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Petty Romance 2010 (쩨쩨한 로맨스) Full Movie (Eng Subs)

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    So, you're trying to gain
    the upper hand in the deal
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    By not calling me back
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    What cheeky bastards!
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    The ball's on my side now.
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    Remember 3 years of blood and sweat
    that went into this masterpiece.
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    Minimum 20% for independent volumes.
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    30% for exclusive
    distribution rights.
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    I'm here to see Mr. Park.
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    He's over there.
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    Thank you.
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    Jackass!
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    Enjoying your afternoon
    slacking off?
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    Sir, please!
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    Don't read rubbish like this
    and get your acts together!
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    A Man Called Killer
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    Is this supposed to be
    philosophical literature?
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    I think you drew something
    other than comics.
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    Who did this?
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    Who the fuck did this?
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    Who are you?
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    Was it you? Or you?
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    - Who the hell are you?
    - Hey!
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    Don't touch me! What!
    I said don't touch me!
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    How dare you!
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    Do you know how I made this?
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    Let go!
    3 years of my life
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    How dare you use it
    as scrap paper?
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    Who the hell did this?
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    Let go, bastards!
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    PETTY ROMANCE
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    They say virgins are
    becoming extinct
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    in reality, there are a tons of women
    over thirty who've never had sex.
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    You don't agree with me?
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    Then, close your eyes and go over
    the faces of each of your friends.
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    Still, no?
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    Then, you have no friends.
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    These women may fall into
    one of three categories.
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    Category one,
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    Women with zero
    sexual appeal for men...
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    That's just lame!
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    It's so boring, it kills me.
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    Category one,
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    Women with cursed
    body shapes
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    That they can go shopping
    naked and no one takes notice.
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    Why did you write
    your own thoughts
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    when you know nothing about sex?
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    I told you to copy from books.
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    I went from the Kinsey Report to
    Kama Sutra, from cover to cover.
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    I don't care.
    You're fired as of this moment.
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    You can't do that!
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    You've only just offered the job.
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    You're lowering the quality
    of our magazine.
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    There is no quality to begin with!
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    Fine. I'll stick to your
    instructions from now on.
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    Too late now.
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    Mr. Editor...
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    The "coogar's guide to
    host club" feature?
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    I just need to put a period on it.
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    Actually, I'm doing that right now.
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    - Hey!
    -...as we speak.
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    I'm not finished!
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    "Promissory Note".
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    This money wasn't borrowed
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    but given as remuneration for
    1 0 year loan of this painting.
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    Are you suggesting I'm lying to you?
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    On you, the only son
    of my dear friend?
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    After the upcoming retrospective,
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    I was thinking about putting
    the painting up for sale.
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    No.
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    I sympathize with the fact
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    that it's the only painting
    your father left you but...
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    I said no!
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    I won't trade it for money
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    or for rest of his collection!
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    If that's how you feel,
    bring me the repayment.
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    How come you didn't
    tell me about this earlier?
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    I assumed you already knew.
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    It's been ten years.
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    Do you know how proud
    he was of you?
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    Saying you'll be a greater
    painter than himself.
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    So, I need to pay you back
    by October 1 7?
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    Pathetic isn't he, your son?
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    Let me give you a piece of
    advice as a friend.
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    You need to get yourself
    a story writer.
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    Do you understand?
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    Hear me out, man.
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    Why is Min-ho taking so long?
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    It's fucking annoying just
    hearing his fucking name!
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    Winning award after award,
    of course, he is fucking busy.
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    - Hey, man.
    - My dear friends.
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    What's up?
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    - Have a drink.
    - What happened to your last piece?
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    Your masterpiece of 3 years.
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    They're not very
    excited about it?
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    Didn't I tell you to change the title?
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    A Man Called Killer.
    It's quite embarrassing.
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    It sounds like a bad imitation of
    "A Man Called God".
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    Maybe it's time
    you consider a different career.
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    Maybe it's not the right path for you.
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    Hae-ryong got his
    real estate license.
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    Sure did.
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    Don't let that go to waste.
    As for Jeong Bae...
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    He's... got looks.
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    Now that everyone is here,
    let me make an announcement.
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    The reason I asked you to
    come was because
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    we're launching
    a new adult comic line.
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    It's an open competition
    on the subject of sex.
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    You called me out for that?
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    To create an adult comic?
    Me?
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    Why not? "Tazza", "City Hunter"
    are all adult comics.
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    My ass! I'm going.
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    - Bye.
    - Just hear me out.
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    You gotta be kidding.
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    Let him leave. He's busy.
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    Listen to me carefully.
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    This is a global project.
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    Cooperative effort by
    Korea, US, France and Japan.
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    Cut to the chase.
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    There'll be one grand prize winner
    for each country.
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    The winning comic will be published
    on the 4 countries websites
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    with a manuscript fee of
    3 mil Won per month!
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    Fuck me hard!
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    And there is prize money
    of USD 1 00,000 at stake.
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    That's 1 30 mill Won!
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    If you can't believe me,
    you can go.
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    The deadline is August 31.
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    End of August?
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    Winners will be announced
    by end of September.
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    End of September.
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    Still listening?
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    The true gem of this project is
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    that the grand prize winner
    from each country,
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    will get paperback published
    in 4 countries with loyalty of
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    30%!
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    Hae-ryong, wait!
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    You need a story writer.
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    Do you understand?
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    They say Japanese porn is the best.
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    But they don't have a clue
    what they're talking about.
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    Have you ever seen
    an Ugandan porn?
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    Uganda...?
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    You're C.I.L.
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    C.I.L.?
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    Cuter in life.
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    You got a G.F.?
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    Electric wiring, supplier of
    electric hardware...
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    Why are you here?
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    I know a thing or two about women.
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    I got married 3 times,bigamy twice,
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    and countless affairs.
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    So, why are you here?
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    Numerous translation experiences.
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    I used to work for
    a publishing company.
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    Could you elaborate?
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    Moby Dick, "Crime and Punishment"...
    to name a few.
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    I see.
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    While translating I realized
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    that I have a burning desire
    for creative writing.
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    So, I quit and went on to
    write a screenplay for a year.
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    The reaction was fanatical.
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    But, the problem was
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    the film industry of this country
    is too limited for my movie.
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    What kind of a scale
    are you talking about?
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    Lord of the Rings
    or "Harry Potter"?
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    I see.
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    They can't just make
    romance or comedy forever.
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    Anyway, that's when I realized,
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    The only realm where my talents
    will be truly appreciated is comics.
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    Would you like some coffee?
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    Have you heard of "Tear of Eros"?
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    By... George Partaille?
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    It's a sex column I write for
    a women's magazine, Hot Girl'.
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    It's weird for me to say this but
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    my column was praised to
    have upgraded the magazine.
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    I'm hoping we can negotiate
    the right payment.
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    We're not done talking!
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    What more to talk about?
    200,000 Won per month?
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    There'll be prize money if we win.
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    - Forget it.
    - USD 1 00,000!
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    A petty amount...
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    Hundred thousand...
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    - That's 1 20 mil Won!
    - 1 30 mil, to be exact.
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    Well,
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    it's not like we're guaranteed to win.
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    I'll give you half.
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    You're putting me
    in an awkward position.
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    Is that a yes?
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    What? An adult comic?
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    That is just ridiculous!
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    What do you know about sex
    to write about it?
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    And, Harry Potter was
    written by a wizard?
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    What about the Jeil Electronics?
  • 12:45 - 12:47
    You were never going
    to get in anyway.
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    Why not?
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    Even Jong-su got in.
    Why not me?
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    What's he got that I don't have?
    Looks? Grades?
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    I'd say looks.
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    How about dinner Saturday night?
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    Yes! He bit the bait!
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    Who is it?
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    - Who?
    - Song Ji-woon.
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    The soccer player?
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    That's right!
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    Really?
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    You used interview
    to seduce him again?
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    You could say it's bonus
    that comes with the job.
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    He's got the manners
    and the thighs.
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    It's Song Ji-woon!
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    - What the hell, lady?
    - I'm sorry.
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    Hey, lady.
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    Hello? Gyeong-seon?
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    What the fuck? Out of all place...
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    What? Fucking fantastic?
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    Fuck, so what?
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    Little piece shit!
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    - Piece of shit?
    - Do you know who I am?
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    What the fuck are you looking at?
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    I fucking rip your eyes out!
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    You're no fucking match for me.
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    Get me the goddamn cigarettes,
    punk ass!
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    Fucking yellow-haired monkey.
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    What? What!
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    Who is it?
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    - The phone...
    - Who the fuck...?
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    Hello?
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    Who was this?
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    - Who is it?
    - Don't ask me.
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    You answered the damn call!
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    Bitch!
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    Through a homosexual,
    a transgender or androgyny,
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    show psychological, social
    and political prejudice
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    and repressed love and emotions...
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    Boring.
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    Is it?
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    What about a story of a man
    and a woman pursuing
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    extreme pleasures...
  • 15:14 - 15:19
    Are you trying to write
    a comic book or a thesis?
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    I can't believe it's all
    on my shoulders.
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    You tell me then.
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    I don't have one.
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    Are you saying you came
    empty handed?
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    Nothing solid, yet.
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    Just give me the concept.
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    - Where do I start?
    - Just the concept.
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    A Man Called Killer.
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    Yes! He bit the bait!
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    Killer.
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    A killer?
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    What about a story of
    a female assassin?
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    A female assassin?
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    She is so horny that
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    she'll keep her target alive
    and keep him as a sex slave
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    until she gets tired of him
    then brutally
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    murders him.
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    Stories of her desires and sex
    set in the dark world.
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    Plots and betrayals.
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    Destruction and death.
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    What do you think?
  • 16:38 - 16:43
    What do you think?
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    At least you don't suck
    at spotting talents.
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    This is what you call a good item.
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    Do you see the difference
    between your ideas and mine?
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    Your ideas are abstract
    and without substance.
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    Just like no noodles
    but full of useless onion peels.
  • 17:05 - 17:16
    Do you know what I'm saying?
  • 17:16 - 17:22
    I could kill for an iced coffee.
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    An iced coffee, please?
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    Not the instant stuff.
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    Isn't there a take out
    coffee shop around here?
  • 17:51 - 17:55
    Speak up. I can't hear you.
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    What?
  • 17:57 - 17:59
    What am I supposed to do?
  • 17:59 - 18:04
    Call a locksmith!
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    How much would he charge?
  • 18:07 - 18:10
    1 00,000 Won?
  • 18:10 - 18:15
    I gotta go.
