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Scusa ma ti chiamo amore PARTE 1

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    SUBTITLES BY ZIZI, MADE WITH LOT OF EFFORT AND TIME
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    In your opinion, what would make a creative advertising claimed 37,
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    self-confident and passionate about his work,
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    to spend hours and hours sitting on this desert island rocks
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    to engage in an activity such as fishing
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    of which, however, as you can see from the meager results obtained,
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    He has no knowledge?
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    - There is only one thing that has the power to change lives tare to a person:
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    the love.
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    - Of love stories in my work I see constantly
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    and I know that can lead us to come back on our promises.
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    That's not your husband?
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    - Girl: he never notices anything. - If you say so...
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    - Men: Stargazing vowing eternal.
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    - Boy: I love you, you know that this is forever right?.
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    Sure, I love ', provided that you do not fall off!
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    - Breaking with the past.
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    I realized that I hate you!
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    (DOOR BELL)
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    - Men: Believe in future.
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    - I understood that I love you. - Come in.
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    - It was a Thursday when everything is finished. Or rather, it began.
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    Love!
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    Elena, I'm home.
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    Elena!
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    Elena?
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    Elena?
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    - Elena: I teletonato in the hotel but you started,
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    And when you're like this, the world seems to have fun at your back,
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    and everything reminds you that she is gone, even a simple movie.
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    - Verdone (from TV): What girl, Adriana? I am alone!
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    - I was alone in an empty house,
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    with an analyst because I'm also in analysis
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    and so much loneliness, do you understand? Tanta.
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    - Look, you want me to change? Look, I change, eh? - Mh!
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    - you want more resolute, more cakes, more cynical? Tell me what you want.
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    - Actress: How I've missed you! And how much I miss you!
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    - Man: Then you're forced to resort to the lowest means,
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    you would not have the courage to confide to anyone.
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    '' Love tragic '' no.
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    '' Separation: how to recover in 12 steps ''.
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    '' When she has had enough ''.
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    The first step to new single: what is important is the Stogo.
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    Arise, terito man come round. Yell out.
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    (Softly) Oh ...
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    (Crescendo) Ah ... Ah ... Ah!
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    (ALEX GRlDA)
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    - By: Oh! Are you done?
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    What are you proof 'alarm? Eh? You go play de '?
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    - Look what you see!
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    er the work day and night vojo sleep ', you know?
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    - It gnaws at you, or ties to ta '' na walk!
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    - Man: I've known Alex for work
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    and twisted it is because he knows what I do
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    It became his best confidant,
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    and he told me all about these four seventeen,
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    an age at which girls are complicated to say the least.
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    It tanno call '' WAVES '' from the initials of their names:
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    Olly, Niki, Diletta and Erica.
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    Naomi! It should ta 'seriously model!
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    You will understand, with what if you drink!
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    - Men: Olly, real name Olimpia,
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    extroverted, uninhibited, rowdy,
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    say that you love still do not believe it too.
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    - the boys are picked up and dropped. Sex, only healthy sex! - But it '!
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    - Men: Erica, quieter Olly, is already engaged,
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    or rather it is engaged for too long with a guy
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    too precise, too methodical and especially too boring.
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    Love, we have to finish to come back tomorrow.
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    - Do not feel like tare late. - Madonna, Gio ', do not break!
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    Oh well, I'm going home.
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    This is the price you pay for love.
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    - Men: Dorothy: healthy, wise, sports. One thing separates it from the others,
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    one thing that the WAVES always remember:
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    It is still a virgin.
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    Yes, but, and you pay when the brunt?
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    What a bore! I've already said a thousand times:
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    at the right time with the right person.
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    - But the girl I have had to deal with the most is her:
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    Niki, unpredictable, sometimes young girl,
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    then suddenly a woman.
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    - Generosa, believe in love and the dream torza.
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    (DOOR BELL)
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    A beautiful! But tai, do not come to the heads where you invite me?
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    Alessia was very sorry.
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    Mh, I, sorry, Peter, I forgot.
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    Good thing I remembered it! Tonight remain silent fiesta!
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    - I've put here! -Alex: Peter?
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    - Come on, girls, say hello to Alex! - Hello!
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    That tai? What are you keeping silent?
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    - As you say nothing? Let's head. -At my home?
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    And in my house, with my wife?
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    They are the Russian models of your last campaign, you recognize?
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    Truly the choices we had to work.
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    - A lot of people bring work home. - Yes, oh well.
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    - What tai? - Which is? - You have to offer to the Russian. - Ah.
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    - What shoes are you wearing? - Why? - You look like a trate!
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    - I know 'ugly? - Eh! If you can not see '.
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    Of the House.
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    Here we are!
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    - Man: The man embraced this beautiful girl is Peter,
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    one of the best friends of Alex.
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    - He's a lawyer, has two children, is married,
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    but this is not his wife.
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    - And even that.
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    - His wife's name is Susanna
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    and he has just discovered that yoga with children
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    It is a discipline that helps harmony tamiliare.
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    Here, this is the time: you're opening a contact with the earth.
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    - Mom, I've got tame. - Hush, hush! Do not you feel now?
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    - Then there are Flavio and Cristina
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    and this is their moment of greatest passion.
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    - Tisanina? - Eh? - Brodie. - Eh.
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    (BRUSlO FROM TV)
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    - ... and Henry and Camilla.
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    - You rowdy and free, his restless, paranoid
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    and fastened with any kind of cultural event.
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    - A truly mismatched couple.
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    - This weird guy Alex does not know it yet,
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    but it will prove to be an important person,
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    although their relationship, as you will now see,
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    It is not really got off on the right foot.
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    Hello do you remember me?
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    No, sorry, sorry.
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    I work in the agency,
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    I have the desk next to that of Elena. Andrea Soldini!
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    - Alex: Ah, yes ... Excuse me a moment, huh, Andrea.
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    Excuse me, can you come? I have to talk to you. Sorry.
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    Do you realize who you take me home?
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    Of course, I brought three Russian models, three pussies!
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    Thou hast brought one that speaks to me of Helen.
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    I am silent as to pull the plug?
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    You 'is obsession with Elena, Elena ... I must free.
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    - Let the Russian salad. - No. - Yeah, look at that romantic!
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    - See how eating cherry.
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    - Think when you eat bananino. Ah, and!
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    Look, I'm 2:00, I go to sleep.
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    - Man: '' Enjoy the power and beauty of your youth ''.
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    - ''The Big Kahuna.''
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    Girls, keep, these are for you. One of you ...
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    -A serving 'sti goggles? - We do Bum Bum Car:
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    It is like bumper cars, but with real cars.
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    Then they burst the windows, the doors jumping ...
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    These are used to protect your eyes!
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    Here. I do not say nothing.
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    - But it is very cool, I feel last week, nothing happened. - No.
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    -You? -Oh well!
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    Madonna, but who it is? E'fichissimo!
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    If he drives, I'm in the car with him.
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    Olly, and tiette 'nce, madonna!
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    (HORN) Here they are! Oh, they're coming!
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    (Drifting. APPLAUSl)
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    - Men: five stolen cars, taken by a coachbuilder for 1,000 euro.
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    - There you bet on and the latest walking, wins.
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    - The rejection of the system. It 's true, it will be wrong,
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    but what I'd like to be there in the middle!
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    Hello, Niki. That tai, come with me?
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    If we win, with the money I take you to dinner and be silent peace.
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    Fabio, we are no longer together. So no dinner, okay?
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    OK, however you want.
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    Girls, I'm back to square. Niki him and we parted,
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    so who wants to come with me, please.
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    - Niki: Fabio. I can not believe it. It looked beautiful.
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    - Fabio: Solar #Col your face, with your special smile, #
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    #With your loving eyes, eyes the same taste. #
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    - Niki: I was dying for him.
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    - My first time, my first love.
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    - And now I look at him and feel nothing.
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    - l mean, no, no. But How long asshole!
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    (HORN)
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    (GRlDA. Wheelies)
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    (GRlDA.
    APPLAUSl)
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    (Elena ANSlMA)
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    (COLPl THE DOOR)
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    There he is...
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    - What's up? - Your friend hurt, badly. Here we go.
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    - Who? Where is it? - Your friend, is in the bathroom.
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    - Ylenia: There it is, he's here.
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    - What happened? - Excuse me, but have heart disease.
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    - So? - I feel a shot of cocaine.
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    But like cocaine? But you're stupid? Madonna mia!
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    Oh well. Get up, breathe. Take the other side. Where's Peter? Peter!
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    Help! Man almost died. Help me! (SlRENA)
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    Hush, the tate is' shut up to this?
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    What has happened, oh?
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    - Alex: The Friend has a touch of cocaine shooting
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    and heart disease.
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    But you're stupid? Are you nuts?
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    Nun te worry ',
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    we have already called the ambulance and the police, quiet!
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    Sorry. I've taken a bit 'at home Alessia.
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    - Just that ... - What? - Who gave it to me I can not tell you.
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    That there Trega who gave it to you! You moron! (DOOR BELL)
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    - Deficient. - No, you poor.
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    Ah, I moron? - Eh! - He moron.
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    They played, I opened.
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    - Good evening. - Alex: Good evening!
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    - Fellow: Who feels bad? - Him. - Him.
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    We measure the pressure immediately.
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    Gentlemen's going on here? Strange Testini seems.
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    Maybe! We were friends, we drank something. All quiet.
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    - How do you feel? - Very bad!
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    - What ta, he writes? - Why, you worried about?
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    No, it was so to say, since it's my house.
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    And these ladies? They are foreign?
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    Yes, Russian, but all with a residence permit.
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    - Peter: Yes, but everything is in order, huh!
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    - Alex: They are models of our advertising campaign.
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    I am creative.
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    as a lawyer. I can offer you something, captain?
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    - Brigadier. - Brigadier, sorry. I wanted to say that ... Excuse me.
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    It's all my fault. I was going well with the girls ...
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    lrina, we can present our captain?
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    - Brigadier. - Good evening.
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    He speaks Italian well, he is fascinated by the uniform.
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    I am generous, I involved my friends,
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    he has heart disease, I swear I did not know,
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    he drank, he mixed up, too much coffee ... - Too much coffee?
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    - The coffee ta bad. - Carts, write: too much coffee.
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    Too much coffee, huh? How is the gentleman?
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    Not bad, but we take him to hospital for checks.
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    - Hi Alex. Thanks for everything. - Carts: What we are silent?
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    So, gentlemen, for this time we're done so,
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    but careful what you tate and no noises at night.
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    - The next time we come, but with the mandate. Clear? - Do not worry.
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    -See you later. - Alex: Thanks. Good job. Thank you.
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    - Serra: See you! - Alex: Bye.
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    Aho, taken away from thee 'sti mess, not even with the abbreviated trial, huh?
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    -Now head is over; all away. - Sure? - Sure.
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    - Peter: Girls, come on!
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    -At least an entertaining evening, eventful, to be repeated. - Yes.
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    The next weekend?
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    - The jacket!
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    - Man: And when you least expect it,
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    when you believe everything is going the wrong way,
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    that your life is planned in detail nautraghi,
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    (SVEGLlA SOUNDS)
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    then suddenly it happens.
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    Good grief!
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    Facts like this tattoo: a eletantino.
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    Why do you have to tare a tattoo? If you like you feels that you're three!
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    Pertorza, equal brings bad luck.
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    - Good morning Dad. - Hello. - Good morning mom.
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    Love, you sit down and eat something, come on.
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    I only drink a little 'juice, I am a tottuto late.
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    - You are always in a tottuto late! - Oh! But words are?
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    -Go plan on a motorbike! - You tell me every morning! Do not bring me bad luck!
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    Who teaches these words? '' Misfortune '', '' jinx '', is you!
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    But do you know where the hell you looking at?
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    No, look who I really was I who had precedence.
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    What are you saying, you moron? Had you stop, you, no precedence!
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    - Forget it, how are you? - Mi ta bad elbow.
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    - Let me see. Move it. - Yes, I move, I move it.
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    Look, even the jacket you've ruined!
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    Look at the door, however, all ruined, look.
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    You look at my pants, all torn on the butt.
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    But if you wear them all so the pants.
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    What do you say? These were new! Fornarina, you know?
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    Sure, come on, I'll give you a hand. Here.
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    Oh! Careful, careful!
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    Madonna, what you break, you look like my father.
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    You have no respect for other people's things you.
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    - Now you look my grandfather. - Mashed potato!
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    But look what damage! The front wheel is crooked.
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    I'm sorry, but I can not drive it. I accompany you to school.
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    I can not, I'm late, I'm sorry.
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    I'm calling the police, the ambulance, the Carabinieri,
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    then we see what time arrivals. Let's go come on.
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    (''SHE'S THE ONE'' DA AUTORADlO)
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    No, please, go up quietly. There is no problem.
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    In Julius Caesar, Corso Trieste. Hurry up, they close the gate.
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    - I do not know, something else? - No.
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    - No, you know. - Lovely song! - Eh.
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    - However I am Niki.
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    Alessandro Belli.
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    - Excuse me, your feet? - Thing? - the distance from the dashboard, you take them?
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    - Yes, Alessandro Belli. - I do not know.
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    Do not you have a nickname, a way in which you call friends?
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    They call me Alex.
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    Ah, go here! - Stop! That tai? - Let's cut. The ta even my mother!
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    Take off your hands! Do not you see that it is a preterenziale lane?
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    Here, I knew, I was feeling fine.
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    -A rosicone! - What tai? Come in!
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    Excuse me, but I hate them firefighters, it is more pies than me.
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    All we need is there to stop insulting a public official.
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    - Madonna, as you are over the top! Mamma Mia! - I am exaggerated?
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    I come on him, I dirty the car,
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    then there tanno the fine, they arrest us. The Tatte we all.
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    it and you're never going to agree.
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    lntatti we do not get along, we just do not tare an accident.
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    -Really we already feel. - Eh.
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    However, termati here that this is my school.
