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    Everyone and welcome to tonight's episode,
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    a critical role over a bunch of us nerdy ass voice Hunter sit around and played
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    Dungeons and dragons
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    [inaudible]
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    like that every time. Um, so before we get into tonight's episode,
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    we do have some announcements to get through,
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    which begins with our two sponsors for tonight. The first up,
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    which is Disney's villainous game. Same if you don't.
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    This episode is sponsored by our pals at Ravensburger Ravensburger,
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    I don't know. And they're fun. Board game,
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    Disney villainess it's again where you play as your favorite Disney villain and
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    compete against others to reach your individual goals.
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    Now you can get the core set the worst takes it all.
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    And two expansions wicked to the core and evil comes prepared and mix and match
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    your favorite Disney villains, including captain hook, King John Scarr,
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    evil queen and more.
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    They also released some beautiful thousand piece puzzles using artwork from the
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    game to thank them for their sponsorship.
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    I wanted to dress as my favorite Disney villain, the evil queen from snow white,
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    but I couldn't find a costume.
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    So I just asked for any Disney costume they had and I'm now evil villainess
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    Chewbacca,
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    but I'm still going to read the bit that I prepared for the evil queen.
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    So just imagine that this costume is an evil queen costume and here we go.
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    Mirror, mirror in my hand.
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    Who's the fairest critical road man?
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    Chewy, chewy in the chair. Matthew Mercer is most fair.
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    Okay. Okay. I totally get that.
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    But who is second fairest after Matt?
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    He so stunning when you see him. The second fair is does young Liam.
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    Oh, fucking forget the Ferriss thing. Okay.
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    Who is the man who plays [inaudible]?
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    I feel like you want me to say it to you,
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    but I'd be lying so I don't know what to do.
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    Just just tell me I'm pretty and we'll end this bit. Come on,
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    Maxwell. Fucking say it.
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    This is weird, but sure. You're pretty there. Are you happy? Yeah. God,
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    why do you do this stuff to me? I just want to do my job.
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    That's it. I'm calling HR
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    and seeing,
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    don't forget to get all this great villainous stuff through target at Bewdley.
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    That's bit dot. L. Y slash. CR villainous, V. I. L L a.
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    I. N. O. U. S. back to you Matt.
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    Thank you Sam.
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    Our second sponsor for night are our friends who've been with us since the
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    beginning of campaign to D and D beyond the fact that they're just a great tool
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    for, you know, digitally keeping track of your characters, your campaigns,
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    spells creatures the whole deal.
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    They now have an encounter builder that's out of alpha. That's amazing. Uh,
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    they've been a fantastic supporter of the show from the beginning and thank you
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    guys so much. Um,
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    they also have great articles that go from their website written by actually
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    some friends of the show and they're all pretty damn brilliant. So, uh,
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    thank you. Deany beyond, keep up the good work. Uh, all right, Travis,
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    you have announcement to make?
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    Yes. Oh, I'm going to grab my, my,
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    my numbers here guys.
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    We have nine days left in our November fundraising campaign with our friends at
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    OSD and since we have launched our campaign,
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    we have banded together to raise $19,000 to help our military community.
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    And we have a very special announcement tonight.
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    My dear friend Travis Frederick center for the world champions,
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    or to be a Dallas Cowboys. Legendary all time. Real crap.
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    Travis Frederick has graciously offered to donate $500 for every natural one
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    that we roll during the month of November. The whole month. It was just tonight?
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    No, the whole, Oh, it's retroactive from the beginning.
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    Which means that we have now raised over $23,000.
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    Yeah, super, super gracious, generous. Such a great guy.
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    He has rules so much. Yeah. So if,
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    if it sucks for us, it's for a good cause.
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    Thank you so much everyone that's doing any police commute.
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    Continue to share the message.
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    The link is at [inaudible] dot com slash O S D let's finish strong.
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    That's amazing. Travis, thank you so much.
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    That is incredible and thank you all for donating to this incredible cause.
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    This is amazing.
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    I'm a huge Epic congrats to our very own Laura Bailey for her nomination of best
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    performance from the video game awards for her role as Diaz in gears. Five.
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    Super proud of you. That's amazing.
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    You can vote for your favorites, uh,
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    at the game awards.com/nominees, uh,
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    anytime before December 11th. So go and take a look at the list there.
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    And if you happen to like we did in the game,
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    you can go ahead and vote for who is, I mean, just vote for her anyway.
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    It doesn't matter if you're like, that's fine. But for me,
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    I tried to, I tried to, tried to be civil.
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    Our Austin live show is this weekend, two days from now.
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    I've never prepared so many maps in one week. I'm super excited. So you guys,
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    they're a, what's our one shot? The adventurers of the Darrington brigade, uh,
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    as part of our Kickstarter awards for the amazing, uh,
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    animated series kickstarted earlier in the year.
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    Thank you guys so much for that and for allowing this to happen. Um,
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    please refrain from boiling, uh, posting spoilers, not boiling.
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    We can do that too. I guess from posting spoilers online.
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    If you're there at the live show, those who aren't able to attend,
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    you can watch our live show on Friday, November 29th at 7:00 PM Pacific on,
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    on Twitch channel and it'll be available for VOD and on YouTube the following
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    Sunday. So keep an eye out for that. Posters do not coil anybody.
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    Please spoilers. Don't boil it. Don't boil.
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    This past month my brain's just slowly turned the Swiss cheese from week to week
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    and language is leaving me.
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    Yeah.
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    If anyone. Lennox is a critter. Hi. Uh,
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    next Thursday is the Thanksgiving holiday here in America. So, uh,
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    for those who, uh, who are not here and don't,
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    aren't aware that we will not be having a session next week. On Thursday,
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    we'll be having the time with our families. Um, so, uh,
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    in the Northern will be an episodic Vox mock. I'm sorry.
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    I've talked to in the week after Tuesday, December 3rd.
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    So there's going to be kind of a week off for the holiday for us here in the U S
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    but don't forget, we're going to kick back in the week after that,
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    the first week of December. Um,
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    but wish to wish all you guys a an amazing holiday.
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    We'll see you all the Thursday after that. Uh, and look forward to, uh,
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    picking it up from there. So, uh, Laura, you had some nuts.
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    Oh boy. Yes I do.
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    So this one has been a long time coming. I mean,
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    Liam have been very excited about this for a very long time by our very own key
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    Bev's tar, the Chassidy's, no prisons,
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    the Xander Ian calendar. Now I feel like I should point this out to you.
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    That is not an actual workable calendar. It is the Xander Ian calendar.
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    So it's pretty much just like a useless object that you hang.
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    It works in Xander, Xander.
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    And you can follow along and see when things are like, you know,
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    certain dates that are important. There's holidays in here. It's pretty awesome.
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    Did you put some posters on it and make it work and put boosted?
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    I feel like I should sneak peak. Should I sneak like one of the pages?
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    Okay. You're okay with me sharing this one, please.
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    So this is the
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    [inaudible] can see this [inaudible] yeah.
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    So do you spice that?
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    So yeah, plenty of use images are as tantalizing as that one. Oh there,
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    I can't show you more. But, um,
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    the other cool thing is that all of the pages are perforated so you can tear
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    them out and frame them.
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    They're perfectly sized so you can just put them in a frame,
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    just put them on your ceiling, you just put them wherever you want.
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    So yeah, Babs is amazing. So that's pretty awesome. Um,
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    and then the other thing that we have in the store right now is our white stone
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    dice.
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    So like you can go look in there just like, uh,
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    I think they're showing them right now. Uh,
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    they come in this really beautiful little case that we were really excited
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    about. Cause if you take off the lid and it works as a dice tray,
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    like a furry case, like velvety and fabulous,
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    and it's got the white stone crest on it and yeah,
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    so they look like they're made of white stone, which I'm very excited. Yeah.
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    So there you go. Awesome. It's amazing.
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    And they're both available in the U S and the U K right now.
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    They're going to,
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    they're awesome. Thank you Laura. Uh, I believe,
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    Oh my God, no way. There's gotta be more at the end of our announcements.
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    We know there's like December 25th,
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    but don't forget to watch the Terry [inaudible] love each other.
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    Yeah, right. This episode of the dam
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    [inaudible] they were always beside you
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    and the D M check guide you and they rise from the flames.
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    Are the battles that
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    cause your bow to be
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    does a monster comics? It's formation.
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    This Joe put your fate in your hands. Take that chance.
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    No, it's
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    [inaudible]. [inaudible]
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    welcome back. You made on the draw there. I know.
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    Proper music for this last, we left off
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    [inaudible]
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    mighty nine. Goddammit Sam
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    last, last time round. I wore a different mat shirt. That music matches
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    change the shirt, but it's still a nice shirt.
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    I'm gonna remember that. No, it is not. It is not the night to do that.
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    So
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    the mighty nine for quite some time,
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    I've been chasing the tracks of the angel of irons.
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    A somewhat new and esoteric that only whispers had been discovered about them
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    and what their plot was.
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    You came to uncover that the angel of irons was a cover to trick these other
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    people in cultists into helping the chain to oblivion thought it was doing begin
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    to unravel its bindings, deepen the abyss,
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    and chasing Oban who had gathered three figures to what he referred to as his
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    family. Your companion Yasha, the laughing hand, a terrible,
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    undying champion of Taurog and the inevitable and the keto gust owl.
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    All three of them bound to his will.
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    He carried them across Xander IA gathering things necessary to see this plot to
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    fruition.
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    Your last scribes spell revealing them arriving in the capital city of wrecks
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    and trim and wild Mount. It seemed at this time that vents,
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    another cultist had delivered some scrolls and information to a cathedral,
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    deepen the city and whispers of what seemed to be a rather imminent moment.
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    So rushing your way to Rex, interim asking for aid. You come to the rainy city,
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    dark storm clouds overhead.
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    You try and look for any sort of sign of where this cathedral might be.
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    And upon arriving high,
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    finding out that the city has seen the under attack at the same time by Crean
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    operatives.
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    You hear what sounds like a den of battle in the distance,
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    though you've seen none directly. Is it just chaos to distract?
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    Who knows?
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    But you've gathered yourselves and an ally Promaths soul who has come along with
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    you to deal with this scenario after he was attacked along with you in his house
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    since the dash and you've stepped out from the wrecks and from archive of the
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    cobalt soul into the wet slick cobblestone streets of the city heading eastward
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    towards the base of the shimmer ward where it is,
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    believe this cathedral known as the Chantry of the Don standards.
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    So by benign,
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    as you step out into the air above,
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    you can hear the heavy elements of rain coming down from above,
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    which I can do here with that with stuff, it's is fun music
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    pushing through.
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    You can see the streets are seemingly deserted by most civilians.
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    The few you see run confused, some of them out of curiosity. Others out of fear,
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    crowns, guard occasionally attempt to keep the peace among them.
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    If you're quick rumors and demands for information from the crowds to the guard
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    and none of them responding to you to push them into their homes or push them
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    out of the way,
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    you can hear shouts from congested neighborhoods at the peripheral of your watch
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    as you go from intersection to intersection heading East to deeper into the
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    city, the tall roofs and climbing spires, the various, uh,
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    buildings that surround and frame your continued travel looming. Uh,
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    just almost cutting out the gray sky above.
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    You can see I had the group of about 30 or so righteous brand that rushed past
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    you northwards toward the platinum veranda.
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    You can hear muffled shouts and a chaotic echo of battle.
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    [inaudible]
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    is there anything you want to do?
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    Continue traveling East and go towards the fray, right? Okay.
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    We'll wait towards the fray. I thought last time there was the freight.
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    You here's to the North.
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    You guys were heading eastward to the Chantry because that's where we saw them
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    doing some sort of ritual in this cathedral.
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    And your last last plants you saw there was the of the storm clouds above us.
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    Tiny sliver of light had broken through that framed the channel tree.
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    And you just said something about the platinum something and brand is location
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    in the city. That's northward. Platinum. Okay, so we're not going that way.
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    We're going East and we have,
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    we have alerted everyone we can possibly think of the, the,
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    the real target is to, this is to the East heaven. No, you don't belong here.
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    You,
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    you mentioned what you've learned briefly to the cobalt soul before you exited
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    and did we, did we tell them to, to send word to all of our,
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    all of our people tell them to send it to Laura.
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    And you told Laura,
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    Oh, we just said Wrexham. We didn't say the Shema. We touched down. No,
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    you guys, you, you touched on the tangles is the larger area,
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    the specific areas called the court of colors.
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    You being the only person who's been here, you know,
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    loosely the outlay out of the city and you the one who has the maps that you
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    might have to guide. If anything, if anything gets more scattered. I
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    would use it for spells slots, but then I could send it, look every,
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    every block that we go on I, I turned to Kayla and say,
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    did you live here? Did you live on this book? I didn't,
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    I didn't know. Did you ever do anything on this book?
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    Is this like where your school was or anything?
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    Caleb's ISO dotting everywhere and is the head of the pack leading us towards
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    the, um, the Chantry which I haven't seen.
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    Make a perception check if you don't mind.
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    I'm still shining down on it from my is, it's flickering like in and out.
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    Like the clouds tend to close and pass and it breaks through every now and then,
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    but it's like a singular Ray 15, 15,
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    uh, your eyes trained on the rising walkways and towers of the soul Tris Academy
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    that are peaking over the walls of the shimmer ward that you can just make out
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    on the horizon as you pass by a series of buildings with the roofs are a bit
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    lower than the other ones you've been rushing by.
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    You can see pale yellow walls that surround the shimmer ward of the Capitol.
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    You begin to approach the exterior of the visual circle,
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    which is a region between where you are and your destination as noted by the
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    network of ring, like streets that denote the circular marketplace,
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    varied shops and industries that normally fill this area, uh,
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    as well as the mini fortress of gray rock. And then it's the tower of RIT,
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    but everything is closed. Everything is shut down.
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    What was the tower of Ray? It's the central temper to a, this within the city
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    does not like the cathedral that you had seen within your vision.
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    Two more larger bands of righteous brand soldiers begin shouting, Oh yeah,
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    they run past and kind of cross your path and continue heading northward also
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    seemingly to join the rest northward.
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    Well then that is, there's also,
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    what do we want them to, I mean the, the Korean are attacking,
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    right? It's, we're waiting. We waste time. Jordan.
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    Why on earth would we want them to go kill the cream?
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    Well,
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    what were you supposed to just stop and try and convince them to stop?
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    We see G to keep going. We're saying all this is what we're running.
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    Yeah. Okay.
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    You didn't need to rush down the street ahead of you and kind of splits at one
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    point to kind of go into one of the, the circular regions in the marketplace.
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    Um, you know,
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    probably the shortest to the northward and you just pick that cause it's close
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    to the direction you're traveling. When you had a waist down for three crowns,
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    the guard come around the corner and uh,
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    there hurried gate shifting in your direction. They raised their hand.
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    One of them goes, please will tons of your homes.
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    We've had everything under control.
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    Yeah. Our home is that play out of songs.
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    We have a ways to go still.
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    It's in hurry up.
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    He noticed it first. This faint vibration, the gravity to you
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    ruin. Got ready.
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    You have just enough time to look to [inaudible] as he says this before you
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    begin to feel the ground you're cast.
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    Find yourself familiar with the purple worms we felt before you have that
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    thought and go, Holy shit. This feels like a purple
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    punishing and out of the ground, but 15 feet from where you stand.
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    Sending one of the crowns guard kind of thrown from where he was standing in
  • 19:58 - 20:02
    buffet team, feet tumbling across the slick cobblestone bits of stone and earth.
  • 20:02 - 20:05
    Go flying everywhere. As you see piercing under the ground,
  • 20:05 - 20:09
    rising up the gargantuan twisting form of an angry purple,
  • 20:09 - 20:12
    warm it's body covered in that signature hard,
  • 20:12 - 20:16
    dark purple scales with spines piercing through each area where they meet.
  • 20:16 - 20:17
    You can see the rows of teeth as it roars
  • 20:20 - 20:23
    in the sky and on its back you can see chains and bits of metal that are put
  • 20:23 - 20:26
    across them like Barden and holding onto it.
  • 20:26 - 20:31
    You can see three Crean soldiers that immediately leap off onto the ground
  • 20:32 - 20:35
    facing, not you, but facing the Crown's guard.
  • 20:35 - 20:37
    And you can see the one of the crowds got that tumbled. The ground is
  • 20:39 - 20:41
    pulling back and the other two are pulling their weapons and they're shaking.
  • 20:41 - 20:46
    Can we stop this answer? Confirmed? Do we just let them go?
  • 20:47 - 20:48
    I, we keep going.
  • 20:52 - 20:55
    As you say that one of them turns and looks at your group,
  • 20:57 - 21:01
    there's no, and the worm then turns its head in your direction.
  • 21:03 - 21:06
    So you guys, are you, are you continuing to run?
  • 21:07 - 21:08
    Should we just try to keep running
  • 21:11 - 21:15
    through under the [inaudible]? We don't know how much longer it,
  • 21:16 - 21:21
    yeah, we just keep going. Just keep going. It's not our fight, right? Not yet,
  • 21:22 - 21:26
    but I don't know who I'm rooting for. No, I don't either.
  • 21:27 - 21:30
    Could you just ask, how far are we off from the Chantry? Uh, would I know that,
  • 21:31 - 21:35
    uh, you would know. You're probably about, I'd say depending on,
  • 21:35 - 21:39
    on, you know, the being pretty empty. Maybe seven minutes. Oh,
  • 21:39 - 21:42
    I'm in the castle. Okay. Creature for Yasha. Okay.
  • 21:42 - 21:45
    And what's the range on that thousand feet or the last an hour. Okay,
  • 21:45 - 21:49
    there you go. So keep that in mind. You guys continue to run. All right.
  • 21:50 - 21:50
    The uh,
  • 21:51 - 21:55
    the Korean soldier that jumped off and noticed you when you shouted is now
  • 21:55 - 21:59
    giving a run in your direction because they're attacking the city
  • 22:01 - 22:05
    and the purple were immediately burrows under the ground.
  • 22:05 - 22:07
    I don't know. They pop up again.
  • 22:10 - 22:14
    You hear a few other screams as it seems. The two crowns guard, uh,
  • 22:14 - 22:17
    or actually it would be all three of them at this point are dispatched one after
  • 22:17 - 22:20
    the another by three queen soldiers.
  • 22:20 - 22:22
    Damn. They're good. We're good. If we're going to feel dirty,
  • 22:22 - 22:26
    no matter how the one that's chasing you is then behind,
  • 22:27 - 22:29
    you can see the other two are now rushing up to Jolene.
  • 22:29 - 22:33
    No warm insights from you. Keep running to us
  • 22:35 - 22:36
    greener. They're all following you guys. It's your,
  • 22:36 - 22:39
    the other marks that they dispatched, the crowns guardian.
  • 22:39 - 22:42
    I will stop and I'll turn around and I'll pull out our symbol of the bright
  • 22:42 - 22:47
    queen and I'll run up and I'll say, stop. People speak. We have business.
  • 22:47 - 22:50
    At the bright queen back control post. Make a persuasion check.
  • 22:53 - 22:57
    No one else can see this, right? It's just, there's no like
  • 22:59 - 23:04
    three 23 exception truck 27,
  • 23:04 - 23:05
    27. Okay.
  • 23:05 - 23:09
    You guys are keeping a watch. I mean there, there are guards running through.
  • 23:09 - 23:10
    There was one that, uh,
  • 23:10 - 23:14
    one that turns and just sees the purple worm or which by the way,
  • 23:14 - 23:17
    as you're having this conversation about 10 feet from you
  • 23:20 - 23:23
    slamming out of the ground, showering you with bits of rock and dirt, uh,
  • 23:23 - 23:26
    at that point the guard turned, sees it and just fucking bolts the other way.
  • 23:27 - 23:30
    Um, the, the first soldier comes weapon drawn and as you're,
  • 23:30 - 23:34
    as you're holding up the symbol rushes and you can see his form shift as a
  • 23:34 - 23:38
    shadow version of himself, splits and kind of flanks around you.
  • 23:38 - 23:42
    You've seen this once before in the sewers of the dash long ago,
  • 23:43 - 23:45
    and as it rushes towards you and you hold the symbol,
  • 23:45 - 23:49
    say that CIT falters and stands and looks,
  • 23:50 - 23:53
    and if you see it like caught in the moment, the two other ones catch up.
  • 23:53 - 23:55
    You can see they're both having their weapons drawn and they see you stopping
  • 23:56 - 24:01
    and they look taken aback by what you're holding in the fact that the one who
  • 24:01 - 24:04
    who's guiding this charge of stopped his weapon goes Slack a bit.
  • 24:06 - 24:10
    I slide up to me with my OMA. All right. I'll head back,
  • 24:11 - 24:14
    turns back and says something under common and the purple worm,
  • 24:14 - 24:16
    which is currently, I'm like a holding position.
  • 24:16 - 24:19
    Looking at them and looking at you begins to call you turning your direction and
  • 24:19 - 24:22
    it gives a shout out to any of you guys to understand and under common
  • 24:24 - 24:29
    I've got overcoming cause I get off this and the purple woman turns back to him
  • 24:31 - 24:36
    and then they all leap onto its back and then bros back into the ground.
  • 24:36 - 24:38
    Okay. Okay. Okay. What about that counter?
  • 24:46 - 24:47
    Continuing on,
  • 24:48 - 24:53
    you begin to see that Ray of sun is your beacon bringing you closer and closer.
  • 24:55 - 24:58
    You've got him this charge, you hear more shouts,
  • 24:58 - 25:00
    you hear an explosion in the distance, just a muffled
  • 25:02 - 25:03
    echo across the city.
  • 25:03 - 25:07
    Uncertain of necessarily the direction or the intensity of it.
  • 25:09 - 25:14
    That's when you also hear the bone fucking bells has a ring in the fucking
  • 25:15 - 25:20
    church bone or the water bells in a tech boom.
  • 25:20 - 25:24
    I mean the city bone. Oh,
  • 25:24 - 25:26
    maybe it's the sound clock. Is it a sound? This,
  • 25:27 - 25:28
    this is a sound that you've not heard,
  • 25:28 - 25:33
    but you are aware that throughout the city there are bells set everywhere for
  • 25:34 - 25:37
    the purposes of alerting everybody who may not be aware that it's not just
  • 25:38 - 25:40
    there's a problem. This is danger under attack.
  • 25:40 - 25:42
    And so now this has been declared and you hear other
  • 25:44 - 25:49
    careful there's about to be full on pandemonium going across the city.
  • 25:49 - 25:54
    Let's all stay close. This is when people could start to riot.
  • 25:54 - 25:56
    We just have to come through it quickly. Yeah.
  • 25:57 - 26:00
    Rain slicked soaked to the bone. You all rush around.
  • 26:01 - 26:05
    One of the large kind of a small or large small,
  • 26:05 - 26:09
    large military structures on this corner here that is small for like a large
  • 26:09 - 26:12
    stronghold, but it's a place here medium.
  • 26:15 - 26:16
    Um,
  • 26:16 - 26:21
    to see what you recognize as the Chantry of the Dawn is a massive cathedral and
  • 26:23 - 26:28
    you're immediately taken aback by the beautiful masonry and sculpture work that
  • 26:28 - 26:31
    comprises this opulent structure that stands before you.
  • 26:32 - 26:36
    A high reaching stone arches that are housing towering stained glass windows
  • 26:36 - 26:40
    that depict various stages of the sun in the sky. Uh,
  • 26:40 - 26:43
    statues of 10 foot tall armored soldiers, uh,
  • 26:43 - 26:46
    are set into pillars like celestial guardians. Uh,
  • 26:47 - 26:50
    and you can see there it goes up multiple stories to climb into this great Spire
  • 26:50 - 26:53
    that climbs into the, the raining sky. Um,
  • 26:53 - 26:58
    every square foot of the exterior is tailored with subtle carvings of like vines
  • 26:58 - 27:02
    and leaves that framing the powers of the powerful supports all reaching upward
  • 27:02 - 27:06
    towards the stretching rays of the sun. Upon each of these depictions.
  • 27:07 - 27:11
    Bone boom, boom, the Bell's still going off in the area.
  • 27:11 - 27:15
    You come to the 15 foot tall doors, the front of the Chantry
  • 27:18 - 27:22
    go in my feeling. Anything in anything? Yes you are.
  • 27:23 - 27:26
    Oh, she's here. Oh,
  • 27:27 - 27:30
    I should be able to pinpoint what direction, what direction she is from us.
  • 27:30 - 27:35
    And if she's moving, she is moving. She is within and below.
  • 27:35 - 27:37
    Oh God. Oh God.
  • 27:40 - 27:45
    Does anyone know anything watching this entrance that we can talk from the
  • 27:45 - 27:49
    outside? No. Uh Oh.
  • 27:49 - 27:54
    All right. All right. Talk to pharyngeal Yasha no, do it.
  • 27:54 - 27:59
    I'm going to save her Buster here. Do we want to try and do a perimeter route?
  • 28:00 - 28:02
    If people are expecting pressure to come through,
  • 28:02 - 28:04
    we should try and find a a more
  • 28:05 - 28:07
    corrosive land or anything on this door short.
  • 28:07 - 28:11
    I'll go check just in case while you figure out a side entrance look like how
  • 28:11 - 28:15
    big a deal. Okay, I'm checking for sure. Go for it.
  • 28:16 - 28:17
    Terrible.
  • 28:17 - 28:22
    1919 you don't sense any traps but it is definitely locked and it's like a big
  • 28:24 - 28:25
    lock. Like it's, it's the key.
  • 28:25 - 28:29
    You imagine probably is about that long and the metal is very thick. Mind you,
  • 28:29 - 28:31
    you've dealt with locks like that before, but just as a note,
  • 28:31 - 28:35
    it is a larger law. I will start unlocking it while they're scouting. Okay.
  • 28:35 - 28:38
    Left outbreak, right is you guys turn the corner.
  • 28:38 - 28:41
    You can see there's some small windows in the sides of what's almost like out
  • 28:41 - 28:44
    like an entryway. A almost like a four year to the, to the, the,
  • 28:44 - 28:49
    the entire Chantry at the building opens up into what would be considered the
  • 28:49 - 28:52
    main church, like center of the cathedral. Uh,
  • 28:52 - 28:56
    this is where it grows into the Spire above and you can see on the outside of
  • 28:56 - 28:59
    the windows begin again like the ones you saw in the beginning,
  • 29:00 - 29:05
    but the stained glass rises up for 40 feet with what looks like beautiful color
  • 29:05 - 29:10
    patterns of stars that kind of frame the sun in different visual bits of
  • 29:11 - 29:15
    splendor. And the bit of warm light is now coming down into this area,
  • 29:15 - 29:16
    hitting the stained glass.
  • 29:16 - 29:20
    The rain stops as you kind of curl around the side and find a small pocket where
  • 29:20 - 29:23
    the storm doesn't seem to be affecting you. Um,
  • 29:23 - 29:25
    you come around the backside and it's,
  • 29:25 - 29:28
    it's just almost solid stained glass on the back end except for the stone arches
  • 29:28 - 29:32
    that hold the entire structure up. Any of those windows that we passed,
  • 29:32 - 29:37
    are we able to slide up and just, just put one eye over the corner and PRM.
  • 29:37 - 29:40
    The windows you see are actually about eight feet off the ground.
  • 29:40 - 29:43
    And they're circular with a stained glass window.
  • 29:44 - 29:48
    Take my paint out. I'm going to paint a little hole in the wall. Zillow.
  • 29:48 - 29:52
    You can give the people a little glory which turned to break into a church
  • 29:52 - 29:55
    colored and goes on one of the sides of the door. Yeah, yeah, yeah.
  • 29:56 - 29:58
    So that's the front door you mean? Yeah. Yeah. Okay. Pillar,
  • 29:58 - 30:02
    make a perception check with disadvantage. I'm also just picking the lock,
  • 30:02 - 30:05
    not opening it. Oh God. Me also my
  • 30:08 - 30:10
    19 2020.
  • 30:10 - 30:13
    Okay. 19. No big lock.
  • 30:13 - 30:17
    It's a big lock and it's more intricate than you expected. The door does not.
  • 30:17 - 30:22
    When I'm doing the perimeter run, are there any seller insurances,
  • 30:22 - 30:26
    anything that looks like hatches that go down, make a perception check.
  • 30:27 - 30:30
    Um, you glancing through, you look inside and you can see some,
  • 30:30 - 30:34
    some candelabra has that are arranged is a race platform with a bit of a red
  • 30:34 - 30:37
    carpet on it. It looks to be a desk or some sort of a, a wide,
  • 30:37 - 30:41
    a beautifully carved table that's meant for greeting people who entered the Chan
  • 30:41 - 30:42
    tree. Uh,
  • 30:42 - 30:47
    you do see two figures that stand at the top of that platform and they're both,
  • 30:47 - 30:51
    uh, in the process of looking through like looks like drawers or papers there.
  • 30:52 - 30:54
    One of them we both looked at one side as if they're hearing something and you
  • 30:54 - 30:56
    can hear it very faintly,
  • 30:56 - 31:01
    a little bit of voices coming through the hole and then one of them kind of gets
  • 31:01 - 31:04
    out of your perspective of the people and that's all you see people look like
  • 31:05 - 31:08
    the door. Uh, they are heavily cloaked, um,
  • 31:09 - 31:12
    wearing what looks like a piece of cloth across the front of the face. Uh, the,
  • 31:12 - 31:14
    the, the hood and cloak,
  • 31:14 - 31:17
    they're wearing this like a gray dark gray color generally meant to look and
  • 31:17 - 31:21
    conspicuous but also to hide any sort of representation of who they are.
  • 31:21 - 31:26
    Yeah. People in there like rivaling through things. I'm going to throw my back,
  • 31:26 - 31:26
    uh,
  • 31:26 - 31:30
    away from the temple and squat down and pull out the pound and place it to my
  • 31:30 - 31:34
    forehead and cast abortions favor upon myself. Okay. Getting under my clothes.
  • 31:35 - 31:38
    You've got it. I rolled in 2012 a 20 total.
  • 31:39 - 31:42
    You do a pass and you didn't want you looking for the same your perception as
  • 31:42 - 31:46
    well. A good 20. Okay. Two twenties.
  • 31:46 - 31:49
    You guys come around the opposite sides and meet each other and you look about,
  • 31:50 - 31:52
    um, there is no cellar.
  • 31:53 - 31:57
    It looks like the whatever entrances there are here are designed to be either
  • 31:58 - 32:00
    purely that front or you haven't seen with our
  • 32:02 - 32:05
    basement of the Alamo. All good turn that
  • 32:07 - 32:09
    we get around to the back and meet each other. Yeah.
  • 32:09 - 32:12
    You guys like meet up on the opposite side if you're doing your scan? No,
  • 32:12 - 32:16
    nothing at all. No. The windows were fucking junk.
  • 32:16 - 32:19
    A sheet of rain comes through as the,
  • 32:19 - 32:21
    the beam of light gets partially interrupt.
  • 32:21 - 32:24
    Can I look through the people and see is there any area of the uh,
  • 32:24 - 32:26
    the chapel that looks like it's, um,
  • 32:26 - 32:31
    like hidden behind pews or maybe behind like if I look at like along the walls,
  • 32:31 - 32:33
    does it look like there's area has it hidden behind pillars? You can
  • 32:33 - 32:36
    see, you can only see the front chamber. You can't even,
  • 32:36 - 32:37
    you can't look into the main cathedral room.
  • 32:37 - 32:40
    It's only this like kind of anti chamber that you enter first. It gets
  • 32:40 - 32:44
    blocked. Like is anybody looking into this right now from what you can see,
  • 32:44 - 32:46
    which is just this little perspective.
  • 32:46 - 32:48
    You can see the center of the room and that race platform,
  • 32:48 - 32:50
    nobody sees you and there's,
  • 32:50 - 32:53
    but there are people that are essentially looking towards the front door. Okay.
  • 32:54 - 32:57
    If I moved along the side, would they be able to,
  • 32:57 - 33:01
    I want to paint a little crawl space to get in. You can do that,
  • 33:01 - 33:04
    but I want to do it out of I Shelton, what I can see through the people.
  • 33:06 - 33:08
    Okay. Front doors on fatal funnel,
  • 33:08 - 33:13
    like the dog doggy door along the side. We can go further along.
  • 33:14 - 33:16
    Let's go towards the back and I'll do the same thing there. Okay.
  • 33:17 - 33:20
    And then to them as we're, okay. So are you guys going with gesture then?
  • 33:21 - 33:24
    So you've all gathered up on the right or left side of the cathedral, call it.
  • 33:25 - 33:27
    Right. Okay. So you go on the right side of the cathedral,
  • 33:27 - 33:31
    you meet up with them, you kind of come around Beauregard uh,
  • 33:31 - 33:33
    but you're pretty quick on your feet anyway.
  • 33:33 - 33:36
    So you actually get there about the same time you all meet up kind of off to
  • 33:36 - 33:38
    the, the the right side and a little further back.
  • 33:38 - 33:42
    You're at the cusp where the wall would be that leads into that main chamber or
  • 33:42 - 33:46
    into the cathedral. You can see there's like a heavy wall that blocks the too.
  • 33:47 - 33:49
    So if you're going to make, do you want peanut crawlspace?
  • 33:49 - 33:53
    Where do you want to paint it? What do you think? Which side? Big side. Front.
  • 33:54 - 33:58
    Front spices. Back backside. So the large cathedral.
  • 34:00 - 34:00
    Yeah, away from the door.
  • 34:01 - 34:05
    What are the people are the people that you saw are inside the kind of anti
  • 34:05 - 34:09
    chamber. Okay, I'll go get it then. Yes. The main spending away from here,
  • 34:09 - 34:10
    I'll give you a visual perspective.
  • 34:19 - 34:22
    This visual perspective is brought to you by dwarven forge combat cam.
  • 34:23 - 34:28
    They will be a PAX unplugged over the first weekend in December at the diehard
  • 34:29 - 34:34
    dice booth. Find the follow along on social at Borbon forge on Twitter.
  • 34:34 - 34:36
    Also an awesome dice company.
  • 34:37 - 34:41
    You guys were in this area. Okay. Okay. Okay.
  • 34:41 - 34:43
    You have been made people here,
  • 34:43 - 34:46
    which means you're able to look in and see this area with the desk and the
  • 34:46 - 34:48
    raised platform and the candelabra. So you saw
  • 34:52 - 34:56
    two figures up here are going through the desk and keeping a watch or warning
  • 34:56 - 34:58
    them. Walk this way out of your peripheral. Okay. Out of sight.
  • 34:58 - 35:00
    And that's all you've seen on the road. So we went to the,
  • 35:00 - 35:03
    you guys went around this side now over in this pocket. Okay.
  • 35:03 - 35:08
    So we could go around. This is, this is the extension of the main cathedral.
  • 35:08 - 35:10
    So this is it. This is the initial chamber.
  • 35:11 - 35:14
    And then you could go around or through here and this would lead into the main
  • 35:14 - 35:19
    cathedral. Yeah, yeah. We'll keep going back further and further and, okay,
  • 35:19 - 35:20
    we'll go back. Okay.
  • 35:20 - 35:25
    So you come a little further here and where do you want to draw? Where do you,
  • 35:25 - 35:29
    how do you want to pinch that wall? Right there? Yeah. Right here. Yeah,
  • 35:30 - 35:34
    yeah. In the corner. Yeah. Okay. So you take out your paints.
  • 35:35 - 35:38
    Um, it, there's still like water off of the roof
  • 35:38 - 35:39
    here.
  • 35:39 - 35:43
    You can't hear me so I can't see. Yeah. So it gets, keeps me dry.
  • 35:44 - 35:47
    Hold it over. Okay. And so what do you, what do you,
  • 35:47 - 35:51
    what kind of crawl space do you paint? Crawl space? Small,
  • 35:51 - 35:55
    just like big enough for all of us to be able to fit through.
  • 35:55 - 35:59
    You can get pretty, I have to crawl. Okay. Yeah.
  • 35:59 - 36:00
    Looks like a good place for traveler, this
  • 36:04 - 36:08
    gal, right? Traveler gate along the top. And then it's gonna be like,
  • 36:10 - 36:12
    okay, you go ahead and
  • 36:13 - 36:18
    finish your detailed art and create the little open crawl space as you finish
  • 36:18 - 36:19
    the details on it.
  • 36:19 - 36:22
    You watch and it's wild because you look at it and almost like your eyes are
  • 36:22 - 36:24
    blurred from there. You're not focusing. And once your eyes focus again,
  • 36:25 - 36:30
    it's like there was always an opening there. Um, kind of that's wild.
  • 36:30 - 36:31
    And as you kind of make your way in,
  • 36:31 - 36:35
    it is indeed crawl space that you could all fit through one by one.
  • 36:35 - 36:36
    So what's the matter?
  • 36:36 - 36:40
    Oh God. Go in and scout her out first. Sneaky as fuck. Right. All right.
  • 36:40 - 36:44
    I'll turn invisible. Check Jeff's. Yes,
  • 36:45 - 36:46
    the carrots.
  • 36:58 - 36:59
    So
  • 37:00 - 37:02
    if or when you guys want to go through, what is the marching order?
  • 37:02 - 37:05
    Who's going in first line first? That's when first. Who'd be after?
  • 37:05 - 37:09
    Not rolling in second. All right. I'll go behind ball.
  • 37:09 - 37:13
    I'll go behind Laura. Who's Laura? Well, jester fine.
  • 37:15 - 37:20
    Okay. Kayla takes the [inaudible] and then that'll come in after you guys.
  • 37:20 - 37:25
    Yeah, Kara. Yeah,
  • 37:26 - 37:28
    it could. This is gonna fit. He might take a mini, he might,
  • 37:28 - 37:31
    he might have a momentary kind of Winnie the Pooh moment, but he'll,
  • 37:31 - 37:32
    he'll eventually make its way through
  • 37:33 - 37:34
    me neither.
  • 37:34 - 37:37
    As you're painting this and finishing up Puma, it's like, all right,
  • 37:37 - 37:40
    I'm not going to lie. That's really impressive by the way.
  • 37:40 - 37:45
    How'd you stop that worm thing? Oh, that's a conversation for later.
  • 37:45 - 37:50
    We have a counterfeit badge. Yeah. Yeah. It's like a secret. Sorry. Okay,
  • 37:50 - 37:54
    well we'll talk later. That's really impressive. Confusing. Pretty impressive.
  • 37:55 - 37:59
    All right, so you had in first, are you waiting? You're waiting for nuts. Go.
  • 37:59 - 38:03
    Are you going to meet in the afternoon? Okay. Yeah. All right.
  • 38:04 - 38:06
    Self check. No, I'm just,
  • 38:06 - 38:08
    I'm kind of like putting my head down and I think we're all kind of like
  • 38:09 - 38:10
    cramping into the call, right? The doorway. Yeah.
  • 38:11 - 38:15
    Stealth checked with avenge please. I will summon, I also summon the sword.
  • 38:15 - 38:18
    Okay. And I will cast in visibility
  • 38:19 - 38:23
    so I can track not in the room. She's doing this.
  • 38:26 - 38:28
    She's herself. She's dead. We should leave.