  • 18:15 - 18:18
    I could kill you right now.
  • 18:18 - 18:21
    I lost my keys.
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    Piss off.
  • 18:23 - 18:25
    Watch your language, please.
  • 18:25 - 18:27
    We're twins but
    I'm still your older sister.
  • 18:27 - 18:29
    Says who?
  • 18:29 - 18:33
    Neither mom nor the doctor
    knows who was born first.
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    On our papers,
    my name comes up before you.
  • 18:38 - 18:43
    How long will you sponge off me?
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    You drive up the wall!
  • 18:49 - 18:50
    I'm moving out soon.
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    When?
  • 18:54 - 18:58
    It's late.
    Let's talk tomorrow.
  • 18:58 - 19:00
    Hey.
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    If you move out by
    the end of the month,
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    I'll treat you as an older sister
    for the rest of my life.
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    Good night, big brother.
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    Here.
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    Just what am I doing here?
  • 19:47 - 19:49
    What is that?
  • 19:49 - 19:53
    Happy birthday!
  • 19:53 - 19:58
    It is my birthday.
    How did you know?
  • 19:58 - 20:01
    Your resume...
  • 20:01 - 20:07
    Thank you.
  • 20:07 - 20:09
    Do you want an iced coffee?
    I bought some beans.
  • 20:09 - 20:13
    I feel like something sweet
    like Frappuccino.
  • 20:13 - 20:15
    Just take iced coffee.
  • 20:15 - 20:20
    Caramel Frappuccino.
  • 20:20 - 20:21
    Or hot chocolate.
  • 20:21 - 20:36
    Hot chocolate?
  • 20:36 - 20:39
    Wait...
  • 20:39 - 20:42
    Why a cellphone accessory?
  • 20:42 - 20:46
    He wants to stay close
    to me at all times?
  • 20:46 - 20:49
    What... He's been keeping
    an eye on me the whole time?
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    He did seem desperate
    during the interview.
  • 21:17 - 21:23
    Here is your hot chocolate.
  • 21:23 - 21:25
    What...?
  • 21:25 - 21:30
    Nothing.
  • 21:30 - 21:34
    Not bad.
  • 21:34 - 21:36
    I can taste the heart
    that's gone into it.
  • 21:36 - 21:50
    Absolutely.
  • 21:50 - 21:52
    What now?
  • 21:52 - 21:56
    Where are we
    with the characters?
  • 21:56 - 21:58
    I only have vague outlines.
  • 21:58 - 21:59
    Let's have a look.
  • 21:59 - 22:02
    It needs more work.
  • 22:02 - 22:09
    Do you know how long
    you've been working on it?
  • 22:09 - 22:13
    Where are you going... Hey!!
  • 22:13 - 22:23
    Please stay clear of
    my workstation.
  • 22:23 - 22:36
    An attempt at physical contact?
    Cute!
  • 22:36 - 22:44
    Here.
  • 22:44 - 22:47
    I told you it wasn't ready.
  • 22:47 - 22:49
    The direction is completely wrong.
  • 22:49 - 22:51
    Shouldn't it be
    lighter tone and cuter?
  • 22:51 - 22:52
    But, the story is strong and dark.
  • 22:52 - 22:54
    That's why you need the lightness
    to balance it out!
  • 22:54 - 22:57
    Comics are supposed to be funny.
  • 22:57 - 22:59
    Who says comics must be funny?
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    I don't need anyone
    to tell me that.
  • 23:01 - 23:03
    You find
    "A Frightening Baseball Team"
  • 23:03 - 23:07
    or "Lonely Guitar Man" funny?
  • 23:07 - 23:09
    I haven't seen them.
  • 23:09 - 23:12
    This is all wrong.
    Start again from sketch.
  • 23:12 - 23:16
    A lot lighter and cuter, got it?
  • 23:16 - 23:20
    What if I won't?
  • 23:20 - 24:18
    Then, find yourself a new writer.
  • 24:18 - 24:30
    This is good.
  • 24:30 - 24:33
    Gosh!
  • 24:33 - 24:36
    You are just...
  • 24:36 - 24:40
    I stayed up all night
    working on the plot.
  • 24:40 - 24:42
    How is the character coming along?
  • 24:42 - 24:48
    - Let me see.
    - This is just...
  • 24:48 - 24:51
    This is it!
  • 24:51 - 24:53
    This is exactly what
    I was looking for.
  • 24:53 - 24:56
    Ferocious but blank,
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    sharp but somewhat daffy
    at the same time.
  • 24:58 - 25:00
    Twenty-seven years of age.
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    Her name is Jin-hee,
    Nari, Gyeong-seon,
  • 25:04 - 25:10
    Yuri, Yuri? Yumi?
    Miso!
  • 25:10 - 25:11
    How about Miso? Ma Miso.
  • 25:11 - 25:13
    Ma Miso? Sounds like soup.
  • 25:13 - 25:15
    Now that we have
    the female character,
  • 25:15 - 25:16
    Let's move on to
    the male character.
  • 25:16 - 25:18
    Wait.
  • 25:18 - 25:21
    Can you slow down
    and think for a change?
  • 25:21 - 25:26
    Eh... do you have any ideas?
    What is it?
  • 25:26 - 25:27
    No ideas, pass!
  • 25:27 - 25:30
    - But...
    - Our male character
  • 25:30 - 25:35
    Is a cold-hearted sex maniac.
  • 25:35 - 25:38
    He is responsible for
    Miso's downfall
  • 25:38 - 25:42
    And he stands at the crossroad
    of all conflicts.
  • 25:42 - 25:45
    A self-centered bastard
    with no concern for others.
  • 25:45 - 26:31
    Wanna see his face?
  • 26:31 - 26:46
    This can't be...
  • 26:46 - 26:48
    - Did you hear that?
    - What?
  • 26:48 - 26:51
    What's that sound?
  • 26:51 - 26:59
    Please... stop!
  • 26:59 - 27:03
    What the fuck?
    Get lost now!
  • 27:03 - 27:04
    Alright, alright!
    I'll get lost.
  • 27:04 - 27:07
    Who the hell is she?
  • 27:07 - 27:11
    Did you two time me
    in one night?
  • 27:11 - 27:15
    I'm... Jong-su's sister, actually.
  • 27:15 - 27:22
    Shut the fuck up and get lost!
  • 27:22 - 27:25
    What's this smell?
  • 27:25 - 27:30
    I cannot believe this.
    Is she taking a dump?
  • 27:30 - 27:34
    Open the window now!
  • 27:34 - 27:37
    Jong-su...
    I'm out of toilet papers.
  • 27:37 - 27:46
    Oh, my god!
  • 27:46 - 27:56
    This is going really well.
  • 27:56 - 27:59
    I wonder how Jeong Bae is doing.
  • 27:59 - 28:02
    Crazy son of a bitch!
  • 28:02 - 28:09
    Recruits a female writer for an adult comic?
    He's gotta be joking.
  • 28:09 - 28:12
    Wait a minute...
  • 28:12 - 28:15
    Is he...?
  • 28:15 - 28:22
    We could model
    the male character on you.
  • 28:22 - 28:26
    The female character should be
    voluptuous and sexy-cute.
  • 28:26 - 28:30
    Cheeky monkey.
  • 28:30 - 28:33
    - Like Da-rim.
    - You're the man.
  • 28:33 - 28:43
    Get the story and get laid, too.
  • 28:43 - 28:46
    This is it.
  • 28:46 - 28:51
    Hey, did you see the notice?
    They can't be serious.
  • 28:51 - 28:54
    Minimum twenty pages
  • 28:54 - 28:57
    and, four episodes?
  • 28:57 - 28:59
    That is just nonsense.
  • 28:59 - 29:05
    I felt smothered reading about that.
  • 29:05 - 29:10
    How are you getting on?
  • 29:10 - 29:18
    She's not that bad.
  • 29:18 - 29:20
    I'm sorry, man.
  • 29:20 - 29:23
    I didn't mean to....
  • 29:23 - 29:25
    Secretly, you know but..
  • 29:25 - 29:30
    I wasn't gonna...
  • 29:30 - 29:32
    Jeong Bae.
  • 29:32 - 29:34
    Jeong Bae.
    Maybe he didn't see me.
  • 29:34 - 29:36
    I gotta go too.
  • 29:36 - 29:40
    Any idea what time it is...?
  • 29:40 - 29:43
    I'm sorry. I got held up.
  • 29:43 - 29:47
    Hey, Da-rim.
  • 29:47 - 29:56
    Hey.
  • 29:56 - 29:58
    I thought you were leaving.
  • 29:58 - 30:01
    I am.
  • 30:01 - 30:03
    Get out of here.
  • 30:03 - 30:17
    I am leaving, asshole!
  • 30:17 - 30:29
    - Get lost, asshole!
    - Relax, asshole!
  • 30:29 - 30:33
    - Go!
    - I am walking, asshole.
  • 30:33 - 30:35
    What's the matter?
  • 30:35 - 30:37
    Nothing. Never mind.
  • 30:37 - 30:46
    Put this on.
  • 30:46 - 30:49
    Shall we get started
    with the story now?
  • 30:49 - 30:54
    Han Jong-su the target
    and his henchmen...
  • 30:54 - 31:49
    How many still alive?
  • 31:49 - 31:52
    It's as if she can fly.
  • 31:52 - 31:54
    Does this even make sense?
  • 31:54 - 31:56
    What are you murmuring about?
  • 31:56 - 31:57
    How many killed so far?
  • 31:57 - 32:05
    I'm counting.
  • 32:05 - 32:09
    Twenty dead five to go.
  • 32:09 - 32:11
    Still?
  • 32:11 - 32:13
    It's a dead end.
  • 32:13 - 32:17
    Jong-su and his five henchmen
  • 32:17 - 32:22
    Are hiding in the dark
    praying Miso won't find them.
  • 32:22 - 32:25
    But then...
  • 32:25 - 32:28
    From the darkness,
  • 32:28 - 32:34
    hair-raising laughter is echoing.
  • 32:34 - 32:40
    Petrified, the five henchmen
    shoots into darkness.
  • 32:40 - 32:41
    Then Miso floats into the air
  • 32:41 - 32:50
    and dives into one of the men
    digging her nails into his throat.
  • 32:50 - 32:54
    But for some reason
  • 32:54 - 33:00
    Other bodyguards start
    falling to the ground.
  • 33:00 - 33:02
    What?
  • 33:02 - 33:03
    You can't be serious.
  • 33:03 - 33:04
    Why?
  • 33:04 - 33:07
    It's an adult comic we need to make
  • 33:07 - 33:10
    not children's comic.
