< Return to Video

Sherlock Holmes in Dressed to Kill - full movie

  • 0:06 - 0:57
    ♪ [dramatic music] ♪
  • 1:02 - 1:04
    Dartmoor Prison
  • 1:05 - 1:10
    isolated from the outside world
    by walls of granite
  • 1:21 - 1:24
    They say you can get out of here
    by merely telling what you know
  • 1:25 - 1:28
    You may or may not be another
    Scotland Yard bloke
  • 1:30 - 1:32
    but I'll give you the same
    answer I gave the others
  • 1:34 - 1:38
    I still have two years, eight months
    and six days left
  • 1:39 - 1:41
    in which to make musical boxes
  • 1:42 - 1:45
    that will be sold at auction for the
    benefit of this delightful sanctuary
  • 1:47 - 1:49
    and I intend to sell them
  • 1:49 - 1:55
    ♪ [music box] ♪
  • 1:55 - 1:57
    Move along
  • 1:58 - 2:00
    (male) And now we come
    to the next object on our list
  • 2:00 - 2:01
    or I should say objects
  • 2:01 - 2:03
    because there are three of them
  • 2:04 - 2:05
    Now, ladies and gentlemen
  • 2:05 - 2:08
    these can be bought together or separately
  • 2:09 - 2:11
    Now these beautiful little musical boxes
    only arrived this morning
  • 2:11 - 2:14
    and I didn't intend to put them
    on the auction block until later
  • 2:14 - 2:15
    but I'm going to sell them now
  • 2:16 - 2:19
    So good friends
    [inaudible] I've got news to say
  • 2:19 - 2:21
    Lend me your ears
  • 2:22 - 2:24
    And what do you hear?
  • 2:24 - 2:25
    ♪ [music box] ♪
  • 2:25 - 2:26
    Right
  • 2:26 - 2:29
    The beautiful tinkle-tinkle
    of a musical box
  • 2:30 - 2:33
    What a lovely trinket
    what a beautiful gift
  • 2:33 - 2:35
    created and made by loving hands
  • 2:35 - 2:38
    A thing of beauty and utility
  • 2:38 - 2:41
    Now who's going to start me with £5?
  • 2:41 - 2:43
    It's a bargain, £5
  • 2:44 - 2:45
    Do I see any hands?
  • 2:46 - 2:50
    If a connoisseur in the house
    will go £3 point
  • 2:50 - 2:52
    £2
  • 2:53 - 2:54
    £1
  • 2:56 - 2:57
    Ten shillings
  • 2:59 - 3:01
    Thank you, sir
  • 3:01 - 3:02
    Ladies and gentlemen
  • 3:02 - 3:05
    ten shillings is offered for a musical box
    you couldn't buy anywhere in London
  • 3:05 - 3:07
    for less than £5
  • 3:08 - 3:09
    Bit of a steal to let it go
    for ten shillings
  • 3:10 - 3:11
    Like taking milk from a baby
  • 3:11 - 3:13
    Alright, we still have the ten shillings
  • 3:13 - 3:15
    Ten shillings, ten shillings is offered
    ten shillings is offered
  • 3:15 - 3:16
    ten shillings is offered
  • 3:16 - 3:18
    Anybody going to give me £1?
    Anybody £1?
  • 3:18 - 3:21
    Someone, somewhere give me a pound
  • 3:21 - 3:23
    A pound, £1 is offered
    £1 is offered ladies and gentlemen
  • 3:23 - 3:24
    £1 is offered
  • 3:24 - 3:27
    Have we got a £2?
    Have we got a £2, sir?
  • 3:28 - 3:31
    £2, £2 is offered
    £2 is offered, going once
  • 3:31 - 3:32
    twice
  • 3:32 - 3:33
    third and the last call
  • 3:35 - 3:37
    sold to the gentleman for £2
  • 3:37 - 3:39
    Sorry, my dear
  • 3:40 - 3:42
    Now ladies and gentlemen
    comes the opportunity to purchase
  • 3:43 - 3:46
    an exact duplicate
    of the beautiful little musical box
  • 3:46 - 3:50
    just bought by this gentleman
    for the ridiculous low price of £2
  • 3:50 - 3:51
    It's exactly the same
  • 3:51 - 3:53
    exactly the same, made with the same hands
  • 3:54 - 3:56
    You hear that? Isn't that lovely?
  • 3:56 - 3:57
    That tinkle tinkle tinkle tinkle
  • 3:57 - 3:58
    ♪ (music box) ♪
  • 3:58 - 4:01
    Sounds like bells to me, you know,
    with little angels pulling on the rope
  • 4:01 - 4:02
    Who'll give me £2 for it?
  • 4:02 - 4:05
    Who'll start me with £2 for it?
    Will anyone start me with £2?
