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2016-MEGASHARE}!! watch Bad Moms Online Full Putlocker

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    The most vital component
    in the human system.
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    It's the brain that controls
    every body part.
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    Brain is the king of all
    human body parts.
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    Patient Name: Sanjay Singhania
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    Symptom: Anti retrograde
    Amnesia Short term memory loss
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    Hey, look at this one.
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    This one's my project.
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    No.
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    Sir, but why?
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    Forget this case.
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    But it's such an interesting case.
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    Interesting yes,
    but it's also a police case.
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    But...
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    Sunita, you want me to
    call your parents?
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    Fine, I won't take it up.
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    But as medical students,
    we want to know.
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    Okay...
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    That is Sanjay Singhania.
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    Hit on the head with an iron rod.
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    After the incident,
    he lost his memory.
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    He is unable to remember anything now.
    We call it short term memory loss.
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    He remembers events for
    only about 15 minutes.
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    Afterwards...
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    he forgets everything.
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    For example, he'd ask your name...
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    and in 15 minutes he will
    have forgotten it.
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    He recalls only fragments of the incident.
    But we can't say how much of it he remembers.
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    Regular tasks like eating,
    drinking, driving, also his feelings...
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    lie embedded in his
    sub-conscious mind.
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    How does he go about
    his everyday routine?
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    How does a child perform
    instructed tasks?
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    By committing to memory,
    learning by rote.
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    Or, by jotting things
    down in writing.
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    Likewise, he remembers
    tasks by writing.
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    What was that incident?
    Who assaulted him?
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    This, no one knows.
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    Unfortunately, he doesn't
    even recall a face.
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    How can someone live on like this...
    I wonder, what he's doing this moment...
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    Ghajini
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    Killed, just like Mangesh.
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    The second, this week.
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    Even if I've to search every street,
    I'm going to get this one in 48 hours.
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    Find out who...
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    I must find him before the
    police gets to him.
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    Where to?
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    There...
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    Orchard Avenue.
    Pin 400076. My street
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    We're in Orchard Avenue.
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    Take the next right.
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    Odyssey. It's a building on
    your right. I want to go there.
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    My building
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    73 Rupees.
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    Whose address is it?
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    Mine.
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    Kill him Find Ghajini
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    Find him Kill him
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    Photos
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    House Keys
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    Wallet
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    Cell phone
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    Camera
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    Gun
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    Remove T shirt
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    Revenge
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    Kalpana was killed
    Who is Ghajini?
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    Revenge
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    Check notes, Photos
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    Find Ghajini
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    Kill him
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    Day before yesterday. 10 am.
    From Hiranandani to Andheri Station.
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    Yes, I sold that ticket.
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    What's written behind it?
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    He paid me with a five hundred note.
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    I didn't have change.
    So I wrote it on the back.
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    He forgot to take the change...
    hey, it must be him.
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    Who...?
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    This one always forgets.
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    Sometimes he forgets to buy a ticket,
    sometimes it's the change.
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    At times, he'll go on buying tickets.
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    He keeps on asking the
    names of bus stops.
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    Can you recognise him?
    - Why not... looks a strange sort,
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    keeps his head shaven,
    has a long scar on the head.
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    Every morning at ten, he takes
    the bus from Hiranandani.
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    It's nine.
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    We got an hour to get him. Come on.
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    Take camera
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    Bus 392
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    There he goes.
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    Hey...
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    Damn it.
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    See you in the canteen after the lecture.
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    Excuse me... excuse me, sir...
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    Hi sir! I'm Sunita.
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    Sunita. Final year medical student.
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    You don't know me.
    But I know you.
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    Can I talk to you for
    two minutes... please?
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    As a medical student,
    I want to know how...
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    Camera beeps
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    What's that?
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    My camera.
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    Why is it beeping?
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    It buzzes every 15 minutes.
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    So that I can take photos...
    of important things, people...
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    to inscribe on them, to remember.
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    On photos?
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    Yes.
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    What are you doing?
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    Making notes...
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    Tear it out, throw it away. Do it.
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    Can I see a photo?
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    My watchman
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    My doctor
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    My manager
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    My building
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    Hiranandani? Do you live there?
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    Yes.
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    Can I ask...
    how you got injured in the head.
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    My professor told me
    about some accident.
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    Do you remember anything
    about the incident?
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    Yes
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    What happened?
    Who hit you?
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    We aren't friends enough for me
    to confide in you.
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    Sorry sir... sorry.
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    I'd like to meet you again.
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    Take my photograph...
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    I'll use it to remind you
    when we meet again.
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    One more...
    one for you and one for me.
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    I hope I'm a friend now?
    Please write on it "My Friend".
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    Thanks.
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    The next time we meet,
    I'll show this to you.
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    You think the police is incompetent?
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    My name is Sanjay.
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    Sanjay Singhania.
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    Business is my passion,
    it's also my job.
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    My dad dreamt of turning the enterprise
    into India's largest cellphone company.
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    His dream is now my purpose.
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    And I'll leave nothing undone
    in order to achieve it.
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    I live in Mumbai.
    My mother was born in this city.
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    I share a bond with this city.
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    Here we are, in Air Voice.
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    In my office.
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    And they are my most trusted employees.
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    Dad said, put all your emotions into work,
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    don't get emotional about it.
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    Across India,
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    we're targeting a 500 million
    subscriber base.
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    Are you shocked?
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    I can achieve it.
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    And I'm not being vain,
    I'm just confident.
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    It's a fine line between
    vanity and confidence.
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    That I can achieve,
    speaks my confidence.
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    Only I can achieve,
    would speak of my vanity.
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    We need confidence,
    let's build on it.
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    Kindly leave vanity outside office.
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    Thank you.
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    Swing in the rhythm
    "Jhoom jhamak jhoom"
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    Tap out the beat
    "Tum tamaak tum"
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    Hey kiddo!
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    Hey kiddo,
    you better hear
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    Right from my heart,
    here's the order
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    Just live it up,
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    there are no limits,
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    no borders
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    There's a heady cocktail,
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    in wines of merriness
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    If you got a taste for life,
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    toe the line of happiness
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    Listen, here's the secret
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    There's no life in EMls,
    take a deep breath
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    Don't you hold back,
    just give it away
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    Why hide in hearts,
    what you can say
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    Sing and smile,
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    it's what life teaches
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    Swing it, beat it,
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    we aren't hostages
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    Swing in the rhythm of
    "Jhoom jhamak jhoom"
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    Tap out the beat
    "Tum tamaak tum"
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    Ride the rhythm of waves,
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    abreast all tides and ebbs
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    Swing it, give it a shake
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    BIGPictures
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    Kalpana!
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    The call sheet said nine o'clock.
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    You're in at ten thirty!
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    Everyone's waiting.
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    So much traffic today...
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    Don't make excuses.
    Go and change.
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    Okay, sir
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    Hi... am I too late?
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    What life... filling in for a crowd...
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    and she... preens like a superstar.
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    Can I go for lights?
    - And roll?
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    Lights.
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    Roll camera.
    - Rolling.
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    Action.
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    Rub and scrub...
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    till my hands tire
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    The yellow just,
    will never wear
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    Camera pan.
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    Action, ma'am...?
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    That's why you must get Kite!
    Then you'll discover white
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    Sparkling white in One Rupee.
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    Gleaming, glistening whites
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    Kalpana!
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    It'll be our eighth display site
    on this road.
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    Are all six hoardings available?
    - Three, sir.
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    Next choice?
    - Over here.
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    This one...
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    a hoarding on the terrace...
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    will be visible from the fly-over.
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    Looks okay to me.
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    Who lives here?
    - A girl. Kalpana. We can approach her.
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    Do that.
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    Now what?
    - Battery problem.
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    What's going on?
    Now it's the battery...
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    Excuse me, can we talk to Kalpana-madam?
    - Kalpana isn't "madam". Plain Kalpana.
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    And you are...?
    - We're from Air Voice.
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    I'm Mr Sanjay Singhania's
    executive assistant.
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    Air Voice?
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    Myself, Satveer Kohli.
    I run this ad film company.
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    We've done a range of ads...
    soaps, oils, toothbrushes, digestive pills.
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    Our latest was Monkey Brand toothpowder.
    You want an ad film?
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    We just want to see Kalpana madam.
    Mr Singhania has sent me here.
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    Kalpana... is in the green room.
    Go ahead.
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    Excuse me, ma'am...
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    Yes?
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    I'm Shroff. From Air Voice.
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    Open the door, go in.
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    Serve them tea and come out.
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    Sorry, don't try to convince me.
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    Your boss is enchanted?
    But so what?
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    The proposition ought to be
    acceptable to me.
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    It's a matter of love...
    matter of love.
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    Please madam, on behalf of my boss,
    I request.
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    Please think it over.
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    What's there to think over?
    You have heard my decision.
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    Now leave, please.
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    They're going.
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    Madam, please...
    - Tell your boss, Kalpana is displeased.
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    If you change your mind,
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    here's my card.
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    Do call.
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    Okay
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    Sorry... I'll get ready in two minutes.
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    Madam, one minute...
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    Madam...?
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    Kalpana ji...
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    Ji...?
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    I apologise for intruding upon
    your personal affairs.
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    But all of us heard whatever
    went on inside.
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    Spot boy, find a chair for madam.
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    Let me surmise what might've happened.
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    Sanjay Singhania saw you somewhere.
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    And when he saw you,
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    it was love at first sight.
    Thereby hangs a question.
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    He pins his hopes on a yes from you,
    it's why he sent his men to you.
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    And you for one, are putting him away?
    Am I correct, madam? Correct?
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    Yes, correct.
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    Why are you spurning
    a fine proposition?
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    Today, it's a man who owns Air Voice.
    Tomorrow, it'll be a Bill Gates.
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    Am I to just to capitulate?
    After all, my choice matters!
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    Think, what a wonderful
    opportunity it is!
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    On a nod from you, our company will be
    transported to such heights!
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    You must've done a deed of great virtue.
    Just say a prayer and take the plunge!
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    Allow me... I'll call.
    - Sir... oh, but no...
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    Ringing... talk.
    - Talk.
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    Air Voice. Can I help you?
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    Hello...
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    This is Kalpana.
  • 38:31 - 38:33
    Kalpana... who...?
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    Oh, Kalpana of the terrace-hoarding?
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    We found out about you.
    The house isn't yours.
  • 38:43 - 38:45
    You haven't paid rent in two months.
  • 38:46 - 38:49
    And you're playing hard to get?
    Get lost.
  • 38:52 - 38:54
    That office is all shook-up!
  • 38:54 - 38:56
    Keep talking.
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    Go to your boss and tell him,
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    Kalpana said yes.
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    So what if it isn't gold?
    It still shines.
  • 39:15 - 39:18
    Nathumal Gendamal Jewellers.
    42 Link Road, Malad West.
  • 39:19 - 39:21
    We have no branches.
  • 39:22 - 39:25
    Mom, in whom do we trust?
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    In mother first, you must trust.
    Only another thing, everyone trusts.
  • 39:32 - 39:33
    It's our soap. Hamam.
  • 39:49 - 39:51
    Sir... why must you...?
  • 39:52 - 39:53
    It doesn't matter, my child.
  • 39:57 - 40:00
    Kalpana, I want to tell you
    about something.
  • 40:00 - 40:03
    An ad film agent is coming here.
  • 40:03 - 40:05
    He's into the big agencies.
  • 40:06 - 40:08
    What if he gets to know that...
  • 40:09 - 40:14
    Sanjay Singhania is romancing
    our lead model?
  • 40:17 - 40:17
    Then...?
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    It'll be a great boost for us.
  • 40:20 - 40:23
    How long will we keep
    making small films?
  • 40:23 - 40:26
    Our company needs
    national clients.
  • 40:26 - 40:28
    Sir, consider it done.
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    Kalpana is like a magic wand!