  • 33:10 - 33:15
    Children's comic?
  • 33:15 - 33:16
    Don't worry.
  • 33:16 - 33:18
    Plenty of sex to come.
  • 33:18 - 33:19
    That's not what I'm saying...
  • 33:19 - 33:21
    Yeah, whatever.
  • 33:21 - 33:25
    Let's finish the first episode.
  • 33:25 - 33:28
    She was so fast that
    we never saw her move
  • 33:28 - 33:31
    but one man is gushing
    blood from his eye sockets,
  • 33:31 - 33:35
    while the other is pouring blood
    from his smashed skull,
  • 33:35 - 33:38
    and the next man is screaming
    looking down at his torn-out arms,
  • 33:38 - 33:45
    and the last guy's body
    rips up in half like...
  • 33:45 - 33:46
    I said the sex is coming.
  • 33:46 - 33:55
    The story is too frivolous.
  • 33:55 - 33:56
    Frivolous?
  • 33:56 - 33:59
    Completely childish and
    there is not a speck of reality...
  • 33:59 - 34:02
    This is a comic piece, isn't it?
  • 34:02 - 34:07
    We're not trying to make art.
    It just needs to be funny.
  • 34:07 - 34:12
    Says who?
  • 34:12 - 34:17
    Why did you hire a story writer then?
  • 34:17 - 34:22
    I come up with a story
    and you draw!
  • 34:22 - 34:24
    You got it completely wrong.
  • 34:24 - 34:28
    You bring me the ingredient,
    for the artist, me,
  • 34:28 - 34:46
    to decide what to cook
    out of that!
  • 34:46 - 34:48
    Chef my ass!
    I'll choke up on your food.
  • 34:48 - 34:52
    She has a point. She's sharp.
  • 34:52 - 34:56
    If that's my role here,
    I'm out of here.
  • 34:56 - 34:57
    You've gone a little too far.
  • 34:57 - 34:58
    What did you say?
  • 34:58 - 35:00
    I can't do this. I won't.
  • 35:00 - 35:02
    She can't quit now.
  • 35:02 - 35:04
    I'll walk.
  • 35:04 - 35:06
    Then, go.
  • 35:06 - 35:10
    Go! Get out of here.
  • 35:10 - 35:14
    Get the hell out, now!
  • 35:14 - 35:19
    Let me give you an advice.
    Stop with this crap now!
  • 35:19 - 35:23
    You have neither the manners
    nor capacity as a writer.
  • 35:23 - 35:57
    Alright?
  • 35:57 - 36:03
    The door's closed.
  • 36:03 - 36:05
    Would you look to this?
  • 36:05 - 36:09
    It's original and funny,
    daring yet sweet.
  • 36:09 - 36:13
    This is real good.
  • 36:13 - 36:16
    I should find myself a writer, too.
  • 36:16 - 36:22
    It looks like you're heading
    right for the grand prize.
  • 36:22 - 36:28
    Congratulations, man.
  • 36:28 - 36:29
    Is it good?
  • 36:29 - 36:32
    It's so outrageous!
  • 36:32 - 36:33
    Did you really write this?
  • 36:33 - 36:36
    Well, l...
  • 36:36 - 36:39
    You got yourself a writer!
  • 36:39 - 36:44
    I told you so.
  • 36:44 - 36:47
    But it seems to be
    a little frivolous.
  • 36:47 - 36:50
    It is, isn't it?
  • 36:50 - 36:53
    But it's a minor point.
  • 36:53 - 37:01
    Do what you're good at
    and tone it down slightly.
  • 37:01 - 37:10
    I think you have
    a good chance at this.
  • 37:10 - 37:14
    I've been a little pushy.
  • 37:14 - 37:20
    It was most fun I had in a while.
  • 37:20 - 37:24
    Should I swallow my pride?
  • 37:24 - 37:27
    What about my dignity?
  • 37:27 - 37:34
    130 mil Won, to be exact.
  • 37:34 - 37:37
    You told me I was crap at it.
  • 37:37 - 37:47
    I had neither talent nor manners.
  • 37:47 - 37:49
    You can start with
    a letter of apology
  • 37:49 - 38:04
    and a written promise that
    you'll go by my rules.
  • 38:04 - 38:07
    Well, l...
  • 38:07 - 38:15
    I wanted to return this.
  • 38:15 - 38:22
    I should go.
  • 38:22 - 38:26
    I wanted to apologize
    for that night.
  • 38:26 - 38:26
    Pardon?
  • 38:26 - 38:32
    The rain must have done
    something to my brain.
  • 38:32 - 38:34
    If you give me another chance...
  • 38:34 - 38:43
    What?
  • 38:43 - 38:44
    I'm listening...
  • 38:44 - 38:47
    I've been so rude and stubborn.
  • 38:47 - 38:56
    Maybe a little.
  • 38:56 - 39:04
    I'm so sorry.
  • 39:04 - 39:07
    Is that all?
  • 39:07 - 39:11
    And, I'll never come in late
    for meetings.
  • 39:11 - 39:12
    And?
  • 39:12 - 39:15
    And?
  • 39:15 - 39:17
    And? The coffee errands.
  • 39:17 - 39:19
    And...?
  • 39:19 - 39:21
    And?
  • 39:21 - 39:23
    Oh, and...
  • 39:23 - 39:28
    I hope we draw a clear line
    about our roles.
  • 39:28 - 39:31
    It goes without a saying.
  • 39:31 - 39:35
    And...
  • 39:35 - 39:36
    There's more?
  • 39:36 - 39:39
    That skirt.
  • 39:39 - 39:41
    Think you're at a club?
  • 39:41 - 39:43
    How come you always
    come in such short skirts?
  • 39:43 - 39:50
    This isn't that short.
  • 39:50 - 39:54
    No more short skirts.
  • 39:54 - 39:57
    Let's stick to the storyline
    as it is.
  • 39:57 - 40:06
    So much room for change but
    we're running on a tight schedule.
  • 40:06 - 40:08
    A little toned down, got it?
  • 40:08 - 40:09
    Yes.
  • 40:09 - 40:12
    And, I saw on your resume,
  • 40:12 - 40:17
    You're 4 years younger than me.
  • 40:17 - 40:19
    Do you mind if I talk down?
  • 40:19 - 40:23
    It'll make it easier
    for me too, dude.
  • 40:23 - 40:27
    I'm 4 years your senior.
  • 40:27 - 40:30
    Yes, sir.
  • 40:30 - 40:33
    I brought my laptop.
  • 40:33 - 40:36
    Good.
  • 40:36 - 40:46
    - Can I get a hot chocolate?
    - Sure.
  • 40:46 - 40:50
    Why doesn't Miso kill Han Jong-su?
  • 40:50 - 40:52
    Because of his sexual charms.
  • 40:52 - 40:57
    Can you be more specific?
  • 40:57 - 41:01
    That robust male energy
    that attracts female...
  • 41:01 - 41:10
    So... what is that?
  • 41:10 - 41:13
    How about this?
  • 41:13 - 41:14
    How?
  • 41:14 - 41:18
    Wearing a sinister smirk,
  • 41:18 - 41:23
    Han begins ravaging her body.
  • 41:23 - 41:25
    He has been living and
    breathing sex all his adult life.
  • 41:25 - 41:29
    A sex god.
  • 41:29 - 41:33
    At the rhythmical movement
    of his snakelike tongue,
  • 41:33 - 41:41
    Miso twitches and
    lets out moans of awe.
  • 41:41 - 41:43
    Then,
  • 41:43 - 41:46
    Han thrust his manhood
    as big as his forearm
  • 41:46 - 41:51
    into Miso's gaping mouth.
  • 41:51 - 41:54
    Your mouth...
    Close your mouth
  • 41:54 - 41:57
    and quiet down a bit?
  • 41:57 - 42:01
    It's all good.
  • 42:01 - 42:04
    You like it?
  • 42:04 - 42:05
    Can we tone it down a little bit?
  • 42:05 - 42:07
    Which part?
  • 42:07 - 42:11
    Like manhood the size of
    his forearm'?
  • 42:11 - 42:15
    Isn't that the average size?
  • 42:15 - 42:18
    It seems to be the case
    for all men I know.
  • 42:18 - 42:22
    - What?
    - Like this. You know?
  • 42:22 - 42:27
    Oh... so, yours is a little
    on the small side.
  • 42:27 - 42:35
    Oh, your forearm!
    I thought you meant his forearm.
  • 42:35 - 42:36
    What do you want?
  • 42:36 - 42:42
    - Would you like a refill?
    - No thanks.
  • 42:42 - 42:46
    Han grabs Miso's
    cute little breasts...
  • 42:46 - 42:50
    Come on! A cute little?
  • 42:50 - 42:52
    That's not how it should go.
  • 42:52 - 42:55
    It should be so big that you can
    barely hold in your hands.
  • 42:55 - 43:01
    Didn't you want reality?
  • 43:01 - 43:03
    Look around.
  • 43:03 - 43:07
    There are tons of women
    with big boobs.
  • 43:07 - 43:19
    Wonder bra!
  • 43:19 - 43:24
    I feel sorry for you but
  • 43:24 - 43:27
    Big boobs are the very reason
  • 43:27 - 43:32
    For the existence of adult comics.
  • 43:32 - 43:40
    Why would you feel sorry for me?
  • 43:40 - 43:46
    I'm wearing a loose shirt.
  • 43:46 - 43:49
    But I'm actually a B-cup.
  • 43:49 - 43:51
    I'm sorry.
  • 43:51 - 43:53
    - Why are you laughing?
    - Nothing.
  • 43:53 - 43:57
    It's just my clothes.
    I am a B.
  • 43:57 - 44:01
    Of course you are.
  • 44:01 - 44:04
    - Oh, my legs!
    - Are you okay?
  • 44:04 - 44:09
    I'm okay.
    This is embarrassing.
  • 44:09 - 44:10
    Let me help you.
  • 44:10 - 44:13
    You've been wonderful
    with the interview.
  • 44:13 - 44:15
    I'm so embarrassed.
  • 44:15 - 44:17
    Let me say 3 words:
  • 44:17 - 44:21
    Size, duration and technique.
  • 44:21 - 44:25
    Caring about women's feelings
    is inadequate men's excuse.
  • 44:25 - 44:25
    What?
  • 44:25 - 44:27
    To the question,
  • 44:27 - 44:30
    what do you think of
    a man who can't give you orgasm
  • 44:30 - 44:33
    one woman answered like this:
  • 44:33 - 44:35
    What did she say?