  • 4:06 - 4:07
    Oh, come, come, ladies and gentlemen
  • 4:08 - 4:10
    You know, from your enthusiasm
  • 4:10 - 4:11
    we might all be in Scotland
    instead of London
  • 4:11 - 4:13
    Please buy it for me, Daddy
  • 4:13 - 4:17
    £2, certainly not
    we all might be in Scotland
  • 4:17 - 4:18
    Besides I don't like these men
  • 4:18 - 4:20
    £1, ten shillings
  • 4:20 - 4:22
    £1, £1 is ours
  • 4:22 - 4:25
    £1, £1 is offered
    £1 is offered, going £1
  • 4:25 - 4:27
    In the advance, we're once
    going twice
  • 4:27 - 4:29
    the third and the last call
  • 4:30 - 4:32
    Sold to the lady for £1
  • 4:33 - 4:34
    Smart bidding, my dear
  • 4:34 - 4:35
    Thank you
  • 4:36 - 4:39
    We come to the third and last
    of these beautiful little musical boxes
  • 4:40 - 4:41
    Exactly the same
    tinkle-tinkle
  • 4:41 - 4:42
    Isn't that lovely?
  • 4:43 - 4:46
    Ladies and gentlemen, I don't bring
    you here to golly you and swindle you
  • 4:46 - 4:48
    This is an exact replica
    of those two I just sold before . . .
  • 4:52 - 4:53
    (knock)
  • 4:56 - 4:58
    We're closed
  • 4:58 - 5:00
    But this is extremely important
  • 5:02 - 5:04
    Come in, sir, come in
  • 5:04 - 5:05
    I'm sorry to disturb you
  • 5:05 - 5:08
    but I was unfortunately delayed
    from arriving on time
  • 5:08 - 5:12
    to bid on certain articles
    which I was rather anxious to obtain
  • 5:12 - 5:13
    Well, perhaps they weren't sold, sir
  • 5:13 - 5:15
    We are carrying several things over
  • 5:15 - 5:18
    Erm, what might the articles be, sir?
  • 5:18 - 5:21
    Three identical musical boxes
    about, er, so large
  • 5:21 - 5:24
    Oh, I'm sorry, sir, but they were sold
  • 5:24 - 5:26
    Pity you weren't here to bid on them
  • 5:26 - 5:28
    They didn't bring anything
    like the real value
  • 5:28 - 5:30
    I'm most anxious to obtain them
  • 5:30 - 5:34
    I wonder if your records would show
    who the purchasers were
  • 5:34 - 5:37
    Oh, we usually don't give out
    that information, sir
  • 5:37 - 5:40
    For certain, shall we say
    sentimental reasons
  • 5:40 - 5:43
    I'm most anxious to get in touch
    with the purchasers
  • 5:43 - 5:46
    I'd be willing to pay, shall we say
  • 5:47 - 5:48
    £5
  • 5:48 - 5:51
    Well for certain sentimental reasons, sir
    we'd be very happy to oblige
  • 5:51 - 5:53
    Alfred! Today's sale
  • 5:53 - 5:55
    the three musical boxes
  • 5:55 - 5:56
    The musical boxes
  • 5:56 - 5:57
    Ah, here we are
  • 5:57 - 6:02
    The first purchase for £2
    Mr. Julian Emery, 52 Fortman Square
  • 6:02 - 6:03
    Write these adresses down, Alfred
  • 6:03 - 6:04
    Yes, sir
  • 6:04 - 6:05
    Second didn't leave any name
  • 6:05 - 6:07
    How unfortunate
  • 6:07 - 6:08
    I think she's a dealer
  • 6:08 - 6:10
    You see, they don't like us to know
    where they're things are going
  • 6:10 - 6:11
    On account of the profits
  • 6:12 - 6:15
    You say the second purchaser was a woman?
  • 6:15 - 6:17
    Can you give me a description of her?
  • 6:17 - 6:19
    Oh, she was a young woman
  • 6:19 - 6:20
    fairly tall, slender
  • 6:21 - 6:23
    a light complexion, and dark hair
  • 6:23 - 6:26
    and she was wearing a–
  • 6:26 - 6:27
    A grey suit, don't you remember?
  • 6:27 - 6:28
    That's right
  • 6:28 - 6:29
    She probably runs a gift shop
  • 6:29 - 6:32
    She paid £1
  • 6:33 - 6:36
    You say she comes here fairly frequently?
  • 6:36 - 6:37
    Oh, I didn't say so
  • 6:37 - 6:39
    but she does, sir
  • 6:39 - 6:41
    Like as not she'll come in on Thursday
  • 6:41 - 6:43
    We have sales on Mondays and Thursdays
  • 6:44 - 6:46
    Ah, and the third box?
  • 6:46 - 6:50
    The third, Mr. William Kilgour
    143 B. Hampton Way
  • 6:51 - 6:52
    For ten shillings
  • 6:52 - 6:54
    Mmm, quite a drop from £2
  • 6:54 - 6:57
    Mr. Kilgour was a Scotchman
  • 6:57 - 7:01
    Oh, well, thank you
    You're most helpful
  • 7:01 - 7:03
    Oh, thank you, sir!