    One flourish and yesterday's gone.
  • 40:34 - 40:34
    Don't worry.
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    Excuse me... I'm doing an article on
    struggling models for Mayapuri.
  • 40:44 - 40:48
    Can I interview some models?
    - In the green room.
  • 40:51 - 40:54
    Excuse me...?
    - Oh, welcome.
  • 40:55 - 40:57
    Be seated.
    - Thank you.
  • 40:57 - 40:59
    My director said
    you'd be coming.
  • 40:59 - 41:00
    Really?
  • 41:00 - 41:03
    Setting up these sets
    takes so much time.
  • 41:04 - 41:07
    And I got to get to the airport.
    Sanjay is flying in.
  • 41:07 - 41:08
    Sanjay who?
  • 41:09 - 41:10
    Sanjay Singhania.
  • 41:10 - 41:12
    Of Air Voice.
  • 41:13 - 41:14
    My lover.
  • 41:15 - 41:17
    Sanjay Singhania?
    Your lover?
  • 41:17 - 41:20
    Yes, you know... actually,
  • 41:21 - 41:23
    we met at Delhi airport.
  • 41:24 - 41:29
    I never knew he's Sanjay Singhania.
    In the airport lobby, he kept staring at me.
  • 41:30 - 41:37
    On the flight, he was on the seat beside me.
    Hi, I'm Sanjay Singhania... and I said hi.
  • 41:38 - 41:41
    That's when I discovered who he is.
  • 41:41 - 41:43
    One minute...
    can I write it down?
  • 41:44 - 41:46
    Yes, why not?
    You won't believe this...
  • 41:46 - 41:49
    From Delhi to Bombay,
    he talked non-stop.
  • 41:50 - 41:53
    Plain chatter. I could only
    listen on.
  • 41:54 - 41:55
    Then all of a sudden,
  • 41:55 - 41:56
    I love you.
  • 41:57 - 41:58
    Will you marry me?
  • 42:00 - 42:05
    I say, are you silly.
    Are marriages made in thin air?
  • 42:06 - 42:10
    Back in Bombay, I'm inundated
    with phone calls and smses.
  • 42:11 - 42:12
    I never gave him much of a lift.
  • 42:24 - 42:26
    In the end, I took pity on him.
  • 42:27 - 42:29
    So I decided to say yes.
  • 42:35 - 42:38
    This week's breaking news,
    right inside Mayapuri.
  • 42:38 - 42:43
    Business tycoon Sanjay Singhania in
    an affair with an aspiring model.
  • 42:43 - 42:46
    Read about it in
    Kalpana's own words.
  • 42:46 - 42:53
    Two packs of "MDH Masala" free
    with this week's edition
  • 42:59 - 42:59
    Hello...?
  • 43:02 - 43:05
    I don't know who she is,
    I haven't even seen her face.
  • 43:05 - 43:06
    Please don't disturb me.
  • 43:09 - 43:09
    Hello...?
  • 43:11 - 43:12
    It's all lies.
  • 43:14 - 43:15
    How do I know why
    she's saying all this?
  • 43:17 - 43:18
    No, please talk to me later.
  • 43:22 - 43:23
    No more calls.
  • 43:26 - 43:27
    Does it have
    her photos?
  • 43:27 - 43:30
    Neither yours, nor hers.
  • 43:32 - 43:34
    I want to meet her. Find out.
  • 43:50 - 43:53
    What do we do now?
    - It's impossible. Do we return?
  • 43:53 - 43:58
    Wait, let's see how we can go inside.
  • 44:08 - 44:12
    Something happened...?
    - The children are here to see the museum.
  • 44:13 - 44:14
    What are we to do?
  • 44:22 - 44:23
    One second.
  • 44:33 - 44:35
    Careful while you get
    your feet into it.
  • 45:18 - 45:20
    So sweet.
  • 45:24 - 45:25
    Bye.
    - Bye.
  • 45:53 - 45:54
    Sir, should I go in?
  • 45:54 - 45:55
    Wait here.
  • 46:00 - 46:02
    Excuse me, who's Kalpana?
    - Up on the terrace.
  • 46:02 - 46:06
    My name's Sachin. Like, Sachin Tendulkar.
    Recommend me, please.
  • 46:06 - 46:09
    Congratulations for the good news.
    - Thank you.
  • 46:09 - 46:13
    Excuse me... I'll see
    what I can do.
  • 46:13 - 46:16
    Hello... thanks.
  • 46:16 - 46:17
    Did you send the photographs?
  • 46:18 - 46:18
    Excuse me.
  • 46:23 - 46:24
    One second.
  • 46:25 - 46:26
    Yes... I'll talk to you later.
  • 46:28 - 46:28
    Yes?
  • 46:31 - 46:32
    Kalpana...?
  • 46:32 - 46:33
    Yes, I am... go on.
  • 46:35 - 46:41
    I... read the news in Mayapuri.
  • 46:42 - 46:49
    Not Mayapuri again... what a day of calls,
    autographs, photographs, bouquets, smses.
  • 46:50 - 46:54
    I didn't tell my story for all this...
    Sanjay must be so annoyed.
  • 46:54 - 46:55
    Sanjay...?
  • 46:56 - 46:57
    Sanjay Singhania.
  • 46:59 - 47:00
    Actually,
  • 47:00 - 47:02
    we met at Delhi airport.
  • 47:02 - 47:05
    I never knew he's Sanjay Singhania.
  • 47:06 - 47:09
    In the airport lobby,
    he kept staring at me.
  • 47:11 - 47:13
    On the flight,
    he was on the seat beside me.
  • 47:14 - 47:18
    Hi, I'm Sanjay Singhania...
    and I said hi.
  • 47:19 - 47:28
    That's when I discovered who he is.
    From Delhi to Bombay, he talked non-stop.
  • 47:28 - 47:32
    Plain chatter.
    I could only listen on.
  • 47:32 - 47:35
    Then all of a sudden, "I love you. "
  • 47:36 - 47:37
    Will you marry me?
  • 47:39 - 47:44
    I say, are you silly.
    Are marriages made in thin air?
  • 47:46 - 47:47
    I said, no.
  • 47:47 - 47:48
    He said, please.
  • 47:49 - 47:51
    I said no, he kept on...
    please...
  • 47:51 - 47:52
    I said, okay.
  • 47:53 - 47:57
    How can you say no to
    such persistence?
  • 47:58 - 48:01
    That was the long and short of it.
  • 48:01 - 48:04
    This magazine had to print this
    and now everyone's after me,
  • 48:04 - 48:08
    for recommendations,
    advertisements.
  • 48:18 - 48:19
    Are you here for the ad shoot?
  • 48:20 - 48:23
    Well I...
  • 48:24 - 48:27
    Everyone wears suits for the auditions.
  • 48:28 - 48:30
    Have you been selected for the ad?
  • 48:32 - 48:35
    Do you want me to recommend you?
  • 48:35 - 48:37
    But it's the talent that you need.
  • 48:38 - 48:40
    Don't set your sights
    on Van Heusen Suitings.
  • 48:41 - 48:44
    Do what comes your way,
    papads, mosquito coils.
  • 48:45 - 48:46
    Catch this.
  • 48:47 - 48:50
    Now let's hear you say,
    here's one for men.
  • 48:51 - 48:56
    For the bounce in the hair for alpha males...
    a comb. Let's hear you say that.
  • 49:11 - 49:12
    Never did it before?
  • 49:15 - 49:17
    Very poor...
    got to put in hard work.
  • 49:19 - 49:23
    Leave your number.
    If anything comes up, I'll call.
  • 49:29 - 49:31
    What's your number?
  • 49:39 - 49:41
    Air Voice?
  • 49:41 - 49:43
    Same as mine.
  • 49:43 - 49:44
    Crap.
  • 49:45 - 49:47
    You don't find a network anywhere.
  • 49:47 - 49:51
    I keep telling Sanjay, to try turning
    the antenna or something.
  • 49:52 - 49:56
    It may be his pocket borough,
    but it ought to meet some standard.
  • 50:00 - 50:03
    Hi Anjali... one second...
  • 50:03 - 50:04
    What did you say your name was?
  • 50:06 - 50:07
    Sachin?
  • 50:07 - 50:08
    Yes.
  • 50:09 - 50:12
    Sachin, I'm a bit busy.
    If something comes up, I'll call. Bye.
  • 50:12 - 50:13
    Yes Anjali...
  • 50:15 - 50:20
    you know what happened?
    Mayapuri just splashed my love story.
  • 50:20 - 50:24
    And now all day, I've been inundated
    with calls, smses, oh, I'm drained.
  • 50:24 - 50:30
    No! Actually,
    we only met at Delhi airport.
  • 50:30 - 50:32
    On the flight,
    he was on the seat beside me.
  • 50:32 - 50:36
    Hi, I'm Sanjay Singhania...
    and I said hi.
  • 50:37 - 50:40
    From Delhi to Bombay,
    he talked non-stop.
  • 50:42 - 50:46
    After completing law, I went to USA
    and I took my MBA at Harvard.
  • 50:46 - 50:49
    I've been looking after this business
    since my father passed away.
  • 50:50 - 50:55
    I strongly feel that technology has to reach
    people beyond social and economic barriers.
  • 50:55 - 50:56
    And that's the goal of our company.
  • 50:59 - 51:02
    I'm so sorry... cellphones,
    I tell you...
  • 51:03 - 51:04
    Excuse me.
  • 51:04 - 51:05
    Hello?
  • 51:05 - 51:07
    Hello, I'm Kalpana.
  • 51:07 - 51:09
    Kalpana... which Kalpana?
  • 51:09 - 51:13
    Kalpana... Sanjay Singhania's girlfriend.
  • 51:13 - 51:18
    Oh I see... how have you been?
  • 51:18 - 51:19
    I'm good.
  • 51:19 - 51:20
    Will you do an underwear ad?
  • 51:21 - 51:21
    Underwear?
  • 51:27 - 51:28
    Along with you?
  • 51:29 - 51:31
    It's a men's only.
  • 51:32 - 51:34
    Come over quickly.
    Take down the address.
  • 51:35 - 51:37
    One minute.
  • 51:37 - 51:40
    Mark... make a note of
    this address, please.
  • 51:41 - 51:41
    Go on.
  • 51:42 - 51:46
    Building 3. Chinchpokli Bunder.
    Khau Galli.
  • 51:46 - 51:51
    Building 3. Chinchpokli Bunder. Khau Galli.
    - I beg your pardon, sir...?
  • 51:52 - 51:55
    Chinchpokli Bunder. Khau Galli.
  • 51:55 - 51:57
    Chi...?
    - Chinchpokli.
  • 51:58 - 52:00
    Chinchbokli?
    - ... Pokli Bunder. Khau Galli.
  • 52:02 - 52:04
    Khau... Galli.
    - Galli.
  • 52:05 - 52:06
    Got it.
    - Thanks.
  • 52:06 - 52:10
    Arrive in an autorickshaw,
    you'll make a nice impression.
  • 52:11 - 52:14
    D'you have the money for it?
    - I'll manage.
  • 52:14 - 52:15
    Fine.
  • 52:15 - 52:17
    I'll be waiting for you.
    Bye.
  • 52:23 - 52:26
    It's just too hot today...
    - Are you new to Mumbai?
  • 52:27 - 52:30
    Come in the rains, here rivers flow.
  • 52:35 - 52:37
    Moron! Can't you drive properly?
  • 52:38 - 52:39
    Sorry...
  • 52:39 - 52:40
    Why are you saying sorry?
  • 52:41 - 52:44
    Pedestrians are taking up roads,
    are we meant to fly?
  • 52:46 - 52:47
    Drive carefully.
  • 52:47 - 52:48
    Get out of my way.
  • 52:51 - 52:53
    How much?
    - Forty Rupees.
  • 53:02 - 53:03
    Boo
  • 53:05 - 53:08
    You're gawking like a country bumpkin.
