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Зеркало (HD) / The Mirror

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    "MOSFILM" production
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    What is your name?
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    My name is Yuri Zhary.
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    Where are you from?
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    I'm from Kharkov.
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    What school do you go to?
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    I go to a trade school.
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    We'll begin now.
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    Look at me closely.
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    Look right into my eyes.
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    Concentrate on my hand.
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    My hand is drawing you back.
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    Concentrate!
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    Your attention
    is on your hands.
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    Your hands are becoming tense!
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    You're concentrating your
    will, your great desire
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    to succeed on your hands.
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    Your hands are becoming
    very tense.
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    Look at your fingers.
    They're becoming tense.
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    The tension from here will
    flow to your fingers.
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    When I say "3", your hands
    will become rigid.
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    One, two,
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    three! Your hands are rigid.
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    You can not move your hands.
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    You try to move them,
    but can not.
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    I'll relieve the tension now,
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    and you will speak clearly
    and effortlessly.
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    And you will speak loudly and
    clearly all your life.
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    I'll remove the tension from
    your hands and speech.
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    One, two,
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    three!
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    - Say "I can speak".
    - I can speak.
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    THE MIRROR
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    Starring: Margarita Terekhova
    as The Mother and Natalia
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    Script: A.Misharin, A.Tarkovsky
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    Directed by Andrei Tarkovsky
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    Camera: Georgi Rerberg
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    Sets: Nikolai Dvigubsky
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    Music: Eduard Artemyev
    Sound: Semyon Litvinov
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    The cast
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    I.Daniltsev
    L.Tarkovskaya, A.Demidova
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    A.Solonitsyn, N.Grinko
    T.Ogorodnikova
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    Y.Nazarov, O.Yankovsky
    F.Yankovsky
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    Y.Sventikov
    T.Reshetnikova
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    Narrator: I.Smoktunovsky
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    Poems by Arsenii Tarkovsky
    read by the author
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    The music in the film is by
    Bach, Pergolesi and Purcell
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    THE MIRROR
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    The road from the station
    lay through Ignatyevo,
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    turning off near the farm stead,
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    where we spent our summers
    before the war,
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    and then to Tomshino
    through a dark oak wood.
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    We usually recognized
    the family,
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    when they appeared from
    behind the bush.
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    If he turns towards
    the house, it's Father,
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    if not, it's not he
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    which means he'll never
    come again.
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    Is this the road to Tomshino?
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    You shouldn't have turned
    at the bush.
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    Why're you sitting here?
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    - I live here.
    - Where? On the fence?
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    What interests you: the road
    to Tomshino, or where I live?
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    I took everything,
    but forgot the key.
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    Would you have a nail
    or a screwdriver?
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    I don't have a nail.
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    Why are you so nervous?
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    Give me your hand, I'm a doctor.
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    Don't talk, I'm counting!
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    Must I call my husband?
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    You've no husband.
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    You've no wedding ring.
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    Though they are rarely worn
    nowadays.
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    May I have a cigarette?
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    Why are you so sad?
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    Why are you so happy?
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    It's nice to fall in love
    with a pretty woman.
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    Look at these roots,
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    these bushes...
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    Did you ever wonder about plants
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    feeling, being aware,
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    perceiving even...
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    The trees, this beechnut...
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    - It's alder.
    - It doesn't matter.
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    They are in no hurry.
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    While we rush around
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    and speak in platitudes.
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    It's because we don't trust
    our inner natures.
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    That's all this doubt, haste,
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    lack of time to stop and think.
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    Do you have...
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    Have no fear. I'm a doctor,
    you know.
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    What of "Ward N6"?
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    It's all Chekhov's invention!
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    Come to Tomshino.
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    - We've jolly times here.
    - You are bleeding!
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    We celebrated each moment
    of our meetings
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    as a revelation.
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    Alone in all the world.
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    You were lighter and bolder
    than the wing of a bird.