  • 38:32 - 38:36
    All right, I'll roll. We're still a plus two
  • 38:37 - 38:38
    27
  • 38:38 - 38:41
    27. Okay. As you carefully step in,
  • 38:43 - 38:45
    you enter what is a
  • 38:48 - 38:49
    beautiful
  • 38:51 - 38:55
    religious space that you similar to when you first entered the bright Queens
  • 38:55 - 39:00
    quarter. Just like that kind of just overwhelming beauty though very different,
  • 39:00 - 39:01
    whereas that was a very cold white light.
  • 39:03 - 39:08
    This cavernous church chamber is a glorious hall of towering stone walls draped
  • 39:08 - 39:10
    in red velvet banners. Uh, chisel,
  • 39:10 - 39:15
    detailed framing around the numerous 40 foot tall stained glass windows, uh,
  • 39:15 - 39:19
    as the murals of Holy stories to pick that across them with Peller iconography,
  • 39:20 - 39:20
    uh,
  • 39:20 - 39:23
    brought to warm life by colorful beams of sunlight that are coming from that one
  • 39:23 - 39:27
    particular shaft that makes its way to the cathedral. Uh,
  • 39:27 - 39:30
    engulfs the interior in this kind of warmth, uh,
  • 39:31 - 39:34
    this kind of hearth type feel, which is very, uh,
  • 39:34 - 39:39
    conflicting with the interior of, of people that, that hold the inside. Um,
  • 39:39 - 39:42
    you do notice in the center there was a raised central platform that holds an
  • 39:43 - 39:46
    altar to the Don father as well as candelabra arranged around it.
  • 39:47 - 39:50
    You can see a series of pews that are aligned back. You can see there,
  • 39:50 - 39:53
    there are two large towers that kind of rise up in the middle of the chamber
  • 39:53 - 39:54
    with balconies.
  • 39:54 - 39:59
    And there are a set of raised kind of Royal seats towards the back that faced
  • 40:00 - 40:03
    the entire inside with stairs that raise up to them.
  • 40:03 - 40:08
    You can see about eight figures similarly close to the ones that you saw in
  • 40:08 - 40:13
    there as well as an older woman in red, golden silver.
  • 40:13 - 40:18
    The Cardinal respite currently at the alter and is in the process of reciting
  • 40:18 - 40:20
    something in a low muttered voice.
  • 40:23 - 40:23
    Uh,
  • 40:23 - 40:27
    do I know that you cast see in visibility? So I'm just going to say like
  • 40:29 - 40:33
    nine people. 10 people.
  • 40:34 - 40:38
    Wait, I know why I was late.
  • 40:42 - 40:44
    Medusa is inside. Yes.
  • 40:47 - 40:51
    Apparently the eight people inside and one crazy woman with weird hair.
  • 40:53 - 40:57
    Oh, I met. That's the lady that they saw. Who did you see really fucked up hair?
  • 40:58 - 40:59
    What does she do?
  • 40:59 - 41:02
    What do we know about the lady that ran the place or something? I don't,
  • 41:02 - 41:07
    we mean fucked up like, like bad breakage and damage was really frizzy.
  • 41:07 - 41:11
    I feel like no one would notice. Okay. Yeah, interrupting this.
  • 41:12 - 41:13
    I mean I don't know.
  • 41:13 - 41:18
    We probably all know does not just not see Yasha does not see Asha how she is
  • 41:20 - 41:25
    not in this room. I would say cause I've got to feel where lush it is. Yes.
  • 41:25 - 41:26
    Where is she
  • 41:27 - 41:29
    as you, as you continue to look around,
  • 41:29 - 41:31
    and you can see towards the very back of the chamber, behind the altar,
  • 41:31 - 41:36
    there is what looks to a stone entryway with a metal door that is closed and it
  • 41:38 - 41:40
    seems to slope downward indicating, uh,
  • 41:41 - 41:45
    a passageway that leads deeper beneath the cathedral.
  • 41:46 - 41:48
    [inaudible] right now on this map, is that,
  • 41:48 - 41:51
    is that altered back towards you or what am I showing you?
  • 41:58 - 41:58
    Here's the thing.
  • 41:58 - 42:01
    Now we're going to have one point of entry to get all eight of us in,
  • 42:01 - 42:03
    in a hurried fashion versus
  • 42:04 - 42:07
    this other map is also brought to you by the urban forest.
  • 42:07 - 42:08
    So we only have one point of entry.
  • 42:08 - 42:13
    We'd have to get all A's in real fast and fan that person to explain first
  • 42:14 - 42:17
    weekend of December, but she's mid, whatever she's doing.
  • 42:23 - 42:26
    [inaudible] you know what? We skipped this room too,
  • 42:34 - 42:36
    man. What the fuck, man? Feeling crafty.
  • 42:36 - 42:40
    So to give you a little bit of a heads up at the location that you know not,
  • 42:41 - 42:43
    I know, not. Oh
  • 42:48 - 42:53
    Whoa, there's the rodeo. Fuck,
  • 42:57 - 43:02
    Oh fuck. Oh, there's no way. Babies.
  • 43:02 - 43:05
    I'm sure they're all just like base level fighters.
  • 43:08 - 43:12
    Probably just really like a sickle,
  • 43:12 - 43:15
    you know who lost these balconies? Probably have motherfuckers too.
  • 43:15 - 43:16
    I'm just going to say
  • 43:20 - 43:20
    in there already.
  • 43:27 - 43:30
    Leading to the balconies do? Yes.
  • 43:30 - 43:32
    There are little doors underneath the balconies.
  • 43:32 - 43:36
    That might be a winding thing or at least there is on the one that's closest to
  • 43:36 - 43:36
    you.
  • 43:36 - 43:39
    You've come in through, you guys have been on this side of you. Yeah.
  • 43:39 - 43:42
    So you've come through and you're in this far corner.
  • 43:43 - 43:44
    Oh right there
  • 43:46 - 43:49
    as an individual like right to the left and you see them kind of like looking
  • 43:50 - 43:54
    occasionally checking in every now and then you'll hear the rattling of keys and
  • 43:54 - 43:57
    one of the doors that were there, which opens up into the previous chamber.
  • 43:57 - 44:02
    So many pokes through and asks like nothing yet crispy hoodie in.
  • 44:02 - 44:05
    Locks it again behind them and the ritual.
  • 44:05 - 44:09
    Can I just watch the ritual for a second and just see like is does it seem like
  • 44:09 - 44:13
    it's crescendoing or anything or is it just an even chant?
  • 44:14 - 44:18
    You listen to it and the phrases are less above like, uh,
  • 44:18 - 44:23
    you don't sense any magic. It seems like it's a sermon sermon. Okay. Okay.
  • 44:23 - 44:28
    Speaking of you hear the old woman go handed twice upon this day that the angel
  • 44:30 - 44:31
    Rose up
  • 44:32 - 44:37
    and gifted upon us our boons for what we've given of we have sacrificed by the
  • 44:38 - 44:39
    family below.
  • 44:39 - 44:44
    They will break the first of many chains and soon the angel will give unto us
  • 44:46 - 44:50
    what we have earned and they're all kind of listening intently while also
  • 44:50 - 44:50
    keeping an eye out
  • 44:50 - 44:51
    the room
  • 44:55 - 44:59
    just like we did that garden. Zack [inaudible] cut it off.
  • 44:59 - 45:04
    Now she makes you eat your installs in and surround an ambush and get the jump.
  • 45:04 - 45:05
    How [inaudible]
  • 45:06 - 45:07
    let me cover,
  • 45:07 - 45:12
    I'm going to slowly just walk that way in the room away from the entrance points
  • 45:12 - 45:15
    as slow and stealthy as possible. Okay.
  • 45:15 - 45:18
    Your stolen and stop check that you rolled the other side of the room.
  • 45:19 - 45:21
    Can you are invisible as you get across to that pillow over there and you do
  • 45:21 - 45:24
    kind of stop and look back and you see there's a slight trail of water from the
  • 45:24 - 45:25
    rain that you've
  • 45:26 - 45:28
    taken. Oh shit. Nobody seems to notice that
  • 45:30 - 45:35
    the first side of the room, I can take care of that. All right,
  • 45:36 - 45:41
    give me 30 seconds and I start walking fast along the side of the temple towards
  • 45:42 - 45:45
    the back. Back the sudden you mean? Yeah. Okay.
  • 45:47 - 45:48
    He's alone.
  • 45:49 - 45:52
    So you come around and you're now on the outside of the cathedral.
  • 45:53 - 45:57
    20 seconds later, 30 seconds later, 40 seconds later.
  • 45:57 - 46:01
    Massive cat's claw slams through the center. Stained glass one
  • 46:02 - 46:04
    right here. Yes. Paul
  • 46:09 - 46:13
    breaking into this space here at now sits, we'll say, right. Okay.
  • 46:14 - 46:17
    I'll put it over here. That's one way to do it. That is, I guess we're going,
  • 46:18 - 46:22
    yeah, we rolling in the deep. All right,
  • 46:22 - 46:24
    so the cat's claw crashes through,
  • 46:26 - 46:28
    but some glass come raining down from above.
  • 46:28 - 46:30
    As the entire thing falls in on itself,
  • 46:30 - 46:34
    the sunlight comes through and shines bright under the center pillar.
  • 46:34 - 46:37
    All of them. Spin and turn and look up and see them. Miss school claw.
  • 46:39 - 46:42
    What do you guys do? As soon as I hear the smash, I'll push throughout.
  • 46:42 - 46:45
    Now it's time to take initiative because you have now initiated.
  • 46:46 - 46:50
    What do you mean? We don't know if that's a friend or foe.
  • 46:57 - 47:01
    I used to have it. That's garbage. That's garbage. Good, good, good,
  • 47:01 - 47:04
    good. I was a natural one on my end.
  • 47:08 - 47:13
    Tara. Hey, that's great. Yay. Right? 500 bucks.
  • 47:13 - 47:15
    Wow. Thank you Travis. Frederick.
  • 47:15 - 47:19
    Thank you for softening the blow of my thing.
  • 47:21 - 47:24
    Hey that how his above his sneakers that you got last session. A doubt.
  • 47:24 - 47:26
    It does a little bit. That's true.
  • 47:27 - 47:30
    So 25 to 2024 23
  • 47:32 - 47:36
    2024 yeah.
  • 47:40 - 47:42
    Men. You had 2323
  • 47:45 - 47:49
    2215 Oh 1717 Oh,
  • 47:50 - 47:53
    Oh hello sir.
  • 47:55 - 47:56
    It's supposed to be what? I'm good at.
  • 47:56 - 47:57
    Hm?
  • 48:01 - 48:04
    15 to 10 1210 [inaudible].
  • 48:10 - 48:12
    Yeah. Yeah. So breathe it in. Breathe it in.
  • 48:13 - 48:15
    Use conduces to,
  • 48:23 - 48:26
    as soon as the glass shatters
  • 48:28 - 48:31
    and everyone turns and looks, you watch,
  • 48:31 - 48:34
    as Cardinal RESPA turns and sees it,
  • 48:35 - 48:37
    moves her fingers like this and then shouts,
  • 48:37 - 48:42
    and the magic that she summons causes her voice to boom loudly.
  • 48:42 - 48:46
    You recognize this as a thumb? Entergy, Ken Tripp says,
  • 48:47 - 48:52
    you who intrude on sacred ground in ceremonies shall be struck down bays.
  • 48:53 - 48:57
    And he's blinding light. The angel rises unseen,
  • 48:58 - 48:59
    let their children come,
  • 49:00 - 49:04
    and then she stomps the ground and the ground just suddenly quakes.
  • 49:05 - 49:09
    Alright. Top of the rounded jester doing gesture.
  • 49:10 - 49:12
    Uh, I'm gonna, uh, invoke duplicity.
  • 49:13 - 49:16
    You are all currently outside over here. Yeah.
  • 49:18 - 49:20
    And I'm assuming all of their,
  • 49:20 - 49:23
    they're all looking at the window, right?
  • 49:24 - 49:26
    They're all looking at the window at the moment. Yeah. Okay.
  • 49:26 - 49:29
    Then I'm going to send to my duplicate in
  • 49:31 - 49:33
    [inaudible] and she's soundless.
  • 49:34 - 49:38
    So is this versus this directed, I'm going to have her son come along the wall.
  • 49:39 - 49:43
    Okay. And come back here, like behind the person. Behind the person.
  • 49:45 - 49:50
    Okay. Yeah. And then that's your action.
  • 49:50 - 49:55
    Yeah. Um, I'm gonna try to sneak in,
  • 49:56 - 49:59
    make a stop, check Jesus' cook.
  • 49:59 - 50:04
    Right. May. Oh no, I can't do that. Can I? That's an action.
  • 50:04 - 50:04
    I'm not going to guide me.
  • 50:08 - 50:11
    14. Okay. You don't move half speed because you're going quietly. Okay.
  • 50:12 - 50:13
    Stuff get you in.
  • 50:15 - 50:18
    Just going to crouch down right next to where we came in at.
  • 50:18 - 50:23
    I'm gonna like be next to that bench. Okay. You come in,
  • 50:23 - 50:27
    can lean against the bench, but can I, can I duplicate, have gone further?
  • 50:29 - 50:29
    Uh,
  • 50:29 - 50:32
    sure. But that happened. Okay. Okay.
  • 50:33 - 50:37
    So that comes into the visual perspective. Now that the person is right here.
  • 50:38 - 50:41
    Yeah. Is looking up and in the peripheral they see the duplicate moving,
  • 50:42 - 50:44
    like running over this way. Turn and go right here.
  • 50:45 - 50:48
    Which drop Truda so let me look back
  • 50:50 - 50:52
    through the door. Right? They all look in, they see that.
  • 50:53 - 50:58
    And if you wouldn't look to you, dammit, that's your moving.
  • 50:58 - 51:02
    That's your action. Bonus. Action. Are you good? Uh, all right,
  • 51:02 - 51:06
    that finishes your turn. Next is not, not, you are over here behind. You see,
  • 51:07 - 51:11
    just or sneak in and create the, uh, the, the illusory, duplicative herself.
  • 51:11 - 51:11
    Come in.
  • 51:11 - 51:15
    And then you notice that people seem to have spotted the illusion and possibly
  • 51:16 - 51:20
    hurt. Wow. Hold on. I can do a bonus. I can do an a spell for my bonus action.
  • 51:20 - 51:25
    Oh, okay. I just feel like it's going to make a noise and they already see,
  • 51:25 - 51:28
    they already see me as a thing. We going, okay.
  • 51:28 - 51:32
    Then I'm going to a cast spiritual weapon. Okay. Second level.
  • 51:32 - 51:33
    Where are you going to
  • 51:33 - 51:35
    drop it? Uh,
  • 51:36 - 51:40
    right over the head of the person right here. Yeah. Okay.
  • 51:43 - 51:45
    Does a mom bring it down? Glenn roll for an attack.
  • 51:53 - 51:56
    27 that hits. Go ahead and roll damage.
  • 52:01 - 52:05
    Not at eight. Oh Jesus. Uh, eight points of damage.
  • 52:05 - 52:06
    Points of damage.
  • 52:07 - 52:09
    Well, I hit over the head. It looks back towards that, uh,
  • 52:09 - 52:14
    where it came from and sees the large cast it. Yeah. All right.
  • 52:15 - 52:19
    Sane. Okay. Uh, my spells come from the duplicate, right. Understood. If that,
  • 52:20 - 52:23
    um, so the, uh, blocking the head by the,
  • 52:23 - 52:26
    the lollipop can mislead floating in the air and noticing the duplicate looks at
  • 52:26 - 52:28
    it to see if somebody's shouting, you know,
  • 52:28 - 52:31
    intruder and kind of looks around and is just really confused.
  • 52:31 - 52:32
    That person doesn't quite notice you at the moment,
  • 52:33 - 52:38
    but others appear seem to not, what are you doing? A full movement,
  • 52:38 - 52:41
    a sort of back diagonal towards, towards the claw basically.
  • 52:42 - 52:47
    As far as I can get. 35 30. Oh, well then, right.
  • 52:47 - 52:50
    Bef as I'm moving, I will,
  • 52:51 - 52:56
    should I reveal myself? Maybe you can shoot and then hide behind a thing. Well,
  • 52:56 - 52:59
    that's what I was going to do, but they'll still see me. Um, right. I,
  • 52:59 - 53:03
    as I'm moving, I will shoot at Cardinal RESPA. Go for it.
  • 53:04 - 53:07
    Come not been noticed by her. So you have an advantage in the attack rolls. Yes.
  • 53:07 - 53:10
    Great. Woo.
  • 53:10 - 53:15
    [inaudible] nine to hit definitely hits. Uh,
  • 53:16 - 53:18
    all right. Let's see what we get.
  • 53:20 - 53:21
    Not the greatest,
  • 53:24 - 53:28
    not 24 points of damage.
  • 53:32 - 53:33
    I want to free fight more people.
  • 53:36 - 53:40
    Sorry. I'll just leave it at that. And then, uh, uh,
  • 53:40 - 53:45
    I will vote I, so you say say I can get to there, but I can't bonus action hide,
  • 53:45 - 53:47
    right. You're not. No, because you've,
  • 53:47 - 53:50
    and you've revealed yourself now with the attack. Yes.
  • 53:50 - 53:55
    And as you fire and you watch it as coroner respo who's currently like saw the
  • 53:55 - 53:58
    smashing glass, heard, intrude or turned and saw jester,
  • 53:58 - 54:01
    you were noticed by the Cardinal and you can see it.
  • 54:01 - 54:03
    She begins to cast or like beginning the process of thinking about a spell to
  • 54:03 - 54:07
    release before and the in their side and she reaches back.
  • 54:07 - 54:11
    The two other guys behind there are three that are watching her suddenly go and
  • 54:11 - 54:12
    look in your direction,
  • 54:12 - 54:15
    seeing the source of where it comes from and they immediately see you appear and
  • 54:15 - 54:16
    there's nowhere to hide from.
  • 54:16 - 54:21
    Well then I use my bonus action to dash the full movement back behind and can
  • 54:22 - 54:24
    just keep going around around the circle. 30,
  • 54:24 - 54:27
    35 that's as far as I can get there. Okay.
  • 54:28 - 54:30
    Well you want to be up against the wall? Uh, I'll be like against the wall.
  • 54:30 - 54:31
    Yeah. All right.
  • 54:31 - 54:32
    There you go.
  • 54:34 - 54:37
    All right. That finishes nuts. Go Caleb, you're up.
  • 54:37 - 54:40
    I need to understand what I see from outside. Is that window,
  • 54:40 - 54:44
    ground level or high above me? This, yeah. When you shattered it,
  • 54:44 - 54:46
    he shattered it kind of low and in the top parking are mostly broke.
  • 54:46 - 54:47
    There's still parts of it up there,
  • 54:47 - 54:50
    but there's like hanging broken bits and it's jagged.
  • 54:50 - 54:54
    You could carefully get through and walk through. Well, or is it up and in?
  • 54:55 - 54:57
    Um, you could certainly try.
  • 54:57 - 55:01
    It looks like there's anywhere between two to three feet of broken, jagged, um,
  • 55:02 - 55:04
    stained glass there. But you could try and kicking it out.
  • 55:04 - 55:08
    You could try and climb through it instead of, uh, for my bonus action, I will,
  • 55:08 - 55:12
    uh, pull the cat's claw down through that jagged glass, uh,
  • 55:12 - 55:17
    cracking out as much as possible. You know, the bottom and I use the claw to,
  • 55:17 - 55:21
    um, uh, push me the distance up into the building.
  • 55:22 - 55:27
    Forceful hands pushes have to save against it. Right? So you're back here,
  • 55:27 - 55:29
    back all the way to the right where I put it through. Sorry.
  • 55:29 - 55:34
    So just to scoop me up an in if possible. Oh, out.
  • 55:34 - 55:35
    That'll be your action to do that.
  • 55:35 - 55:39
    The Katz action on my action cause it's a bonus action once it's cast,
  • 55:39 - 55:43
    but it's what is action to have it attack and move. Yup. On subsequent turns.
  • 55:43 - 55:47
    So I did the spell before combat started. This is a new term,
  • 55:48 - 55:51
    so it's a bonus action for it to do whatever it's going to do. Okay.
  • 55:51 - 55:53
    According to this spot. Right. I'm just,
  • 55:53 - 55:56
    I'm just trying to remember [inaudible] attack and you can move it on a motor
  • 55:56 - 56:01
    section. Uh, was it one of the other, I believe. I believe that. Can you
  • 56:02 - 56:05
    just double check, uh, as a bonus action on your subsequent turns,
  • 56:05 - 56:08
    you can move the hand up to 60 feet and then cause one of the following effects
  • 56:08 - 56:12
    with it. Gotcha. Okay, cool. So it scoops through,
  • 56:12 - 56:17
    clears out the bottom of the glass, picks you up and then lifts to moves fast.
  • 56:17 - 56:19
    60 feet, six feet. That's pretty quick.
  • 56:22 - 56:24
    Oh wow. Wow.
  • 56:25 - 56:28
    Yup. That's a backup. It lifts you through,
  • 56:28 - 56:31
    I would say after hearing all that out, when you bring you in,
  • 56:31 - 56:33
    it has to be like 10, 15 feet.
  • 56:34 - 56:35
    Oh, I'm so sorry. Well,
  • 56:36 - 56:40
    I come scooping up in here and get the lay of the land in like three seconds.
  • 56:40 - 56:45
    And um, from the claw, uh, you see my hands come out and go
  • 56:48 - 56:53
    and a bowl of fire from the guano and a sulfa pulls out in my hands and I throw
  • 56:53 - 56:58
    it centered maybe to that side of the altar by her right by RESPA his right
  • 57:00 - 57:00
    side.
  • 57:00 - 57:05
    All right. Fuck you two whereabouts?
  • 57:07 - 57:11
    This side of her? The side of her right there. Yeah. Right there. Okay.
  • 57:12 - 57:15
    Cause they're trying to get all of the minute. Yeah. All right,
  • 57:15 - 57:18
    go ahead and roll the okay. I believe yes. So I might
  • 57:20 - 57:24
    just detonates in the center of the explosion resounding through the flames
  • 57:24 - 57:25
    causing this in the middle of the air,
  • 57:25 - 57:29
    like this pure sphere of burning fire that the bottom of it just being cut off
  • 57:29 - 57:32
    from the top of the pillar. It just engulfs everything up there.
  • 57:32 - 57:33
    And this is a fourth level,
  • 57:34 - 57:39
    so I love how the heart level spells break out of breath for the cast
  • 57:40 - 57:45
    18. So she's just jumped the line. She made her save.
  • 57:45 - 57:46
    She did
  • 57:50 - 57:51
    this.
  • 57:51 - 57:55
    You 30 points of fire damage? No, that's a one more
  • 57:55 - 58:00
    did he won 56 points of fire damage. Six nice.
  • 58:01 - 58:03
    Eight 30 alright, so she takes half damage. She succeeds.
  • 58:04 - 58:06
    He takes half damage there.
  • 58:09 - 58:12
    Fails and take the maple. 18 is great on that. That's awesome.
  • 58:14 - 58:18
    Oh, I didn't just screams and crumbles to the ground.
  • 58:18 - 58:19
    Just the charred skeleton
  • 58:19 - 58:22
    and it's place. Oh, this one here. It's called
  • 58:25 - 58:29
    uh, 14 knots. A fail. Is that a wisdom safe now?
  • 58:30 - 58:32
    Huh? [inaudible] going down from foster. Would
  • 58:34 - 58:37
    each one you have do a say for each one or is it like I've been to the turn.
  • 58:37 - 58:42
    If it's killed one, you don't have to do it for each one, but 18,
  • 58:42 - 58:46
    18. Okay. You're still holding on fails.
  • 58:51 - 58:52
    One fails.
  • 58:56 - 58:57
    You watch us. All of them scream. Only two of them.
  • 58:58 - 59:00
    Minister like Dodge out of the way, tumbled on the stairs,
  • 59:00 - 59:03
    put up the flames on their back or where they stand back up and turn in your
  • 59:03 - 59:04
    direction
  • 59:08 - 59:12
    was he is a ringing from the sounds of the screens and he just dives and falls
  • 59:12 - 59:16
    down behind that slope of stone with his movement off of the cat's claw.
  • 59:16 - 59:20
    Okay. Slide making that making a acrobatics check.
  • 59:22 - 59:22
    So good at
  • 59:22 - 59:26
    that. Uh, acrobatics. You sentence seven, right?
  • 59:26 - 59:30
    You are prone behind it right there. A bunch of glass.
  • 59:32 - 59:35
    So you take two points of piercing damage
  • 59:37 - 59:40
    as you got gotta tumble can align on your side.
  • 59:40 - 59:44
    It's all jammed into your cloak and stuff of me and my duplicate where like, Oh,
  • 59:50 - 59:54
    now I've got a fire spell. Ho ho, ho Dio. KAA motherfucka
  • 59:56 - 59:58
    concentration. All right.
  • 59:59 - 60:02
    That brings us to [inaudible] and gestures also in the concentration
  • 60:02 - 60:07
    for duplicate this one. Got it. All right.
  • 60:07 - 60:10
    That finishes you. You're trying to kill him. Alrighty.
  • 60:11 - 60:15
    It is now the cultists turn. There are these two here.
  • 60:16 - 60:20
    Um, they saw gesture, but then all of a sudden just flames burst in.
  • 60:21 - 60:22
    This one's going to go ahead
  • 60:25 - 60:27
    dirty while you go in.
  • 60:27 - 60:32
    So it's going to rush over 10 2025 30 and he does get,
  • 60:32 - 60:35
    does it get close to you? Yeah. Well does,
  • 60:35 - 60:38
    does the clock get to do anything on that or no. The closet creature.
  • 60:38 - 60:42
    10 o'clock. I'm just gonna go ahead and make 2 million attacks against you.
  • 60:42 - 60:46
    Okay. First one is going to be this cough. Ooh,
  • 60:47 - 60:52
    24 to hit right. Take
  • 60:53 - 60:57
    six points of piercing damage and the second attack,
  • 60:57 - 61:01
    is it harder cause he's prone or easier cause he's prone to hit him. Huh?
  • 61:02 - 61:06
    I mean they, it's advantage. Oh shit. The second one would be a yes.
  • 61:06 - 61:08
    It's take your, it makes sense. Hold on. One, two.
  • 61:09 - 61:11
    I'm 21 it's okay.
  • 61:12 - 61:15
    Then suffer four points of piercing damage.
  • 61:15 - 61:18
    Does it just stabs you twice with daggers? You're fine.
  • 61:20 - 61:24
    This one's going to go ahead and rush up and kind of [inaudible]
  • 61:25 - 61:28
    getting the other side of you and now two of them are already to just stop the
  • 61:28 - 61:31
    fuck anyway. The next term had used to actually get there. Um,
  • 61:35 - 61:38
    actually no. What, who is not? This guy is a different type.
  • 61:39 - 61:42
    He's going to go out and use his photo section and some of the chat
  • 61:44 - 61:47
    [inaudible] seminar, spiritual weapon. Oh, what's it look like?
  • 61:48 - 61:52
    This you see what looks to be a, a large, uh,
  • 61:52 - 61:55
    sort of flame with dangling chains of fire off of it.
  • 61:56 - 62:00
    As it swings in the air arcs, downs, arcs down towards you. I'm ready to attack.
  • 62:01 - 62:05
    That is going to be 18. Hit shield. I like your mud. All right.
  • 62:06 - 62:10
    I misses the shield to flex the blow from the weapon. Uh,
  • 62:10 - 62:12
    that's going to finish its turf.
  • 62:13 - 62:17
    Now the regular compass or the other ones over here, I'm going to go ahead and
  • 62:20 - 62:21
    [inaudible].
  • 62:23 - 62:24
    Do you have any syllables? Save it
  • 62:27 - 62:31
    and you're face to face with you. See you try this one. Uh,
  • 62:33 - 62:34
    there is a hidden one, right?
  • 62:35 - 62:39
    I'm going to go over and of course there tend to strike the duplicate gesture
  • 62:41 - 62:46
    and does nothing but now is well aware that it is an illusion that finishes
  • 62:48 - 62:50
    their turn, but you're up
  • 62:53 - 62:56
    like it got hit. It's like, Oh, okay.
  • 63:00 - 63:05
    [inaudible] very dramatic. All right, pause. Still. Pretty sure you're
  • 63:07 - 63:10
    living with the stab and his hand went through and then like a second later it
  • 63:10 - 63:11
    began to act about
  • 63:16 - 63:21
    it looks back at you. It goes to put the gift for the robot.
  • 63:21 - 63:26
    [inaudible] um, all right, but what are you doing?
  • 63:27 - 63:32
    Okay, I'm going to slide through this whole like I'm sledding through home base.
  • 63:33 - 63:34
    Hmm. All right. It's good.
  • 63:34 - 63:39
    Five 10 15 that's your 15 feet there. Where do you want to go?
  • 63:40 - 63:45
    Short 2025 35 50 can I get face to face with her speed is 15 squeezing through
  • 63:52 - 63:56
    the hole actually would have to get through the crawl space would have taken 10
  • 63:56 - 63:58
    feet of movement. So you would get 50 would get you right in there.
  • 64:00 - 64:04
    You don't quite get base to base with her. Almost like you plan this yet.
  • 64:05 - 64:06
    How could you plan for that?
  • 64:06 - 64:09
    Never could have planned because of the two foot by two foot crawlspace.
  • 64:09 - 64:11
    So the moment of like squeezing through and getting up takes 10 feet.
  • 64:11 - 64:13
    You're moving to Spotify, practicing bear crawling
  • 64:17 - 64:18
    even with like,
  • 64:18 - 64:21
    and I remember in movement and movement is what gives you the 50.
  • 64:21 - 64:26
    You can move crazy fucking fast. Monk lighten country.
  • 64:27 - 64:27
    Yeah.
  • 64:27 - 64:30
    I'm sorry if you're unhappy with your super movement speed and ability to stun
  • 64:30 - 64:35
    everything I throw at you. But Superman kicks a rock gods. So lamb,
  • 64:37 - 64:39
    lightning, lightning pod, dry
  • 64:44 - 64:46
    sliders. Let's do it. Let's do it. Just one minute. Just one minute. Okay.
  • 64:46 - 64:49
    Let's start now. Slam the fist together.
  • 64:49 - 64:54
    The bolts of energy can strike through curling up the body. Nope.
  • 64:55 - 64:56
    Nope.
  • 65:01 - 65:06
    What are you doing? Uh, gonna rev it up. [inaudible]
  • 65:10 - 65:12
    just wrap it up. Take food.
  • 65:16 - 65:18
    [inaudible] okay. Um,
  • 65:19 - 65:22
    Papa 19 for the first one and 26 for the second.
  • 65:23 - 65:24
    Uh, both, both hit actually. Yeah.
  • 65:29 - 65:34
    Okay. Sam, do you remember what your uh, hit was number?
  • 65:34 - 65:37
    What did I hit the red check? The Cardinal with? Yeah,
  • 65:38 - 65:43
    I think it was a 2019 hit. Oh, okay.
  • 65:43 - 65:45
    Yeah. Um,
  • 65:46 - 65:50
    plus 12, 22 total. Nice lightning damage.
  • 65:52 - 65:52
    Both punches.
  • 65:52 - 65:56
    You see the bolts arking off about 20 feet hitting the Cardinal and then kind of
  • 65:56 - 65:59
    striking through her chest for like another foot or so before it dissipates and
  • 65:59 - 66:02
    curls back. Almost like a slip prominence being dragged back by gravity.
  • 66:03 - 66:07
    Each Hitchcock retracts and kind of looks at you with these wild eyes out of
  • 66:07 - 66:12
    anger and then kind of smiles. Yeah, you do have some breakage, honey.
  • 66:12 - 66:17
    Yeah, so everyone has actions though. Um, Oh my God.
  • 66:17 - 66:19
    I do do some
  • 66:22 - 66:26
    patient defense. Okay. You go into a defensive position,
  • 66:26 - 66:27
    ready to take whatever onslaught comes your way.
  • 66:28 - 66:31
    Finishing after Bo's turn is Cardinal respice go.
  • 66:33 - 66:34
    Oh yeah, she,
  • 66:35 - 66:36
    he goes for me,
  • 66:40 - 66:41
    it's a whole new one. When she wouldn't have it
  • 66:41 - 66:45
    attack in a chair. She seems like a sweet old like grandmas.
  • 66:45 - 66:48
    No one seemed done alive. Am I the only one who knows how this was going to go?
  • 66:48 - 66:52
    Okay, nevermind. She's just gonna risk the world and make a hospital.
  • 66:52 - 66:57
    She's jet backing out. It's going to go ahead and pass.
  • 67:00 - 67:05
    Good old classic, good old classic called firestorm.
  • 67:05 - 67:07
    Oh, Oh yeah.
  • 67:08 - 67:11
    She's high level y'all 10 foot cubes.
  • 67:12 - 67:13
    It's going to
  • 67:17 - 67:17
    what?
  • 67:17 - 67:20
    No, just how bad this good be is all
  • 67:30 - 67:32
    can she hit two more than two? She can
  • 67:34 - 67:39
    cause it line 10. They just have to like touch touch bases.
  • 67:41 - 67:43
    How many? 10 10 good. And
  • 67:46 - 67:47
    scrapes? No. Yeah, this is again,
  • 67:47 - 67:51
    she'll end up burning one of her own guys but doesn't give a shit. Um,
  • 67:51 - 67:53
    so in calls waffle
  • 67:55 - 67:57
    she'll get two of her own guys.
  • 67:57 - 67:59
    Why don't you know she can scoot around this one.
  • 67:59 - 68:03
    She was like around here and then curls in that way and gets the one next to you
  • 68:03 - 68:04
    see. So first
  • 68:05 - 68:07
    that'll be dexterity saving.
  • 68:07 - 68:12
    Throw from Caleb from nut and from a Beauregard because you are
  • 68:14 - 68:14
    prone,
  • 68:17 - 68:20
    it doesn't have anything all enrolled in national point. Oh good on you.
  • 68:24 - 68:25
    That probably doesn't affect his dexterity. Strangely,
  • 68:27 - 68:31
    I can take the Dodge action as a part of patient defense. The Dodger action,
  • 68:32 - 68:35
    right? Well that's how, that's how it works. Basically you,
  • 68:35 - 68:37
    you've done the doll Jackson, which gives you a disadvantage.
  • 68:39 - 68:42
    Yes. So what was your dexterity syndrome?
  • 68:42 - 68:45
    It's bullshit.
  • 68:45 - 68:49
    It's a 1313 fail success.
  • 68:49 - 68:52
    17 Gail. Okay. Now
  • 68:54 - 68:56
    do you think happening? Yes.
  • 68:56 - 69:00
    Well, I'm going to be healing our night.
  • 69:06 - 69:11
    Wow. 45 points of fire damage. So you take 22,
  • 69:12 - 69:17
    so 22, 22 and 22, you will take 22 points of fire damage. As you watch.
  • 69:17 - 69:21
    She raises her hands up with a smile cackling and you watch the flames are up.
  • 69:21 - 69:24
    The flames have a strange kind of like a darker tint to them,
  • 69:24 - 69:28
    almost like as opposed to light being animated. But a shadow is cast from them.
  • 69:28 - 69:32
    As the fire burns these pillars fire like burning like a giant series of,
  • 69:32 - 69:35
    of shockwaves, a flame across curling around the chamber.
  • 69:36 - 69:39
    It completely disintegrates. This guy, Oh actually, let me see.
  • 69:39 - 69:41
    He might survive. He survived weirdly
  • 69:45 - 69:45
    [inaudible]
  • 69:45 - 69:48
    but it was really, really, really, really hurt. It was like Whoa.
  • 69:53 - 69:57
    Um, and just incinerates the exterior of each of you.
  • 69:57 - 69:59
    The air escapes you from a minister's burnt away from the flames and then it
  • 69:59 - 70:03
    dies down and you all kind of like, ah, I'm a bit frazzled but bit chart.
  • 70:05 - 70:06
    Can we go ahead and move? All right,
  • 70:09 - 70:10
    32 there.
  • 70:12 - 70:16
    Uh, that brings us to Ford's turn. I will move through
  • 70:16 - 70:21
    a little show opening five, 10, 15 to get in front of jester. Great.
  • 70:21 - 70:25
    A and I'll use the other 15 to move, uh,
  • 70:25 - 70:27
    and more towards the room.
  • 70:27 - 70:31
    And so I can keep a line of sight with the Cardinal right there. That'll do.
  • 70:31 - 70:33
    And I'll send to L just blasts on hundreds.
  • 70:34 - 70:35
    So far I've roll two strikes.
  • 70:38 - 70:39
    That sucks.
  • 70:39 - 70:44
    14 and a 27 27 hits.
  • 70:45 - 70:46
    Right, right, right.
  • 70:49 - 70:53
    Ooh. Uh, seven points of Eldritch blast damage.
  • 70:54 - 70:59
    Woo. 7.7 blast damage already. Chest.
  • 71:01 - 71:05
    [inaudible] how'd you shoot the car? The car? No. Okay. All right chairman.
  • 71:05 - 71:10
    I was like, sorry, I didn't work a little bit.
  • 71:10 - 71:15
    Alright, so finish a drum. Yes. All right. It's not [inaudible] yeah.
  • 71:17 - 71:19
    Tight space here. Oh no.
  • 71:20 - 71:23
    Then he comes into the room and sees like the fire merging the, the,
  • 71:23 - 71:28
    the glass wall crumbled down, sees for one in fire,
  • 71:28 - 71:31
    Childers blast. One hits the stairs and scatters. The other one hits the carnal,
  • 71:31 - 71:31
    the ducks kind of
  • 71:31 - 71:36
    behind the pillar and he's like, Oh, it's, I'm heard of. I agree to do.
  • 71:37 - 71:40
    I was gonna go ahead and move from there. That space there.
  • 71:40 - 71:42
    And then for premeds turn
  • 71:45 - 71:49
    going to go ahead and cast dominate person.
  • 71:52 - 71:56
    I made notes of which spells man on Chapman who you are weak,
  • 72:00 - 72:05
    right? So servants like him.
  • 72:09 - 72:13
    Pardon mine. Sure.
  • 72:15 - 72:19
    All right. It's actually in a movement that was 10, 15,
  • 72:19 - 72:24
    2030 is going to get right there. Yeah, that'll do.
  • 72:24 - 72:27
    It's gonna cast dominate person on Cardinal RESPA.
  • 72:28 - 72:33
    Oh and is going to cast it on this cultist right there.
  • 72:34 - 72:34
    But when I was attacking,
  • 72:36 - 72:37
    cause that one's the other one that's kind of worrying him off to the side.
  • 72:37 - 72:42
    It's two posts for comfort. Um, so one for the hell of it.
  • 72:42 - 72:44
    Someone go and rolled the 20 for cargo restaurant. Ah,
  • 72:45 - 72:48
    I will roll for restaurant. She rolled a nine
  • 72:50 - 72:51
    [inaudible] plus
  • 72:52 - 72:56
    she succeeds the high wisdom roll. So good.
  • 72:59 - 73:01
    You're good role for the other one. If you went through the hell of it,
  • 73:01 - 73:05
    it's fine. You do this one. I use your shitty dice. Yeah.
  • 73:11 - 73:13
    That cultists suddenly kind of like liens
  • 73:13 - 73:16
    and then turns back and looks towards [inaudible]. Hey,
  • 73:16 - 73:19
    want to help us out here? Thanks buddy. Um,
  • 73:19 - 73:22
    that's going to be his turn. So,
  • 73:26 - 73:27
    uh, that brings us to,
  • 73:29 - 73:32
    you hear the skittering sound from the pillars above. Oh
  • 73:34 - 73:35
    yeah. I'm just kind of growling.