  • 53:08 - 53:11
    The manager wants a new model.
    I thought of you.
  • 53:13 - 53:16
    What's this ad about?
  • 53:16 - 53:18
    Zorro elastic underwear.
  • 53:18 - 53:21
    If you make it to this ad,
    you've made it.
  • 53:21 - 53:24
    Just imagine yourself in
    your underwear...
  • 53:24 - 53:27
    at every traffic junction in town,
  • 53:27 - 53:31
    on sixty feet-by-forty feet banners!
  • 53:32 - 53:34
    Your luck is going to change.
  • 53:35 - 53:37
    Don't worry, you're getting selected.
  • 53:38 - 53:40
    Can't I get any other ad?
  • 53:41 - 53:43
    Yes... how about one
    on skin allergies?
  • 53:43 - 53:44
    Allergies...?
  • 53:44 - 53:47
    Salves, for ringworm infections.
  • 53:47 - 53:50
    Then the first choice is better.
    - Okay.
  • 53:50 - 53:52
    Hello ma'am!
    - Hi...
  • 53:53 - 53:55
    You said you'd recommend me
    for the underwear ad...?
  • 53:56 - 54:03
    The underwear is taken, how about ringworm?
    - I'll take anything, I want a break.
  • 54:03 - 54:05
    That's the spirit.
  • 54:05 - 54:05
    See?
  • 54:06 - 54:06
    Come to the studio tomorrow morning.
  • 54:07 - 54:09
    Thank you, ma'am!
    - You're welcome.
  • 54:13 - 54:13
    Wait a minute.
  • 54:18 - 54:22
    Uncle, where are you headed?
    - To the bus stop ahead.
  • 54:22 - 54:23
    I'll take you there.
  • 54:25 - 54:28
    I'll describe to you
    whatever's on the way.
  • 54:28 - 54:29
    Okay.
  • 54:30 - 54:33
    Four schoolgirls playing tic tac toe.
  • 54:39 - 54:41
    A wife thrashing her husband.
  • 54:42 - 54:44
    He has lost his shirt.
  • 54:48 - 54:50
    That's a radio at the tea shop.
  • 54:54 - 54:56
    We're crossing Sai Baba's temple.
  • 55:01 - 55:03
    Now we're on the main road.
  • 55:06 - 55:09
    You've reached your bus stop.
  • 55:47 - 55:49
    I'm swayed
  • 55:50 - 55:51
    She flew in...
  • 55:51 - 55:53
    like a swirl of wind
  • 55:53 - 55:55
    With that first look,
  • 55:55 - 55:57
    she held my eyes
  • 55:57 - 55:58
    So unlikely,
  • 55:58 - 56:00
    she's so different,
  • 56:00 - 56:01
    so unique,
  • 56:01 - 56:05
    so unpretentious,
  • 56:05 - 56:07
    and just no attitude
  • 56:07 - 56:12
    So, I'm swayed
  • 56:12 - 56:17
    And a freshness fills my heart
  • 56:17 - 56:23
    You're swayed when she flies
    in on a swirl of wind
  • 56:23 - 56:27
    And with that first look,
    oh how she holds your eyes
  • 57:00 - 57:03
    The heart went aflutter,
  • 57:03 - 57:05
    dancing to a new rhythm
  • 57:05 - 57:07
    My feet faltered
  • 57:07 - 57:10
    I swooned in ecstasy
  • 57:10 - 57:12
    I stood each day, staring her way
  • 57:13 - 57:15
    In endless wake, moments stretch
  • 57:15 - 57:17
    Twisting, turning, tossing, thinking
  • 57:17 - 57:20
    Thinking, thinking of you
  • 57:30 - 57:33
    Her images criss-cross my mind,
  • 57:33 - 57:35
    awash in colours
  • 57:35 - 57:38
    Like a gushing stream she flows,
  • 57:38 - 57:44
    drenching me
  • 57:45 - 57:49
    Her murmurs make music
  • 57:50 - 57:54
    Her trivia are priceless
  • 57:55 - 57:57
    Some innocence,
    sweet mischief
  • 57:57 - 57:59
    Somewhat gossamer,
    some odd gloss
  • 58:00 - 58:02
    At times bashful, then carefree
  • 58:02 - 58:05
    There are seas in her, but how deep?
  • 59:00 - 59:05
    Her words could make
    Spring blossom
  • 59:08 - 59:13
    Her charm could make
    seasons spring
  • 59:15 - 59:17
    Even her lies...
  • 59:17 - 59:18
    are so endearing,
  • 59:18 - 59:22
    she could make me believe
    illusions in all things
  • 59:23 - 59:28
    Upon her many paths,
    praying, hoping, eager-eyed,
  • 59:28 - 59:33
    musing fragrant shades of memories,
    I stand still and...
  • 59:33 - 59:35
    Time stands stilled
  • 60:07 - 60:17
    BIGPictures
  • 60:47 - 60:49
    Good morning, sir!
    - Good morning.
  • 60:49 - 60:54
    Sit down, my child. Guess what,
    our company is going to be famous.
  • 60:54 - 60:56
    Thanks only to you...
    - Why are you thanking me?
  • 60:56 - 60:59
    I've done something
    without asking you.
  • 61:00 - 61:05
    Our company is throwing a
    big party on New Year's Eve.
  • 61:05 - 61:07
    Oh, wow!
  • 61:07 - 61:09
    Guess, who's the chief guest?
  • 61:09 - 61:09
    Who...?
  • 61:10 - 61:11
    Your boyfriend.
  • 61:12 - 61:13
    The man who owns Air Voice.
  • 61:14 - 61:17
    Sanjay Singhania.
  • 61:18 - 61:18
    Sir...?
  • 61:19 - 61:22
    And come what may,
    you must get him to come.
  • 61:23 - 61:28
    I'm sure you can, so I went ahead and
    printed his name in the invitations.
  • 61:28 - 61:33
    The biggest of agencies are coming,
    top ad film makers, producers, directors.
  • 61:34 - 61:37
    On whose say-so have
    you printed his name?
  • 61:37 - 61:39
    Where's the need to ask...?
  • 61:40 - 61:43
    It's the New Years Eve party.
    You're coming.
  • 61:43 - 61:47
    He'll accompany you.
    - But I can't invite him!
  • 61:47 - 61:48
    Why?
  • 61:49 - 61:51
    We've... had a fight!
  • 61:53 - 61:55
    You don't say!
    All invitations have been distributed.
  • 61:55 - 61:58
    You've got to make up with him
    ... got to get him to the party.
  • 61:58 - 62:00
    But how...?
    - Otherwise, I'll lose face.
  • 62:00 - 62:03
    On whose say-so did you print this?
  • 62:03 - 62:07
    I would've told you,
    but it slipped my mind.
  • 62:07 - 62:10
    What you've done is so wrong,
    hundred percent wrong!
  • 62:10 - 62:14
    Please, or you'll break everyone's heart.
    - Where will I get Sanjay Singhania?
  • 62:14 - 62:18
    Everyone's dying to see him,
    not one of us has ever met him.
  • 62:20 - 62:21
    What...?
  • 62:22 - 62:23
    What about what?
  • 62:24 - 62:27
    Not one of us has ever met him?
  • 62:27 - 62:29
    How could we?
    He has just returned from America.
  • 62:30 - 62:32
    Then I just...
    must get him.
  • 62:32 - 62:34
    Consider it done
  • 62:34 - 62:39
    Kalpana is like a magic wand!
    One flourish and you've got your wish.
  • 62:39 - 62:41
    Thank you very much
  • 62:47 - 62:48
    Dialogue... dialogue!
  • 62:49 - 62:53
    Hi, I'm Sanjay. Sanjay Singhania.
  • 62:53 - 62:54
    Perfect.
  • 62:55 - 62:56
    Very good.
  • 62:56 - 62:57
    Mind it.
  • 62:57 - 63:01
    At tonight's party,
    you're Sanjay Singhania.
  • 63:03 - 63:03
    One second...
  • 63:09 - 63:13
    Listen, that's a friend of mine.
    You'll pretend to be Sanjay Singhania.
  • 63:13 - 63:16
    If he's convinced,
    then you pass muster. Okay?
  • 63:19 - 63:19
    Ready?
  • 63:22 - 63:22
    Hi...
  • 63:23 - 63:24
    Hush!
  • 63:25 - 63:25
    What happened?
  • 63:26 - 63:27
    Sanjay is here.
  • 63:28 - 63:28
    Sanjay?
  • 63:29 - 63:31
    Sanjay Singhania, my boyfriend.
  • 63:45 - 63:48
    Where... is he?
    - Where are you looking...?
  • 63:48 - 63:49
    Here!
  • 63:50 - 63:51
    Sachin,
  • 63:51 - 63:53
    meet Mr Sanjay.
  • 63:53 - 63:57
    Hi, I'm Sanjay. Sanjay Singhania.
  • 63:57 - 63:58
    What... who...?
  • 64:00 - 64:03
    He is... Sanjay Singhania.
  • 64:03 - 64:04
    Him...?
  • 64:07 - 64:10
    Are you joking?
    Sanjay Singhania, and him?
  • 64:25 - 64:28
    Stupid amateur, duffer, idiot!
  • 64:28 - 64:30
    What did I do...?
  • 64:30 - 64:34
    The big fish never put out their hands first.
    Why did you hold out your hand?
  • 64:35 - 64:39
    So when do I shake hands?
    - You just don't do it!
  • 64:39 - 64:41
    Go to hell, go do ads!
    You've ruined it all.
  • 64:43 - 64:44
    Idiot!
  • 64:47 - 64:48
    What happened?
  • 64:49 - 64:52
    Sachin, shall I tell you something?
  • 64:52 - 64:53
    What?
  • 64:53 - 64:55
    You're going to be stunned...
  • 64:56 - 64:56
    Try me.
  • 64:56 - 64:59
    I'm not in love with Sanjay Singhania.
  • 65:00 - 65:00
    What?
  • 65:03 - 65:04
    Actually,
  • 65:05 - 65:07
    everyone at my workplace thought...
  • 65:07 - 65:09
    he's my boyfriend.
  • 65:10 - 65:12
    So, everyone began to respect me.
  • 65:15 - 65:16
    I played along.
  • 65:18 - 65:21
    I don't even know what he looks like!
  • 65:23 - 65:26
    So... what's next?
  • 65:26 - 65:28
    My boss is hosting a party tonight.
  • 65:28 - 65:32
    Without even asking me, they sent out
    invites naming Sanjay as the chief guest.
  • 65:32 - 65:37
    So I was preparing this mule for tonight,
    but you caught him out in a second!
  • 65:38 - 65:40
    What am I going to do now?
  • 65:41 - 65:43
    Relax... I'm right here for you.
  • 65:44 - 65:46
    I'll train him.
  • 65:47 - 65:48
    Listen... what's your name?
  • 65:49 - 65:54
    Hi, I'm Sanjay. Sanjay Singhania.
    - No... your real name?
  • 65:55 - 65:56
    Sampat.
    - Look Sampat...
  • 65:57 - 65:59
    cut that extra swagger.
  • 65:59 - 66:01
    Be relaxed and easy... confident.
  • 66:02 - 66:05
    Let me show how...
    Hi, I'm Sanjay... Sanjay Singhania.
  • 66:05 - 66:10
    Stop. Don't teach me acting.
    I belong in theatre, I've done four plays.
  • 66:10 - 66:13
    I was putting out a first class act,
    then he walked in and things went awry.
  • 66:13 - 66:15
    Hey... take off that coat.
  • 66:16 - 66:20
    Take it off, get out of that coat!
    - I have a shoot tomorrow. It's my only coat.
  • 66:20 - 66:24
    I just canceled your shoot. You're good only
    for rubber slippers, snap out of it!
  • 66:27 - 66:27
    Who, me...?
    - Wear it.