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    Plying down the stairs,
    two at a time
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    Pure giddiness, leading me
    through moist lilac
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    To your domain
    Beyond the looking-glass.
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    When night fell
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    I was favoured
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    The altar gates were opened,
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    and the dark there gleamed
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    Your nudity and
    slowly bowed
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    Awakening, "Be blessed"
    I said
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    And knew my blessing
    to be bold
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    For you still slept
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    To touch your lids
    with heavenly blue
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    The lilac on the table
    stretched forth
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    And your blue tinted lids
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    Were calm and your hand
    was warm
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    Locked in crystal
    rivers pulsed,
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    Mountains smoked,
    seas glimmered.
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    You held a sphere
    of crystal
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    In your hand and slept
    on your throne.
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    And Righteous Lord!
    You were mine.
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    You awakened and transformed
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    Our mundane, human words;
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    Then did my throat fill
    with new power
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    And gave new meaning to
    "you"
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    Which now meant "Sovereign".
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    All was transformed even
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    Such simple things as basin,
    pitcher, - when
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    Like a sentinel layered
    solid water
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    Lay between us.
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    We were drawn on and on
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    Where cities built by magic
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    Parted before us
    like mirages.
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    Mint carpeted our way,
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    Birds escorted us
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    And fishes swam upstream,
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    While the sky spread out
    before us,
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    As fate followed
    in our wake.
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    Like a madman brandishing
    a razor.
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    It's a fire, but don't shout.
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    What if Vitya's there?
    What if he's burned to death?
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    Where's Klanya?
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    Dad.
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    Why are you hoarse?
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    Don't worry. It's probably
    a strep throat.
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    I haven't spoken for 3 days.
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    Being silent for a while
    is good.
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    Words can't really express
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    a person's emotions.
    They're too inert.
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    I just dreamed of you, mama.
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    I was a child in my dream.
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    By the way, when did father
    leave us?
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    In 1935... Why?
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    And the fire? Remember when
    the barn burned down?
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    That was in 1935, too.
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    There's something I wanted
    to tell you...
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    You know, Liza died.
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    She worked
    at the printing house, too.
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    - When?
    - This morning.
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    What time is it now?
    What's it now?
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    It's nearly 6...
    What's the matter with you?
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    Why are we forever
    quarrelling?
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    Forgive me, if I'm to blame.
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    Where are the proofs
    I was reading?
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    I don't know.
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    Do you hear the evening proofs?
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    The Goslit edition? Relax!
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    I'll look in the cabinet.
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    It's not that terrible.
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    But it's a special edition!
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    No edition should have
    misprints.
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    - Anything wrong?
    - Not really.
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    I want to see...
    Maybe I'm mistaken...
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    I'll find it myself.
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    Everyone's always in a rush!
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    You think I'm afraid?
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    Sure, let others worry.
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    Someone work and others can worry.
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    Well, what is it?
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    If it's something,
    it's already run off.
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    I waited for you all day long
    yesterday.
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    They guessed, that
    you wouldn't come.
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    Remember the weather?
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    As at a holiday!
    I did not even wear a coat.
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    Today you came, but we've
    been granted
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    A day of such gloom,
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    And rain and an hour so late.
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    With drops running down
    the cold boughs.
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    That words will not stop,
    They can't be wiped away...
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    See? There's no misprint.
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    No... But it was such
    an improper word.
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    Then why're you crying?
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    I could actually see the word
    in print.
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    It's alcohol. It'll do you good.
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    You all drenched.
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    Yes, I am.
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    I'll go to take a shower.
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    Know whom you look like?
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    - Maria Timofeevna.
    - Who's Maria Timofeevna?
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    Tell me simply: who's she?
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    Captain Lebyadkin's sister.
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    You are amazingly like her.
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    In what way?
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    After all it's Dostoevsky...
    no matter what you say...
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    Lebyadkin, fetch me some
    water! Hand me my shoes!
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    The difference is
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    her brother isn't bringing
    water but beating for her
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    whereas he thinks
    everyone's at her beck.
