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So, in 2016,
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I was commissioned
to produce a photo essay
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about the water crisis in Flint, Michigan.
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And that's been going on since 2014.
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And I accepted the commission
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with the idea that I would photograph
three generations of women
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dealing with the crisis on a daily basis.
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I was fortunate to meet two best friends,
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artists, activists and poets,
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Amber Hasan and Shea Cobb,
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who took me around Flint.
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As a school bus driver,
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Shea Cobb became the central figure
of the photo essay,
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along with her mother, Ms Renée,
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and her eight-year-old daughter Zion.
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I obsessively followed
Shea's school bus routes.
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And when Shea wasn't driving the bus,
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she would be watching over Zion,
making sure she was studying.
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I embedded myself in every
intimate facet of Shea's life.
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When Shea took me to Zion's school,
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and I saw the water fountains
covered with signs that said,
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"Contaminated. Do not drink,"
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I couldn't pick up
my camera to photograph it.
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It rocked me to the core
to see that in America
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we can go from fountains
that say "Whites" or "Blacks only,"
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to today seeing fountains that say,
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"Contaminated water, do not drink,"
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and somehow, that's acceptable?
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The residents in Flint have been forced
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to drink with, cook with
and bathe with bottled water,
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while paying the highest
water bills in the country
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for water that is infected
with deadly legionella bacteria.
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It was natural for me to go to Flint,
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because industrial pollution,
bacteria-contaminated water
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were all too familiar for me growing up
in my home town, Braddock, Pennsylvania,
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where my mother and I battled cancer,
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and autoimmune disorders like lupus.
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Our 14-year collaboration,
"The Notion of Family,"
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was created out of our struggle
to survive environmental racism,
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healthcare inequity,
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and chemical emissions
that were being deregulated
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and released from the United States
Steel corporation,
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making Braddock the town with the highest
asthma and infant mortality rates
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in the country.
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From the Manongahela River,
to the Flint River,
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in the words of W.E.B. DuBois,
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"The town, the whole valley,
has turned its back upon the river.
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It has used it as a sewer, as a drain,
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as a place for throwing their waste."
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General Motors has been cited
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for dumping chemicals
in the Flint river for decades.
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When my photo essay "Flint is Family"
came out in August of 2016,
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it was released to remind America
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that although Flint
was no longer headline news,
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the water crisis was far from over.
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And of course, I knew
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it was going to take more
than a series of photographs on my part
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to bring relief to the people
in Vehicle City.
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Shea and I bonded
over our mothers and grandmothers.
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Amber and I bonded
over our battles with lupus.
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Together, we decided to remain
in each other's life
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and continue our creative efforts.
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In 2017, Shea and Amber cofounded
artist collective The Sister Tour,
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whose mission is to provide
a safe space for Flint artists.
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One year later,
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I mounted my solo exhibition,
"Flint is Family,"
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here in New York City
at Gavin Brown's enterprise
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on West 127th Street.
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As the audience approaches
the facade of the building,
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they see a 30-foot billboard.
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The 30-foot billboard is made
of three large color negatives
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with the message "Water is Life,"
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spelled out in Nestle water bottles
by The Sister Tour.
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Nestle, the largest water bottling
company in the world,
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pumps 400 gallons of water per minute
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out of aquifers in Lake Michigan
nearly free of charge.
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The company also extracts
millions of liters of water
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from First Nation reservations,
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while they have no access
to clean water at all.
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This is a fundraiser print
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that I used to raise money
to send The Sister Tour
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to different venues to educate people
on the ongoing crisis.
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I also continued to keep it
in the public eye,
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by producing countdown flags
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that were raised on institutions
across the country.
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This past June, Amber
emailed me with the news
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that Michigan's attorney general
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dropped all criminal charges
in the Flint water crisis investigation,
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where eight state and city employees
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were facing charges
as serious as manslaughter.
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I could no longer idly stand by
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and wait for the government to do its job.