  • 66:36 - 66:39
    Oh yes!
    You are... looking smart.
  • 66:40 - 66:41
    Put on the goggles.
  • 66:46 - 66:48
    Oh wow!
  • 66:49 - 66:49
    Perfect!
  • 66:51 - 66:52
    Perfect!
  • 66:53 - 66:57
    Sachin! Come for tonight's party.
    Be Sanjay.
  • 66:58 - 66:59
    Please?
  • 66:59 - 67:01
    Please say yes!
  • 67:02 - 67:03
    Please!
  • 67:04 - 67:05
    Please say yes...?
  • 67:06 - 67:07
    Okay.
  • 67:07 - 67:08
    Yes!
  • 67:08 - 67:11
    Welcome to our chief guest,
    Mr Sanjay Singhania
  • 67:18 - 67:19
    Oh hi...
    - Hello.
  • 67:21 - 67:23
    Having a nice time?
    - Yes, thank you.
  • 67:27 - 67:28
    Kalpana
  • 67:29 - 67:31
    Did you invite him properly?
    - Yes, sir!
  • 67:32 - 67:36
    If he turns up for real,
    everyone'll go mad.
  • 67:38 - 67:39
    If he doesn't turn up,
  • 67:40 - 67:42
    then I'll go mad.
  • 67:44 - 67:47
    Madam...
  • 67:49 - 67:53
    The coat is ready. Just give me the go
    and I'll give you a grand entry.
  • 67:54 - 67:56
    I've rehearsed it thoroughly.
  • 67:57 - 68:00
    I'm Sanjay Singhania...
    oh hello Sanjay.
  • 68:02 - 68:03
    Get out of my face.
  • 68:03 - 68:04
    You fool!
  • 68:07 - 68:09
    Hi Kalpana...
    - Hi!
  • 68:10 - 68:11
    Mr Singhania has arrived.
  • 68:27 - 68:31
    Who told him to get a car like that?
    I'm not footing this bill.
  • 68:32 - 68:35
    Oh... thank you.
  • 68:36 - 68:36
    How wonderful!
  • 68:37 - 68:42
    He hasn't begun acting and all these fools have
    already taken him for Sanjay Singhania?
  • 68:43 - 68:44
    Oh yes, yes...
  • 68:45 - 68:46
    Will you hold this, please?
  • 68:47 - 68:48
    Hi darling!
  • 68:50 - 68:52
    Sorry, I'm late... my God!
    You're looking gorgeous... come.
  • 68:52 - 68:55
    Welcome to this party.
    - Thank you.
  • 68:56 - 68:57
    Hello... hello...
  • 68:57 - 68:59
    Hello sir!
  • 69:00 - 69:00
    Sorry.
  • 69:00 - 69:02
    Welcome, sir.
    - Thank you.
  • 69:02 - 69:06
    Myself, Satveer Kohli. I'm Kalpana's director
    and I run this ad film company.
  • 69:07 - 69:09
    Hello sir, how are you?
    - Thank you sir, I'm very good.
  • 69:10 - 69:13
    I happen to be the one who insisted that
    Kalpana must say yes to you.
  • 69:14 - 69:15
    I see...?
  • 69:16 - 69:18
    You never told him!
    - Of course I told him...
  • 69:19 - 69:21
    I told you...?
    - Oh... yes...
  • 69:21 - 69:22
    Autograph, please?
  • 69:24 - 69:28
    I read your article in Economic Times.
    I fully agree with your policy suggestions.
  • 69:28 - 69:32
    Please leave him alone...
    don't disturb him.
  • 69:32 - 69:34
    Please come, dinner is ready.
  • 69:41 - 69:43
    That was too close an embrace.
  • 69:45 - 69:47
    And that was a kiss in public.
  • 69:50 - 69:51
    I've done a hundred ads.
  • 69:52 - 69:54
    Ninety in groups. Ten, solo.
  • 69:55 - 69:59
    You learn how to respect your seniors or,
    you're getting nowhere in life.
  • 70:04 - 70:06
    I don't believe this.
  • 70:07 - 70:07
    What?
  • 70:08 - 70:09
    I just can't believe...
  • 70:09 - 70:11
    Why not...?
  • 70:11 - 70:14
    Can't believe that I'm sitting
    in such august presence...
  • 70:15 - 70:17
    Still, he's right amongst us.
  • 70:21 - 70:22
    Excuse me...
  • 70:26 - 70:27
    Some ice, please?
  • 70:28 - 70:29
    So much cold is good enough for you.
  • 70:31 - 70:33
    Over-acting. He'll get caught.
  • 70:34 - 70:35
    Please get lost.
  • 70:39 - 70:40
    Excuse me...
  • 70:41 - 70:43
    We're from the Dinanath Charitable Trust.
  • 70:44 - 70:46
    It's an orphanage for girls.
  • 70:46 - 70:47
    And...?
  • 70:47 - 70:50
    If you may make a contribution,
    we'll be grateful.
  • 70:50 - 70:52
    Who goes around with cash nowadays?
  • 70:52 - 70:54
    Your cheque will do.
  • 70:55 - 70:56
    Cheque?
  • 70:57 - 70:59
    Who goes to parties with chequebooks?
  • 71:02 - 71:04
    What are you upto?
  • 71:04 - 71:05
    Whose chequebook is that?
  • 71:06 - 71:08
    Even for over-acting, this is too loud!
  • 71:10 - 71:13
    Five hundred thousand?
    Have you gone mad?
  • 71:15 - 71:17
    Thank you, sir.
    - All the best.
  • 71:20 - 71:20
    I'm finished.
  • 71:25 - 71:26
    I could kill you.
  • 71:27 - 71:29
    Our leading model, Sonal.
  • 71:29 - 71:30
    How do you do?
    - I'm very good.
  • 71:30 - 71:34
    Kalpana has told us so much about you...
    - We all know that... there're others...
  • 71:34 - 71:38
    That article of yours in Economic Times.
    - Not again, sir. Please...
  • 71:46 - 71:49
    You... for Sanjay Singhania!
  • 71:49 - 71:51
    And they fell for you?
  • 71:54 - 71:59
    Am I'm too clever,
    or it's a world of fools?
  • 72:14 - 72:15
    I love you.
  • 72:17 - 72:17
    What?
  • 72:20 - 72:24
    I love you.
    I want to marry you.
  • 72:28 - 72:31
    What... so all of a sudden...?
  • 72:34 - 72:35
    Not so... all of a sudden.
  • 72:38 - 72:42
    I never thought...
  • 72:47 - 72:48
    Give me time, to think.
  • 72:50 - 72:52
    Shall I tell you tomorrow?
  • 72:59 - 73:01
    If I say no, you won't take it badly?
  • 73:14 - 73:15
    Bye.
  • 73:18 - 73:19
    Happy new year.
  • 73:21 - 73:21
    Happy new year.
  • 73:35 - 73:37
    To her, I'm just an ordinary guy.
  • 73:38 - 73:40
    I wish to remain this unexceptional man...
  • 73:40 - 73:41
    who wins her love.
  • 73:44 - 73:46
    So I haven't told her the truth about me.
  • 73:49 - 73:51
    If she accepts me,
  • 73:53 - 73:55
    then I'll confess to being Sanjay Singhania.
  • 73:57 - 73:59
    If she refuses,
  • 74:01 - 74:01
    then I remain Sachin...
  • 74:02 - 74:05
    and I fade out of her life.
  • 74:07 - 74:09
    All I await now, is tomorrow.
  • 74:20 - 74:22
    End of the diary.
    December 31st.
  • 74:23 - 74:27
    Next day, next year... 2006.
  • 74:36 - 74:39
    Hey... hey...
  • 74:39 - 74:40
    The next day, what happened...?
  • 74:40 - 74:43
    What did she say...
    what happened to her?
  • 74:43 - 74:44
    How did you end up like this?
  • 74:45 - 74:47
    Speak up!
  • 76:45 - 76:46
    Hello, sir.
  • 76:47 - 76:48
    I'm your manager.
  • 76:48 - 76:49
    Pankaj Shroff.
  • 76:55 - 76:55
    Hello Sanjay.
  • 76:56 - 76:58
    I'm your doctor. Dr Peston Wadia.
  • 76:59 - 77:01
    Not enough sleep.
  • 77:01 - 77:03
    Are up keeping up till late?
  • 77:04 - 77:07
    Sir, I'm telling you again,
  • 77:07 - 77:10
    it's fine if you won't go to the office,
    it's okay, no problem.
  • 77:10 - 77:14
    But live in your mansion,
    why this tiny flat?
  • 77:16 - 77:20
    We can get a nurse, a chauffeur here...?
  • 77:21 - 77:22
    I need no one.
  • 77:25 - 77:25
    Thank you.
  • 77:30 - 77:31
    Kill Ghajini.
    Check invitation on Calendar.
  • 77:34 - 77:37
    Ghajini Dharmatma
  • 77:40 - 77:43
    Chief Guest: Mr Ghajini Dharmatma
  • 77:49 - 77:53
    Sir... you're... here...
    for our college culture fest?
  • 77:56 - 77:57
    Oh, I'm sorry.
  • 77:58 - 78:01
    You won't know me...
    I mean, you know me.
  • 78:01 - 78:02
    I've met you.
  • 78:04 - 78:07
    Sanjay Singhania...
    short term memory loss.
  • 78:07 - 78:08
    Come on, it's nearly time.
  • 78:08 - 78:09
    One minute...
  • 78:09 - 78:11
    We're getting late.
    Sunita, let's go.
  • 78:11 - 78:14
    Don't leave before my performance
    ... second song.
  • 78:23 - 78:28
    Girls and boys... please
    ... calm down.
  • 78:28 - 78:34
    Our chief guest for the
    evening has arrived.
  • 78:35 - 78:39
    He has patronised our college for long.
  • 78:40 - 78:43
    I'd like you to give him
    a hearty welcome.
  • 78:44 - 78:45
    Boys and girls,
  • 78:45 - 78:47
    please welcome Mr. Ghajini Dharmatma.
  • 79:57 - 79:59
    Crazy, crazy!
  • 79:59 - 80:01
    I'm crazy about him
  • 80:10 - 80:11
    Why's my body going crazy?
  • 80:12 - 80:14
    Why's my heart beating crazy?
  • 80:14 - 80:16
    I want to dance,
  • 80:16 - 80:18
    uninhibited
  • 80:18 - 80:22
    Who's come into my heart today?
    What's this scent of love?
  • 80:22 - 80:25
    Dancing bells are on my feet,
    it's my season of youth
  • 80:30 - 80:31
    Hello
  • 80:36 - 80:38
    Crazy,
  • 80:38 - 80:40
    I'm crazy for him!
  • 80:44 - 80:46
    He's my love
  • 80:53 - 80:59
    His coming has filled the
    emptinesses in my heart
  • 80:59 - 81:03
    He only has to make a sign
    and I'll become his slave
  • 81:25 - 81:28
    Go outside, find out who's calling.
  • 81:35 - 81:35
    Hello?
  • 81:36 - 81:38
    Get down to the basement car park.
  • 81:38 - 81:38
    What...?
  • 81:58 - 81:59
    Who's that?
  • 82:01 - 82:02
    What are you doing there?
  • 82:07 - 82:08
    Damn you!
  • 83:11 - 83:11
    Hey...
  • 83:12 - 83:19
    Hey...
  • 83:32 - 83:34
    Who was that?
  • 83:36 - 83:38
    Who tried to kill you?
  • 83:39 - 83:41
    Not me...
  • 83:44 - 83:45
    he came to kill you.
  • 83:45 - 83:46
    Me...?
  • 83:47 - 83:50
    Came to kill me?
    Who was he?
  • 83:51 - 83:52
    Who was it... who?
  • 83:53 - 83:55
    Two years ago...
  • 83:55 - 83:58
    Two years ago... what...?