  • 73:35 - 73:38
    But as you all kind of glance over the shoulder,
  • 73:38 - 73:43
    you can see claws we needed to pull up and these strange like kind of humanoid,
  • 73:45 - 73:48
    uh, kind of almost imagine a,
  • 73:48 - 73:53
    a kind of dark greenish colored demonic creature,
  • 73:53 - 73:57
    but the skin is kind of hanging and dangling a bit off of its body.
  • 73:57 - 74:00
    It has like a snub nose, almost like a mole. And it kind of,
  • 74:02 - 74:04
    it means to curl up. You see multiples climbing up.
  • 74:04 - 74:09
    Similar to when you've seen previous rifts opened in spaces throughout wild
  • 74:09 - 74:13
    Mount. No, no, they got it open.
  • 74:14 - 74:15
    Whoa. That's a lot of,
  • 74:17 - 74:18
    Oh no,
  • 74:23 - 74:28
    she's going to be clever. Thus in whole
  • 74:31 - 74:34
    they're going to get down.
  • 74:35 - 74:37
    They're not very quick to these kind of like leap off,
  • 74:39 - 74:43
    hit the ground and splatter. They're really stupid. And
  • 74:43 - 74:46
    I just feel like there's some deck saves that happened. [inaudible] okay.
  • 74:48 - 74:52
    Or are there more fun? There are a door. Oh,
  • 74:52 - 74:55
    is that a staircase behind him? Yeah,
  • 74:55 - 74:58
    that's where you want to start. All right.
  • 74:58 - 75:02
    So that one takes three points of damage and gorillas and then we can lock it
  • 75:02 - 75:03
    behind us down. But
  • 75:07 - 75:08
    we get in there. Don't matter.
  • 75:10 - 75:11
    Oh no, there's that many.
  • 75:12 - 75:17
    We're missing up here. And they're gonna take their action to rush in in swarm,
  • 75:17 - 75:18
    not [inaudible].
  • 75:18 - 75:19
    Oh, traveler.
  • 75:24 - 75:25
    Oh,
  • 75:29 - 75:33
    the hands. There was other dead blog points. The name of my house.
  • 75:36 - 75:40
    Do they move in pairs? They're just rushing. They're kind of jumping off.
  • 75:40 - 75:41
    I think the daughters,
  • 75:41 - 75:44
    they like to hold onto each other so they don't like lose track of where they
  • 75:44 - 75:45
    are.
  • 75:45 - 75:47
    There's, they're smaller than you than like a medium size.
  • 75:47 - 75:48
    They're about maybe waist high or so. Sure.
  • 75:49 - 75:50
    And they're just skittering [inaudible]
  • 75:50 - 75:51
    Oh no, they're cute.
  • 75:54 - 75:59
    And they're gonna use their actual term swarm upon Beauregard. But they're not,
  • 75:59 - 76:02
    they don't have any action to attack you. These to leap off.
  • 76:03 - 76:07
    Oh no. I already work for them and they're fine. And they
  • 76:07 - 76:09
    move in and they're both going to take a tax.
  • 76:09 - 76:12
    And there's one more up here that's going to go ahead and take the leap off as
  • 76:12 - 76:14
    well. Yeah, he's fine. Natural time.
  • 76:16 - 76:21
    He's going to rush around to forward. So that's going to be no tax on knocks it.
  • 76:21 - 76:23
    Took them out to get them no tax on boats.
  • 76:23 - 76:27
    It took their action to get to you a attack on Puma and two on Ford.
  • 76:30 - 76:32
    That attack knew that's going to be a seven.
  • 76:32 - 76:35
    That's a miss in sport natural 20.
  • 76:35 - 76:40
    Oh [inaudible] and your natural 2002 in a row.
  • 76:43 - 76:45
    Well, getting this party started,
  • 76:45 - 76:48
    does that mean Travis Frederick has to take back $500
  • 76:50 - 76:54
    nationally to attacks? So we'll say that's the first one. Okay.
  • 76:54 - 76:59
    So you take eight points of piercing damage. Got it from lifers. Critical. Okay.
  • 77:00 - 77:03
    Not super strong. And the other one,
  • 77:04 - 77:07
    you take 12 points of piercing damage. Okay.
  • 77:08 - 77:10
    And the other one's going to take a bite and claw you well. All right.
  • 77:11 - 77:15
    Uh, that's going to be a 16 to hit the misses. Alright.
  • 77:16 - 77:19
    And a 13 to hit, uh,
  • 77:19 - 77:22
    there they both missed on the 2 million hits that, uh,
  • 77:22 - 77:26
    hit the star razor pulses and deals,
  • 77:28 - 77:33
    uh, seven points of radiant damage to the attacker. Nice. So with,
  • 77:33 - 77:36
    he strikes by you burst. It's John,
  • 77:36 - 77:40
    you can see the lips kind of curl back from the radiant burned. Now look at him.
  • 77:40 - 77:44
    Sit to the edge of his mouth. Uh, that finishes their turn since Europe. Uh,
  • 77:44 - 77:46
    I'm going to crawl through the whole
  • 77:50 - 77:52
    10 catty 15 to get right there. Uh,
  • 77:52 - 77:57
    I'm gonna keep moving against the wall to the side, I think.
  • 77:58 - 77:59
    Okay, we're here. Yeah.
  • 77:59 - 78:03
    I'm going to move against the wall so nothing can get behind me. Five 30.
  • 78:03 - 78:08
    All right there. And I'm going to take a, uh, sacred flame against, uh,
  • 78:08 - 78:13
    uh, the, the priestess since which was the, um,
  • 78:13 - 78:17
    the one that that boat was attacking them. The main one. Main one. How was the,
  • 78:17 - 78:20
    what's the range on six 60 feet? She is beyond 60. Oh, she's, where is she?
  • 78:20 - 78:22
    He right here. Oh, she, she ran. Yeah,
  • 78:22 - 78:24
    she went and moved to move to the side of the pillow.
  • 78:24 - 78:28
    She's about 90 feet from you. Oh, well, heck no. I can't see.
  • 78:28 - 78:32
    Oh heck in heck. I'm sure she don't want to say hell.
  • 78:33 - 78:37
    Then I'm going to hit one of the,
  • 78:37 - 78:40
    one of the two that's attacking belt right now. Okay. Go for it.
  • 78:41 - 78:45
    That's a deck. 17 that's a fail. All right,
  • 78:45 - 78:48
    so that's a torch.
  • 78:49 - 78:51
    23 points of radiant damage.
  • 78:52 - 78:57
    [inaudible] Christ is 28, 2121 points,
  • 78:57 - 78:58
    reading damage.
  • 79:00 - 79:04
    It just burns with the radiant flame and it's the flame funny, uh,
  • 79:04 - 79:06
    flicks out of existence behind.
  • 79:06 - 79:09
    There's just a hint of charred bone that clatters to the ground,
  • 79:09 - 79:13
    scatters and Ash, that demonic creature destroyed entirely from the
  • 79:15 - 79:18
    [inaudible]. So that's uh, that's my move. All right,
  • 79:19 - 79:22
    top of the round gesture. You're up. Oh, that's me.
  • 79:24 - 79:24
    [inaudible]
  • 79:24 - 79:27
    right. I am going to,
  • 79:27 - 79:29
    yeah,
  • 79:30 - 79:32
    hold on. Let me look at this thing real fast.
  • 79:35 - 79:38
    I'm Kim. Okay. I'm going to,
  • 79:38 - 79:43
    number one is my spiritual weapon to um,
  • 79:44 - 79:49
    attack this thing. This thing, it just attacked. Actually. No,
  • 79:49 - 79:50
    I'm gonna move to spiritual Lebanon.
  • 79:50 - 79:53
    I'm going to go try to get one of the things that attacked Fort,
  • 79:53 - 79:55
    cause I saw it took a pretty hard hit from that.
  • 79:55 - 79:58
    The one that gave him 12 damage. Okay. Whichever one,
  • 79:59 - 80:02
    then it's going to swing at them and it's going to
  • 80:04 - 80:09
    get a 20 general damage. Duh,
  • 80:09 - 80:11
    duh, duh, duh.
  • 80:12 - 80:16
    That is nine points. Nice. Same scenario,
  • 80:19 - 80:22
    Forbes sucking sound at the end standing even after the other two after the
  • 80:22 - 80:23
    seven points on top of that.
  • 80:23 - 80:26
    Oh well the seven one and seven damage was that one you couldn't quite get to
  • 80:26 - 80:28
    that one in time. Okay. I'm going to move to the 20 feet movement.
  • 80:28 - 80:30
    Right in the bonus. Yeah. I'm looking at another one.
  • 80:30 - 80:31
    This is the first damage it's taken away.
  • 80:32 - 80:37
    Okay. And then for my Derek, I'm going to cast
  • 80:40 - 80:44
    and as my duplicate is going to go the um,
  • 80:45 - 80:50
    120 feet, right? Yeah. Yeah. You can do that. Go ahead and roll an attack level.
  • 80:50 - 80:52
    By the way, 2020,
  • 80:52 - 80:55
    she does have half cover from going behind the pillar,
  • 80:55 - 81:00
    which gives her a plus to my duplicate to where like I can move it up here to
  • 81:00 - 81:02
    it. When did I go? Yeah. Okay. Yeah, let's do that.
  • 81:05 - 81:07
    That'll get you to get her outside of there.
  • 81:07 - 81:11
    The half cover wedding twentieths yeah. So
  • 81:15 - 81:16
    that is 76
  • 81:17 - 81:19
    Oh two three four,
  • 81:25 - 81:26
    yeah. Yeah, yeah.
  • 81:27 - 81:31
    Dan 2021 and
  • 81:32 - 81:35
    uh, so 24 points of ice.
  • 81:35 - 81:36
    Yeah.
  • 81:36 - 81:41
    And she is currently rating as the blast hits or she falls to one knee and kind
  • 81:41 - 81:44
    of gets up breathing hard. You can see a lot of the rope has been burned away.
  • 81:44 - 81:48
    The skin itself has burned and charred and the hair is kind of curled up on one
  • 81:48 - 81:50
    side where part of the face is now scarred from the impact. The radio. Yeah.
  • 81:52 - 81:55
    And then the next attack under gets advantage indeed. Oh, alright.
  • 81:55 - 82:00
    That's your action. You want to move or stay put? I'm going to stay put.
  • 82:00 - 82:04
    Okay. The next attack on her gets advantage. Yes. Do I know that?
  • 82:06 - 82:07
    [inaudible] so now it's your turn.
  • 82:09 - 82:12
    I will. Bonus action. Disengage. Okay.
  • 82:13 - 82:18
    Slide between one of those things. Legs and keep running.
  • 82:18 - 82:23
    I'm going to run towards the door behind the Pew, the sermon, the whatever,
  • 82:23 - 82:24
    the altar.
  • 82:24 - 82:24
    Yup. Yup.
  • 82:26 - 82:29
    And as I'm running, I'm going to turn and shoot the radiant glowing lady. Okay.
  • 82:29 - 82:30
    Go for it.
  • 82:32 - 82:37
    1919 just hits and that with advantage, right? Yeah. Yeah.
  • 82:37 - 82:40
    But just hits. So I get sneak attack
  • 82:43 - 82:44
    [inaudible] get sneak attack because
  • 82:52 - 82:53
    I get sneak attack.
  • 82:57 - 82:58
    Uh, okay.
  • 83:00 - 83:03
    Oh, a 10 drink,
  • 83:03 - 83:08
    24 points of damage. How do you want to [inaudible] [inaudible]
  • 83:10 - 83:14
    ah, I would like to uh, shoot her with a crossbow bolts.
  • 83:15 - 83:15
    Um,
  • 83:15 - 83:18
    but if possible I'd love it to go through her and I can sort of pin her to the,
  • 83:18 - 83:19
    to the pillow.
  • 83:22 - 83:24
    Did you run by? She turns and brings her hand out,
  • 83:24 - 83:27
    but you can see starts muttering and the fingers start to glow.
  • 83:27 - 83:29
    It's kinda matching the halo of writing energy.
  • 83:29 - 83:34
    That gesture had set you up with you aim your bow or your, your crossbow.
  • 83:34 - 83:35
    And for a split second you swear,
  • 83:36 - 83:39
    you see like a green hand kind of touch the side of your hand and correct your
  • 83:39 - 83:41
    aim and fire.
  • 83:41 - 83:45
    And right as she begins to cast in the last week in a church,
  • 83:46 - 83:49
    you see her eyes go wide as her arms just gonna go live to the side.
  • 83:50 - 83:54
    Blood just kind of spills out of her and eventually goes limp and just stays.
  • 84:01 - 84:04
    Neither did I. No, you're way too far. You've been staying in the corner.
  • 84:05 - 84:08
    He did it and I didn't even see this doing it to be nice. Wow.
  • 84:09 - 84:13
    Cool. All right, so does your movement and your action. That's my bonus as well.
  • 84:13 - 84:16
    Did this engage? So okay. Yup. So I can aim bots.
  • 84:16 - 84:19
    You can get your good like great. Gets you every time. Okay.
  • 84:20 - 84:23
    That finishes nuts. Turn. All right.
  • 84:24 - 84:25
    Not as you get up to the door,
  • 84:26 - 84:28
    you kind of sit there looking around and you hear, Oh,
  • 84:30 - 84:31
    you turned back on the door.
  • 84:33 - 84:34
    Naked. Dexterity saving, throw
  • 84:38 - 84:41
    16 you do manage to move out of the way.
  • 84:41 - 84:45
    Just in time as the doors slam open.
  • 84:45 - 84:47
    I would also know if he or she is coming, by the way,
  • 84:47 - 84:50
    I would be able to sense any sense or
  • 84:58 - 84:58
    [inaudible]
  • 84:58 - 85:02
    it comes barreling through and right as it was passed, you hear that
  • 85:04 - 85:09
    for the laughing sound again? You're like years or
  • 85:09 - 85:12
    anything. Oh shit. You also
  • 85:17 - 85:18
    during right after and flying up
  • 85:30 - 85:31
    then stepping out. You see Yasha
  • 85:34 - 85:36
    well she died. She found out she's dead.
  • 85:39 - 85:44
    Vic insurance dude. Oh shit.
  • 85:44 - 85:46
    Oh God. Oh fuck. Oh God.
  • 86:04 - 86:04
    [inaudible] so
  • 86:04 - 86:05
    the end of the fight when she dies,
  • 86:19 - 86:21
    Oh Nope. Please be out of practice. Please be able the practice.
  • 86:21 - 86:26
    Please be at the practice. Every time I sit at this table.
  • 86:26 - 86:27
    Like what? Standing
  • 86:32 - 86:33
    [inaudible] you kill your friends tonight.
  • 86:37 - 86:40
    Go initiative for me. Action. Cause you're joining the initiative board
  • 86:47 - 86:52
    setting. You did so good. I'm just standing there watching.
  • 86:53 - 86:53
    Okay. I'll come here.
  • 86:59 - 87:00
    Well I get advantage on that.
  • 87:03 - 87:06
    You're attacking right away. What are you doing? Oh wait, just doing initiative.
  • 87:06 - 87:10
    Oh shit. What's
  • 87:14 - 87:17
    closer? Closer in 13 alright.
  • 87:18 - 87:21
    What a shocker right after you're going at the same time as Puma.
  • 87:23 - 87:24
    Gotcha.
  • 87:26 - 87:31
    So not finish the emerge. So Bon goes first. Oh it's amazing.
  • 87:31 - 87:36
    Ready? Where I should be. Initiative. Where was,
  • 87:36 - 87:40
    where was that in the, that was after. Not wet but Obama.
  • 87:41 - 87:44
    Yes, I'm at after nine. No, no, you're out there.
  • 87:46 - 87:49
    You're way, way late after Ford.
  • 87:49 - 87:53
    Then I have time to read the player's handbook. Yup.
  • 87:54 - 87:55
    Learned. Andy please.
  • 87:56 - 88:00
    So when the doors opened I might just like behind a door out of sight now.
  • 88:02 - 88:06
    Uh Oh that'd be awesome. Okay, cool. You haven't hidden it. Did we also see
  • 88:09 - 88:12
    I'm 14 we are in 14 does that change my initiative?
  • 88:14 - 88:17
    [inaudible] puts you actually before Ford palms are sweaty,
  • 88:18 - 88:23
    pumps weak. You're not blocking the inevitable idea, by the way.
  • 88:24 - 88:28
    Oh, of course. But you can see invisible things for an hour,
  • 88:29 - 88:31
    but she also doesn't really go,
  • 88:34 - 88:39
    so she comes from on the ground phases. So yeah,
  • 88:39 - 88:42
    we're all bonds turned. Oh behind a wall right now,
  • 88:42 - 88:43
    pouring out in kind of flying up now.
  • 88:47 - 88:52
    Good more fought. And as he looks down with a grin,
  • 88:52 - 88:55
    he's going to go ahead and try a
  • 88:58 - 89:02
    product to go. Okay for me. But it's going to go ahead and cast,
  • 89:02 - 89:03
    dominate person
  • 89:05 - 89:06
    on
  • 89:10 - 89:11
    on you. Burn guard.
  • 89:13 - 89:17
    Can you go ahead and make a wisdom saving please. You got good wisdom now.
  • 89:17 - 89:20
    Guidance. I ain't gonna. I ain't going to guide you
  • 89:24 - 89:25
    on a reaction. No,
  • 89:29 - 89:30
    fuck God.
  • 89:35 - 89:36
    Fuck
  • 89:37 - 89:39
    was almost like six and eight. Oh God.
  • 89:39 - 89:44
    You look up into Oberon's eyes as his hands just kind of formed this like come
  • 89:44 - 89:46
    to me finger motion.
  • 89:46 - 89:50
    You feel all of a sudden your vision pulled back into your head like the sunken
  • 89:50 - 89:54
    place and you lose control of your body.
  • 89:56 - 89:56
    All right.
  • 90:00 - 90:02
    Oban finishes his term. He's charmed.
  • 90:02 - 90:05
    She's charmed and he can take complete control.
  • 90:06 - 90:08
    So you consider Oban and ally
  • 90:10 - 90:15
    and the rest of them enemies in this part dominate person. Telepathic link.
  • 90:15 - 90:15
    You both can see,
  • 90:15 - 90:19
    he can speak to you and you heard the voice in the head say kill them all,
  • 90:20 - 90:23
    kill them for the angel kills them from me.
  • 90:25 - 90:26
    Mmm.
  • 90:27 - 90:31
    And yeah, so you, you, your general course of action is to attack your friends.
  • 90:34 - 90:38
    But like let's just with your shirt. So Caleb,
  • 90:38 - 90:41
    your shirt. Okay. Chicken.
  • 90:41 - 90:45
    I will use a bonus section to have the claw attempt to shredding the one who's
  • 90:46 - 90:47
    stabbed. So as he's stabbing into me,
  • 90:47 - 90:50
    I'm trying to back away and doing this with my hand and drawing the clot to
  • 90:51 - 90:55
    shred him. Okay. Go ahead and roll for the tech of the cloth Costello.
  • 90:55 - 90:58
    That's great. That is a 21 to hit. That hits
  • 91:03 - 91:06
    2323 point lashing damage. Yeah.
  • 91:11 - 91:14
    Yeah. Okay. Is that an old one? No,
  • 91:14 - 91:16
    it's the one who was stabbing the shit out of me.
  • 91:16 - 91:19
    He just gets carved into ribbons
  • 91:21 - 91:22
    and crumbles to the ground.
  • 91:22 - 91:25
    The claws just seem like fall into four different pieces. Okay.
  • 91:25 - 91:30
    And Caleb starts to smear his blood on the ground as he crawls this way,
  • 91:30 - 91:35
    just five feet and he'll get in this way just five feet that way.
  • 91:35 - 91:39
    So I can see a little bit. And uh, in all the,
  • 91:39 - 91:41
    to Mount the hands clap together again
  • 91:43 - 91:48
    and another fireball flies out just to the side of that candle stick diagonally
  • 91:48 - 91:49
    maybe. Yeah.
  • 91:49 - 91:53
    We're going to get no closer to this guy right here and those guys over there.
  • 91:54 - 91:59
    Yeah, yeah, yeah, yeah. Go, go ahead and roll.
  • 92:03 - 92:07
    Place your mushroom cloud. Laughing hand
  • 92:09 - 92:13
    rolls in 1126 point. So fire damage. That was just a third level.
  • 92:14 - 92:18
    It takes half them. Actually. No, he does not cause Austin's resistance.
  • 92:23 - 92:26
    This is a fireball. I have one. What's the right seat?
  • 92:29 - 92:31
    13 uh, no, actually he ministers to aim it.
  • 92:31 - 92:36
    So to not have not thank God you feel the heat and you're like close your eyes
  • 92:36 - 92:36
    in the fire.
  • 92:36 - 92:41
    Can I just barely licks past your eyebrows recoil a bit.
  • 92:42 - 92:45
    All tattooed eyebrows. A failure there.
  • 92:46 - 92:51
    Incinerates screens is the spiritual weapon that they had some advantages,
  • 92:59 - 93:04
    which is a, again, a 14, 14, yes. Is this leveled by Scott witches?
  • 93:04 - 93:08
    So 13 was the DC, so you succeed. Um, all right, this,
  • 93:08 - 93:11
    that was a little three spot. Yeah. Yeah. Fail.
  • 93:12 - 93:14
    It takes half damage because it is resistance
  • 93:16 - 93:20
    or the little things are resistant to fire. Oh, the little creatures. Yeah.
  • 93:20 - 93:23
    Cause they're from new business.
  • 93:26 - 93:30
    Failed. Untapped damage there.
  • 93:30 - 93:32
    And then that just there fails,
  • 93:32 - 93:34
    but to not take damage from your previous fireball.
  • 93:35 - 93:40
    Don't rush through if that takes a full 26 Ashley fricking Johnson appetites.
  • 93:42 - 93:43
    All right.
  • 93:43 - 93:47
    Uh, and so I used a, I'm 15 feet, half my movement to stand correctly.
  • 93:47 - 93:52
    Five feet that way. I'm going out that way. All right. Time boy.
  • 93:54 - 93:55
    Yeah, it's like this. Two of us.
  • 93:57 - 94:00
    All right on the edge there. Got it. All right.
  • 94:01 - 94:05
    That's the finishes. You'll go there. Next step.
  • 94:06 - 94:09
    Call tests. Uh Oh boy.
  • 94:10 - 94:13
    All this guy brushes up here. Sure.
  • 94:15 - 94:18
    Um, and this guy who is one of us is dominated.
  • 94:18 - 94:22
    He's going to go ahead and Josh to attack the one that's outside of,
  • 94:24 - 94:26
    Oh my goodness. One
  • 94:28 - 94:31
    central 20. Oh, that's good. That's good.
  • 94:31 - 94:34
    And 15 for both hit time.
  • 94:37 - 94:42
    You lose a boat. You gained cold, please let me break that line.
  • 94:46 - 94:50
    True. Okay. Uh, 15 points of damage
  • 94:51 - 94:52
    to that one.
  • 94:52 - 94:57
    So carbs into that one there with a dagger and the creature recoils bad looking,
  • 94:58 - 94:59
    confused
  • 94:59 - 95:00
    and angry as the cultist.
  • 95:00 - 95:03
    His eyes are still wide and kind of smiling or looking at Puma like [inaudible]
  • 95:04 - 95:07
    it's like, yeah, that's right. Um, the other one,
  • 95:09 - 95:11
    uh, that's over there is an attack. You Caleb
  • 95:12 - 95:17
    two-ish tax with Eden versus going to be a S 14, uh,
  • 95:17 - 95:20
    mrs. mrs can one that's going to be a 15,
  • 95:21 - 95:26
    a shield shield a second time reflected off the dagger scrapes off of the
  • 95:27 - 95:31
    outside of the arcane energy shield. No impact. Um,
  • 95:31 - 95:36
    aren't the finishes the cultist turn that point? That brings us to Beauregard.
  • 95:36 - 95:37
    Beauregard
  • 95:38 - 95:43
    so yeah, as I look at Oban and he says,
  • 95:43 - 95:44
    kill them all,
  • 95:44 - 95:49
    I start to slip into the sunken place and I just feel the darkness come through
  • 95:49 - 95:54
    like tunnel vision and then I just close my eyes and I resist him when I opened
  • 95:54 - 95:55
    them.
  • 95:55 - 95:59
    I'm sitting next to the ocean and Nica dryness,
  • 96:00 - 96:00
    meditating.
  • 96:03 - 96:08
    When I breathe and I want to use stillness of mind to end a Charmin
  • 96:14 - 96:15
    [inaudible]
  • 96:23 - 96:25
    and I opened back and I look at him and I just go,
  • 96:32 - 96:34
    RO hangry does your action.
  • 96:35 - 96:36
    That's my action.
  • 96:48 - 96:51
    Harnessing that stillness and that peace.
  • 96:53 - 96:56
    I'm going to just look around, I'm going to look laughing hands,
  • 96:56 - 97:01
    look at the Colton or the demon behind me and do patient defense again
  • 97:03 - 97:07
    and again.
  • 97:07 - 97:09
    I could theoretically move, but then he would get an attack. Right?
  • 97:09 - 97:10
    Both of them were, again, both of them.
  • 97:10 - 97:14
    When you're within range was blade rollers,
  • 97:14 - 97:16
    patient defense and hold strong.
  • 97:16 - 97:20
    Okay. As you do, you get out because you're, cause you're, you're naturally,
  • 97:20 - 97:24
    what's your, what's your passive, uh, perception? 13. 13.
  • 97:25 - 97:28
    Okay. The, the laughing hand as it's kind of stepped up. You,
  • 97:28 - 97:30
    you're the one who can kind of see it and it's like breathing heavy. It's like,
  • 97:36 - 97:41
    um, yeah. All right. The finishes, but regards turn is now [inaudible]
  • 97:43 - 97:44
    first move back.
  • 97:46 - 97:48
    You're probably right. Closest to, is that not right there?
  • 97:49 - 97:53
    It's just to the right. Yes. Okay.
  • 97:53 - 97:56
    Please don't kill me. Um,
  • 97:58 - 98:02
    so I would like to rage. Okay.
  • 98:06 - 98:09
    [inaudible] that face turning into a dour gridded expression.
  • 98:10 - 98:11
    Um,
  • 98:12 - 98:17
    I'm going to turn to my right and I am going to take out my skin.
  • 98:17 - 98:21
    Gorger okay. The affordable, rusted looking giant,
  • 98:21 - 98:24
    thick jagged blade in both hands.
  • 98:24 - 98:27
    And I'm going to stare at knots and I'm going to attack reckless.
  • 98:29 - 98:34
    Go for it. Oh, Oh. Oh.
  • 98:36 - 98:37
    I rolled two one.
  • 98:48 - 98:53
    Oh, so many levels of all this. Oh man.
  • 99:01 - 99:05
    Okay. Now, wow. As a bonus action.
  • 99:06 - 99:10
    I am. No, no, no, nevermind. Because I raged. Yeah. Okay.
  • 99:14 - 99:19
    All stay open. Stay there. All right.
  • 99:19 - 99:24
    That finishes your turn. Uh, Ford Europe. Wow. You see y'all shut them out.
  • 99:24 - 99:27
    Angerly rage and the rush over and swing twice towards not,
  • 99:27 - 99:28
    not gonna like backing out of the way.
  • 99:28 - 99:31
    Dodging the bleed is sparking against the stonework.
  • 99:31 - 99:32
    That's holding the doorframe. What are you doing?
  • 99:33 - 99:34
    Uh, with my bonus action,
  • 99:34 - 99:38
    I will put my hex blades curse on Oban.
  • 99:39 - 99:41
    Okay. What does that do?
  • 99:43 - 99:45
    19 or 20 is a critical hit against him.
  • 99:45 - 99:50
    It's extra damage and just a slew of other shit just for me.
  • 99:55 - 99:59
    Alright. And I will, um, look up at Oban and say,
  • 100:01 - 100:05
    looks like this is an area fight and I'll point up in the sky and my eyes are
  • 100:05 - 100:07
    rollback and I'll say it's time
  • 100:22 - 100:26
    every time. I think that adds a D for, for the pundit.
  • 100:27 - 100:32
    Yeah. But that goes to Matt here, the electric guitar.
  • 100:35 - 100:40
    Alright. This large like, like creepy vulture,
  • 100:40 - 100:42
    like demonic entity appear.
  • 100:42 - 100:47
    Its skin covered in like harsh feathers and this kind of sickly looking scale to
  • 100:47 - 100:51
    hide to the parts that aren't covered by the uh, uh, the feathers themselves.
  • 100:51 - 100:54
    Giant wings, long hooked beak claws. All right,
  • 100:54 - 100:59
    so good. Whatever my role initiative for it. Right. It should say this spell.
  • 101:00 - 101:04
    I think you can get roles its own initiative. Okay.
  • 101:07 - 101:11
    It's the two [inaudible] well actually it means it goes very soon. Yeah,
  • 101:11 - 101:15
    it does. You were right. Yeah, right after, right with me. Yeah. All right,
  • 101:15 - 101:18
    so keep track of that. I will think you can go first. It goes with producers,
  • 101:18 - 101:23
    right? All right. No, you can go for it. Please let it go first. Oh,
  • 101:23 - 101:25
    right. For death. That's your action.
  • 101:25 - 101:27
    Your movement and your bonus or your use your bonus for your hex bite number.
  • 101:27 - 101:28
    Yep. So stay put. You're gonna move.
  • 101:29 - 101:33
    I'm going to stay put so I don't incur a bunch of attacks of opportunity. Okay.
  • 101:33 - 101:36
    That brings us to a poor max turn.
  • 101:37 - 101:41
    Who mad is still controlling the guy who's going to go, uh, sorry.
  • 101:41 - 101:43
    This is good. A little out of hand here.
  • 101:43 - 101:46
    You seem like a little scared at the presence of all these these creatures
  • 101:46 - 101:47
    around.
  • 101:48 - 101:52
    Um, he's going to go ahead and
  • 101:57 - 102:01
    it's in a cast acid arrow at fifth level level
  • 102:03 - 102:07
    and he's going to go ahead and fire it at the laughing hand cause that's from
  • 102:07 - 102:11
    his perspective, the scariest guy right now I understand the blame. That's fair.
  • 102:12 - 102:14
    There's a lot of crazy shit going on in this.
  • 102:17 - 102:22
    I mean yeah, there's cultists and skeleton heads,
  • 102:23 - 102:27
    giant laid hand men and we still don't know where.
  • 102:28 - 102:32
    They still don't know where the inevitable end is. No, don't,
  • 102:32 - 102:37
    she might be at a spa. Maybe she's just chilling, you know, why did they up?
  • 102:39 - 102:42
    Oh, just embarrassed to do
  • 102:44 - 102:46
    the 14 points of acid damage to the laughing hand.
  • 102:49 - 102:52
    And he's going to go ahead and burn a little more on his turn.
  • 102:53 - 102:57
    I see. Who might kind of to by these things. She's the big guy.
  • 102:57 - 103:00
    Burst through it looks extremely scary. Goes no, no, no, no, no.
  • 103:01 - 103:05
    And relishes this dark green energy. It's fires Ford splatters into
  • 103:07 - 103:07
    mr.
  • 103:07 - 103:12
    Burn and singe the like somewhat sagging flesh covered in mouths that splatters
  • 103:13 - 103:15
    and burnt the miles that were kind of laughing,
  • 103:15 - 103:18
    kind of gargle a bit as it enters their, their interior.
  • 103:19 - 103:21
    Um, he's uh,
  • 103:22 - 103:26
    he's interesting tackle opportunity excuse would not like being here anytime
  • 103:26 - 103:31
    that guy controls. So got to move. One, two, three, four, six, uh,
  • 103:31 - 103:35
    both of them get tax on him. The first one, uh, yeah,
  • 103:35 - 103:36
    that'll hit,
  • 103:37 - 103:42
    takes no Poobah six points of slashing the image and he has to make a Sushan
  • 103:45 - 103:47
    saving thrill, which he makes.
  • 103:47 - 103:50
    So he maintains some domination of attack against him.
  • 103:51 - 103:53
    Mrs [inaudible].
  • 103:54 - 103:55
    All right. All right.
  • 103:55 - 103:59
    Here's the doors behind starting to unlock from the chamber.
  • 103:59 - 104:03
    You guys go NoDoz Juge all right. Finishing his turn.
  • 104:03 - 104:08
    It is now these guys turns. Wait where the other cultists coming from?
  • 104:09 - 104:14
    The ones we skipped, but we skipped that board. They're out of, it's done.
  • 104:14 - 104:17
    There's no more. It's a scrolling game. Super bro.
  • 104:18 - 104:20
    Yeah cause Hamburg cause those are called [inaudible] rush.
  • 104:20 - 104:23
    Not they're both going to attack you, not the first one
  • 104:25 - 104:30
    to be at 12 miss God first attack.
  • 104:30 - 104:34
    They do an advantage on you because you're currently flanking with the Asha.
  • 104:34 - 104:38
    Okay. A second attack from that one is going to be
  • 104:40 - 104:42
    13 Dodge.
  • 104:43 - 104:48
    This one here is really fucking with the laughing hand and that's going to be a
  • 104:48 - 104:53
    16 miss and the other one's going to be a 19 hit.
  • 104:53 - 104:58
    Oh my God. One of them got two. Yes. That's so excited. Yes. You take
  • 104:59 - 104:59
    seven,
  • 104:59 - 105:03
    seven points of piercing damages that bites into your shoulder and latches on
  • 105:03 - 105:07
    and you kind of shrug it off and you feel the teeth kind of drag across the side
  • 105:07 - 105:10
    of your arm and you can feel the blood beneath your armor. Uh,
  • 105:11 - 105:14
    I'm kidding. Dodge. That saved my reaction.
  • 105:14 - 105:16
    I'm going to save my reaction for something else.
  • 105:17 - 105:19
    Three of them are going to be taking you forward.
  • 105:20 - 105:25
    I'm going to go ahead and move this way to you and flanking it was going to stay
  • 105:26 - 105:30
    there. So the two that are flanking first attack, uh, 13,
  • 105:31 - 105:36
    uh, ms next one is 15 misses. That one's done.
  • 105:36 - 105:41
    I going across the way first attack 17. That is my se.
  • 105:41 - 105:42
    So it hits you.
  • 105:43 - 105:47
    You take five points of slashing damage from a cloth strike. Sure.
  • 105:48 - 105:53
    I don't think I have to make a thing to maintain the constitution saving.
  • 105:53 - 105:56
    Throw advantage on that cause uh, the thing,
  • 105:58 - 106:00
    uh, that is a 16. You're fine.
  • 106:01 - 106:04
    Also go roll your damage cause it struck you while you had to lay down.
  • 106:08 - 106:09
    I like this. I'm rubber. You're glue thing.
  • 106:09 - 106:13
    You got five points of radio damage on that one. She pulls back,
  • 106:14 - 106:17
    goes in for a secondary tech bite. Attack 18 hits,
  • 106:18 - 106:23
    take seven points of piercing damages. It bites into the side of your,
  • 106:23 - 106:24
    your hip.
  • 106:24 - 106:27
    As you try and swing back around you takes eight points of radiant dude,
  • 106:27 - 106:28
    I killed him.
  • 106:30 - 106:35
    He bites on you and the blast back causes his head to just scatter across the
  • 106:35 - 106:39
    ground. The body kind of under the floor behind you, across the marble floor.
  • 106:40 - 106:42
    Uh Oh, that's fine. A 2222 you're fine.
  • 106:42 - 106:44
    And that one gets to texting you without advantage.
  • 106:44 - 106:48
    The first one of these is going to be a 20 hits. All right. Um,
  • 106:49 - 106:50
    ah yeah, I'm going to use
  • 106:50 - 106:54
    my reaction to counter that to kind of what there wasn't a natural or, okay.
  • 106:55 - 106:57
    You're fine. Mine four points of slashing damage.
  • 106:59 - 107:00
    Five points of radiant to him.
  • 107:01 - 107:06
    Five points or eight to him and then totally say that's a 24 okay.
  • 107:07 - 107:10
    Second attack. It's a natural one missus. Okay. Alright.
  • 107:10 - 107:13
    And there a term that brings us to
  • 107:16 - 107:17
    no
  • 107:23 - 107:26
    chapel. Nine nine crazy.
  • 107:29 - 107:31
    The too far out. So it's going to be you forward unfortunately.
  • 107:32 - 107:34
    [inaudible] Oh no, she has. Yeah,
  • 107:34 - 107:38
    she comes from the ground.
  • 107:38 - 107:42
    You hear this like faint grinding sound and before you have moment even look
  • 107:42 - 107:47
    behind you. She's in an attempt attack. You. This is going to be
  • 107:53 - 107:55
    21 it's all right.
  • 107:55 - 108:00
    And the second attack with the structural blade is a 26 yes,
  • 108:04 - 108:08
    she does. She takes 11 image. Yes. 11 radio. I've got it from both attacks.
  • 108:08 - 108:10
    The first one is going to do,
  • 108:16 - 108:18
    that's 11 days over there,
  • 108:21 - 108:24
    honestly. How's it feel? Feels good. Yeah.
  • 108:25 - 108:27
    So far you're doing great. Thank you very much.
  • 108:28 - 108:31
    I really was trying for a double ones. So
  • 108:33 - 108:38
    did a great job. Yeah. Mission success. Mission six. Center to drive time.
  • 108:38 - 108:42
    45 points of piercing damage to you.
  • 108:43 - 108:47
    Okay. I need you to go ahead and, and uh, uh, it was saved with a, uh,
  • 108:47 - 108:51
    2121 on the one on the, uh, spell.
  • 108:51 - 108:56
    Maintaining 21, I don't think succeeds. Oh really? 45. 22 is the DC. It's half.
  • 108:56 - 108:59
    So you actually lose your concentration on your spell because your demon remains
  • 108:59 - 109:00
    out there, which is no longer under your control.
  • 109:00 - 109:02
    Oh,
  • 109:04 - 109:05
    Tom bone.
  • 109:08 - 109:11
    You're not gonna see the other side of [inaudible] how this works. Yup. Yup.
  • 109:11 - 109:13
    I'll submit constitution saving. Throw for me please. Okay, boy,
  • 109:15 - 109:18
    because the devil that he's 17, 17, 17, you resist the poison.
  • 109:19 - 109:24
    The second strike deals, I subscribed 15 points of slashing and left
  • 109:26 - 109:28
    [inaudible] and make another constitution saving throw. Okay.
  • 109:29 - 109:33
    First rate in damages. One point of radiant damage
  • 109:36 - 109:38
    was a 10, 10.
  • 109:39 - 109:43
    The poison pulses through your body. You are poisoned.
  • 109:49 - 109:54
    Be glad you didn't roll one lower. Oop, what? Oh,
  • 109:54 - 109:56
    that's right. [inaudible] Oh God.
  • 109:57 - 110:01
    What happens one lower and with that she's going to go vanish into the grounds.
  • 110:01 - 110:03
    You do get one of the type of opportunity against her. Okay.
  • 110:04 - 110:05
    Would disadvantage because you're poisoned.
