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I explained in our first class that in the nineteen
sixties communication scientists
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started to pay more attention to message
construction and
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deconstruction under the influence of semiotics
and literature studies.
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We adopted from literary theory the idea that
everything that
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communicates something is a ‘text’ that can be
‘read’.
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The most influential model from semiotics was
perhaps this nineteenth century model by
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Ferdinand de Saussure in which he explained
that a sign was made up of two things.
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First of all, a signifier, which is the form of the
sign.
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Secondly, the concept it represents, the
signified.
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The word: ‘love’ is a set of black lines to a white
background,
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in this case on your computer screen. That’s the
signifier.
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The signified is the concept of love. If we take a
traffic light.
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The signifier is a red light hanging over the road.
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The signified is the idea that you have to stop.
But, the process of giving meaning to this sign,
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in other words 'the signification', is not the same
for everyone.
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Although it’s quite clear for most people that
they have to stop for a red light,
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for Judith it also means that she will arrive late
at her job interview.
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She will react very differently to the red light than
Meg, who was not in a hurry at all.
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Semiotics tells us that there are two levels of
signification: Denotation and connotation.
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Denotation is the first order of signification,
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the explicit meaning of a sign, in this case a red
light.
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Connotation is the second level of signification,
it is what the denotation represents,
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all associated meanings, in this case it means
stopping, but is also results in anger
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and frustration for Judith because she might be
late at her interview.
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We can easily imagine different people reacting
very differently to this sign,
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adding their own unique background to the
signification process.
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So embedded in this model is the idea of
polysemic messages.
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Messages with a different meaning for different
people.
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Some signs have a widely shared connotation.
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On a denotative level it’s a black little drawing
against a white background.
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On a conative level most people will recognize
this as the representation for the ladies room.
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Of course on a very personal level
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the connotation will still vary depending on how
bad someone needs to go.
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The Jacobson model from 1960 is a clear
example of
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how these ideas were adopted by
communication scientists.
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It combined the well-known transmission
perspective, sender, message, and receiver,
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with several of the elements we just discussed,
but with a different name.
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Each message, according to the Jacobson
model refers to something
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outside of the message: a context.
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A red traffic light refers to the concept of
stopping.
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A love letter refers to the concept of ‘love’.
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Another new element was the explicit mention of
the ‘code’ of a message,
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which is the form that a message takes, in
semiotics the ‘signifier’.
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So, in our two examples the codes are a red
light
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and a letter consisting of words written in a
specific language.
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This latter code requires a complicated skillset.
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One has to be able to read but also know the
specific language in which it was written.
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Then, when the explicit meaning was read, the
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individual audience member can add his or her
own associations to the signification process.
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Creating a unique outcome on a receiver level.