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    - This? - Yes, this one.
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    - Alex: Here, my business card with all contacts,
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    for insurance call me - Creative director.
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    - E 'an important role? - More or less.
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    I knew I could Tarti a lawsuit with controfiocchi.
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    - And look, if this is Talso, I now take the license plate, eh?
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    And if you Talsa too?
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    - Head! - Hello!
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    What happened to you feel? I was waiting yesterday to my head!
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    Sorry, but I do not have recommeneded. You do not know how I was, watching.
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    - Hello Sandra. - Hello!
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    - It 's only two minutes ta, do not worry. - Thank god.
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    - You sit down if you want, I'll call you. - Okay thank you.
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    (ALEX SOSPlRA)
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    You're thinking if we already know each other?
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    Yes, intact.
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    - Pleasure, Marcello Santi. -Alessandro Belli, pleasure.
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    I had the office over Elena.
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    Ah. You too? - Thing? - Nothing. I said, that there tai here?
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    I have an appointment with Leonardo. (TELEPHONE SQUlLLA)
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    Ah. Me too. - I know. - Sandra: Yes? Yeah, all right.
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    - He said that Leonardo can rise. - Thank you.
  • 19:47 - 19:50
    You are welcome.
  • 19:55 - 19:56
    Oh, here they are. Take a seat, boys.
  • 19:58 - 20:01
    - Bello, De Kooning, right? - Yeah.
  • 20:01 - 20:03
    Ah! Eletantini, GDP brew, 1930. Belli.
  • 20:06 - 20:09
    - Well done, so I like you: competitive.
  • 20:09 - 20:11
    - What's under here? - All. - Anything.
  • 20:12 - 20:16
    Right, Alexander. All. All that interests us.
  • 20:17 - 20:20
    These are LALUNA sweets, tuturo of our agency.
  • 20:20 - 20:23
    They offer 14 million and an exclusive 2 year pertutti the LALUNA products.
  • 20:23 - 20:27
    the Japanese have launched a competition among our agencies.
  • 20:27 - 20:30
    So what I am silent? I copy them, always silent:
  • 20:30 - 20:34
    a race between Belli and Alessandro Marcello Santi.
  • 20:34 - 20:37
    (MOBILE SQUlLLA)
  • 20:38 - 20:40
    - Sorry. Ready? - Hey, Belli, how are you? I took 7!
  • 20:44 - 20:48
    You took 7?
  • 20:49 - 20:50
    Yes, right! It happened not by a citra.
  • 20:50 - 20:52
    - Excuse me, but who is this? - As the speaker? They are Niki.
  • 20:53 - 20:55
    - Niki? - Yes, that morning were going to kill.
  • 20:56 - 20:58
    Ah, yes ... Hello, how are you? In a meeting, sorry, we can not speak.
  • 20:59 - 21:04
    And I at school, in protessori room.
  • 21:04 - 21:05
    Here you can not speak freely to the phone!
  • 21:06 - 21:08
    If anything happens to me?
  • 21:08 - 21:09
    Sorry, we need to talk later, absolutely.
  • 21:09 - 21:12
    I've talked to the mechanic. It 's been to take the keys.
  • 21:12 - 21:15
    Yes, no ... I can not talk.
  • 21:15 - 21:17
    A moment! Okay, I have to attack. See you at the exit.
  • 21:18 - 21:21
    No, Niki, no ...
  • 21:22 - 21:23
    Horses, but we tai protessori in the room?
  • 21:25 - 21:27
    I was rehearsing.
  • 21:28 - 21:29
    But what rehearsing! Turn off the phone, torza.
  • 21:29 - 21:32
    I do not regret the tare 7 I gave you.
  • 21:32 - 21:34
    - The 7 contermato it to me? - '' The 7 contermato it to me ''? Row class.
  • 21:34 - 21:38
    Presta, what? You too?
  • 21:39 - 21:40
    E 'was unfair to me. I would treat my vote.
  • 21:41 - 21:43
    You say '' treat '', eh? So you want to tare as Cicero said:
  • 21:43 - 21:47
    '' Some liberalitertractare ''. - Cioè?
  • 21:47 - 21:50
    - '' you should treat someone well ''. - Exactly!
  • 21:50 - 21:52
    - It's not your case. Hello. - Mortacci yours!
  • 21:53 - 21:56
    - Yes? - Sandra, reproach them in. - Immediately.
  • 21:57 - 21:59
    You will have your personal assistant,
  • 21:59 - 22:01
    people who will not disappoint. You will see, people of good faith.
  • 22:01 - 22:05
    Alessia is perfect for this job.
  • 22:05 - 22:07
    - Alessia will be the assistant Marcello.
  • 22:08 - 22:09
    - You work together and she too
  • 22:10 - 22:11
    and I want to create new synergies. - Very well,
  • 22:11 - 22:14
    - Pleasure. We will do a great job together.
  • 22:15 - 22:17
    - Leonardo: Perte, Alessandro, your perfect shade, the graphics genius.
  • 22:17 - 22:21
    - Here it is: Andrea Soldini. - Hello! Hi Alex.
  • 22:21 - 22:25
    - All right, guys, now go and work hard.
  • 22:26 - 22:28
    - ln stake is the role of creative foreign managers
  • 22:28 - 22:31
    and a substantial increase in salary.
  • 22:31 - 22:32
    The loser will trasterito to our agency in Lugano.
  • 22:32 - 22:35
    Perfect.
  • 22:35 - 22:36
    -Vedrai, Alex, we're going tortissimi! - Yes, like last night.
  • 22:36 - 22:39
    Who is that?
  • 22:41 - 22:42
    The tratello the loser who dumped after Christmas.
  • 22:42 - 22:45
    - He does not know what to expect! - Hello sweetheart.
  • 22:45 - 22:48
    - Have you seen your little friends of Bum Bum Car? - Yes. You will understand!
  • 22:48 - 22:51
    - You will understand! I will not go there anymore. -Yet? What a bore! Give me up!
  • 22:52 - 22:55
    Very cool. (HORN)
  • 22:55 - 22:57
    Excuse me, please, huh?
  • 22:59 - 23:00
    - Niki: So, how was work?
  • 23:07 - 23:09
    Well. Well, as usual.
  • 23:11 - 23:14
    Excuse me, gently, you can remove the foot from the dashboard?
  • 23:16 - 23:19
    Madonna, oh, you're old!
  • 23:20 - 23:22
    - Give as the young man with fake Adidas under the dark suit
  • 23:22 - 23:25
    and then break my balls?
  • 23:25 - 23:27
    What does that have to do with anything? And 'the work clothes. The evenings are very sporty
  • 23:28 - 23:31
    Even younger fake.
  • 23:31 - 23:33
    Oh well, never mind feel. Where's the mechanic?
  • 23:35 - 23:38
    Ah ... He said he can not do ta for now.
  • 23:38 - 23:41
    - How not do ta? - No. - What do you mean?
  • 23:42 - 23:44
    What do you want? But before stondi scooters, then you wonder?
  • 23:44 - 23:47
    But I who have come to take you to tare, then?
  • 23:47 - 23:50
    You put me in the morning and not even offer me one thing?
  • 23:50 - 23:53
    Come on, keep silent close, right? There reconcile.
  • 23:53 - 23:55
    And oh, be reconciled.
  • 23:58 - 23:59
    Are you sure? And 'old town, you can not park.
  • 24:08 - 24:11
    Even the lunch brigade. Let's go take a trullato.
  • 24:11 - 24:14
    Who comes last pays.
  • 24:14 - 24:16
    No ... But how '' who comes last pays ''?
  • 24:17 - 24:19
    - Man: '' Anyone who brings a loved '' scar. De Musset.
  • 24:23 - 24:27
    - Only that sometimes she forgets.
  • 24:27 - 24:29
    Wait up!
  • 24:29 - 24:30
    - Oh, what tai exceeds? - No, not true!
  • 24:36 - 24:39
    - Two trullati. - Cashier: Here you are. Thank you.
  • 24:40 - 24:43
    (MOBILE SQUlLLA) Thanks. Can I have a straw?
  • 24:46 - 24:50
    - Mum! - Where are you? - Um ... ln around with Olly.
  • 24:51 - 24:54
    Ah, strange, because Olly called here, he was looking for.
  • 24:54 - 24:57
    I wanted to say that I was ... until a moment t with Olly.
  • 24:57 - 25:00
    Now who are you?
  • 25:00 - 25:01
    - I met a friend of mine. - Who? - A friend of mine. You do not know him.
  • 25:02 - 25:05
    - Okay, hurry up and get back that you have to study.
  • 25:05 - 25:08
    I'll leave you to eat in trigo and not to add lies.
  • 25:08 - 25:11
    - Mom? - Mh, say.
  • 25:14 - 25:16
    - Simona: Your daughter gets worse by the day, you do not know who invented bales!
  • 25:17 - 25:21
    - Fantasy tertile, like her mother. - In what sense?
  • 25:21 - 25:25
    Do not you remember the shit that t'inventavi you with your own?
  • 25:26 - 25:28
    No. Type?
  • 25:30 - 25:31
    Type who thought you arrived virgin at marriage.
  • 25:32 - 25:35
    (SlMONA RlDE)
  • 25:35 - 25:36
    Well, I do not think it is appropriate to Niki.
  • 25:38 - 25:40
    Ah.
  • 25:42 - 25:44
    - I took her away. - Are you sure? It was later?
  • 25:44 - 25:47
    But no, it was under the arch, now how to be silent?
  • 25:47 - 25:50
    ln some way solve.
  • 25:51 - 25:52
    Luckily firefighters were at lunch.
  • 25:52 - 25:55
    I tell you I never go up the controllers, do not worry.
  • 25:58 - 26:01
    Good morning. Tickets, please.
  • 26:04 - 26:07
    Tickets, please.
  • 26:08 - 26:10
    - 86,15 €? - Policeman: Yes, plus the fine. - Mashed potato? - Yes.
  • 26:10 - 26:14
    Ah, see? - What's up?
  • 26:15 - 26:17
    Nothing, it agreed ricomprartelo new scooter.
  • 26:17 - 26:19
    Madonna, there's nothing worse than the stingy, eh!
  • 26:20 - 26:23
    (MOBILE SQUlLLA) - Here's your change. You are welcome.
  • 26:23 - 26:25
    - Alex: Hello? - Hello, Alex, I'm Andrea Soldini.
  • 26:25 - 26:28
    Hi Andrea how are you?
  • 26:28 - 26:29
    - We are all here in the office.
  • 26:29 - 26:31
    - We were wondering if you were spending later. - Let me drive!
  • 26:31 - 26:33
    - Excuse me a moment. I said no! - I have a driver's license, come on!
  • 26:33 - 26:36
    - Yes, Andrea, sorry, but I feel a bit 'late,
  • 26:37 - 26:42
    But we keep silent so: free inspiration,
  • 26:42 - 26:44
    ie each one follows its own method. Yes.
  • 26:44 - 26:47
    - Forward!
  • 26:47 - 26:48
    All right, then we proceed. Hello. (SCHlANTO)
  • 26:49 - 26:52
    He said '' today free inspiration ''. Boh.
  • 26:52 - 26:55
    (ALEX snorts)
  • 26:58 - 26:59
    The'm about to get my license.
  • 27:00 - 27:03
    - But I've got the toglio pink. Ah.
  • 27:05 - 27:07
    - But it is very much so bad? -A pieces are.
  • 27:10 - 27:12
    - Flavio: Even physically. And 'emaciated, greenish.
  • 27:12 - 27:15
    - Porello, though. - Camilla: He took a nice hit.
  • 27:16 - 27:19
    With Elena they were going to get married, huh?
  • 27:19 - 27:21
    I always try to call, but either turned off or is not responding.
  • 27:21 - 27:24
    Do not the ta more to talk about. Only Peter succeeded.
  • 27:24 - 27:27
    I had to submit to his house,
  • 27:27 - 27:29
    He was very ill, I dragged him out of bed, crying, 'na tragedy.
  • 27:29 - 27:32
    He did not send away.
  • 27:32 - 27:34
    I said: '' I am 2:00 in the morning I have a hearing ''.
  • 27:34 - 27:36
    - He told me: '' You sleep with me? '' What you say? - What you say?
  • 27:36 - 27:39
    - The other night, right? - And of course, the other night!
  • 27:40 - 27:42
    Love, but how sweet you are?
  • 27:42 - 27:43
    Arriva. We avoid comments on Elena, who in these situations is obnoxious.
  • 27:45 - 27:49
    - Flavio: Hello Alex! - Hello how are you? - All: Hello.
  • 27:49 - 27:52
    Ciao.
  • 27:52 - 27:53
    Ciao.
  • 27:55 - 27:56
    - Good evening everyone. We are ready to order? - I'd say.
  • 27:58 - 28:01
    But the lady tonight where he left?
  • 28:01 - 28:03
    Look, we can bring gently while water?
  • 28:06 - 28:08
    - Take the courtesy, thank you. - Camilla: What we take?
  • 28:08 - 28:11
    - Flavio: They make good the '' pennette of taro Guardian ''.
  • 28:11 - 28:14
    A beautiful sea bass with salt and passes everything.
  • 28:14 - 28:16
    - Or with a glass of wine. - Pure penne ...
  • 28:16 - 28:19
    - Bass pertutti? - Sea bass.
  • 28:19 - 28:20
    No, that is, tregato me the money!
  • 28:21 - 28:23
    -Do you want a hand? - Yes thanks.
  • 28:24 - 28:27
    I'm an expert. He tregato a lot of times even me.
  • 28:27 - 28:30
    - What did you want? -A24, a plum. -A24 ...
  • 28:30 - 28:34
    -Wow thanks! - Anything. Hello! - Hello!
  • 28:39 - 28:43
    - Man: '' Love is like tulmine: ''
  • 28:46 - 28:48
    '' You do not know where it falls until it is dropped ''. Henri Lacordaire.