  • 83:59 - 84:01
    What was it two years ago?
  • 84:02 - 84:03
    What...?
  • 84:04 - 84:05
    Give me his name.
  • 84:06 - 84:07
    The name!
  • 84:07 - 84:09
    His name, who was he?
  • 84:09 - 84:11
    Who wants to kill me?
  • 84:13 - 84:15
    He's dead.
  • 84:18 - 84:19
    Shit.
  • 84:23 - 84:29
    Two years ago?
    What did I do two years ago?
  • 84:29 - 84:33
    Which jobs did I get done
    two years ago?
  • 84:34 - 84:39
    Which ones are after my life?
  • 84:40 - 84:44
    A list... make a list of them all.
  • 84:44 - 84:48
    I must have the list tomorrow.
    You get it?
  • 84:57 - 84:58
    Excuse me
  • 84:59 - 85:02
    Where is Mr Sanjay Singhania's flat?
  • 85:02 - 85:03
    Fourth floor. 401.
  • 85:04 - 85:05
    Thanks
  • 85:16 - 85:17
    Sir...
  • 85:20 - 85:21
    Sir...?
  • 85:31 - 85:32
    Sir...
  • 85:55 - 85:57
    Kill him
  • 85:58 - 85:59
    Revenge
  • 86:00 - 86:01
    Ghajini?
  • 86:01 - 86:03
    She was murdered
  • 86:05 - 86:07
    Find him Kill him
  • 86:13 - 86:14
    Done
  • 86:18 - 86:19
    Over
  • 86:19 - 86:21
    Ghajini 10 June 2008
  • 86:31 - 86:36
    Doctor... restaurant... theatre...
  • 86:57 - 87:00
    Don't open
  • 87:04 - 87:05
    I'm a police officer.
  • 87:05 - 87:07
    Untie me. I'm a police officer.
  • 87:24 - 87:27
    Get out of here! Fast!
    He's a murderer.
  • 87:28 - 87:30
    Don't you hear?
  • 87:30 - 87:31
    Just get the hell out of here!
  • 87:48 - 87:48
    Who are you?
  • 87:52 - 87:53
    What are you doing here?
  • 90:31 - 90:32
    The other shade.
  • 90:47 - 90:57
    BIGPictures
  • 91:02 - 91:02
    Shall we...?
  • 91:05 - 91:07
    You've forgotten so quickly?
  • 91:08 - 91:09
    I was buying nail polish.
  • 91:11 - 91:12
    Look...
  • 91:12 - 91:15
    My friend... you wrote that out.
  • 91:16 - 91:17
    Now, come on.
  • 91:32 - 91:36
    Have I been I chasing you?
    - Why should you...? I'm your friend.
  • 91:37 - 91:38
    No! I'm chasing you.
  • 91:39 - 91:41
    I'm breathing hard,
    you're out of breath.
  • 91:41 - 91:43
    I'm sweating. Even you are...
  • 91:44 - 91:46
    Hey! You're smoking in a public place!
  • 91:46 - 91:48
    Have you no sense of decency?
    Idiots.
  • 91:48 - 91:49
    You're right!
  • 91:49 - 91:51
    You ought to thrash some
    sense into them.
  • 91:51 - 91:54
    Go on, teach them such a
    lesson that they'll quit smoking.
  • 91:54 - 91:56
    Go... hit them.
  • 91:57 - 91:59
    You'll teach us lessons?
  • 92:00 - 92:01
    You're going to hit us?
  • 92:01 - 92:02
    Come on.
  • 92:02 - 92:04
    You'll take on all of us?
    Come on.
  • 92:04 - 92:06
    Hit us.
    - Come on.
  • 92:34 - 92:36
    Ghajini... listen...
  • 92:37 - 92:39
    don't do it.
  • 92:39 - 92:42
    In four years,
    we haven't had any quarrels.
  • 92:42 - 92:44
    Why do you want to kill me?
  • 92:44 - 92:45
    Who told you?
  • 92:45 - 92:48
    I don't care if you want to kill me or not.
  • 92:49 - 92:52
    I only want to finish off all my enemies.
  • 92:54 - 92:54
    Shoot.
  • 93:15 - 93:17
    Everyone's dead.
  • 93:19 - 93:20
    Why are you still anxious?
  • 93:21 - 93:26
    No... he's still alive.
  • 93:27 - 93:28
    He wasn't anyone of them.
  • 93:32 - 93:35
    These men were afraid of me.
  • 93:36 - 93:39
    But this is someone else...
  • 93:40 - 93:42
    someone I'm missing.
  • 93:43 - 93:45
    A girl is here, asking for you.
  • 93:45 - 93:46
    What girl?
  • 93:46 - 93:50
    My name is Sunita.
    I am a medical student.
  • 93:51 - 93:53
    I visited a patient
    at his home, recently.
  • 93:54 - 93:57
    He is planning to kill you.
  • 93:58 - 94:03
    He has already killed two others.
    I have seen photos of the dead men.
  • 94:04 - 94:08
    He is an extremely dangerous man.
    I saw him trying to kill a policeman.
  • 94:08 - 94:13
    The policeman got killed in an accident.
    After that he came after me, to kill me.
  • 94:16 - 94:18
    Look... your photo.
  • 94:19 - 94:20
    A date is inscribed underneath.
  • 94:22 - 94:28
    I was about to go to the police.
    But if my college gets to know, I'm in a mess.
  • 94:29 - 94:32
    I just couldn't sit on it,
    so I came to you.
  • 94:32 - 94:33
    To warn you.
  • 94:35 - 94:38
    His photo...
    the man who wants to kill you.
  • 94:44 - 94:48
    Mr Sanjay Singhania. 31 years.
    Short term memory loss
  • 95:08 - 95:10
    Short term memory loss.
  • 95:13 - 95:20
    A man who forgets everything in
    fifteen minutes is planning to kill me.
  • 95:21 - 95:24
    He even named a day for my death?
  • 95:25 - 95:28
    I got to fix a time for him to die.
  • 95:29 - 95:34
    12 hours. This man will be
    on earth no more.
  • 96:05 - 96:06
    The boss?
  • 96:07 - 96:08
    Watch out.
  • 96:09 - 96:10
    He's away from home.
  • 96:10 - 96:14
    If he goes your way, you kill him.
    If he comes this way, I'll kill the bastard.
  • 96:15 - 96:15
    Sure.
  • 97:16 - 97:18
    I'm into this problem...
  • 97:18 - 97:19
    What...?
  • 97:19 - 97:21
    He has my photo.
  • 97:21 - 97:23
    Who has...?
    - That Sanjay Singhania... he has it.
  • 97:24 - 97:25
    Isn't it the one?
  • 97:25 - 97:28
    He has another one.
    He had taken two photos.
  • 97:28 - 97:30
    You're the problem.
  • 97:30 - 97:33
    If it ends up with the police,
    I'm in a fix.
  • 97:34 - 97:39
    Ask Mr Ghajini. He's looking for that guy,
    he'll get the photo for you.
  • 97:57 - 97:59
    Hello, Mr Ghajini...?
  • 98:00 - 98:01
    Hello...
  • 98:06 - 98:07
    Mr Ghajini...?
  • 98:08 - 98:09
    Yes
  • 98:09 - 98:11
    I'm Sunita...
  • 98:11 - 98:15
    I met you about Sanjay Singhania.
  • 98:17 - 98:18
    Who...?
  • 98:18 - 98:19
    Sanjay Singhania,
  • 98:19 - 98:21
    the man who wants to kill you.
  • 98:22 - 98:24
    The one with the 15-minute memory...
  • 98:25 - 98:30
    He has a problem remembering,
    but best to be cautious.
  • 98:30 - 98:32
    He's an extremely dangerous man.
  • 98:32 - 98:38
    You see, he has a photo of mine.
  • 98:38 - 98:40
    Do what you will to him,
  • 98:40 - 98:43
    but get me my photo, please.
  • 98:43 - 98:46
    He took my photo in the college canteen.
  • 98:52 - 98:53
    What are you wearing in the photo?
  • 98:53 - 98:55
    Blue top and blue jeans.
  • 98:59 - 99:01
    Let me find it, I'll send it to you.
  • 99:02 - 99:03
    What's your address?
  • 100:47 - 100:48
    Warden...!
  • 100:48 - 100:49
    Hurry...
  • 100:49 - 100:52
    Help me, please! Help me!
  • 101:03 - 101:04
    Excuse me.
  • 101:04 - 101:05
    Stay away.
  • 101:05 - 101:06
    Where's the lift?
  • 101:06 - 101:07
    Between second and third floors.
  • 101:07 - 101:08
    Put on the main switch.
  • 102:25 - 102:27
    His diaries.
  • 103:08 - 103:11
    If she accepts me,
  • 103:11 - 103:14
    then I'll confess to being Sanjay Singhania.
  • 103:15 - 103:17
    If she refuses,
  • 103:17 - 103:19
    then I remain Sachin...
  • 103:19 - 103:21
    and I fade out of her life.
  • 103:22 - 103:24
    All I await now, is tomorrow.
  • 103:52 - 103:56
    This wait for a yes will keep me up tonight.
  • 103:57 - 103:59
    This suspense is haunting,
  • 104:00 - 104:01
    how can I sleep tonight?
  • 104:02 - 104:05
    To what news my morning light will dawn,
  • 104:07 - 104:08
    to melodies of love like rain?
  • 104:09 - 104:12
    Or, is this thirst to go unquenched?
  • 104:34 - 104:37
    Like a passion, unfulfilled
  • 104:37 - 104:40
    You hold me in an ecstasy, thrilled
  • 104:40 - 104:43
    And now,
  • 104:48 - 104:50
    the consummation,
  • 104:50 - 104:51
    of that ecstasy,
  • 104:51 - 104:54
    in your arms,
  • 104:54 - 104:57
    is all I wish from you
  • 104:57 - 105:00
    In my heart of hearts, how I pine
  • 105:00 - 105:03
    To splash you with my colours of life
  • 105:03 - 105:05
    In every mood, to match my rhythm
  • 105:05 - 105:08
    It's all I wish from you
  • 105:08 - 105:11
    If only you say yes, then life...
  • 105:11 - 105:14
    can spring forth from the fountainhead...
  • 105:14 - 105:19
    to spew my pearls of life upon your path
  • 105:23 - 105:25
    Consummation...
  • 105:25 - 105:26
    of that ecstasy...
  • 105:27 - 105:28
    in your arms...
  • 105:28 - 105:31
    is all I wish
  • 106:05 - 106:08
    My gossamer dreams are cast in glass
  • 106:08 - 106:10
    As I ford my nights in dark
  • 106:11 - 106:16
    Fearful, lest my fantasies shatter
  • 106:16 - 106:19
    My hopes are inflamed
  • 106:19 - 106:22
    Yet I fear, lest some tempest...
  • 106:22 - 106:27
    puts out my flame
  • 106:27 - 106:33
    I wait for a lone yes
  • 106:33 - 106:38
    To turn on the springs of joy...
  • 106:38 - 106:41
    in a culmination...
  • 106:42 - 106:44
    of my dreams...
  • 106:44 - 106:49
    in the ecstasy of your embrace
  • 106:50 - 106:53
    It's all I wish
  • 107:16 - 107:18
    I have my Moon, over me my skies
  • 107:19 - 107:21
    Where dense dark clouds also hover
  • 107:21 - 107:26
    I wish this Moon is never overcast
  • 107:27 - 107:30
    A searing loneliness,
  • 107:30 - 107:33
    a pacing heart,
  • 107:33 - 107:38
    and not a moment's peace...
  • 107:38 - 107:42
    make up a wonderful story of mine;
  • 107:44 - 107:49
    I've only a restless yearning...
  • 107:49 - 107:52
    for a passion unfulfilled,
  • 107:52 - 107:55
    for an ecstasy, the thrill...