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    What're you getting at?
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    Your whole life's just
    "fetch me some water!"
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    It's a show of independence.
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    If something doesn't suit you,
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    you pretend it doesn't exist.
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    I'm amazed at your
    ex-husband's patience.
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    He should've bolted ages ago.
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    Do you ever admit you're
    wrong? Never!
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    You created the whole situation!
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    You can say he escaped
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    in the nick of time,
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    before you managed to make him
    like you.
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    Swear you'll make your
    children miserable.
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    Stop talking nonsense!
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    Come on, Masha!
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    Leave me alone!
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    Passing life's half-way mark
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    I lost my way
    in a dark wood...
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    I always said you resembled
    my mother.
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    That's probably why we broke up.
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    I shrink to see Ignat
    becoming like you.
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    Why do you shrink?
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    You and I could never
    communicate.
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    When I recall my childhood
    and Mother,
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    somehow she always has
    your face.
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    But I know why.
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    I'm sorry for both of you,
    you and her.
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    Put the glass back, Ignat!
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    You won't be happy with anyone.
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    You seem to think,
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    that the very fact of your
    presence
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    should make everyone happy.
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    You can only take.
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    That's because I was
    brought up by women.
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    If you don't want Ignat
    to be like you,
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    get married soon.
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    - Whom to?
    - I don't know.
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    Or let me have him.
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    You're to blame for being
    on the cuts with your mother.
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    Because she thinks she knows
    what's best for me,
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    or what can make me happy.
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    As for her arid me I feel
    it more keenly than you.
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    We're drifting apart,
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    and I can't help it.
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    Distract him, Hatalya! He's
    talking about Spain again.
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    It's all end in a row.
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    I wanted to ask you... We're
    having the house painted.
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    Ignat would like to stay
    with you for a week.
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    I'll be happy to have him.
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    What's he saying?
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    He's imitating the famous
    matador Palomo Linares.
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    He was overwhelmed by
    the farewell.
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    The entire city saw him off.
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    His mother couldn't. She was ill.
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    But his father stood sadly
    on the side lines.
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    He knew they were both
    thinking the same thought:
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    Would they ever see each other
    again?
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    You mocking me?
    I spent years teaching you,
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    you could never learn,
    so you do know now!
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    He was in Spain, but didn't
    understand a thing.
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    Don't you ever want
    to go back to Spain?
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    I can't. My husband's Russian.
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    My children are Russian.
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    I'll talk to her!
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    Come here! I'm leaving.
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    When you're in a hurry,
    this always...
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    Just pick them up.
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    It feels like electricity!
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    It's like it happened once...
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    But I've never been here before.
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    Give me the coins and stop
    imagining things.
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    And tidy up a bit.
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    Don't touch anything.
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    Tell Maria Nikolayevna
    to wait if she comes.
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    Come in. Hello.
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    A cup of tea for a young man.
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    Get the notebook
    on the third shelf.
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    Read the page
    where the book mark is.
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    "In replying as to the effect
    the arts and sciences have
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    "on our morals, Rousseau said:
    "a negative one"
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    Just read what's underlined.
    We have no time.
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    "The division of the churches
    separated us from Europe.
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    "We did not take part in
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    "a single one of its great
    events.
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    "But we had our own special
    predestination.
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    "Russia and its vast expanses
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    "absorbed the Mongol invasion.
  • 48:19 - 48:23
    "The Tatars didn't dare
    cross our western borders
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    "and left us behind in the rear.
    They returned to deserts,
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    "and Christian civilization
    was saved.
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    "To achieve this goal
    our way of life underwent
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    "a change which, while,
    preserving us as Christians
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    "alienated us from
    the Christian world.
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    "As for our historic
    insignificance,
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    "I cannot agree with you.
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    "Do you find something
    significant
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    "in Russia's present position,
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    "to amaze the future historian?
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    "Although I'm truly attached
    to the Tsar,
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    "I'm not at all inspired
    by what I see about me.
