Nevertheless | Drusilla Foer | TEDxPadova
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0:21 - 0:22Right, now!
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0:22 - 0:23(Laughs)
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0:23 - 0:24Right, now!
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0:24 - 0:25Rebirth.
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0:26 - 0:28An important theme, don't you think?
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0:28 - 0:30What a fascinating theme!
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0:30 - 0:32I've always loved this word a lot,
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0:32 - 0:35even if the prefix "re-"
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0:35 - 0:39implies that something
didn't go totally well the first time. -
0:39 - 0:46Nonetheless, rebirth has within itself
something soothing, -
0:46 - 0:49because it expresses the possibility
of a second chance, -
0:49 - 0:51of a third, of a fourth.
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0:51 - 0:57And in its wide significant meaning,
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0:57 - 1:01it hosts a lot of metaphorical images,
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1:01 - 1:03from the most common, the everyday ones,
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1:03 - 1:06"I've worked like a madwoman,
ruined my back, it's killing me. -
1:06 - 1:09I had a sauna, I felt like I was ...
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1:09 - 1:11reborn!"
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1:12 - 1:14For the more existential, right?
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1:14 - 1:16"That relationship was hell.
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1:16 - 1:20We suffered a lot,
went through a lot of pain. -
1:20 - 1:21Then we broke up,
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1:21 - 1:24and afterwards, with time, I felt ...
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1:24 - 1:25reborn!"
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1:25 - 1:26It works!
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1:27 - 1:29Rebirth is a beautiful concept - it works!
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1:29 - 1:32It's a beautiful figure of speech.
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1:33 - 1:39Nevertheless, I cannot but express
my adversity to figures of speech. -
1:39 - 1:41Yes, because a figure of speech
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1:41 - 1:48is the way with which what's said
hides behind a barricade of vagueness -
1:48 - 1:51that expresses in a hurried,
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1:51 - 1:56often inaccurate, distracted way,
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1:56 - 1:59the quality of a feeling,
the quality of an emotion, -
1:59 - 2:02the quality of an experience -
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2:02 - 2:03no? -
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2:03 - 2:05taking away dignity,
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2:05 - 2:09in a way causing obscurity.
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2:12 - 2:15But let's talk about rebirth!
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2:17 - 2:20Actually, I want to give you an example.
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2:20 - 2:24When you consider yourself offended,
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2:24 - 2:28it's a way, rather bourgeois
and suppressed, -
2:28 - 2:31of avoiding admitting to yourself
that you are hurt. -
2:32 - 2:38I'd much rather
consider myself deeply hurt, -
2:38 - 2:43so that that hurt manifests
to me its full severity, -
2:43 - 2:47its full importance, its full meaning.
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2:47 - 2:52Yes, I prefer to say hurt than offended.
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2:52 - 2:54But let's go back to rebirth.
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2:54 - 2:57It's a word I've used very often -
I used it especially when I was a teen. -
2:57 - 2:59Yes, because when we're kids,
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2:59 - 3:04we're not too armed to understand
and give meaning to experiences. -
3:04 - 3:08So we use a vague term like that
to talk about it. -
3:08 - 3:13But now, that I'm old -
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3:13 - 3:17even if I make every effort
not to show it, I am - -
3:17 - 3:20well, now I have an urgent need:
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3:20 - 3:25that to give a name to feelings,
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3:25 - 3:30an exact name to feelings,
an exact name to emotions, -
3:30 - 3:32an exact name to experiences,
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3:32 - 3:36and find the exact place
for them in my soul. -
3:36 - 3:41I like accuracy, it soothes me,
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3:41 - 3:43because it makes me realize
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3:43 - 3:46that that feeling,
that experience, that emotion, -
3:46 - 3:50I've understood it, I've absorbed it,
and I've made it mine. -
3:55 - 3:59How I hate vagueness.
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4:00 - 4:02I love accuracy, in everything, eh?
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4:03 - 4:05In everything,
even in the silliest things. -
4:05 - 4:07If I need a mattress,
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4:07 - 4:11I want there to be those stores
called "Just Mattresses". -
4:11 - 4:13We're sure that there's a mattress there.
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4:13 - 4:16If I need a screw or a bolt,
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4:16 - 4:19I don't, of course, expect to find
"Your Shop for Bolts". -
4:19 - 4:24But I'm calmed by the existence
of a hardware store. -
4:24 - 4:27Another of my obsessions is symmetry.
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4:27 - 4:29My goodness, what stuff of old women!
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4:29 - 4:32Symmetry: two vases
placed above a fireplace, -
4:32 - 4:34a point A and a point B,
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4:34 - 4:38delimiting the interval between them
where you can put whatever you want, -
4:38 - 4:41the photo of an old relative,
a flower arrangement, -
4:41 - 4:43a beautiful African head sculpture -
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4:43 - 4:44there you go.
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4:44 - 4:48Miss Foer is going off topic.
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4:48 - 4:49No!
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4:49 - 4:53This is really my way,
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4:53 - 4:55the mattress, life, and the symmetry,
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4:55 - 5:01of trying to explain to you
that, at my age, you need certainties. -
5:01 - 5:06You need to clearly understand
what we ourselves sense, our own feelings. -
5:06 - 5:09And indeed, you want, you need,
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5:09 - 5:13every feeling to have
its mirror image, its opposite. -
5:13 - 5:14Yes?
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5:14 - 5:15Resentment - forgiveness.
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5:15 - 5:17Lightness - heaviness.
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5:17 - 5:20Brightness - darkness.
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5:20 - 5:24So, in this frenzy of mine,
a bit senile, of opposites, -
5:24 - 5:28given the meaning
of the word "rebirth" is valid, -
5:30 - 5:33does the word "re-death" exist?
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5:35 - 5:36No.