  • 44:35 - 44:38
    I'll hire a hit man. Bang!
  • 44:38 - 44:39
    You made that up.
  • 44:39 - 44:42
    - Who in right senses...
    - Da-rim!
  • 44:42 - 44:44
    What are you doing here?
  • 44:44 - 44:46
    I have an interview.
  • 44:46 - 44:49
    Is this the comic artist
    you're working with?
  • 44:49 - 44:51
    He is a charmer like you said.
  • 44:51 - 44:53
    Excuse me?
  • 44:53 - 44:54
    When did I say that?
  • 44:54 - 44:57
    Hi! I'm Ma Gyeong-seon.
  • 44:57 - 45:05
    Hi. I'm Bae.
    Jeong Bae.
  • 45:05 - 45:08
    Your first name was Bae?
    Not Jeong-bae?
  • 45:08 - 45:10
    I should call you Bae
    from now on.
  • 45:10 - 45:11
    Oh, my god! You're killing me.
  • 45:11 - 45:17
    You didn't know my name?
  • 45:17 - 45:25
    Name 3 things you expect
    from your sex partner.
  • 45:25 - 45:30
    Go on.
  • 45:30 - 45:33
    I think your friend
    is looking for you.
  • 45:33 - 45:36
    - I better go.
    - Sure.
  • 45:36 - 45:38
    Tell us!
  • 45:38 - 45:41
    I'll see you around.
  • 45:41 - 45:42
    We've just met.
  • 45:42 - 45:44
    How can you ask her
    a question like that?
  • 45:44 - 45:51
    What's the matter?
    Sex is beautiful and divine.
  • 45:51 - 45:53
    You must have a lot of sex.
  • 45:53 - 45:59
    As much as others at least.
  • 45:59 - 46:06
    When you do get
    your sexual urges?
  • 46:06 - 46:07
    A sexual urge?
  • 46:07 - 46:13
    They say more experienced people
    feel the urge more often.
  • 46:13 - 46:14
    For me, l...
  • 46:14 - 46:17
    Tell me about your first experience.
  • 46:17 - 46:20
    What did you feel afterwards?
  • 46:20 - 46:23
    Why are you asking me
    questions like that?
  • 46:23 - 46:25
    You've got none, have you?
  • 46:25 - 46:29
    No what?
  • 46:29 - 46:31
    Experiences, of men.
  • 46:31 - 46:36
    I used to be a sex columnist.
  • 46:36 - 46:39
    You must have read
    tons on the subject.
  • 46:39 - 46:42
    You seem to know your figures.
  • 46:42 - 46:47
    This is not even worth it.
  • 46:47 - 46:49
    Be straight with me.
  • 46:49 - 46:55
    I didn't hire you based on
    your experience.
  • 46:55 - 46:57
    Why don't you be more honest?
  • 46:57 - 46:59
    What about me?
  • 46:59 - 47:03
    I know that you have
    crush on me.
  • 47:03 - 47:09
    That's why you're asking me
    all these questions!
  • 47:09 - 47:11
    I won't even get to
    the cellphone accessory
  • 47:11 - 47:14
    But the heart on hot chocolate?
  • 47:14 - 47:17
    It's cute but you're not
    in junior high anymore.
  • 47:17 - 47:20
    Hang on. What hot chocolate?
  • 47:20 - 47:22
    Hot chocolate...
  • 47:22 - 47:30
    Oh, that heart?
  • 47:30 - 47:34
    Man, you're cute.
  • 47:34 - 47:36
    Ms Da-rim,
  • 47:36 - 47:39
    What are you doing later?
  • 47:39 - 47:42
    You see?
  • 47:42 - 47:44
    Why did you bring me here?
  • 47:44 - 47:47
    No reason.
  • 47:47 - 47:50
    I thought I'd let you know
    a little more about me.
  • 47:50 - 47:51
    I'm the proud owner of this piece.
  • 47:51 - 47:55
    The only portrait by Jeong.
  • 47:55 - 47:59
    Look at the touch and color.
  • 47:59 - 47:59
    Shall we move on?
  • 47:59 - 48:06
    We're going Spartan from tomorrow.
  • 48:06 - 48:08
    Do you hear me?
  • 48:08 - 48:20
    My hearing is fine.
  • 48:20 - 48:22
    You like that painting?
  • 48:22 - 48:25
    Why are you staring at it?
  • 48:25 - 48:31
    Mind your own business, will you?
  • 48:31 - 48:35
    It's just... so beautiful.
  • 48:35 - 48:37
    What is?
  • 48:37 - 48:41
    The way the mother
    looks at her baby.
  • 48:41 - 48:51
    Can't you feel it?
    The mother's love?
  • 48:51 - 48:54
    If she passed away
    when you were three,
  • 48:54 - 48:57
    you must have barely
    no memory of her.
  • 48:57 - 49:00
    Zero.
  • 49:00 - 49:06
    That painting is my mother herself.
  • 49:06 - 49:13
    - My bus is here.
    - See you tomorrow.
  • 49:13 - 49:20
    I'll see you off.
  • 49:20 - 49:28
    Don't get any ideas.
  • 49:28 - 49:33
    Do you have a boyfriend?
  • 49:33 - 49:35
    Why do you ask?
  • 49:35 - 49:37
    Just wondered.
  • 49:37 - 49:43
    Don't have one.
    At the moment.
  • 49:43 - 49:45
    You won't ask me?
  • 49:45 - 49:47
    What?
  • 49:47 - 49:56
    Nothing.
  • 49:56 - 50:06
    This song...
  • 50:06 - 50:08
    You like this music?
  • 50:08 - 50:13
    A boy from next door used to
    play this all the time.
  • 50:13 - 50:21
    I used to have a major crush on him.
  • 50:21 - 50:23
    Here comes my bus.
  • 50:23 - 50:29
    Where is this coming from?
    I want to know the title.
  • 50:29 - 50:32
    It's Intermezzo by Brahms.
  • 50:32 - 50:33
    How do you know that?
  • 50:33 - 50:39
    How can you be so ignorant?
    It's a famous piece.
  • 50:39 - 50:41
    Gotta go.
  • 50:41 - 50:47
    You should get the version
    performed by Kim Jeong-won.
  • 50:47 - 51:00
    Yes, Mr. Know-it-all.
  • 51:00 - 51:53
    And, you're telling me
    you're not into me?
  • 51:53 - 52:00
    You gotta hook me up
    with your friend, Bae.
  • 52:00 - 52:04
    We're running a feature
    on adult comics.
  • 52:04 - 52:07
    Cover the story.
  • 52:07 - 52:09
    What?
  • 52:09 - 52:10
    Nothing.
  • 52:10 - 52:14
    I'll talk to him about it.
  • 52:14 - 52:18
    Don't talk to him about it.
    Hook me up with him.
  • 52:18 - 52:20
    I hear you.
  • 52:20 - 52:26
    Do you understand
    what I'm asking you?
  • 52:26 - 52:29
    Do you like him?
  • 52:29 - 52:34
    No!
  • 52:34 - 52:39
    Hello?
    Yes, speaking.
  • 52:39 - 52:49
    Yes... I see.
  • 52:49 - 52:50
    What's the matter?
  • 52:50 - 52:52
    What's wrong, honey?
  • 52:52 - 52:53
    I got it!
  • 52:53 - 52:54
    - Really?
    - I got through to interview!
  • 52:54 - 52:58
    Good for you, baby!
  • 52:58 - 53:01
    Just one interview away
    from paying me back.
  • 53:01 - 53:03
    Plus interest, if I get this job!
  • 53:03 - 53:11
    Interest? How much will
    you give me? A grand?
  • 53:11 - 53:12
    Interview me?
  • 53:12 - 53:14
    What for?
  • 53:14 - 53:18
    Exactly my question.
    Would you do it?
  • 53:18 - 53:20
    It makes me kind of nervous.
  • 53:20 - 53:24
    It's no big deal.
  • 53:24 - 53:27
    Because your friend is hot,
  • 53:27 - 53:30
    I get nervous around hot girls.
  • 53:30 - 53:34
    With you, I'm so comfortable.
  • 53:34 - 53:36
    Will one hour do?
  • 53:36 - 53:41
    How would I know?
  • 53:41 - 53:43
    You don't have to shout at me.
  • 53:43 - 53:47
    Couldn't you have done
    a location shooting by yourself?
  • 53:47 - 53:52
    Why drag me out here
    for no reason?
  • 53:52 - 53:56
    We're having a plot meeting later on.
  • 53:56 - 53:58
    If you've got nothing to do,
  • 53:58 - 54:07
    Check the location list.
  • 54:07 - 54:13
    Come on!
  • 54:13 - 54:15
    When are we having the plot meeting?
  • 54:15 - 54:18
    When is it going to end?
  • 54:18 - 54:21
    Tomorrow again?
  • 54:21 - 54:23
    My feet are killing me.
  • 54:23 - 54:28
    How do we make this scene
    provocative and intriguing?
  • 54:28 - 54:32
    Sex with an assassin trying to kill me.
  • 54:32 - 54:34
    Isn't that interesting already?
  • 54:34 - 54:37
    So, what kind of sex is that?
  • 54:37 - 54:39
    What sexual fantasy, pleasure or
  • 54:39 - 54:43
    desire is he providing her?
  • 54:43 - 54:50
    A sexual fantasy?
  • 54:50 - 54:52
    What's your fantasy?
  • 54:52 - 54:58
    For me, it's...
  • 54:58 - 55:01
    Going away with an Ethan Gere.
  • 55:01 - 55:03
    Who's Ethan Gere?
  • 55:03 - 55:08
    Ethan Hawk and
    Richard Gere put together.
  • 55:08 - 55:12
    It's sunset.
  • 55:12 - 55:18
    We're in a grand villa
    looking over the Mediterranean.
  • 55:18 - 55:21
    With a glass of red,
  • 55:21 - 55:24
    he's making the most passionate
    love to me.
  • 55:24 - 55:32
    The tremor, that excitement!
  • 55:32 - 55:36
    But the key thing here is
  • 55:36 - 55:45
    That he is so hot that he's been
    with so many women
  • 55:45 - 55:48
    but, after that one night with me
  • 55:48 - 55:53
    he opens his eyes to true love
    and sex for the first time.
  • 55:53 - 55:56
    After that amazing sex,
  • 55:56 - 56:04
    he kisses me on the cheek
    and whispers.
  • 56:04 - 56:10
    Will you marry me?
  • 56:10 - 56:12
    Why are you laughing?
  • 56:12 - 56:25
    You've really never done it, have you?