  • 110:05 - 110:07
    You can also use a spell if you want to,
  • 110:07 - 110:09
    as your attack of opportunity is your work cast. If you could.
  • 110:10 - 110:13
    So if you have a spell you block to use and now an attack Spelman you'd like to
  • 110:13 - 110:18
    use, now is the time to use it. Not, not any that worked for what I wanted to.
  • 110:18 - 110:22
    Okay. A disadvantage, right? Yep. A little mess.
  • 110:22 - 110:27
    I think that's fifth 15, 15 misses. The other guy that's uh,
  • 110:27 - 110:29
    is currently controlled by, uh,
  • 110:31 - 110:35
    I'm not going to go ahead take a tech as well. And Kurt hits
  • 110:38 - 110:42
    mom. She takes five points. A piece of damage from the cultist. Alrighty.
  • 110:42 - 110:47
    That finishes her turn. Could use this in the rocker up rock first.
  • 110:47 - 110:51
    That's right. Take your turn. Yeah. Sorry.
  • 110:53 - 110:53
    Uh,
  • 110:53 - 110:58
    when does Brock lose its connection with a word it did immediately after this
  • 111:01 - 111:03
    turn? No, it's right now. It lost in trauma.
  • 111:04 - 111:09
    It's technically so it has a multi attack. Uh, it has a bunch of shit. I can,
  • 111:09 - 111:10
    you got it. Oh they be.
  • 111:14 - 111:16
    So this will save controlling your ends for us to,
  • 111:16 - 111:18
    and the demon spends its turns pursuing attacking the nearest non demons to the
  • 111:18 - 111:20
    best of its ability technically.
  • 111:21 - 111:22
    [inaudible] so it's not going to after after urban,
  • 111:24 - 111:27
    it's not going to offend is a demon. Like he's,
  • 111:27 - 111:32
    he's allied with an entity of the abyss and he's a [inaudible].
  • 111:32 - 111:35
    He's a devil. Is that a debate? It's not anymore.
  • 111:35 - 111:40
    Can you maybe not anymore. You made a deal or something?
  • 111:42 - 111:46
    Well he has a, he has a devilish heritage, but his Alliance,
  • 111:48 - 111:50
    no, you're right. No, no, no. I think,
  • 111:50 - 111:54
    I think with a rock not having any knowledge of Oberon's current thing. No,
  • 111:54 - 111:58
    he grabbed her. Yvonne. Yeah, let's go for it. Oh yeah, no,
  • 111:59 - 112:01
    that's a good point. So since you have the stats up,
  • 112:01 - 112:03
    if you wanna go ahead and roll for me. Oh sure.
  • 112:03 - 112:04
    Would you like to do a multi attack?
  • 112:04 - 112:08
    Would you like to send them orders or a stunning screech? Multi attack on it.
  • 112:09 - 112:13
    Got it. Okay. First one is a, uh, a beak attack,
  • 112:13 - 112:17
    which is a plus six. Ted's, that's 2121 that, uh, that hits
  • 112:20 - 112:23
    a seven. That's nine points of piercing damage already.
  • 112:24 - 112:28
    And the talent attack is plus six to hit, which is an 11 settlement misses.
  • 112:29 - 112:30
    All right? So that's the Brock's go
  • 112:32 - 112:36
    and it's gonna stay closest to him and just stay engaged going after him. Okay.
  • 112:36 - 112:39
    Uh, all right. That finishes, it's turn produces up. Um,
  • 112:40 - 112:44
    I'm going to turn invisible. Okay.
  • 112:46 - 112:48
    Uh, it's the first thing I'm going to do, cause this is a lot
  • 112:50 - 112:53
    you got as an action or a book that's a bonus action. Uh,
  • 112:53 - 112:56
    that also I can pass spells while I'm invisible. I know a lot of stuff.
  • 112:58 - 113:01
    I'm just trying to find that just to find it. And you
  • 113:02 - 113:03
    said you can pass the ball to the goal.
  • 113:04 - 113:06
    Most action tournaments go on until the start of your next turn. You attacked,
  • 113:07 - 113:10
    you'll damage or force of sitting through it. Yeah. Yeah. Uh,
  • 113:11 - 113:15
    so that's going, um,
  • 113:15 - 113:18
    I'm going to see all the name plates.
  • 113:19 - 113:22
    I'm going to bump the microphone to make a weird sound. Do it, do it.
  • 113:25 - 113:27
    Um, I'm going to
  • 113:29 - 113:33
    backup to get a little cover from Oban if I can up here. Yeah.
  • 113:33 - 113:35
    And like maybe like, like not much to get cover here.
  • 113:36 - 113:39
    Let's want to go under the table like no, no, no. And I'm about,
  • 113:39 - 113:43
    I just want to clear shot of Yasha if I can see Yasha. Uh,
  • 113:43 - 113:46
    she has half cover from where you're standing up to. Where can I get, well,
  • 113:46 - 113:50
    I'm just, I'm going to cast dispel. Okay.
  • 113:50 - 113:54
    I know that there's a little orange Mark. Correct? You're too far to see it.
  • 113:55 - 113:58
    Do I have to see it to dispel it if I know where it is? If you do not,
  • 113:59 - 114:02
    it's not an effect. It's a focus. So I would say yes,
  • 114:02 - 114:06
    you would have to discard it. Okay. So instead of sort of saying, okay,
  • 114:06 - 114:10
    so I'm gonna turn invisible and move towards until I can see it
  • 114:13 - 114:15
    30, you can get right there. You can see her.
  • 114:15 - 114:20
    It's an action to attempt to discern it. It's about just a casual look.
  • 114:20 - 114:24
    This is you trying to get a detail. I mean you could attend that next term.
  • 114:26 - 114:28
    Oh, but you have to see it first.
  • 114:31 - 114:35
    Okay. Um, um,
  • 114:35 - 114:39
    can I be against the pillar if I'm gonna be doing this? Sure. Thank you.
  • 114:40 - 114:41
    Um, I just don't want to be,
  • 114:41 - 114:44
    I want to make it as hard as possible to get to get riled up.
  • 114:45 - 114:48
    I will attempt to discern it. Both perception check.
  • 114:54 - 114:55
    [inaudible]
  • 114:56 - 115:00
    1111. Okay. You had to be 10.
  • 115:00 - 115:04
    Make an act to make an active search from looking at it from behind. Um,
  • 115:05 - 115:10
    you glance and in peer as she's attacking and moving and you see that glimmer,
  • 115:11 - 115:13
    that flash of orange, the base of her neck,
  • 115:14 - 115:18
    and you now know exactly where it is and where the focus can be attributed.
  • 115:21 - 115:26
    That's your turn. Just tournament, the furnaces to turn invisible.
  • 115:27 - 115:29
    Now the laughing. Yeah, that was awesome.
  • 115:30 - 115:35
    Let's pretend turns towards Beauregard kicks the chair down.
  • 115:35 - 115:40
    The way falls over. This boat knocks the rich, the actual,
  • 115:41 - 115:44
    uh, alter itself skits. Ford as he
  • 115:44 - 115:49
    kicks it out of the way and is going to go ahead and make a 2 million attacks
  • 115:49 - 115:52
    against you. Disadvantage [inaudible]
  • 115:57 - 116:02
    first one is a 21 to hit. Yeah.
  • 116:02 - 116:06
    Yeah. And the second one is a natural 20 with disadvantage.
  • 116:07 - 116:10
    Uh Oh no, sorry. It's national 20 in an 18.
  • 116:10 - 116:14
    So the second one just hits for the third 29. Okay.
  • 116:14 - 116:18
    Well it's better. Better than a critical patient defenses your friend.
  • 116:20 - 116:23
    Um, alright so that brings you to yeah,
  • 116:23 - 116:27
    I guess it is your right and try and give you the benefit here so as the blade
  • 116:27 - 116:32
    arcs and slams into you kind of try and Perry out of the way as you feel it cut
  • 116:32 - 116:37
    across your hand beside of your chest and down to your hip and blood just across
  • 116:37 - 116:40
    the stone. Remember you take
  • 116:41 - 116:43
    21 points of slashing damage
  • 116:46 - 116:48
    and then it's going to slam you with its other fist. It's going to,
  • 116:49 - 116:52
    which it did hit, but not critical that it's going to be,
  • 116:54 - 116:56
    uh, 14 points of bludgeoning damage.
  • 117:02 - 117:07
    Uh huh. Maybe already top of the round gesture. You're up.
  • 117:07 - 117:10
    Okay. Okay. You watched them all barrel through, uh,
  • 117:10 - 117:13
    you watched Beauregard just get smacked around by the laughing hand.
  • 117:13 - 117:16
    You watched the keto guys to appear in step the fuck out of Ford and Ford is now
  • 117:16 - 117:16
    doubling.
  • 117:16 - 117:21
    OVC Yahshua up hearing and striking at not conduces vanishes.
  • 117:21 - 117:25
    Can't even see where a Caleb is. What are you doing?
  • 117:25 - 117:30
    Oh God. Oh God. Um, how are you about to die for?
  • 117:30 - 117:31
    Does he look like he's about to die?
  • 117:34 - 117:34
    No.
  • 117:37 - 117:37
    Well,
  • 117:37 - 117:40
    it's more important trying to take down low ball and they're trying to heal.
  • 117:42 - 117:45
    I don't think I can stay ahead of all the damaged.
  • 117:45 - 117:47
    It's going to be a matter of getting people back up. I think.
  • 117:52 - 117:53
    I ain't going to disagree.
  • 117:56 - 117:59
    I'm going to, I have a question.
  • 117:59 - 118:00
    Yes. Poisons.
  • 118:00 - 118:03
    Do I take damage every round or is it just disadvantage on attack rolls? What?
  • 118:03 - 118:06
    You know right now it's just a submitted on a tech roles. What?
  • 118:06 - 118:08
    I know right now, I just feel like I'm going
  • 118:10 - 118:11
    through your veins.
  • 118:14 - 118:17
    It's not even that much feeling. It's not that much healing.
  • 118:17 - 118:21
    Even at like the highest level. It doesn't do fit. You don't heal, you attack.
  • 118:22 - 118:23
    So that is what you do.
  • 118:27 - 118:31
    I'm going to force level guiding bolt.
  • 118:32 - 118:34
    [inaudible] okay. [inaudible]
  • 118:41 - 118:42
    I'm a, I'm
  • 118:42 - 118:46
    a pallet valeted. What's that mean? I can do stuff. Yeah,
  • 118:47 - 118:52
    that's very good. Cause that is a 34 to hit 24
  • 118:55 - 118:57
    still amazing. It definitely hits. Okay.
  • 119:00 - 119:01
    That's 76.
  • 119:06 - 119:07
    You're close to Oban right
  • 119:10 - 119:15
    behind high joining page with a bunch of 22 points of radiant damage.
  • 119:16 - 119:20
    Nice. And he's glow. So she gets blasted,
  • 119:20 - 119:21
    like pushed back three feet in the air.
  • 119:21 - 119:24
    His wings have to kind of correct as you can afloat there for a second.
  • 119:24 - 119:26
    The rock still herring him. It looks down at you.
  • 119:26 - 119:30
    That's my duplicate at the duplicate. And then my bone is actually,
  • 119:30 - 119:35
    and I'm gonna take my spiritual weapon and try to clock the one that's next to
  • 119:35 - 119:39
    Ford and try to get some of those dudes off and go for it. Roll from tech. Whoa,
  • 119:39 - 119:43
    Whoa, Whoa. That was aggressive. 1919 hits. Good roll damage.
  • 119:46 - 119:48
    Uh, eight points, eight points of damage.
  • 119:48 - 119:52
    She had taken a lot of damage previously from attacking Ford and as it gets warm
  • 119:52 - 119:57
    under the ground, splats across the marble floor. Okay. All right.
  • 119:57 - 120:00
    You want to move or stay put? I'm staying put. Okay. All right.
  • 120:00 - 120:04
    That brings us to not, you're up.
  • 120:06 - 120:10
    I'm gonna uh, disengage by, uh,
  • 120:11 - 120:13
    by tapping gash on one shoulder and then go running around the other side.
  • 120:17 - 120:20
    Were you going straight that way? Uh,
  • 120:20 - 120:23
    until I get soon as you move out of the way. Yasha take your set. No attack.
  • 120:24 - 120:25
    Cause it ignores
  • 120:30 - 120:34
    [inaudible] do I still use reckless? That's okay. Um,
  • 120:34 - 120:38
    do you work reckless last term? I w I was [inaudible] ones.
  • 120:39 - 120:44
    Oh, that was the first attack then they were going a second attack. That's okay.
  • 120:44 - 120:49
    We can roll that up to this. You were reckless. Turd got real bad for me
  • 120:52 - 120:54
    and I forgot my second attack. Sorry. No worries. It's all good.
  • 120:54 - 120:58
    We'll come back and we'll, we'll, we'll retroactively do that. Oh, okay. Leave.
  • 120:58 - 121:01
    It's only on your turn, but I'll double check here. I'm at this attack.
  • 121:04 - 121:08
    You'll tell me on the shoulder using the strength during this turn. So yeah,
  • 121:08 - 121:12
    you do not have advantage on this. Okay. I rolled in 19,
  • 121:12 - 121:16
    but with the skin gorger that is a critical, that is, Oh,
  • 121:16 - 121:21
    I'll also go ahead and roll damage. Oh, I'm gonna, I'm gonna. Uh, I'm gonna,
  • 121:22 - 121:27
    I'm gonna, uh, might within 30. Nah, let me do it. Yeah. Yeah.
  • 121:28 - 121:30
    You go ahead and you cancel the critical hits. It's your Omega other damage.
  • 121:31 - 121:33
    Okay. Is that a spell that you just cast? No reaction,
  • 121:34 - 121:39
    no few or lucky he doesn't pop it out from this window.
  • 121:40 - 121:41
    I'm fine.
  • 121:41 - 121:45
    Right? Oh, I rolled low. Um, it's uh, uh, uh,
  • 121:45 - 121:49
    eight that includes your ex doesn't even make it more striking the term no.
  • 121:51 - 121:56
    11 when's the damage? Okay. Should take 11 points of damage. No.
  • 121:57 - 122:01
    Okay. Now I will use my, I'm Dodge to reduce that to five. Right. If we could,
  • 122:01 - 122:04
    speed is reduced to zero. So you are stuck there.
  • 122:05 - 122:08
    She hooks your foot and you kind of fall on the ground and get back up and she's
  • 122:08 - 122:09
    just on top of
  • 122:09 - 122:14
    dammit. Uh, okay. Am I, I'm, I'm like on the,
  • 122:14 - 122:18
    your left side of Yasha right now, right? [inaudible] um,
  • 122:18 - 122:21
    actually you wouldn't have been able to even get that far. Would you have,
  • 122:21 - 122:21
    you would still be,
  • 122:21 - 122:25
    or were you moved around as soon as he tried to move out of her combat range?
  • 122:25 - 122:27
    Move through? Yeah. So yeah,
  • 122:28 - 122:32
    attacks on Oban still have an advantage because you hit correct and he's engaged
  • 122:32 - 122:34
    with yeah. But don't engage with an ally,
  • 122:34 - 122:37
    but he does have the next tech as a manager. Doesn't have to be an ally.
  • 122:38 - 122:43
    He has to be engaged with an enemy of him. Oh, okay. Yeah. That's another point.
  • 122:43 - 122:47
    But either way. Either way. Am I more than 30 feet away? Because
  • 122:47 - 122:51
    does that imposes disadvantage on my crossbar shot?
  • 122:53 - 122:55
    But don't you have the crossbow? I have [inaudible]
  • 122:56 - 122:58
    Oh wait, no, no, no. You know it's stuff that's the structure, right? Yes.
  • 122:59 - 123:02
    So yeah. Uh, you'd be, yeah, he'd be just be on 30 feet.
  • 123:03 - 123:06
    So what does that mean? Do I get sneak attack or do no,
  • 123:06 - 123:07
    you do not get a mention the attack role,
  • 123:07 - 123:10
    but you do get sneak attack a few dams because you live rock. Okay. Alright.
  • 123:10 - 123:14
    I'll take it. Shoot it. Come on. Natural sweater.
  • 123:25 - 123:25
    [inaudible].
  • 123:25 - 123:28
    Okay. Not great. Average, average,
  • 123:33 - 123:37
    average 18 on the dice. All right,
  • 123:37 - 123:41
    so 36 damage plus plus six is 42.
  • 123:41 - 123:46
    I'll add fury of the small 50 to 2.0 that's not good.
  • 123:49 - 123:50
    Yeah, go for it.
  • 123:51 - 123:53
    Why don't you use your motor section to disengage so you can choose again,
  • 123:55 - 123:57
    20 to hit. That hits. Go to the image.
  • 123:57 - 124:00
    This is exactly as our mCLASS 12 more points of damage.
  • 124:02 - 124:07
    So it was old ones like weight from the rock suddenly like tumbles five feet
  • 124:07 - 124:09
    managed to pull back up and then she could shout again.
  • 124:09 - 124:14
    Looks down at you and it's furious at both of you. Um, fuck.
  • 124:14 - 124:19
    Okay. That's your turn. Yes. All right. He's,
  • 124:19 - 124:21
    he's looking hurt. Bond's looking at hurt. Okay.
  • 124:22 - 124:24
    That brings us to stow bonds.
  • 124:27 - 124:30
    Turbot Kotlin Oban is going to pull away from the rock,
  • 124:30 - 124:32
    so get some type of opportunity. Go ahead and make one for me.
  • 124:34 - 124:37
    And that's going to hit, that's a 19 plus something. Yeah,
  • 124:37 - 124:38
    that hits general damage. Oh, let's do
  • 124:38 - 124:40
    the, uh, let's do the talent attacks.
  • 124:42 - 124:46
    Did that burn the, the advantage, uh, his attacker did is the next attack.
  • 124:47 - 124:50
    You get it from being disadvantaged. Okay. Uh,
  • 124:50 - 124:54
    11 points of slashing damage shot it. Okay. It takes half of that
  • 124:57 - 125:00
    problem. It's okay. It's okay. All right.
  • 125:02 - 125:05
    And he's going to swoop down and stare right into knots.
  • 125:08 - 125:10
    Oh, maybe you are more useful than I thought.
  • 125:11 - 125:14
    I need you to go ahead and make a wisdom saving toward not my thing. Do it.
  • 125:15 - 125:18
    Counter spelling. Oh no, I'm not going to do it. Just say instead of eight,
  • 125:18 - 125:23
    I also have to see are out of my sight. Charmin Biova.
  • 125:24 - 125:26
    I also have, I'm chai
  • 125:29 - 125:30
    and Oban says
  • 125:33 - 125:36
    this area grows dangerous. Come with me.
  • 125:37 - 125:41
    We've business and he darts down and through the doors,
  • 125:41 - 125:45
    closing them behind him. Oh, we went into the basement, right? Yes. The doors.
  • 125:45 - 125:48
    How can they fall? He's really sending mixed messages.
  • 125:50 - 125:55
    Follow me. Do I follow? Uh, when it comes to, it's not, not your turn.
  • 125:55 - 125:57
    Okay. You're currently charmed by him and you consider everybody else in it.
  • 125:58 - 126:00
    Okay, great. All right.
  • 126:00 - 126:04
    That brings us to a is turn. Yeah. Okay.
  • 126:05 - 126:08
    So standing in the rain, pouring in through the broken window.
  • 126:08 - 126:12
    The cat's claw looms up over my head and hopefully slashes the shit out of the
  • 126:12 - 126:16
    conscious in front of me. Okay. Oh natural one.
  • 126:20 - 126:20
    [inaudible]
  • 126:20 - 126:25
    Oh yeah, sorry Travis. Let's do, um,
  • 126:26 - 126:30
    and I uh, cursing zoomed in onto my breath and slapped my hands together
  • 126:32 - 126:35
    and I crossed my fingers for good luck and throw
  • 126:38 - 126:42
    here to get, cause I can see his head.
  • 126:42 - 126:45
    I'm trying to right get his head right. I understand.
  • 126:45 - 126:49
    So I would use Hubel he's on the outskirts. If you hit him, I would move.
  • 126:50 - 126:51
    If it's high enough I could say you can,
  • 126:51 - 126:54
    I could say yes to hit him cause he's so tall and on the top you could probably
  • 126:54 - 126:59
    hit him in miss Yasha if you want to. Roger was not worried about that.
  • 127:04 - 127:08
    I was actually trying to get as many of these people as I could without hearing
  • 127:08 - 127:12
    myself and while hitting him to hit the guy near you,
  • 127:12 - 127:15
    it'll also hit not in him, so you'll still have to hit everything.
  • 127:15 - 127:19
    But the guy who's up next to you, I don't know why not. Is not, is right there.
  • 127:19 - 127:22
    No, I ain't. No, no. So if you're doing this, then you have to go after.
  • 127:22 - 127:27
    Not as well. It's a common enemy. That's true.
  • 127:27 - 127:31
    I'm doing it because I hit both the Asha and nut. He's my reaction.
  • 127:32 - 127:36
    Oh, but this is an Asian man. Yeah. It's been really damaged.
  • 127:42 - 127:43
    This isn't complicated.
  • 127:43 - 127:48
    It's not any points of [inaudible] lacking hand rolls a, Oh,
  • 127:48 - 127:49
    what was the 19?
  • 127:49 - 127:53
    No failure. He thinks, but he gets caught in that because it's resistance. No,
  • 127:53 - 127:57
    he's listed as distances. [inaudible] 30, 32. The laughing tan he's,
  • 127:58 - 128:01
    he's taking hits. Um, all right, so against,
  • 128:03 - 128:07
    uh, 30 30 points are you raging? Does that even
  • 128:08 - 128:11
    fire is fire even if both these guys succeed, let's do have spotter or water.
  • 128:11 - 128:14
    They explode and burn out of the way. A physical day. My motto,
  • 128:15 - 128:17
    um, well their wisdom saving throws
  • 128:19 - 128:21
    [inaudible] um, that guy next to you,
  • 128:23 - 128:28
    he pulls a 16 plus one 17.
  • 128:29 - 128:33
    Uh Oh, he saves. Okay. Yeah. That's DC 17.
  • 128:33 - 128:34
    So he takes,
  • 128:40 - 128:41
    he's already taken a hit though, right?
  • 128:43 - 128:47
    I don't remember mine. I think he ran over, he was a spiritual weapon guy.
  • 128:48 - 128:51
    [inaudible] destroy human over. So you have not hit him yet yet?
  • 128:51 - 128:55
    I don't think I got it. Okay. I got hit by something.
  • 128:55 - 128:57
    I feel like everybody has been hit by something.
  • 128:58 - 129:02
    Maybe not might've been hit by the last fireball, but he couldn't go down.
  • 129:02 - 129:06
    He was over here. Rush ran and ran over here. And then like Dasha
  • 129:06 - 129:07
    to catch up though.
  • 129:08 - 129:13
    I'll say I'll save the term for the bank for the [inaudible] sure. He had,
  • 129:13 - 129:14
    he's probably taken a head.
  • 129:14 - 129:18
    And that damage you took from this was almost all our Sue's hit points based on
  • 129:18 - 129:22
    what he had anyway, so he is disintegrated from that. And then something
  • 129:24 - 129:28
    got shot and not getting enrolled. Next 30 saving trips please. Gotcha.
  • 129:28 - 129:32
    You do not see its source. So you do not have advantage on this.
  • 129:32 - 129:33
    Now I will make my wisdoms.
  • 129:34 - 129:37
    This is not for the fire that I'm saving against right now. Right. Yeah.
  • 129:38 - 129:42
    This is saving against the fire. Yes. Oh, 2121. Yeah, sure.
  • 129:46 - 129:47
    Uh, that would be, uh,
  • 129:49 - 129:51
    21, 21, 15 points of fire damage to each of you.
  • 129:52 - 129:54
    You take none though cause you have a vision. So I'm going to add it back in.
  • 129:56 - 130:00
    Roll against the dominates spill on your car. Oh,
  • 130:01 - 130:04
    you got my girl. This isn't a spout. This is an ability.
  • 130:05 - 130:10
    And even then he didn't take any damage cause he's visitation. All right,
  • 130:11 - 130:12
    I'm going to move. Stay put.
  • 130:13 - 130:15
    That guy's calling a,
  • 130:15 - 130:20
    I'm going to come out this way past the hand over by that window so I can get
  • 130:20 - 130:25
    eyes on the field. Yeah. Okay. And then I got to show her the full view.
  • 130:38 - 130:40
    Caleb is his dad has done this one.
  • 130:41 - 130:45
    Cultists that remains here is going to go ahead and attack the,
  • 130:46 - 130:50
    uh, the other one doing there with two tight ends. One of them hits.
  • 130:52 - 130:52
    It's gonna do.
  • 130:57 - 130:59
    Okay. That was looking hurt too.
  • 131:01 - 131:02
    Uh, also these two doors.
  • 131:02 - 131:07
    Oh God. Yeah, those guys. Cool.
  • 131:07 - 131:10
    Those doors really open. That's pretty cool. And then
  • 131:17 - 131:19
    [inaudible] come through. What would you put them with different dishes?
  • 131:22 - 131:22
    30
  • 131:25 - 131:26
    building.
  • 131:30 - 131:33
    Once an accident was going to rush up to a pincer, uh, Puma.
  • 131:37 - 131:40
    Alrighty. Go cloaks all costs.
  • 131:42 - 131:44
    [inaudible] anyone down? Oh, we also have one guy taking you over.
  • 131:44 - 131:49
    There is a tax against you.
  • 131:49 - 131:52
    The disadvantage, the patient ends up just getting stuff for someone,
  • 131:53 - 131:54
    but in critical, Oh,
  • 131:54 - 131:59
    so said that rings to 15 myths and miss snippets missed. What was the nineties?
  • 131:59 - 132:01
    Always just them three now [inaudible]
  • 132:04 - 132:05
    Oh, okay.
  • 132:06 - 132:10
    I'm going to just kind of slip the guy behind me and as I am dodging him,
  • 132:11 - 132:13
    as I slip, I'm going to come around,
  • 132:13 - 132:17
    crack up or cut to the loving hand with my lightening fist and then I'm going to
  • 132:17 - 132:20
    slip again and go for his kidney. That's
  • 132:22 - 132:23
    ours mouse.
  • 132:28 - 132:28
    Oh, okay.
  • 132:29 - 132:33
    Pop pop two attacks 22 and 27 Ooh.
  • 132:33 - 132:34
    Both hit
  • 132:34 - 132:35
    good old damage
  • 132:38 - 132:42
    balls. Crap. 12 plus five.
  • 132:42 - 132:46
    So 1717 damage. Stunning.
  • 132:46 - 132:49
    Actually stunning strike. So I'm gonna check on that first one
  • 132:55 - 132:55
    14
  • 132:57 - 132:59
    miss or say say did. He does I get works.
  • 133:01 - 133:02
    That was a ride there.
  • 133:08 - 133:11
    [inaudible] second, third home and in the Viper [inaudible]
  • 133:13 - 133:13
    [inaudible]
  • 133:13 - 133:16
    that first hit you punch. It's weird.
  • 133:16 - 133:18
    You fought him previously and it was like hitting solid rock.
  • 133:18 - 133:22
    As you punch it has give to it and your hand almost feels like stuck.
  • 133:22 - 133:25
    Almost like the flesh is turned to a like a, like a thick, rubbery molasses.
  • 133:25 - 133:27
    And as you kind of like pull your hand out,
  • 133:27 - 133:31
    whatever you guys did to him or whatever he did to the PERMA heart definitely
  • 133:31 - 133:32
    fucked him up in
  • 133:32 - 133:34
    some ways. Mercy killing. Really.
  • 133:35 - 133:36
    All right, y'all blows.
  • 133:37 - 133:38
    All right.
  • 133:38 - 133:42
    Doing it again with advantage first pop
  • 133:44 - 133:46
    20 to 22 hits a second clock.
  • 133:48 - 133:49
    Oh,
  • 133:49 - 133:54
    what if you roll in natural one, but it's, but it said no,
  • 133:54 - 133:55
    no, 17,
  • 133:55 - 133:59
    17 does not hit. Okay. Okay, so one,
  • 134:01 - 134:03
    um, another nine damage damage.
  • 134:03 - 134:08
    You should see like the eyes kind of go loling a bit and he's,
  • 134:08 - 134:13
    he's looking to hurt and he's stunned. Yes, he is. All right.
  • 134:13 - 134:17
    That brings us to gotcha. Okay. Question.
  • 134:17 - 134:20
    Am I able to attack? Not, not.
  • 134:20 - 134:24
    She is not on your side, so no, not as a friend. Okay.
  • 134:24 - 134:29
    So you're used to Oban taking, uh, taking other people's wills for his own.
  • 134:29 - 134:33
    So now the closest enemy to you is okay. So, um,
  • 134:33 - 134:38
    or Caleb both within your reach, doesn't seek out. Does he kill him?
  • 134:38 - 134:43
    Caleb moved into her vision, so yeah. Okay. So I see, uh,
  • 134:43 - 134:46
    Beauregard and I am going to slowly start walking towards her
  • 134:48 - 134:51
    and move up the steps. It's holding the blade
  • 134:53 - 134:57
    as far as you can see. Yahshua arrive. It's kind of up.
  • 134:57 - 135:00
    It's above the top of the stairs. Just getting gorger at her side a long time.
  • 135:00 - 135:05
    Nosy, raging and reckless. Okay. That's a shit
  • 135:07 - 135:12
    that's so bad. Ooh, that's a 19. That's a credit.
  • 135:16 - 135:21
    Okay. Um, the national 19 it was a natural 19. Yeah, it's a crib.
  • 135:21 - 135:26
    It's gonna be wardrobe. Nope, I flurry of blows.
  • 135:29 - 135:31
    Okay, so
  • 135:38 - 135:41
    next round it feels like this flight's been going on for two hours.
  • 135:42 - 135:44
    It has been almost
  • 135:47 - 135:51
    a, that would be 1515 damage. And then that's,
  • 135:52 - 135:55
    that's are the extra D six, right? That's with the extra D six,
  • 135:55 - 135:58
    doubling the dice and then adding your tech modifier. Well, doubling,
  • 135:58 - 136:03
    that would be a, Ooh, double the dice. Yeah. Yes.
  • 136:03 - 136:06
    So that'd be 20. So 20 like 20 points of damage. Total.
  • 136:08 - 136:11
    Uh, what was the wrong one? So, sorry, the number you just said. 25,
  • 136:11 - 136:15
    25 points of damage from Yahshua's first drive. Oh, you're out. I know,
  • 136:15 - 136:20
    but regard falls. Sorry. 27. That's a lot of mat.
  • 136:22 - 136:27
    Sorry. 55. I was getting up. Just kidding. She's out.
  • 136:27 - 136:31
    You guys watch as Beauregard.
  • 136:33 - 136:35
    Suddenly it just falls down with a blow of Yaddo
  • 136:36 - 136:37
    your second attack.
  • 136:45 - 136:49
    Manage your reckless and okay.
  • 136:52 - 136:56
    Instantly to death. Save fails. Right when she hits you again. Fuck.
  • 136:56 - 137:00
    What are you going to hit her against? 21 five. So you feel to death saves you.
  • 137:01 - 137:02
    Asha cuts bow down,
  • 137:02 - 137:04
    she falls to the ground and you watch her step up and take the skin.
  • 137:04 - 137:05
    Gorger and just [inaudible]
  • 137:06 - 137:11
    it evokes imagery you've seen once before. Oh, Oh,
  • 137:14 - 137:19
    Oh no. Okay.
  • 137:24 - 137:27
    Right. Yeah. Uh, uh, uh,
  • 137:28 - 137:32
    do you want to move or Mmm. Mmm. Mmm.
  • 137:33 - 137:37
    You still have more movements if you want to use 15 movement feet or 15 feet to
  • 137:37 - 137:40
    get to her so you can move another 20 if you want.
  • 137:41 - 137:42
    Yeah. I,
  • 137:43 - 137:48
    I S start having tears rolled down my face and I slowly turn around and I start
  • 137:48 - 137:51
    walking down the stairs towards [inaudible].
  • 137:55 - 137:59
    Gotcha. Just comes towards you blade at the side of tears down her face.
  • 138:00 - 138:02
    All right. That finishes your turn. You off your Ford, it's your go
  • 138:02 - 138:07
    welcome back Ashley to 10 saves two to death fails. Yeah,
  • 138:07 - 138:09
    that totally changes. And I was expressing
  • 138:11 - 138:15
    a shit. So she's standing between me and Bo. Yeah,
  • 138:17 - 138:19
    right on the fly. On the fly.
  • 138:27 - 138:32
    We've got a long time before your turn. Okay. Very long time.
  • 138:32 - 138:33
    [inaudible] seconds.
  • 138:33 - 138:37
    But a lot of things can happen like other things attacking me in that
  • 138:38 - 138:43
    [inaudible] before I show that after all right. Yeah.
  • 138:43 - 138:45
    How would you look at y'all show walking towards me.
  • 138:45 - 138:48
    I'm going to hold my hand out. Say, tell me.
  • 138:48 - 138:52
    You can hear me and I will cast innervation.
  • 138:53 - 138:56
    Yasha I've never heard that word in my life.
  • 138:56 - 138:59
    And [inaudible] is innervation.
  • 139:00 - 139:04
    It is a tendril of inky darkness reaches out from your touching your creature.
  • 139:04 - 139:06
    You can see within range to drain life from it.
  • 139:07 - 139:11
    It must make a deck saving throw of 17 all right. Go ahead and make a
  • 139:13 - 139:16
    make a deck saving throat. You do have it. I have advantage of it.
  • 139:16 - 139:18
    Even if I don't know what it is.
  • 139:19 - 139:22
    There is a barbarian arguing against your raging
  • 139:24 - 139:29
    Jackson effects that you can see while not blind it. Okay.
  • 139:29 - 139:33
    So that would be 14 first ones
  • 139:35 - 139:40
    and 14 both. So that's a fail, right? Yes. Getting rid damage, right?
  • 139:40 - 139:44
    Dead. No, you killed her. She takes 48 necrotic damage.
  • 139:49 - 139:49
    [inaudible]
  • 139:49 - 139:54
    can you take 21 points in necrotic damage and I take 11 points of healing.
  • 139:58 - 140:00
    Oh, that's pretty tick.
  • 140:02 - 140:04
    As for does this reach out and grasps his fingers.
  • 140:04 - 140:09
    Suddenly the shadows bite into like the teeth and the pain chugs through your
  • 140:09 - 140:11
    body and the blood forces. The blood pulls out.
  • 140:11 - 140:15
    It kind of all shoots towards Ford and you watch his wounds begin to seal.
  • 140:15 - 140:18
    But the shadows stick to you. The spell continues.
  • 140:18 - 140:22
    There's the slightest look of red leaf
  • 140:25 - 140:26
    Ford. Is that your turn?
  • 140:27 - 140:30
    Uh, I, I still behind me, right? Yeah. And Yahshua's within melee range now.
  • 140:31 - 140:32
    Yup. Yeah, I'm not going anywhere. Alright,
  • 140:33 - 140:36
    pull month's turn poo months now being flanked by two guys and it's like,
  • 140:37 - 140:39
    all right, this is problematic
  • 140:42 - 140:46
    and it's going to go ahead and begin to cast a spell cause he reaches back
  • 140:46 - 140:50
    behind through a uh, a short sword and his sheath behind him.
  • 140:50 - 140:52
    And as he pulls it out, he begins casting,
  • 140:53 - 140:58
    muttering under his breath and you watch as suddenly his body begins to swell in
  • 140:58 - 140:59
    size. You watch his muscles,
  • 141:02 - 141:07
    he grows about three feet hoping to say keep going and his,
  • 141:07 - 141:10
    his road can a poles, Holtz style the edges of his body.
  • 141:11 - 141:16
    His short sword now emits this kind of force energy around it and Puma is now
  • 141:17 - 141:21
    hulked out between the two of them. Did we, we want to say together three, two,
  • 141:21 - 141:22
    one Puma. Swole.
  • 141:27 - 141:31
    [inaudible] hoping there'll be a reason he gains 50 temporary hit points.
  • 141:33 - 141:35
    Just a spell called transformation.
  • 141:38 - 141:43
    He's going to swing towards the cultist to his left with the short sword.
  • 141:44 - 141:47
    50 straight up, Andre the giant
  • 141:51 - 141:55
    hits. He's going to deal six plus
  • 141:57 - 142:00
    eight points of slashing damage plus
  • 142:03 - 142:04
    15 points of force damage and just
  • 142:07 - 142:11
    scatters that cultist to one side spins to swing. It's the other one.
  • 142:17 - 142:17
    [inaudible]
  • 142:17 - 142:18
    for two misses the other one.
  • 142:19 - 142:23
    But do you see ProMat just like completely disintegrate one of them to the blow
  • 142:23 - 142:24
    and the other one, he swings wide up there he goes,
  • 142:24 - 142:26
    freaks out and just turn this toward the
  • 142:28 - 142:29
    door.
  • 142:36 - 142:40
    He's gonna move here and just kind of like spin to turn his way in that
  • 142:40 - 142:43
    direction to the battle. Um, that finishes his turn.
  • 142:44 - 142:47
    It is now just turned two of them. Uh,
  • 142:48 - 142:49
    this one here is going to go ahead and swing.
  • 142:50 - 142:52
    Actually seeing come out like that. It's gonna rush over and strike him.
  • 142:53 - 142:57
    Now that he's the big threat, another one's going to attack you for. Okay. Um,
  • 142:58 - 143:00
    the advantage because I knew that's a clock on that one.
  • 143:01 - 143:06
    That's a eight misses second attack, 20 hits.
  • 143:07 - 143:08
    All right. You
  • 143:10 - 143:12
    take six points of piercing damage.
  • 143:12 - 143:16
    You will take six points of writing and doing fine. That'll destroy him, huh?
  • 143:17 - 143:18
    Oh man.
  • 143:18 - 143:21
    It just scatters off as into these strikes and from behind the sword pulsing
  • 143:21 - 143:24
    with each time you take damage. Um,
  • 143:25 - 143:29
    and the one that's going to be tech poo met. Nope.
  • 143:29 - 143:31
    He misses the first attack
  • 143:32 - 143:34
    and it's with the second one.
  • 143:39 - 143:42
    My, it's eight points a day. Which for a minute. Alrighty.
  • 143:44 - 143:44
    It is now.
  • 143:51 - 143:52
    Yeah.
  • 143:56 - 144:00
    Oh shit. Totally forgot about
  • 144:05 - 144:10
    [inaudible]. What's your [inaudible] perception by the way? Um,
  • 144:10 - 144:12
    has a perception 15, 15. Yeah.
  • 144:12 - 144:15
    You do not even notice until she's right upon you. Like you're looking,
  • 144:16 - 144:19
    looking at this and suddenly just like right in your face and you've stabs you
  • 144:19 - 144:24
    right in the gut or attempts to do at least, uh,
  • 144:24 - 144:28
    that's going to be 24 to hit Jesus H fucking
  • 144:30 - 144:32
    suffer. No,
  • 144:33 - 144:35
    it's two of these is all it takes. Yeah.
  • 144:42 - 144:45
    It's not looking good for our heroes guys. No, it's really not.