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    "As a writer I am annoyed,
    I am insulted,
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    "but not for anything
    in the world would I
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    "change my country,
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    "choose another history,
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    "than the history
    of our forefathers,
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    "as God oriented it".
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    A letter from Pushkin to
    Chaadaev. October 19,1836.
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    Go, open the door!
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    Oh, I've got the wrong
    appartment.
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    How're things, Ignat?
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    Did Maria Nikolayevna come?
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    No... a lady came... she had
    the wrong apartment...
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    Find something to do,
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    or invite a friend over.
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    Are you friends
    with guys and girls?
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    Shucks to them!
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    I was in love when I was
    your age, during the war...
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    She was a red head... her lips
    were always chapped...
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    Our shell-shocked military
    instructor liked her...
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    Where'd you aim at?
    Think I didn't see you?
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    You shot into the air!
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    I didn't do anything,
    there's nobody there.
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    What if there was?
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    There are trees there.
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    What if someone was up
    in a tree?
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    About-face! The command was
    about-face!
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    That's what I did.
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    Did you study the manual?
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    About-face is what I did.
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    It means
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    a 360 turn.
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    Forgot the degrees!
    Asafiev! About-face!
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    To your firing positions!
    Forward march!
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    I want to see your parents.
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    What parents?
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    Which firing position?
    I don't understand.
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    Get down!
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    His parents died during
    the Leningrad Blockade.
  • 55:04 - 55:08
    A firing position is...
    a firing position.
  • 55:18 - 55:20
    Tell me the basic parts...
    of...
  • 55:25 - 55:27
    ...of... a rifle.
  • 55:44 - 55:45
    The stock...
  • 55:49 - 55:51
    The muzzle...
  • 55:51 - 55:53
    You're a muzzle.
  • 56:05 - 56:07
    Then what's a muzzle?
  • 57:04 - 57:05
    Don't!
  • 57:06 - 57:07
    Get down!
  • 57:47 - 57:49
    It's a dummy.
  • 58:09 - 58:12
    To think you're a Leningrad...
  • 58:13 - 58:14
    Blockade boy...
  • 61:13 - 61:15
    I trust not promotions.
  • 61:15 - 61:17
    And I fear not omens.
  • 61:18 - 61:21
    I flee not from slander
    or poison.
  • 61:22 - 61:24
    There is no death.
  • 61:25 - 61:28
    We're all immortal -
    All is immortal.
  • 61:29 - 61:31
    Fear not death at seventeen,
  • 61:32 - 61:35
    Not at seventy...There's only
    reality and light.
  • 61:36 - 61:39
    There's neither dark, nor
    death in this, our world.
  • 61:40 - 61:42
    We've reached the beach,
  • 61:43 - 61:45
    And I am one of those,
    who pulls the nets in,
  • 61:46 - 61:49
    When immortality arrives
    in batches.
  • 61:49 - 61:51
    Live in a house,
    and it won't crumble;
  • 61:52 - 61:54
    I'll summon a century at will,
  • 61:55 - 61:58
    Enter and build my house in it.
  • 61:58 - 62:01
    That's why your children and
    your wives
  • 62:01 - 62:04
    All share my board,
  • 62:04 - 62:07
    The table serving forefather
    and grandson:
  • 62:08 - 62:10
    The future is decided now.
  • 62:10 - 62:12
    And if I rise my hand,
  • 62:13 - 62:16
    The five rays will remain
    to you.
  • 62:16 - 62:19
    My bones, like beams
  • 62:20 - 62:22
    Held up each day,
  • 62:22 - 62:24
    I measured time
    with a surveyor's staff,
  • 62:25 - 62:28
    And passed through it
    as through the mountains.
  • 62:29 - 62:31
    I chose a century
    according to my height.
  • 62:32 - 62:35
    We pressed on South, raising
    dust in the steppes,
  • 62:36 - 62:38
    Weeds smoldered,
    A grasshopper played,
  • 62:38 - 62:40
    Touching horseshoes and
    prophesying...