  • 28:48 - 28:52
    - Olly: Hey! To write this message? -To nobody.
  • 28:56 - 28:58
    - It 's bullshit. Let me see! - No! - Let me see!
  • 28:58 - 29:01
    Erica: Take it, give us a hand.
  • 29:02 - 29:04
    - Oh! Read a little '. - Erica: From what we keep.
  • 29:04 - 29:07
    - Fabio: Well, good, read it well for me, I'm curious.
  • 29:08 - 29:10
    Look, however, was not perte.
  • 29:12 - 29:14
    - Why do you say things to me in reproach, true love?
  • 29:14 - 29:17
    Yes, but do not call me '' love ''.
  • 29:17 - 29:18
    - However I do Trega to those who write. - Better.
  • 29:18 - 29:21
    I came to tell you that I have found my new stage name.
  • 29:21 - 29:24
    Fabio Phobia. Do you like?
  • 29:24 - 29:25
    Very. Original, especially one that ta hip hop.
  • 29:26 - 29:30
    - Fabio Phobia! - Oh God, what a name!
  • 29:30 - 29:32
    You know why he did not tunzionato between us? Why are you a rosicona.
  • 29:32 - 29:35
    - Olly: Worse could not find!
  • 29:36 - 29:37
    - Alex: ancient e'troppo old.
  • 29:39 - 29:41
    This lettering is too '80s, not good.
  • 29:41 - 29:43
    We think the bigger moon in metatorico sense.
  • 29:43 - 29:46
    The moon is a large white melon.
  • 29:47 - 29:48
    Oh well. Let us try in a historical sense, twisted is better, huh?
  • 29:49 - 29:51
    When Armstrong landed on the moon he found these candies.
  • 29:51 - 29:54
    I would not spend my life in the charming Lugano.
  • 29:55 - 29:58
    Why, it's so bad 'is Lugano?
  • 29:59 - 30:00
    I would not even regret saving you the other night.
  • 30:00 - 30:03
    - Excuse me a moment, there is a friend.
  • 30:05 - 30:06
    Keep working pertavore? ldeas new, new, come on!
  • 30:07 - 30:10
    - Henry! - I was looking for you! Sorry I did not warn you, I'm sorry.
  • 30:10 - 30:14
    Imagine, what happened?
  • 30:14 - 30:15
    I've got a little problem. I should have a word.
  • 30:15 - 30:17
    Let them that there is none. Come.
  • 30:17 - 30:19
    Li, sit them.
  • 30:21 - 30:22
    - Then?
  • 30:23 - 30:24
    There you have 'na silent!
  • 30:25 - 30:27
    - What happened? - Camilla betrays me.
  • 30:28 - 30:30
    - Camilla? Do not even mention it! - No, no, I 'sure. - Which is?
  • 30:30 - 30:34
    Yesterday she left two pairs of shoes under the chair where was the dress.
  • 30:34 - 30:37
    Eh. So?
  • 30:37 - 30:39
    How then? On! Diane Lane and Richard Gere? '' The intedele love ''!
  • 30:39 - 30:42
    She leaves two pairs of shoes under the chair: is undecided
  • 30:42 - 30:45
    because it has another one!
  • 30:45 - 30:46
    -Now one is undecided because she's a slut, I'm sorry? - Come on though!
  • 30:46 - 30:49
    - And that bitch? - No, I mean it is not an alarming thing.
  • 30:49 - 30:53
    No, instead, Camilla has changed a lot in the latter period.
  • 30:53 - 30:56
    - But how changed? - It's changed...
  • 30:56 - 30:58
    - When you are silent love is now more ... - More?
  • 30:59 - 31:02
    - More more? - More eager, here.
  • 31:02 - 31:06
    - Well, maybe you have them 'sti problems, sorry! - I'm not kidding.
  • 31:06 - 31:10
    You owe me a tare tavore:
  • 31:11 - 31:12
    go by a private investigator, is called Tony Costa.
  • 31:13 - 31:15
    No, a private investigator, no, please, come on!
  • 31:16 - 31:18
    You're the only one I can ask. Do it for our friendship.
  • 31:18 - 31:21
    - All right, come on. - Thank you! I love you.
  • 31:23 - 31:25
    Nothing, nothing, nothing. Come on, I have to work on.
  • 31:25 - 31:28
    - There will be a waste of money, but ... - We hope, we hope.
  • 31:28 - 31:31
    But promise me one thing: just movie with Richard Gere.
  • 31:31 - 31:34
    - That's enough. - That's enough.
  • 31:34 - 31:35
    (MOBILE SQUlLLA)
  • 31:38 - 31:39
    - Ready? - Niki: Hello, Alex!
  • 31:40 - 31:42
    Who's talking?
  • 31:42 - 31:43
    You have not registered my number?
  • 31:43 - 31:45
    I'll be waiting at the exit!
  • 31:45 - 31:46
    Ah, Ni-- Niki, hello. I can not. -Vabbè, I expect the same!
  • 31:46 - 31:52
    All right, see you at school.
  • 31:52 - 31:54
    Alex, did not know you had a child!
  • 31:56 - 31:58
    Eh, either.
  • 31:59 - 32:00
    Here. I do not like debts.
  • 32:02 - 32:05
    But imagine, for a snack! He hath touch give this to you pleasure.
  • 32:05 - 32:08
    All right. However I'm Dorothy, please.
  • 32:08 - 32:10
    It's true. Filippo. We were not presented there.
  • 32:10 - 32:12
    - Erika: No, no, I told you no, thou hast wearied me!
  • 32:13 - 32:16
    - They argue forever! - What a bore, there is Fabio. I'm going.
  • 32:17 - 32:21
    - Where are you going? - After I call you and tell you.
  • 32:21 - 32:23
    -Go, go, hurry! There's my ex! - So?
  • 32:26 - 32:29
    - And then she would not understand. - Do not you understand?
  • 32:29 - 32:31
    - you would not understand and that's it! Then abusive.
  • 32:31 - 32:33
    Oh well, still raised that passed.
  • 32:33 - 32:35
    However, you're the worst, arrive half an hour late.
  • 32:38 - 32:40
    Sorry if I had an important meeting.
  • 32:40 - 32:42
    the feet! I ask pertavore: feet on the dashboard not.
  • 32:45 - 32:49
    -Go here. - Where is it? - Here.
  • 32:50 - 32:51
    - No, fuck, it is closed! - How close? - Closed, closed.
  • 32:54 - 32:58
    - You show up at 14:00, it's normal, no? Come on. Ah, well?
  • 32:58 - 33:00
    And now as I go to Fregene?
  • 33:01 - 33:03
    - There is a very important match them today. I care a lot.
  • 33:03 - 33:06
    - No. -True to take me? - Do not just talk about it. No.
  • 33:07 - 33:10
    Come on, take me.
  • 33:10 - 33:12
    - No, do not give me that look. They are adamant.
  • 33:12 - 33:14
    - Oh, come on, come on, come on, come on! - Plan!
  • 33:20 - 33:22
    But I can not do tai?
  • 33:22 - 33:23
    - Man: '' We were together. All the rest of the world have forgotten ''.
  • 33:26 - 33:29
    - Walt Whitman.
  • 33:29 - 33:31
    - I'll be back soon, huh? - Yes. - You can keep this? - Yes.
  • 33:35 - 33:40
    Ah, through the passage.
  • 33:41 - 33:44
    You are welcome.
  • 33:48 - 33:49
    (That is, he gave me a kiss on the lips? Calm down.)
  • 33:57 - 34:01
    (Ok, he has the tact so, to thank you, is normal.)
  • 34:05 - 34:09
    (But, how beautiful!)
  • 34:09 - 34:10
    - Niki: Beautiful here, right?
  • 34:15 - 34:16
    This for me is practically a second home.
  • 34:16 - 34:19
    Although school is a bit 'a second home.
  • 34:19 - 34:20
    You know, in the end I like to go to school.
  • 34:21 - 34:23
    (Alex: I like that you clean with your hand.)
  • 34:25 - 34:27
    (I like it clean with your hand?)
  • 34:27 - 34:29
    (You're just tuoro head.)
  • 34:29 - 34:31
    (Niki: Oh, what? Why does she look so mouth?)
  • 34:31 - 34:34
    (Sure I've got something in your teeth.)
  • 34:34 - 34:36
    Thank you.
  • 34:38 - 34:39
    (Niki: Eh, no, we have not.)
  • 34:40 - 34:42
    (You have to find something better to break the ice.)
  • 34:42 - 34:45
    - Tell me about this competition that creates these problems for you.
  • 34:46 - 34:49
    - I'll take risolverteli. - Yes? - Mm-hmm.
  • 34:49 - 34:51
    Alright then. Then,
  • 34:52 - 34:54
    a group of Japanese want to throw a piece of candy on the market. - Mh.
  • 34:54 - 34:58
    I and my group we must find the best way pertarlo. That's all.
  • 34:58 - 35:02
    - How recommeneded candy? -A crowd of moon.
  • 35:02 - 35:05
    Wow !. Then I got it. They are an excellent creative.
  • 35:05 - 35:07
    (MOBILE SQUlLLA)
  • 35:07 - 35:09
    My mother. Mum?
  • 35:10 - 35:12
    Niki, are two hours I'll call you. It was always off!
  • 35:12 - 35:14
    I know. I'm Erica. Here you do not take it well, you know.
  • 35:15 - 35:17
    (Alex: How many years have you had nothing to tare with these teletonate?)
  • 35:17 - 35:21
    (Niki: Who knows how many years will not have to tare with these teletonate!)
  • 35:21 - 35:24
    Safety? I seem to hear the sea.
  • 35:24 - 35:26
    Eh, what we are studying. However I am here for dinner.
  • 35:26 - 35:29
    - (sighs) Okay, but check back soon. - Okay. Hello.
  • 35:29 - 35:32
    -Oh well. I had an idea Fichissima for your advertising. - Shoot.
  • 35:34 - 35:37
    (Niki: Oh my God, '' shoot '' no, eh.)
  • 35:38 - 35:39
    I mean '' he tells ''.
  • 35:40 - 35:42
    Okay. We see a city
  • 35:42 - 35:43
    and suddenly everything trastorma in packages of candy
  • 35:44 - 35:47
    and perfinire the LALUNA Candy: Laluna, a city of sweetness!
  • 35:47 - 35:50
    Carina, but they have already recommeneded. del Ponte, 1988 Rubber.
  • 35:50 - 35:54
    1988 I was not born.
  • 35:55 - 35:57
    ( '' FOREVER YOUR GIRL '' lN FOUNDATION)
  • 35:57 - 36:02
    Niki: Why we're termando?
  • 36:32 - 36:33
    Wait here, do not get out of the car, it's a dangerous neighborhood.
  • 36:33 - 36:37
    Yes, Dad.
  • 36:38 - 36:39
    (DOOR BELL)
  • 36:42 - 36:43
    Hi, I'm Alessandro Belli. Looking Tony Costa.
  • 36:47 - 36:50
    - Pleasure, I'm Adele, Tony's assistant. - Pleasure. - You are welcome.
  • 36:50 - 36:53
    Tony! E 'loss!
  • 36:55 - 36:57
    - Tony: And I will have Tony Costa,
  • 37:07 - 37:10
    protessione: private investigator. - Hello.
  • 37:10 - 37:12
    - Breaking and saving unions is my specialty.
  • 37:13 - 37:15
    - I know what you're thinking: I should be a cynic, a mercenary,
  • 37:15 - 37:20
    one that on the emotions of other passes over like a bulldozer.
  • 37:20 - 37:23
    - But is not so. Each case is close to my heart.
  • 37:23 - 37:26
    - Couples in crisis me dream the night.
  • 37:27 - 37:29
    - And when I discover a betrayal, I am colitis.
  • 37:29 - 37:32
    - As you can see, though, I learned to flaunt protessionalità.
  • 37:32 - 37:36
    - It's part of the job.
  • 37:36 - 37:37
    - Jealousy is a disease irrational, paralyzing, absolutely.
  • 37:37 - 37:41
    - Just a shower tuoro time, a new hairdo,
  • 37:41 - 37:44
    a short message at the wrong time
  • 37:44 - 37:45
    and we are willing to do anything, just to know the truth.
  • 37:46 - 37:48
    - That people like Alex pass by here,
  • 37:48 - 37:51
    They sit in front of me, Tugging
  • 37:51 - 37:53
    and, with pleading eyes, tell me:
  • 37:53 - 37:55
    Look it really is for my friend.
  • 37:55 - 37:58
    - And I almost always decide to believe.
  • 37:58 - 38:00
    Leave a down payment?
  • 38:01 - 38:03
    - An advance. Yes sure. 1,500, right? - 1500, all right. - Yes, here it is.
  • 38:03 - 38:09
    Well, then, we When updating a few weeks. I'll call.
  • 38:11 - 38:15
    - Thank you. -See you later.
  • 38:16 - 38:17
    (ALEX SOSPlRA)
  • 38:35 - 38:36
    - Well then? Who is cheating who? - Thing?
  • 38:36 - 38:39
    Do not tare the vagus. You citotonato investigator.
  • 38:40 - 38:42
    -I had told her to stay in the car though. - It 's true, you said!
  • 38:44 - 38:47
    - So? - So I am silent as I please.
  • 38:47 - 38:50
    I do not want to talk about this story.
  • 38:50 - 38:52
    Quiet, I talk about myself. You're left with your girlfriend, right?
  • 38:52 - 38:55
    But what do you know?
  • 38:55 - 38:56
    But you see. That is, you're right in that tase, a classic:
  • 38:56 - 39:00
    As soon as you left, other women disappear.
  • 39:00 - 39:02
    You did not even deign to look.
  • 39:02 - 39:05
    - Did I looked, I looked and saw a little girl.
  • 39:07 - 39:10
    Mh. But you'd be an adult?
  • 39:10 - 39:13
    One who wants to find out if she has betrayed you.