  • 144:46 - 144:49
    We got one down, 42 points of piercing damage. Let need,
  • 144:50 - 144:51
    just make constitution saving. Throw
  • 144:56 - 145:01
    a 17 plus, uh, three 20,
  • 145:02 - 145:05
    29. Okay. Around, no worries. And the second [inaudible]
  • 145:07 - 145:11
    but I can do some other [inaudible] uh, 18. Ah, Oh,
  • 145:11 - 145:16
    it hits my brand new. She'll shoot a flag the second one below
  • 145:19 - 145:23
    and then she's going to go ahead and, uh,
  • 145:25 - 145:26
    bench back into the floor.
  • 145:27 - 145:30
    Yeah. I get it. A ton of opportunity if you want it. Yeah. Yeah.
  • 145:30 - 145:33
    What am I action? Oh no, I don't really do anything with me.
  • 145:33 - 145:38
    I should get more caster. No. Okay. Gotcha. Whoa.
  • 145:39 - 145:43
    That's a, what is that? I don't know what that, that's a nice,
  • 145:43 - 145:47
    it's awesome is what it is. If I can tell when I'm 14 plus, so
  • 145:50 - 145:51
    [inaudible]
  • 145:51 - 145:55
    22 that that hits good with image
  • 145:57 - 145:59
    extract aspects.
  • 146:02 - 146:05
    Ashley, she's the striker. She vanishes back into the floor. Yes.
  • 146:06 - 146:06
    Here's at the site.
  • 146:09 - 146:13
    Okay. All right. That finishes her turn.
  • 146:14 - 146:18
    Could do SIS in the rock is Oban gone. The Brock is nearest enemy.
  • 146:22 - 146:23
    Oh.
  • 146:26 - 146:29
    Oh yeah. That's sound good. And make you a tax against the Asha.
  • 146:30 - 146:32
    Would you like to have an advantage? Because she'd use reckless strikes. Oh,
  • 146:32 - 146:36
    Jesus. Okay. You want the talent and the bite attack? Yeah.
  • 146:36 - 146:40
    Okay. How do we get rid of this thing?
  • 146:41 - 146:43
    Uh, Duke week, you have to take advantage.
  • 146:43 - 146:46
    That's only a 15 to hit are my classes.
  • 146:46 - 146:48
    1717
  • 146:49 - 146:51
    by the way, I guess I notice now Yahshua is wearing a new breast plate.
  • 146:52 - 146:56
    It has these curled tusk type horns that come off the front and Carver a curve
  • 146:56 - 146:57
    over the shoulders.
  • 146:58 - 147:02
    Whoa, that's bad ass. Whoa, wow.
  • 147:03 - 147:08
    17 cool. Just hit on that. It's half damage though because you've, you're ready?
  • 147:08 - 147:13
    Yeah. 10 so five,
  • 147:13 - 147:18
    five points. Alright. Could use a,
  • 147:18 - 147:23
    I become visible. [inaudible] rock is right there.
  • 147:24 - 147:24
    Does the rock
  • 147:24 - 147:29
    notice me or I mean it's just an attacking
  • 147:30 - 147:33
    [inaudible] with it. I am in bed. That's irritating.
  • 147:37 - 147:42
    No, I can't. I turn visible at the start of my term. Some weird,
  • 147:42 - 147:43
    some weird ability.
  • 147:43 - 147:47
    So first thing I'm going to do is I'm going to cast dispel at level five
  • 147:48 - 147:52
    at the back of Yahshua's neck, fifth level level. Come on,
  • 147:53 - 147:54
    come on. That works.
  • 147:58 - 147:59
    [inaudible]
  • 147:59 - 148:03
    so as you appear and you turn the Veronica heroine Yasha,
  • 148:03 - 148:06
    she spins around blade ready,
  • 148:06 - 148:10
    you see Beauregard over there bleeding to death on the top of the, of the altar.
  • 148:10 - 148:12
    Ford is sitting there desperately backing up.
  • 148:13 - 148:17
    As you focus and concentrate, the light around the cathedral
  • 148:17 - 148:21
    fades and darkness the clouds above.
  • 148:24 - 148:29
    Take the space as you open your hand and concentrate and feel the wild mother's
  • 148:29 - 148:32
    energy course through you. The dispel magic
  • 148:33 - 148:38
    emanates from her neck and you watched the symbol burn bright and shattering as
  • 148:38 - 148:41
    it does, lightning strikes the outside.
  • 148:41 - 148:43
    All of this thing that's windows
  • 148:45 - 148:48
    shattered down into the center of the cathedral. Oh wow.
  • 148:49 - 148:53
    Y'all HSA grabs the back of her neck and for the first time and as long as you
  • 148:53 - 148:55
    can remember [inaudible]
  • 148:57 - 149:02
    I let out a primal scream of of agony and relief and everything and just fall on
  • 149:03 - 149:04
    my knees.
  • 149:11 - 149:14
    Ah, action. That's my action for my bonus action.
  • 149:15 - 149:17
    As I have done my prayer and on my little thing,
  • 149:17 - 149:22
    I'm just going to a turn and a little beetle is going to run up and I'm going to
  • 149:23 - 149:26
    have a, and this one to run up and tap bow on the, on the,
  • 149:27 - 149:31
    on the ankle and spare. The dying is going to be cast.
  • 149:31 - 149:35
    You are stabilized grave clerics,
  • 149:35 - 149:39
    yo Doosan, you fucking die.
  • 149:41 - 149:43
    I'm like, I'm going to see myself already by him.
  • 149:43 - 149:45
    I'm going to keep seeing what's happened.
  • 149:45 - 149:50
    I'm just going to make sure that I'm standing next to Yasha so I'm just going to
  • 149:50 - 149:51
    keep my back to the wall.
  • 149:52 - 149:56
    I'm not gonna move and all right,
  • 149:56 - 150:01
    I'm just going to say, yeah, we got it back. Alrighty.
  • 150:01 - 150:05
    Finishing produces this. Turn the state options. Zero.
  • 150:05 - 150:08
    You are three successes. Three, three,
  • 150:08 - 150:12
    three that you're not on no more or three. That's it.
  • 150:13 - 150:14
    Here you are. You're at zero.
  • 150:15 - 150:20
    Oban washes away and you hear the crackle of funder echoing through the city and
  • 150:20 - 150:21
    you feel the surge of strength.
  • 150:22 - 150:25
    Feel you as the entity that's been trying desperately to help you break through
  • 150:26 - 150:28
    is definitely now at your side.
  • 150:28 - 150:31
    You close your eyes and remember yourself fighting against the chains and the
  • 150:31 - 150:34
    dreams that were given. And as you close your eyes,
  • 150:34 - 150:37
    you see yourself breaking the shackles. You see the influence.
  • 150:37 - 150:39
    No longer holding any sway over your soul.
  • 150:41 - 150:46
    There's nothing but the storm vengeance and hope [inaudible] heavy metal music
  • 150:47 - 150:51
    plays [inaudible] wrapping hands turns. He is done.
  • 150:53 - 150:54
    [inaudible] does nothing cause he's fucking stopped
  • 150:58 - 151:00
    until the end of Bo's. Next turn. Gesture. You're up.
  • 151:03 - 151:04
    Okay.
  • 151:05 - 151:07
    Well I'm going to have um,
  • 151:08 - 151:11
    my duplicate to run up to Bo on the grounds.
  • 151:12 - 151:14
    Oh yeah, I knew it touched you though.
  • 151:14 - 151:15
    Yeah.
  • 151:15 - 151:19
    She's going to kneel down and put both her hands on bows on the side of the face
  • 151:19 - 151:23
    and cast here. Wounds at 'em
  • 151:27 - 151:30
    fourth level and fourth level. Yeah. Okay.
  • 151:32 - 151:33
    It's 48.
  • 151:35 - 151:36
    Okay.
  • 151:42 - 151:43
    Fuck some shit up
  • 151:48 - 151:51
    around 1622 plus
  • 151:54 - 151:57
    27 27 points. That's great.
  • 152:00 - 152:02
    Well, mouths, there's like blood.
  • 152:05 - 152:07
    You look up and the first thing you see is the laughing hand over head going.
  • 152:12 - 152:13
    Oh shit. Shit. Shit.
  • 152:14 - 152:17
    Well the first thing you see is my duplicate. Sure.
  • 152:19 - 152:23
    You are covered in shattered stained glass by the way.
  • 152:24 - 152:28
    Just do, just do, just do,
  • 152:29 - 152:31
    all right. Just through that finish attorney in a move.
  • 152:32 - 152:32
    Uh,
  • 152:33 - 152:37
    yeah, I probably should check windows now are starting to, yeah,
  • 152:37 - 152:39
    I'm going to run. Cool.
  • 152:40 - 152:42
    I'm gonna run over. God,
  • 152:45 - 152:48
    there's nowhere to hide from the stupid chick. Um,
  • 152:48 - 152:51
    but I'm going to come and try to get over here if I can.
  • 152:55 - 152:59
    You've got not going to Jess.
  • 152:59 - 153:02
    I mean Beauregard is prone. Correct?
  • 153:03 - 153:08
    That imposes disadvantage on my attack. Correct. But Oban said to follow.
  • 153:09 - 153:13
    Yes. But I want to bust off a shot before I go. Okay. Go for it.
  • 153:13 - 153:16
    But she's at a disadvantage.
  • 153:16 - 153:18
    The Spanish are on strike against but regard go for it.
  • 153:19 - 153:24
    So I don't get sneak attack. No you do not. And I don't, I'm,
  • 153:24 - 153:27
    I'm too far from anyone who I would have advantage on.
  • 153:29 - 153:30
    Correct.
  • 153:30 - 153:35
    Cause they've gotten Yasha back so there's no clear like favorite to who I would
  • 153:36 - 153:40
    shoot technically a disadvantage that distance. That's disadvantage also,
  • 153:40 - 153:44
    but he has allies next to him. So you would, Oh, that's true. Yasha I'm not,
  • 153:44 - 153:47
    so I would fire with disadvantage on the shot,
  • 153:47 - 153:52
    but I would still get sneak attack if I hit against, c'mon you would? Yes.
  • 153:52 - 153:55
    Actually you can tell we're game against pink. It's got her guard because
  • 153:56 - 153:59
    I duplicate or do you think that might be me? I S I don't know.
  • 153:59 - 154:02
    That's a good question. I S I, I don't know.
  • 154:02 - 154:05
    I don't know what I saw earlier and if I retain that information,
  • 154:05 - 154:06
    I assume I retain that information.
  • 154:06 - 154:08
    I don't know which one is me and which one's triplicate.
  • 154:09 - 154:13
    Should I roll to find out what you want to attack? I if, uh,
  • 154:13 - 154:16
    I would wanna attack the person who I would get most damage on,
  • 154:16 - 154:18
    which would be gestures. If I think
  • 154:18 - 154:22
    it's just as if it's just a roll roll. Rolling intelligence check.
  • 154:22 - 154:26
    You just roll a D 20 a year intelligence modifier. You roll a attentional one.
  • 154:27 - 154:32
    Yeah. You think that's it's gesture.
  • 154:33 - 154:36
    I will attack jester after the attack.
  • 154:37 - 154:38
    Oh,
  • 154:38 - 154:40
    it's terrible. Anyway, it passes through.
  • 154:42 - 154:45
    Oh, so it's fine.
  • 154:45 - 154:48
    Then I'll say, come. Let's leave.
  • 154:49 - 154:53
    I will go down the stairs through the door.
  • 154:56 - 155:01
    All right, well, no, now we've lost. Nod the finishes.
  • 155:01 - 155:03
    NASCO Caleb, you're up.
  • 155:03 - 155:05
    Caleb. Totally arraign soaked and numb.
  • 155:05 - 155:08
    Just starts walking in having seen Beauregard,
  • 155:08 - 155:11
    his good friend get stabbed through, pulled up,
  • 155:11 - 155:15
    walks in directly behind the laughing hand pulls out the cat's cradle,
  • 155:15 - 155:18
    Slatons it into the ground and I cast widow gas.
  • 155:18 - 155:21
    It's web of fire and concentrated on the laughing hand.
  • 155:21 - 155:26
    I'm actually standing in front of the colon that can jump five feet or claim
  • 155:27 - 155:32
    five feet. So it should be able to go up and slam or know his ass fifth level.
  • 155:35 - 155:38
    Uh, so that will be 11 D six 11.
  • 155:40 - 155:44
    Fucking Oh uh, next. Say it for him.
  • 155:46 - 155:46
    Done.
  • 155:46 - 155:49
    He's done it. Which means he automatically fails. Dexterity saving throws
  • 155:53 - 155:54
    good. All those red
  • 156:00 - 156:01
    40, kill it.
  • 156:01 - 156:04
    46 points of fire damage. How do you want me to go?
  • 156:06 - 156:06
    [inaudible]
  • 156:06 - 156:08
    so cat's cradle hits the ground,
  • 156:08 - 156:13
    ring of fire goes and all of the,
  • 156:13 - 156:14
    uh,
  • 156:14 - 156:19
    moats of fire stretch out and converge into one thick five foot wide wall.
  • 156:19 - 156:23
    And like a tsunami of fire just goes, jumps up the steps,
  • 156:24 - 156:28
    climbs up his back and bones his entire backside
  • 156:29 - 156:33
    as the flames in Gulf and the fire is a, is a bond fire. The heat is immense.
  • 156:33 - 156:37
    And Beauregard you have to like when some pull away a bit, it's spurting so hot.
  • 156:37 - 156:40
    He just stands there not reacting.
  • 156:40 - 156:42
    The flames just engulfing the laughter gets louder
  • 156:43 - 156:48
    and louder and louder than center since center and center.
  • 156:50 - 156:51
    And then the flames eventually burn out.
  • 156:52 - 156:55
    He's still just standing in black and body on its feet.
  • 156:55 - 156:59
    Oh wow. Wow.
  • 156:59 - 157:00
    Away from my friends.
  • 157:04 - 157:05
    [inaudible]
  • 157:11 - 157:12
    I'm just going to go.
  • 157:14 - 157:16
    All right. Cultist over there. I was going
  • 157:16 - 157:18
    to go ahead and take it strikes at
  • 157:22 - 157:23
    how much per month? Swole
  • 157:25 - 157:28
    takes 6.0 slashing damage.
  • 157:28 - 157:33
    They're all just like grazing off of him from the temporary hip points. Um,
  • 157:33 - 157:36
    and you watch as two more.
  • 157:36 - 157:38
    Begin to rush him around the corners here.
  • 157:39 - 157:43
    Get this close with their full movement and get in there and you hear skittering
  • 157:43 - 157:44
    noises coming from
  • 157:48 - 157:49
    [inaudible]. I can pull it up.
  • 157:49 - 157:53
    20 guys to run it down. Um, some monsters spawn or somewhere low regard.
  • 157:53 - 157:54
    It's your turn.
  • 157:54 - 157:58
    My turn. Oh, it's my turn. Oh yeah. Oh
  • 158:00 - 158:04
    yeah. I'm going to stand up. So you didn't think of the things concentration on
  • 158:07 - 158:10
    are we going to try and maybe we run for it and I have
  • 158:12 - 158:13
    how we used to do,
  • 158:16 - 158:17
    um, you still have a rock by the way.
  • 158:17 - 158:21
    That has been summoned and is just fighting whatever's nearby. Oh. Um,
  • 158:21 - 158:25
    I didn't use my bonus action for my kitty clock. That's true.
  • 158:25 - 158:27
    What you want to do is I send it over to hit the bronc. Sure.
  • 158:29 - 158:30
    Now in Greek club
  • 158:34 - 158:37
    rock so much. Oh, Nope. I'll roll that. 12, 12.
  • 158:39 - 158:42
    We'll set our mCLASS of the rock. Uh, yeah.
  • 158:44 - 158:47
    Uh, uh, 15, 15. Yeah. Misses the,
  • 158:48 - 158:51
    just most of the block Dodges out of the way. There's two [inaudible]
  • 158:51 - 158:55
    people come in. We've got a lady on the floor.
  • 158:58 - 158:59
    All right.
  • 158:59 - 159:01
    You see not go downstairs?
  • 159:01 - 159:04
    Nope. No. You just come to consciousness and you see you,
  • 159:04 - 159:08
    what you pull back is watching the laughing hand just burn into a cinder. Uh,
  • 159:08 - 159:10
    you wake up, you look up and see gestures, uh,
  • 159:11 - 159:14
    form and you see Yasha over there holding on her knees, holding the skin.
  • 159:14 - 159:18
    Gorger you're covered in stained glass. It's broken. Uh,
  • 159:18 - 159:22
    Caleb walks around the way and kind of just looking intensely in his eyes.
  • 159:22 - 159:27
    Ford is still kind of like the poison still coursing through his body and
  • 159:28 - 159:30
    produce to some other side of the rock who's now like kind of stretching around.
  • 159:31 - 159:36
    I want to kind of still in shock, but an autopilot gonna wipe my mouth.
  • 159:37 - 159:42
    It was kind of assemble as I stagger over to this demon kind of on autopilot and
  • 159:43 - 159:47
    shake my head and jump back in the vape. Go for it.
  • 159:50 - 159:52
    Holding my rim. That's still fucked up.
  • 159:54 - 159:55
    Oh geez. The wheeze.
  • 159:56 - 160:01
    16 and the 1616 pop was the rock. Stacy's 15.
  • 160:01 - 160:05
    No, no, no, no, no. I wanted this guy. Oh, him. I'm sorry. I missed.
  • 160:06 - 160:11
    All right. Go for it. 16, 16 and 16. Okay. Hold on.
  • 160:13 - 160:14
    No, I'm
  • 160:14 - 160:17
    22. Oh man. Total damages. Yeah,
  • 160:17 - 160:19
    he is just splatted.
  • 160:22 - 160:25
    You're just like for one more for good margins. Curbstop bone.
  • 160:26 - 160:30
    I'm still fucked up. Yup. I look up at Puma and I'm just
  • 160:35 - 160:35
    [inaudible]
  • 160:35 - 160:36
    looking good.
  • 160:38 - 160:42
    I appreciate the words of grown produce show.
  • 160:43 - 160:44
    Um,
  • 160:46 - 160:48
    and then just lean on this bench next to me
  • 160:49 - 160:54
    and that's my turn. Okay. You got it. Uh, I'll show you return.
  • 160:54 - 160:56
    Okay. So, uh,
  • 160:59 - 161:02
    feeling a lot of shame and embarrassment. Um,
  • 161:02 - 161:05
    I will turn around to the rock and I will attack the rock.
  • 161:05 - 161:09
    Go for it recklessly. Yes.
  • 161:12 - 161:15
    Oh, that's frustrating. Okay.
  • 161:16 - 161:20
    Oh shit. No, that was cocked. [inaudible] the one and then,
  • 161:20 - 161:25
    and I rolled it to, so a nine total nine to hit? Yeah.
  • 161:25 - 161:29
    First strike misses second attack. Reckless. Yeah.
  • 161:30 - 161:34
    Okay. 1817. Okay.
  • 161:34 - 161:36
    So 18 hits, guttural damage.
  • 161:36 - 161:39
    This is full damage cause it's your first wreck and the term old traditional
  • 161:39 - 161:44
    distance. That's great. Okay. So
  • 161:47 - 161:50
    if you want to remember, you can roll one of the dye if you Savage attacker.
  • 161:50 - 161:51
    Oh yeah.
  • 161:54 - 161:58
    Same 13 points a day. You can watch damage to the Brock. Copy of that.
  • 161:59 - 162:03
    Alrighty. Um, Ford Europe.
  • 162:07 - 162:12
    Uh, yes. Hello. Am I doing? Oh, I'm going to, uh, look at your options.
  • 162:12 - 162:17
    Say I'll take you up on that grief and regret and I will continue to pull a 48
  • 162:18 - 162:22
    product turned out. Yeah, I did. Okay. All right. Go for it.
  • 162:23 - 162:25
    Oh, I want to get what's happening now.
  • 162:28 - 162:33
    19 points of necrotic damage. All right. That's your action and then,
  • 162:33 - 162:38
    and then you feel nine. Yes. Awesome. Well that's cool. That's pretty rad. Yeah.
  • 162:38 - 162:43
    Yeah. That's very more [inaudible] to and I will, I will.
  • 162:44 - 162:45
    All right. Right.
  • 162:46 - 162:51
    Can I move over here behind this pillar? Yup. I just it against it.
  • 162:53 - 162:56
    You got it. Cool. All right. [inaudible] turn
  • 162:59 - 163:00
    pronouns. Kind of seeing you guys looking rugged, rugged.
  • 163:00 - 163:02
    Sees everyone rushing through and goes like,
  • 163:03 - 163:04
    good.
  • 163:05 - 163:09
    There's more guys coming. I'll take care of this.
  • 163:09 - 163:10
    You go ahead.
  • 163:14 - 163:15
    Hands like this.
  • 163:15 - 163:16
    Does you watch win
  • 163:21 - 163:26
    until they whirlwind suddenly pulls up in the middle of the chamber and begins
  • 163:28 - 163:29
    to carve across this way.
  • 163:32 - 163:35
    That doesn't make it hard for things to fly around the room. Maybe
  • 163:37 - 163:41
    I can just suck up the flying creatures,
  • 163:42 - 163:46
    the feathers off of any creature and turn them into like a little Thanksgiving.
  • 163:47 - 163:51
    Turkey, Thanksgiving, 10 foot radius.
  • 163:52 - 163:53
    39 hold on. So
  • 163:58 - 163:59
    here we go.
  • 164:06 - 164:09
    30 feet in direction. So
  • 164:10 - 164:15
    we'll cast it and move. First. Appear here.
  • 164:18 - 164:22
    Uh, 10 15,
  • 164:23 - 164:28
    2025 30 it gets that far. [inaudible]
  • 164:28 - 164:30
    so the wind is whipping and kicking around. Glass.
  • 164:30 - 164:33
    Shards are getting caught up in it and spinning around inside the vortex.
  • 164:34 - 164:34
    The Virago
  • 164:36 - 164:40
    take one attendee. Six pleasure. Let's go ahead and roll a dexterity.
  • 164:41 - 164:44
    Save for the rock. One, one, one, one
  • 164:49 - 164:53
    19. Okay, so
  • 165:06 - 165:09
    14 points of bludgeoning damage and give it a strength saving. Throw up please.
  • 165:10 - 165:14
    No, there's nothing to a straight role, which is a nine,
  • 165:14 - 165:17
    a nine. It is restrained and pulled along with it.
  • 165:20 - 165:22
    It's forced movement as far as movement. Thank you.
  • 165:22 - 165:26
    But the Brocken gets pulled up into the whirlwind and you see giant [inaudible]
  • 165:26 - 165:30
    swole guiding it around the other cultures that are rushing into like chit and
  • 165:30 - 165:31
    they're seeing the warfarin. It's like
  • 165:32 - 165:35
    go, we get out of here. We want us to move up the property and go.
  • 165:35 - 165:38
    I have to go get it. Go critical. All right. There's them.
  • 165:40 - 165:43
    Oh wait. Oh no. Oh no.
  • 165:45 - 165:48
    I think it's the inevitable end. Stern. She could also join them.
  • 165:49 - 165:50
    She might've already gone.
  • 165:54 - 165:58
    She doesn't show up. Shit produces.
  • 166:00 - 166:05
    Um, how many feet am I from? We'll see what the purposes of the narrative here.
  • 166:05 - 166:09
    They're very focused on Puma and the whirlwind. I was, you guys could do,
  • 166:10 - 166:10
    I was going
  • 166:10 - 166:12
    to say, do I need to use my action as well or am I okay?
  • 166:13 - 166:16
    U S or probably wants to use your action to dash. Okay, I'll try.
  • 166:16 - 166:17
    I'll dash 30 minutes.
  • 166:20 - 166:24
    We all run by and bitch slap nut as we go by. And try and snap road.
  • 166:25 - 166:28
    Can we still bitch leper? Do the Sam on the break.
  • 166:33 - 166:37
    As you all begin to dart through the door into the below chamber,
  • 166:37 - 166:42
    you had the doors open lightless below staircase that descends.
  • 166:45 - 166:47
    Oh, goes forward to what is your marching order?
  • 166:49 - 166:50
    Well, whoever would get there first,
  • 166:51 - 166:54
    it would be you take a little bit for gesturey and caught up to you guys.
  • 166:54 - 166:56
    So you guys are waiting up for gesture once.
  • 166:56 - 166:59
    Once we're in there and we're going to get everybody in and I'm going to try and
  • 166:59 - 167:04
    barricade the door, the door. Okay. The second position. I'll take the charge.
  • 167:04 - 167:08
    I'm right. I think I'm closest. Okay. Just little words taking the charge.
  • 167:08 - 167:09
    I should,
  • 167:10 - 167:14
    I'll go behind the other two but my partner is down below. Oh,
  • 167:14 - 167:18
    you're talking handles. I do. Caleb. Uh, yeah, I'm two.
  • 167:20 - 167:21
    Alright.
  • 167:21 - 167:25
    Did you guys dart and close the door behind gesture? Who's the last one through?
  • 167:26 - 167:28
    You began to barricade it and there is like a,
  • 167:28 - 167:32
    a barricade point that comes down. It's a little flimsy. Um,
  • 167:32 - 167:33
    but if you have anything else you want to add to it,
  • 167:34 - 167:36
    that would possibly be, is a, is there a key hole in there at all?
  • 167:37 - 167:41
    We don't have the dagger. Yeah, she's got not has the thing. Oh, Oh,
  • 167:41 - 167:43
    I'm looking at you like you're with us. Oh, are we still going?
  • 167:44 - 167:46
    Are we doing a new initiative and we go down there or it might bring what
  • 167:46 - 167:48
    happens? Probably initiative initiative.
  • 167:48 - 167:51
    Once you guys got through this door and closed it, combat for you has ended.
  • 167:52 - 167:53
    So
  • 167:53 - 167:57
    do you wish to barricade anything else? Um, for all of us?
  • 167:57 - 167:59
    As in did you guys have gotten a room and closed it?
  • 167:59 - 168:01
    We're gonna put the thing down. You're not [inaudible]
  • 168:03 - 168:06
    the other side and people yelling and creatures screaming.
  • 168:08 - 168:10
    Um, [inaudible] on. Was that, do you know
  • 168:12 - 168:16
    if not faster than us? Anyone can use the lash. It doesn't work. Um,
  • 168:16 - 168:19
    lightening gloves are technically, so I'm going to take a moment to, uh,
  • 168:19 - 168:23
    use minor on command. Turn the wooden barricade slat to stone.
  • 168:24 - 168:25
    Oh, okay. I see.
  • 168:27 - 168:29
    It turns into solid stone blocking the doors.
  • 168:29 - 168:30
    It'll hold for holdings that last for
  • 168:31 - 168:34
    uh, I have to, Ooh, I have to spend time doing it. Um, okay.
  • 168:35 - 168:37
    How about much once we get down the steps a little bit,
  • 168:37 - 168:42
    I'm going to use the wand on the floor riser underneath the doors so that
  • 168:42 - 168:45
    anything coming through will slip and fall. At least how long you have
  • 168:47 - 168:50
    10 10 minutes to do it right as we get, well, if you're going to do that,
  • 168:51 - 168:53
    and I can, I can run a, I can run a mass healing for 10 minutes.
  • 168:53 - 168:56
    If we take 10 minutes, we'll let them have 10 minutes. Do both of it.
  • 168:56 - 168:58
    We're going to, yeah, we can do both. The one
  • 168:59 - 169:02
    sharing to focus and turn it to stone. You're going to cast masculine.
  • 169:02 - 169:06
    I'm going to cast masculine. Uh, I'm going to catch prayer of healing. I mean,
  • 169:06 - 169:08
    excuse me, since we're doing that, let's do that at
  • 169:08 - 169:12
    a, let's do that at fourth level bucket. Someone's kind of down.
  • 169:13 - 169:16
    So they'll also be able to like, is the, is the door made of stone or metal or
  • 169:18 - 169:22
    the, the door that we just shut the door. Just ask me to guest to be metal?
  • 169:22 - 169:25
    No. Okay. Okay.
  • 169:28 - 169:31
    1919 points to everybody.
  • 169:36 - 169:40
    [inaudible] you hear the demons keep coming 19 points seven. Um,
  • 169:41 - 169:45
    but that's yeah, that's somebody else's problem.
  • 169:46 - 169:51
    [inaudible] Bo is in front of me and I will very sheepishly over Coburn my hand
  • 169:52 - 169:57
    over where I stopped her and I will cast healing hands.
  • 169:57 - 170:02
    Oh. And um, so to start an extra 10 hit points, I'll say again,
  • 170:02 - 170:07
    he couldn't have like backed up and still controlled the wind and come in with
  • 170:07 - 170:10
    us is enormous. Giant.
  • 170:11 - 170:14
    Did you want to reopen the doors and check and see? No.
  • 170:14 - 170:18
    We'll keep going and not sternal do iron. We'll make that slap iron.
  • 170:19 - 170:22
    Okay. You got it. Reopened it before we turn them this stone
  • 170:24 - 170:25
    if you want to open the door.
  • 170:27 - 170:30
    But it's Torah told us to go. He told us to go.
  • 170:32 - 170:33
    How many were in there with him?
  • 170:39 - 170:43
    Right? There's like four of them. It's cool. He's got back there. Awesome.
  • 170:45 - 170:47
    So how much do they let everyone heals? 19 points. Everybody.
  • 170:48 - 170:49
    Everyone heals anything. Any points. If you have marked it already,
  • 170:49 - 170:51
    is there any other healing skills? We'll get her.
  • 170:51 - 170:54
    Should we be drinking puppies or are we also going to take a short Rose?
  • 170:55 - 170:58
    We're not taking a short rest. I was going to say if we're taking a short rest,
  • 170:58 - 171:01
    and I did not pull that that fucking spell cause that's, yeah,
  • 171:01 - 171:05
    but like I drink my drink, the functions,
  • 171:06 - 171:07
    I don't know how long those, those ain't while
  • 171:09 - 171:12
    I was a plus four to these things. It right to the regulars,
  • 171:14 - 171:16
    so it's four plus four.
  • 171:18 - 171:23
    The regulars are plus two plus two plus four and the big one is plus eight.
  • 171:26 - 171:31
    All right. I look at the ocean, I'm like,
  • 171:31 - 171:33
    sorry. And I fall more. No,
  • 171:36 - 171:38
    I actually, I have, I don't know where my physical one is.
  • 171:38 - 171:42
    I think I can do a portion of [inaudible]
  • 171:44 - 171:48
    rather than just a regular, like super low. I'm 20 points down.
  • 171:49 - 171:53
    I'm 51 points down. Even after that. Oh wow.
  • 171:55 - 171:58
    I'm going to go and close forward and I'm going to cast that. Oh my God.
  • 171:58 - 172:03
    First level care was, sorry that I don't actually here
  • 172:05 - 172:06
    or should we save
  • 172:06 - 172:09
    it for a like a Metta Metta medivac thing.
  • 172:10 - 172:13
    I mean potions or potions. Once you go down you can't use it.
  • 172:14 - 172:17
    I mean like a spell spelled. Yeah.
  • 172:18 - 172:19
    As you guys, I'm waiting here.
  • 172:19 - 172:22
    You hear like the wind died down after a lot bile outside
  • 172:24 - 172:28
    and then you hear like there's battle just going the whole time.
  • 172:28 - 172:31
    You guys are resting here. You finish, you've healed.
  • 172:32 - 172:34
    You've taken that moment to seal the door with iron.
  • 172:34 - 172:39
    You guys moving on. It's only okay Yasha make his,
  • 172:40 - 172:44
    yeah, there's no way. I mean, okay, wait, what?
  • 172:44 - 172:46
    So [inaudible] out there.
  • 172:47 - 172:48
    Alright, but what were you saying?
  • 172:51 - 172:53
    Good to have you back like back.
  • 172:55 - 172:59
    I'm very sorry. I did not know what I was doing.
  • 173:01 - 173:02
    Marina,
  • 173:08 - 173:11
    please forgive me. I don't know how I can
  • 173:12 - 173:15
    make any of you trust me again because I don't even trust myself.
  • 173:18 - 173:19
    It will hug Yasha around the waist.
  • 173:23 - 173:24
    Thank you Chester.
  • 173:28 - 173:32
    Stop by helping us kill this fucking, yeah,
  • 173:32 - 173:34
    well we'll talk later.
  • 173:35 - 173:40
    No, it's not like a place. We have a job to finish. I start walking
  • 173:41 - 173:46
    as you all follow suit with Mellon heading down the 10 foot wide descending
  • 173:46 - 173:50
    space into the depths beneath the Chen tree. Of the Dawn. We're thinking
  • 173:53 - 173:58
    three hour plus. Wow.
  • 173:58 - 174:00
    First vivid nervous
  • 174:04 - 174:07
    [inaudible] first, so we'll see what the next stage is here,
  • 174:08 - 174:12
    like 14 points, so it's great. Good. We'll be back here in a few minutes.
  • 174:12 - 174:14
    In the meantime, we do have our giveaway tonight.
  • 174:15 - 174:19
    That was a longer first half than last weeks. Yeah,
  • 174:19 - 174:24
    that was, that was a confrontation and I was thrilled. Sure.
  • 174:26 - 174:29
    The purple heart dice tray or the scam and special if you will,
  • 174:29 - 174:33
    going to one lucky winner in the chat room. The code name tonight is storm.
  • 174:34 - 174:38
    Put it in once, not more than one. So we have disqualified us and Canada only.
  • 174:38 - 174:39
    It's going to go back because the stupid laws,
  • 174:40 - 174:42
    we'll have a winner for you shortly.
  • 174:46 - 174:47
    Perfect.
  • 174:50 - 174:52
    But you need a place to track
  • 174:55 - 174:57
    your click to open your web page
  • 175:00 - 175:03
    and narrow your, get some button.
  • 175:30 - 175:31
    [inaudible]
  • 175:33 - 175:35
    Hey, what's up critters? It's Glen with OSD.
  • 175:35 - 175:40
    I just wanted to send you all a thank you message and my gratitude for all the
  • 175:40 - 175:41
    hard work so far this month.
  • 175:41 - 175:46
    The critters thus far have raised enough money to be able to impact over 400
  • 175:46 - 175:47
    veterans. We're here in our warehouse.
  • 175:47 - 175:50
    We're putting together additional supply drawers for our troops overseas,
  • 175:50 - 175:54
    including a million cups of coffee, video games, lots of board games.
  • 175:54 - 175:55
    As you can see,
  • 175:55 - 175:59
    as well as putting together different supplies for our chapters that they're
  • 175:59 - 176:01
    doing out in the local community, whether it's underprivileged kids,
  • 176:01 - 176:03
    it's the homeless, all these different things.
  • 176:03 - 176:07
    We're being able to make happen for veterans by veterans and with veterans
  • 176:07 - 176:10
    because we know that service to one's community is so gosh darn important.
  • 176:11 - 176:13
    So thank you again. If you want to continue to support,
  • 176:13 - 176:16
    visit [inaudible] dot com slash OSD that's crit
  • 176:19 - 176:22
    roll.com/osd we've still got half the month to go, so if we've hit 400 now,
  • 176:22 - 176:23
    let's push it.
  • 176:23 - 176:26
    Let's try to do 800 and let's really make a difference as we head through
  • 176:26 - 176:30
    Thanksgiving into Christmas and into 2020 thank you again
  • 176:32 - 176:34
    last time on tox Maki. Now,
  • 176:34 - 176:39
    do you know what I just thought of what three years ago tonight?
  • 176:39 - 176:41
    Yeah. This show first premiered.
  • 176:43 - 176:47
    It's kind of our birthday. It's our three year's fucking unreal birthday.
  • 176:47 - 176:48
    He's pretty crazy.
  • 176:49 - 176:52
    Totally like message us about messaged us about it this morning and then I
  • 176:52 - 176:56
    totally forgot. But it's so, it's so lovely. Like I,
  • 176:57 - 177:01
    I'll say, I'll be the first to say, I didn't think this show made sense at all.
  • 177:01 - 177:06
    Do you think it is now? What is, what has changed? Well, I thought like, Oh,
  • 177:06 - 177:07
    just let it play out at the table.
  • 177:07 - 177:11
    Who's gonna want to listen to us talk about our bullshit character shit that's
  • 177:11 - 177:14
    in our heads. I was wrong.
  • 177:15 - 177:17
    Do cuddle fish where I remember cuddles.
  • 177:29 - 177:34
    That's one of my favorites. Favorites. It's hard to beat. Okay.
  • 177:34 - 177:35
    They're all your questions.
  • 177:41 - 177:42
    Ooh,
  • 177:42 - 177:43
    Ooh. Watching gestures.
  • 177:43 - 177:46
    Late night conversation with the gentleman was really moving noxious for the
  • 177:46 - 177:47
    wonderful RP.
  • 177:47 - 177:50
    But also there are those of us in the community who can connect to having an
  • 177:50 - 177:54
    absent parent. What was your experience sitting at the table during that? Let's
  • 177:54 - 177:55
    see.
  • 177:55 - 178:00
    So you being a front row and like experimental black box with a world-class
  • 178:02 - 178:02
    actor.
  • 178:02 - 178:04
    God, so good. So fucking [inaudible].
  • 178:05 - 178:08
    Yeah, we've talked about this before. Laura is good.
  • 178:08 - 178:12
    Just nominated for an award in the gaming industry today. Um,
  • 178:12 - 178:15
    I've said 20 times. My favorite actor.
  • 178:16 - 178:20
    That's the end of the sentence. Um, yeah. Yeah. Laura is a fucking
  • 178:21 - 178:26
    great to watch men up close and you got the like the subtleties of her like
  • 178:26 - 178:30
    crying pretty much the second the gentleman rejected her when we were all
  • 178:30 - 178:35
    sitting there were when we were all talking to him initially because as soon as
  • 178:36 - 178:37
    she starts with that,
  • 178:38 - 178:43
    then you have to go through the process of like and see the adjusters crying.
  • 178:45 - 178:49
    Bo knows she's kind of in a conference room with
  • 178:51 - 178:53
    in the middle of an important conversation.
  • 178:54 - 178:58
    You kind of have to be focused at these things and ha I dunno.
  • 178:58 - 179:02
    It's just so good. It just, she's great at adding layers. It's fucking awesome.
  • 179:04 - 179:06
    Just phenomenal actor. Great moment
  • 179:06 - 179:10
    for this in this campaign. People will definitely highlight for sure.
  • 179:10 - 179:14
    Don't let her see this episode of tox mock and it could because if she hears us
  • 179:14 - 179:17
    compliment her like that, she will be intolerable for two weeks.
  • 179:18 - 179:22
    Has never seen episode of the show the shoe that she wasn't on. Yeah.
  • 179:25 - 179:28
    Cause she's new. Yeah. Winter for this week was sent in by
  • 179:30 - 179:34
    Christina Silva. So at Xtina is crafty. Let's take a look.
  • 179:40 - 179:42
    Oh wow.
  • 179:45 - 179:49
    Every single one. Yeah, that's crazy. All the same girl. Yeah. Gotcha.
  • 179:49 - 179:54
    Oh my God. I think the Ford is my favorite in the lineup, but
  • 179:56 - 180:00
    yeah, but look at the knot and the Kayla. Darryl.
  • 180:02 - 180:04
    Hey, that was really good. Dick Chez.
  • 180:06 - 180:11
    Mimi Vizio. [inaudible] it's a cool theme.
