute
and the least tender father in London. -
72:41 - 72:46Never let him
into my house again. -
72:46 - 72:49Very well then.
-
72:49 - 73:37Let's get out of this stew.
-
73:37 - 73:39- Out of the way, then!
- I'm sorry, sir! -
73:39 - 73:50I'm very sorry,
but it's just not possible! -
73:50 - 73:53What are you doing?
Rotten vegetables? -
73:53 - 73:55Give that to Oscar Wilde.
-
73:55 - 73:58Thank you, sir.
We'll take care of it. -
73:58 - 74:03I wanted to give it to him
personally as a bouquet. -
74:03 - 74:07I daresay you did, sir,
but you're not going to. -
74:07 - 74:11He's a cur and a sod!
-
74:11 - 74:13And a bugger!
-
74:13 - 74:18You remember that!
-
74:18 - 74:21I always told you, Gwendolen,
my name is Ernest, didn't I? -
74:21 - 74:23Well, it is Ernest after all.
-
74:23 - 74:26I mean, it naturally is Ernest.
-
74:26 - 74:29Yes, I remember now
that the general was called Ernest. -
74:29 - 74:35I knew I had some particular reason
for disliking the name. -
74:35 - 74:39Ernest! My own Ernest!
-
74:39 - 74:43I knew from the first
you could have had no other name. -
74:43 - 74:46Gwendolen, it's a terrible thing
for a man to find out suddenly... -
74:46 - 74:50that all his life he's been
speaking nothing but the truth. -
74:50 - 74:52Can you forgive me?
-
74:52 - 74:56I can, for I feel
you are sure to change. -
74:56 - 74:58- My own one!
- Laetitia. -
74:58 - 75:00Frederick! At last!
-
75:00 - 75:06- Cecily! At last!
- Gwendolen! At last! -
75:06 - 75:11My nephew, you seem to be
displaying signs of triviality. -
75:11 - 75:13On the contrary, Aunt Augusta...
-
75:13 - 75:17I've now realized
for the first time in my life... -
75:17 - 75:48the vital importance
of being earnest. -
75:48 - 75:51Allen, you were wonderful!
Thank you all so much. -
75:51 - 75:53They're calling for you.
You must come on. Curtain, curtain. -
75:53 - 76:43- No, no, George, no, no.
- Come on! -
76:43 - 76:48- Mr. Wilde, sir.
- Yes? -
76:48 - 77:02- For you.
- Thank you. -
77:02 - 77:06"For Oscar Wilde...
-
77:06 - 77:07Ponce," is it?
-
77:07 - 77:09"Ponce and 'somdomite."'
-
77:09 - 77:14"Posing as a sodomite."
He's illiterate... illiterate, ignorant. -
77:14 - 77:17- It's hideous.
- We've got him now, Robbie. -
77:17 - 77:19He wrote it down.
The porter read it. -
77:19 - 77:21That makes it a public libel.
Now we can take him to court. -
77:21 - 77:27For God's sake.
-
77:27 - 77:30Oscar, you mustn't do that.
That would be... I mean... -
77:30 - 77:32We've just been waiting for a chance
to get him in the dock... -
77:32 - 77:35and show the world what a swine
and shit he's always been. -
77:35 - 77:39- To me, my mother, my brothers.
- But he'll plead justification. -
77:39 - 77:42He'll call all the renters
as witnesses for the defense. -
77:42 - 77:45Of course he won't.
He doesn't know what a renter is. -
77:45 - 77:50I hear he's had detectives following you
ever since you came back from Egypt. -
77:50 - 77:54He can't prove anything.
But we can. -
77:54 - 77:56We can prove he's the vilest man
that ever walked the earth. -
77:56 - 77:58Tear the card up, Oscar.
Pretend you never got it. -
77:58 - 78:01Are you mad?