  • 107:55 - 108:00
    of your embrace
  • 108:00 - 108:03
    It's all I wish from you
  • 108:03 - 108:06
    In my heart of hearts, how I pine
  • 108:06 - 108:09
    To splash you with my colours of life
  • 108:09 - 108:12
    In every mood, to match my rhythm
  • 108:12 - 108:15
    It's all I wish from you
  • 108:15 - 108:18
    If only you say yes, then life...
  • 108:18 - 108:21
    can spring forth from the fountainhead...
  • 108:21 - 108:26
    to spew my pearls of life upon your path
  • 108:26 - 108:30
    For you, I thirst
  • 109:15 - 109:17
    All night, I kept thinking.
  • 109:19 - 109:21
    Until one o'clock it was, why you?
  • 109:22 - 109:25
    By two o'clock, it was why not?
  • 109:26 - 109:28
    At three am,
  • 109:28 - 109:29
    am I rushing into this?
  • 109:31 - 109:34
    At four, if not now then how will I ever...?
  • 109:34 - 109:37
    By the time it got to five o'c lock,
    I had decided.
  • 109:39 - 109:40
    I do.
  • 109:47 - 109:48
    I love you.
  • 110:17 - 110:19
    Now's my turn to tell her who I am.
  • 110:19 - 110:21
    But you don't know who I am.
  • 110:22 - 110:26
    What...!
    - When you get to know about my dad...
  • 110:26 - 110:28
    it'll blow your brains.
  • 110:28 - 110:31
    Is she talking my lines?
  • 110:32 - 110:33
    Take this.
  • 110:33 - 110:38
    In 1992, my dad had three Ambassador cars.
  • 110:40 - 110:41
    Oh wow...
    - Oh yes.
  • 110:42 - 110:44
    He had a travel agency.
    Shetty Travels.
  • 110:44 - 110:47
    Shitty Travels?
    - Hey! Shetty... Travels.
  • 110:47 - 110:50
    Yes... I see... Shetty Travels.
    - So.
  • 110:52 - 110:54
    It was my uncle who cheated him.
  • 110:54 - 110:55
    Ohh...
  • 110:55 - 110:57
    He stole all three cars.
  • 110:58 - 111:00
    Brokenhearted, my dad died.
  • 111:01 - 111:03
    That day, I swore...
  • 111:03 - 111:06
    until I buy three Ambassador cars,
  • 111:06 - 111:08
    I won't marry.
  • 111:09 - 111:10
    Three...?
  • 111:11 - 111:12
    Can't it climb down by a couple or so?
  • 111:13 - 111:14
    No way.
  • 111:15 - 111:18
    If you can wait, then wait.
  • 111:19 - 111:20
    Otherwise,
  • 111:20 - 111:22
    marry a girl of your class.
  • 111:25 - 111:26
    I'll wait.
  • 111:27 - 111:30
    Don't worry.
    Even after I'm rich,
  • 111:30 - 111:33
    I'll still be the same to you, like I'm now.
  • 111:34 - 111:37
    Promise?
    - Promise.
  • 111:47 - 111:48
    Good morning, sir.
    - Good morning.
  • 111:48 - 111:50
    A very happy new year to you.
    - Thank you.
  • 111:50 - 111:52
    Mr Goenka has canceled for the day.
  • 111:53 - 111:55
    The board meeting is at eleven thirty.
  • 111:55 - 111:58
    The marketing presentation is post-lunch.
  • 111:58 - 111:58
    Okay.
  • 112:04 - 112:08
    Sir... what did she say when
    she got to know about you?
  • 112:10 - 112:11
    I haven't told her.
  • 112:13 - 112:14
    Why, sir?
  • 112:16 - 112:17
    Because, in 1992...
  • 112:17 - 112:19
    her dad had three Ambassador cars.
  • 112:20 - 112:23
    Her uncle tricked her dad out of the cars.
  • 112:24 - 112:27
    Now she wants to be richer than her uncle.
  • 112:27 - 112:28
    Until then, she won't marry.
  • 112:29 - 112:30
    What if you just told her...?
  • 112:31 - 112:33
    She'd want to be richer than me...
  • 112:33 - 112:35
    that'd be the end of my wedding.
  • 112:37 - 112:42
    Truth is, I prefer to keep up this facade.
  • 112:49 - 112:51
    I had bought this flat...
    as my gift to her...
  • 112:52 - 112:57
    after telling her about me.
    It's not to be,
  • 112:58 - 113:00
    but I got to give her the flat, somehow.
  • 113:00 - 113:01
    That's your responsibility.
  • 113:03 - 113:04
    It'll be done, sir.
  • 113:05 - 113:05
    Thanks.
  • 113:19 - 113:21
    May no one ever wish you ill.
  • 113:21 - 113:23
    And your tank forever be petrol-ful.
  • 113:37 - 113:40
    For me too... please.
    - Quiet! There's enough for everyone.
  • 113:40 - 113:42
    For me, too?
    - Late, even today?
  • 113:43 - 113:44
    You bought it?
  • 113:44 - 113:46
    Yes... surprise.
  • 113:46 - 113:49
    One in. Two more to go.
    - Great!
  • 113:50 - 113:52
    I sold the jewellery meant
    for my wedding.
  • 113:53 - 113:54
    Dear husband to-be,
  • 113:54 - 113:56
    I don't think, you care for a dowry.
  • 113:56 - 113:57
    So, I bought a car.
  • 113:58 - 114:00
    Sure... it moves?
  • 114:01 - 114:03
    Are you joking?
    Take a test drive.
  • 114:05 - 114:05
    Come on, kids.
  • 114:13 - 114:14
    Smooth drive, isn't it?
  • 114:14 - 114:15
    Smooth roads.
  • 114:15 - 114:16
    Hey...?
  • 114:18 - 114:19
    Smooth as butter.
  • 114:21 - 114:23
    The radio, there's one in there.
    It works!
  • 114:43 - 114:47
    Hey, this car is mine!
    I just bought it.
  • 114:47 - 114:51
    Nice, isn't it?
    - What a pretty car!
  • 115:12 - 115:13
    Good news, sir.
  • 115:13 - 115:15
    The fax is in from London.
  • 115:15 - 115:16
    We've got the licence.
  • 115:16 - 115:19
    All calls to UK will be routed through us.
  • 115:19 - 115:20
    That's wonderful!
  • 115:20 - 115:21
    Give the good news to the staff.
  • 115:22 - 115:23
    Sure. You must go to
    London immediately.
  • 115:23 - 115:24
    Yes
  • 115:29 - 115:30
    Hi, how are you?
  • 115:30 - 115:32
    There's good news!
  • 115:32 - 115:33
    Strange!
  • 115:34 - 115:37
    She always pips me to the talking post?
  • 115:39 - 115:40
    Even I have something to tell you.
  • 115:40 - 115:41
    No. Me first.
  • 115:43 - 115:44
    Tell me.
  • 115:44 - 115:48
    I won a brand new flat in
    an Air Voice lucky contest.
  • 115:49 - 115:51
    Air Voice lucky contest...?
  • 115:52 - 115:56
    Sir... that flat you wanted to give her...
    I fixed a contest to do it.
  • 115:57 - 115:59
    Wow, that's great! Congratulations.
  • 115:59 - 116:01
    Not just congratulations.
  • 116:01 - 116:03
    Get over here in five minutes.
  • 116:03 - 116:06
    Kalpana, I'm a bit busy.
    I can't come.
  • 116:06 - 116:08
    I'll hit you for pretending to be busy.
  • 116:09 - 116:11
    I'm giving you the address.
    Come right away.
  • 116:23 - 116:24
    Hi!
  • 116:24 - 116:26
    Hi... congratulations.
  • 116:26 - 116:27
    Thank you
  • 116:29 - 116:30
    One second!
  • 116:35 - 116:35
    What's this?
  • 116:39 - 116:41
    You're taking your first step
    into this home.
  • 116:41 - 116:44
    I want to capture it for posterity.
  • 116:48 - 116:49
    You too, come over.
  • 117:44 - 117:45
    Nice, isn't it?
  • 117:46 - 117:47
    Beautiful.
  • 117:47 - 117:48
    This is how it'll stay forever,
  • 117:49 - 117:51
    to remind us of the first step we took.
  • 118:02 - 118:05
    So! How is this home?
  • 118:06 - 118:07
    Fabulous!
  • 118:08 - 118:11
    New home, second hand car...
  • 118:11 - 118:12
    lucky strike?
  • 118:13 - 118:14
    I'm feeling so happy!
  • 118:15 - 118:17
    Weren't you saying something
    on the phone?
  • 118:17 - 118:23
    Yes... I got to go out of town
    for ten days.
  • 118:24 - 118:25
    Where to...?
  • 118:26 - 118:27
    My village.
  • 118:29 - 118:31
    Why, so suddenly?
  • 118:33 - 118:35
    My mother is sick.
  • 118:36 - 118:38
    Then, bring her here.
  • 118:39 - 118:42
    I got to go, I have some property there...
  • 118:42 - 118:43
    two acres of land.
  • 118:43 - 118:44
    I got to sell it...
  • 118:45 - 118:46
    for my mother's medical treatment.
  • 118:48 - 118:53
    Ten days?
    You'll come sooner, if you can...?
  • 118:54 - 118:55
    I will.
  • 118:57 - 118:58
    You will come, won't you?
  • 118:59 - 119:01
    What's it, why are you nervous?
  • 119:02 - 119:05
    I don't know, it's just an odd feeling.
  • 119:06 - 119:07
    Hey...
  • 119:10 - 119:11
    Silly you.
  • 119:16 - 119:18
    All the rest are standard clauses.
  • 119:18 - 119:20
    I think we've covered everything, right?
  • 119:20 - 119:22
    Yes, we've clarified all the points.
  • 119:23 - 119:26
    I'll need a hard copy on the flight.
  • 119:26 - 119:27
    Will be done.
  • 119:27 - 119:29
    Make sure, all changes are incorporated.
    - Right.
  • 119:30 - 119:31
    Yes...?
    - Sir, we're getting late.
  • 119:32 - 119:36
    It's one o'clock!
    All right, let's pack.
  • 119:37 - 119:38
    Thank you, gentlemen.
  • 119:45 - 119:45
    Hello?
  • 119:46 - 119:48
    Hello Sachin... Kalpana.
    - Yes Kalpana?
  • 119:49 - 119:50
    I got to see you right away.
  • 119:51 - 119:53
    Come over to my old place.
  • 119:54 - 119:57
    It's one am. Say, what's the matter?
  • 119:57 - 120:02
    I got to see you before you leave.
    Please.
  • 120:04 - 120:05
    All right. I'm coming.
  • 120:20 - 120:21
    Why are you standing on the street?
  • 120:21 - 120:23
    Just waiting, for you.
  • 120:29 - 120:32
    So... why did you call me?
  • 120:43 - 120:44
    What's this?
  • 120:45 - 120:47
    One hundred and thirty five thousand.
  • 120:47 - 120:48
    For your mother's treatment.
  • 120:51 - 120:52
    Where did you get so much money?
  • 120:54 - 120:55
    I sold my car.
  • 120:55 - 120:57
    What... why?
  • 120:58 - 121:01
    You would've sold the land.
  • 121:02 - 121:05
    Don't sell it. It's an inheritance.
  • 121:06 - 121:08
    A car... I can buy again.
  • 121:10 - 121:11
    But...
  • 121:14 - 121:15
    you wanted the car so much!
  • 121:15 - 121:16
    Forget it.
  • 121:16 - 121:19
    Show your mother my soap ad.
  • 121:19 - 121:21
    I'm looking nice in that one.
  • 121:26 - 121:28
    Come back quickly.
  • 121:29 - 121:32
    Next week, I'm in Goa for an ad shoot.
  • 121:33 - 121:34
    I'll be back in two or three days.
  • 121:35 - 121:37
    You're getting late... now go.
  • 121:42 - 121:43
    Go on.