  • 56:25 - 56:31
    What's with the rain?
  • 56:31 - 56:40
    You were dragging me
    everywhere last night, too.
  • 56:40 - 56:42
    Did you have a dream about me?
  • 56:42 - 56:45
    Unfortunately, yes.
  • 56:45 - 56:46
    Congratulation.
  • 56:46 - 56:47
    On what?
  • 56:47 - 56:51
    On making your dream.
  • 56:51 - 56:53
    Dream come true, huh?
  • 56:53 - 56:59
    Dream is a process of
    wish-fulfillment by the subconscious.
  • 56:59 - 57:04
    No way!
  • 57:04 - 57:07
    Who said that?
  • 57:07 - 57:16
    Freud did.
    You're incredibly ignorant.
  • 57:16 - 57:18
    You wanted to date me so much?
  • 57:18 - 57:20
    Never!
  • 57:20 - 57:22
    It's true, though.
  • 57:22 - 57:24
    - Is not.
    - ls, too.
  • 57:24 - 57:25
    - Is not.
    - ls, too.
  • 57:25 - 57:28
    - No-oh!
    - Yes!
  • 57:28 - 57:30
    I said no!
  • 57:30 - 57:35
    Don't try to fool yourself.
  • 57:35 - 57:37
    No,
  • 57:37 - 57:40
    Don't you try to fool yourself Bae!
  • 57:40 - 57:46
    What about me?
  • 57:46 - 57:50
    What about me?
  • 57:50 - 58:08
    Hey, it's pouring down.
  • 58:08 - 59:21
    What!
  • 59:21 - 59:23
    Hey.
  • 59:23 - 59:26
    Yes?
  • 59:26 - 59:32
    I've been thinking.
  • 59:32 - 59:36
    We still have another
    couple of months to go.
  • 59:36 - 59:40
    This is a crucial time for us.
  • 59:40 - 59:50
    Rain must have done something to me.
  • 59:50 - 59:52
    What I want to say is that
    let's focus and work harder.
  • 59:52 - 59:59
    We don't want regrets.
  • 59:59 - 60:06
    You know what I mean?
  • 60:06 - 60:10
    Let's really get going again
    from tomorrow.
  • 60:10 - 60:15
    Tomorrow, I have a thing
    to do in the morning.
  • 60:15 - 60:16
    What...
  • 60:16 - 60:22
    You said that smoking should
    be banned in all public places
  • 60:22 - 60:26
    because it harms non-smokers.
  • 60:26 - 60:29
    I'm here to see Mr. Park.
  • 60:29 - 60:31
    - How are you?
    - Good. Thank you.
  • 60:31 - 60:35
    I wanted to apologize
    about last time.
  • 60:35 - 60:37
    What did you want to see me for?
  • 60:37 - 60:41
    An artist we've worked with
    has a health problem.
  • 60:41 - 60:45
    What's that got to do with me?
  • 60:45 - 60:47
    Do you know the story writer
    Mr. Lee Se-young?
  • 60:47 - 60:50
    Of course. He is the most famous
    comic writer in the country.
  • 60:50 - 60:55
    Artists would fight each other
    over a chance to work with him.
  • 60:55 - 60:58
    And, he's asking for
    you specifically.
  • 60:58 - 60:59
    Pardon?
  • 60:59 - 61:02
    What do you think?
  • 61:02 - 61:12
    That would be a great honor for me.
  • 61:12 - 61:15
    How was the interview?
    Get in the car.
  • 61:15 - 61:17
    What for?
  • 61:17 - 61:19
    Mom's coming.
    Come home for the night.
  • 61:19 - 61:21
    No.
  • 61:21 - 61:22
    Don't make a fuss.
    Just get in.
  • 61:22 - 61:25
    You're the one that
    threw me out.
  • 61:25 - 61:27
    She hasn't come in a while.
  • 61:27 - 61:30
    I can meet her outside.
  • 61:30 - 61:31
    Get in the car
    when I'm still being nice.
  • 61:31 - 61:33
    Let go of my arm
    when I'm still being nice.
  • 61:33 - 61:37
    You little...!
  • 61:37 - 61:40
    Dad's coming too, isn't he?
  • 61:40 - 61:42
    Let's go home and
    tell him all about it.
  • 61:42 - 61:45
    How and why I got kicked out
    from that house.
  • 61:45 - 62:01
    Let go.
  • 62:01 - 62:05
    I'm really sorry, big sister.
  • 62:05 - 62:07
    I have to leave in a month?
  • 62:07 - 62:10
    They'll meet you with a copper
    at the Pakistani airport.
  • 62:10 - 62:15
    Take the chopper to join the
    expedition team at the sherpa village.
  • 62:15 - 62:18
    Does he really need me
    to be in Himalayas?
  • 62:18 - 62:22
    Of course.
    That's his only condition.
  • 62:22 - 62:25
    He is a famous empiricist.
  • 62:25 - 62:31
    He'll carry out his researches
    but you'll need to the sketches.
  • 62:31 - 62:36
    I understand your situation
    but this is the golden ticket
  • 62:36 - 62:46
    Guaranteeing a success.
    how can you turn it down?
  • 62:46 - 62:50
    Are you finished?
    Let's make up for this morning.
  • 62:50 - 62:54
    It's not a good time.
    My folks have come to visit.
  • 62:54 - 62:57
    I see.
  • 62:57 - 63:04
    Alright, then.
    I'll see you tomorrow.
  • 63:04 - 63:15
    Excuse me.
  • 63:15 - 63:40
    What the heck?
  • 63:40 - 63:44
    What's the matter with you?
  • 63:44 - 63:46
    What?
  • 63:46 - 63:50
    You don't answer me.
    You've been ignoring me all day.
  • 63:50 - 63:53
    Is it because
    I bunked off yesterday?
  • 63:53 - 63:56
    I told you my folks came to see me.
  • 63:56 - 64:00
    - Did I say anything?
    - Then, why?
  • 64:00 - 64:02
    Your dress!
  • 64:02 - 64:06
    I told you not to wear short skirts!
  • 64:06 - 64:11
    Is it short to you?
  • 64:11 - 64:12
    - What time did you get here?
    - 1 0 o'clock.
  • 64:12 - 64:14
    You were 3 minutes late.
  • 64:14 - 64:14
    No, I wasn't.
  • 64:14 - 64:16
    You were!
    2 min 47 sec to be exact.
  • 64:16 - 64:25
    That's not true.
  • 64:25 - 64:46
    Fine! Never mind.
  • 64:46 - 64:47
    Hi.
  • 64:47 - 64:50
    You came by yourself?
    What about the photographer?
  • 64:50 - 64:55
    I can do it myself.
  • 64:55 - 65:00
    I just have no luck with men.
  • 65:00 - 65:03
    I've kind of given up on that,
  • 65:03 - 65:12
    But maybe it's the season
    or maybe I'm at that age.
  • 65:12 - 65:16
    I feel that I can run into
    any man's open arms.
  • 65:16 - 65:19
    Haven't you had enough arms?
  • 65:19 - 65:23
    You and your jokes.
  • 65:23 - 65:24
    Aren't you going
    to start the interview?
  • 65:24 - 65:26
    Aren't you leaving?
  • 65:26 - 65:29
    What are you doing here?
  • 65:29 - 65:34
    I got loads of work.
  • 65:34 - 65:38
    I actually have an important
    package arriving today.
  • 65:38 - 65:41
    Can you get it for me?
    Please?
  • 65:41 - 65:42
    I told you I had work to do.
  • 65:42 - 65:47
    I don't know what work
    you have to do,
  • 65:47 - 65:49
    but she says it's important.
  • 65:49 - 65:52
    Yeah, it's something for work.
  • 65:52 - 65:54
    Please, honey?
  • 65:54 - 65:56
    Go.
  • 65:56 - 66:00
    I'll see you at home.
  • 66:00 - 66:15
    See you later.
  • 66:15 - 66:19
    You brought wine?
  • 66:19 - 66:22
    I always opt
    for a laid back interview.
  • 66:22 - 66:25
    Let's have a glass.
  • 66:25 - 66:28
    What a lovely house you have!
  • 66:28 - 66:29
    Thank you.
  • 66:29 - 66:33
    Can you sit here?
  • 66:33 - 66:37
    Sit band and relax a little?
  • 66:37 - 66:42
    That's better. Here we go.
  • 66:42 - 66:46
    One, two, three.
  • 66:46 - 66:50
    You're too tensed up.
  • 66:50 - 66:54
    Be natural.
    Put your arms down.
  • 66:54 - 66:56
    Your shoulders...
    Oh, you must work out.
  • 66:56 - 67:13
    That jaw line!
    What a perfect skin you have!
  • 67:13 - 67:16
    Is the interview over?
  • 67:16 - 67:17
    Have one more glass.
  • 67:17 - 67:21
    I've had too much.
    Besides, I've got work to do.
  • 67:21 - 67:24
    That's too bad.
  • 67:24 - 67:26
    There is one more thing
    I need from you.
  • 67:26 - 67:28
    Excuse me?
  • 67:28 - 67:33
    I need to get a drawing from you.
  • 67:33 - 68:04
    I was going to ask you
    to do a sketch of me.
  • 68:04 - 68:06
    Am I really this hot?
  • 68:06 - 68:08
    I never knew that.
  • 68:08 - 68:10
    I just drew what I saw.
  • 68:10 - 68:17
    I'm so flattered.
  • 68:17 - 68:22
    I feel dizzy. I must've had
    too much to drink.
  • 68:22 - 68:25
    Maybe I'll lie down for a minute.
  • 68:25 - 68:28
    This feels good.
  • 68:28 - 68:45
    So comfortable.
  • 68:45 - 68:47
    Get up!
  • 68:47 - 68:48
    What time did you get home?
  • 68:48 - 68:51
    Shut up. Leave me alone.
  • 68:51 - 68:54
    I said what time?!
  • 68:54 - 69:15
    One more word and
    I'll throw you out!
  • 69:15 - 69:29
    Can't you answer the door
    a little faster?
  • 69:29 - 69:30
    What is this?
  • 69:30 - 70:01
    What you need to draw today.
  • 70:01 - 70:06
    I told you to tone down
    a little bit.
  • 70:06 - 70:11
    I don't even know where to start.
  • 70:11 - 70:14
    What do you mean by that?
  • 70:14 - 70:18
    Rhino's Horn'?
    Baby Elephant'?
  • 70:18 - 70:20
    What kind of positions are these?
  • 70:20 - 70:26
    Enlighten me.
  • 70:26 - 70:29
    - What are you doing?