  • 180:12 - 180:14
    He was me. It sounds like, it sounds like,
  • 180:14 - 180:18
    it sounds like a guy who like was he was sure he, his, his,
  • 180:18 - 180:21
    his scenes weren't cut out of the Sopranos and his friends,
  • 180:21 - 180:25
    his friends were like, wait, what character did you play? He's like,
  • 180:25 - 180:30
    my guy's name was Mimi VZV. They're like, nah man, they cut your shit.
  • 180:30 - 180:35
    He's like, nah, it's the man. Tony looked at me and he said, more waffles.
  • 180:35 - 180:38
    We're just going to get out of the way at the start long.
  • 180:38 - 180:41
    Has Bo liked gesture in a more than just friends type
  • 180:41 - 180:44
    of way and why drop that bomb now?
  • 180:47 - 180:48
    Mm mm mm.
  • 180:51 - 180:52
    Good answer so far.
  • 180:53 - 180:58
    I'm maybe words I have been obviously like in this question,
  • 181:01 - 181:04
    cause you times and thinking about it two or three times
  • 181:06 - 181:07
    all week.
  • 181:07 - 181:11
    Well all weekend and up until now of how I'm going to answer it.
  • 181:12 - 181:17
    And it's hard because there's no real defining moment.
  • 181:18 - 181:21
    You've been through this before. I have,
  • 181:21 - 181:25
    I don't remember how it started and campaign just happened. It just happened
  • 181:27 - 181:31
    like relationships funny that just,
  • 181:32 - 181:37
    it's still do something and it kind of cocks your head and you're like,
  • 181:37 - 181:41
    Oh fuck, that was cute. And then you kind of go like, Hmm.
  • 181:42 - 181:46
    And then you forget about that and then something else happens and then they
  • 181:46 - 181:47
    build and then they build.
  • 181:47 - 181:51
    So you're saying it's been more of a series than it is just the one moment that
  • 181:51 - 181:54
    you can point to and say it was right here where I went like let's fuck,
  • 181:56 - 181:59
    I'm joking. I'm joking. But you know what I'm saying? But yes,
  • 182:01 - 182:03
    I understand. Okay. I'll be sure to watch that one.
  • 182:03 - 182:07
    No, it's nothing. It's nothing sexual in this.
  • 182:08 - 182:10
    Yeah, right. Danny. Danny pointing out,
  • 182:10 - 182:14
    you guys only level up after someone has sex. I want to level up now. Make it,
  • 182:15 - 182:17
    yeah, exactly. Exactly.
  • 182:20 - 182:21
    I will sleep with someone.
  • 182:21 - 182:24
    Every episode means we can be at level 20 straight up and 10 weeks straight up.
  • 182:27 - 182:31
    Hello? I'm on yeehaw game ranch. What the fuck?
  • 182:31 - 182:33
    Where have you been, man?
  • 182:34 - 182:37
    Yes. No more spunky ranch.
  • 182:37 - 182:41
    Fuck no more pissing my pants. Bless you. Minutes out or Jones.
  • 182:41 - 182:42
    You very little sales.
  • 182:42 - 182:47
    Yeah, the fucker re realm ported me here without you.
  • 182:48 - 182:49
    This place is a little fucking weird man.
  • 182:49 - 182:52
    It seems a little early for the holidays. If you ask me, you know, but
  • 182:53 - 182:56
    Oh, what discarded lump of call said, Hey,
  • 182:56 - 182:59
    it's never too early for the holidays.
  • 183:00 - 183:03
    Okay, cool. What the fuck? I swear, dude,
  • 183:03 - 183:04
    this shit is getting fucking [inaudible].
  • 183:05 - 183:08
    Oh, you can call me by my travel name.
  • 183:08 - 183:10
    Mary Sugarplum.
  • 183:11 - 183:16
    Fuck. Critter has two names, man. I can't fucking do this anymore.
  • 183:16 - 183:18
    This is getting excessive.
  • 183:18 - 183:23
    Well, why don't you kick the bucket? You cheer siphoning convent.
  • 183:27 - 183:30
    Oh, I'm so sorry.
  • 183:30 - 183:33
    Originally married Sugarplum uh,
  • 183:33 - 183:35
    where are you on base?
  • 183:37 - 183:40
    Well, ye har prehistoric ranch of course.
  • 183:40 - 183:45
    Oh my family comes here every year to celebrate the great calling of the,
  • 183:47 - 183:51
    Oh, the fuck. You're from the prehistoric ranch. What's that place like Holden?
  • 183:51 - 183:54
    Have y'all ever been to jungle ranch?
  • 183:55 - 183:59
    Basically that shit, but we're dinosaurs.
  • 184:01 - 184:02
    Wow.
  • 184:02 - 184:07
    The old Theo have really built a compelling and unique world.
  • 184:07 - 184:08
    It sounds like
  • 184:08 - 184:13
    you are building like a 13 year old skateboarder who sell cigarettes under
  • 184:13 - 184:13
    bleachers.
  • 184:15 - 184:19
    Oh, that's not untrue. You got arrested for that dude twice.
  • 184:21 - 184:23
    It's sugar bomb. I don't, you don't mind.
  • 184:23 - 184:28
    We usually get a little Dell lobe when we first arrived at these new realms.
  • 184:28 - 184:32
    Any thing we need to know about this snow cupboard? Festive play.
  • 184:33 - 184:35
    [inaudible] Mary,
  • 184:35 - 184:39
    bring joy to others and most importantly,
  • 184:40 - 184:41
    refuse the game soul.
  • 184:42 - 184:45
    That's cool. Wait. Refuse the game soul.
  • 184:45 - 184:47
    That's like against everything.
  • 184:47 - 184:48
    Hmm.
  • 184:54 - 184:58
    Quad. Oh, congrats.
  • 184:59 - 185:01
    Yeah. Let's see what this is about.
  • 185:08 - 185:12
    Yeah. I'm just going to go ahead. Whoa, Whoa, Whoa. The controls are cut.
  • 185:12 - 185:15
    I've inverted. Nope. I'm just bad. Are we winning?
  • 185:16 - 185:20
    We're winning this fight. I think we're losing. Nah, we're winning, man.
  • 185:22 - 185:26
    Um, Oh yeah.
  • 185:26 - 185:31
    Okay. Oh,
  • 185:31 - 185:33
    you got him. It was just a over
  • 185:38 - 185:43
    only Dak Prescott could nail those. Okay. What?
  • 185:44 - 185:48
    No way. Oh,
  • 185:48 - 185:50
    I should take it out of the plastic.
  • 185:50 - 185:52
    Right. You're fucking snoring right now.
  • 185:53 - 185:55
    A lot of people think, uh,
  • 185:55 - 186:00
    maybe I'm not as good as I say that I am based on how they saw me play against
  • 186:01 - 186:04
    those bots. But I guarantee you I'm far better.
  • 186:09 - 186:10
    Huh?
  • 186:10 - 186:12
    Do you want it? Do you want to have it? Do you want to have a dual fees?
  • 186:12 - 186:14
    You want to come up to the middle and we'll turn our back so we turned around
  • 186:17 - 186:19
    [inaudible] where are you? Where are you not going to shoot you?
  • 186:19 - 186:21
    I'm gonna show you I'm bucket ready. Ready? Okay. Yeah.
  • 186:21 - 186:23
    Stay on their side of the pumps. Yeah.
  • 186:23 - 186:26
    There's other parts where you got to look away. Okay, so wait, wait. Yeah. Stay.
  • 186:26 - 186:30
    Stay where you're going to be. Stay where you're going to be on a way. No, stay.
  • 186:30 - 186:33
    I'm turning. I'm turning away. Okay. Okay. I know what you fucking don't.
  • 186:43 - 186:45
    I will probably be the last
  • 186:45 - 186:46
    man standing
  • 186:53 - 186:55
    [inaudible] that word, but I killed myself at the same time.
  • 186:55 - 187:00
    I had to go round the corner and look like a dumb ass. God damn.
  • 187:00 - 187:05
    This game's fun. Okay. This is match point. [inaudible] I'm not joking. Okay.
  • 187:05 - 187:07
    Come out here to the center. Yep.
  • 187:08 - 187:13
    See if you can jump over this thing. Yeah. Okay,
  • 187:14 - 187:15
    so on the count of three,
  • 187:15 - 187:20
    let's jump and see if we could shoot each other in the head. Okay. Okay. Wait,
  • 187:20 - 187:24
    wait, wait, wait, wait. Jump on three. Yes. Jump and shoot on three.
  • 187:25 - 187:30
    One, two, three. There you go. One,
  • 187:30 - 187:35
    two, three. Wait. Okay. Hold on. Hold on. Hold on. Okay. One,
  • 187:35 - 187:37
    two, three.
  • 187:38 - 187:43
    We will leave out about what happened. One, two, three,
  • 188:35 - 188:36
    [inaudible].
  • 188:51 - 188:52
    [inaudible].
  • 189:05 - 189:07
    Hey everyone, the insanely talented Wilford L here.
  • 189:08 - 189:10
    I'm excited to announce that I have a new late night talk show coming to the
  • 189:10 - 189:15
    critical role YouTube channel on Wednesdays call mini primetime is brought to
  • 189:15 - 189:19
    you by the same creators as that one show with the hippie kid with the
  • 189:19 - 189:21
    bracelets, whatever that. Anyway,
  • 189:21 - 189:25
    my show mini primetime is a mini painting show for beginners and veterans or
  • 189:25 - 189:29
    life or this handsome face teaches the critical wool Cass how to paint their own
  • 189:29 - 189:33
    mighty nine minutes. We're going to be focusing on specific techniques, fade,
  • 189:33 - 189:37
    small detail work and taking your money to the next level by adding your bits.
  • 189:37 - 189:39
    So look for two critical goals.
  • 189:40 - 189:45
    Critical role. What is that? What is even a critical role? Oh, that's right.
  • 189:45 - 189:47
    That was the show with cash.
  • 190:12 - 190:13
    [inaudible]
  • 190:13 - 190:18
    subscribe or don't subscribe.
  • 190:20 - 190:22
    That's not a question.
  • 190:24 - 190:29
    Well that is nobler in the mind to ponder the pros and more pros of Twitch or
  • 190:30 - 190:31
    Twitch prime
  • 190:32 - 190:37
    or to take hands and gift new subs to creditors who find they can't afford them
  • 190:39 - 190:43
    to play, to sleep.
  • 190:46 - 190:46
    No mom.
  • 190:48 - 190:53
    And by asleep to say the cast and crew of critical role might find that naps
  • 190:53 - 190:58
    around the hectic schedule of a live broadcast that we have brought for your
  • 190:58 - 191:01
    consumption, both critter and fan alike
  • 191:04 - 191:07
    to play or sleep.
  • 191:10 - 191:14
    No sleep, but just to stream.
  • 191:17 - 191:17
    That's the rub.
  • 191:19 - 191:24
    Four with your subscription. What strains? Macomb
  • 191:28 - 191:32
    man. Oh man, that is a fucking tag line is we got that. Oh,
  • 191:33 - 191:38
    that is Twitch poetry. Oh. Anyway,
  • 191:39 - 191:39
    subscribe
  • 191:40 - 191:45
    to critical role use Twitch prime to subscribe. Gift some subscriptions. You,
  • 191:46 - 191:46
    you got it.
  • 192:16 - 192:17
    [inaudible] [inaudible]
  • 193:16 - 193:17
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    [inaudible] [inaudible]
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    [inaudible]
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    welcome back.
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    So the winner of our giveaway at the break who gets the lucky a scamming purple
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    hunt would die straight is mr Ricco. It's mr underscore,
  • 205:04 - 205:08
    R E. K. O. J. congratulations. The same to you ASAP.
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    So battered but filled with resolve.
  • 205:15 - 205:19
    Yasha returned to your side of the spelled broken that Oban has held over her
  • 205:19 - 205:19
    son.
  • 205:21 - 205:21
    Well,
  • 205:21 - 205:23
    since that time was lost,
  • 205:24 - 205:28
    you make your way down to the darkened stairs at 40,
  • 205:29 - 205:33
    50 feet before you come to an underground floor of what you would assume to be
  • 205:34 - 205:37
    Chantry housing or four chambers and all that appear to be of open bedroom
  • 205:37 - 205:40
    chambers, maybe storage, uh,
  • 205:40 - 205:43
    and you see what looks to be a continued stairway down into a crypt. Um,
  • 205:43 - 205:47
    what would you like to do? Um, first of all,
  • 205:47 - 205:51
    I'd like to turn to Yosha and say you've been down here.
  • 205:53 - 205:55
    I'm giving us a sneak peek of what we're looking forward to.
  • 205:56 - 206:00
    Um, yes. Um,
  • 206:03 - 206:06
    I don't exactly know everything, but
  • 206:09 - 206:12
    I know that we came down here too.
  • 206:14 - 206:15
    Mmm.
  • 206:17 - 206:22
    Break the shackles off of the fame and we needed four of us.
  • 206:25 - 206:26
    Mmm.
  • 206:30 - 206:32
    All I know is that that is down here.
  • 206:32 - 206:35
    And that was the plan was you succeed.
  • 206:38 - 206:39
    I don't think we've done it yet.
  • 206:41 - 206:46
    You were in transit before you were notified from a film upstairs and call them
  • 206:47 - 206:48
    to aid.
  • 206:52 - 206:54
    So you haven't, they only have three. You're haven't done it yet.
  • 206:56 - 206:58
    We haven't done it yet. I'm just going.
  • 207:00 - 207:04
    Yes. And I don't think it can be successful because
  • 207:06 - 207:11
    Oban looks for very specific people to do it. Mmm.
  • 207:13 - 207:15
    So as long as nobody else shows up,
  • 207:16 - 207:19
    I don't believe it can succeed you.
  • 207:22 - 207:26
    Um, well, from what
  • 207:28 - 207:30
    Oh, bond has told me. Um,
  • 207:32 - 207:37
    he has chosen people that, uh, he believes
  • 207:39 - 207:44
    cannot be killed. So
  • 207:47 - 207:51
    we continue to go to every one of these shackles and
  • 207:53 - 207:57
    try to break all of them because one, all four of us break them.
  • 207:57 - 208:00
    We die and then we come back and then we go to the next one.
  • 208:03 - 208:08
    The people that it does, it kills the people. Yes.
  • 208:08 - 208:13
    But you come back. How many Sharples have you been to?
  • 208:14 - 208:18
    This was the first one is that it chooses people who cannot be killed.
  • 208:19 - 208:21
    Yeah, but you can't be killed.
  • 208:22 - 208:27
    I feel like that is not entirely true. I think it's just
  • 208:28 - 208:31
    because of what I am. I guess I just, I don't know.
  • 208:33 - 208:37
    What are you? I don't know. I'm, I'm, I'm just, I'm,
  • 208:38 - 208:39
    I'm me. I'm, I'm,
  • 208:42 - 208:47
    I think just when I fall, sometimes I can be brought back a lot easier.
  • 208:48 - 208:49
    I can die, but I, I,
  • 208:52 - 208:57
    I don't know. But I,
  • 208:57 - 208:58
    I think
  • 209:06 - 209:07
    you have spent an awful lot of time with him.
  • 209:07 - 209:10
    What do you think is next to movies?
  • 209:16 - 209:18
    I feel like he will probably try to
  • 209:22 - 209:24
    bring me back to him and maybe
  • 209:27 - 209:30
    any of you that he thinks might be useful.
  • 209:32 - 209:37
    Is there anything we can do to make Nosha stronger on her resistances or
  • 209:38 - 209:40
    something if he tries to do it,
  • 209:43 - 209:47
    bless her. Right Taylor books up and cautiously
  • 209:48 - 209:53
    reaches above his own head and places a PO against her forehead and small little
  • 209:58 - 210:00
    fractals in geometric shapes.
  • 210:00 - 210:05
    Appear briefly in the air and I cast Fortune's favor on you so you can reroll a
  • 210:06 - 210:07
    save or
  • 210:09 - 210:10
    uh,
  • 210:13 - 210:17
    thank you Caleb. Good next hour. You can do that.
  • 210:17 - 210:20
    The top row about a truckers saving thrown
  • 210:25 - 210:29
    down there. If, if he realizes you can't do it,
  • 210:29 - 210:31
    maybe he'll just leave and take not with him.
  • 210:37 - 210:37
    Like you said a,
  • 210:37 - 210:42
    he was looking for certain people cannot even
  • 210:44 - 210:48
    then he can kill not and if I don't get there soon enough
  • 210:50 - 210:55
    then it will be a lot harder to bring her back. That'll take time.
  • 210:56 - 210:57
    Do you know if there are any traps down here
  • 211:00 - 211:04
    you didn't encounter any? I mean not that we would have set off
  • 211:06 - 211:10
    and we should move. There's that, there's the four chambers right here. Yeah,
  • 211:10 - 211:13
    it's like two bed chain really to listening to be two and a half bed chambers
  • 211:14 - 211:18
    and a storage room in one that's much supplier. Anything. Is there anything?
  • 211:18 - 211:20
    The order reception and just for clarity, right. Herb,
  • 211:21 - 211:25
    her resistance lowered my in the break.
  • 211:25 - 211:28
    So 500 bucks rolled a lot of ones.
  • 211:32 - 211:36
    10 point border. Remembering your resistance to not examine you do have the,
  • 211:37 - 211:38
    you would just,
  • 211:38 - 211:40
    you'd gain half of the damage that you took her from 42 would have actually
  • 211:41 - 211:45
    resist. Then you lost 10 20. I'm getting, I'm getting 2020 back.
  • 211:46 - 211:50
    We'll save one. Yeah, that's fine. It shows, shows resistance and necrotic.
  • 211:50 - 211:51
    So the thing that Ford was doing to her earlier,
  • 211:55 - 211:58
    it's all good. Welcome back. What's interesting though is, uh,
  • 211:58 - 212:02
    is where it says defenses and it says resistant to um, necrotic and radiant.
  • 212:03 - 212:07
    Um, which I didn't see fucking back
  • 212:10 - 212:13
    to chambers was there like, am I still poisoning? You are,
  • 212:13 - 212:18
    I will do a lay on hands and I will cure myself of the poison. Okay.
  • 212:18 - 212:19
    You are no longer poisoned.
  • 212:21 - 212:25
    As he reached down and there's like a dull green glow and where the wound was
  • 212:25 - 212:29
    with the poison ms seeping in new watch as these tiny green vines kind of grow
  • 212:29 - 212:33
    over the wound and you feel the poison just slowly dissipate from your
  • 212:33 - 212:35
    bloodstream. All right, June.
  • 212:39 - 212:40
    Uh, you want to help?
  • 212:40 - 212:44
    Let me clear these rooms just to make sure. Absolutely. Yes.
  • 212:44 - 212:48
    SWAT style will touch up corners.
  • 212:49 - 212:53
    You go into the first bed chamber and there's about six beds.
  • 212:53 - 212:56
    People sleeping in them. Oh, people are sleeping in them.
  • 212:57 - 213:01
    I turned around fucking,
  • 213:06 - 213:07
    yeah.
  • 213:07 - 213:10
    Does is ring rate them? Just feel I was right.
  • 213:18 - 213:20
    Oh,
  • 213:25 - 213:29
    is there like a nod or some like a lock? [inaudible] it's just,
  • 213:29 - 213:34
    it's just like an open door, but there's no door. Oh, forget all the, sorry.
  • 213:35 - 213:39
    Hey look, you want to roll a fucking fireball here? Or what are they breathing?
  • 213:39 - 213:39
    Listen.
  • 213:39 - 213:44
    Don't even know what they are making perception or for to mix it or not like
  • 213:44 - 213:47
    kids. Yeah, yeah, yeah, yeah.
  • 213:50 - 213:54
    15 well then this conversation you're looking and there's no moving in the body.
  • 213:55 - 214:00
    There's no rise and fall of breath. Oh, I'm going to detect on dead. Okay.
  • 214:01 - 214:02
    No, I'm dead.
  • 214:03 - 214:08
    Dad's dead some shit. Yes. Little Koolaid. Yeah,
  • 214:08 - 214:09
    they're all wearing that and use it.
  • 214:12 - 214:16
    Let's just keep it down. Um,
  • 214:17 - 214:17
    the body is already there.
  • 214:18 - 214:22
    I'm going to just as we're walking by Rhonda tech magic on the four rooms and
  • 214:22 - 214:24
    just see if anything is okay. Should we grab there?
  • 214:25 - 214:27
    Nothing catches your attention magically that you aren't expecting on your
  • 214:28 - 214:32
    persons. Uh, they're not.
  • 214:32 - 214:33
    They're wearing robes of the Chantry
  • 214:35 - 214:38
    mid looks and upon closer inspection you can see a bit of foam in the corner of
  • 214:38 - 214:43
    some of the mountains that appears that they were all unknowingly eating your
  • 214:45 - 214:49
    last meal probably this morning. Really? Um,
  • 214:49 - 214:54
    I'm glad we killed that old lady with the bad hair. Just for fun.
  • 214:54 - 214:56
    I'm going to try divine intervention. Okay.
  • 214:57 - 215:00
    I'm going to put a prayer out to see, do I have to beat?
  • 215:00 - 215:01
    How specific do I have to be?
  • 215:02 - 215:06
    Let just let me know what the intent of what challenge you want to help with.
  • 215:06 - 215:09
    I wish to be better prepared for the battle ahead. Okay. For all of us.
  • 215:13 - 215:15
    I'm 77. No, Nope.
  • 215:16 - 215:21
    Unfortunately there's something about the essence as you draw closer to whatever
  • 215:21 - 215:24
    is below the chin tree,
  • 215:25 - 215:29
    it blocks a clear motive. Communication with the wild mother.
  • 215:29 - 215:34
    Let's hit wild mother Maya. See and visibility is still up.
  • 215:34 - 215:38
    Last for an hour. Anything in here going off in the hallway?
  • 215:38 - 215:41
    Not in the rooms. Yeah. Okay.
  • 215:44 - 215:49
    Shall we? Yeah. Yeah. No,
  • 215:49 - 215:53
    I shouldn't have your mind leading the way. Who did all,
  • 215:55 - 215:56
    okay.
  • 215:57 - 216:00
    You had done the stairway towards the underground,
  • 216:00 - 216:01
    correct.
  • 216:04 - 216:07
    Immediately kind of the dark musty smell comes to you.
  • 216:07 - 216:11
    You can see the Crip itself stretches before about 80 feet, maybe 30,
  • 216:11 - 216:15
    40 feet wide. Uh, the smell of damp earth and incense,
  • 216:15 - 216:20
    kind of lingering old, nothing. Anything recent necessarily.
  • 216:21 - 216:25
    Um, though the smell of burning embers is still a little prominent.
  • 216:26 - 216:31
    You can see that the walls themselves are lined with shelves of bones and
  • 216:31 - 216:35
    carefully interned Holy corpses. The script,
  • 216:36 - 216:40
    many bodies, many old, some not
  • 216:41 - 216:45
    Mohsen fungus appear to have gathered at the corners of all the smooth through
  • 216:45 - 216:49
    rock. While about a half dozen blazers carry low embers.
  • 216:50 - 216:54
    See four of them specifically in the room that kind of prominently placed in the
  • 216:54 - 216:59
    center and like a square formation around what looks to be a single statue of
  • 216:59 - 217:03
    the Don father that sits in the center of his head himself. A braiser.
  • 217:03 - 217:06
    You see the armored body itself and where the head would be.
  • 217:06 - 217:09
    It's the lower half for braiser and all five of these razors you can see kind of
  • 217:09 - 217:10
    Ember Coles,
  • 217:10 - 217:14
    they've been burning for a while given off this dull orange glow.
  • 217:14 - 217:16
    And that is the only light source within the chamber.
  • 217:20 - 217:22
    There is no discernible exit beyond those attacks.
  • 217:22 - 217:27
    So you took the room. Hmm, let me think.
  • 217:27 - 217:29
    I'm visible in the room. Did you not see anything visible?
  • 217:29 - 217:33
    You want me to start chucking the walls carefully? Not by touch,
  • 217:33 - 217:38
    but peering looking for seams or cracks or any, okay, go ahead.
  • 217:38 - 217:42
    Make the perception. Um, I'm going to give you a,
  • 217:43 - 217:44
    so when you're doing, I'm going to give you guidance
  • 217:49 - 217:53
    and that's a [inaudible] perception, not investigation.
  • 217:53 - 217:57
    Just using your eyes and not like feeling along with your hands and looking for
  • 217:57 - 218:01
    things that say, yeah, I'll do that. So 13
  • 218:02 - 218:06
    1717 okay. You take a little while and begin to go on the walls.
  • 218:06 - 218:09
    You don't see any seams or notice anything hidden.
  • 218:10 - 218:12
    You don't know if it's a fault of your eyes or the room is just,
  • 218:13 - 218:14
    it does not contain what you're looking for
  • 218:16 - 218:19
    in this fuck down yet you've been in the crypt and this is as far as you've got.
  • 218:20 - 218:23
    Like you would just arrived in the crib and that was when the
  • 218:25 - 218:28
    happened and you were all some in the back up to the cathedral where the
  • 218:28 - 218:29
    encounter occurred.
  • 218:30 - 218:33
    I've conduced this or I could make it a lot brighter in here if we wanted
  • 218:36 - 218:40
    to do it. Might spell lights up the chamber.
  • 218:41 - 218:42
    All right there.
  • 218:45 - 218:48
    The chamber is brighter but it doesn't reveal anything.
  • 218:48 - 218:52
    Do I see any [inaudible] I can only start with looking behind the Crips and in
  • 218:52 - 218:57
    crevices looking for the pieces of the portal device or if there's anything that
  • 218:59 - 219:04
    looks reminiscent of that hidden of that hidden should make a perception check.
  • 219:05 - 219:08
    Where's any stashed shit in general perception
  • 219:09 - 219:12
    or investigation? Well, if, if you're, if you're like Haitian
  • 219:14 - 219:19
    looking specifically for like a device or, or like inspecting for a, uh,
  • 219:19 - 219:22
    yeah. Hands and knees and up going crazy crannies,
  • 219:22 - 219:25
    you're going to deepen making investigation, then he'll take you a little bit.
  • 219:25 - 219:29
    18, 18. Yeah. Okay.
  • 219:30 - 219:31
    You
  • 219:31 - 219:34
    do not find anything that resembles the device, don't see any sign
  • 219:34 - 219:36
    of metal or, or the,
  • 219:36 - 219:40
    the shape of it that you did see it in the scrying that was handed over,
  • 219:41 - 219:44
    um, to RESPA. You do not know where it's been installed.
  • 219:44 - 219:49
    You do know that the creatures that seem to be fighting were in the towers or
  • 219:49 - 219:51
    somewhere in that region. So it's probably out there.
  • 219:51 - 219:55
    So yeah, but they're coming out.
  • 219:55 - 219:59
    That's why they kept timing. You told me the layout of the room again,
  • 220:00 - 220:01
    I'll show it to you.
  • 220:03 - 220:04
    We're showing something,
  • 220:05 - 220:10
    says Jordan forge will be in PAX unplugged for the first weekend in September.
  • 220:11 - 220:12
    Go say hi.
  • 220:14 - 220:18
    Does food and food central dormant for John?
  • 220:21 - 220:21
    Ah,
  • 220:21 - 220:24
    so that is the general layout, correct?
  • 220:25 - 220:28
    That's skulls on the outside of the walls. Yeah. That's sick looking. Cool.
  • 220:31 - 220:32
    Let me just have a moment for how GoPro
  • 220:34 - 220:38
    bothers the statue in the center that races. It's like this razor is the head.
  • 220:39 - 220:42
    The his head is a braiser. Yes. And these are the views of the,
  • 220:42 - 220:43
    the four of razors in the edge.
  • 220:44 - 220:49
    Each of these is like a stone tomb that sits in the middle of the chambers and
  • 220:49 - 220:51
    the bracers, uh,
  • 220:51 - 220:54
    there's like burning coals and I guess there was fire in the brain.
  • 220:55 - 220:56
    There was there burning,
  • 220:56 - 220:59
    there's like embers in there that are kind of glowing orange climb up and look
  • 220:59 - 221:03
    in the head and see was in there. That one. Sure.
  • 221:04 - 221:07
    You go ahead and like climb up. It's not too hard to,
  • 221:07 - 221:11
    do you find a place to look up there similar to the other blazers looks like
  • 221:11 - 221:15
    some locals that are burning. Um, some like burn fats and things.
  • 221:15 - 221:18
    I'm going to start checking out all of these tunes to see if uh, yeah,
  • 221:20 - 221:21
    good to look for traps,
  • 221:22 - 221:25
    but I think maybe there are stairs or a passage in one of them.
  • 221:25 - 221:28
    I'm going to use an attorney to, to get the fires going a little hotter.
  • 221:28 - 221:32
    Again going to make the lights. Okay. So yeah, I pulled back a little bit.
  • 221:32 - 221:34
    Fire burned a little brighter.
  • 221:34 - 221:37
    The room lightens a little bit all around from the uh,
  • 221:37 - 221:39
    all the small low burning fires.
  • 221:39 - 221:43
    Now getting more intense corners of the room or those candles that are set up in
  • 221:43 - 221:47
    sort of like, uh, Oh the corners of the room. Those are um,
  • 221:48 - 221:51
    small areas where it looks like offerings to be left behind.
  • 221:51 - 221:54
    You can see bowls and plates, um,
  • 221:54 - 221:58
    that contain coins, old knickknacks,
  • 221:58 - 222:00
    pieces of jewelry that were, you know,
  • 222:00 - 222:05
    either left as a prayer or part of a bearing. Right. Um, can I inspect this,
  • 222:06 - 222:06
    that UNC,
  • 222:06 - 222:11
    if it twists or if there's any like things on it that move or make an
  • 222:11 - 222:11
    investigation.
  • 222:11 - 222:14
    I'll also say technically I think my detective magic would have still been
  • 222:14 - 222:19
    reading 10 minutes of us leaving that, that's four chambers.
  • 222:19 - 222:22
    Is it within 10 minutes? Uh,
  • 222:24 - 222:29
    but this, uh, I would say it is not. Okay. 21.
  • 222:29 - 222:32
    Okay. Looking at the statue, the braiser had anything around it. Nothing.
  • 222:32 - 222:34
    Nothing about this statue seems to move
  • 222:34 - 222:37
    for shift or anything like about the, the, the,
  • 222:37 - 222:41
    the Don father structure. It is a solid piece of stone and said,
  • 222:41 - 222:45
    I want to investigate tunes, see if there are any triggers,
  • 222:46 - 222:48
    slight steps for laterals inside them.
  • 222:48 - 222:52
    And the role [inaudible] was waiting for you to tell me what, okay, sorry.
  • 222:52 - 222:55
    So that'd be investigation for both of you. I'm going to explain.
  • 222:57 - 222:58
    Okay.
  • 222:58 - 223:02
    Just like a half of a face and then like a little speech bubble coming out.
  • 223:02 - 223:05
    Oh God. My head, Oh my head.
  • 223:08 - 223:12
    It would be gesture to deface a very Holy Relic at the bottom of the Chantry at
  • 223:12 - 223:16
    this moment. I love it. 22, uh,
  • 223:16 - 223:21
    you go through them one by one and as you feel around they're all pretty solid.
  • 223:22 - 223:26
    You lift and look inside and they're old,
  • 223:27 - 223:32
    old bodies that are interred carefully wrapped in an ornamental robes,
  • 223:32 - 223:33
    some of which that are just slowly deteriorated.
  • 223:33 - 223:37
    They probably been in some of them, they're a hundred years, maybe 200,
  • 223:37 - 223:41
    as long as wrecks and tremens been, um, a few of them, a little more fresh,
  • 223:41 - 223:44
    but all six of them seem to carry corpses and uh,
  • 223:45 - 223:47
    no signs of being able to descend within them.
  • 223:48 - 223:51
    Anything interesting on the bodies? Oh yeah.
  • 223:51 - 223:54
    Can I touch each one of them and make sure my hand doesn't pass through them?
  • 223:54 - 223:55
    Sure.
  • 223:56 - 223:56
    Uh,
  • 223:56 - 224:01
    one by one you begin to press the bodies and they kind of rock back and forth
  • 224:01 - 224:04
    and dust kind of fall. Some of them crumble. And uh,
  • 224:04 - 224:07
    you eliminate all of them as possibly being illusions.
  • 224:07 - 224:08
    And your fingers smell a little funny.
  • 224:08 - 224:10
    They're all real. I don't know.
  • 224:13 - 224:18
    Can I, um, can I go search the base of the soaked in
  • 224:22 - 224:25
    [inaudible] as she gets there,
  • 224:25 - 224:29
    I'm starting to kneel down and pray to the traveler in front of the shrine.
  • 224:29 - 224:31
    I just made 13 2121.
  • 224:32 - 224:35
    You get down to it and you can see, um,
  • 224:36 - 224:40
    towards the back of it there's a general layer of dust that settled in this
  • 224:40 - 224:43
    ground and some of it's kicked up from feet and you know, steps and movement.
  • 224:43 - 224:47
    But she, your guys moving around. Um, there are two, there's like a,
  • 224:47 - 224:49
    an element like a square behind the backside of it where the dust isn't
  • 224:49 - 224:52
    pushed aside. Oh. Um,
  • 224:54 - 224:57
    I'm going to try to push it. Okay. Make a Springs check.
  • 225:01 - 225:06
    Can I give her an advantage? Can I help her out since I'm sitting right there?
  • 225:07 - 225:10
    [inaudible] Oh wow. Wow. You even need it. I can give you advantage.
  • 225:10 - 225:14
    Try it again. This ice man.
  • 225:15 - 225:19
    Well yeah, 26 and the six.
  • 225:20 - 225:24
    You both get behind it and push, push nothing. Wow.
  • 225:24 - 225:27
    There's a button or something. There's got to be,
  • 225:27 - 225:31
    do any of these skulls or look like they're a different age than the rest of
  • 225:31 - 225:35
    them? Yeah, the age varies tremendously. Some of them are hundreds of years old.
  • 225:35 - 225:36
    Some of them are a couple of decades old.
  • 225:36 - 225:39
    Some of them look maybe within the past couple of years. One more.
  • 225:39 - 225:40
    One more detect on dead. Just for fun.
  • 225:41 - 225:45
    Okay. Is there petroleum on the floor that rats, this is,
  • 225:45 - 225:49
    this is the cathedral of the Don father who is one of the many keys that
  • 225:49 - 225:53
    despises on death and in much of this area is hallowed specifically to prevent
  • 225:53 - 225:54
    anything from rising.
  • 225:55 - 226:00
    I'm going to start hearing Juster. So it was kind of be a button. You're,
  • 226:00 - 226:03
    you're, you all are messing with the statute, right? For clarity. Yeah,
  • 226:03 - 226:03
    it didn't work.
  • 226:03 - 226:06
    So I'm going to kneel down and try to pray to the traveler again.
  • 226:06 - 226:11
    I'm going to go around and I'm going to go up to these skulls and bodies in the
  • 226:12 - 226:13
    walls and just start like
  • 226:15 - 226:20
    juggling them. Okay. Just soon.
  • 226:20 - 226:24
    Pull a femur, see what happens. Okay. So you begin doing that.
  • 226:24 - 226:26
    It's gonna take a little while. I'm going to begin number two.
  • 226:27 - 226:30
    Casting can text magic too, since everybody's trying everything. Okay.
  • 226:31 - 226:33
    Maybe a warm okay. While they're doing this is like,
  • 226:33 - 226:38
    see if I can notice one follow up. Okay. Are you
  • 226:41 - 226:46
    a divine intervention? Who would the traveler while I'm here?
  • 226:49 - 226:53
    Uh, 25 five. Okay, cool. We'll get to that in a second.
  • 226:53 - 226:57
    So I'll take a little while. I'm going to ask him to, um,
  • 226:57 - 227:01
    to help protect us when we get down to Oban to keep us from
  • 227:03 - 227:07
    being turned. Please keep anybody from being turned. Okay.
  • 227:08 - 227:13
    Go ahead and roll for demanding. Where's my person?
  • 227:16 - 227:18
    Do I rule two percentiles? 1% Tom one not.
  • 227:19 - 227:21
    Yeah, I detained and then a person told him yes sir.
  • 227:24 - 227:27
    2222 Oh, his presence is felt.
  • 227:27 - 227:31
    You gather that the protection he provides is already present.
  • 227:32 - 227:34
    Understandable. He's a really close by
  • 227:39 - 227:43
    him. Just there. Can you help me with something?
  • 227:44 - 227:47
    Yeah. What do you need? This is really stupid,
  • 227:47 - 227:48
    but I don't know what might be something.
  • 227:49 - 227:50
    I wonder if we can like try turning the,
  • 227:51 - 227:54
    the whole statues that, I know I was trying to do it, but maybe we two less.
  • 227:54 - 227:57
    Yeah, let me, I'm going to,
  • 227:57 - 227:59
    I'm going to add some more guidance.
  • 227:59 - 228:02
    Doesn't actually isn't gonna help with this, is it? No, really not. No.
  • 228:04 - 228:09
    A check. Each of us doing this is not an ability 20 Oh,
  • 228:09 - 228:13
    nevermind. Which is a total of total of 28,
  • 228:13 - 228:17
    28 and I'm starting to roll day 28. I'm sorry. Uh, uh,
  • 228:17 - 228:20
    23, 29.
  • 228:20 - 228:25
    Okay. So that's all right. Uh,
  • 228:25 - 228:28
    so you guys push and push, push and push and push.
  • 228:29 - 228:32
    Nothing. It's not. Okay. Is that for juices? Can you um,
  • 228:32 - 228:37
    let's just get 20 of the natural twenties languish. The flames. Sure.
  • 228:38 - 228:42
    Dramaturgy. All the bracers go out. Yeah.
  • 228:42 - 228:43
    You have your goggles on.
  • 228:43 - 228:46
    Stetler it's not the lights still up cause I haven't turned off the lights
  • 228:48 - 228:49
    but the light go.
  • 228:49 - 228:51
    It's still though. Still has his lights bell, but all the braces,
  • 228:52 - 228:54
    the lights changed? Correct. Okay.
  • 228:55 - 228:58
    You now at this point have gone around the room, pulled all sorts of things,
  • 228:58 - 229:01
    look for it. Do you feel pretty confident that you've done a pretty valid sweep?
  • 229:01 - 229:03
    That there's nothing in the walls? Nothing that corpses into the bones.
  • 229:04 - 229:05
    You've disturbed a lot of the dead. Um,
  • 229:05 - 229:09
    and there's been no sign of [inaudible].
  • 229:09 - 229:13
    What are we going to say? You've come down here with them. Yeah,
  • 229:13 - 229:15
    we came down here but we didn't go further than this.
  • 229:15 - 229:17
    Speak to you do when you were in the habit, anything?
  • 229:18 - 229:19
    Well,
  • 229:19 - 229:24
    Obama began reading the scrolls that were handed to him by respite and while he
  • 229:25 - 229:28
    was in the process of doing so, it was when you guys were called up.
  • 229:28 - 229:32
    So you're not certain as, as part of your investigation. 25,
  • 229:32 - 229:35
    I will say you do notice is that uh,
  • 229:35 - 229:40
    the braiser on the back left, but to the foot on that side,
  • 229:41 - 229:41
    there is a,
  • 229:42 - 229:46
    a faint bit of Ash and charcoal on the ground around it.
  • 229:46 - 229:50
    Like a little ring that is more prominent than the other.