That's our main piece of evidence. -
78:01 - 78:03I'm sure if Oscar went abroad
for a few months... -
78:03 - 78:06lived on royalties
while your father calms down... -
78:06 - 78:09- Whose side are you on?
- Bosie, if this goes to court... -
78:09 - 78:11Oscar will have to tell lies...
-
78:11 - 78:13perjure himself...
everything will come out. -
78:13 - 78:16Whatever the result,
it will be utter disaster. -
78:16 - 78:18You're an enemy then.
-
78:18 - 78:22No, no, Bosie, please.
Robbie... -
78:22 - 78:26you're a dear boy, but I can't
even think of leaving the country. -
78:26 - 78:31As a matter of fact, I can't even
leave this hotel. I can't pay the bill. -
78:31 - 78:34We can raise you money,
for heaven's sake. -
78:34 - 78:37Anyway, what about
your royalties? -
78:37 - 78:39We shall need all the money
we can get for the libel case. -
78:39 - 78:45My father can't go on making
all our lives a torment like this. -
78:45 - 78:48Oscar, I beg you.
-
78:48 - 78:49I'm not going to run away, Robbie.
-
78:49 - 78:53I'm not going to hide.
That would be the English thing to do. -
78:53 - 78:56If you take Queensberry to court,
all hell will break loose. -
78:56 - 79:00All my life I've fought
against the English vice: -
79:00 - 79:03Hypocrisy...
not that that's the point. -
79:03 - 79:08The point is, Queensberry's already
caused the death of one of his sons. -
79:08 - 79:14If I don't try and stop him now,
whom will he harm next? -
79:14 - 79:17He's avoiding me, Robbie.
-
79:17 - 79:21I know what everyone's saying,
but it's not true. -
79:21 - 79:24It's not true.
-
79:24 - 79:29- Is it?
- Of course not. -
79:29 - 79:33Oh, it's so shaming.
-
79:33 - 79:37No, I find it easier to stand.
-
79:37 - 79:41I'm going to Torquay for a month,
try to get my back right. -
79:41 - 79:45- Oscar's been so busy...
- I'm sure he'll be terribly upset... -
79:45 - 79:50when he knows you've been
in so much pain. -
79:50 - 79:54The truth is,
I need some money. -
79:54 - 79:58Not even sure where he is
to ask for it. -
79:58 - 80:01It does seem rather hard when he's
having such an extraordinary success. -
80:01 - 80:06I think I can find him.
-
80:06 - 80:09I keep hearing these stories
about Bosie and his father. -
80:09 - 80:15- I'm sure you don't want to...
- Oh, yes. I do. -
80:15 - 80:19Men think women should be
protected by not knowing. -
80:19 - 80:25Not knowing only makes it worse.
-
80:25 - 80:30Is there going to be trouble?
-
80:30 - 80:34I hope not.
-
80:34 - 80:36I believe a prosecution
would certainly succeed... -
80:36 - 80:38provided...
and I stress this... -
80:38 - 80:42provided there is no truth whatever in
the accusation made by Lord Queensberry. -
80:42 - 80:46Of course
there's no truth in it. -
80:46 - 81:01Then so long as I have Mr. Wilde's
assurance that that is indeed the case. -
81:01 - 81:05There is no truth
in the accusation whatever. -
81:05 - 81:10Good. Excellent.
-
81:10 - 81:14The defense, I understand,
will be led by Mr. Edward Carson. -
81:14 - 81:18Old Ned? I was at college
with him in Dublin. -
81:18 - 81:25No doubt he will perform his task with
all the bitterness of an old friend. -
81:25 - 81:27In writing a book or a play,
I'm concerned entirely with literature... -
81:27 - 81:32with art... I do not aim
at doing good or evil... -
81:32 - 81:34but at making a thing that will have
some quality of beauty. -
81:34 - 81:40Well, listen, sir. Here is
one of your pieces of literature. -
81:40 - 81:43"Wickedness is a myth
invented by good people... -
81:43 - 81:50to account for the curious
attractiveness of others." -
81:50 - 81:51Do you think that true?