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5:36 - 5:39And where am I going to put
my African head? -
5:40 - 5:42Here certainties start to totter.
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5:42 - 5:45But to our luck, we have
two certainties in life. -
5:46 - 5:48Birth, point A,
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5:48 - 5:50and death, point B.
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5:50 - 5:55And in between there's
something beautiful, which is existence. -
5:55 - 5:57And also an even more wonderful thing:
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5:57 - 6:01it's finding a meaning for your existence.
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6:03 - 6:06No people, you cannot be reborn,
because you do not "re-die". -
6:06 - 6:11As soon as you enter life,
you are under obligation to live, -
6:11 - 6:12to stay alive,
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6:13 - 6:16to experience different experiences,
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6:17 - 6:18to feel important feelings,
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6:18 - 6:21like anger, pain, love, friendship,
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6:21 - 6:25devotion, recognition, belonging.
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6:25 - 6:31Ah! Life allows
that we put aside our beliefs -
6:31 - 6:35and replace them with others,
fresher, stronger, more vigorous, -
6:35 - 6:36that are more relevant to us.
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6:36 - 6:41In that moment, life makes it possible
for us to re-believe ourselves -
6:41 - 6:45without intermediate
re-deaths or rebirths, -
6:45 - 6:47let alone resurrections,
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6:47 - 6:49a privilege that has been given to a few,
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6:49 - 6:53and also hard to document, I believe.
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6:53 - 6:55(Applause)
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6:55 - 6:56Anyway -
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6:56 - 6:59(Applause)
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7:03 - 7:04I'll tell you,
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7:04 - 7:06I'll tell you about myself.
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7:08 - 7:11When I lost my beloved partner,
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7:11 - 7:13Hervé Foer -
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7:13 - 7:17he was a very sweet and very solid man -
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7:17 - 7:21well, when he passed away,
I felt completely lost. -
7:21 - 7:24My thoughts were full of death,
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7:24 - 7:26I didn't want to exist anymore.
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7:27 - 7:31I was so angry that he had left me alone,
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7:31 - 7:32in this world.
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7:32 - 7:34I was terrified.
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7:34 - 7:37My thoughts were
of disappearing, of dying. -
7:37 - 7:39I wanted to die.
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7:39 - 7:41But no.
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7:41 - 7:44Life didn't give me that luxury.
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7:46 - 7:48I had to stay alive,
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7:48 - 7:50in that life, in my life,
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7:50 - 7:54and deal with the loss of my love.
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7:54 - 7:59But with time, with time as life passes,
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7:59 - 8:03I regained my stability,
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8:03 - 8:07I rediscovered the value of little things,
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8:07 - 8:13I found a place for the love
of my beloved Hervé: -
8:13 - 8:16in his remembrance.
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8:19 - 8:24I certainly don't want to convince anyone
not to use the term "rebirth" anymore, -
8:24 - 8:28for which I want to express all ...
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8:28 - 8:30all my respect,
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8:30 - 8:36especially in its literary, poetic,
evocative, mystic, religious meanings, -
8:36 - 8:38in its meaning in relation to the soul.
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8:38 - 8:42But I invite you, every time
it's possible for you, -
8:42 - 8:49to choose carefully the name to give
to your shifting emotional feelings. -
8:49 - 8:52There are some wonderful ones:
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8:52 - 8:58"rediscover", "re-emergence",
"return", "rebuild". -
8:59 - 9:01And why not: "revolutionize"?
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9:03 - 9:05I will conclude
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9:06 - 9:12by voicing all my total antipathy
towards the figure of the Arabian phoenix. -
9:12 - 9:19This horrid agitated, loud,
exhibitionist, self-igniting bird - -
9:19 - 9:21that I also find vulgar -
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9:21 - 9:23and it rises and re-rises,
and the ash and the fire, -
9:23 - 9:27Holy Mary, such a mess, what a to-do!
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9:27 - 9:30Well, I hope that this Arabian phoenix
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9:30 - 9:34crumbles once and for all!
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9:34 - 9:36Crumbles!
(Applause) -
9:36 - 9:37Crumbles!
(Applause) -
9:37 - 9:38Also -
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9:38 - 9:40(Applause)
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9:40 - 9:45Yes, but also because it finds peace.
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9:45 - 9:46Right?
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9:46 - 9:48And if it does need to re-rise, be reborn,
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9:48 - 9:52at least let it not leave
too many ashes around. -
9:52 - 9:53Thank you!
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9:53 - 9:55(Applause)
- Title:
- Nevertheless | Drusilla Foer | TEDxPadova
- Description:
-
Singer, actress and author of Tuscan origin, she has long been considered a style icon. Photographed by Mustafa Sabbagh and muse of artists such as David LaChapelle and Cindy Sherman, she debuted as an actress in cinema productions and well-known TV programs. Of cynical and anti-bourgeois character, she, at various times, offers her support to important social causes.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx
- Video Language:
- Italian
- Team:
closed TED
- Project:
- TEDxTalks
- Duration:
- 09:56
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Robert Tucker edited English subtitles for Ciononostante | Drusilla Foer | TEDxPadova | |
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Robert Tucker accepted English subtitles for Ciononostante | Drusilla Foer | TEDxPadova | |
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Robert Tucker edited English subtitles for Ciononostante | Drusilla Foer | TEDxPadova | |
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Robert Tucker edited English subtitles for Ciononostante | Drusilla Foer | TEDxPadova | |
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Robert Tucker edited English subtitles for Ciononostante | Drusilla Foer | TEDxPadova | |
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Robert Tucker edited English subtitles for Ciononostante | Drusilla Foer | TEDxPadova | |
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Robert Tucker edited English subtitles for Ciononostante | Drusilla Foer | TEDxPadova |