  • 39:14 - 39:16
    Maybe it was a good story, what is the need of tarsiers hurt?
  • 39:16 - 39:20
    Look, it's not for me. E 'for my friend.
  • 39:20 - 39:22
    Yes, okay, everybody says so. (MOBILE SQUlLLA)
  • 39:22 - 39:24
    ll my head. Ready Leonardo?
  • 39:28 - 39:30
    Yes, yes, yes, we have a lot of proposals!
  • 39:31 - 39:33
    Tomorrow at 16:00. Sure why not? Perfect. On time. Okay. Hello.
  • 39:35 - 39:41
    - Shit, I knew it! I knew it! - What's up?
  • 39:43 - 39:45
    I just have to find a new idea and ingenious by tomorrow at 16:00.
  • 39:45 - 39:49
    Why do not we go to you, so we find the inspiration?
  • 39:49 - 39:52
    - This house is Fichissima! - Thank you.
  • 39:57 - 40:00
    - No! But you recommeneded you this advertising?
  • 40:00 - 40:02
    Yes you like?
  • 40:02 - 40:04
    - Heck, I love your socks. Of course, the ever-extension, eh,
  • 40:04 - 40:07
    But at the end of mica the port every day.
  • 40:07 - 40:10
    Sure.
  • 40:17 - 40:18
    - What's up, a terrace? - Yes.
  • 40:24 - 40:27
    - I can? - Yes, yes. You are welcome.
  • 40:27 - 40:30
    Would you like something to drink? Vodka, rum, gin and tonic?
  • 40:32 - 40:36
    - Coca-Cola, thanks. - Coke.
  • 40:36 - 40:38
    - Here. - Thank you. - You are welcome.
  • 40:46 - 40:48
    - Coca-Cola and jasmine. - Good?
  • 40:53 - 40:56
    We could invent a new drink: the Gelsomin Cola.
  • 40:56 - 40:59
    You want to steal your job?
  • 40:59 - 41:01
    Though not tunzionerebbe: is too complicated name.
  • 41:02 - 41:04
    People love the simple things.
  • 41:05 - 41:06
    However, it feels good.
  • 41:07 - 41:09
    - Good. - And I?
  • 41:15 - 41:17
    I have a good taste I?
  • 41:22 - 41:24
    Niki ...
  • 41:37 - 41:39
    - Excuse me, but ... it's too complicated. - It 'a simple thing.
  • 41:40 - 41:46
    Alex: I can not.
  • 41:49 - 41:50
    You can, you can.
  • 41:51 - 41:52
    - Alex: Do you have a sweet protumo. - Jasmine.
  • 42:02 - 42:05
    - Alex: I do not think anything. - Only with you.
  • 42:07 - 42:10
    - Alex: I tremble. - Hug me.
  • 42:13 - 42:15
    - Alex: I want you.
  • 42:19 - 42:21
    - How beautiful you are!
  • 42:27 - 42:29
    - Alex: Only with you. - I want you.
  • 42:34 - 42:37
    - Only with you, Niki.
  • 42:37 - 42:39
    - Alex: Kiss.
  • 42:46 - 42:48
    - Niki: Behold - Again ...
  • 42:54 - 42:57
    - Alex: Still ...
  • 42:59 - 43:01
    - Niki Still ...
  • 43:03 - 43:05
    The girl jasmine.
  • 43:11 - 43:13
    Che tai, tumi?
  • 43:15 - 43:17
    At home I can never tumare. My l do not know.
  • 43:17 - 43:20
    lmmagino that instead everything else they know.
  • 43:21 - 43:23
    - type, which are no longer a virgin? - Eh, among many others.
  • 43:23 - 43:27
    You are crazy? They never had the courage to tackle the subject.
  • 43:27 - 43:32
    Although, when I was with Fabio,
  • 43:32 - 43:34
    it was obvious, we were always locked in the room!
  • 43:34 - 43:37
    (ALEX SOSPlRA)
  • 43:38 - 43:40
    - tai What, are you jealous? - him? No because?
  • 43:41 - 43:45
    - Come on, a bit '. - No.
  • 43:45 - 43:48
    Un po '. (NlKl RlDE)
  • 43:52 - 43:54
    Cool! it can not stand jealousy,
  • 43:54 - 43:57
    But you can be me ... I can even go crazy.
  • 43:58 - 44:02
    Shit, it is very late! l me my drink!
  • 44:07 - 44:09
    I have to go home.
  • 44:10 - 44:11
    - Martini: Palmiri, 4+. The usual disaster.
  • 44:12 - 44:15
    Olly, you tarmi a huge tavore. I tai two drawings?
  • 44:16 - 44:20
    No way.
  • 44:20 - 44:21
    First, where were you last night,
  • 44:21 - 44:24
    and second, most importantly, what you touch.
  • 44:24 - 44:26
    I swear, if I tai drawings, I'll tell you everything!
  • 44:26 - 44:28
    - In the last detail? -All right, okay. - Okay.
  • 44:29 - 44:32
    - Martini: Severi, tell me about your interesting parallel
  • 44:32 - 44:37
    between the cruel nature of Giacomo Leopardi
  • 44:37 - 44:40
    and this melancholic suffering of Francesco Totti.
  • 44:40 - 44:43
    (RlSATE)
  • 44:44 - 44:45
    E ', that is, what I think
  • 44:45 - 44:48
    however, it is that it is normal that Leopardi wrote love poems
  • 44:48 - 44:52
    a little 'heartbreaking
  • 44:52 - 44:54
    because when one which has the physical ditetto, like he was a hunchback,
  • 44:54 - 44:58
    it is normal that you're darker, right? - You say?
  • 44:58 - 45:02
    - Sure. He saw the smear of Totti before the World Cup, after intortunio?
  • 45:02 - 45:06
    Of course, like to forget?
  • 45:06 - 45:07
    He was serious, he looked sad. (RlSATE)
  • 45:07 - 45:12
    l mean, protesso ', perhaps he did not write' 'Jabberwocky' ',
  • 45:14 - 45:17
    But to me the broken ankle Totti me ta think 'the hump Leopardi.
  • 45:17 - 45:21
    (RlSATE)
  • 45:21 - 45:23
    Whatever happens, I know 'two poets, eh? (RlSATE)
  • 45:23 - 45:26
    Me to remove both a curiosity?
  • 45:26 - 45:29
    - But you want to give this year's maturity? Or not? -Volendo ...
  • 45:29 - 45:34
    - Olly, I fell in love. - Really, it is him?
  • 45:35 - 45:38
    - Beautiful, but there is a problem. - Would be? It's with two?
  • 45:38 - 45:42
    - Useless! It is 20 years older! - Really, that's cool!
  • 45:42 - 45:46
    And I even waste time with you!
  • 45:46 - 45:48
    - What happens? - Niki's with a 20 years older!
  • 45:48 - 45:52
    - But really? It 's crazy! -Vado tarmi to tell all.
  • 45:52 - 45:55
    - 20 years, I tell you one thing. 20! - Oh, but you are crazy?
  • 45:56 - 46:00
    It's no good, it's old, well this is old.
  • 46:00 - 46:02
    It needs something new, less classical, more original, surprising.
  • 46:02 - 46:06
    No.
  • 46:14 - 46:15
    Guys, I have seen the works of Marcello:
  • 46:34 - 46:37
    we really have a brainstorm.
  • 46:37 - 46:39
    How nice that you came to tell us.
  • 46:39 - 46:41
    (TELEPHONE SQUlLLA) Sorry, Alex.
  • 46:41 - 46:43
    - Alex: Hello? -Alex, there's ... - We have not for anyone.
  • 46:43 - 46:46
    -All right, I'm sorry - None.
  • 46:46 - 46:47
    (ALEX snorts)
  • 46:48 - 46:49
    '' I'll give you the idea ''!
  • 46:50 - 46:52
    The feel is that I'm crazy, I'm crazy.
  • 46:54 - 46:56
    I'm messing around with a seventeen year old instead of working!
  • 46:56 - 46:59
    What do you expect from that? She does not remember her things, she figured mine.
  • 46:59 - 47:03
    Not even called!
  • 47:04 - 47:05
    I'll call. But yes, I call.
  • 47:05 - 47:07
    - Hi Alex! - Hello, Niki. How are you? You feel another accident?
  • 47:09 - 47:13
    Useless, I'm fine. I had a great idea about your candy!
  • 47:13 - 47:16
    -Oh yes? Tell me. - I've also recommeneded draw!
  • 47:16 - 47:18
    - And why do not you bring me? - I've brought,
  • 47:18 - 47:21
    but your secretary says he does not let anyone tar.
  • 47:21 - 47:24
    - Where are you? - Outside of your office.
  • 47:24 - 47:26
    - Really! How are you? - Well.
  • 47:30 - 47:32
    - are these? - Yes, they are. -Come.
  • 47:34 - 47:36
    - Sure? - Yes, come, meet the rest of the team.
  • 47:37 - 47:40
    Guys, she is Niki. - Hello. - All: Hello.
  • 47:40 - 47:43
    - It took us an idea. - Oh.
  • 47:43 - 47:45
    I thought back to what I said about Alex LALUNA Candy
  • 47:45 - 47:49
    and I came to my mind of things.
  • 47:49 - 47:50
    The drawings he feels my friend Olly them.
  • 47:50 - 47:52
    -Wow !. - Uh! - Niki, but it's beautiful!
  • 47:56 - 47:58
    - Brava, Niki. - It's beautiful! - Beautiful this!
  • 48:00 - 48:02
    - Alex: Come on, come with me.
  • 48:04 - 48:05
    - Beautiful, Niki! (APPLAUSl)
  • 48:05 - 48:07
    Alex Go, ran!
  • 48:09 - 48:10
    You wait here.
  • 48:13 - 48:14
    Leonardo, I have a perte surprise.
  • 48:17 - 48:21
    We'll catch later.
  • 48:24 - 48:25
    Well done, well done!
  • 48:26 - 48:28
    -Come with me. Thank you, Niki. - Imagine. But where are you taking me?
  • 48:30 - 48:34
    That's enough. For I finished today. You won a driving lesson
  • 48:34 - 48:36
    and you can stasciarmi the machine all you want. - You are crazy!
  • 48:36 - 48:39
    And?
  • 48:41 - 48:42
    -Avverta the Japanese who send the proposals. - Agree.
  • 48:42 - 48:45
    - Tony: '' We are contacts of the same stuff as dreams ''.
  • 48:45 - 48:48
    - William Shakespeare.
  • 48:48 - 48:49
    - You're weird tonight. - so, why?
  • 48:50 - 48:52
    Me to dinner at the club on the day of my birthday?
  • 48:52 - 48:55
    It seemed a nice idea, no?
  • 48:55 - 48:57
    But play your friends?
  • 48:57 - 48:58
    No, jokes? It 'just to be just you and me.
  • 48:58 - 49:00
    Best wishes!
  • 49:00 - 49:02
    Camilla! Camilla! Camilla! Camilla!
  • 49:04 - 49:08
    - What's up? -Come.
  • 49:15 - 49:16
    - What's up? -Then? -So what? - Tony.
  • 49:17 - 49:19
    - Tony chi?
    - Tony Costa.
  • 49:19 - 49:21
    Ah, Tony; He has accepted the position. It's all OK. - Thank god. - Yes.
  • 49:21 - 49:25
    - Oh, maybe there is already someone who is spying on us? - Maybe.
  • 49:25 - 49:28
    - It was what you wanted, right? - It's right.
  • 49:30 - 49:32
    - You paid for that. - I 'clear, I paid.
  • 49:32 - 49:34
    - Okay, but you feel the event tonight in Camilla? - Thing?
  • 49:34 - 49:37
    He cut his hair.
  • 49:38 - 49:39
    - Well? - Alex, '' A woman, a rogue '', Lino Ventura:
  • 49:40 - 49:42
    '' When a woman changes hairstyle, ''
  • 49:42 - 49:44
    '' He is going to change man ''.
  • 49:44 - 49:46
    Enrico, new rule:
  • 49:46 - 49:47
    no Richard Gere, no romance film. Yes, of any kind.
  • 49:48 - 49:51
    Indeed, it feels a nice settimanella cartoons.
  • 49:51 - 49:54
    - The cartons? - Yes.
  • 49:54 - 49:55
    -All right. Oh! - Yes?
  • 49:56 - 49:58
    - Thank you, really thank you. - But of what?
  • 49:58 - 50:01
    - Tony Costa, the whole situation. - Do not even mention it. - Thank you.
  • 50:01 - 50:04
    - Enrique '... - What is it?
  • 50:04 - 50:06
    - If you leave me your arm ... - You're right! - Hello.
  • 50:06 - 50:09
    - Oh! - Are u?
  • 50:09 - 50:10
    (Softly) I recommend, if you see something ...
  • 50:10 - 50:12
    - Peter: So? Have you finished tare the hermit?
  • 50:14 - 50:17
    Tie ', eaten' I'm Japanese.
  • 50:17 - 50:18
    I assure you that in here and there tuoro is full of women
  • 50:19 - 50:22
    them ready that are waiting for you.
  • 50:22 - 50:23
    Do not worry, I have my little soddistazioni.
  • 50:23 - 50:26
    Great! But tai, do not tell me anything? Years?
  • 50:26 - 50:28
    - What you have years now? - They're important!
  • 50:29 - 50:31
    -Years? - Diciasse-- - Huh?
  • 50:32 - 50:35
    Seventeen, but if you say something to someone your head off.
  • 50:37 - 50:40
    Seventeen? Kill genre that you've caught. You're a myth!
  • 50:41 - 50:44
    Oh! I definitely want to go out with friends, eh?
  • 50:44 - 50:47
    - Alex: Are you sick. No, no.
  • 50:47 - 50:48
    - Take me? We go out with her friends? - No!
  • 50:48 - 50:50
    You're a intame.
  • 50:50 - 50:52
    -What time you told? - I know, you told us Alex.
  • 50:53 - 50:56
    At what time?
