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Introduction to Communication Science week 4: 4.2 Message Construction

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    I explained in our first class that in the nineteen
    sixties communication scientists
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    started to pay more attention to message
    construction and
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    deconstruction under the influence of semiotics
    and literature studies.
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    We adopted from literary theory the idea that
    everything that
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    communicates something is a ‘text’ that can be
    ‘read’.
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    The most influential model from semiotics was
    perhaps this nineteenth century model by
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    Ferdinand de Saussure in which he explained
    that a sign was made up of two things.
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    First of all, a signifier, which is the form of the
    sign.
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    Secondly, the concept it represents, the
    signified.
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    The word: ‘love’ is a set of black lines to a white
    background,
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    in this case on your computer screen. That’s the
    signifier.
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    The signified is the concept of love. If we take a
    traffic light.
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    The signifier is a red light hanging over the road.
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    The signified is the idea that you have to stop.
    But, the process of giving meaning to this sign,
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    in other words 'the signification', is not the same
    for everyone.
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    Although it’s quite clear for most people that
    they have to stop for a red light,
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    for Judith it also means that she will arrive late
    at her job interview.
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    She will react very differently to the red light than
    Meg, who was not in a hurry at all.
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    Semiotics tells us that there are two levels of
    signification: Denotation and connotation.
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    Denotation is the first order of signification,
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    the explicit meaning of a sign, in this case a red
    light.
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    Connotation is the second level of signification,
    it is what the denotation represents,
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    all associated meanings, in this case it means
    stopping, but is also results in anger
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    and frustration for Judith because she might be
    late at her interview.
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    We can easily imagine different people reacting
    very differently to this sign,
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    adding their own unique background to the
    signification process.
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    So embedded in this model is the idea of
    polysemic messages.
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    Messages with a different meaning for different
    people.
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    Some signs have a widely shared connotation.
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    On a denotative level it’s a black little drawing
    against a white background.
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    On a conative level most people will recognize
    this as the representation for the ladies room.
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    Of course on a very personal level
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    the connotation will still vary depending on how
    bad someone needs to go.
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    The Jacobson model from 1960 is a clear
    example of
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    how these ideas were adopted by
    communication scientists.
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    It combined the well-known transmission
    perspective, sender, message, and receiver,
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    with several of the elements we just discussed,
    but with a different name.
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    Each message, according to the Jacobson
    model refers to something
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    outside of the message: a context.
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    A red traffic light refers to the concept of
    stopping.
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    A love letter refers to the concept of ‘love’.
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    Another new element was the explicit mention of
    the ‘code’ of a message,
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    which is the form that a message takes, in
    semiotics the ‘signifier’.
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    So, in our two examples the codes are a red
    light
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    and a letter consisting of words written in a
    specific language.
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    This latter code requires a complicated skillset.
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    One has to be able to read but also know the
    specific language in which it was written.
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    Then, when the explicit meaning was read, the
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    individual audience member can add his or her
    own associations to the signification process.
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    Creating a unique outcome on a receiver level.
Title:
Introduction to Communication Science week 4: 4.2 Message Construction
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