  • 7:03 - 7:05
    And anytime you're passing, drop in
  • 7:05 - 7:07
    We always have lovely things for sale
  • 7:07 - 7:08
    Our card, sir
  • 7:08 - 7:10
    Thank you, I'll be back Thursday
  • 7:19 - 7:21
    The message reached us too late
  • 7:22 - 7:24
    The musical boxes are being sold
  • 7:26 - 7:28
    Let's get out of here
  • 7:34 - 7:37
    Someday you'll go too far
  • 7:40 - 7:42
    Reaching for a star, you fool
  • 7:42 - 7:45
    Yet a fool may touch a star
    Col. Cavanaugh
  • 7:45 - 7:47
    if he reach high enough
  • 7:47 - 7:50
    But not posses it as you would
  • 7:52 - 7:54
    The musical boxes, they're being sold
  • 7:55 - 7:56
    What a pity for you, my dear Col.
  • 7:56 - 7:59
    Is it my fault that the message
    reached us only an hour ago?
  • 8:00 - 8:02
    Is it my fault that they were sold?
  • 8:03 - 8:05
    She can't hold me responsible for that
  • 8:05 - 8:08
    I hope for your sake you're right
  • 8:08 - 8:39
    ♪ [violin] ♪
  • 8:39 - 8:42
    They will call upon you tonight
    at a quarter to eight
  • 8:42 - 8:44
    a gentlemen who desires to consult you
  • 8:44 - 8:46
    upon a matter of the very deepest moment
  • 8:46 - 8:48
    Ha! Do you remember that letter, Holmes?
  • 8:48 - 8:50
    It was written over two years ago
  • 8:51 - 8:52
    An interesting case
  • 8:52 - 8:54
    devilishly interesting
  • 8:55 - 8:57
    Irene Adler
  • 8:57 - 9:00
    What a striking looking woman
    from the brief glance I had of her
  • 9:00 - 9:02
    seems only yesterday
  • 9:02 - 9:05
    What charm, what poise, and what a mind!
  • 9:06 - 9:09
    Sharp enough and brilliant enough
    to outwit the
  • 9:09 - 9:11
    the great Sherlock Holmes himself
  • 9:12 - 9:14
    I take it the new issue
    of the Strand Magazine is out
  • 9:14 - 9:17
    containing another of your
    slightly lurid tales
  • 9:17 - 9:18
    It is indeed!
  • 9:18 - 9:20
    And what do you call this one?
  • 9:20 - 9:23
    I call it A Scandal In Bohemia
  • 9:23 - 9:24
    Not a bad title, eh?
  • 9:24 - 9:25
    Hmm.
  • 9:25 - 9:27
    If you must record my exploits
  • 9:28 - 9:31
    I do wish you'd put less emphasis
    on the melodramatic
  • 9:31 - 9:33
    and more on the
    intellectual issues involved
  • 9:33 - 9:36
    More on the intel . . .
    What do you mean by that?
  • 9:36 - 9:38
    Well I do hope you'd given, uh
  • 9:38 - 9:40
    The Woman a soul
  • 9:41 - 9:42
    She had one you know
  • 9:42 - 9:43
    "The Woman"
  • 9:43 - 9:46
    I suppose you mean Irene Adler
  • 9:46 - 9:47
    Yes
  • 9:48 - 9:49
    I shall always remember her
  • 9:50 - 9:52
    as The Woman
  • 10:00 - 10:01
    (knock)
  • 10:01 - 10:03
    (Watson) Come in
  • 10:05 - 10:07
    Hey! Stinky
  • 10:08 - 10:09
    Fatso, old boy, how are you?
  • 10:09 - 10:11
    How are you, old boy?
    Haven't seen you for years
  • 10:11 - 10:13
    I want you to meet my old friend
    Sherlock Holmes
  • 10:13 - 10:15
    Holmes, this is Stinky
  • 10:15 - 10:17
    in other words, Julian Emery
  • 10:17 - 10:18
    How do you do, Mr. Emery?
  • 10:18 - 10:20
    Watson has often spoken of you
  • 10:20 - 10:20
    Oh, has he?
  • 10:21 - 10:22
    Yes, we were at school together
  • 10:22 - 10:24
    It was more years ago
    than I care to remember
  • 10:24 - 10:26
    but you didn't come in here
    just to remind me of that
  • 10:26 - 10:28
    No, I just happened to be
    in the neighborhood and
  • 10:28 - 10:29
    saw your lights burning
  • 10:29 - 10:31
    so I took the liberty of looking you up
  • 10:31 - 10:33
    Still writing your mystery stuff?
  • 10:33 - 10:35
    Yes, there's a new one out this week
  • 10:35 - 10:37
    Good, I never miss 'em
  • 10:37 - 10:38
    Oh, good, thanks!
  • 10:38 - 10:40
    I say, that bandage
    makes you look very interesting
  • 10:41 - 10:43
    still poking your nose into
    other people's business as usual?
  • 10:44 - 10:46
    I haven't a value's notion
  • 10:46 - 10:48
    Somebody bopped me on the head
    in my own living room
  • 10:48 - 10:51
    and then proceed to commit the most
    idiotic burglary you ever heard of
  • 10:52 - 10:53
    Fellow must have been as barmy as a coot
  • 10:53 - 10:54
    Barmy, why?
  • 10:55 - 10:56
    Come sit down, old boy
  • 10:57 - 10:58
    You like a cup of tea?