    - I am enlightening you!
  • 70:29 - 70:42
    Alright! Alright!
  • 70:42 - 70:45
    That's that and...
  • 70:45 - 70:47
    And, Miso ejaculates'?
  • 70:47 - 70:49
    Didn't you know that
    women ejaculate too?
  • 70:49 - 70:54
    'Pass out'? What for?
  • 70:54 - 70:56
    Because of multi orgasm.
  • 70:56 - 71:00
    Three hours long'?
  • 71:00 - 71:02
    Do you think that even makes sense?
  • 71:02 - 71:05
    Not all men in the world
    are like you!
  • 71:05 - 71:10
    Ask any men around you
    if that's even possible.
  • 71:10 - 71:12
    I don't need to ask anyone.
  • 71:12 - 71:17
    I'm speaking from my own experience!
  • 71:17 - 71:21
    Can't believe you're
    making me say this,
  • 71:21 - 71:25
    but just because you love soccer,
    not everybody will become Ronaldo.
  • 71:25 - 71:26
    Han Jong-su is that man.
  • 71:26 - 71:30
    A sex machine armed
    with mojo and technique.
  • 71:30 - 71:31
    A Ronald in the realm of sex!
  • 71:31 - 71:33
    You're saying all this
    is from your experience?
  • 71:33 - 71:37
    You're crack me up.
  • 71:37 - 71:42
    I don't care
    if you believe me or not.
  • 71:42 - 71:49
    A Ronald in the realm of sex.
  • 71:49 - 71:52
    You were here.
  • 71:52 - 71:54
    Do you ever work?
  • 71:54 - 72:02
    I know I should.
  • 72:02 - 72:09
    I wish I could.
  • 72:09 - 72:13
    I'm going.
  • 72:13 - 72:51
    Jackass...
  • 72:51 - 73:26
    You're a dead meat.
  • 73:26 - 74:07
    You, Ronaldo of sex.
  • 74:07 - 74:09
    Jeong Bae!
  • 74:09 - 74:38
    Oh, my darling.
  • 74:38 - 74:39
    What's this?
  • 74:39 - 74:42
    What do you mean "what's this"?
    It's my Thunderbolt.
  • 74:42 - 74:46
    I've never let anyone drive her.
  • 74:46 - 74:50
    Always bickering and fighting
    when you should be living together.
  • 74:50 - 74:51
    You gotta do better than that!
  • 74:51 - 74:53
    Piss off.
  • 74:53 - 74:56
    Screw up your partnership
    and work will be ruined!
  • 74:56 - 74:58
    Don't you know that?
  • 74:58 - 75:01
    You drive me up the wall.
  • 75:01 - 75:03
    - Hey.
    - What, asshole?
  • 75:03 - 75:08
    How do you know so well about us?
  • 75:08 - 75:10
    I need the toilet.
  • 75:10 - 75:13
    Hey! Hey!
  • 75:13 - 75:31
    Jackass.
  • 75:31 - 75:38
    Let's get something to eat.
  • 75:38 - 75:45
    I'm really sorry.
    Try this.
  • 75:45 - 75:47
    Like you said,
  • 75:47 - 75:51
    men are all different.
  • 75:51 - 75:57
    I'm sorry I overreacted.
  • 75:57 - 76:04
    Let's make up and move on.
  • 76:04 - 76:07
    How far did you get
    with the manuscript?
  • 76:07 - 76:11
    I finished the 1 st episode
    and started on conti for 2nd.
  • 76:11 - 76:18
    And, you drank all night?
  • 76:18 - 76:20
    Have you lost your mind?
  • 76:20 - 76:24
    I wonder what kept you so busy.
  • 76:24 - 76:26
    I found her bothersome, too.
  • 76:26 - 76:29
    Waste of time and energy.
  • 76:29 - 76:31
    Energy?
  • 76:31 - 76:33
    From drinking.
  • 76:33 - 76:38
    I left her alone and
    went back to work.
  • 76:38 - 76:54
    Ask her!
  • 76:54 - 76:56
    She's pretty, isn't she?
  • 76:56 - 77:00
    She's just...
  • 77:00 - 77:02
    And, sexy.
  • 77:02 - 77:04
    Not really.
  • 77:04 - 77:08
    Charming.
  • 77:08 - 77:11
    Not my type.
  • 77:11 - 77:14
    Little too forward for my taste.
  • 77:14 - 77:15
    You should eat some, too.
  • 77:15 - 77:22
    Stop putting it all on my plate.
  • 77:22 - 77:26
    Here.
  • 77:26 - 78:12
    Open up!
  • 78:12 - 78:19
    They won't come like that.
    Let me show you.
  • 78:19 - 78:21
    - Did you come by yourself?
    - Are you?
  • 78:21 - 78:29
    I'm here on my own.
  • 78:29 - 78:35
    What a miracle! You got in.
  • 78:35 - 78:39
    You got the job.
  • 78:39 - 78:43
    Aren't you happy about that?
  • 78:43 - 79:01
    I'm thrilled.
  • 79:01 - 79:04
    You never regretted?
  • 79:04 - 79:09
    Becoming a comic artist?
  • 79:09 - 79:13
    Loads of times.
  • 79:13 - 79:23
    If you were given another chance
    to live differently...
  • 79:23 - 79:30
    I would take it.
  • 79:30 - 79:32
    You will, right?
  • 79:32 - 79:37
    If I get two chances at life.
  • 79:37 - 79:47
    But, there is only one.
  • 79:47 - 79:49
    What are you doing?
  • 79:49 - 79:57
    Wait.
  • 79:57 - 79:59
    This car is such a junk,
  • 79:59 - 80:03
    That sometime this is
    the only way it'll start.
  • 80:03 - 80:04
    You must be joking.
  • 80:04 - 80:05
    I'm not.
  • 80:05 - 80:37
    This is embarrassing.
  • 80:37 - 80:46
    He can't believe
    every word that I said.
  • 80:46 - 80:48
    Let me just say 3 words:
  • 80:48 - 80:52
    Size, duration and technique.
  • 80:52 - 80:54
    Do you think it even make sense
    to do it for 3 hours?
  • 80:54 - 80:58
    Han Jong-su is that man.
    A sex machine.
  • 80:58 - 81:01
    Ronaldo in the realm of sex.
  • 81:01 - 81:05
    Big boobs are the very reason
    for the existence of adult comics.
  • 81:05 - 81:09
    I'm a B, you know.
  • 81:09 - 81:12
    Why do you look so small today?
  • 81:12 - 81:14
    That's like the average size for men.
  • 81:14 - 81:17
    At least for men that I know.
  • 81:17 - 81:21
    Men don't know how obsessive
    women get with her man's size.
  • 81:21 - 81:24
    A partner who can't give you orgasm...
  • 81:24 - 81:36
    is not worth living.
  • 81:36 - 81:39
    Let your hair down for sexier look.
  • 81:39 - 81:42
    Use scent for romantic atmosphere.
  • 81:42 - 81:45
    Nude make up
  • 81:45 - 82:14
    Light makeup will go a long way.
  • 82:14 - 82:49
    Men are visually stimulated.
    Show your sexy curves.
  • 82:49 - 82:56
    Praise his manhood.
    Boost his confidence.
  • 82:56 - 83:00
    What's wrong?
  • 83:00 - 83:02
    Bedroom kiss techniques:
    Things you should remember.
  • 83:02 - 83:09
    Step l: Bite his lower lip lightly.
  • 83:09 - 83:18
    Lip biting will send down 000 volt
    of electricity down his body.
  • 83:18 - 83:25
    Step ll: Suck his tongue.
  • 83:25 - 83:33
    Sucking his tongue gives him
    pleasure as intense as a blow job.
  • 83:33 - 83:38
    Step III: Lick every corner
    of his mouth.
  • 83:38 - 83:48
    By caressing the every inch of his mouth
    his joy will flow over the pacific ocean.
  • 83:48 - 83:50
    Let's get you undressed first.
  • 83:50 - 83:54
    No, actually. Wait!
  • 83:54 - 83:59
    Cover your lack of confidence
    by leading him.
  • 83:59 - 84:02
    Erogenous zones:
    making your man your slave.
  • 84:02 - 84:15
    Men's left ear tend to be
    more sexually sensitive than right.
  • 84:15 - 84:27
    Secrets of Kama Sutra:
    Arouse him with a sensual caress.
  • 84:27 - 84:37
    Joints and folding parts are
    the most sensitive erogenous zones.
  • 84:37 - 84:44
    Hey! Stop!
  • 84:44 - 84:46
    Sexual urges?
  • 84:46 - 84:50
    Why are you harassing me
    with questions like that?
  • 84:50 - 84:54
    You really are!
  • 84:54 - 84:59
    Oh, man! It's true.
  • 84:59 - 85:03
    You are, aren't you?
  • 85:03 - 85:08
    Right?
  • 85:08 - 85:12
    Why didn't you tell me?
  • 85:12 - 85:29
    Stay still.
  • 85:29 - 85:40
    Don't move.
  • 85:40 - 85:41
    Hungry?
  • 85:41 - 85:54
    No, l.... wow!
  • 85:54 - 85:57
    - Let's get out of here.
    - Huh?
  • 85:57 - 86:03
    How about some grilled
    shellfish and drinks?
  • 86:03 - 86:21
    I know I want some.
  • 86:21 - 86:26
    Who was that guy anyway?
  • 86:26 - 86:28
    Who?
  • 86:28 - 86:31
    That Ronaldo or Messi of sex.
  • 86:31 - 86:33
    Han Jong-su.
  • 86:33 - 86:35
    I saw you with him
    the other day.
  • 86:35 - 86:38
    You were drinking coffee
    in his car.
  • 86:38 - 86:41
    I was curious.
  • 86:41 - 86:44
    It's my brother.
    My twin brother.
  • 86:44 - 86:47
    A twin brother?
  • 86:47 - 86:49
    Twins?
  • 86:49 - 86:52
    I wouldn't have guessed.
  • 86:52 - 86:56
    Are you disappointed in me?
  • 86:56 - 86:59
    What are you talking about?
  • 86:59 - 87:03
    Just everything.
  • 87:03 - 87:08
    That's what makes you special.
  • 87:08 - 87:10
    Pretending to know it all.
  • 87:10 - 87:14
    Pretending to have done it.
  • 87:14 - 87:20
    I only played along
    because you're cute.
  • 87:20 - 87:28
    Twins, huh?
    But, he was very good-looking.
  • 87:28 - 87:34
    This is all great.
  • 87:34 - 87:38
    Where have you been all night?