  • 62:41 - 62:44
    Threatening me with death
    quite like a monk.
  • 62:44 - 62:47
    I strapped my fate fast
    to my saddle,
  • 62:48 - 62:50
    I rise up in the stirrups
  • 62:51 - 62:53
    Of the future as a boy.
  • 62:54 - 62:56
    I am content with my
    immortality,
  • 62:57 - 63:00
    With my blood coursing
    from century to century.
  • 63:00 - 63:02
    I'd gladly give my life
  • 63:03 - 63:06
    for a safe corner of warmth.
  • 63:06 - 63:09
    If life's swift needle
  • 63:10 - 63:12
    Did not draw me out,
    as though I were a thread.
  • 66:28 - 66:29
    Marusya!
  • 66:31 - 66:33
    Where are the children?
  • 66:41 - 66:44
    I'll tell them
    you stole a book.
  • 66:55 - 66:57
    Tattle-tale!
  • 66:59 - 67:01
    I will, too!
  • 67:08 - 67:09
    Marina!
  • 68:33 - 68:36
    Come more often;
    you know how he misses you.
  • 68:43 - 68:46
    Let Ignat live here...
  • 68:51 - 68:53
    Are you serious?
  • 68:53 - 68:56
    You said he'd like to.
  • 68:59 - 69:01
    I have to watch my every word.
  • 69:01 - 69:04
    Think I suggested it
    for my own pleasure?
  • 69:06 - 69:09
    Let's ask him. Let him decide...
  • 69:11 - 69:13
    It'll be easier on you.
  • 69:15 - 69:16
    In what way?
  • 69:22 - 69:24
    Did you get your books together?
  • 69:26 - 69:29
    Say goodbye to your father.
  • 69:32 - 69:34
    Mama and I wanted to ask you...
  • 69:41 - 69:44
    Would you rather live here?
  • 69:47 - 69:51
    You spoke to Mama of it,
    didn't you?
  • 69:54 - 69:57
    When? What'd I say? No!
    Don't want to.
  • 70:32 - 70:34
    She and I really are alike.
  • 70:35 - 70:38
    Not at all!
  • 70:56 - 71:00
    What kind of relationship
    d'you want with your mother?
  • 71:05 - 71:08
    That of childhood's
    impossible now.
  • 71:18 - 71:22
    You speak of feeling guilty,
    because she
  • 71:23 - 71:26
    sacrificed her life for you...
  • 71:26 - 71:29
    There's nothing you can do
    about it.
  • 71:31 - 71:34
    She wants you to be
    a child again,
  • 71:35 - 71:38
    so she could take care
    of you and protect you.
  • 71:46 - 71:48
    I'm meddling again...
  • 71:49 - 71:51
    As always...
  • 72:02 - 72:04
    What're you howling about?
    Tell me!
  • 72:07 - 72:10
    Should I marry him or not?
  • 72:17 - 72:19
    Do I know him?
  • 72:20 - 72:22
    No...
  • 72:23 - 72:25
    Is he a Ukrainian?
  • 72:26 - 72:28
    What's that have to do with it?
  • 72:29 - 72:33
    - What does he do?
    - He's a writer.
  • 72:36 - 72:39
    His name isn't Dostoyevsky,
    by any chance?
  • 72:42 - 72:46
    Never wrote a thing, no one
    ever heard of him.
  • 72:47 - 72:50
    Is he about 40?
    Then he is a mediocrity.
  • 72:56 - 72:58
    You've changed so.
  • 73:01 - 73:03
    He has no talent,
    doesn't write a thing.
  • 73:04 - 73:07
    He does, but it isn't published.
  • 73:08 - 73:12
    Look, our dear dunce
    has started a fire.
  • 73:16 - 73:19
    Don't be so sarcastic
    about his poor marks.
  • 73:20 - 73:22
    He'll drop out and be drafted,
  • 73:23 - 73:26
    and you'll try hard
    to get him deferred.