  • 10:58 - 11:01
    Huh? Oh, alright
  • 11:01 - 11:03
    I'll go and [inaudible]
  • 11:06 - 11:08
    Why do you say the robbery
    was idiotic, Mr. Emery?
  • 11:08 - 11:10
    Oh, simply for the fact that
  • 11:10 - 11:13
    with about £5000 worth of
    musical boxes in my living room
  • 11:13 - 11:15
    the thief who I caught in the act
  • 11:15 - 11:18
    made off with one that isn't even worth £5
  • 11:18 - 11:20
    I gather you're a collector
    of musical boxes
  • 11:20 - 11:21
    Yes, I am indeed
  • 11:21 - 11:23
    Some of them very beautiful
  • 11:23 - 11:24
    but not the one that was stolen
  • 11:24 - 11:27
    The thief evidently grabbed
    the first thing that came to his hand
  • 11:27 - 11:29
    when he heard me coming into the room
  • 11:30 - 11:32
    Isn't it rather odd isn't it
    that having disposed of you
  • 11:32 - 11:34
    he didn't pick up something more valuable?
  • 11:36 - 11:37
    Was there anything unusual about the stolen box?
  • 11:37 - 11:39
    No, nothing at all
  • 11:40 - 11:43
    I picked it up in the south of France
    several years ago
  • 11:44 - 11:46
    You say you have many valuable music boxes
  • 11:47 - 11:49
    yet the thief made of with one
    that isn't worth £5
  • 11:50 - 11:51
    Sounds like rather an intriguing
    little problem
  • 11:51 - 11:53
    Well, I take it that
  • 11:53 - 11:55
    he was just an ordinary petty thief
    and didn't know the value
  • 11:55 - 11:58
    That is a possible explanation
    yet I venture to say
  • 11:59 - 12:01
    that the average petty thief
    has a more extensive knowledge
  • 12:01 - 12:03
    of the value of objet dar
    than the average collector
  • 12:03 - 12:05
    Well, anyway, that's gotten the odysary
  • 12:05 - 12:08
    They didn't get very excited about it
  • 12:08 - 12:10
    That's consistent, anyway
  • 12:10 - 12:12
    I wonder if I might see your collection
    Mr. Emery
  • 12:12 - 12:14
    Oh, of course you could, yes
  • 12:14 - 12:17
    Nothing a collector likes more
    than showing off his trophies
  • 12:17 - 12:19
    When would it suit you?
  • 12:19 - 12:20
    No time like the present
  • 12:20 - 12:21
    Good!
  • 12:21 - 12:23
    My place is just round in Portwood Square
  • 12:23 - 12:24
    -Shall we?
    -Yes, right
  • 12:28 - 12:30
    Hello, where are you going?
  • 12:30 - 12:32
    Stinky hasn't had his tea yet
  • 12:32 - 12:33
    Oh, I'm sorry
  • 12:33 - 12:35
    We're going round to my place
  • 12:35 - 12:37
    where I'm going to give you something
    better than tea
  • 12:39 - 12:42
    Now this one was made for Joey XV
  • 12:42 - 12:44
    and is one of the very few
    still in existence in that period
  • 12:44 - 12:46
    and a particularly fine specimen at that
  • 12:46 - 12:49
    ♪ (tweet) ♪
  • 12:49 - 12:50
    Charming isn't it?
  • 12:51 - 12:52
    Quite
  • 12:54 - 12:56
    They all sound to me like a lot of mice
  • 12:56 - 12:57
    running about on a tin roof
  • 12:58 - 13:00
    I'm afraid you have no ear
    for music, Watson
  • 13:00 - 13:02
    Give me a good old band
    playing a rousing march
  • 13:02 - 13:04
    you have all your
    silly little tweet-tweets
  • 13:04 - 13:07
    ♪ [whistling] ♪
  • 13:07 - 13:08
    [laughing]
  • 13:16 - 13:17
    Is this one…
  • 13:18 - 13:26
    ♪ [music box] ♪
  • 13:26 - 13:27
    Stupid thing
  • 13:27 - 13:29
    Singing rabbit, humph
  • 13:31 - 13:33
    What would you say [inaudible] has a value
    of a box like that, Mr. Emery?
  • 13:33 - 13:35
    Well, it's hard to say out of hand
  • 13:35 - 13:36
    but I was thinking of bringing
  • 13:36 - 13:38
    about five or six hundred pounds today
  • 13:38 - 13:40
    It's the gem of my collection
  • 13:40 - 13:42
    Yet a thief who steals an oddity
    like a musical box
  • 13:42 - 13:46
    passes up one worth £500
    for one of almost no value at all
  • 13:46 - 13:48
    Odd
  • 13:48 - 13:49
    Very odd
  • 13:49 - 13:51
    What was the stolen box like, Mr. Emery?