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Justice has been delayed,
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and justice has been denied.
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It's been five years,
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and we're still waiting on justice
for the men, women and children in Flint.
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I asked Amber, "What can I do?"
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She told me about a man named Moses West
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that she met in Puerto Rico,
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who invented a 26,000-pound
atmospheric water generator.
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Amber took Moses to elected officials
in the city of Flint.
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None of them seemed interested
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in bringing the machine
for relief to Flint at all.
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Amber needed to get the machine
from a military base in Texas
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all the way to Flint.
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Nobody in Flint had
that kind of money laying around.
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And it was at that point that I decided
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to take the proceeds from my
solo exhibition "Flint is Family,"
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along with the generous match grant
from the Robert Rauschenberg Foundation,
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and sent it to Moses West.
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This past July,
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Moses West and his
atmospheric water generator
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arrived to Flint, Michigan
on North Saginaw,
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between Marengo and Pulaski,
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and is actually still there
right now, operating.
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This community, that sits
three miles from downtown
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has been stripped of its schools,
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access to healthy grocery stores,
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and clean water.
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Socially, it's viewed
as a violent, poor community.
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But I see something completely different.
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Moses, an officer, ranger, veteran,
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was very clear about his
water rescue mission:
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Bring relief of free, clean water
to the people in Flint.
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Teach them how to use the machine.
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Teach them how to take care of it,
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and most importantly,
take ownership of the machine.
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Tell everybody across the city
to bring all their containers,
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and come and take as much water
as they can stock up on,
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especially before the winter season hits.
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The machine doesn't extract moisture
in freezing temperatures.
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This technology pulls air
through a high-volume air filter.
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It mechanically creates condensation,
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which produces 2,000 gallons
of water per day.
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Residents are free
to walk up to the machine
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anywhere between 9 am and 8 pm daily,
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and take as much as they want,
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alleviating them from standing
in long lines for bottled water.
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I've been at the machine,
interviewing people, asking them,
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what does it mean to see Moses
and his machine in their community.
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And what has it been like
living without access to clean water.
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Alita told me,
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"It's a miracle that God gave Moses
the knowledge and technology
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to provide us with pure drinking water."
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She also told me
that prior to the machine coming,
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she had severe headaches
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and that the water made her
so sick to her stomach,
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she couldn't eat.
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Tina told me that
the lead-contaminated water
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made her hair fall out.
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Usually, she's weak and very light-headed.
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Since using the machine,
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she's had energy and strength.
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David, he was overwhelmed with joy
that someone from Texas cared.
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When he tasted the water,
he thought to himself,
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"Now, this is the way
God intended water to be."
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He brings three seven-gallon
containers to refill
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to use at his barbecue stand.
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Through creativity and solidarity,
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Amber Hasan, Shea Cobb,
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Tuklor Senegal, The Sister Tour,
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myself, the people of Flint,
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Dexter Moon, Moses West
and his atmospheric water generator
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have been able to provide
120,000 gallons
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of free, clean water.
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(Applause)
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The people in Flint
deserve access to clean water.
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Water is life.
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It is the spirit that binds us
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from sickness, death and destruction.
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Imagine how many millions
of lives we could save
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if Moses' machine were in places like
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Newark, New Jersey,
South Africa and India.
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With compassion,
instead of profit motives.
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I loaded my camera,
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I locked my focus
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and I placed my finger
over the shutter release,
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as Shea and Zion went to take
their first sip of clean water.
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When the shutter released,
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I was overcome with a deep sense
of joy and righteousness.
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When I sent Shea some of the photographs,
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she wrote,
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"Thank you again for the light
that you bring to my city."
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I immediately replied,
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"The light was already there within you."
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It's been four years
since I've been photographing in Flint,
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and finally, I've been able
to render a poetic justice.
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No matter how dark a situation may be,
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a camera can extract the light
and turn a negative into a positive.
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Thank you.
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(Applause)