-
81:51 - 81:53Oh, I rarely think
anything I write is true. -
81:53 - 82:02"If one tells the truth, one is sure,
sooner or later, to be found out." -
82:02 - 82:06That is a pleasing paradox, but
I do not set store by it as an axiom. -
82:06 - 82:09Is it good for the young?
-
82:09 - 82:12Anything is good that stimulates
thought, at whatever age. -
82:12 - 82:13Whether moral or immoral?
-
82:13 - 82:17There's no such thing
as morality or immorality in thought. -
82:17 - 82:20What about this then?
-
82:20 - 82:25"Pleasure is the only thing
one should live for." -
82:25 - 82:28I think that the realization of
one's self is the prime aim of life... -
82:28 - 82:33and that to realize through pleasure is
finer than to do so through pain. -
82:33 - 82:39I am, on this point, entirely on
the side of the ancients, the Greeks. -
82:39 - 82:43How long have you known
Alfred Taylor? -
82:43 - 82:46About two years,
two-and-a-half years. -
82:46 - 82:50- Is he an intimate friend of yours?
- I wouldn't call him that, no. -
82:50 - 82:52But you went often to his rooms?
-
82:52 - 82:55About seven or eight times,
perhaps. -
82:55 - 83:02Did you know Mr. Taylor kept
ladies' dresses in his rooms? -
83:02 - 83:07Did you know he was notorious
for introducing young men to older men? -
83:07 - 83:10I never heard it in my life.
-
83:10 - 83:13Has he introduced
young men to you? -
83:13 - 83:15Yes.
-
83:15 - 83:19- How many young men?
- About five. -
83:19 - 83:23- What were their occupations?
- I really don't know. -
83:23 - 83:26Oh, well, let me tell you,
Mr. Wilde. -
83:26 - 83:30You met a man called
Charles Parker there, I believe. -
83:30 - 83:32Yes.
-
83:32 - 83:35Charles Parker is...
-
83:35 - 83:38a gentleman's valet.
-
83:38 - 83:40You met his brother there
too, I believe. -
83:40 - 83:44- Yes.
- He is a groom. -
83:44 - 83:47I didn't care tuppence
what they were. -
83:47 - 83:51I liked them. I have a passion
to civilize the community. -
83:51 - 83:56I recognize no social distinctions
at all of any kind. -
83:56 - 83:58To me, youth...
the mere fact of youth... -
83:58 - 84:02is so wonderful that I would sooner
talk to a young man for half an hour... -
84:02 - 84:07than, well, than be
cross-examined in court. -
84:07 - 84:10So, do I understand that...
-
84:10 - 84:13even a boy you might pick up in the
street would be a pleasing companion? -
84:13 - 84:18I would talk to a street Arab
with pleasure if he would talk to me. -
84:18 - 84:20- And take him to your rooms?
- Yes. -
84:20 - 84:24And then commit
improprieties with him? -
84:24 - 84:29Certainly not.
-
84:29 - 84:33You withdraw your libel action
against Lord Queensberry. -
84:33 - 84:35Well and good.
-
84:35 - 84:38But there remains the question
of the evidence... -
84:38 - 84:42Lord Queensberry's evidence
against you. -
84:42 - 84:48My information is that the Crown
wishes to pursue the matter. -
84:48 - 84:53In which case, an arrest
and a charge of gross indecency... -
84:53 - 84:55are certain to follow.
-
84:55 - 84:59The maximum sentence
is two years hard labor. -
84:59 - 85:03Nine months hard labor
is reckoned to be more... -
85:03 - 85:05than a man of our background...
-
85:05 - 85:09can survive.
-
85:09 - 85:12The children, the boys...
-
85:12 - 85:15- I must go and see them.
- You have no time for that. -
85:15 - 85:19But my wife...