  • 13:51 - 13:54
    Oh, just a plain wooden box
  • 13:54 - 13:55
    about, em, so big
  • 13:55 - 13:56
    Mmmhmm
  • 13:56 - 13:58
    As a matter of fact I have one over here
    almost exactly like it
  • 14:00 - 14:02
    I picked this up yesterday
    at an auction room in Nightsbridge
  • 14:02 - 14:03
    ♪ [music box] ♪
  • 14:03 - 14:05
    Payed only £2 for it
  • 14:05 - 14:07
    Course I wouldn't ordinarily
    add one like this to my collection
  • 14:07 - 14:09
    but the, em, the tuning freed me
  • 14:10 - 14:12
    I had never heard it before
  • 14:13 - 14:29
    ♪ [whistling] ♪
  • 14:30 - 14:32
    You have a remarkable ear
    for music, Holmes
  • 14:32 - 14:34
    Rather an unusual melody
  • 14:34 - 14:35
    –Sit down, will you
    –Thanks
  • 14:37 - 14:39
    You say you bought that box
    at an auction sale yesterday
  • 14:39 - 14:43
    Yes, the Gaylord auction rooms
    in Nightsbridge
  • 14:43 - 14:45
    run by old, what's his name
  • 14:45 - 14:46
    Crabtree
  • 14:46 - 14:47
    That's the man
  • 14:47 - 14:49
    At what time was the robbery committed?
  • 14:49 - 14:51
    About 3:00 this morning
  • 14:52 - 14:53
    You know, Mr. Emery
  • 14:53 - 14:56
    that box in the robbery
    might well be cause and effect
  • 14:56 - 14:58
    especially since you say
    that the stolen box
  • 14:58 - 15:00
    accurately resembles this one a great deal
  • 15:01 - 15:05
    and Scotland Yard
    were not particularly interested, eh?
  • 15:05 - 15:06
    Oh, yes, well that
  • 15:06 - 15:07
    I wouldn't blame them for that
  • 15:07 - 15:10
    especially as I told them
    I was quite unable to describe the thief
  • 15:10 - 15:12
    except of course for the fact that
  • 15:12 - 15:13
    it was definitely a man
  • 15:13 - 15:15
    All you remember is that you came in here
    and someone struck you on the head
  • 15:15 - 15:17
    Yes, and the next thing I knew
  • 15:17 - 15:19
    my man was trying to revive me
  • 15:19 - 15:21
    It might be wise for you
    to put that box away somewhere
  • 15:21 - 15:22
    lock it up
  • 15:22 - 15:23
    Oh, I don't think that's necessary
  • 15:23 - 15:25
    Besides everything's insured
  • 15:25 - 15:27
    Well, at least if any further attempts
    at robbery are made
  • 15:27 - 15:30
    I'd suggest that you call the police
  • 15:30 - 15:32
    rather than running into
    any possible danger
  • 15:32 - 15:34
    Oh, come Holmes
    aren't you being a bit of an alarmist?
  • 15:34 - 15:35
    Possibly
  • 15:35 - 15:37
    I must agree with old Stinky
  • 15:37 - 15:40
    it seems to me you are making
    rather a mountain out of a moleskin
  • 15:40 - 15:43
    "Molehill" is the word, old boy
    and it's time you were in bed
  • 15:43 - 15:44
    (laughter)
  • 15:44 - 15:45
    Thanks so much
    for letting us see your place
  • 15:45 - 15:47
    No, it's very good meeting you
  • 15:49 - 15:52
    Holmes, I can't understand
    why you were so mysterious
  • 15:52 - 15:55
    Seems to me the petty thief explanation
    was the only sensible one
  • 15:55 - 15:56
    Really?
  • 15:56 - 15:58
    I can't see how you could believe
    it was anything else
  • 15:58 - 15:59
    I didn't say I believed it
    to be anything else
  • 15:59 - 16:00
    The petty thief theory is the
  • 16:00 - 16:02
    obvious one, I grant you
  • 16:02 - 16:04
    However, it's often a mistake
    to accept something as true
  • 16:04 - 16:06
    merely because it's obvious
  • 16:07 - 16:08
    The truth is only arrived at
  • 16:09 - 16:12
    by the painstaking process
    of eliminating the untrue
  • 16:13 - 16:15
    We are not able to do that in this case
  • 16:15 - 16:17
    without further data
  • 16:17 - 16:18
    Rubbish, you're pulling my leg
  • 16:18 - 16:20
    You're trying to turn a
  • 16:20 - 16:23
    a [inaudible] robbery
    into an international plot
  • 16:23 - 16:24
    No, I'm not
  • 16:24 - 16:26
    And I just hope that your friend Stinky's
  • 16:26 - 16:28
    a little more cautious in the future
  • 16:28 - 16:29
    just in case
  • 16:36 - 16:53
    [telephone]
  • 16:54 - 16:55
    Hello
  • 16:55 - 16:56
    Yeah?
  • 16:56 - 16:58
    Julian Emery here
  • 16:58 - 17:00
    Who?
  • 17:02 - 17:03
    Of course I remember you, Mrs. Courtney
  • 17:05 - 17:07
    Yes, you are the one bright spot
  • 17:07 - 17:09
    at the boringly dull affair of [inaudible]
  • 17:10 - 17:11
    Huh?