  • 73:28 - 73:30
    It's all the results
    of your upbringing.
  • 73:31 - 73:33
    The army won't kill him,
    you know.
  • 73:34 - 73:37
    Why don't you phone your mother?
  • 73:37 - 73:40
    She was ill for three days
    after Liza's death.
  • 73:40 - 73:43
    I didn't know.
  • 73:45 - 73:47
    I expected her at 5 today.
  • 73:48 - 73:50
    Can't you take the first step?
  • 73:52 - 73:55
    We were talking about Ignat.
  • 73:58 - 74:00
    Maybe I'm to blame, too.
  • 74:04 - 74:06
    Or have we just became
    bourgeois?
  • 74:08 - 74:11
    A primeval Asiatic kind
    of bourgeois.
  • 74:13 - 74:16
    Prospering when there's
    no private property.
  • 74:19 - 74:20
    It's incomprehensible.
  • 74:21 - 74:23
    Why are you so irritable?
  • 74:23 - 74:26
    My friends' 15-year-old son
    said to them:
  • 74:27 - 74:29
    "I'm leaving home, I can't stand
  • 74:29 - 74:31
    "all this hypocrisy."
  • 74:32 - 74:34
    What a smart boy!
    Compared to our booby.
  • 74:38 - 74:40
    Too bad, our son will never
    say such a thing.
  • 74:40 - 74:43
    Some friends you have!
  • 74:44 - 74:48
    They're no worse than us.
    He's a newspaperman.
  • 74:49 - 74:52
    Thinks he's a writer, too,
    by the way.
  • 74:58 - 75:00
    He just can't understand
  • 75:00 - 75:02
    that a book's a deed,
    not a paycheck.
  • 75:04 - 75:06
    A poet must stir the soul,
  • 75:07 - 75:09
    not nurture idolaters.
  • 75:18 - 75:20
    But what I'll do?
  • 75:21 - 75:23
    Get married.
  • 75:24 - 75:27
    Do you remember,
  • 75:27 - 75:29
    whom the angel appeared to
    as a burning bush?
  • 75:32 - 75:35
    No, not to Ignat at any rate.
  • 75:38 - 75:40
    Should we sent him
    to a military school?
  • 75:43 - 75:45
    The angel appeared to Moses.
  • 75:52 - 75:55
    Why didn't anything like
    that ever appear to me?
  • 76:08 - 76:11
    I keep having the same dream.
  • 76:15 - 76:17
    He seems to be forcing me
    to return
  • 76:21 - 76:23
    to the bitter sweet site,
  • 76:23 - 76:26
    of my grandfather's house,
  • 76:27 - 76:29
    where I was born
    on the table 40 years ago.
  • 76:38 - 76:40
    Something always prevents me
    from entering.
  • 76:44 - 76:47
    I keep having my dream.
  • 76:51 - 76:55
    When I dream of the log
    walls and dark pantry,
  • 76:58 - 77:00
    I sense that it's only a dream.
  • 77:02 - 77:07
    Then my joy is clouded,
    for I know I'll wake up.
  • 77:13 - 77:16
    Sometimes something happens,
    and I stop dreaming
  • 77:18 - 77:21
    of the house and the pines
    by the house of my childhood.
  • 77:22 - 77:24
    Then I grieve
  • 77:27 - 77:30
    and wait for the dream,
  • 77:32 - 77:35
    that will make me a child again,
  • 77:36 - 77:39
    and I'll be happy again knowing
  • 77:40 - 77:42
    that all still lies ahead,
  • 77:44 - 77:46
    and nothing is impossible...
  • 80:51 - 80:53
    Someone's there, mama.
  • 81:16 - 81:19
    Are you Nadezhda Petrovna?
  • 81:20 - 81:24
    I'm Matvei Ivanovich's
    stepdaughter.
  • 81:25 - 81:28
    He was a friend of your husband.
  • 81:33 - 81:36
    He's a doctor.
    He used to live here,
  • 81:37 - 81:41
    but then he moved to Yuryevets,
    he became a medical expert.