  • 50:57 - 50:58
    I do not know, will now exit from school and will come, right?
  • 50:58 - 51:01
    'It's something that excites me out of school!
  • 51:01 - 51:03
    - Henry: 14:00 am, I tame!
  • 51:03 - 51:05
    - Peter: Think eat '? Here it is!
  • 51:05 - 51:07
    - Cute this place! -True?
  • 51:07 - 51:09
    Yes, but who knows how much it costs!
  • 51:09 - 51:10
    - you pay them? I do not have a euro. - Do not worry.
  • 51:10 - 51:13
    - No, I mean, guys, I'm leaving. - Where are you going, where are you going?
  • 51:13 - 51:16
    They're too small.
  • 51:17 - 51:18
    For roscetta would take 30 years in prison, they are all.
  • 51:18 - 51:21
    - Peter, please. - Yes, yes.
  • 51:21 - 51:24
    - Niki, but who is Alex? - The one at the head.
  • 51:24 - 51:26
    - Kill, that's cool! - Erika: Beautiful!
  • 51:26 - 51:28
    - Diletta: The others all look bad.
  • 51:28 - 51:30
    - No come on. The one with the tie is not bad. - He is married! - You're the usual.
  • 51:30 - 51:35
    - Hello. Hi, nice to meet you. - Hello.
  • 51:36 - 51:38
    - Pleasure, Dorothy. - Hello, Henry.
  • 51:38 - 51:40
    (STOPS OVERLYING)
  • 51:40 - 51:42
    Come on, guys we want to sit down?
  • 51:44 - 51:46
    Come on, sit! Man, woman, man, woman.
  • 51:46 - 51:49
    - Alex: She is Niki. - Pleasure. - Niki
  • 51:49 - 51:52
    - It 'Niki. - I get it registered.
  • 51:52 - 51:54
    So, I sit me here.
  • 51:54 - 51:55
    - Peter: Oh, here we are, this is a memorable day.
  • 51:55 - 51:58
    - We thank all Alex. - All: Thank you. - No come on. About what?
  • 51:58 - 52:02
    - Excuse me, you offer you, right? - And of course, my treat.
  • 52:02 - 52:04
    - Champagne pertutti! - Champagne?
  • 52:04 - 52:07
    Do you want mineral water? Champagne bubbles.
  • 52:07 - 52:09
    I knew that you would have stuck with the talk about the clubs.
  • 52:10 - 52:13
    - Erica: Will be 20 years who do not set foot where he dances. I see!
  • 52:13 - 52:17
    Look, you're wrong and too big.
  • 52:17 - 52:19
    - We have recently been ... What's his name? - Goa, sorry, it is not practical.
  • 52:19 - 52:23
    - The head of ... - Flavio: George, age 40, remember?
  • 52:23 - 52:26
    - the 40 years to Goa? I 'grandmother Manco! - Such as?
  • 52:27 - 52:30
    Guys, shut up, or else is a group suicide that.
  • 52:31 - 52:33
    - Very nice purple these claws a little 'aggressive. - Beautiful, is not it?
  • 52:34 - 52:37
    What do you want?
  • 52:38 - 52:39
    - Carina the medal. It reminds me of the military. - Really?
  • 52:39 - 52:41
    It ta sex at age 40 as a 16.
  • 52:42 - 52:44
    Indeed, 40 is even better, there is more experience.
  • 52:44 - 52:47
    There's the whole Tretta and the toga of 18 years. I do not know what I mean.
  • 52:47 - 52:51
    Yes, but who thinks now 40 years old? For me, life is now.
  • 52:51 - 52:55
    Six of Claudio Baglioni's daughter?
  • 52:55 - 52:56
    (RlSATE)
  • 52:56 - 52:57
    - Carina the small springs that you have on your hair. - Thank you!
  • 52:57 - 53:00
    Why did you set up 'is what? I'm not jealous. I'm jealous?
  • 53:00 - 53:04
    -Ammazza if you're jealous. - I know 'jealous? - No!
  • 53:04 - 53:06
    But you're not jealous of your boyfriend?
  • 53:07 - 53:09
    the? But that guy! But I think that ingelosisco me to someone?
  • 53:09 - 53:12
    Brava! See, for example, she is open.
  • 53:12 - 53:14
    - Olly: I'm going to tumarmi a cigarette.
  • 53:14 - 53:16
    Me too I'm going to Tuma 'a cigarette.
  • 53:16 - 53:18
    - Henry: Peter, where are you going?
  • 53:19 - 53:21
    - He never tumato in his life. - Never. (RlSATE)
  • 53:22 - 53:25
    Instead of tumarci a cigarette,
  • 53:27 - 53:29
    why not try the beautiful tai me of my 20 years?
  • 53:29 - 53:31
    There are silent ride a scooter, we get lost in the tightly wind?
  • 53:31 - 53:35
    - Yes, but not too tight. - Straits enough.
  • 53:35 - 53:37
    All right, keep silent this round.
  • 53:38 - 53:40
    Peter! Children, Dad!
  • 53:51 - 53:54
    Love, what a surprise! A kiss to dad.
  • 53:54 - 53:57
    - Mom took me to play football. - Good boy.
  • 53:57 - 54:00
    - What tai here? - I'm here at lunch with Alex. -Alex.
  • 54:00 - 54:02
    Oh, if the ...
  • 54:04 - 54:05
    I said:
  • 54:06 - 54:07
    Via Veneto, straight, square Hungary, left, straight and finished.
  • 54:07 - 54:11
    I will 'will'.
  • 54:11 - 54:12
    'Sti young, not even thank you.
  • 54:12 - 54:14
    - You're with the children who greet Alex. - No! She cries at breakneck speed.
  • 54:14 - 54:17
    I touch a figure with the waiter! Better not.
  • 54:17 - 54:19
    - He can not overcome the gap to Elena. - It's hard.
  • 54:19 - 54:22
    I greet him the same.
  • 54:22 - 54:23
    No, but I'm joking? But what effect the tare can see us, the children,
  • 54:23 - 54:27
    the image of a tamiglia Telice? See you this evening. Return.
  • 54:27 - 54:30
    - You are right. Hello Star. - Hello sweetheart.
  • 54:30 - 54:32
    A kiss.
  • 54:32 - 54:33
    - Hello children! - Hi Daddy!
  • 54:34 - 54:36
    Dorothy: He's still gnawing for Peter, eh?
  • 54:40 - 54:42
    Think if the wife will pecked two minutes later!
  • 54:42 - 54:45
    - Olly: At least finally he understands who you married.
  • 54:45 - 54:47
    Look, if that is so, the crisis went on for some time.
  • 54:47 - 54:51
    Yes, yes. All the excuses are good, Olly!
  • 54:51 - 54:55
    But explain to me why more spoken and only me?
  • 54:55 - 54:58
    In here there is someone else who can no telling right, true, Niki?
  • 54:59 - 55:04
    Make see signs of Alex, tammi see.
  • 55:04 - 55:06
    - What an idiot you are! And if he coughs? - You recommeneded own trap.
  • 55:06 - 55:11
    But that trap! Niki you're just falling in love.
  • 55:11 - 55:13
    You said nothing!
  • 55:14 - 55:15
    - Lady, you can not see this furniture. - No, huh?
  • 55:19 - 55:22
    We change?
  • 55:23 - 55:24
    ( '' SEMPLlCEMENTE '' lN FOUNDATION)
  • 55:24 - 55:27
    Increase!
  • 55:34 - 55:36
    Good!
  • 55:39 - 55:40
    Niki, right by, so are the signs, please. Niki!
  • 55:48 - 55:53
    Horses! Good night! From Pascal, I've said a thousand times ...
  • 55:59 - 56:06
    - Niki: Look how wonderful this taro. Read here.
  • 56:08 - 56:10
    You can become guardians for a while. Would not it be nice?
  • 56:10 - 56:14
    - Thing? -Go to live in a taro for a while '.
  • 56:14 - 56:17
    Yes, beautiful, but quite impossible.
  • 56:18 - 56:21
    Of course you are right now slave to the system.
  • 56:21 - 56:23
    Working, producing, earning,
  • 56:23 - 56:25
    and still work, produce, earn.
  • 56:25 - 56:27
    So you miss all the good things in life.
  • 56:28 - 56:30
    - Guy? - Me. Ah, that's right, I forgot.
  • 56:30 - 56:35
    - But I will save you. - Thank you. - You are welcome.
  • 56:36 - 56:39
    (HORN)
  • 56:45 - 56:46
    - Good morning. - Good morning.
  • 56:55 - 56:57
    Good morning. You again.
  • 56:58 - 57:00
    - Carts: And the girl who is? Another Russian?
  • 57:01 - 57:03
    - No. - No, Italian. And I have the toglio pink. - Contermo.
  • 57:04 - 57:08
    Serra: Oh well, let them go.
  • 57:10 - 57:11
    - Carts: Goodbye. -See you later. -See you later.
  • 57:12 - 57:14
    (ALEX SOSPlRA)
  • 57:17 - 57:19
    - Well, that is the history of Russian? - No, a work thing. Ouch!
  • 57:19 - 57:23
    Ah! - Work, huh?
  • 57:23 - 57:25
    Come on, come on, leave the trizione.
  • 57:26 - 57:29
    (Scoured)
  • 57:31 - 57:32
    - Niki: I'm back! - Simona: Hello. - Hello.
  • 57:34 - 57:37
    Come on, that tai I missed!
  • 57:37 - 57:39
    - Dad, you've cut your sideburns? - A bit'. - FIG. You look younger.
  • 57:39 - 57:43
    -I'm going to study. - Hello sweetheart.
  • 57:43 - 57:44
    Mh ... e'troppo Telice.
  • 57:46 - 57:49
    - Is there something I should know? - Meaning?
  • 57:51 - 57:54
    - I 'slept with someone? - Dad, you have still not understand?
  • 57:55 - 57:58
    I mean, I know 'last?
  • 58:01 - 58:03
    - What tai? - It is very late. I have to go home,
  • 58:19 - 58:22
    but he continues to sleep. Quiet. I take a taxi, love.
  • 58:22 - 58:25
    What did you say?
  • 58:29 - 58:30
    I said ... that are 2:00 and I take a taxi, you sleep.
  • 58:30 - 58:35
    No, no. I want to understand how you called me.
  • 58:36 - 58:39
    Oh, yeah, I decided.
  • 58:40 - 58:42
    - Sorry, but I'll call you '' love ''. - Sorry? - But I'll call you '' love ''.
  • 58:43 - 58:47
    What? (NlKl RlDE)
  • 58:48 - 58:50
    - Tony: I know what you're thinking: that is romantic, right?
  • 58:50 - 58:54
    - But Italians are a nation of romantics.
  • 58:54 - 58:56
    - More than 50% / sms of their starts or ends with the word '' love ''.
  • 58:56 - 59:01
    I want a divorce.
  • 59:01 - 59:03
    Lawyer, is absurd. There are reasons.
  • 59:03 - 59:05
    - Tony: This is not to say that the trickle always smooth relations.
  • 59:06 - 59:09
    - Boy: That's not your husband?
  • 59:09 - 59:11
    - Girl: Yes, but she never noticed anything.
  • 59:11 - 59:13
    If you say so...
  • 59:13 - 59:14
    - Tony: Or that we have no second thoughts.
  • 59:16 - 59:18
    Forgive me.
  • 59:18 - 59:20
    I understand that I can not live without you.
  • 59:20 - 59:22
    - Tony:
    O decisioni definitive.
  • 59:25 - 59:26
    'She's a bitch. '' Forevertorever '' a pair of balls! Your Mortacci!
  • 59:26 - 59:31
    - Niki: Come on please, tallo for me! - You're crazy, but why? - Come on!
  • 59:39 - 59:43
    - No, it seems to me too. -At least I'm also quieter. - No come on!
  • 59:43 - 59:47
    You're quiet, but I do not know how to tell him, what do I say?
  • 59:48 - 59:50
    ln round you will understand, you're almost the same age.
  • 59:51 - 59:53
    (Ironically) Nice!
  • 59:55 - 59:56
    You do not want tarmi Telice?
  • 59:57 - 59:58
    Come on, tammi Telice!
  • 60:00 - 60:01
    - Sorry? - There is the goalkeeper. - Thank you, eh.
  • 60:05 - 60:08
    (DOOR BELL)
  • 60:09 - 60:10
    - Hello. - Hi, I'm Alessandro Belli.
  • 60:11 - 60:14
    - I came ... - Yes, of course! Come on, I was waiting for.
  • 60:14 - 60:17
    Ah, he was waiting? - Sure. They have warned. Ah.
  • 60:17 - 60:22
    - You are welcome. Because good weather? - Yeah, nice ...
  • 60:22 - 60:27
    - Please, take a seat. - Thank you.
  • 60:29 - 60:31
    Here it is. Let's go straight to the point. I'm 39 and my husband has 45.
  • 60:32 - 60:38
    -We had my youngest daughter and I love you very much Niki. - Sure.
  • 60:38 - 60:44
    - You have kids? - No! No, no ... - Too bad.
  • 60:44 - 60:48
    - You never know what might happen, and instead we would like for her safety.
  • 60:49 - 60:53
    Sure sure.
  • 60:54 - 60:55
    He does not have offered nothing to drink. He wants something?
  • 60:55 - 60:58
    A glass of water, thanks.
  • 60:58 - 61:00
    As for me I have not any doubt.
  • 61:01 - 61:05
    I am satisfied that the choice fell on her,
  • 61:05 - 61:08
    Yes, she gives me a feeling of confidence ...,
  • 61:10 - 61:14
    Then we talked about it at length with my husband
  • 61:15 - 61:17
    in short, we believe both of us. - With her husband as well?
  • 61:18 - 61:21
    For Niki we would like ...
  • 61:21 - 61:23
    lnvestire 15,000 Euros in the round retirement.
  • 61:24 - 61:27
    Ah.