  • 17:11 - 17:13
    Of course it isn't too late to come around
  • 17:14 - 17:15
    Yes, I shall be
  • 17:15 - 17:17
    delighted to give you a drink
  • 17:18 - 17:20
    I'll tell you what, come straight up
    and I'll be at the door [inaudible]
  • 17:22 - 17:25
    Alright, fifteen minutes? Good
  • 17:26 - 17:28
    I shall be counting each moment
  • 17:28 - 17:30
    No, I mean that really
  • 17:32 - 17:33
    Right, goodbye
  • 17:34 - 17:39
    ♪ [humming] ♪
  • 17:52 - 17:52
    Boo!
  • 17:52 - 17:55
    Oh! You startled me
  • 17:55 - 17:56
    (laughing) Did I?
  • 17:56 - 17:58
    Must be the pixie in me
  • 17:58 - 18:00
    I know I shouldn't have called you so late
  • 18:00 - 18:03
    but I was at a party
    just around the corner
  • 18:03 - 18:06
    and I remembered your invitation
    to see your collection of musical boxes
  • 18:06 - 18:08
    My dear Mrs. Courtney
  • 18:08 - 18:10
    the pleasure is all the greater
    for being so unexpected
  • 18:10 - 18:12
    My friends call me Hilda
  • 18:13 - 18:15
    Mine call me Stinky
  • 18:15 - 18:16
    Stinky, how quaint
  • 18:16 - 18:20
    What a perfectly wonderful
    collection of musical boxes!
  • 18:20 - 18:22
    You know, when you told me
    you had a collection
  • 18:22 - 18:23
    I had no idea it was so attractive
  • 18:24 - 18:25
    They appeal to the ear
  • 18:26 - 18:28
    as well as to the eye
  • 18:28 - 18:31
    Oh, what a plain little one
  • 18:31 - 18:34
    Why it looks just like a country cousin
    amid all this grandeur
  • 18:34 - 18:37
    No, no, no, no, you mustn't
    underestimate the country cousin
  • 18:37 - 18:39
    Only last night a burglar broke in here
  • 18:39 - 18:42
    And with all these to choose from
    went after the one very much like it
  • 18:42 - 18:43
    Really?
  • 18:43 - 18:45
    Yes, I don't mind
    the loss of the box so much
  • 18:45 - 18:47
    but I do resent this crack on the skull
  • 18:47 - 18:48
    But it makes you look so interesting
  • 18:48 - 18:49
    Do you think so?
  • 18:49 - 18:50
    Uh-huh
  • 18:50 - 18:52
    That's funny, that's what old Fatso said
  • 18:52 - 18:53
    Fatso?
  • 18:53 - 18:54
    I mean Dr. Watson
  • 18:54 - 18:56
    He was here this evening with a friend
  • 18:56 - 18:57
    A Mr. Holmes
  • 18:57 - 18:59
    He's interested in my collection too
  • 18:59 - 19:00
    Sherlock Holmes?
  • 19:00 - 19:02
    Yes, do you know him?
  • 19:02 - 19:04
    I've heard of him
  • 19:04 - 19:07
    He seems to think I'm in some sort of, uh
  • 19:07 - 19:08
    danger
  • 19:08 - 19:11
    What a haunting tune!
    It takes me right back to my childhood
  • 19:11 - 19:12
    Really?
  • 19:12 - 19:15
    See that's odd that you should be
    interested in that particular musical box
  • 19:15 - 19:16
    Odd, why?
  • 19:16 - 19:18
    'Cause Mr. Holmes is also interested in it
  • 19:19 - 19:21
    He may have been more
    interested in the tune than in the box
  • 19:21 - 19:23
    By Gilders, that's right
  • 19:23 - 19:24
    I remember now
  • 19:24 - 19:27
    He whistled it note for note
    having only heard it once
  • 19:27 - 19:28
    Really?
  • 19:28 - 19:29
    He must be a remarkable man
  • 19:30 - 19:32
    Bit of an alarmist if you ask me
  • 19:32 - 19:34
    Don't you believe in warnings?
  • 19:34 - 19:35
    Course not
  • 19:35 - 19:37
    Who'd want a box like that?
  • 19:37 - 19:38
    I would
  • 19:38 - 19:40
    You're not serious?
  • 19:40 - 19:42
    Oh, but I am
  • 19:42 - 19:44
    You put me at a very awkward position
  • 19:44 - 19:46
    I'm a collector, you know
  • 19:46 - 19:48
    and a collector buys but never sells
  • 19:48 - 19:51
    But, if the price were high enough
  • 19:52 - 19:54
    Price has nothing to do with it
  • 19:54 - 19:56
    It's the principle of the thing
  • 19:58 - 20:00
    Yes, well, we haven't had our drink
  • 20:00 - 20:02
    No thanks, I must be getting along
  • 20:04 - 20:05
    Must you really?
  • 20:05 - 20:06
    I'm afraid so
  • 20:08 - 20:10
    You're not walking out on me, are you?