  • 81:44 - 81:46
    Do you live in the city?
  • 81:47 - 81:50
    We're from Moscow, but we
    have a room in Yuryevets.
  • 81:57 - 82:00
    We were evacuated last fall.
  • 82:03 - 82:07
    Moscow was bombed.
    I've two children.
  • 82:07 - 82:10
    My mother has friends here...
  • 82:15 - 82:18
    My husband's in the city today.
  • 82:23 - 82:25
    Stop scratching yourself.
  • 82:27 - 82:30
    I've come to see you.
    It's a private matter.
  • 82:37 - 82:41
    Come in. Don't stand here...
  • 82:47 - 82:51
    Wipe your feet.
    Masha washed the floors.
  • 83:16 - 83:20
    Wait here. I won't be long.
  • 87:35 - 87:39
    Why're you in the dark?
    Did it go out?
  • 87:41 - 87:44
    Why didn't you call us?
  • 87:46 - 87:49
    - What's your name?
    - Alyosha.
  • 87:52 - 87:56
    I've a son, too,
    but he's a baby.
  • 87:57 - 87:59
    It's not easy to bring up
    children in wartime.
  • 88:00 - 88:02
    Still I'd like a daughter.
  • 88:03 - 88:06
    Want to see him? He's sleeping.
  • 88:07 - 88:09
    He's a darling boy.
  • 88:56 - 88:59
    He asked his father,
  • 88:59 - 89:03
    why a 5 kopeck coin is bigger
    than a 10 kopeck one?
  • 89:04 - 89:09
    Imagine! My husband
    was speechless.
  • 89:11 - 89:14
    He wanted a girl. He even
    had a name for her.
  • 89:17 - 89:19
    I made pink baby clothes.
  • 89:23 - 89:26
    Then I had to make others.
  • 89:26 - 89:28
    He gave us quite a bit of
    trouble...
  • 89:33 - 89:36
    Did we wake you up?
  • 89:36 - 89:40
    What a chatterbox
    your mother is.
  • 89:40 - 89:42
    See, who's here?
  • 89:44 - 89:46
    Don't know them?
  • 89:48 - 89:50
    You can't wake up, can you?
  • 89:52 - 89:56
    Go back to sleep then, love.
  • 90:06 - 90:09
    How do I look?
    How's the ring?
  • 90:11 - 90:16
    - What's the matter?
    - I don't feel well.
  • 90:17 - 90:20
    You are just tired.
    I didn't realize it.
  • 90:27 - 90:30
    I should've put up supper.
  • 90:33 - 90:35
    Please, don't bother.
  • 90:38 - 90:41
    We ate before we started out.
  • 90:41 - 90:44
    What a nasty cough.
  • 90:50 - 90:53
    My husband should have
    a look at him.
  • 90:54 - 90:58
    We can't wait. It's
    a 2 hour walk back.
  • 90:59 - 91:02
    What about the earrings?
    My husband has the money.
  • 91:03 - 91:07
    We'll slaughter a cockerel.
    But do me a favor...
  • 91:08 - 91:12
    I'm 3 months gone and feel
    nauseous all the time.
  • 91:12 - 91:15
    Even milking the cow
    makes me sick.
  • 91:16 - 91:18
    As for the cockerel...
  • 91:20 - 91:22
    Could you?
  • 91:23 - 91:24
    But I...
  • 91:26 - 91:28
    You, too?
  • 91:29 - 91:32
    No, I've just never done it.
  • 91:33 - 91:35
    There's nothing to it.
  • 91:40 - 91:44
    I do it here on the block.
  • 91:44 - 91:47
    Here's the axe. It's very sharp.
  • 91:48 - 91:52
    - Right here?
    - Over a basin.
  • 91:52 - 91:56
    I'll give you a hen tomorrow.
  • 91:57 - 91:59
    I can't do it.
  • 92:00 - 92:04
    Perhaps ask Alyosha.
    He's a man, after all.