  • 61:29 - 61:31
    What is it, do you feel little?
  • 61:31 - 61:33
    No, no absolutely right. (SlMONA RlDE)
  • 61:33 - 61:36
    I thought...
  • 61:36 - 61:38
    - Well, then ... the silent call from my office. - Yes..
  • 61:45 - 61:50
    Yes, so they start practicing and ... Yes, I think it's better that way.
  • 61:50 - 61:55
    -Aspettiamo your teletonata be silent and then signing. - Yes. - Okay.
  • 61:55 - 62:02
    -See you later. -See you later.
  • 62:02 - 62:04
    (MOBILE SQUlLLA)
  • 62:06 - 62:08
    And?
  • 62:11 - 62:12
    - I called the promoter, that of Round pensions. - Now?
  • 62:12 - 62:17
    Yes. And he told me that unfortunately can not come.
  • 62:17 - 62:19
    - Are you there, oh? - Yes, yes, there are.
  • 62:22 - 62:24
    Eh, oh well, hello.
  • 62:25 - 62:27
    I do not believe my mother mistook Alex for one round of the pension.
  • 62:29 - 62:33
    And that he also believed it!
  • 62:33 - 62:34
    - Why, did you send to know your mother? - Sure!
  • 62:34 - 62:37
    - Oh, we're good! - You will understand!
  • 62:37 - 62:39
    - What do you mean '' understand ''? - You will understand!
  • 62:40 - 62:42
    Wake up, Niki!
  • 62:43 - 62:44
    It means that for him you're just a little girl.
  • 62:44 - 62:46
    That in a bit 'will need adult women:
  • 62:46 - 62:48
    runs, works, goes abroad.
  • 62:48 - 62:50
    Olly, but to me you're pulling '? And then I can not go abroad?
  • 62:50 - 62:53
    What about it, twisted it once did Olly reason.
  • 62:53 - 62:56
    As tai know if you can really trust him?
  • 62:56 - 62:59
    I want to trust him, then we want to believe in love.
  • 62:59 - 63:02
    - Leonardo: Ideas are not gone, sorry.
  • 63:03 - 63:05
    They say they need credible dreams,
  • 63:05 - 63:07
    not a girl on a swing in the clouds
  • 63:07 - 63:10
    or ta surf among the stars.
  • 63:10 - 63:11
    A month. You have a month, otherwise we definitely tuoro.
  • 63:12 - 63:15
    - How are you? - Well.
  • 63:22 - 63:24
    I met this girl, it is quiet, cute,
  • 63:24 - 63:27
    does not create any problem.
  • 63:27 - 63:28
    Truly a person who gives me telicità, joy ...
  • 63:34 - 63:38
    (CAR ALARM)
  • 63:38 - 63:40
    - But it's crazy? -Alex!
  • 63:42 - 63:43
    - Stop! That tai? - Leave me! - Stop!
  • 63:46 - 63:48
    Give me back my ideas! Bastard!
  • 63:49 - 63:51
    - What is happening? - No, nothing, nothing.
  • 63:51 - 63:54
    I wanted to present Niki. Niki, she is Claudia, my sister.
  • 63:54 - 63:59
    Oh, please ...
  • 64:00 - 64:03
    - Did you feel angry, huh? E'tatto so. - Mashed potato!
  • 64:03 - 64:07
    Oh well, I'm going home. I expect the mine.
  • 64:08 - 64:11
    - Hello, eh? - Hello.
  • 64:12 - 64:13
    And 'crazy.
  • 64:17 - 64:18
    I just hope to be there when you present to Mom and Dad.
  • 64:18 - 64:21
    Why, do you like the take? Well, is not it?
  • 64:22 - 64:27
    - Seriously he is 17 years old? - Thing? You touch my escape Elenuccia?
  • 64:27 - 64:32
    Just 17-17?
  • 64:32 - 64:33
    The children, Alex: Tarne not mettercisi together!
  • 64:33 - 64:37
    Perte I have only one word: trouble, lots of trouble.
  • 64:37 - 64:40
    Uncle, then even your girlfriend ta the Winx collection?
  • 64:40 - 64:43
    - Maybe I'd better expect ta 18 years. - it has not even 18 years?
  • 64:44 - 64:48
    - Susanna: Sure Alex does not risk jail?
  • 64:49 - 64:51
    - Flavio: No! With under 16 he goes to jail.
  • 64:52 - 64:54
    In any case, Alex might be her father.
  • 64:55 - 64:57
    - It may be her father, but what's the problem?
  • 64:57 - 64:59
    - Like what's the problem? Come on! - Come on, do not tare the moralist!
  • 64:59 - 65:03
    What I put it? These or red ones?
  • 65:04 - 65:06
    - Get well tonight? - Yes!
  • 65:06 - 65:08
    - You do not tell me anything? - No!
  • 65:09 - 65:10
    Type something about the pension circles?
  • 65:10 - 65:13
    Ah, yes but then you opened?
  • 65:13 - 65:14
    Hey! Do not tare the spiritual.
  • 65:14 - 65:17
    It is 20 years older than you, is a man. Think about it.
  • 65:17 - 65:20
    Mom, I swear that for now there's nothing to worry about.
  • 65:21 - 65:24
    (Sighing) If you swear, I'm quiet, look.
  • 65:25 - 65:27
    Then at least you know I feel. Do you trust?
  • 65:27 - 65:30
    No.
  • 65:31 - 65:33
    (MUSlCA)
  • 65:34 - 65:36
    - Niki: My mother has lost faith in me because of you.
  • 65:40 - 65:43
    My sister's your fault, too.
  • 65:43 - 65:44
    I feel guilty; pertarmi forgive I brought you into a community center.
  • 65:44 - 65:48
    - Thank you.
  • 65:49 - 65:50
    You see? These are all possible LALUNA consumers.
  • 65:50 - 65:53
    In my opinion they consume everything except the candy.
  • 65:54 - 65:56
    There's no night that does not intrigue with a different one! (RlDONO)
  • 65:57 - 66:01
    - What do you drink? - One coke, please.
  • 66:02 - 66:03
    A Coke and a brandy, thank you.
  • 66:05 - 66:06
    - Fabio: What are you ta 'here? -Ahia!
  • 66:06 - 66:09
    - Let go, Fabio! I tai bad!
  • 66:09 - 66:10
    - Who is this? -My business! - How long have you known him?
  • 66:10 - 66:13
    What do you want? Leave me!
  • 66:13 - 66:14
    - That's why you were gone. - What happens?
  • 66:14 - 66:16
    - What you Tarti your dicks! - Niki, if you want to intervene.
  • 66:16 - 66:19
    I told Tarti your dicks!
  • 66:22 - 66:24
    - Boy: Leave! What happens?
  • 66:24 - 66:25
    - Drank Too Much? Pills? Smoke?
  • 66:26 - 66:29
    Useless! He only took a punch in the accusation of an asshole!
  • 66:29 - 66:32
    Ah! Burn, burn, burn. - Sorry, sorry, sorry.
  • 66:33 - 66:37
    What is it? Have you used this?
  • 66:37 - 66:40
    - E 'for tunghi. Ah! Okay, come on, that's great!
  • 66:41 - 66:44
    - Anyway, I'm sorry for what happened. -Me too.
  • 66:52 - 66:55
    - Tell me one thing: it's over? - But no, Niki.
  • 66:56 - 66:58
    You're afraid, eh?
  • 66:59 - 67:00
    But no, you got to do? And 'one of them is hurt Tara.
  • 67:00 - 67:04
    There is too much age difference, Niki.
  • 67:06 - 67:08
    I knew that the speech would come out, I prepared intact, here it is:
  • 67:08 - 67:12
    Tom Cruise e Katie Holmes,
  • 67:12 - 67:13
    Luca Cordero di Montezemolo and Andreoli Ludovica,
  • 67:13 - 67:15
    Woody Allen e Soon-Yi,
  • 67:15 - 67:17
    Pierce Brosnan
    e Keely Shaye Smith,
  • 67:17 - 67:19
    All telicemente coupled with at least 20 years apart.
  • 67:20 - 67:23
    There the taremo we too, love.
  • 67:23 - 67:25
    Ah, ah, ah! - Sorry, sorry.
  • 67:25 - 67:28
    - Tony: '' A night of love is a book read in less ''. Honore De Balzac.
  • 67:29 - 67:33
    - But sometimes that night can change your life.
  • 67:33 - 67:36
    - Here, in these moments I love my job:
  • 67:37 - 67:40
    when love is no longer a drama, but a magic
  • 67:40 - 67:43
    and suddenly it makes life easier and more beautiful thing in the world,
  • 67:43 - 67:47
    and everything fits perfectly,
  • 67:48 - 67:50
    and your reality is exactly as you would like cough.
  • 67:50 - 67:53
    - Then they get the ideas that were missing.
  • 67:54 - 67:57
    (''TOMORROW NEVER''
    lN SOTTOFONDO)
  • 67:57 - 68:00
    Hey, boy of the machines!
  • 68:55 - 68:57
    Oh! The girl who does not want to leave debts.
  • 68:57 - 69:00
    - How are you? - All right, you? - It's all OK. That tai here?
  • 69:00 - 69:03
    - And here I am silent? - Question stupid. - A bit'.
  • 69:03 - 69:06
    - Take me to the car? They ritardissimo? - Yes. - Down there.
  • 69:06 - 69:10
    Leonardo: Shhh! Is coming.
  • 69:10 - 69:12
    If one of these days we went together to run, would you?
  • 69:16 - 69:21
    - Yes, gladly. - Tell me when you.
  • 69:21 - 69:23
    - Type ... next Sunday? - Yes!
  • 69:24 - 69:28
    Yes! Congratulations to Alex and his team.
  • 69:28 - 69:30
    (ALL exult)
  • 69:30 - 69:32
    We've recommeneded!
  • 69:36 - 69:37
    Congratulations, boss.
  • 69:40 - 69:41
    - Congratulations. - Thank you.
  • 69:44 - 69:47
    - Well, we'll see you on Sunday? -All right, with much pleasure. - Okay.
  • 69:47 - 69:51
    - A kiss. Hello. - Hello.
  • 69:52 - 69:53
    (STRlDlO DEl FRENl. SCHlANTO)
  • 70:04 - 70:06
    - These are perte. - Thanks, but you've done? - Anything.
  • 70:12 - 70:15
    You're only to become the star of the new campaign of Laluna.
  • 70:16 - 70:20
    - I do not believe it. When you Tatte me? - Yesterday night while you were sleeping.
  • 70:20 - 70:25
    - Niki: Oh, my God, crazy! No! I do not believe it!
  • 70:26 - 70:31
    - Alex: Do you like? - To death!
  • 70:32 - 70:33
    (MOBILE SQUlLLA)
  • 70:34 - 70:36
    Olly.
  • 70:37 - 70:38
    Are you ready to see me in Tormato giant pertutta Rome?
  • 70:39 - 70:41
    Diletta had an accident. We all here at the hospital.
  • 70:41 - 70:44
    Excuse me, excuse me.
  • 70:52 - 70:54
    - Niki: What the fuck happened? - He beat her head.
  • 70:56 - 70:58
    - Where is it? - You can not come in!
  • 70:59 - 71:00
    - Where is it? - Here she is!
  • 71:01 - 71:03
    - lntermiera: You can not enter.
  • 71:07 - 71:09
    -Aspettare tuoro. The doctor will come ... - It 'a friend of ours!
  • 71:09 - 71:12
    - The doctor will come soon. - Moments? But such moments?
  • 71:13 - 71:16
    - Out. You can not stand. - There he is. Doctor!
  • 71:16 - 71:19
    Your friend has suffered a head injury cakes.
  • 71:21 - 71:23
    Brain tunzioni are active, but at the moment we can only hope
  • 71:23 - 71:27
    and wait.
  • 71:27 - 71:28
    Wait and hope? But how ta to say such a thing?
  • 71:29 - 71:31
    As ta ?! Diletta has to heal, he can not die! He must heal!
  • 71:31 - 71:35
    That's enough! We expect tuoro from. We expect tuoro.
  • 71:35 - 71:38
    -I want to know who reduced so! Who?! - I know.
  • 71:43 - 71:46
    The car went on to Villa Borghese. We had just said goodbye.
  • 71:47 - 71:50
    I'm sorry.
  • 71:51 - 71:52
    (SOUND OF RESPlRATORE)
  • 72:01 - 72:04
    -There I brought some food. - Girls: Thank you.
  • 72:15 - 72:18
    Girls, you go home. Here you do not solve anything.
  • 72:41 - 72:45
    - Niki, Erica, Olly: #Ci want to trade because, #
  • 72:46 - 72:50
    #lavoro heart, you know. #
  • 72:51 - 72:54
    #Cantare love is never enough, nor serve more, #
  • 72:54 - 73:02
    # to tell you again, to tell you #
  • 73:02 - 73:06
    # Best thing there is, the most beautiful thing about you! #
  • 73:07 - 73:13
    - Erica: Russian Revolution?
  • 73:13 - 73:14
    - This is the know! 1918? - Would you like: 1917 - Fuck!
  • 73:14 - 73:20
    (GIRLS comment PHOTOS)
  • 73:21 - 73:24
    Beloved, do you remember here? We had the whole tarci alone.
  • 73:31 - 73:34
    -At the head of Mark. - How beautiful!
  • 73:34 - 73:36
    (GIRLS comment PHOTOS)
  • 73:36 - 73:39
    Spanish Civil War?
  • 73:42 - 73:44
    - 1922-1929? - Yes, boom! You messed least 10 years:
  • 73:45 - 73:50
    1936-1939.
  • 73:50 - 73:53
    - What a bore, do not take Tared ever! - If you no commitments! Are you studying?
  • 73:53 - 73:57
    - No, girls, I can not.
  • 73:57 - 73:59
    - Niki: 'Sapere Aude':
  • 74:00 - 74:01
    Have the courage to use your intelligence.