I have to say good-bye to my wife. -
85:19 - 85:22Unless you positively wish
to subject her... -
85:22 - 85:24to the further humiliation
of seeing you arrested... -
85:24 - 85:27and taken away
in front of the gutter press... -
85:27 - 85:36Mr. Wilde, you must go.
-
85:36 - 85:41Oscar, you must take that train.
-
85:41 - 85:44Practically everyone
you know will be on it. -
85:44 - 85:53At least 600 single gentlemen,
all in abject terror of arrest. -
85:53 - 85:57Where your life leads you,
you must go. -
85:57 - 86:00I defy society.
-
86:00 - 86:03Tell him to go.
-
86:03 - 86:08He must save himself.
-
86:08 - 86:10Tell him to go abroad.
-
86:10 - 86:13I've been telling him all day.
-
86:13 - 86:22He won't budge.
-
86:22 - 86:27People have never understood
the courage he needed to be himself. -
86:27 - 86:29You must go abroad too.
-
86:29 - 86:34We must all go abroad at once.
-
86:34 - 86:39Oscar says, will you
tell the boys good-bye. -
86:39 - 86:45I need to go through his papers.
-
86:45 - 86:49You know,
I was always too silent. -
86:49 - 86:56If I'd known...
-
86:56 - 86:59If I'd only spoken up.
-
86:59 - 87:02It wouldn't have made
any difference. -
87:02 - 87:05Perhaps not...
-
87:05 - 87:32but at least I wouldn't
blame myself now. -
87:32 - 87:35You're an Irish gentleman.
Of course, you must stay. -
87:35 - 87:37Your father fought
when he was libeled. -
87:37 - 87:41- I was in the courts myself. I fought...
- Yes, I know, Madre. -
87:41 - 87:45You will fight these
English philistines, and you'll win. -
87:45 - 87:49And even if you lose...
if you go to prison... -
87:49 - 87:52you'll always be my son.
-
87:52 - 87:56Of course, it's too late
to change that now. -
87:56 - 87:58If you go, Oscar...
-
87:58 - 88:00I'll never speak to you again.
-
88:00 - 88:06No one will ever speak
to me again, whatever I do. -
88:06 - 88:09Of course I'm your son, Madre...
-
88:09 - 88:12which is why,
even if I lose... -
88:12 - 88:18the English
will never forget me. -
88:18 - 88:48My darling.
-
88:48 - 88:52Get out of my way.
Get out! Out! -
88:52 - 89:02Take me away at once!
-
89:02 - 89:04Lady Wilde. Lady Wilde!
-
89:04 - 89:08Have you anything to say about
your son's disgrace, Lady Wilde? -
89:08 - 89:17Have you anything to say?
-
89:17 - 89:25Come in.
-
89:25 - 89:29Mr. Wilde, I believe.
-
89:29 - 89:30Yes, yes.
-
89:30 - 89:32We have a warrant here
for your arrest... -
89:32 - 89:43on a charge
of committing indecent acts. -
89:43 - 89:45I recommend Switzerland
as soon as possible. -
89:45 - 89:51You will have to change
your name, of course. -
89:51 - 89:52I can't.
-
89:52 - 89:54My dear Constance,
the name of Wilde will be... -
89:54 - 89:57a word of execration
for the next thousand years. -
89:57 - 90:01You can't possibly let your boys grow up
with people knowing who they are. -
90:01 - 90:03Think of their lives at school.
-
90:03 - 90:06Thank you for your advice.
-
90:06 - 90:09I'm sorry our friendship
has to end like this. -
90:09 - 90:13- Oh, you will always be my friend.
- I am still Oscar's wife. -
90:13 - 90:17That must cease forthwith.
Forthwith. Do you understand? -
90:17 - 90:20Anybody who has anything
to do with Oscar from now on... -
90:20 - 90:23will never be received
in society again... -
90:23 - 90:30ever.
-
90:30 - 90:42Oh, God, Ada.
