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Why we must stop dancing to the sound of our own oppression

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    So often,
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    I'll take a fitness class,
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    or I'll go to a music venue,
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    or really anywhere that plays
    music in the background,
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    and I'll find myself loving the rhythms
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    and the melodies and the beats,
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    and then I take a second
    to listen to the lyrics,
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    lyrics that, for example,
    place us in a position of subservience
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    that we would never tolerate
    in any other context.
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    And I'm aghast at the degree to which
    we normalize sexism in our culture.
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    I listen to this music and I'm like,
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    I don't want to have to turn up
    to the sound of my own oppression.
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    You know, music is one of
    the most powerful forms of communication,
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    because it has the potential
    to either uplift or oppress.
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    Music caters to the emotions.
    Music caters to the soul.
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    Music opens up our soul.
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    It opens up our channels
    to receive information
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    about somebody else's walk of life,
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    to inform our own ??.
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    And while I have no problem
    with male fantasy,
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    what I do have a problem with
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    is that according to a recent study,
    only 2.6 percent of all music producers
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    identify as women.
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    That means an even smaller percentage
    identify as trans or gender nonconforming.
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    And why does this matter?
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    Because, if we don't own
    and control our own narrative,
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    somebody else will tell
    our stories for us,
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    and they will get it wrong,
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    perpetuating the very myths
    that hold us back.
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    And I'm not here to tell other people
    how to make their music,
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    but I am here to provide
    and design the alternative.
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    One strategy I take in my music
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    is making uplifting, energetic,
    percussive global beats
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    and placing lyrics on top of them
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    that genuinely describe
    my life's experiences
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    without contributing
    to the oppression of anybody else.
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    It's funny because it's the same reason
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    as to why we excuse
    so many problematic lyrics.
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    It's because we love
    how the beats make us feel.
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    An example of this is my song
    "Top Knot Turn Up."
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    [Music: "Top Knot Turn Up"]
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    (Lyrics) I turned off my phone's
    notifications so I have more time
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    One thing to know
    I'm not here to please
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    Hair tied up I do it properly
    My time is not your property
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    When I'm productive like my ovaries, ayyy
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    Give a grown girl room to breathe
    Basic rights and her liberty
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    Free from insecurity
    That the world's projecting onto me
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    Please do not trouble me when I am focused
    The future is female you already know this
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    I'm fighting against
    the corruption on SCOTUS
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    Turned up in my top knot
    since when I first wrote this
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    It's a top knot turn up
    It's a top knot turn up, turn up, turn up
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    It's a top knot turn up
    It's a top knot turn up, turn up, turn up
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    It's a top knot turn up
    It's a top knot turn up, ayyy
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    It's a top knot turn up
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    Madame Gandhi: I want us to keep making
    sex-positive, beautiful music
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    about joy and freedom.
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    I want us to embrace our own pleasure
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    just as much as we embrace our own pain.
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    I want us to celebrate the authentic,
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    nuanced,
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    multidimensional aspects
    of our human existence,
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    rather than perform false narratives
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    of degrading sexuality
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    in order to feel accepted or loved.
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    And another strategy
    that I take in my music
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    to combat the misogyny
    that exists on the airwaves
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    is to visually depict the very world
    I wished we lived in.
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    In the music video
    for my song "See Me Thru,"
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    which is like a vibe-y,
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    Queer electronic R&B song,
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    I cast two of my dear friends, ??
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    to play the role of the lovers,
    because they're married in real life.
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    But what you don't know
    is that they also are behind the camera
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    concepting and directing
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    the entire video.
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    (Video) Heyyyyy ohhhh
    My emotions were tired
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    MG: Music should be safe and accessible
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    for all to experience.
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    As you can see, it's not about
    losing the sex appeal or swag
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    that music has,
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    it's about writing messages
    that infuse tenderness and positivity
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    into music that motivates us
    and challenges us,
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    and while we as musicians
    absolutely have the responsibility
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    to make music that isn't disempowering,
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    the consumers can be
    part of the change too.
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    Firstly, we get to choose
    which songs we want to mute
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    and which songs we want to turn louder.
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    We get to say I respect myself enough
    to say I don't want to listen to this
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    and I don't want this to be
    in anybody else's space either.
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    Secondly, we can simply ask ourselves,
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    does this music or this message
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    contribute to the oppression
    of somebody else?
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    Why am I tolerating it?
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    And finally, we can all be choosing
    to make playlists or DJing music
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    that provides the right vibe or mood
    that we're looking for in that moment
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    without the problematic messaging.
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    Why does this matter?
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    Because it's teaching algorithms
    in our streaming systems and our world
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    exactly what it is that
    we do want to listen to,
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    creating long-term change
    and a feedbacking mechanism
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    that impacts the entire industry.
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    This is not a message
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    for just a small group of people.
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    This is a message that affects everybody,
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    because when we project and liberate
    our most vulnerable genders,
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    we liberate everybody.
Title:
Why we must stop dancing to the sound of our own oppression
Speaker:
Madame Gandhi
Description:

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Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
06:03

English subtitles

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