  • 92:06 - 92:08
    No, not Alyosha.
  • 92:10 - 92:14
    Hold it tight
    or it'll wreck the place.
  • 93:21 - 93:24
    Don't fret.
    You'll be all right.
  • 93:26 - 93:28
    Too bad, I only see you
  • 93:28 - 93:30
    when I'm really sick.
  • 93:42 - 93:44
    Here I am, born aloft.
  • 93:44 - 93:47
    What's the matter, Marusya?
    Speak to me.
  • 93:47 - 93:50
    Don't be so surprised.
  • 93:52 - 93:54
    I love you.
  • 93:55 - 93:57
    You leaving? But the earrings?
  • 93:58 - 94:00
    My husband will be back soon.
  • 94:01 - 94:04
    - He's got the money.
    - We changed our minds.
  • 94:04 - 94:08
    It's 15 miles to town.
    It'll be dark soon.
  • 94:08 - 94:10
    It's all right. Don't worry.
  • 94:24 - 94:27
    A man has one body,
    so solitary.
  • 94:28 - 94:30
    The soul is sick
    of this solid sheath
  • 94:31 - 94:34
    With ears and eyes
    The size of buttons.
  • 94:35 - 94:38
    And skin, a mass of scars,
    A skeleton's robe.
  • 94:39 - 94:42
    Fly through the cornea
    To the heavenly spring
  • 94:43 - 94:47
    To the icy spoke
    To the bird's chariot.
  • 94:48 - 94:50
    Through the prison bars
    it hears
  • 94:51 - 94:55
    The clamour of woods and leaves
    The trumpet of the seas.
  • 94:56 - 95:00
    A soul without a body is like
    A body without a shirt,
  • 95:01 - 95:05
    Not a thought or a deed,
    Not a line or a concept.
  • 95:06 - 95:10
    A riddle that has no answer:
    Who'll return
  • 95:11 - 95:14
    To dance, where there's
    No one to dance?
  • 95:15 - 95:19
    I dream of another soul,
    Dressed in other garb.
  • 95:20 - 95:24
    It flits from doubt to hope.
  • 95:24 - 95:28
    Burning without a shadow like
    alcohol, and slips away.
  • 95:28 - 95:32
    Leaving a memento
    Some lilac on the table.
  • 95:33 - 95:37
    Child, fret not
    Over poor Eurydice
  • 95:38 - 95:42
    But drive your copper hood
    Through life,
  • 95:42 - 95:46
    While in response
    To every step
  • 95:47 - 95:51
    You have the Earth reply,
    Merry is its voice and dry.
  • 98:37 - 98:40
    The stove's smoking, mama.
  • 99:02 - 99:03
    It all depends on him.
  • 99:04 - 99:07
    Is a strep throat that
    dangerous?
  • 99:11 - 99:13
    What has a strep throat
    to do with it?
  • 99:17 - 99:19
    It's a usual occurrence.
  • 99:27 - 99:31
    A mother, wife,
  • 99:33 - 99:36
    child die suddenly...
  • 99:36 - 99:39
    And a person wastes away
    in a few days.
  • 99:39 - 99:42
    But no one died in his family.
  • 99:47 - 99:50
    There's his conscience...
    his memory...
  • 99:51 - 99:53
    What has memory to do with it?
  • 100:02 - 100:04
    Is he guilty of something?
  • 100:05 - 100:07
    He thinks he is.
  • 100:07 - 100:09
    Leave me alone!
  • 100:17 - 100:20
    Leave me alone!
  • 100:21 - 100:25
    I just wanted to be happy.
  • 100:25 - 100:29
    What will happen to your
    mother if you die?
  • 100:36 - 100:37
    Everything will be
  • 100:39 - 100:40
    all right...
  • 100:42 - 100:44
    Everything will be...
  • 102:00 - 102:03
    Do you want a boy or a girl?
Title:
Зеркало (HD) / The Mirror
Description:

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Video Language:
Russian

English subtitles

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