    Where did you go?
  • 87:38 - 87:40
    On a trip.
  • 87:40 - 87:43
    Who with?
  • 87:43 - 87:47
    With Jeong Bae.
  • 87:47 - 87:51
    Bae?
  • 87:51 - 87:55
    He's mine now, you know?
  • 87:55 - 87:56
    So what?
  • 87:56 - 88:08
    Just so you know.
  • 88:08 - 88:10
    - Get in the car.
    - No.
  • 88:10 - 88:15
    I said no!
  • 88:15 - 88:18
    If you miss the training
    you're automatically out.
  • 88:18 - 88:20
    I already told them
    I wasn't going.
  • 88:20 - 88:22
    Why did you bother going
    through all that trouble, then?
  • 88:22 - 88:24
    Is this because of Bae?
  • 88:24 - 88:28
    No. I just realized
    what my destiny is.
  • 88:28 - 88:30
    I've never been this happy.
  • 88:30 - 88:33
    You're not an office type.
  • 88:33 - 88:36
    Will you shut up?
  • 88:36 - 88:37
    Just attend the training.
  • 88:37 - 88:39
    I won't bother you again.
  • 88:39 - 88:42
    I'm late.
    Gotta run!
  • 88:42 - 88:46
    You sure you won't regret?
  • 88:46 - 88:51
    I knew she would do that.
  • 88:51 - 88:54
    What? What!
  • 88:54 - 88:58
    I'm not that same girl
    I used to be.
  • 88:58 - 89:03
    You look so much prettier.
  • 89:03 - 89:18
    Really?
  • 89:18 - 89:22
    This is completely different
    from my initial concept.
  • 89:22 - 89:49
    What are you talking about?
  • 89:49 - 89:53
    - Eat up.
    - I don't want it!
  • 89:53 - 89:55
    Mythical Bird, Baby Elephant,
    Rhino's Horn.
  • 89:55 - 89:59
    How can you not understand
    when I've drawn you pictures?
  • 89:59 - 90:00
    This position isn't
    physically possible.
  • 90:00 - 90:02
    I cannot believe you!
  • 90:02 - 90:07
    Come and sit here.
    I'll show you.
  • 90:07 - 90:08
    Lift me up!
  • 90:08 - 90:11
    - This is it?
    - Yes.
  • 90:11 - 90:13
    Voila!
    Mythical Bird position.
  • 90:13 - 90:15
    - Got that?
    - What about Baby Elephant?
  • 90:15 - 90:17
    I'm okay.
  • 90:17 - 90:21
    No, you're not.
    You're hard as a rock.
  • 90:21 - 90:26
    - Good lord!
    - Okay, okay!
  • 90:26 - 90:27
    You need a rest.
  • 90:27 - 90:33
    I'm not tired.
  • 90:33 - 90:35
    Alright. I'll get some sleep.
  • 90:35 - 90:59
    But, I have so much work.
  • 90:59 - 91:03
    It's me.
    How are you holding up?
  • 91:03 - 91:06
    I guess you can catch up
    with your sleep tonight.
  • 91:06 - 91:08
    The deadline's been
    extended by a month.
  • 91:08 - 91:11
    How can you do that?
  • 91:11 - 91:15
    What's wrong, man?
  • 91:15 - 91:19
    We've had so much complaints
    about the deadline.
  • 91:19 - 91:24
    I gotta go.
  • 91:24 - 91:30
    I'm not asking for a whole year
    but just one month.
  • 91:30 - 91:36
    I've always thought of you
    like my own son.
  • 91:36 - 91:40
    But, things have been
    so tough for me lately.
  • 91:40 - 91:46
    For you it's one painting but
    it could cost me everything.
  • 91:46 - 91:49
    For 50 mil Won?
  • 91:49 - 91:52
    I know you already pocketed few 1 00's
  • 91:52 - 91:54
    By creating phony paintings.
  • 91:54 - 91:56
    How dare you?
  • 91:56 - 91:59
    I feel so sorry for my father.
  • 91:59 - 92:03
    He believed you were his friend.
  • 92:03 - 92:05
    I'll not let you take away
    this painting.
  • 92:05 - 92:09
    I'll never allow that.
  • 92:09 - 92:17
    You have no job nor collateral
    nor transaction records.
  • 92:17 - 92:20
    How much? 50 mil Won?
  • 92:20 - 92:26
    With your credit,
    we can barely make 1 mil Won.
  • 92:26 - 92:29
    It's difficult, I have no money
  • 92:29 - 92:31
    I'm sorry
  • 92:31 - 93:07
    I' m on my way back, sir.
  • 93:07 - 93:15
    It's a first in almost 20 years
    for anyone to turn down my offer.
  • 93:15 - 93:19
    I'm not here to ask why.
  • 93:19 - 93:22
    Just thought it was a shame.
  • 93:22 - 93:29
    I don't want to work with
    anyone other than you.
  • 93:29 - 93:34
    Park says you have a problem.
  • 93:34 - 93:39
    Is it a money trouble?
  • 93:39 - 93:44
    Maybe I could help with that.
  • 93:44 - 93:50
    How much do you need?
  • 93:50 - 93:55
    Jeong Bae?
  • 93:55 - 94:02
    Jeong Bae?
  • 94:02 - 94:04
    Where are you?
  • 94:04 - 94:09
    Jesus Christ!
  • 94:09 - 94:13
    What are you doing
    sitting in the dark?
  • 94:13 - 94:19
    What were you doing?
  • 94:19 - 94:24
    Something wrong?
  • 94:24 - 94:28
    What have you got to worry
    when you have me?
  • 94:28 - 94:32
    Fire away.
  • 94:32 - 94:47
    Go on.
  • 94:47 - 94:49
    Go on.
  • 94:49 - 94:52
    The ending for episode 3?
  • 94:52 - 95:06
    It's fine. Trust me.
  • 95:06 - 95:10
    Why are you giving me this?
  • 95:10 - 95:12
    What's the matter?
  • 95:12 - 95:18
    Is something wrong?
  • 95:18 - 95:20
    I need to go somewhere.
  • 95:20 - 95:25
    Where?
  • 95:25 - 95:28
    Where?!
  • 95:28 - 95:31
    To Pakistan.
  • 95:31 - 95:37
    Why would you...?
    When?
  • 95:37 - 95:43
    Next Tuesday.
  • 95:43 - 95:50
    I'm sorry I couldn't go
    this through with you.
  • 95:50 - 95:54
    What's wrong?
  • 95:54 - 95:59
    Something's come up.
  • 95:59 - 96:03
    What thing?
  • 96:03 - 96:04
    I gotta retrieve something.
  • 96:04 - 96:09
    What is that 'thing'?
  • 96:09 - 96:11
    Did someone go missing in Pakistan?
  • 96:11 - 96:16
    Is someone going to die
    if you don't go there?
  • 96:16 - 96:18
    It's personal.
  • 96:18 - 96:23
    Then, don't go.
    At least until we finish this.
  • 96:23 - 96:27
    Think about what we
    both poured into it.
  • 96:27 - 96:32
    You can't go. Never.
  • 96:32 - 96:37
    I'm sorry.
  • 96:37 - 96:45
    No! I won't allow it.
  • 96:45 - 96:50
    I'll never see your face again
    if you go.
  • 96:50 - 96:54
    It's about something
    so precious to me.
  • 96:54 - 97:05
    Precious?
  • 97:05 - 97:08
    What about me, then?
  • 97:08 - 97:13
    What about our work?
  • 97:13 - 97:17
    So, I'm nothing to you.
  • 97:17 - 97:20
    You're precious to me.
  • 97:20 - 97:23
    But, this is different.
  • 97:23 - 97:39
    I can never lose it.
  • 97:39 - 97:54
    - I'm sorry.
    - Fine.
  • 97:54 - 97:58
    You sure I can take this?
  • 97:58 - 98:05
    Yeah.
  • 98:05 - 98:07
    It's been fun.
  • 98:07 - 98:25
    I hope you find
    that precious thing.
  • 98:25 - 98:29
    Don't go!
  • 98:29 - 99:05
    Don't leave.
  • 99:05 - 99:09
    You should've called, man.
  • 99:09 - 99:13
    Hey, man.
  • 99:13 - 99:15
    Can I ask you a favor?
  • 99:15 - 99:17
    What favor?
  • 99:17 - 99:25
    Can you hook Da-rim up
    with an artist?
  • 99:25 - 99:33
    I can't force you but
    think about the time and effort.
  • 99:33 - 99:35
    Let me have a look.
  • 99:35 - 99:38
    Come on.
  • 99:38 - 99:45
    I'm a busy man.
  • 99:45 - 99:50
    Come on, Jeong Bae!
  • 99:50 - 99:57
    It's boring from page 1.
  • 99:57 - 100:01
    It's not funny haha
    but funny ridiculous.
  • 100:01 - 100:10
    The plot is so random.
  • 100:10 - 100:13
    This one bit is funny.
  • 100:13 - 100:17
    But, that's not enough.
  • 100:17 - 100:31
    It's about the whole story...
  • 100:31 - 100:34
    The way the mother
    looks at her baby.
  • 100:34 - 100:46
    Can't you feel it?
    The mother's love?
  • 100:46 - 100:50
    Don't go!
  • 100:50 - 101:03
    Please.
  • 101:03 - 101:07
    Why don't we finish this off
    you and l?
  • 101:07 - 101:09
    What about the piece
    you've been working on?
  • 101:09 - 101:15
    Mine got screwed
    when the hero left for Pakistan.
  • 101:15 - 101:20
    Anyway, I'll finish this.
  • 101:20 - 101:25
    Why... Is it because of Jeong Bae?
  • 101:25 - 101:27
    He's not coming back.
  • 101:27 - 101:30
    It's a chance he'd die for.
  • 101:30 - 101:33
    Especially when someone like
    Lee Se-yeong wants him.
  • 101:33 - 101:35
    Lee Se-yeong?
  • 101:35 - 101:42
    The famous story writer?
  • 101:42 - 101:45
    He didn't tell you.
  • 101:45 - 101:49
    He said he has to retrieve
    something precious to him.
  • 101:49 - 101:51
    Something he can't lose.
  • 101:51 - 101:54
    In Pakistan?
  • 101:54 - 101:55
    When he has never been there?
  • 101:55 - 101:59
    I wouldn't have anything
    to lose to begin with.
  • 101:59 - 102:02
    How can he stab
    a partner's back like this?
  • 102:02 - 102:06
    He went to join Lee Se-yeong's
    Himalayan expedition team.
  • 102:06 - 102:09
    What a scumbag!