What is going to happen to him? -
90:42 - 90:45That's Oscar Wilde's boy.
-
90:45 - 90:47Oscar, you must let me
in the witness box. -
90:47 - 90:50If the jury can only hear
what I have to say... -
90:50 - 90:52Bosie, darling boy.
-
90:52 - 90:55As soon as they see you
in all your golden youth... -
90:55 - 90:57and me in all my corruption...
-
90:57 - 91:01You didn't corrupt me.
I corrupted you, if anything. -
91:01 - 91:03That's not how it will seem.
-
91:03 - 91:06But I must have my say.
It's outrageous. -
91:06 - 91:09Everyone else has said everything,
anything that came into his head. -
91:09 - 91:12But I'm the person
all this is about. -
91:12 - 91:15It's me my father wants
to get at, not you. -
91:15 - 91:17It's outrageous
that I can't have my say. -
91:17 - 91:22It won't help, Bosie.
It may actually make things worse. -
91:22 - 91:28But my father will win.
I can't endure my father winning. -
91:28 - 91:30You must go away, dear boy.
-
91:30 - 91:37I couldn't bear for them
to arrest you. -
91:37 - 91:42I can't bear what they're
saying about you in court. -
91:42 - 91:46Jesus Christ.
-
91:46 - 91:49Good-bye, Bosie, dear boy.
-
91:49 - 91:52Don't let anyone, anything,
ever change your feeling for me... -
91:52 - 91:54change your love.
-
91:54 - 91:57- See you next time.
- Time's up, my lord. -
91:57 - 92:12Oscar, never. They never will.
I won't let them. -
92:12 - 92:14You've been a great deal
in the company of Lord Alfred Douglas? -
92:14 - 92:17Oh, yes.
-
92:17 - 92:21- Did he read his poems to you?
- Yes. -
92:21 - 92:24So, you can perhaps
understand that... -
92:24 - 92:26some of his verses...
-
92:26 - 92:33would not be acceptable to a reader
with an ordinary balance to mind? -
92:33 - 92:34I'm not prepared to say.
-
92:34 - 92:38It's a question of taste
and temperament... -
92:38 - 92:40and individuality.
-
92:40 - 92:43I should say that one man's poetry
is another man's poison. -
92:43 - 92:46Yes, I daresay.
-
92:46 - 92:49But in this poem
by Lord Alfred Douglas... -
92:49 - 92:50"Two Loves"...
-
92:50 - 92:53there is one love,
true love... -
92:53 - 92:57which... and I quote...
-
92:57 - 93:01"fills the hearts of boy and girl
with mutual flame." -
93:01 - 93:04And, there is another:
-
93:04 - 93:11"I am the love
that dare not speak its name." -
93:11 - 93:14Was that poem explained to you?
-
93:14 - 93:18- I think it's clear.
- There's no doubt as to what it means? -
93:18 - 93:20Most certainly not.
-
93:20 - 93:23So, is it not clear
that the love described... -
93:23 - 93:31relates to natural
and unnatural love? -
93:31 - 93:47Then what is the love
that dare not speak its name? -
93:47 - 93:51The love that dare not
speak its name... -
93:51 - 93:54in this century...
-
93:54 - 93:57is such a great affection...
-
93:57 - 94:00of an elder for a younger man...
-
94:00 - 94:03as there was between
David and Jonathan... -
94:03 - 94:08such as Plato made
the very basis of his philosophy... -
94:08 - 94:12and such as you may find in
the sonnets of Michelangelo... -
94:12 - 94:16and Shakespeare.
-
94:16 - 94:20It is, in this century,
misunderstood... -
94:20 - 94:24so much misunderstood
that it may be described as... -
94:24 - 94:27the love that dare not
speak its name. -
94:27 - 94:32And, on account of it,
I am placed where I am now. -
94:32 - 94:37It is beautiful.