  • 121:55 - 122:05
    BIGPictures
  • 122:40 - 122:45
    How was it that you came to me
  • 122:46 - 122:50
    How blessed I am,
    but it's hard to believe
  • 122:50 - 122:54
    You descended upon
    life's placid lake...
  • 122:54 - 123:00
    like a rare Moon,
  • 123:00 - 123:03
    slowly,
  • 123:03 - 123:06
    gently
  • 123:09 - 123:12
    Under a winter's Sun,
  • 123:13 - 123:16
    like a warm melody...
  • 123:16 - 123:19
    you have caressed me,
  • 123:19 - 123:27
    I am enthralled
  • 123:27 - 123:33
    In you, my peace.
    You are my passion
  • 123:34 - 123:39
    Why didn't I find you before?
  • 123:39 - 123:49
    How was it that you came to me...
    how blessed I am, but it's hard to believe
  • 123:51 - 123:53
    That day, I swore...
  • 123:53 - 123:56
    until I buy three Ambassador cars,
  • 123:56 - 123:58
    I won't marry.
  • 124:01 - 124:04
    Don't sell it.
    It's an inheritance.
  • 124:05 - 124:07
    A car... I can buy again.
  • 124:13 - 124:19
    And once I believed,
  • 124:20 - 124:23
    that the Creator finds...
  • 124:23 - 124:26
    His urge no more
  • 124:26 - 124:27
    And then...
  • 124:27 - 124:32
    He created you
  • 124:32 - 124:38
    And now He is revealed to me...
  • 124:39 - 124:44
    in all His glory
  • 124:55 - 125:00
    Chords of a music touch my life,
  • 125:01 - 125:05
    I can feel new tunes coming into life
  • 125:05 - 125:15
    But I still can't believe...
  • 125:15 - 125:17
    how blessed I am,
  • 125:18 - 125:20
    how you came to me...
  • 125:42 - 125:43
    I love you.
  • 125:53 - 125:54
    Come back quickly.
  • 126:28 - 126:31
    That's upto 21st June 2006.
  • 126:32 - 126:35
    Afterwards, Sanjay went to London
    and Kalpana went to Goa.
  • 126:36 - 126:37
    What happened after that?
  • 126:58 - 127:03
    Anything more on the man
    we arrested at the girls' hostel?
  • 127:03 - 127:06
    No, it's turning out to be a strange case.
    - How come?
  • 127:09 - 127:10
    Bring him.
  • 127:10 - 127:14
    It was tough keeping him under control,
    so he was given a sedative.
  • 127:19 - 127:22
    He has several names
    and numbers tattooed.
  • 127:23 - 127:25
    Also, several strange remarks.
  • 127:26 - 127:26
    On the head...
  • 127:27 - 127:28
    he has a deep scar.
  • 127:28 - 127:29
    Found on him...
  • 127:29 - 127:32
    a gun, a camera, photographs.
  • 127:33 - 127:36
    We haven't been able to
    find out who he is.
  • 127:38 - 127:41
    Call up those numbers.
    Find out who they are.
  • 127:57 - 127:57
    Hello?
  • 127:59 - 128:02
    Constable Dhuri from
    D.N.Nagar Police station.
  • 128:19 - 128:21
    Do you recognise this man?
  • 128:29 - 128:30
    Yes.
  • 128:30 - 128:33
    He is Sanjay Singhania,
    chairman of Air Voice.
  • 128:33 - 128:36
    The chairman of Air Voice?
    - Yes.
  • 128:37 - 128:39
    He suffers from short term memory loss,
  • 128:39 - 128:42
    doesn't remember anything
    beyond 15 minutes.
  • 128:43 - 128:44
    A friend of mine,
  • 128:45 - 128:50
    he has tattooed in my name and
    number, for remembering me.
  • 128:53 - 128:53
    That's all.
  • 128:54 - 128:56
    Where did you find him?
  • 128:56 - 128:59
    Medical college girl's hostel. In a lift.
  • 129:00 - 129:02
    Sir, his manager and
    his secretary are here.
  • 129:03 - 129:05
    Have you written a complaint about him?
    - Not yet, sir.
  • 129:07 - 129:07
    Wait a while.
  • 129:08 - 129:09
    He's only a patient.
  • 129:10 - 129:11
    And do you know who he is?
  • 129:12 - 129:14
    He was found in a girls' hostel
    with a gun.
  • 129:14 - 129:16
    How is one to take him
    for a medical patient?
  • 129:16 - 129:18
    The gun is for his safety.
  • 129:19 - 129:21
    Here's the gun licence.
  • 129:22 - 129:24
    He didn't shoot at anyone, did he?
  • 129:25 - 129:27
    No complaint has been registered.
  • 129:27 - 129:29
    You can take him away.
  • 129:29 - 129:31
    But from now on, be careful.
  • 129:32 - 129:34
    Please take their contact details.
  • 129:34 - 129:36
    Thank you.
    - Thank you very much.
  • 129:36 - 129:37
    Careful.
  • 130:15 - 130:16
    Sorry, you aren't allowed...
    - Who are you?
  • 130:16 - 130:18
    Move over.
    - Whom do you want?
  • 130:19 - 130:20
    Silence!
  • 130:20 - 130:21
    Why are you locking us?
  • 130:25 - 130:29
    171, Cheetah Camp. Deonar
  • 130:30 - 130:32
    13.06.2008
  • 130:33 - 130:34
    Whose address is it?
  • 130:34 - 130:35
    Mine.
  • 130:36 - 130:40
    The date is tomorrow's.
    One day on, you'd be gone.
  • 130:41 - 130:43
    Don't shoot him!
  • 130:44 - 130:48
    My name and number are on his body.
  • 130:49 - 130:51
    In police records,
    he's a friend of mine.
  • 130:51 - 130:55
    A murder enquiry can
    become big trouble.
  • 130:56 - 130:59
    You mean, we leave him alive?
    - Yes, alive.
  • 131:00 - 131:02
    But like the living dead.
  • 131:02 - 131:06
    He's got memory tags everywhere.
  • 131:07 - 131:09
    We've got to erase what he has written,
  • 131:10 - 131:14
    we got to turn him into blank paper.
  • 132:22 - 132:26
    Now, he's just like any other furniture
  • 132:27 - 132:29
    Just like a vegetable.
  • 132:45 - 132:48
    Newspaper archives?
    - First floor.
  • 134:31 - 134:33
    Why are you hiding?
  • 134:33 - 134:34
    Come out.
  • 134:35 - 134:39
    Come... careful.
  • 134:40 - 134:41
    Sit.
  • 134:42 - 134:43
    What happened to you?
  • 134:44 - 134:47
    I'm from Latur village.
  • 134:47 - 134:52
    Ramesh brought me to Mumbai,
    saying he'd find a job for me.
  • 134:53 - 134:57
    But he sold me to someone.
  • 134:58 - 135:03
    Now... he's forcing me to go to Goa.
  • 135:04 - 135:09
    And... there are more girls like me
    in a bogey up ahead.
  • 135:09 - 135:14
    At one of the stations, I managed to
    get away and I'm hiding here.
  • 135:14 - 135:18
    Don't cry. Nothing is going to happen.
    I'm here with you.
  • 135:23 - 135:24
    She must be around.
  • 135:24 - 135:25
    Hurry up.
  • 135:26 - 135:27
    Move in.
  • 135:29 - 135:29
    Look behind.
  • 135:35 - 135:38
    Did you see a girl, wearing a frock?
  • 135:38 - 135:39
    Give me ten Rupees.
  • 135:41 - 135:42
    Here.
  • 135:46 - 135:50
    Open the door.
    - Open up!
  • 135:50 - 135:51
    Give that girl to me!
  • 135:52 - 135:54
    I paid 2000 Rupees to buy her!
  • 135:54 - 135:55
    Come on, open up!
  • 135:55 - 135:57
    Open the door!
  • 136:01 - 136:03
    Open it!
  • 136:08 - 136:09
    It's gold!
  • 136:09 - 136:10
    Should be worth 3,000.
  • 136:12 - 136:13
    Forget the girl. Let's go.
  • 136:16 - 136:17
    It's all right.
  • 136:41 - 136:42
    Don't be afraid.
  • 136:42 - 136:45
    We'll get down at the next station
    and we'll go to Bombay.
  • 136:54 - 136:56
    We've been after chickens.
  • 136:57 - 136:59
    Will we spare a hen if we find one?
  • 137:02 - 137:05
    Let go... leave her!
  • 137:07 - 137:08
    Sister...
  • 137:11 - 137:13
    Help me!
  • 137:13 - 137:14
    Leave me!
  • 137:14 - 137:15
    How far can she run?
  • 137:16 - 137:18
    Sister, do something!
  • 137:19 - 137:20
    Look at her... there.
  • 137:21 - 137:25
    Sister! Help me!
  • 138:31 - 138:33
    Hi, how are you?
  • 138:33 - 138:35
    I'm okay. Are you in Goa?
  • 138:35 - 138:37
    No, I'm returning to Mumbai.
  • 138:38 - 138:38
    What?
  • 138:38 - 138:40
    It's a long story.
  • 138:40 - 138:44
    In my train, there were some goons.
    They were taking 25 kidnapped girls to Goa.
  • 138:45 - 138:46
    Somehow, I managed to save them.
  • 138:46 - 138:49
    I'm on my way back
    to Mumbai with them.
  • 138:49 - 138:51
    What! Are you all right?
  • 138:51 - 138:53
    Tell me about it, what happened?
  • 138:53 - 138:55
    Don't worry, nothing's happened to me.
  • 138:55 - 138:56
    Are you sure?
  • 138:56 - 138:59
    I'm perfectly all right, really.
  • 139:00 - 139:01
    You're too much, Kalpana.
  • 139:03 - 139:06
    But it's also what I like the
    most about you.
  • 139:06 - 139:08
    What...?
  • 139:08 - 139:09
    This habit of helping others.
  • 139:10 - 139:12
    The first time I saw you,
  • 139:12 - 139:16
    you were helping some
    disabled girls across a ditch.
  • 139:18 - 139:19
    How do you know that?
  • 139:20 - 139:23
    There's so much I haven't told you.
  • 139:24 - 139:25
    Stuff you'll be amazed to hear.
  • 139:25 - 139:27
    Drop the melodrama and tell me.
  • 139:28 - 139:31
    Not like this...
    when I'm saying it,
  • 139:31 - 139:33
    I got to see the look on your face.
  • 139:34 - 139:36
    So, I'll tell it to you once I'm back.
  • 139:36 - 139:37
    See you.
  • 139:37 - 139:38
    Take care, bye.
  • 139:39 - 139:40
    Bye.
  • 139:52 - 139:57
    The biggest news is about kidnapped girls,
    trafficking in human organs and flesh trade.
  • 139:57 - 140:00
    Last night's revelation has
    stunned everyone.
  • 140:00 - 140:05
    25 girls from villages in North India lured to
    the city on the pretext of giving jobs...
  • 140:05 - 140:11
    were being taken from Mumbai to Goa.
    With the help of some soldiers,
  • 140:11 - 140:13
    Kalpana rescued them.
  • 140:13 - 140:17
    Investigations reveal that organs have already
    been harvested from these girls.
  • 140:17 - 140:21
    Several girls have been operated surgically
    and their kidneys have been removed.
  • 140:21 - 140:27
    Now they were en route to Goa,
    to be pressed into the flesh trade.
  • 140:27 - 140:31
    It's apparently a full-fledged racket,
    flourishing right across the country.
  • 140:31 - 140:36
    Investigations indicate the possible
    involvement of influential people.
  • 140:36 - 140:39
    Information given by the rescued girls has
    led to a country-wide crackdown.
  • 140:39 - 140:43
    Several suspects are
    being questioned.
  • 140:43 - 140:49
    Most of them are women and young girls,
    more than half of whom are children.