  • 20:10 - 20:13
    My reputation, Stinky
  • 20:15 - 20:18
    I say, you know
    you are an attractive woman
  • 20:18 - 20:19
    Thanks
  • 20:20 - 20:25
    ♪ [intense music] ♪
  • 20:26 - 20:27
    You fool
  • 20:27 - 20:29
    I told you to wait outside
  • 20:29 - 20:30
    What did you have to kill him for?
  • 20:31 - 20:32
    All I had to do was walk out with this
  • 20:33 - 20:34
    He held you in his arms
  • 20:34 - 20:36
    Don't touch him
  • 20:36 - 20:37
    Don't touch anything
  • 20:37 - 20:38
    Now get out!
  • 20:38 - 20:39
    I'm sorry
  • 20:39 - 20:41
    You're sorry?
  • 20:41 - 20:42
    What about me?
  • 20:42 - 20:44
    This is murder
  • 20:44 - 20:45
    What about Scotland Yard?
  • 20:45 - 20:47
    What about Sherlock Holmes?
  • 20:48 - 20:49
    Now get out!
  • 21:17 - 21:19
    Did you get it?
  • 21:21 - 21:22
    Good
  • 21:22 - 21:25
    Did you have any trouble with it?
  • 21:25 - 21:27
    Just a matter of murder
  • 21:31 - 21:33
    Ah, Mr. Holmes
  • 21:33 - 21:33
    Hopkins
  • 21:33 - 21:35
    Thanks for coming so promptly
  • 21:35 - 21:37
    Inspector Lestrade suggested
    that I call through to you
  • 21:38 - 21:41
    Mr. Emery was a client
    of Mr. Holmes, Inspector
  • 21:41 - 21:42
    Indeed?
  • 21:42 - 21:44
    You didn't mention that
    when I telephoned you, Mr Holmes
  • 21:44 - 21:45
    Well, not exactly a client, Inspector
  • 21:45 - 21:46
    Sgt. Thompson
  • 21:46 - 21:50
    He was killed between the hours of 11
    and 2:00 this morning, Mr Holmes
  • 21:53 - 21:56
    Must of been someone he knew
    or someone of whom he had no suspicion
  • 21:57 - 21:58
    Poor old Stinky
  • 21:58 - 22:00
    It's all my fault
  • 22:00 - 22:01
    I should have prevented this
  • 22:01 - 22:04
    Well, it's no time to start
    talking about that now, Dr.
  • 22:05 - 22:06
    Apparently it's gone
  • 22:06 - 22:10
    That's the second attempt on the musical
    box that Emery bought at the auction sale
  • 22:10 - 22:12
    and this time it was succesful
  • 22:12 - 22:14
    But that box was only worth £2
  • 22:14 - 22:16
    It was worth a man's life, Watson
  • 22:16 - 22:18
    I think we better pay a visit
    to Gaylord's auction room
  • 22:18 - 22:20
    and that fellow Crabtree
  • 22:20 - 22:23
    Inspector, may I suggest that you make
    a complete search of this flat
  • 22:23 - 22:26
    for a small plain musical box
    about that size
  • 22:27 - 22:28
    Thank you, come on, Watson
  • 22:30 - 22:33
    You say the first box
    went to Mr. Julian Emery
  • 22:33 - 22:36
    the second Mr. Kilgour 143 B. Hampton Way
  • 22:36 - 22:38
    the third to the unidentified young lady
  • 22:38 - 22:41
    who presumably has a shop
    and lives near Gilder's Green
  • 22:41 - 22:42
    That's right Mr. Holmes
  • 22:42 - 22:44
    Isn't it rather strange Mr. Crabtree
  • 22:44 - 22:47
    that you used to have three identical
    musical boxes all playing the same tune
  • 22:47 - 22:48
    Where did they come from?
  • 22:48 - 22:49
    Dartmoor Prison
  • 22:49 - 22:50
    Dartmoor?
  • 22:50 - 22:52
    We get a regular shipment
    from there every month
  • 22:52 - 22:54
    The inmates manufacture them
  • 22:54 - 22:55
    Well, they make all kinds
    of things, you know
  • 22:55 - 22:57
    pipe racks, waste paper baskets
    musical boxes-
  • 22:57 - 22:59
    Did you happen to notice
  • 22:59 - 23:01
    if anyone showed any particular interest
  • 23:01 - 23:02
    during the auction
  • 23:02 - 23:05
    and the purchases of these three boxes?
  • 23:06 - 23:08
    Oh, come now, Mr. Crabtree
  • 23:08 - 23:10
    this is very literally
    a matter of life and death
  • 23:10 - 23:12
    Well, since you put it that way
    Mr. Holmes
  • 23:13 - 23:15
    There was a gentleman came in here
    about an hour after closing time
  • 23:15 - 23:17
    and he was in an awful state, he was
  • 23:19 - 23:21
    He gave me £5 to tell him
    where the boxes had gone to
  • 23:21 - 23:23
    He said they had
    a sentimental value for him, sir
  • 23:23 - 23:25
    Hmm, explains his sentiment
  • 23:25 - 23:26
    Can you describe him?