  • 74:01 - 74:04
    Got it, Dorothy?
  • 74:04 - 74:05
    - you 'no tai the crowd, you also have to tare you maturity.
  • 74:05 - 74:08
    So, now we move on to something more difficult:
  • 74:11 - 74:13
    the '' gnosologia '' Kant.
  • 74:13 - 74:15
    Diletta: Epistemology ...
  • 74:18 - 74:20
    You have to tell the E.'re wrong as usual.
  • 74:28 - 74:32
    '' Epistemology '' is the most beautiful word in the world.
  • 74:43 - 74:45
    If awakened!
  • 74:53 - 74:54
    (GIRLS exult)
  • 75:04 - 75:06
    Thank you! Thank you!
  • 75:13 - 75:15
    Niki, I'm really Telice.
  • 75:20 - 75:21
    I have a crazy desire to see you, love.
  • 75:21 - 75:23
    I'm home, but I'm going to race
  • 75:23 - 75:25
    to check on the sketches of your advertising;
  • 75:25 - 75:28
    It will be a tough day. -At least I'll always be there with you.
  • 75:28 - 75:31
    But we'll see you tomorrow?
  • 75:32 - 75:33
    - Yes, if I am silent, you, okay? - Hello.
  • 75:33 - 75:36
    (NlKl SOSPlRA)
  • 75:39 - 75:40
    - That there tai here? - I was wrong, but I understand.
  • 75:42 - 75:46
    Elena, but why did you disappear?
  • 75:47 - 75:50
    - I wrote why. Ah,
  • 75:50 - 75:52
    that ticket, I forgot. Thank you.
  • 75:53 - 75:56
    ln that moment I thought it would be better that way.
  • 75:56 - 75:58
    When you asked me was too much, I was afraid. It 's normal to be afraid.
  • 75:59 - 76:03
    Of course it's normal.
  • 76:03 - 76:04
    -So are gone, I'm sorry. - Right, tacile disappear, right?
  • 76:04 - 76:08
    You go, you come back ...
  • 76:08 - 76:10
    Do you think things are as before then? Things change, Elena.
  • 76:10 - 76:14
    Why, what has changed? Alex, what has changed?
  • 76:14 - 76:17
    Nothing has changed.
  • 76:21 - 76:23
    Anything. Trust me.
  • 76:24 - 76:27
    Hello sweetheart! What happened to you feel? I've tried so yesterday!
  • 76:39 - 76:43
    Um ... I worked a lot.
  • 76:44 - 76:46
    What is it, Alex?
  • 76:48 - 76:50
    - Nothing Why? - I look strange.
  • 76:50 - 76:53
    And 'I thought back to our story.
  • 76:54 - 76:56
    And 'the situation is not good.
  • 77:00 - 77:02
    Even with the problem of the age difference?
  • 77:03 - 77:05
    Come on, you well the song says: '' We'll find out just living '', right?
  • 77:05 - 77:09
    Niki, only 18 years of life can be better than a song.
  • 77:10 - 77:13
    - Why? - Because we had fun, we dreamed.
  • 77:13 - 77:17
    - E'tanto wrong to live a dream? - It is not realistic.
  • 77:17 - 77:21
    You are a coward. I got in the game, I love you.
  • 77:23 - 77:27
    Things end if there is a valid reason. You got it?
  • 77:28 - 77:32
    Maybe not.
  • 77:34 - 77:35
    But I have not even a reason to stay with you.
  • 77:36 - 77:39
    Love, but that is? What did you feel? You changed all? No, no!
  • 77:46 - 77:50
    What it is' is absurd? No! It seems the house of fools.
  • 77:50 - 77:54
    After all it is my fault.
  • 77:55 - 77:56
    - Erica: Do you realize?
  • 78:08 - 78:09
    - It 's been a month and looks as has been shooting!
  • 78:09 - 78:11
    I always said I was too cakes but now touches your maturity, do not run away!
  • 78:11 - 78:15
    You do not you realize that you ran the risk:
  • 78:15 - 78:18
    you could leave without having ever touch.
  • 78:18 - 78:20
    - From tomorrow we begin, have fun!
  • 78:20 - 78:22
    Then if I enjoy it too, see how I finish.
  • 78:22 - 78:25
    - Olly: I told him. - Look, I'm fine! - Eh!
  • 78:25 - 78:29
    - Olly: Anyway, Staying on the subject, I brought you a wonderful surprise.
  • 78:29 - 78:32
    - Look who I brought. - Hey!
  • 78:38 - 78:40
    - Can you? - Sure!
  • 78:40 - 78:41
    - How are you? - Well.
  • 78:42 - 78:44
    - Girls, though if the trumpet, in the hospital is a myth! - Olly, come on!
  • 78:46 - 78:51
    ( '' How many ANNl HWhen '' lN FOUNDATION)
  • 78:51 - 78:54
    (COLPl THE DOOR) Next.
  • 79:04 - 79:06
    -Love, it is ready. - I have to study, I do not tame.
  • 79:07 - 79:10
    - Hey, but sooner or later you have to eat. - Mom, I have to study.
  • 79:18 - 79:22
    Simply, it's been a month.
  • 79:23 - 79:25
    You know how many there are there tuoro beautiful, sympathetic, intelligent
  • 79:26 - 79:29
    and especially your age? Eh?
  • 79:30 - 79:32
    - Tony: '' It 'better to have loved and lost than never to have loved' ',
  • 79:46 - 79:49
    Altred said Tennyson,
  • 79:49 - 79:51
    but it is also true that love is a little 'how to play poker:
  • 79:51 - 79:54
    sometimes it's better to go see that dish,
  • 79:54 - 79:56
    because at least risks to win.
  • 79:57 - 79:58
    Niki!
  • 79:58 - 79:59
    Who is that? Another sister?
  • 80:01 - 80:03
    No.
  • 80:05 - 80:06
    I did not say who had returned; I would have accepted it more tacilmente.
  • 80:06 - 80:09
    I'm sorry, I'm sorry.
  • 80:11 - 80:13
    There was not a valid reason to stay with me, huh?
  • 80:13 - 80:15
    You believe that you feel coughs me not to go well.
  • 80:15 - 80:18
    Do not say anything?
  • 80:19 - 80:20
    Of course, in some cases it is much tacile keep quiet.
  • 80:21 - 80:24
    But I tell you I want one thing:
  • 80:25 - 80:27
    I will shortly have the maturity,
  • 80:27 - 80:28
    I have to study, I'm sick, I can not,
  • 80:28 - 80:30
    But I have to take it, because it means growing.
  • 80:31 - 80:33
    Growing up, Alex. What should you tare.
  • 80:33 - 80:37
    ( '' WHAT YOU Ml DAVI '' lN FOUNDATION)
  • 80:38 - 80:41
    He wanted to know at all costs where we go, but I did not say anything.
  • 80:49 - 80:53
    It's not like when we get that throws below?
  • 80:53 - 80:55
    Come on, you think?
  • 80:55 - 80:57
    Girls, is really broken.
  • 80:57 - 80:59
    I can not think of what was intame Alex.
  • 80:59 - 81:02
    (HORN)
  • 81:03 - 81:04
    But you are crazy!
  • 81:08 - 81:10
    Girls, thanks, but that's cool!
  • 81:13 - 81:15
    Yes, and here I have four passes for the aftershow of Absolute Zero.
  • 81:15 - 81:18
    - But now I stop to think about Alex. -All right, I'll try.
  • 81:18 - 81:21
    -Love, they're broken. - Yes.
  • 81:25 - 81:27
    - But I wait for me, right? I ayurveda. - Who?
  • 81:27 - 81:30
    -Love, the ayurvedic massage. Wait for me? Ah, yes, why not?
  • 81:31 - 81:34
    - No, if you want to see you at home. - No, I'll take you.
  • 81:34 - 81:37
    - Absolute Zero: #E 'eternal state, out of breath, just a moment #
  • 81:37 - 81:40
    #giusto time to feel the winter that envelops us tonight #
  • 81:41 - 81:45
    ta # and you lose the sense that sometimes #
  • 81:45 - 81:47
    #sembrava much more intense, much more beautiful, much more than that cakes #
  • 81:47 - 81:51
    #and only when you return, heat over time, finding the torza that I lost. #
  • 81:52 - 81:56
    - # - You ... - You so important, you are so present, so you forever #
  • 81:56 - 82:01
    # - I ... - What I dress my limitations, #
  • 82:01 - 82:03
    #tutto is gone, but still shivering. #
  • 82:03 - 82:05
    - #E I expected, you know, everything more tacile, #
  • 82:05 - 82:07
    # Is that nobody teaches you to receive. #
  • 82:07 - 82:10
    - #Forse not needed now more apologizing, #
  • 82:10 - 82:12
    #lo feel this silence that weighs? #
  • 82:12 - 82:14
    #Do thought #
  • 82:16 - 82:20
    #bastasse so little, #
  • 82:21 - 82:24
    #to remind#
  • 82:25 - 82:28
    #chi tried to forget #
  • 82:28 - 82:32
    #da so long #
  • 82:34 - 82:37
    #for fear of not finding #
  • 82:39 - 82:46
    # Another that gave me #
  • 82:46 - 82:49
    #quello you gave you, as you were, #
  • 82:49 - 82:54
    #quello you gave you, as you were, #
  • 82:54 - 82:58
    #quello you gave you, as you were, #
  • 82:58 - 83:03
    #quello you gave you, as you were ... #
  • 83:03 - 83:08
    - Well, but ... it's okay, right? - Let's say yes.
  • 83:09 - 83:14
    Well I'm glad.
  • 83:15 - 83:17
    - This is pertarle see that I have worked hard,
  • 83:17 - 83:20
    I have not stolen the money you gave me. - Sure.
  • 83:20 - 83:23
    - But there's also this.
  • 83:23 - 83:25
    Here are other take off, other days, other routes,
  • 83:28 - 83:32
    toto other than those who just saw.
  • 83:32 - 83:36
    - Maybe. O no torso.
  • 83:37 - 83:40
    Please, take it,
  • 83:41 - 83:42
    so she, or rather his friend, decides what he wants to know.
  • 83:42 - 83:48
    Alex I feel a crazy gift pertesteggiare promotion.
  • 83:51 - 83:55
    Maybe a little 'first, eh? 1,200 Euros, but you see what it is!
  • 83:55 - 83:58
    - And what gave you a present? - Summer Duster Scervino scream.
  • 83:59 - 84:02
    - Peter: Do not start talking about dusters.
  • 84:02 - 84:04
    Still you are not married and already we sprotondati so?
  • 84:04 - 84:07
    Soon taremo the ranking of the dishwasher!
  • 84:07 - 84:10
    What happened to the touch and Alex Henry? What a bore!
  • 84:10 - 84:12
    I can wait a lifetime a man for me dinner?
  • 84:12 - 84:15
    Do not tell me.
  • 84:15 - 84:16
    - Sorry, the metamorphosis that took Alex while I was gone?
  • 84:16 - 84:20
    The house looked like the loft of a twenty year old crazy. (RlDE)
  • 84:20 - 84:24
    - Peter: We begin to eat? I have a feeling peckish. What do you say?
  • 84:24 - 84:27
    (BEATING DOOR) I think they arrived.
  • 84:27 - 84:29
    - Peter: The we keep silent this paste?
  • 84:29 - 84:31
    - It was time! - Two hours we pasta in intensive care!
  • 84:31 - 84:34
    Sorry I'm late, love. Excuse me, I wash my hands and arrival.
  • 84:38 - 84:41
    - Peter: Hurry up though! - It 'soon, you're all set.
  • 84:41 - 84:44
    - Peter: There you are! - There was a lot of traffic.
  • 84:45 - 84:47
    - Hello. - Peter: We eat overcooked pasta.
  • 84:47 - 84:49
    - Tony: I find that the truth is not better than fiction.
  • 84:50 - 84:53
    - Not that I like the lies,
  • 84:53 - 84:54
    but then there is need to call them '' lies ''?
  • 84:55 - 84:57
    - Is not it better '' temporary suspension of reality ''?
  • 84:58 - 85:01
    - For example:
  • 85:02 - 85:03
    if that red folder coughing ended in the hands of Henry,
  • 85:03 - 85:06
    Today cheerful chats and civilians with Peter would not be possible.
  • 85:06 - 85:11
    How's the pasta?
  • 85:11 - 85:12
    - Not tacile share his wife with someone
  • 85:13 - 85:15
    let alone with a friend.
  • 85:16 - 85:17
    (GRlDA E SCHlAMAZZl)
  • 85:25 - 85:28
    I will have taken 45, right?
  • 85:31 - 85:32
    80, pain in the ass that you are nothing, 80!
  • 85:32 - 85:35
    And did I feel a nice gift for maturity: Greece!
  • 85:36 - 85:39
    No!
  • 85:39 - 85:40
    Oh God!
  • 85:43 - 85:44
    - Niki, if I do not say nothing to los forget, I give up. - Let's hope.
  • 85:45 - 85:48
    - Alex: Niki, no, come on, so are the signs, please. Niki!
  • 85:57 - 86:02
    But it's what I want.
  • 86:02 - 86:04
    So, if you ever leave us,
  • 86:04 - 86:06
    one day you will see him, you will remember and you will be miserable.
  • 86:06 - 86:09
    - Tony: Sometimes it's a snap. A memory and everything appears sharp.
  • 86:10 - 86:14
    - And simply, life ta you figure out where you went wrong.
  • 86:15 - 86:18
    - Only you can decide what tare of your life. Your Life.
  • 86:18 - 86:22
    Here we are.
  • 86:25 - 86:27
    Look, I've only taken a bottle,
  • 86:27 - 86:29
    Alessi indeed the last time you are presented with nothing.
  • 86:29 - 86:33
    No?
  • 86:34 - 86:35
    - can not stand silent. - Thing? - I'm sorry.
  • 86:49 - 86:52
    Do not take more from Alessi port if you tanno this effect.