  • 102:09 - 102:14
    He's leaving today at 7.
    Forget about him. Move on.
  • 102:14 - 102:17
    He is not a type to come back.
  • 102:17 - 102:18
    I'll help you finish this.
  • 102:18 - 103:18
    Da-rim? Da-rim?
  • 103:18 - 103:20
    This is for you.
  • 103:20 - 103:22
    This is for the French
    and American judges,
  • 103:22 - 103:26
    and sushi for Japanese judges.
  • 103:26 - 103:27
    What's all this?
  • 103:27 - 103:32
    They could use good meal
    to help pick good comics.
  • 103:32 - 103:35
    No other intentions.
  • 103:35 - 103:37
    Don't tell them about me.
  • 103:37 - 103:40
    Just enjoy the food.
  • 103:40 - 103:42
    But this must have
    cost you an arm.
  • 103:42 - 103:44
    It wasn't much.
  • 103:44 - 103:46
    I sold my car.
  • 103:46 - 103:48
    Your Thunderbolt?
  • 103:48 - 103:50
    We don't want it to get cold.
    Go on.
  • 103:50 - 103:52
    Okay.
  • 103:52 - 103:54
    Can you be any slower?
  • 103:54 - 104:01
    Where is the meeting room?
  • 104:01 - 104:03
    I have a story for a comic book.
  • 104:03 - 104:26
    Give it to me.
  • 104:26 - 104:28
    Why do you stop
    reading half way?
  • 104:28 - 104:28
    It's enough.
  • 104:28 - 104:30
    But you only read a few pages.
  • 104:30 - 104:32
    How could you get the whole...
  • 104:32 - 105:00
    Excuse me? Excuse me!
  • 105:00 - 105:01
    Hello?
  • 105:01 - 105:07
    Is this Ms Han Da-rim?
  • 105:07 - 105:09
    Speaking.
  • 105:09 - 105:14
    Congratulations on winning!
    The award ceremony is at 7pm.
  • 105:14 - 105:15
    Excuse me?
  • 105:15 - 105:19
    We posted the result
    and sent you an email.
  • 105:19 - 105:21
    I don't understand.
  • 105:21 - 105:23
    The Killer Instinct.
  • 105:23 - 105:29
    I'd like to take this opportunity
    to thank everyone of you
  • 105:29 - 105:36
    For your passion and endless endeavor
    for betterment of the comics industry.
  • 105:36 - 105:40
    You're the true heroes of tonight.
  • 105:40 - 105:43
    I hope this occasion will provide
  • 105:43 - 105:49
    an opportunity to encourage...
  • 105:49 - 105:50
    Hey.
  • 105:50 - 106:05
    Let me say this to you once again.
  • 106:05 - 106:09
    What happened?
  • 106:09 - 106:13
    I didn't go.
  • 106:13 - 106:15
    Could you help her sit down?
  • 106:15 - 106:19
    How did you make a submission?
    I tore it all up.
  • 106:19 - 106:23
    ...and, I'll wrap it up here.
  • 106:23 - 106:26
    Thank you for your speech.
  • 106:26 - 106:29
    You heard the man.
  • 106:29 - 106:32
    Get prepared to start drawing.
  • 106:32 - 106:42
    We collect the fingers
    if you don't make the deadline.
  • 106:42 - 106:44
    I was going to call you.
  • 106:44 - 106:54
    We'd like to hear from the winners
    of the Grand Prize, "The Killer Instinct".
  • 106:54 - 107:09
    Please give warm welcome.
  • 107:09 - 107:27
    Mr. Jeong happens to be a very
    close friend of mine.
  • 107:27 - 107:30
    Comic artist's code of conduct,
    section 1. 01.
  • 107:30 - 107:38
    Scan and save all completed pages.
  • 107:38 - 107:44
    Thank you.
  • 107:44 - 107:48
    I'm not sure if I'm worthy
    of this prize.
  • 107:48 - 107:55
    This prize have given me
    so much already.
  • 107:55 - 108:02
    It helped me reunite with
    someone I've missed so much,
  • 108:02 - 108:11
    And gave me a tiny little hope
    that she might forgive me.
  • 108:11 - 108:17
    And an opportunity to
    tell her my story.
  • 108:17 - 108:23
    Until now,
  • 108:23 - 108:27
    I didn't have the face
    to show up to her.
  • 108:27 - 108:34
    I'd like to dedicate this award
    to my co-writer Ms Han Da-rim,
  • 108:34 - 108:39
    Who thought how to love a person
    not a painting.
  • 108:39 - 108:42
    Thank you.
  • 108:42 - 108:44
    Thank you.
  • 108:44 - 108:59
    Now, we'll hear from the runner up
    Lee Min-ho who drew "Sex over Kiss".
  • 108:59 - 109:05
    Hello. I'm Lee Min-ho.
  • 109:05 - 109:10
    This is only a runner-up but...
  • 109:10 - 109:12
    We seem to have a problem.
  • 109:12 - 109:15
    Could you please sit down?
  • 109:15 - 109:20
    I'd like to thank all the judges...
  • 109:20 - 109:22
    - Hear me out.
    - No!
  • 109:22 - 109:27
    You said you were going to
    retrieve something precious.
  • 109:27 - 109:29
    Why did you come back?
  • 109:29 - 109:33
    You got tired of chasing
    Lee Se-yeong's ass?
  • 109:33 - 109:40
    He chucked you out.
    Of course!
  • 109:40 - 109:41
    I put a lot of heart into this piece.
  • 109:41 - 109:45
    It was because of mom's portrait.
  • 109:45 - 109:50
    I needed the money to get it back.
  • 109:50 - 109:54
    Was it in Pakistan?
  • 109:54 - 109:58
    What was the painting I saw?
  • 109:58 - 110:01
    The most important thing...
  • 110:01 - 110:04
    Am I supposed to just watch
    the painting get taken away?
  • 110:04 - 110:08
    Then, why are you here?
  • 110:08 - 110:10
    What's going on?
  • 110:10 - 110:18
    Can we have assistant in the room?
  • 110:18 - 110:23
    Why didn't you go?
  • 110:23 - 110:28
    Stop telling me lies. Bastard!
  • 110:28 - 110:30
    I have a lot of questions
  • 110:30 - 110:32
    Hey!
  • 110:32 - 110:34
    I have a lot of questions
    about the result, too!
  • 110:34 - 110:35
    Shut up!
  • 110:35 - 110:37
    You, shut up!
  • 110:37 - 110:40
    Can we get assistance?
  • 110:40 - 110:45
    You were happy when
    I brought you all that food.
  • 110:45 - 110:53
    I had to sell my Thunderbolt.
  • 110:53 - 110:59
    Why am I still here?
    Don't you get it?
  • 110:59 - 111:03
    It's because of you.
  • 111:03 - 111:06
    Yeah, right.
  • 111:06 - 111:08
    I couldn't stop thinking about you.
  • 111:08 - 111:09
    Liar!
  • 111:09 - 111:10
    I feared I might never see you again.
  • 111:10 - 111:20
    Shut up!
  • 111:20 - 111:26
    It was your mother.
  • 111:26 - 111:39
    You could never lose it.
  • 111:39 - 111:43
    I don't need it anymore.
  • 111:43 - 111:47
    I just need you.
  • 111:47 - 111:57
    I just need you by my side.
  • 111:57 - 112:02
    I'm so sorry.
  • 112:02 - 112:12
    I really missed you.
  • 112:12 - 112:16
    You could have called.
  • 112:16 - 112:20
    Excuse me.
  • 112:20 - 112:24
    Dear me.
  • 112:24 - 112:33
    Ex... excuse me?
  • 112:33 - 112:38
    Oh, dear...
  • 112:38 - 112:42
    The ceremony isn't finished.
  • 112:42 - 112:47
    You gotta get back inside.
  • 112:47 - 112:50
    They're all waiting for you.
  • 112:50 - 112:57
    This is just... wow.
  • 112:57 - 113:07
    Tilt your head more to the side?
  • 113:07 - 113:14
    Everyone's waiting.
  • 113:14 - 113:19
    Don't be long, then. Okay?
  • 113:19 - 113:25
    It's unbelievable!
  • 113:25 - 113:42
    Can't believe this is happening.
  • 113:42 - 113:45
    What's that?
  • 113:45 - 113:50
    Where did she learn about this?
    Is this even possible?
  • 113:50 - 113:51
    What is it?
  • 113:51 - 113:54
    Hang on.
  • 113:54 - 113:57
    Give it to me.
  • 113:57 - 113:59
    Shame on her.
  • 113:59 - 114:05
    He kinda looks like me.
  • 114:05 - 114:06
    It is you.
  • 114:06 - 114:09
    Really?
  • 114:09 - 114:14
    Three hours, huh?
  • 114:14 - 114:19
    No, four. Let's go.
  • 114:19 - 114:22
    Lucky me.
  • 114:22 - 114:39
    - Come on.
    - I love you.
  • 114:39 - 114:40
    Ouch, it hurts!
  • 114:40 - 114:44
    You don't like that?
  • 114:44 - 114:48
    Damn women's magazines!
  • 114:48 - 114:49
    Am I bleeding?
  • 114:49 - 115:00
    You are.
  • 115:00 - 115:03
    Wait, wait! I'll take it off.
  • 115:03 - 115:05
    Shall we try that?
  • 115:05 - 115:07
    What?
  • 115:07 - 115:10
    Baby Elephant.
  • 115:10 - 115:11
    That won't work.
  • 115:11 - 115:13
    Why not?
  • 115:13 - 115:14
    It won't.
  • 115:14 -
    Hold still.
Title:
Petty Romance 2010 (쩨쩨한 로맨스) Full Movie (Eng Subs)
Description:

CLICK CC FOR SUBTITLES !

Cartoonist Jeong-bae gets rejected every time he tries to sell his work.
One day when he got rejected, Jeong-bae sees a prize for an adult cartoon contest. He eventually tries to find a story writer for his new 'adult' comic.
Da-ram, who screws every work that she has to do, is kicked out from her company. While finding a new job, she is interviewed by Jeong-bae. Attracted by this huge amount of prize money, Da-ram starts to write a scenario for Jeong-bae.
This is the making film of Da-ram and Jeong-bae's adult comic. The petty romance that nobody saw before will be start.

more » « less
Video Language:
Korean
Duration:
01:57:26
Amara Bot edited English subtitles for Petty Romance 2010 (쩨쩨한 로맨스) Full Movie (Eng Subs)
Amara Bot added a translation

English subtitles

Revisions