It is fine. -
94:37 - 94:40It is the noblest form
of affection. -
94:40 - 94:45There's nothing unnatural
about it. -
94:45 - 94:47It is intellectual...
-
94:47 - 94:51and it repeatedly exists
between an elder and a younger man... -
94:51 - 94:55when the elder has intellect...
-
94:55 - 94:57and the younger man...
-
94:57 - 95:04has all the joy, hope
and glamour of life before him. -
95:04 - 95:09That it should be so,
the world does not understand. -
95:09 - 95:11The world mocks at it...
-
95:11 - 95:34and sometimes puts one
in the pillory for it. -
95:34 - 95:37The crime of which
you have been convicted... -
95:37 - 95:40is so bad...
-
95:40 - 95:43that I shall pass
the severest sentence... -
95:43 - 95:46that the law will allow.
-
95:46 - 95:52In my judgment, it is totally
inadequate for such a case as this. -
95:52 - 95:56It is the worst case
I have ever tried! -
95:56 - 95:58The sentence of the court...
-
95:58 - 96:01is that you will be imprisoned...
-
96:01 - 96:04and held to hard labor...
-
96:04 - 96:07- Stand aside, please.
- for two years. -
96:07 - 96:14- Shame.
- Pervert. -
96:14 - 96:23Pervert!
-
96:23 - 96:45Shame on you!
-
96:45 - 97:12Disgusting!
-
97:12 - 97:16A slim thing,
gold-haired like an angel... -
97:16 - 97:18stands always at my side.
-
97:18 - 97:22He moves in the gloom
like a white flower. -
97:22 - 97:43I thought but to defend him from
his father. I thought of nothing else. -
97:43 - 97:46Now my life seems
to have gone from me. -
97:46 - 97:48I'm caught in a terrible net.
-
97:48 - 97:51But so long as I think
he is thinking of me... -
97:51 - 97:56my sweet rose, my delicate flower,
my lily of lilies... -
97:56 - 98:00it is in prison that I shall
test the power of love. -
98:00 - 98:03I shall see if I can't make
the bitter waters sweet... -
98:03 - 98:19by the intensity of the love
I bear you. -
98:19 - 98:24He asked me not to change.
Those were his last words to me... -
98:24 - 98:26"Don't change."
-
98:26 - 98:31Well, things are going to have
to change when he comes out. -
98:31 - 98:33He'll have no money at all.
-
98:33 - 98:36- So you're blaming me, too, are you?
- I'm not blaming anyone. -
98:36 - 98:40Bosie, you're not the only person
on this earth Oscar cares about. -
98:40 - 98:44You've always hated me,
Robbie... -
98:44 - 98:57because Oscar loved and still loves me
when you were just one of his boys. -
98:57 - 99:02I'm suffering just as much
as he is, you know. -
99:02 - 99:03My life's ruined too.
-
99:03 - 99:08I'm much younger than he is. I've hardly
had any life, and it's ruined already. -
99:08 - 99:12When Oscar gets out,
we'll live together properly. -
99:12 - 99:16We'll take a villa
somewhere near here... Posilipo... -
99:16 - 99:21- or Ischia.
- Or Capri. -
99:21 - 99:23I'll take care of him.
-
99:23 - 99:27I'll give him
everything he wants. -
99:27 - 99:31I love him, Robbie.
-
99:31 - 99:51Oscar's mine,
and I'm going to have him. -
99:51 - 99:56"Years went over, and the giant
grew very old and very feeble. -
99:56 - 100:00He couldn't play about anymore,
so he sat in a huge armchair... -
100:00 - 100:07and watched the children at their games
and admired his garden. -
100:07 - 100:10'I have many beautiful flowers, '
he said. -
100:10 - 100:53'But the children are
the most beautiful flowers of all. "' -
100:53 - 100:57I'm afraid Cyril has got
some idea why you're here. -
100:57 - 101:02I'm sending him
to school in Germany. -
101:02 - 101:08I can't manage them on my own.