  • 229:50 - 229:51
    Bracers
  • 229:52 - 229:54
    hang on, hang on.
  • 229:57 - 229:59
    Good. Can you use this? Yeah.
  • 230:01 - 230:05
    When you're, what you making this or I make it back.
  • 230:07 - 230:10
    There's lamb. Some of the action.
  • 230:11 - 230:13
    Was this even in Burnsville? Like lacquer is this,
  • 230:13 - 230:15
    it looks like stuff that would fall over. Yeah.
  • 230:15 - 230:18
    Fraser on the ground. [inaudible]
  • 230:20 - 230:23
    shifted or doesn't shift. It's locked in place.
  • 230:23 - 230:28
    Sarah do a feeling of mechanisms grew up in a braiser to make an investigation
  • 230:28 - 230:30
    check if I'm going to give you a 24 for that.
  • 230:31 - 230:33
    So you seem to be doing a thing too.
  • 230:35 - 230:39
    Why is it always such a journey? It's not a great,
  • 230:40 - 230:41
    um, uh, 19,
  • 230:42 - 230:46
    19. Um, does it move the braiser of solid to the ground?
  • 230:46 - 230:48
    It's not like a bowl that's the on pillars. It's like a,
  • 230:48 - 230:52
    it's like a solid stone pillar that has an interior part that has some openings
  • 230:52 - 230:54
    in the side where it kind of keeps everything in,
  • 230:54 - 230:56
    where the flames can come out and there's just a little bit of a little ring of
  • 230:56 - 231:01
    sprinkled Ash and charcoal on the ground around it. The other ones,
  • 231:01 - 231:02
    students doing more snow planes are extinct.
  • 231:03 - 231:06
    Can you give it a give it a big, big boost?
  • 231:07 - 231:09
    [inaudible] actually light it up. I can't, I don't care.
  • 231:10 - 231:12
    I wonder if something's got to be burned around.
  • 231:13 - 231:18
    [inaudible] grow the bruiser Midlands in the braiser maybe,
  • 231:20 - 231:21
    I don't know. Throw, throw,
  • 231:23 - 231:27
    throw a fireball to this thing or something. I'm going to pull out.
  • 231:27 - 231:29
    I think I have matches so I'm just going to,
  • 231:31 - 231:32
    okay. We use a match.
  • 231:32 - 231:36
    It slowly begins to take anti liturgy and you use Madigan,
  • 231:36 - 231:38
    the bracers now glowing, right?
  • 231:39 - 231:42
    There you go. Anything,
  • 231:45 - 231:48
    there's nowhere to look underneath. Really solid is the,
  • 231:48 - 231:51
    is the thing itself was stuck in is like a, what's the, it's a,
  • 231:51 - 231:54
    is it a lazy Susan? No, it's like it's a weird word.
  • 231:55 - 231:58
    What is the, it's so, so just looks like Ash that's around the block.
  • 231:59 - 232:01
    What is the Ash made of? Like it's a circle in front of it.
  • 232:01 - 232:04
    Not around it or around it. Like okay. Like get like poop.
  • 232:04 - 232:09
    Like is this kind of like a water flicking overflowed. Only around overflow.
  • 232:10 - 232:11
    Only around that.
  • 232:11 - 232:15
    That one is there more Ash in the ratio then the other ones?
  • 232:17 - 232:17
    Um,
  • 232:19 - 232:21
    it looks like the ashes and the ground was displaced.
  • 232:21 - 232:23
    So there's maybe a little bit less for the amount that's now around. Yeah.
  • 232:24 - 232:26
    In the ground. Something came up from the bottom event.
  • 232:26 - 232:30
    Would you imagine my hand down into the Brasier? Is it still Emory?
  • 232:31 - 232:34
    No. And you detect no metric. Okay. Yeah.
  • 232:34 - 232:38
    Is it still am very high? It is now cause he, cause he lived it. Oh
  • 232:40 - 232:41
    I'll bring it all. I'm not, I'm not going to quite kill it,
  • 232:41 - 232:43
    but I'm going to relate really, really low. Okay.
  • 232:45 - 232:46
    Does anyone got a stick? Somebody give me something,
  • 232:48 - 232:51
    I stick it in and move it around and see if there's a hole at the high.
  • 232:56 - 232:59
    You do feel a bottom. It's about two and a half feet down.
  • 232:59 - 233:01
    It's not the whole base of the pillar to pillar.
  • 233:01 - 233:03
    And the braiser itself is up about two and a half, three feet or so.
  • 233:03 - 233:05
    It's about a little above your waist, um,
  • 233:06 - 233:09
    or about your waist height and it goes down about a foot and a half and then
  • 233:09 - 233:12
    hits the bottom too. You kinda miss the round inside. Um,
  • 233:16 - 233:20
    make an investigation. Sure. [inaudible]
  • 233:24 - 233:28
    nice. Super nice. 1616. Okay.
  • 233:29 - 233:32
    Low back. Moving around in there.
  • 233:32 - 233:35
    Can I move some of the charcoal around the sword? Pull it out.
  • 233:36 - 233:39
    This smells like a Brasier. I don't know what the bridge normally feels like.
  • 233:41 - 233:44
    Well, it's going to hurt our hands, but yeah,
  • 233:44 - 233:46
    I'll start going over and start them. Okay.
  • 233:47 - 233:51
    You know, even when we took the flame out, it's still a little warm. Um,
  • 233:51 - 233:56
    I'll say in the process of doing, so take two points of fire damage. Okay.
  • 233:56 - 233:57
    Uh,
  • 233:57 - 234:02
    but you empty out the braiser while the Ash going to use in the end of my Bose
  • 234:02 - 234:04
    staff to, okay. I'm going to,
  • 234:04 - 234:08
    I'm going to start emptying out the other ones too. I, I got,
  • 234:08 - 234:12
    I got a tiny shovel. Okay. Um,
  • 234:12 - 234:15
    as you guys go into any other ones, you get down to the very,
  • 234:15 - 234:18
    very bottom of this. The very bottom there is a lever about that long,
  • 234:18 - 234:19
    about two inches long.
  • 234:20 - 234:21
    Ah,
  • 234:21 - 234:24
    in any of the other ones? Uh, Nope. Just
  • 234:27 - 234:31
    doesn't move. What do you mean it doesn't move? It's solid.
  • 234:31 - 234:34
    The lever solid. It's not moving.
  • 234:35 - 234:38
    Is it like a lover or like, Oh, it's, it's,
  • 234:38 - 234:42
    it looks like a little like metal switch that has some sort of a rotational bit,
  • 234:42 - 234:46
    but it's locked in place. Maybe. Maybe he has some sort of, um,
  • 234:46 - 234:50
    key staff or key of some device to turn that.
  • 234:50 - 234:55
    Does it look like some sort of gear? Maybe it's like a, um,
  • 234:55 - 234:59
    rod, the camping or something. I heard about those things. Wait a minute.
  • 234:59 - 235:02
    What do we know about the donor father? [inaudible]. Um,
  • 235:03 - 235:08
    he has like a light a lot and there's some sun involved.
  • 235:09 - 235:13
    Maybe we have to do this when it's on fire and rally tall and he doesn't have a
  • 235:13 - 235:17
    face and it had his only half bare.
  • 235:18 - 235:21
    Light it back up. Let's double. I'm going to just double check the rest of the,
  • 235:21 - 235:24
    of all of the, including the one justice takes a little bit,
  • 235:24 - 235:26
    but you skip through best. This is the only one that has it. All right.
  • 235:26 - 235:31
    We'll put it all together. I'm going to light them all up and get them going.
  • 235:31 - 235:34
    Okay, so you put all the Ash back in light the mech out the blazers now kind of
  • 235:34 - 235:39
    burning a bit. Okay. You reach in your hand,
  • 235:40 - 235:44
    takes or down. Does it go take four points of fire damage or hold really low.
  • 235:44 - 235:48
    Okay. Um, as you reach and grab it. Ouch. Ouch.
  • 235:48 - 235:52
    And it moves about any resistance. As soon as you move the switch,
  • 235:54 - 235:59
    the stone center moves along about five feet revealing a staircase.
  • 235:59 - 236:00
    That a sentence further down.
  • 236:03 - 236:04
    Only out of the burn through PayPal.
  • 236:09 - 236:10
    No,
  • 236:17 - 236:18
    I'll source the marching order here.
  • 236:21 - 236:25
    Caleb is very concerned of art. So he is,
  • 236:26 - 236:31
    he is going second. Alright I'll go third. Okay so
  • 236:33 - 236:34
    Yasha Kayla
  • 236:36 - 236:41
    could use this probably to caboose once you've been charmed you can't be charmed
  • 236:41 - 236:44
    again for awhile. Right? Cause the ability and the ability.
  • 236:44 - 236:47
    I'll go between Bowen for if Bose okay.
  • 236:47 - 236:50
    Being after cause he says Bose after
  • 236:52 - 236:56
    [inaudible] got it. Okay. Sounds good.
  • 236:57 - 236:58
    This the one
  • 237:05 - 237:09
    that was from Georgia and forge, we could have been
  • 237:14 - 237:18
    trying to solve that. It is a very small staircase,
  • 237:18 - 237:22
    single file heading down deeper and
  • 237:22 - 237:22
    deeper.
  • 237:22 - 237:27
    It spirals on and on for what must be a hundred feet beneath the crypt or more
  • 237:28 - 237:32
    slowly making your way through until eventually a faint bit of light is visible.
  • 237:36 - 237:37
    [inaudible]
  • 237:37 - 237:39
    the staircase comes to an end,
  • 237:39 - 237:44
    the spiral flattens out into a straight staircase that sends for an additional
  • 237:44 - 237:48
    15 or so feet and you can see an Archway that is open and
  • 237:50 - 237:53
    leads into what looks to be like a cylindrical type chamber
  • 237:55 - 237:57
    made of rough, ancient rock.
  • 237:58 - 238:01
    You can see there's three pillars in there, kind of, you know,
  • 238:02 - 238:04
    load bearing holding for this chamber is up.
  • 238:05 - 238:09
    It's not an immense chamber. It's maybe
  • 238:10 - 238:15
    50, 60 feet across or a little less than that even. Um,
  • 238:15 - 238:18
    from what you can kind of just see as you kind of glance down in the first look,
  • 238:19 - 238:24
    you can see there's like an obelisk in the center that has ruins up the side,
  • 238:24 - 238:28
    which is kind of glow. This constant bright kind of white,
  • 238:28 - 238:32
    yellow color is their medicine to the objects that you all had found in the
  • 238:32 - 238:36
    King's cage. But the script is Celeste steel
  • 238:38 - 238:43
    and it is old, very old
  • 238:46 - 238:49
    at the top of this obligate, which actually where you're standing now,
  • 238:49 - 238:50
    you want me to see the top of it?
  • 238:50 - 238:53
    It is obvious gated by the top of the archery to leave them at the chamber.
  • 238:56 - 238:57
    I think a perception check,
  • 239:03 - 239:07
    natural time you glance.
  • 239:09 - 239:11
    What's the total with your perception and attitude?
  • 239:12 - 239:14
    2323 glancing down,
  • 239:14 - 239:19
    you can see between these three pillars in the floor and the obelisk that sits
  • 239:19 - 239:20
    in the center,
  • 239:21 - 239:26
    there are four runic circles drawn on the ground in a jacket script at the
  • 239:29 - 239:32
    corner of this op LISC,
  • 239:33 - 239:37
    each corner having a circle. And one of the circles
  • 239:39 - 239:43
    taken from one of the circles in the opposite side. You seem not standing.
  • 239:52 - 239:57
    Um, I just quietly no. Hmm.
  • 240:00 - 240:03
    Hmm. Well, if he makes health checks please.
  • 240:06 - 240:07
    What's your password? Perception?
  • 240:10 - 240:15
    1116,
  • 240:16 - 240:19
    1614,
  • 240:21 - 240:25
    1316. I have no idea. Ah,
  • 240:27 - 240:29
    all right. What do you guys do
  • 240:32 - 240:33
    about my head really quickly and just
  • 240:36 - 240:41
    say a quick prayer to this storm. Lord, please,
  • 240:41 - 240:43
    please don't leave me again.
  • 240:47 - 240:49
    As you save that and close your eyes and take a prayer.
  • 240:52 - 240:54
    Do you hear a thunder roll?
  • 240:55 - 240:59
    But it's not echoing around you. It's internally. That's,
  • 240:59 - 241:00
    it gets louder and louder.
  • 241:00 - 241:03
    You can feel the strength of the storm pulsing through you.
  • 241:04 - 241:08
    And for a moment you can feel the cold rain and your dreams falling upon your
  • 241:08 - 241:11
    skin. The sense of peace comes over. You
  • 241:14 - 241:15
    stay there.
  • 241:20 - 241:24
    Can I see any of the rooms? Um,
  • 241:25 - 241:28
    I read any of the read what the, the script on the, um,
  • 241:30 - 241:32
    you said it's an [inaudible] steel? Yeah. Yeah. Okay.
  • 241:34 - 241:38
    It's old, old sled steel. Um,
  • 241:38 - 241:40
    they speak of,
  • 241:40 - 241:45
    it's less of a sentence as in it's more these very intricate large runes that
  • 241:45 - 241:46
    themselves are,
  • 241:47 - 241:52
    are words like each reser presentative of an idea as opposed to a script of,
  • 241:52 - 241:53
    of language. Okay.
  • 241:53 - 241:58
    And it says like eternal bound,
  • 241:59 - 242:02
    uh, forever at Bay,
  • 242:03 - 242:06
    left to darkness secret. Like it's,
  • 242:06 - 242:09
    this is based on everything you've known,
  • 242:09 - 242:14
    everything you've gathered this in particular? This is probably the shackle.
  • 242:15 - 242:16
    Okay. Okay.
  • 242:21 - 242:26
    I tried to relay this in of the information as quietly as I can by me cause I
  • 242:26 - 242:30
    know where single file here. Caleb tries to peek under her armpit.
  • 242:30 - 242:33
    Henry the semester as well. Yeah. Okay.
  • 242:35 - 242:36
    Make a perception check.
  • 242:41 - 242:45
    20 total. Okay. Would you be able to make up the same elements that she did?
  • 242:50 - 242:55
    Juicy. You have the three circles that come to mind.
  • 242:56 - 242:57
    It's clear from
  • 242:59 - 243:02
    how far away are we trying to [inaudible] uh,
  • 243:02 - 243:05
    well you guys are all in a line up the top Yahshua's just at the top of the
  • 243:05 - 243:08
    stairs kind of flattening out. And so you're about,
  • 243:09 - 243:14
    I'd say 10 feet, 15 feet from the Archway. That leads in how far from,
  • 243:14 - 243:17
    not far from how far from not. I'd say maybe third.
  • 243:19 - 243:22
    Can I see anything up above? No.
  • 243:23 - 243:24
    Cause the Archway is like down below you and it's blocking.
  • 243:24 - 243:27
    You'd have to descend the stairs to be able to get a better look inside.
  • 243:27 - 243:32
    You'd better know or since I can see him visibility. No, it's not span.
  • 243:32 - 243:35
    I tap everyone on the shoulder and have them move to the side.
  • 243:35 - 243:39
    Still staying within where Yahshua Asha is and just look around the room and see
  • 243:39 - 243:41
    if I see anyone before he goes up.
  • 243:42 - 243:45
    Come in and grab your hand as you walk past me and go. Just be careful.
  • 243:47 - 243:50
    Are you entering the Archway? No. No. From, from within the Archway.
  • 243:50 - 243:54
    Still behind cover. Get down and look inside. You don't see anything else. Okay.
  • 243:54 - 243:58
    It's not spec to all of us. Not, it's actually facing the obelisk.
  • 243:59 - 244:03
    So we see our paint from police here. Could do some lunch.
  • 244:03 - 244:07
    I can try and dispatch. Yeah.
  • 244:07 - 244:09
    I think this are you going to try and dispel?
  • 244:09 - 244:14
    I can can give you so I can get,
  • 244:14 - 244:19
    I think I don't check the language and I'm think guidance will help with the
  • 244:19 - 244:21
    dispel role. How far away is his inability to check,
  • 244:21 - 244:22
    which is what the disparate which,
  • 244:22 - 244:27
    which is what guidance helps is a number one rule to one ability check of his
  • 244:27 - 244:31
    choice. Yeah. Yeah. Try and kind of do four
  • 244:33 - 244:35
    excellent mutter as quietly as I can.
  • 244:35 - 244:40
    Move my hands to the air and I cast that fourth level and fourth level.
  • 244:40 - 244:44
    Yeah. Okay. Go ahead and roll the 20 add your intelligence,
  • 244:45 - 244:46
    Spotify or and before.
  • 244:47 - 244:51
    I'm going to use Fortune's favorite turtle and that again, much better.
  • 244:52 - 244:56
    What do I add to that? Did you say do four because you told us about a fire.
  • 244:56 - 245:00
    Okay. I'm going to get towards her in case he notices. Yeah.
  • 245:01 - 245:02
    25 25
  • 245:05 - 245:08
    your will is your own unexpectedly.
  • 245:08 - 245:12
    Suddenly all of this strangeness and it and it came from the doorway.
  • 245:13 - 245:15
    Hello. Hello.
  • 245:17 - 245:21
    Oh, pop the wire.
  • 245:22 - 245:27
    We are one of us. Do not reply to this message.
  • 245:39 - 245:41
    Praise be,
  • 245:44 - 245:48
    Oh, bond is going to know as soon as that thing is broken. Anyway, yeah,
  • 245:49 - 245:53
    with you and you know it just shouldn't cough.
  • 245:53 - 245:57
    One time I look around. Does anyone in here with me? Do I know
  • 246:00 - 246:04
    it's yours? Remember guys,
  • 246:04 - 246:05
    does the villainess
  • 246:15 - 246:18
    a ones that we rode tonight and then we can drive.
  • 246:19 - 246:23
    It's at least yes. My responsible for doing
  • 246:33 - 246:34
    the cost the golf was if someone was in
  • 246:38 - 246:42
    town. Okay. Do you have things that could help us?
  • 246:44 - 246:47
    Bart? Wisdom. I mean 19 cast.
  • 246:47 - 246:52
    Oh cast plus what? Oh, cast.
  • 246:52 - 246:56
    Bless what was written. Oh guess bless on.
  • 246:56 - 246:59
    If you do it at a high enough level, you can bless everybody or both.
  • 246:59 - 247:02
    Or both of us can bless as a fourth level for
  • 247:03 - 247:07
    [inaudible] second level, third level. Um,
  • 247:07 - 247:09
    we could split it or I could also do, um,
  • 247:09 - 247:14
    I can also have to worry about me necessarily cause you have it from one, two,
  • 247:14 - 247:19
    three, four. I can do that. Yeah. Cause that's probably fine. Yeah.
  • 247:20 - 247:24
    That's a level three. Okay.
  • 247:24 - 247:30
    Or I can do less if you prefer or actually you might want to do level one just
  • 247:31 - 247:35
    both through level. One less. Yeah. All right. Um, I'll take,
  • 247:37 - 247:39
    um, who do you, who should you want to take?
  • 247:39 - 247:43
    I'll take forward and Caleb and you.
  • 247:45 - 247:49
    All right. And I'll take, um, great. Good. A restore log one.
  • 247:49 - 247:53
    I didn't give one out, but honestly I need it to
  • 247:54 - 247:59
    actually, uh, yeah, just cause for attack stuff. Um,
  • 248:00 - 248:04
    again. Okay. So we're all covered. Let's do [inaudible]. Yeah,
  • 248:04 - 248:07
    we're all blessed. Yeah, I'll take it. I'll do it at level two.
  • 248:08 - 248:09
    That's everybody's blessed.
  • 248:10 - 248:13
    Everybody's blessed before two attacks and before to saves.
  • 248:15 - 248:16
    I've talked on safety. Um,
  • 248:16 - 248:21
    but I would say let's not cast it until right at the cause. It's one minute.
  • 248:22 - 248:27
    So let's cast it like as soon as we know we're about to go in, that's when we,
  • 248:27 - 248:31
    yeah, whenever the portal. All right,
  • 248:32 - 248:35
    let's blend. We'll walk in and I wait, before we do,
  • 248:35 - 248:38
    I whisper we are coming again.
  • 248:38 - 248:43
    Don't do anything rash or maybe just tell her,
  • 248:43 - 248:46
    maybe just tell her to run and then you can send the fighter bull in there. So
  • 248:50 - 248:54
    three, two, one, start walking.
  • 248:56 - 249:00
    All right. As you enter the chamber, y'all show first.
  • 249:01 - 249:06
    You now see this 15 foot tall ARB Lisk rises up and at the top it's just this
  • 249:07 - 249:10
    bright light, impossibly bright, like you can't look into it.
  • 249:10 - 249:13
    It's so bright that lights up the top of the chamber.
  • 249:13 - 249:18
    Three gold thick gold chains emanate from it to connect to the different walls
  • 249:18 - 249:21
    of the room. And you see nothing else in there,
  • 249:24 - 249:28
    boy. Lots of lots of dwarven forge tonight guys.
  • 249:29 - 249:30
    It's the door of and for GS
  • 249:32 - 249:35
    and chains.
  • 249:37 - 249:40
    Wow man. Wow. Fuck dude.
  • 249:43 - 249:45
    [inaudible] those circles. The circles are the,
  • 249:45 - 249:49
    where do you saw the learning circles? Not
  • 249:51 - 249:54
    in this one. This one. And no one else is.
  • 249:55 - 249:59
    Can I do a one store with my C and visible? Sure.
  • 249:59 - 250:01
    You enter? Yep. All. Alright.
  • 250:01 - 250:04
    Do you all enter alongside yesterday you started fanning out.
  • 250:05 - 250:08
    I'm going to hang in the doorway. Okay.
  • 250:09 - 250:12
    Run out. Very kind of Flink towards not uh, I'll go to the left.
  • 250:13 - 250:16
    Underneath that first gold chain. Yeah. Okay. I'll put cheese there.
  • 250:17 - 250:19
    Like against the wall. It's the wall always.
  • 250:21 - 250:26
    It's bad, but we running this way that way. Yeah. Under the other gold chain.
  • 250:26 - 250:30
    Yup. I'm back to the wall. Same thing. Okay. Question four. I
  • 250:33 - 250:37
    mean I guess I'll go, I'll go in right next to the door. Right here.
  • 250:38 - 250:42
    Yeah, I'll just go to the side of it right here. Yeah. Okay.
  • 250:44 - 250:46
    Looking for need to move man.
  • 250:49 - 250:54
    I think you guys all walk in or you are towards the back, right? Uh,
  • 250:54 - 250:56
    no. I've walked up towards the front and tried to look into the doorway.
  • 250:57 - 250:57
    Right to the Archway.
  • 250:57 - 251:00
    But I mean as we all enter when I was near the front of the book. Okay.
  • 251:01 - 251:05
    So why do I remember my state? Like am I hypnotized?
  • 251:05 - 251:09
    Am I that was I asked to stay here. You were told to stay there,
  • 251:09 - 251:14
    told to stay here. But like I have my like do you now have your own will? No,
  • 251:14 - 251:18
    I know I do, but like what? I was instructed by my prior master.
  • 251:19 - 251:24
    I'm just wondering if they re if they came in the room I would shoot at them if
  • 251:25 - 251:30
    I were trying to give off the illusion that I was still mind controlled if you
  • 251:32 - 251:35
    were trying to put off that illusion. Yeah. Okay. So as soon as they walk in,
  • 251:35 - 251:37
    I fire a bolt,
  • 251:37 - 251:41
    scream and run to the corner of the room and intentionally miss.
  • 251:42 - 251:46
    Okay, so you went off which corner? Back, back, left,
  • 251:46 - 251:48
    back this way. Okay.
  • 251:51 - 251:54
    As you all kind of walk in and fan out Ford,
  • 251:54 - 251:59
    you look around and look up and you're the only one who can see,
  • 251:59 - 252:00
    Oh my God.
  • 252:01 - 252:05
    Oh Vaughn and the keto Geist who are both floating up at the top of the chamber
  • 252:05 - 252:08
    about 50 feet up above you, where the, where the pillars,
  • 252:08 - 252:12
    the load bearing pillars are all kind of coming to kind of almost like a a
  • 252:12 - 252:16
    pyramid type gathering at the top to keep this whole chamber up and they're just
  • 252:16 - 252:19
    going to up there watching you. All right.
  • 252:19 - 252:23
    As you look up at them bongos and they both, everyone rolling.
  • 252:24 - 252:26
    Oh, so hereditary.
  • 252:30 - 252:34
    I'm like, Hey, initiative. Terry.
  • 252:35 - 252:36
    Creepy as a
  • 252:42 - 252:45
    25 to 20 it's a weird 25 to twenties yeah.
  • 252:47 - 252:49
    Nobody, nobody. Nobody. Nobody.
  • 252:50 - 252:54
    Take 20 to 1518 1715 wow.
  • 252:54 - 252:59
    Nice insuring or Ashley Johnson? No, prettier.
  • 252:59 - 253:02
    10 Oh, Oh no.
  • 253:05 - 253:09
    My Ford Yosha and who was it? 15 conduces
  • 253:11 - 253:14
    ten five 17 produces about seven,
  • 253:16 - 253:20
    seven. So then it's bone to bone. Then Katelyn.
  • 253:23 - 253:25
    Alrighty. Sorry, can you, can you run it down from top to bottom?
  • 253:25 - 253:27
    I can't read my own fucking head. Running forward.
  • 253:27 - 253:30
    Could this produces Yasha jester Bo, not Kayla.
  • 253:31 - 253:35
    That's cool. Alright.
  • 253:37 - 253:38
    Done. Top of the round.
  • 253:41 - 253:45
    Goodness gracious from an invisible light by your side,
  • 253:45 - 253:50
    by regard as you were on that and catered guys to appears and goes to shunt the
  • 253:50 - 253:54
    blade into you and be good.
  • 253:54 - 253:57
    That's going to be the advantage.
  • 253:58 - 254:02
    Not a great role, but still 22 come on.
  • 254:02 - 254:07
    None of us are over 20 years old or so.
  • 254:07 - 254:08
    Young homemade guy
  • 254:13 - 254:14
    Jake yet, but
  • 254:17 - 254:21
    it's a good shade out cause that's a really,
  • 254:21 - 254:24
    really bad sneak attack. Roll three, two, two, three, one.
  • 254:25 - 254:28
    So you're looking at anything and never came anywhere.
  • 254:29 - 254:32
    You take 35 points of slashing damage
  • 254:34 - 254:36
    and these make a constitution saving throw.
  • 254:41 - 254:43
    Oh, ah.
  • 254:43 - 254:48
    Is that Gox like Nope. Number. Okay. What was it?
  • 254:49 - 254:52
    Constitution saying? Ooh, I'm going to blessed. I'm blessed. Yeah.
  • 254:54 - 254:57
    Oh yeah. 1227 yeah, yeah,
  • 254:58 - 255:01
    yeah worries. He 40 attacks. I can strike him.
  • 255:02 - 255:06
    It's going to be a 19. Miss mrs.
  • 255:06 - 255:10
    So just the first blow hits in the blade withdraws boys and [inaudible]
  • 255:11 - 255:13
    just spilled across the stonework and another strike.
  • 255:13 - 255:16
    You just carry it out of the way. Uh, she's to have to move into the wall.
  • 255:16 - 255:21
    I just healed that wound bitch. So true. You do get to go for it.
  • 255:22 - 255:23
    So how did he pull your attack?
  • 255:23 - 255:25
    Damn God. Damn. Come on, please don't.
  • 255:29 - 255:30
    Yeah. Yup, yup.
  • 255:31 - 255:35
    Yeah. 27 that hits. Go ahead and roll. Damage. Yes.
  • 255:37 - 255:41
    Well damage. And now Bruce is saying, yeah, she can't move.
  • 255:41 - 255:46
    She gets punched and you grab it and like, like your mystical hands that can,
  • 255:46 - 255:50
    that can kind of punch ghosts as she goes into like a, a ghostly mode.
  • 255:50 - 255:53
    You reach out and grab her throat and yank and hold her there and plates and
  • 255:53 - 255:55
    just like, it looks at you with his eyes. I'm like,
  • 255:55 - 256:00
    the fuck are you my brand new robes. All right. That finishes
  • 256:01 - 256:05
    her turn. The mirrored form now expands out of her.
  • 256:05 - 256:10
    Can I tell you that straight? I can't, no, Nope. Nope. Keep going. Get back.
  • 256:11 - 256:15
    Um, which actually yeah, I'm going to see if, no, she fucking rolled too.
  • 256:15 - 256:18
    All right. So the mirrored form doesn't affect her,
  • 256:18 - 256:22
    but she still has a duplicate. There are three duplicates around three.
  • 256:25 - 256:26
    So you do still hit her with that though.
  • 256:27 - 256:29
    So she still had in place with the seat speed of zero.
  • 256:29 - 256:30
    Finishing her turn Ford you're up.
  • 256:31 - 256:36
    Okay. Can I, can I see a Oban invisible in the air?
  • 256:36 - 256:38
    You can actually, and he is
  • 256:39 - 256:41
    is up on this here.
  • 256:43 - 256:45
    So I'm going to team man just with my
  • 256:48 - 256:49
    two fucking suit.
  • 256:53 - 256:58
    Can I move forward and peek out from just behind this pillow and move forward up
  • 256:59 - 257:01
    towards it and with my uh,
  • 257:03 - 257:07
    right here with my last spell, activating the sword.
  • 257:07 - 257:08
    Can I grip it?
  • 257:08 - 257:13
    Make the blade pulse and I will reach in and say wild mother shine your light
  • 257:14 - 257:16
    and I will cast ferry, fire.
  • 257:17 - 257:20
    Woo. Oh shit. Okay.
  • 257:22 - 257:26
    He cannot be invisible in a more dexterity 15.
  • 257:27 - 257:32
    Gotcha. Yeah, it's always worth a shot though. Yes.
  • 257:32 - 257:36
    That's a great one. It was a natural one. Shut buddy has resistance
  • 257:38 - 257:39
    taste metric results. He gets advantage on this.
  • 257:39 - 257:42
    On the saving throws against spells natural fucking three.
  • 257:44 - 257:45
    Ooh. Yeah,
  • 257:45 - 257:46
    but that one is fire
  • 257:53 - 257:58
    stick. So yeah, he uh, he's sparkly.
  • 257:59 - 258:03
    So you guys watch his Oban. Suddenly you watch us as,
  • 258:03 - 258:06
    as Ford walks out grasps and thinks of the wild mother.
  • 258:06 - 258:08
    And then as he puts his hand, there's like
  • 258:08 - 258:12
    a small reminiscent of a small Humperdinck party. A firework goes off,
  • 258:12 - 258:14
    never part of the chamber. And as the sparkles fall,
  • 258:14 - 258:19
    they gather an outline sticking to the form of Oban.
  • 258:19 - 258:22
    You can now see him in the areas.
  • 258:24 - 258:25
    I will, uh,
  • 258:25 - 258:30
    does not watch my vote is actually just turned back around and put my bag to the
  • 258:30 - 258:31
    pillar. Okay,
  • 258:34 - 258:36
    I turn all right, finishing your go.
  • 258:37 - 258:40
    Quddus you're up and then Yasha you're on deck. Uh, it's very fire.
  • 258:41 - 258:45
    Give any advantage or anything. Everybody attacks on all attacks.
  • 258:46 - 258:51
    Verifiers. Nasty. Um, that fucking sucks for him.
  • 258:52 - 258:55
    Are we, are we, are we starting there then? I suppose
  • 258:59 - 259:04
    most frankincense. Um, how far away is he from? From, from me right now.
  • 259:05 - 259:09
    Uh, right now and sees me. He's about from you at this moment. 55 feet. Okay.
  • 259:09 - 259:12
    So there's no way I could get within 30 feet of him right now, but no, no,
  • 259:12 - 259:15
    he's too high up in here. Okay. So I'm going to,
  • 259:15 - 259:19
    I figured everyone else has got it. I'm going to back up from him a little bit,
  • 259:19 - 259:22
    uh, against the wall and if I can see a,
  • 259:22 - 259:26
    if I can see our other friend over here who seems pretty stunned, you can,
  • 259:27 - 259:28
    I'm going to hit,
  • 259:28 - 259:32
    uh, hit her with a blight.
  • 259:33 - 259:37
    A blight. Okay. That's a constitution.
  • 259:37 - 259:41
    Save that is national 20. Oh,
  • 259:42 - 259:46
    okay. Still takes a, still takes damage though, right? Yeah, it's necrotic,
  • 259:46 - 259:48
    right? It's necrotic and she does not have resistance.
  • 259:51 - 259:54
    That's a lot. So all the time to heal. Since your last battles,
  • 259:54 - 259:59
    the wounds that were taken upstairs, husband, uh Oh, that's good. Uh, actually,
  • 259:59 - 260:02
    can I borrow this for a second? Cause yeah, you guys got a chance to heal
  • 260:03 - 260:06
    slowly. We didn't take a full rest. They're powerful.
  • 260:11 - 260:12
    Oh my God, this is amazing.
  • 260:16 - 260:18
    So total here,
  • 260:21 - 260:25
    you guys also spent a long time searching that chamber above to at least 20
  • 260:25 - 260:28
    minutes. Probably like a half an hour or so with everything you were doing.
  • 260:30 - 260:34
    Um, just shy of an hour and you're done. You're 20, 36,
  • 260:36 - 260:36
    42
  • 260:37 - 260:42
    51 points of necrotic damage. That's some crazy rule. Rule eight, six,
  • 260:42 - 260:46
    eight, six, eight, six, four, five, eight, six, eight, eight D eight.
  • 260:46 - 260:50
    So in almost all of them were eight and six is 51 51 half,
  • 260:50 - 260:54
    but even have this 25 points in damage. Nice. Yeah. All right.
  • 260:55 - 260:58
    [inaudible] that finishes your turn. Yeah.
  • 260:58 - 261:00
    I can't really do much for a bonus action,
  • 261:00 - 261:04
    so I'm just gonna I'm gonna hold there. Y'all shut your up. Okay.
  • 261:05 - 261:06
    I would like to range. Alrighty.
  • 261:09 - 261:13
    I'm really, really, really fucking mad. Okay. Um,
  • 261:14 - 261:18
    skin gorger or magicians? Only one. Only. Only skin. Berger is a
  • 261:20 - 261:23
    no, I turned, yeah. Yeah. Only skin.
  • 261:24 - 261:25
    This was a question because I want to,
  • 261:25 - 261:30
    I wanted to switch to magicians judge because I, um,
  • 261:30 - 261:31
    I probably, I can't do it
  • 261:32 - 261:35
    because there were, there've been time on the walk down to switch swords or no,
  • 261:35 - 261:36
    it takes a short rest to a tune up.
  • 261:37 - 261:42
    Oh, okay. That's fine. Um, he's so far out there.
  • 261:42 - 261:45
    I can get, we do have another target. Yeah, I'm gonna go,
  • 261:45 - 261:49
    I'm gonna go over to her. Okay.
  • 261:52 - 261:57
    And a four times also has a grabbed, um, header.
  • 261:58 - 261:59
    I'm going to hit her
  • 261:59 - 262:03
    with a four, two with a good fraud. Offset an automatic advantage. No,
  • 262:03 - 262:07
    not against her, unless you have to do reckless to, if you want to do advantage.
  • 262:07 - 262:11
    What if, what if a striped or not with the already engaged?
  • 262:12 - 262:14
    Oh, well sure. You do movement. You could move behind her.
  • 262:14 - 262:16
    Do you want them to Oh yeah,
  • 262:16 - 262:18
    absolutely. Okay. We'll do that. Okay.
  • 262:18 - 262:23
    So I mean she can get advantage [inaudible] Oh,
  • 262:23 - 262:28
    get advantage. [inaudible] yeah, much better.
  • 262:29 - 262:33
    Okay. 20. So was the first attack, uh,
  • 262:33 - 262:36
    24 to hit, to hit, to hit. All right.
  • 262:38 - 262:39
    Uh,
  • 262:39 - 262:43
    you strike and her form blurs and you wash.
  • 262:43 - 262:46
    now the three forms of like kind of a luxury versions of herself that surrounded
  • 262:46 - 262:49
    move through her. You strike it. One shin, it vanishes. So you miss her,
  • 262:49 - 262:52
    but you've eliminated one of the images. Okay.
  • 262:54 - 262:59
    You take your second attack. Yeah. National 20
  • 263:01 - 263:05
    fire. Fuck. Alright. No, that hits.
  • 263:05 - 263:08
    Oh, okay. Alright.
  • 263:08 - 263:12
    Do it right. Do it slowly. Go ahead and [inaudible]. So it's your first hit.
  • 263:12 - 263:13
    So just get your dude additional DCX
  • 263:16 - 263:20
    big money and then double it. Is that what Howard? Yeah. Okay.
  • 263:20 - 263:24
    And you can re you reroll ones or you can reroll the dice.
  • 263:27 - 263:31
    Reroll all of them. And then take the higher, just one.
  • 263:33 - 263:35
    We will the weapons damaged ice. The weapons you could read.
  • 263:35 - 263:37
    Re-roll the deep one. D 12
  • 263:39 - 263:44
    Oh, moving all that three cause she's not doing 12 she's doing the 36 no,
  • 263:44 - 263:47
    she's doing two twelves and Oh yeah. Oh yeah. Well for the brutal critical,
  • 263:47 - 263:52
    she has that, but whatever. Okay, so shit, what was this one before?
  • 263:52 - 263:54
    He was a flying. Okay, so a seven
  • 263:57 - 263:59
    16 plus us
  • 264:01 - 264:04
    in awhile. Yeah. Getting you can get the rest
  • 264:04 - 264:08
    off. Well we got you back
  • 264:09 - 264:12
    23 points of damage. Woo. So before I do that,
  • 264:12 - 264:14
    I want to look at her and say rule critical. Right?
  • 264:17 - 264:20
    You roll one more damage. Dice. Another one,
  • 264:20 - 264:23
    another D 12 another D 12 yeah.
  • 264:24 - 264:29
    [inaudible] sixes. 10th level. Wait, no, I'm my, my, my,
  • 264:29 - 264:33
    my one foot is only six inches cause there,
  • 264:33 - 264:38
    Oh, Oh, right there. All right,
  • 264:38 - 264:41
    so you're all confused. So you're rolling additional D six additional desex.
  • 264:41 - 264:45
    Okay. I was like, wait a little critical. Okay.
  • 264:45 - 264:50
    An extra three times, two times two. So six Oh 29 points a day now.
  • 264:51 - 264:55
    Nice. And everything else out of her current phone. So emerging barbarian,
  • 264:55 - 265:00
    well this is, she gets to do additional damage. Um, which,
  • 265:02 - 265:07
    yeah, so that's, that's that there. Okay. Um, before I do that,
  • 265:07 - 265:08
    I want to look at her and, and
  • 265:10 - 265:15
    just look her in the eyes and see you can have control over your mind. Fight it.
  • 265:17 - 265:19
    You look in the face and you can like,
  • 265:20 - 265:23
    she's under the same influence you've been. So she's,
  • 265:24 - 265:25
    does she have a fucking over,
  • 265:25 - 265:29
    I tried to say that loud enough so people could hear this loud enough.
  • 265:29 - 265:32
    That's fine. Okay. Yeah, yeah, yeah. Finishing.