  • 141:00 - 141:01
    Hello
  • 141:01 - 141:05
    I'm Constable Vyjayanti.
    From Bombay Municipal Hospital.
  • 141:05 - 141:07
    Yes, go on.
  • 141:07 - 141:12
    Look, you sent 25 girls...?
    - Yes?
  • 141:12 - 141:16
    Two are missing, without a trace.
  • 141:16 - 141:18
    Please come over here
    and check them out.
  • 141:19 - 141:22
    Please do not mention
    that I've tipped you.
  • 141:22 - 141:24
    Some very influential people
    are behind it.
  • 141:40 - 141:42
    Madam... here...?
    At this hour?
  • 141:42 - 141:43
    Please come in the morning.
  • 141:43 - 141:45
    The girls will be let off tomorrow morning.
  • 141:45 - 141:47
    I had brought 25 girls.
  • 141:47 - 141:48
    There are only 23 here.
  • 141:48 - 141:50
    Where are the two girls?
  • 141:51 - 141:52
    You are mistaken.
  • 141:52 - 141:54
    You brought 23.
  • 141:54 - 141:55
    Don't you lie!
  • 141:56 - 141:58
    I have a list, of names.
  • 142:09 - 142:10
    Good evening, sir.
  • 142:14 - 142:15
    Yes.
  • 142:16 - 142:18
    You brought in 25 girls.
  • 142:18 - 142:19
    Who are you?
  • 142:19 - 142:20
    Ghajini.
  • 142:21 - 142:22
    Ghajini Dharmatma.
  • 142:23 - 142:29
    23 out of 25 named my men.
    I'd let it pass.
  • 142:29 - 142:33
    But these two, pointed fingers at me.
  • 142:35 - 142:36
    Where are the two girls?
  • 142:36 - 142:39
    Dead and dumped in the sea.
  • 142:41 - 142:43
    Are you asking to know more?
  • 142:48 - 142:50
    Because of beasts like you,
  • 142:50 - 142:53
    girls are afraid to step out
    of their homes.
  • 142:57 - 143:00
    Of how many apparitions of men,
    should women beware?
  • 143:01 - 143:03
    Of keepers of faith and religion?
  • 143:04 - 143:05
    Of doctors?
  • 143:06 - 143:09
    At work places, in schools, colleges?
  • 143:25 - 143:26
    Hello
  • 143:46 - 143:49
    Dead and dumped in the sea.
  • 144:03 - 144:04
    Hello?
  • 144:04 - 144:07
    Vyjayanti speaking...
  • 144:07 - 144:08
    Go on.
  • 144:08 - 144:11
    They're planning to kill you.
  • 144:13 - 144:15
    Please do not go home.
  • 144:16 - 144:17
    Go elsewhere.
  • 144:17 - 144:19
    They're hiding inside your house.
  • 144:55 - 144:58
    What happened?
    - A power failure... hold it.
  • 145:16 - 145:19
    The door is locked from inside.
    She's in here.
  • 145:22 - 145:23
    Find her.
  • 146:33 - 146:34
    Kalpana...?
  • 146:42 - 146:44
    Kalpana
  • 147:13 - 147:14
    Kalpana
  • 147:30 - 147:33
    Don't go away... don't!
  • 148:02 - 148:02
    Fast.
  • 148:39 - 148:40
    Hey!
  • 148:41 - 148:42
    Look!
  • 148:47 - 148:48
    What's it?
  • 148:49 - 148:50
    She must've gone that way.
  • 148:50 - 148:51
    Go.
  • 149:37 - 149:37
    Hello?
  • 149:38 - 149:40
    Hello Kalpana... Kalpana...
  • 150:14 - 150:15
    Kalpana
  • 150:21 - 150:22
    Kalpana
  • 150:25 - 150:35
    BIGPictures
  • 150:48 - 150:48
    Go away, Sachin.
  • 150:51 - 150:51
    Get out.
  • 150:52 - 150:53
    Kalpana... what...?
  • 150:56 - 150:57
    What happened...?
  • 151:03 - 151:04
    Ghajini
  • 151:10 - 151:11
    Ghajini
  • 151:26 - 151:27
    Kalpana!
  • 151:27 - 151:28
    Kalpana...
  • 152:22 - 152:24
    Kalpana
  • 152:55 - 152:57
    No!
  • 154:41 - 154:45
    I'm Sunita. I'm a medical student.
  • 156:27 - 156:29
    Forgive me.
  • 156:29 - 156:31
    Even I'm responsible for
    the state you're in.
  • 156:31 - 156:33
    I'll take you to Ghajini.
  • 156:33 - 156:34
    I'll bring back your memories.
  • 156:35 - 156:37
    I got to talk to him! Now!
  • 156:44 - 156:46
    Hello... hello?
  • 156:46 - 156:48
    My name is Sanjay.
  • 156:49 - 156:49
    What?
  • 156:50 - 156:51
    Sanjay Singhania.
  • 156:52 - 156:54
    Your name is Ghajini.
  • 156:56 - 156:58
    Do you remember the first of July, 2006?
  • 157:00 - 157:03
    You may forget, but I cannot forget.
  • 157:03 - 157:05
    It's the only thing I remember.
  • 157:06 - 157:09
    Leaving you alive was a mistake.
  • 157:10 - 157:14
    But now, I'll finish you off.
  • 157:14 - 157:16
    This time, no sparing you.
  • 157:16 - 157:19
    Wait for your death. I'm coming.
  • 157:21 - 157:22
    Damn you!
  • 157:24 - 157:30
    Damn... a short-term memory-loss
    patient is reminding me?
  • 157:33 - 157:36
    Get the cars.
    We're going into my den.
  • 157:37 - 157:38
    Let him come to my area.
  • 157:40 - 157:42
    After I'm through,
  • 157:43 - 157:45
    they won't find even a fingernail on him.
  • 158:00 - 158:02
    They're going somewhere.
  • 158:02 - 158:03
    Follow them.
  • 158:43 - 158:45
    They're stopping here.
  • 158:45 - 158:46
    Which one is Ghajini?
  • 158:48 - 158:49
    The man in white.
  • 159:02 - 159:03
    This looks like a dangerous area.
  • 159:04 - 159:06
    I think we shouldn't wait here.
  • 159:10 - 159:11
    Where are you going?
  • 159:11 - 159:12
    You can't kill him so easily.
  • 159:13 - 159:14
    There are too many of them in there.
  • 159:14 - 159:16
    Stop! We'll get him when he's alone.
  • 159:16 - 159:17
    This is a very dangerous area.
  • 159:18 - 159:19
    Have you gone mad?
  • 159:23 - 159:24
    Oh God!
  • 159:40 - 159:49
    Hey stop... Where are you going?
    Entry is barred
  • 160:38 - 160:39
    He's here! Tell the boss.
  • 160:54 - 160:55
    He's coming!
  • 160:56 - 160:57
    Move it...
  • 160:57 - 160:59
    let's get him!
  • 160:59 - 161:01
    Don't let him get away!
    - Get the irons...
  • 161:01 - 161:03
    He won't get away!
    - Don't let him in.
  • 162:38 - 162:40
    Boss...
  • 163:00 - 163:05
    Now you're gone... finished!
  • 168:55 - 168:56
    Brother...
  • 168:56 - 168:59
    help me... save me!
  • 168:59 - 169:01
    Ghajini is coming... that way!
  • 169:02 - 169:03
    Please, help me!
  • 169:03 - 169:04
    I'm Prakash!
  • 169:05 - 169:05
    Have you forgotten?
  • 169:06 - 169:07
    We came for Ghajini!
  • 169:07 - 169:08
    Look at how badly he has bruised me!
  • 169:09 - 169:12
    I'm Prakash...
    Ghajini did this to me.
  • 169:13 - 169:14
    He hit me so badly.
  • 169:14 - 169:16
    He's a very dangerous man!
  • 169:17 - 169:18
    Very dangerous!
  • 169:19 - 169:20
    He's coming that way.
  • 169:20 - 169:22
    Keep an eye out for him.
  • 169:23 - 169:24
    Keep an eye on him.
  • 169:25 - 169:25
    Watch out
  • 169:26 - 169:30
    Cunning man... very cunning man.
  • 169:36 - 169:38
    Got you!
  • 170:01 - 170:02
    Got you!
  • 170:03 - 170:05
    Short term memory loss...
  • 170:07 - 170:09
    Look at my face.
  • 170:10 - 170:11
    Look.
  • 170:11 - 170:13
    I am Ghajini.
  • 170:13 - 170:14
    I am.
  • 170:15 - 170:17
    I am the one you wanted to kill.
  • 170:18 - 170:19
    Do you remember why?
  • 170:26 - 170:28
    Your memory is too weak,
  • 170:29 - 170:31
    lasts you for just 15 minutes.
  • 170:32 - 170:33
    But have no regrets.
  • 170:35 - 170:42
    In these final 15 minutes of your life,
    I'll give the action replay, over again.
  • 170:54 - 170:55
    Remember the rod...?
  • 170:56 - 170:59
    The one that I used to kill your fiancee?
  • 171:01 - 171:02
    Somewhat like this one...
  • 171:04 - 171:05
    it comes to your mind?
  • 171:11 - 171:14
    I killed her right in front of your eyes.
  • 171:21 - 171:24
    Before I kill you,
  • 171:24 - 171:29
    I'll show you exactly
    how I killed your Kalpana.
  • 171:31 - 171:32
    Watch this.
  • 175:55 - 175:57
    Kalpana Home for Orphans
  • 176:23 - 176:26
    Let's go cut the cake.
    - Yes... let's all go.
  • 176:30 - 176:33
    Time to cut your cake.
  • 176:34 - 176:36
    Wait!
  • 176:37 - 176:39
    Sanjay, what's her name?
  • 176:42 - 176:43
    Rahul... no.
  • 176:49 - 176:50
    Pooja.
  • 176:52 - 176:53
    You read it here!
  • 176:53 - 176:55
    Cheater... cheater...
  • 176:56 - 177:08
    Happy birthday to you.
  • 178:38 - 178:48
    BIGPictures
  • 178:52 - 178:55
    Pathways, streams and rivers all change
  • 178:55 - 178:58
    Glimmering lamps cast lights of change
  • 178:58 - 179:01
    When the change strikes life's rhythm
  • 179:01 - 179:04
    The rhythm of the rain will also change
  • 179:04 - 179:10
    And the nature of seasons will change
  • 179:10 - 179:14
    But I shall forever be...
  • 179:14 - 179:18
    the same to you as I've been
  • 179:18 - 179:24
    Arm in arm, with you my mate,
  • 179:24 - 179:27
    every moment,
  • 179:27 - 179:29
    always
  • 179:45 - 179:50
    How was it that you came to me
  • 179:51 - 179:55
    How blessed I was,
    but it's hard to believe
  • 179:55 - 179:59
    You descended upon
    life's placid lake...
  • 179:59 - 180:05
    like a rare Moon,
  • 180:05 - 180:08
    slowly,
  • 180:08 - 180:10
    gently
  • 180:14 - 180:17
    Under winter's Suns,
  • 180:17 - 180:20
    like a warm melody...
  • 180:21 - 180:26
    you caressed me, now you're gone
  • 180:27 - 180:32
    But I still live, enthralled
  • 180:32 - 180:38
    In you, my peace.
    You are my passion
  • 180:38 - 180:44
    Why didn't I find you before?
  • 180:44 - 180:54
    How was it that you came to me...
    how blessed I was, but it's hard to believe
  • 182:50 - 182:56
    And once I believed,
  • 182:57 - 183:02
    that the Creator finds
    His urge no more
  • 183:03 - 183:09
    And then He created you...
  • 183:09 - 183:15
    for me to sing...
  • 183:15 - 183:20
    eulogies to His glory
    I'm Thaw Gyi
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Video Language:
Hindi
Duration:
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English subtitles

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