-
101:08 - 101:11Your back isn't better then?
-
101:11 - 101:14No, not really.
-
101:14 - 101:19I may have to have an operation.
-
101:19 - 101:23What I've done
to you and the boys... -
101:23 - 101:25I can't...
-
101:25 - 101:30I shall never forgive myself.
-
101:30 - 101:35If we could choose
our natures... -
101:35 - 101:38If we could only choose.
-
101:38 - 101:43But it's no use.
-
101:43 - 101:48Whatever our natures are,
we must fulfill them... -
101:48 - 101:50or our lives... my life...
-
101:50 - 101:56would have been filled
with dishonesty. -
101:56 - 102:04Even more dishonesty
than there actually was. -
102:04 - 102:09I've always loved you,
Constance. -
102:09 - 102:12You must believe me.
-
102:12 - 102:15I don't see
how you can have done... -
102:15 - 102:17not truly.
-
102:17 - 102:20Not if all the time...
-
102:20 - 102:25I didn't know.
-
102:25 - 102:29"Know thyself,"
I used to say. -
102:29 - 102:33I didn't know myself.
-
102:33 - 102:38I didn't know.
-
102:38 - 102:43I suppose you want a divorce.
-
102:43 - 102:48You have every reason.
-
102:48 - 102:51I've been thinking,
when you do come out... -
102:51 - 102:54when they let you out...
you can go to Switzerland or Italy... -
102:54 - 102:58write another play,
get yourself back. -
102:58 - 103:01You can.
-
103:01 - 103:15You're so clever.
You can. -
103:15 - 103:21I don't want a divorce.
-
103:21 - 103:26Will you ever let me
see the children again? -
103:26 - 103:35Of course.
-
103:35 - 103:40But there must be one condition:
-
103:40 - 103:45Oscar, you must never
see Bosie again. -
103:45 - 103:53If I saw Bosie now,
I'd kill him. -
103:53 - 104:04The children love you, Oscar.
-
104:04 - 104:15They'll always love you.
-
104:15 - 104:18Did anyone tell you?
-
104:18 - 104:30They've been performing
Salome in Paris. -
104:30 - 104:34"The giant hastened across the grass
and came near to the child. -
104:34 - 104:36And when he came quite close,
his face grew red with anger. -
104:36 - 104:41And he said,
'Who hath dared to wound thee? ' -
104:41 - 104:44For on the palms of the child's hands
were the prints of two nails. -
104:44 - 105:03And the prints of two nails
were on his little feet. -
105:03 - 105:08'Who hath dared to wound thee? '
Cried the giant. -
105:08 - 105:11'Tell me, that I may take
my big sword and slay him. ' -
105:11 - 105:14'Nay, 'answered the child.
-
105:14 - 105:25'For these are
the wounds of love. "' -
105:25 - 105:27Bosie thinks I'm jealous.
-
105:27 - 105:30I think it will come as a shock
to Bosie to realize... -
105:30 - 105:33that even he is relatively unimportant
in the scheme of things. -
105:33 - 105:37But, no doubt, Bosie will be
remembered as long as Oscar... -
105:37 - 105:44unfortunately.
-
105:44 - 105:48I sometimes wonder...
-
105:48 - 105:54if I hadn't...
-
105:54 - 105:56pushed him into...
-
105:56 - 105:59Don't.
-
105:59 - 106:03Oscar was very lucky
to meet you, Robbie. -
106:03 - 106:06Think who else
it might have been. -
106:06 - 106:08Oh, I'll have that one.
Thank you. -
106:08 - 106:15- Must you go abroad again at once?
- I shouldn't be here now. -
106:15 - 106:18But has he got anywhere to go
when he's released? -
106:18 - 106:20It'll have to be in France.
-
106:20 - 106:23I'm going to see
what I can arrange. -
106:23 - 106:24But here...
-
106:24 - 106:33when he leaves prison...
-
106:33 - 106:35- Good-bye, Mr. Harris.