  • 265:33 - 265:38
    I know those finishing Yahshua's turn it buttons. Turn. Hold on.
  • 265:39 - 265:40
    I'm going to go ahead and
  • 265:43 - 265:44
    shift over this way,
  • 265:45 - 265:49
    griever and kind of glance over in your direction as you're the one who very
  • 265:49 - 265:53
    fired. Hello. Hello. Oh, just do me a favor.
  • 265:55 - 265:56
    Make a wisdom saving. Throw with a D for
  • 266:07 - 266:12
    13 you are dominant for your chart. Sorry.
  • 266:12 - 266:13
    I that charm
  • 266:17 - 266:20
    and he's going to point to the circle. No.
  • 266:20 - 266:25
    So your command is to go step into a circle. All right.
  • 266:26 - 266:29
    That brings us to gesture.
  • 266:35 - 266:39
    Um, fuck. I was focused on that.
  • 266:39 - 266:43
    I'm going to try to cast at, um, fourth level,
  • 266:44 - 266:48
    this bell magic. That's I good. Fourth level
  • 266:50 - 266:52
    Helen, than it probably needs to be fifth level on her.
  • 266:55 - 266:59
    I'm try to cast a spell magic on the inevitable end. Okay. You cannot,
  • 267:00 - 267:02
    you do not see, I know she has this
  • 267:02 - 267:06
    thing because I've been scrying on them or that's true. You would. Yeah,
  • 267:06 - 267:08
    you would. You'd have to move to get a better view,
  • 267:08 - 267:09
    but you can do that if you want.
  • 267:10 - 267:12
    Yes, we have one, two, three, four, five.
  • 267:13 - 267:17
    You'd have to get into the circle to be able to see her based on how she's being
  • 267:17 - 267:20
    held. Jesus came to quote this,
  • 267:21 - 267:22
    but you'd have a view of it.
  • 267:24 - 267:26
    Do you have any, do you want to, do you have any movement left?
  • 267:27 - 267:28
    Would they have any movement after that? No.
  • 267:30 - 267:32
    Takes you at all your movements again. You're doing it all right.
  • 267:32 - 267:34
    So you stepped forward into the circle and it's strange.
  • 267:34 - 267:36
    As you step into the one come across,
  • 267:36 - 267:39
    you feel like this kind of cold come over you and you step out of that first
  • 267:39 - 267:41
    circle, you step into the one, the opposite end. And as you get ready,
  • 267:41 - 267:42
    you can lean in.
  • 267:42 - 267:45
    You can see as Bo as grasping her throat and Yahshua's with their behind and
  • 267:46 - 267:48
    striking. She's kinda like looking around. Eyes darting wildly.
  • 267:48 - 267:51
    She turns back towards Beauregard and in the back of the neck,
  • 267:51 - 267:54
    right beneath the red hair, you can see the faint orange glow.
  • 267:55 - 267:59
    As you can feel the cold of the circle kind of causing all of your skin to get
  • 267:59 - 268:03
    goosebumps and your heart kind of sinks in your chest. Okay.
  • 268:03 - 268:05
    And you cast it a fourth level, you said? Yeah,
  • 268:05 - 268:09
    go ahead and roll into 24 me plus a diff. You blesses. Not ability checks,
  • 268:09 - 268:10
    right?
  • 268:10 - 268:11
    Yeah.
  • 268:17 - 268:21
    My cursed two plus whatever,
  • 268:23 - 268:26
    unfortunately. But dispel does not lay.
  • 268:29 - 268:33
    I'm so fucking bad at D and D nominees for best act.
  • 268:33 - 268:37
    That was a great fucking maneuver. Yeah. It's just a shitty die.
  • 268:39 - 268:40
    All right. That's your action. Your movement. You have a bonus,
  • 268:43 - 268:46
    a bonus action. I can't cast another spell,
  • 268:46 - 268:51
    so I'm just gonna go quick. Okay.
  • 268:52 - 268:56
    All right. That finishes just as turn. Bow. You're up.
  • 268:56 - 268:57
    Not you're on deck.
  • 268:57 - 269:01
    Okay. Go hand. I gotta run through throat. Feel this girl. [inaudible]
  • 269:04 - 269:05
    wow.
  • 269:07 - 269:11
    Go for it. Love it. Uh,
  • 269:11 - 269:13
    let me try first. First attack.
  • 269:13 - 269:17
    Do you have a manage these texts cause you and Yahshua are the four.
  • 269:18 - 269:22
    Hey, I'll take the 28 but definitely hits there. Three 31
  • 269:22 - 269:26
    31 you destroy another one of the images.
  • 269:27 - 269:32
    Okay. Is that gonna attack almost international?
  • 269:32 - 269:37
    2026 definitely hits 27 28 total with the Pitzer
  • 269:41 - 269:45
    12 damage. Stunning strike. Right?
  • 269:47 - 269:49
    How should we fold? No, that's her. Hold on.
  • 269:49 - 269:53
    But then they run out Sarkozy on her because 19 fucking
  • 269:57 - 270:01
    contract painters, I guess we focus on her.
  • 270:01 - 270:02
    That's the thing that y'all just going to like all of them can,
  • 270:03 - 270:07
    can we get rid of that? If we ever did move on. It does then it's fine.
  • 270:08 - 270:12
    She's prone to stoner. [inaudible] sexual stuff.
  • 270:14 - 270:15
    Um,
  • 270:19 - 270:22
    points, uh,
  • 270:22 - 270:24
    flurry blows. Go for it.
  • 270:29 - 270:30
    Uh,
  • 270:30 - 270:34
    24 hits her well it's four 28.
  • 270:35 - 270:40
    Well, the middle shitty on her mirror. Image rolls. 10 damage. [inaudible]
  • 270:42 - 270:44
    you have one more tech [inaudible]
  • 270:48 - 270:48
    unless you're doing something wrong.
  • 270:49 - 270:51
    She rolled a 19 on her Sage.
  • 270:56 - 270:57
    Um,
  • 271:02 - 271:07
    22 plus 26 but it's for rule four rule for roller for keep fucking rolling
  • 271:11 - 271:14
    fours. All right. Another 10 damage or can damage. Alright.
  • 271:15 - 271:17
    Extract aspects. Okay.
  • 271:18 - 271:21
    She is resistant to acid fire,
  • 271:22 - 271:26
    lightning cold and funder.
  • 271:29 - 271:29
    Dang.
  • 271:29 - 271:30
    Piercing,
  • 271:30 - 271:34
    slashing and uplifting from that magical magic she was immune to poison.
  • 271:36 - 271:38
    Makes sense. She can not be frightened.
  • 271:39 - 271:42
    She can not be grappled chicken and be paralyzed.
  • 271:43 - 271:47
    She not be poisoned or made prone or restraint.
  • 271:48 - 271:49
    [inaudible]
  • 271:49 - 271:52
    Oh, so sad. So stunning. Strike wouldn't have worked anyway.
  • 271:54 - 271:59
    She can't get grappled prone or restrained. Frightened. Poison.
  • 271:59 - 272:04
    She's made a non bad magic or paralyzed, right? She's a paralyzed,
  • 272:05 - 272:10
    paralyzed amino acid or no resistant resistant to acid fire.
  • 272:11 - 272:16
    Lightning holds. Um,
  • 272:18 - 272:21
    shit. I wanna just shout out, say like
  • 272:23 - 272:24
    thanks.
  • 272:24 - 272:29
    Like necrotic is kind of necrotic and Holy on this girl who's kind of all you
  • 272:30 - 272:31
    can really do.
  • 272:31 - 272:36
    Okay, cool item. Say all right Steph,
  • 272:36 - 272:40
    is that finished your turn? [inaudible] okay. Bose done not, you're up. Caleb,
  • 272:40 - 272:44
    you're on deck. How high up is he? 50 feet.
  • 272:45 - 272:48
    Oh man. I'm going to have disadvantage on the shot anyway. No.
  • 272:48 - 272:49
    Well there's your, it's going to be cleared out Katina.
  • 272:52 - 272:57
    [inaudible] so in that case I'm going to fire on your luck. Oh, what's her name?
  • 273:01 - 273:04
    Unless um,
  • 273:06 - 273:11
    explode the crystal, but that's an option.
  • 273:15 - 273:19
    Ball ball ball. As long as you're doing that, man,
  • 273:19 - 273:23
    I wish I could do more than just to cast a spell. Um,
  • 273:23 - 273:26
    I guess I'll take her out right. If would that help?
  • 273:28 - 273:32
    As much as she's resistant to to everything.
  • 273:32 - 273:36
    It's like a chronic fire, uh,
  • 273:36 - 273:41
    lightning cold thunder non-major seconds. No, she can Pierce. Oh, okay.
  • 273:41 - 273:45
    Well then yeah, I will. I will shoot her. Go for it.
  • 273:48 - 273:51
    1313 mrs [inaudible]. But you get, you got an advantage. I know that
  • 273:54 - 273:55
    you're not letting you are blessed
  • 273:57 - 274:02
    when you're 14 and we're flanking her. So you ask an advantage. You do. Okay.
  • 274:02 - 274:06
    Is that true? Hey, that's 27 actually, no,
  • 274:06 - 274:09
    not was not blessed cause that was not in the room. No wait,
  • 274:09 - 274:13
    it was within 30 feet a week when we walked in. We did everybody. Alright.
  • 274:15 - 274:17
    Uh, am I getting advanced? I don't know.
  • 274:17 - 274:21
    Does it get advantaged in this and this against her? No,
  • 274:21 - 274:26
    you're not going to vantage, but you do get sneak attack. So 14. So that didn't,
  • 274:26 - 274:30
    that next role is a 24 to hit 24 to hit Rose. Just,
  • 274:30 - 274:31
    there we go.
  • 274:31 - 274:36
    I wanted to connect you shoot the last of the images and advantages,
  • 274:37 - 274:37
    Forbes, the final blow,
  • 274:37 - 274:41
    but now all of the mirror images of vanished and she is [inaudible].
  • 274:42 - 274:47
    Okay, great. She is there and I'll just move that way. We'll just 10 feet,
  • 274:47 - 274:52
    10 feet, 30 finishes your turn nut Caleb Europe.
  • 274:52 - 274:56
    I start to wonder in looking at Ford a little, um,
  • 274:56 - 275:00
    anxiously and I'm going to move to the, the column closest to me. Okay.
  • 275:01 - 275:05
    Yeah. And a fire just Springs up in my hand and I just talk a,
  • 275:06 - 275:11
    uh, a fire bullet, uh, at Oban go forward. Give advantage. Any tackle.
  • 275:13 - 275:16
    I think they're resistant to fire. Uh,
  • 275:18 - 275:22
    I'm still doing it cause I have nothing else I can do definitely hits on all the
  • 275:23 - 275:27
    99, 28, 27, 27 minutes. Uh,
  • 275:27 - 275:28
    and it's just to determine,
  • 275:30 - 275:33
    I will know after this that he can't bear nine,
  • 275:33 - 275:37
    nine or fire damage just to have excuse resistance.
  • 275:38 - 275:40
    It's the hit seems to shrug it off. No issue,
  • 275:40 - 275:45
    not something he has to maintain on old 40 boy. Nope.
  • 275:47 - 275:51
    I will actually stand. Just could I go just outside that circle right on set?
  • 275:52 - 275:57
    Yeah, there, there you go. Okay. Alrighty. That brings us to okay. To turn
  • 275:59 - 276:00
    keto Geist
  • 276:04 - 276:06
    it's going to go ahead and think of cask darkness. Interspace
  • 276:08 - 276:09
    metal
  • 276:11 - 276:15
    create an area of magical darkness in this area.
  • 276:16 - 276:17
    So as she does so,
  • 276:18 - 276:23
    this black sphere involves the area both Yasha and Beauregard.
  • 276:23 - 276:27
    Can see nothing. You are in Gulfton magical darkness. Your eyes cannot Pierce.
  • 276:28 - 276:31
    She then attempts to shift it into the wall,
  • 276:31 - 276:33
    but then you guys get tax opportunity with disadvantage.
  • 276:34 - 276:37
    Oh, fun Sentinel Bay.
  • 276:37 - 276:40
    Dave's add the D for just in case.
  • 276:47 - 276:52
    Okay. Oh disadvantage. Fuck, I rolled another natural 20. Okay.
  • 276:52 - 276:56
    So, um, uh, the 1717,
  • 276:56 - 276:58
    mrs [inaudible] I did
  • 277:02 - 277:04
    Dawn Denisha darkness go with her or the darkness day.
  • 277:07 - 277:10
    All right. She moves up. That's her turn. Ford, you're up
  • 277:13 - 277:17
    four steps into the circle and the cold washes over you.
  • 277:22 - 277:23
    I'm, I'm dominant. Gets it. No,
  • 277:23 - 277:26
    you don't get to save a gunshot attempt to save against it. Um,
  • 277:29 - 277:32
    cause he was just told to go on the circle and not kill him. That's right. Nope.
  • 277:33 - 277:37
    Nope. All right.
  • 277:38 - 277:42
    That brings us to [inaudible] and [inaudible] on deck.
  • 277:43 - 277:48
    I'm going to walk up to Ford and fuck it.
  • 277:48 - 277:51
    I'm no one die. Okay.
  • 277:52 - 277:54
    I'm going to cast a greater restoration on Ford.
  • 277:55 - 277:56
    Okay. Yes. Yeah.
  • 277:58 - 278:02
    So he is no longer charmed and someone had that shit. No longer charge.
  • 278:02 - 278:06
    I'm going to grab him, I'm going to take his hand. Um,
  • 278:06 - 278:08
    and I'm going to pull him out of the circle and say,
  • 278:08 - 278:12
    come with me cause he's your action to cast the spell. That was my action.
  • 278:12 - 278:14
    Right. My bonus can't be come with me and dragon. No.
  • 278:15 - 278:18
    To forcefully pull somebody or push me out of the space is either part of an
  • 278:18 - 278:22
    ability or an action to do so. To like to do that,
  • 278:22 - 278:24
    to like cast the spell and then pull him out.
  • 278:24 - 278:26
    He's still kind of recovering from it. You can't do both of this rock
  • 278:28 - 278:30
    got out of the circle as soon as possible.
  • 278:30 - 278:33
    I'm going to back the back of the hell back up against the wall. Okay.
  • 278:34 - 278:38
    And I don't think I have any other shit that I can do. Um,
  • 278:41 - 278:45
    uh, yeah, no, just, just for, yeah, no, that's a,
  • 278:48 - 278:50
    yup. That's, that's what I can do. All right. Let me just go to the Asha,
  • 278:50 - 278:54
    you're up. Okay. You're just covered in darkness right now.
  • 278:55 - 278:57
    Good guys slipped out of your grasp. Your blade hit the side of the wall.
  • 278:58 - 279:01
    No actual impact. What are you doing? Okay. Uh, I'm going to try to
  • 279:04 - 279:08
    back out of the circle. I can move five feet and your vision comes back to you.
  • 279:08 - 279:10
    Okay. So, um,
  • 279:13 - 279:15
    I'd like to go beside jester
  • 279:19 - 279:20
    jester.
  • 279:26 - 279:31
    You'll get the joke in two years, year and a half. Um,
  • 279:33 - 279:37
    just or do you think you can get out of there? Sure, sure. Yeah.
  • 279:37 - 279:38
    You think so? Yeah.
  • 279:42 - 279:47
    I don't know what to do cause I can't reach him up there. Um,
  • 279:48 - 279:52
    you're, you can hold your deck until these women hold the attack.
  • 279:54 - 279:55
    Anythings within reason underneath them.
  • 279:55 - 279:58
    And then to hold your tag if he comes down to the ground or something. Yeah,
  • 279:58 - 280:03
    that's not a bad idea. All right. I'll just get close to where he is.
  • 280:04 - 280:08
    Okay. No,
  • 280:11 - 280:15
    35. Nope. Nope, yes. 40 and get about to do today and try to Tom,
  • 280:15 - 280:20
    Tim to come down a little bro. I'm just going to intimidate him. That's
  • 280:22 - 280:25
    sure. All right. Go ahead and roll intimidation. Recheck
  • 280:27 - 280:32
    your truck so I can use my knowledge. Yeah. Cold cuts.
  • 280:32 - 280:36
    Strength with that. Right. I'll let you think that we talked about that.
  • 280:36 - 280:39
    Very end with why Texas Sterling
  • 280:41 - 280:46
    six. Oh yeah, he's unfazed. It looks down here. It goes through.
  • 280:47 - 280:50
    If you've got a hold attack from the next thing that was scared of him a little
  • 280:50 - 280:52
    bit, you know it's going to take them back for me. It's all good cards.
  • 280:53 - 280:57
    All right. There's no bottom start. One goes, yeah,
  • 280:59 - 281:03
    no. Why is that enters the circle next to you? Oh no.
  • 281:03 - 281:05
    Can you attack him since his clothes?
  • 281:05 - 281:10
    It's not close enough to you or holding an action. It'd be better to attack him.
  • 281:10 - 281:11
    He gets close what I'm saying, but like right here, Oh boy.
  • 281:11 - 281:15
    He's just out of range. He flies down and he's come out range
  • 281:17 - 281:19
    and he looks back towards the gesture. He goes,
  • 281:20 - 281:22
    I could really use your help with this.
  • 281:23 - 281:27
    You see as he like reaches in his pocket and against a pullout,
  • 281:27 - 281:32
    some sort of strange black dust and scattering it in the center of the chamber.
  • 281:34 - 281:37
    Um, need you to make a wisdom saving. Throw foaming jester.
  • 281:41 - 281:44
    I'm scared of my dice tonight. Come on LA.
  • 281:46 - 281:47
    Okay.
  • 281:50 - 281:51
    Save them some sort.
  • 281:53 - 281:56
    It's 10 plus a nine 19,
  • 281:56 - 282:00
    19 year resisted [inaudible]
  • 282:03 - 282:04
    less
  • 282:08 - 282:09
    [inaudible] [inaudible] turn just or Europe.
  • 282:09 - 282:12
    Fuck. I'm going to step out of the circle. Okay.
  • 282:14 - 282:18
    Which way? Uh, yeah, towards him. Why the fuck not okay?
  • 282:21 - 282:23
    Um, Russian mafia
  • 282:26 - 282:30
    and I'm going to, I'm sure mr wick reach out to him
  • 282:32 - 282:37
    and cast inflict wounds. Yes. That would be it.
  • 282:37 - 282:40
    Third level, right? It's a chronic, yeah.
  • 282:42 - 282:46
    The one thing I need to see, Oh, plus
  • 282:49 - 282:51
    four, 20
  • 282:52 - 282:53
    20th exactly.
  • 282:58 - 283:02
    All in a row. Plus Hong Kong. Hashtag Bluffs
  • 283:05 - 283:08
    is it a 10? As a 10? Okay. So whether it's high five D 10,
  • 283:10 - 283:15
    I'd be 10, nine, 16, uh, 24,
  • 283:15 - 283:20
    26 plus a one 27,
  • 283:20 - 283:21
    27 points in color damage.
  • 283:21 - 283:25
    You reach out and grab the front of his chest and as you release the divine
  • 283:25 - 283:25
    energy,
  • 283:25 - 283:29
    you see the kind of green energy of the traveler reach into his body and then
  • 283:29 - 283:33
    Pierce into the center of his flashing, which is back is darkened.
  • 283:33 - 283:35
    I suddenly go deep,
  • 283:35 - 283:38
    deep forest green and you see him kind of have a hard time breathing for a
  • 283:38 - 283:39
    second.
  • 283:40 - 283:43
    Yeah. My bonus action.
  • 283:44 - 283:48
    Can I reach down and try to smear the cliff on the ground?
  • 283:51 - 283:55
    Uh, that'd be more of an action to actively adjust it. Yeah. Okay.
  • 283:56 - 284:01
    A bow. You're up, not your on deck. Alright. I'm gonna come out of the darkness.
  • 284:01 - 284:06
    Okay. And gonna run towards where our hood Oberon's voice. Can I do like, do,
  • 284:06 - 284:09
    do, do park horvan as mung shed off of the pillar
  • 284:11 - 284:15
    forward slim. Sure. Flying kick tells me
  • 284:17 - 284:19
    hi. Hi DC
  • 284:23 - 284:24
    12.
  • 284:29 - 284:33
    You slide down the wall. You get advantage cause he don't take any fall damage.
  • 284:33 - 284:37
    But you do fall pro. Do I get a D for not for that. I definitely checked out.
  • 284:38 - 284:41
    It was a difficult, it was a difficult acrobatics check. Have you failed,
  • 284:42 - 284:46
    you failed, you failed it. Um, so you fall prone, you sleep,
  • 284:46 - 284:48
    you climb up and you slip off the top tumble.
  • 284:48 - 284:50
    You keep yourself from taking fall, but
  • 284:50 - 284:54
    you do get fall, you do fall prone. Um, you can pull up my movement.
  • 284:54 - 284:58
    I still have like half my movement. You just used about stripping, you know,
  • 284:59 - 285:02
    you used about sort of wanting to get over there and then fall fell.
  • 285:02 - 285:05
    So you could use the Twain to get up. Yeah. Okay.
  • 285:05 - 285:09
    And then I'm with [inaudible]. That's right. So you can still get over there.
  • 285:09 - 285:11
    Yeah. So fucking mugs.
  • 285:11 - 285:15
    I just stand up and look around to help. No one saw it.
  • 285:16 - 285:21
    Everybody saw thanks.
  • 285:21 - 285:26
    Who's how tired. All right. Go for it
  • 285:29 - 285:34
    man. Advantage entity for advantage cause these shoes. Dignity shoes, Greg.
  • 285:35 - 285:39
    Okay. I'm 22.
  • 285:39 - 285:41
    It hits for the first attack.
  • 285:43 - 285:44
    10 damage already
  • 285:52 - 285:56
    guys. Uh,
  • 285:57 - 286:01
    was a 20 to 22 people in pretty high.
  • 286:02 - 286:02
    Second attack.
  • 286:09 - 286:13
    A 22 again. Yeah. Damage.
  • 286:14 - 286:16
    Eight damage. Eight damage already.
  • 286:17 - 286:22
    Bonus section. He rolled.
  • 286:22 - 286:23
    Hi
  • 286:23 - 286:28
    constitution. That's up to you. What are you gonna do? Carter?
  • 286:31 - 286:32
    [inaudible] okay.
  • 286:34 - 286:39
    Same role. 22, sorry. Fourth.
  • 286:39 - 286:40
    It was worth it.
  • 286:44 - 286:47
    She put a section in. What'd you do?
  • 286:48 - 286:51
    Um, bonus section. I'll just take one hit. Go for it. Rolf D tech
  • 286:53 - 286:55
    still advantage. Still event.
  • 286:58 - 287:01
    Hold national 18. So 28 30, 32
  • 287:04 - 287:07
    and another eight damage. [inaudible] got it. Cut. Finish your return. Yeah.
  • 287:08 - 287:11
    All right. Oh, regard is done. Uh, not your up. Caleb, you're on deck. Oh,
  • 287:11 - 287:13
    I'm up. Yeah. Okay.
  • 287:14 - 287:18
    It seems engaged so I will attack it with my crossbow.
  • 287:19 - 287:20
    GFO ready to go for the
  • 287:26 - 287:30
    [inaudible] advantage. My advantage sucks also.
  • 287:30 - 287:34
    Plus a Z for, it's not going to hit a toy.
  • 287:35 - 287:40
    1818 misses. Okay. And I'm bonus action also attack the advantage. Okay.
  • 287:40 - 287:41
    What way better?
  • 287:42 - 287:46
    A 22 or 32 to hit 32 to hit.
  • 287:46 - 287:48
    That definitely hits [inaudible]
  • 287:49 - 287:50
    and with sneak attack. Yup.
  • 287:50 - 287:55
    Cause he is adjacent to Beauregard jester 15 1622 points of damage.
  • 287:59 - 288:04
    All right. I'm starting to look a little hurt. A little hurt.
  • 288:04 - 288:08
    I'm starting to see somewhere on them little where you'll finish your turn. No,
  • 288:08 - 288:13
    I ain't gonna just move another 10 feet that way you gotta know. Okay. Caleb,
  • 288:13 - 288:15
    you're up a very simple,
  • 288:15 - 288:18
    I'm going to move just five feet this way so I can get eyes on Oban and I'm
  • 288:18 - 288:20
    going to Chuck another, Oh,
  • 288:20 - 288:23
    it's got another five feet and Chuck another fireboat at him,
  • 288:23 - 288:26
    which is not going to do much, but I'm going to do it. It does give him,
  • 288:27 - 288:29
    well from there he doesn't have a cover. Say you're good. Okay.
  • 288:29 - 288:33
    So that's a 1616 misses, misses the wing,
  • 288:34 - 288:38
    knocks it out of the way. Okay. That's it. I'm just waiting. All right. Top.
  • 288:38 - 288:39
    Have the turn.
  • 288:44 - 288:46
    Oh, who's that? What's going on?
  • 288:50 - 288:53
    This fish. Oh no, she's getting in a circle. Isn't she know she's not.
  • 288:54 - 288:54
    She's cutting off.
  • 288:54 - 288:59
    That wizard said that is going to be a 28 to hit a hits.
  • 289:00 - 289:01
    Are you sure though?
  • 289:07 - 289:12
    Oh, they were all one hit.
  • 289:15 - 289:16
    That'd be kind of cool.
  • 289:22 - 289:25
    46 points of piercing damage and you can make a constitution.
  • 289:25 - 289:27
    Save it there for me please.
  • 289:31 - 289:35
    [inaudible] [inaudible] before. Yeah,
  • 289:37 - 289:41
    I am. You are the paperclip man.
  • 289:42 - 289:45
    I want everyone to live one to one. Yeah, you resist the poison.
  • 289:45 - 289:50
    Second strike against you is going to be a page you can do today.
  • 289:51 - 289:56
    You take, I see you're trying to resist a poison 11 points of session,
  • 289:56 - 289:58
    image or piece an image. And then you also have made the constitution saving.
  • 289:58 - 290:02
    Throw another constitution. Saving Oh four. Oh, same, same deal. Correct. Okay.
  • 290:06 - 290:11
    Well see for 13, 13, you are poisoning.
  • 290:15 - 290:18
    No, no. And she's going to
  • 290:20 - 290:24
    shift. I will the circle, throw a fire bolt at her as she goes.
  • 290:25 - 290:26
    See a forecaster. You can. Yeah.
  • 290:30 - 290:34
    No steam. Uh, 2020 that hits, yes.
  • 290:34 - 290:38
    She's going to use your reaction to Perry national. Take it. She'll take it.
  • 290:40 - 290:41
    I'm confused. Go for it.
  • 290:46 - 290:50
    Big five. Awesome. Two points of fire damage. Okay.
  • 290:52 - 290:54
    Now it's your turn.
  • 290:56 - 290:56
    Yeah.
  • 290:56 - 291:00
    I assume you're going to stay in that circle and Oban telepathically to you
  • 291:00 - 291:03
    says, Oh no, no, that's right. No, you're broken. That's right. Nevermind.
  • 291:04 - 291:08
    Fuck off. I'm getting forward out of that circle. No, no, no, no.
  • 291:08 - 291:13
    Whatever the opposite of that is I will walk around and try and get within melee
  • 291:13 - 291:16
    range of Oban on Zig rounding,
  • 291:16 - 291:18
    predictable, predictable
  • 291:20 - 291:22
    over here.
  • 291:24 - 291:28
    Full circle going around OB, uh, two,
  • 291:28 - 291:33
    two strikes with the star razor vantage cause he's offering plus a D for.
  • 291:36 - 291:39
    It's my, it's my mantra. Uh,
  • 291:40 - 291:45
    and is it 22 to well, it's like when you say 23 to hit 23 to hit,
  • 291:45 - 291:49
    he's going to go ahead and use a Nope. We can't do that there man. Okay.
  • 291:50 - 291:51
    Before, on the second one,
  • 291:54 - 291:58
    uh, 32 hit. Yeah. That hits as well. Great.
  • 292:01 - 292:06
    Whoa. Wow. Uh, uh, and seven
  • 292:07 - 292:09
    is 29,
  • 292:09 - 292:14
    29 points of damage of both strikes as you wash her on the way and she shark
  • 292:14 - 292:19
    thrum twice the blade cutting through is like, Oh,
  • 292:19 - 292:22
    he sees you step out of the circle and he's starting to see like his plan begin
  • 292:22 - 292:25
    to crumble. Um, all right, so to finish your turn
  • 292:29 - 292:30
    [inaudible]
  • 292:30 - 292:35
    sorry, it's a, it's a 31 31, just plus two. Oh, okay.
  • 292:35 - 292:40
    Oh yes. That is into my attorney since you're up. Um, I'm not even gonna move.
  • 292:40 - 292:44
    I do. I have a clear shot on Oban right now, uh, from where you are right now.
  • 292:46 - 292:50
    No, you'd have to move a bit. All right. Staying against the wall all the time.
  • 292:51 - 292:54
    I'm saying it's wall. I'm going to, uh, let's, uh, let's pop another blight.
  • 292:55 - 292:56
    Sure. Yeah.
  • 292:58 - 293:02
    That is the advantage. I just saw 25,
  • 293:02 - 293:07
    well still have reaction to, so sorry.
  • 293:07 - 293:10
    I'm doing this again to
  • 293:12 - 293:14
    even, even if it's more
  • 293:19 - 293:24
    for cat comes up, well for carrying on shot have to kill.
  • 293:25 - 293:26
    Uh, so that's um,
  • 293:30 - 293:34
    silence, silence.
  • 293:37 - 293:42
    Uh, that's, uh, the 19, uh, 24,
  • 293:43 - 293:44
    30, 39
  • 293:45 - 293:50
    [inaudible] nine point. So monochromatic alphabet too. Yes.
  • 293:50 - 293:55
    So you see the, the, the moisture being drawn from his body,
  • 293:56 - 293:58
    uh, the impact taking hold in him, it hurt
  • 294:01 - 294:04
    Stephanie. She turned to use. Yeah. Uh, yep. Um, I'm,
  • 294:05 - 294:05
    I'm actually just going to,
  • 294:05 - 294:08
    I'm going to curl against the wall even further just to,
  • 294:08 - 294:13
    just to try to be out of his sight. Yeah. Okay. Got it. Gotcha. You're up. Okay.
  • 294:13 - 294:14
    Am I doing the thing,
  • 294:15 - 294:20
    I'm going to take the attacks against him so you have an advantage on this
  • 294:20 - 294:24
    without having to go reckless because gesture is on the opposite side of you
  • 294:26 - 294:27
    very far.
  • 294:31 - 294:35
    Like how this one rolls when it does well. Okay. Okay. Okay. Okay.
  • 294:37 - 294:42
    Six. It looks rolling like it's designed to be cost plus and four,
  • 294:42 - 294:44
    if not little a fuck. What ended up
  • 294:48 - 294:51
    I guess 26 26 hits? Yes.
  • 294:53 - 294:54
    Okay.
  • 294:59 - 295:00
    Oh, Oh, okay. I'll keep that one
  • 295:05 - 295:08
    and you can reroll [inaudible] yeah,
  • 295:10 - 295:12
    much better. Okay.
  • 295:18 - 295:21
    22 points for the first head. Nice. Second.
  • 295:25 - 295:30
    Eddie. Cue. Is it salted poodle? Come on real sheep ass. Yeah. Okay.
  • 295:30 - 295:32
    I got advantage on the second hit as well. Yeah.
  • 295:34 - 295:39
    19 total. 19 a call. No, that's a critical,
  • 295:40 - 295:43
    so 27. Okay. You don't all the actual B six, just the,
  • 295:43 - 295:48
    it's just your 26 plus 26 times two plus initiative.
  • 295:48 - 295:51
    Additional [inaudible] then your modifier. Okay. So five. These
  • 295:54 - 295:58
    are all us again, just to see what happens. Okay. So we'll take a four. Uh, so,
  • 295:59 - 296:03
    uh, nine total, so 18 plus an additional D six,
  • 296:04 - 296:08
    uh, which is, uh, for, what was I on 24?
  • 296:10 - 296:10
    You're 22,
  • 296:10 - 296:15
    22 point 22 modifiers and I don't have fires.
  • 296:16 - 296:18
    What am I adding? What am I adding? Sorry.
  • 296:19 - 296:22
    Your rage plus my ratio, which is an extra
  • 296:25 - 296:29
    22. Alright.
  • 296:30 - 296:34
    High pressure, late night mass. Is it? Yeah, that's an extra seven.
  • 296:35 - 296:38
    No, over the offset. You gotta be plus, I'm sorry,
  • 296:39 - 296:42
    it's been a while. Oh yeah.
  • 296:45 - 296:47
    Your rage damage at this level,
  • 296:47 - 296:52
    I think is plus two plus three plus three at this level.
  • 296:52 - 296:56
    Plus your strength modifier, which is plus three, three. So that's plus. Okay,
  • 296:56 - 296:58
    so 20th, 28, 28 points a day.
  • 297:07 - 297:11
    Sometimes it's fucking poetic. Oh my God.
  • 297:11 - 297:15
    Okay. I want to do something very bad. Do it.
  • 297:18 - 297:19
    Okay.
  • 297:21 - 297:25
    He turned away from me looking at me. Uh, after,
  • 297:25 - 297:27
    after gesture grabbed him,
  • 297:28 - 297:31
    both beat the shit out of him for Cameron and hacked him. Uh,
  • 297:33 - 297:36
    he's like, he's like keep it around and he's, he's looking out.
  • 297:36 - 297:37
    He's does he like, he's looking,
  • 297:37 - 297:41
    he's looking for the keto guys to come jump in and help and turn the tide and
  • 297:41 - 297:43
    you see he's getting ready to kind of glance at one of your friends who he
  • 297:43 - 297:46
    hasn't yet to try and take their mind and then out of the corner of his eyes,
  • 297:46 - 297:47
    he's, you approach approachable the shoulder.
  • 297:49 - 297:54
    I don't know if I'll be able to do this, but I kind of want to reach up
  • 297:56 - 297:59
    to the top of his wings and I want to pull them off. Yeah.
  • 298:00 - 298:01
    Cause you reach and grab,
  • 298:01 - 298:06
    you see electrical energy across her arms as her eyes going to spark with bright
  • 298:09 - 298:14
    blue anger. She puts her foot against the back of his shoulder blades and
  • 298:16 - 298:16
    you start screaming,
  • 298:19 - 298:22
    tears the wings off of his back. He go scattering across the ground,
  • 298:22 - 298:26
    spinning spattering his dark blood across the stone. He falls to his knees
  • 298:30 - 298:31
    and I'll take out the skin. Gore dry
  • 298:34 - 298:38
    to the chest. The blade goes in. Yeah,
  • 298:42 - 298:45
    pull the blade out. She falls to the ground.
  • 298:59 - 299:02
    All the light in the room gets darker.
  • 299:04 - 299:09
    The actual pillar in the obelisk seems to flicker and the shadows grow.
  • 299:09 - 299:10
    Law in deep.
  • 299:12 - 299:17
    This low vibration takes the floor in a circle and you hear a [inaudible]
  • 299:21 - 299:25
    skosh stop. First stop.
  • 299:27 - 299:32
    Any of you speak of Bissell? Oh,
  • 299:32 - 299:34
    woo is, shoot you here.
  • 299:38 - 299:39
    I'm so
  • 299:41 - 299:45
    sorry. And he goes, no, no.
  • 299:47 - 299:48
    You watch the blood pouring out of his chest.
  • 299:48 - 299:52
    He begins to blacken and the face and I say,
  • 299:52 - 299:53
    did you hear that?
  • 299:55 - 299:59
    The blood becomes more and more of a gush like a waterfall,
  • 299:59 - 300:01
    and this body begins to melt in his face
  • 300:04 - 300:09
    as he is his entire corpse turns into this black oily sludge that begins to
  • 300:09 - 300:13
    spill out in the ground and expand. You all kind of step back a bit.
  • 300:13 - 300:16
    As you watch it boil in Royal
  • 300:21 - 300:23
    10 girls begin to reach out of it.
  • 300:23 - 300:27
    You guys all kind of step back a bit in the chamber and watch as it rises up
  • 300:27 - 300:28
    from the black inky
  • 300:30 - 300:34
    MES Oban the punished rises a mass of black,
  • 300:34 - 300:36
    blue and dark,
  • 300:36 - 300:41
    deep green tentacles and teeth and eyes cursed.
  • 300:41 - 300:46
    Now they punished for them from the chain to oblivion.
  • 300:47 - 300:48
    Hello.
  • 300:50 - 300:54
    Oh, that's super gross.
  • 301:02 - 301:03
    And that's real.
  • 301:05 - 301:08
    Oh no, it's kept tongues.
  • 301:09 - 301:13
    It's got eyes hanging off of 10 year old. Ate that in Japan once.
  • 301:15 - 301:20
    I don't like any of them in hand, but worse. Yeah. So,
  • 301:20 - 301:24
    Oh God, he's done. [inaudible]
  • 301:27 - 301:29
    still do. Maybe. Oh, we'll pick up from there.
  • 301:32 - 301:37
    [inaudible] will help us. So yeah, cause she's free now. Yeah.
  • 301:38 - 301:41
    Maybe you go on break.
  • 301:41 - 301:44
    Actually Thanksgiving. So yeah.
  • 301:45 - 301:50
    So we'll come back first week of December and pick up this crazy chaos for a
  • 301:51 - 301:54
    very Christmas at the Thanksgiving production that we did.
  • 301:56 - 302:00
    [inaudible] yeah. Yeah. All right guys.
  • 302:00 - 302:01
    Oh man,
  • 302:06 - 302:10
    we're all tat. We're totally tabbies friendly. I know.
  • 302:15 - 302:18
    I'm on the edge of town. Matt does maps in
  • 302:20 - 302:24
    wow. John was so
  • 302:30 - 302:35
    Kaptur. What's bugger? Oh,
  • 302:35 - 302:40
    bond is gone. Is this is, yeah. You, you,
  • 302:40 - 302:42
    you watched the life lead design. This is just,
  • 302:42 - 302:47
    this is a shred of whatever remained of him being twisted and left as a final
  • 302:49 - 302:54
    fuck you from throughs dune. And we'll deal with that in a couple of weeks.
  • 302:57 - 303:01
    In the meantime, guys, those of us in the U S have a happy Thanksgiving.
  • 303:01 - 303:05
    The rest of you guys, we love you anyway. Um, but I, yeah,
  • 303:06 - 303:09
    love you very much. And is it Thursday? Can I
  • 303:25 - 0:00
    [inaudible].
Title:
Sandbox
Description:

You can use this Sandbox to try out things with the Amara tool.

The video that is primarily streaming here is http://www.youtube.com/watch?v=ZU2kyr9jRkg , which is completely blank. But you can go to the URLs tab to add the URL of another video and make it primary.

Please remember to download your subtitles if you want to keep them, as they will get deleted - and the streaming URL reverted to the blank video if you changed it - after a week or two,

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Video Language:
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Duration:
01:46:39
Claude Almansi edited Metadata: Geo subtitles for Sandbox
Claude Almansi edited Metadata: Geo subtitles for Sandbox
Claude Almansi edited Metadata: Geo subtitles for Sandbox
Claude Almansi edited Metadata: Geo subtitles for Sandbox
Claude Almansi edited Metadata: Geo subtitles for Sandbox
Claude Almansi edited Metadata: Geo subtitles for Sandbox
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