  • 86:53 - 86:56
    No, the problem is not the Alessi, it is much simpler:
  • 86:56 - 87:00
    I do not love you anymore. - Thing? What does that do not love me anymore?
  • 87:04 - 87:09
    Do you realize what you're saying?
  • 87:09 - 87:11
    Yes, unfortunately I realize.
  • 87:12 - 87:14
    My God! Even with 'history that I have left home.
  • 87:15 - 87:19
    Do not you hate it when tai so. I'm going. We'll talk later, eh?
  • 87:19 - 87:23
    - Ah, you're awake. Thank god!
  • 88:01 - 88:04
    My love, this morning I woke up and I thought about you.
  • 88:05 - 88:09
    I was still excited thinking about what we feel.
  • 88:10 - 88:13
    Especially excites me to death to think that you'll be in a meeting with him.
  • 88:14 - 88:19
    Can you go at noon?
  • 88:20 - 88:22
    I want to...
  • 88:23 - 88:24
    These are the jump because a number of your filth.
  • 88:25 - 88:28
    I take it from here.
  • 88:28 - 88:29
    I hope you manage to win, so you'll be in Rome
  • 88:30 - 88:33
    and we can continue to stay together,
  • 88:33 - 88:35
    because as I'm with you, Marcello ...
  • 88:37 - 88:39
    Only Marcello,
  • 88:42 - 88:43
    the moron that was supposed to take my place, lost
  • 88:43 - 88:46
    and it was trasterito in Lugano
  • 88:46 - 88:48
    and, strange case, paff, you reappear suddenly.
  • 88:50 - 88:55
    So you know what I feel? I prepared these beautiful bags,
  • 88:57 - 89:00
    I took me in everything there was to you all, please, please,
  • 89:01 - 89:06
    took me inside even the soap, you do not worry.
  • 89:07 - 89:10
    And I wish you been silent a good thing, that thou be silent, like in the movies Tatine.
  • 89:10 - 89:15
    Indeed, more twisted good, more good, please,
  • 89:16 - 89:19
    because I want to disappear, forever. Here, this is yours.
  • 89:20 - 89:24
    Alex, you should not have!
  • 89:29 - 89:31
    I just wanted to thank you, Andrea. You helped me a lot.
  • 89:31 - 89:34
    But the ideas are all yours! I feel it's just my job.
  • 89:34 - 89:37
    Now because I find myself a new computer?
  • 89:37 - 89:39
    Maybe because you are a '' true friend ''.
  • 89:39 - 89:40
    You knew Marcello, you worked with Elena,
  • 89:41 - 89:44
    It was not so hard to find out.
  • 89:44 - 89:46
    The email I received was dispatched at 21:45
  • 89:49 - 89:51
    from a computer company.
  • 89:51 - 89:53
    And at that time you were there in the office only you and Leonardo,
  • 89:54 - 89:57
    he did not think it was.
  • 89:59 - 90:00
    Alex, forgive me. Maybe I made a mistake.
  • 90:00 - 90:03
    Imagine. Indeed, thanks.
  • 90:03 - 90:06
    This is the diary. The first news I already wrote it:
  • 90:14 - 90:17
    Yesterday I left Gio '. - No! - Niki: I do not believe!
  • 90:17 - 90:20
    Not only that, I want to tare incredible massacres, I tare off,
  • 90:20 - 90:23
    each page will have a different name.
  • 90:23 - 90:24
    Great Erica! Now that's talking!
  • 90:24 - 90:27
    Convince these two reasons that they would pertare mess!
  • 90:27 - 90:31
    it no more, my dear. Philip is at home waiting for me
  • 90:31 - 90:33
    and when I return Tared of Tollie that even images. - Maybe!
  • 90:34 - 90:38
    - Niki: Here I am, promoted to maturity,
  • 90:42 - 90:44
    I'm here with my friends and all that will happen.
  • 90:44 - 90:47
    - Fun, fun, and never suffer.
  • 90:47 - 90:51
    - Dorothy: And it's love, but I have a little 'fear,
  • 90:51 - 90:53
    but if you're rushing ... Filippo can be?
  • 90:53 - 90:56
    - I wish I could be Telice. I want to be Telice.
  • 90:56 - 91:00
    - Erica: No, no, I'm sure. I feel good to leave.
  • 91:00 - 91:03
    - Sometimes you are afraid to admit it to themselves.
  • 91:03 - 91:05
    - It was over, now I just want to fall in love again.
  • 91:05 - 91:08
    - Niki: I can not. You have to be telici for what still has had,
  • 91:08 - 91:12
    but it is so difficult when you're sick and something I miss her to death.
  • 91:12 - 91:16
    - I miss you, Alex, and I can not not think of you.
  • 91:16 - 91:20
    - When you lose the smile when you look at all Telice,
  • 91:20 - 91:23
    When tai pretend, even to yourself, not to think,
  • 91:23 - 91:27
    behold, he is wrung not just a trip.
  • 91:27 - 91:29
    - Cool! - But when he recommeneded?
  • 91:48 - 91:50
    Um, actually I told me something ...
  • 91:50 - 91:54
    Of course it's been really good, huh?
  • 91:54 - 91:56
    - By now tanno off, really it seemed to be asleep. - Yeah.
  • 91:56 - 92:00
    - Simona: Look who's here. He wants to propose a new investment?
  • 92:04 - 92:07
    - Who is it? - The fake financial advisor.
  • 92:08 - 92:10
    No, I just wanted to give you this.
  • 92:11 - 92:13
    - Niki there, come back in two weeks. - I know.
  • 92:16 - 92:19
    Dad, who is the boyfriend of tamoso Niki, the old one?
  • 92:20 - 92:22
    But what do you know? Think anda 'home.
  • 92:23 - 92:24
    - Excuse me a moment. - No, sorry you, you want tares?
  • 92:33 - 92:36
    Damn, do not read anything. We put on some water?
  • 92:36 - 92:39
    Why, you've already tame?
  • 92:39 - 92:40
    But no. She wants to open it with steam.
  • 92:40 - 92:41
    - But where do you read these things? - In the latest issue of Diabolik.
  • 92:42 - 92:45
    With the steam we open, we read it and richiudiamo.
  • 92:45 - 92:48
    Niki not even realize it.
  • 92:48 - 92:49
    Absolutely. Niki is an adult. He is 18 years old and ta what he wants.
  • 92:49 - 92:52
    - Let's just peek! - Leave me!
  • 92:52 - 92:54
    Come on, I want to know if Alex and Niki is reunited.
  • 92:54 - 92:57
    - And 'the life of your sister, leaves ... Roberto! - Excuse me, pertavore.
  • 92:57 - 93:01
    Niki was very bad. I do not want more than to see her so.
  • 93:02 - 93:05
    Let's make one thing: we are here I swear I did not touch,
  • 93:06 - 93:11
    we take a little 'time to think, okay?
  • 93:11 - 93:15
    If anyone opens this letter, I am silent a putiterio!
  • 93:16 - 93:20
    - you do not have to open, right? - Clear.
  • 93:20 - 93:23
    - It also applies perte. - Heard?
  • 93:24 - 93:28
    - Hello, what tai? - I'll get the things I need.
  • 93:36 - 93:39
    The LALUNA campaign is a success,
  • 93:39 - 93:41
    the Japanese have asked us to work on other projects.
  • 93:41 - 93:44
    Then you can call your friend from Lugano.
  • 93:45 - 93:47
    - What do you mean? - That I'm leaving.
  • 93:48 - 93:49
    They have offered another job.
  • 93:51 - 93:52
    If it's a problem of money, we can talk.
  • 93:52 - 93:54
    No, it's just that I'm going on vacation.
  • 93:54 - 93:57
    Ah, then I have an idea:
  • 93:57 - 93:59
    while you're away, silent set everything to Alessia, the thy past.
  • 93:59 - 94:02
    I do not know when I return.
  • 94:02 - 94:03
    Do as advertising guy with credit card
  • 94:03 - 94:06
    who finds himself naked desert island?
  • 94:06 - 94:08
    But why do you think that everything is an advertisement?
  • 94:08 - 94:10
    There is also more to life.
  • 94:11 - 94:12
    I'm back! Hi Dad!
  • 94:15 - 94:18
    - Here she is. Love, welcome back! What splendor! - Hello!
  • 94:18 - 94:23
    Ciao.
  • 94:27 - 94:28
    - Have you eaten? You dimagritissima. - Already you start again?
  • 94:29 - 94:32
    - It 's thin as an anchovy. - Look how beautiful. - But, but ...
  • 94:32 - 94:36
    -There I brought gifts. This is perte, Mom. - Thank you.
  • 94:36 - 94:39
    Matthew, these are perte, Dad.
  • 94:39 - 94:41
    And 'the Santa's sack. Thank you.
  • 94:42 - 94:44
    - How nice, a sarong! - Strong, the dell'Olimpiakos shirt.
  • 94:45 - 94:48
    You also find the number.
  • 94:48 - 94:50
    - Niki: What, you did not like the gifts?
  • 94:54 - 94:56
    - Did you see? We feel good not to open it. - Yeah. Come on, Matte '.
  • 95:08 - 95:14
    What's up?
  • 95:34 - 95:35
    I can not believe it.
  • 95:36 - 95:37
    - Thing? - That you're even more beautiful. After avertatto love.
  • 95:40 - 95:43
    - Come on, are you kidding me? - It's true! No, I do not take you around.
  • 95:43 - 95:48
    -He had Olly reason. - What about Olly? - What I lost a lot of time.
  • 95:49 - 95:54
    We can recover.
  • 95:54 - 95:56
    (V Del GABBlANl)
  • 96:01 - 96:02
    - Tony: Do you understand now what he brought Alex
  • 96:05 - 96:07
    to enter the universe of maggots and worms Koreans?
  • 96:07 - 96:10
    - But that's not all.
  • 96:11 - 96:12
    - Do you remember the Niki taro and that dream to live there?
  • 96:13 - 96:17
    - Well, Alex went there.
  • 96:17 - 96:20
    Good morning, Ms. Winspeare.
  • 96:20 - 96:21
    (British accent) Good morning to you. Today there is the roar, Mr. Belli.
  • 96:22 - 96:25
    Not because of me.
  • 96:25 - 96:26
    - Tony: But to realize a dream we must know how to wait,
  • 96:27 - 96:31
    reflect, be patient.
  • 96:31 - 96:34
    - How to learn to draw or win back a woman.
  • 96:34 - 96:37
    - Since he lives in taro, Alex constantly watch the clock,
  • 96:39 - 96:43
    He coughs as if a kind of lure for Niki.
  • 96:44 - 96:46
    - But the beauty is that it is not trutto of any calculation.
  • 96:49 - 96:52
    (HORN)
  • 97:00 - 97:02
    They are 21 days, 8 hours, 16 minutes and 24 seconds waiting for you.
  • 97:24 - 97:30
    So? I am over 18 and mica I never complained.
  • 97:30 - 97:34
    Here, we start from here.
  • 97:45 - 97:47
    (''SHE'S THE ONE'' DA AUTORADlO)
  • 97:47 - 97:50
    Come.
  • 98:06 - 98:07
    - Promise me something. - Thing?
  • 98:31 - 98:35
    What I'm thinking.
  • 98:36 - 98:38
    I promise you, love.
  • 98:44 - 98:45
    - Tony: '' The true love is like tantasmi: ''
  • 99:02 - 99:04
    '' Everyone talks about it, but very few people have actually seen ''.
  • 99:04 - 99:08
    - The Rochetoucauld.
  • 99:08 - 99:09
    - Tony, Peter was discovered by Susanna with one of his women
  • 99:15 - 99:18
    and it was thrown out.
  • 99:18 - 99:20
    - E 'remained intact relationship with Henry,
  • 99:20 - 99:22
    to which, of course, he did not say anything.
  • 99:22 - 99:25
    - Camilla, however, it seems that trequenti another guy.
  • 99:26 - 99:30
    - Flavio and Cristina continue their passionate evenings.
  • 99:30 - 99:33
    - Every now and then whack of living: rent a horror!
  • 99:33 - 99:37
    - Elena has trasterita in Lugano, hoping to regain Marcello.
  • 99:37 - 99:41
    - For now, there is no success.
  • 99:42 - 99:44
    - Andrea Soldini is engaged to a Russian model.
  • 99:44 - 99:47
    - He never touch drugs.
  • 99:48 - 99:50
    - Dorothy and Philip are making up for lost time.
  • 99:51 - 99:55
    - Erika has rethought and tried it again Gio ':
  • 99:56 - 99:59
    teletonato him and of course they had a fight,
  • 99:59 - 100:02
    but he did not say anything to the WAVES.
  • 100:02 - 100:04
    - Simona and Roberto have invested in a pension round,
  • 100:08 - 100:11
    but for themselves.
  • 100:11 - 100:12
    - By Niki and Alex no news.
  • 100:13 - 100:15
    - Some say they still have not exited the taro.
  • 100:16 - 100:19
    - The other day instead happened to me a strange thing in the office.
  • 100:21 - 100:25
    - Olly: About two weeks ta, this friend of mine was telling you about,
  • 100:25 - 100:29
    He went to the disco, knew a guy.
  • 100:29 - 100:32
    But he is afraid of love.
  • 100:32 - 100:35
    Do not look so. Really, it's not for me. E 'for this my friend.
  • 100:35 - 100:38
    Okay, okay, it's for me.
  • 100:40 - 100:42
    But she does not know, Mr. Costa, I do not understand, no one who falls in love:
  • 100:42 - 100:46
    I've always been too afraid.
  • 100:46 - 100:47
    - However, now that it happened ...
  • 100:48 - 100:51
    Well, it's beautiful, beautiful!
  • 100:51 - 100:55
    ( '' SORRY IF CHlAMO LOVE '' lN FOUNDATION)
Title:
Scusa ma ti chiamo amore PARTE 1
Video Language:
Italian
Duration:
32:26

English subtitles

Revisions