- Good-bye, sir. -
106:35 - 106:44Good-bye, Mr. Snow.
Thank you. -
106:44 - 106:48My dear Sphinx.
-
106:48 - 106:51How marvelous of you to know what hat
to wear at 7:00 in the morning... -
106:51 - 106:54to meet a friend
who's been away. -
106:54 - 106:57- No, I'll keep this.
- What is it. -
106:57 - 107:00It's a letter to Bosie
telling him... -
107:00 - 107:01how I love him
but can never see him again. -
107:01 - 107:05I'm going to ask Robbie
to have it copied out before I send it. -
107:05 - 107:08I rather fear Bosie
might throw it on the fire. -
107:08 - 107:47I call it De Profundis.
It comes from the very depths. -
107:47 - 107:49"I know not whether laws
be right... -
107:49 - 107:52or whether laws be wrong.
-
107:52 - 107:54All that we know
who lie in jail... -
107:54 - 107:57is that the wall is strong...
-
107:57 - 108:00and that each day
is like a year... -
108:00 - 108:07a year whose days are long.
-
108:07 - 108:11Yet each man kills
the thing he loves. -
108:11 - 108:13By each, let this be heard.
-
108:13 - 108:15Some do it with a bitter look...
-
108:15 - 108:18some with a flattering word.
-
108:18 - 108:21The coward does it
with a kiss... -
108:21 - 108:26the brave man with a sword.
-
108:26 - 108:28Some kill their love
when they are young... -
108:28 - 108:31and some when they are old.
-
108:31 - 108:35Some strangle
with the hands of lust... -
108:35 - 108:38some with the hands of gold.
-
108:38 - 108:41The kindest use a knife...
-
108:41 - 108:52because the dead
so soon grow cold. " -
108:52 - 108:58I'm sure we can find
an hotel near here. -
108:58 - 109:08Somewhere where you can work.
-
109:08 - 109:13- I've decided to see him again, Robbie.
- Yes. -
109:13 - 109:17- I thought you might.
- I've nothing left. -
109:17 - 109:20I've lost my wife.
-
109:20 - 109:24I've lost my children.
-
109:24 - 109:27They won't allow me
to see them now. -
109:27 - 109:29No one will ever read
my plays or books again. -
109:29 - 109:31Yes, they will.
-
109:31 - 109:36Bosie loves me more
than he loves anyone else... -
109:36 - 109:38as much as he can love...
-
109:38 - 109:45and allow himself to be loved.
-
109:45 - 109:51I think we need
some more wine. -
109:51 - 109:54I find that alcohol...
-
109:54 - 110:00taken in
sufficient quantities... -
110:00 - 110:47Can bring about
all the effects of drunkenness. -
110:47 - 110:48"Life cheats us with shadows.
-
110:48 - 110:52We ask it for pleasure.
It gives it to us... -
110:52 - 110:56with bitterness
and disappointment in its train. -
110:56 - 110:59And we find ourselves looking
with dull heart of stone... -
110:59 - 111:01at the tress
of gold-flecked hair... -
111:01 - 111:04that we had once
so wildly worshipped... -
111:04 - 111:43and so madly kissed. "
-
111:43 - 111:46In this world, there are
only two tragedies. -
111:46 - 111:49One is not getting
what one wants. -
111:49 -The other is getting it.
- Title:
- Wilde (1997) full movie (subtitled)
- Description:
-
Directed by Brian Gilbert
Based on the book "Oscar Wilde" by Richard Ellmann (http://www.amazon.com/Oscar-Wilde-Richard-Ellmann/dp/0394759842)
Starring Stephen Fry, Jude Law, Vanessa Redgrave, Jennifer Ehle, Michael Sheen, Judy Parfitt, Gemma Jones, Zoë Wanamaker - Duration:
- 01:57:01
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Amara Bot edited English subtitles for Wilde (1997) full movie (subtitled) | |
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