  • 23:26 - 23:28
    He was tall, distinguished looking
    and he had
  • 23:28 - 23:31
    grey hair and a mustache
    He was quite a gentleman, sir
  • 23:31 - 23:32
    And what was his reaction
  • 23:32 - 23:34
    when you were unable to supply him
  • 23:34 - 23:36
    with the address of the young lady
    who owned the shop?
  • 23:36 - 23:39
    I told him the young lady
    usually come back on Thursday
  • 23:39 - 23:41
    He said he'd come back on Thursday
    and that's tomorrow
  • 23:41 - 23:44
    Thank you Mr. Crabtree
    you've been very helpful
  • 23:44 - 23:45
    Thank you!
  • 23:45 - 23:46
    Come along, Watson
  • 23:46 - 23:47
    Where are we going now, home?
  • 23:47 - 23:50
    Well, I'm going to Mr. Kilgour
    the man who bought the third box
  • 23:53 - 23:55
    (buzz)
  • 23:56 - 23:57
    But hang it all, Holmes
  • 23:57 - 24:00
    How do you know those other two
    musical boxes are of any importance?
  • 24:00 - 24:02
    I don't, but I certainly have no intention
  • 24:02 - 24:04
    of waiting till the owners
    are murdered to find out
  • 24:04 - 24:07
    (buzz)
  • 24:07 - 24:08
    No one at home
  • 24:08 - 24:10
    I hope that's the explanation
  • 24:10 - 24:12
    Well, have a look through this window
  • 24:17 - 24:19
    Doesn't seem to be anyone there
  • 24:21 - 24:23
    The whole place seems deserted
    as far as I can see
  • 24:25 - 24:25
    Yes
  • 24:25 - 24:27
    Mr. and Mrs. Kilgour at home?
  • 24:27 - 24:27
    No
  • 24:27 - 24:29
    When do you expect them?
  • 24:29 - 24:30
    Oh, in an hour or so
  • 24:31 - 24:32
    There's no use [inaudible]ing about
  • 24:32 - 24:34
    They don't buy nothing from peddlers
  • 24:34 - 24:37
    Peddlers! My good woman
    this is Mr. Sherlock Holmes
  • 24:37 - 24:39
    Sherlock Holmes? Oh, go on
  • 24:39 - 24:41
    You mind if we come in and wait?
  • 24:41 - 24:43
    My business is rather urgent
  • 24:43 - 24:46
    Well, I got to go out and do me shopping
  • 24:46 - 24:49
    and I don't know if Mrs. Kilgour
    would like any strangers nosing about
  • 24:49 - 24:50
    Quite all right, I assure you
  • 24:50 - 24:52
    Well, I've got to be off
  • 24:52 - 24:54
    You two wait in the parlor
  • 24:54 - 24:56
    and no smoking either
  • 24:56 - 24:59
    Mrs. Kilgour says it smells up the 'ouse
  • 25:01 - 25:02
    Funny old girl, Holmes
  • 25:02 - 25:03
    Hmm
  • 25:21 - 25:22
    Park Place
  • 25:22 - 25:23
    Park Lane
  • 25:23 - 25:25
    and what would the likes of you
    be doing in Park Lane?
  • 25:25 - 25:27
    Now don't worry about the theatre
  • 25:27 - 25:30
    if you know how to get to
    Park Lane, off it
  • 25:35 - 25:37
    You know, Holmes, I've been thinking
  • 25:37 - 25:40
    There must have been something
    hidden in that box of old Stinky's
  • 25:41 - 25:43
    stolen jewelry, possibly
  • 25:44 - 25:46
    What's up, Holmes?
  • 25:46 - 25:47
    Listen
  • 25:47 - 25:49
    [knocking]
  • 25:49 - 25:51
    That's just the steam in the water pipes
  • 25:57 - 25:58
    Watson!
  • 26:01 - 26:02
    Great Scott!
  • 26:03 - 26:04
    Come on, Holmes
  • 26:04 - 26:06
    get her on the chair here
  • 26:08 - 26:10
    It's all right, my dear
  • 26:11 - 26:12
    There, there, there
  • 26:12 - 26:13
    Now don't worry
  • 26:14 - 26:16
    It's all over
  • 26:17 - 26:19
    There you are, dear, don't cry any more
  • 26:19 - 26:22
    She tied me up and shut me in the cupboard
  • 26:22 - 26:23
    I know, I know
  • 26:23 - 26:25
    She won't come back
  • 26:25 - 26:27
    Did you show her your new musical box?
  • 26:27 - 26:30
    Yes, she said she wanted to hear it play
  • 26:30 - 26:33
    and as soon as I showed it to her
    she grabbed on-
  • 26:33 - 26:36
    I know, I know, I know, now don't worry
    We'll buy you a new musical box
  • 26:36 - 26:38
    Yes my dear, the best one in London
  • 26:39 - 26:39
    Watson
  • 26:41 - 26:43
    Oh, what a fool, what a fool I've been
  • 26:43 - 26:43
    What do you mean, Holmes?
  • 26:43 - 26:46
    She took the musical box out of this house
    in that market basket
  • 26:47 - 26:48
    right under our very noses
  • 26:49 - 26:52
    Why, do you think the Kilgour char woman
    would want to take the music box?
  • 26:52 - 26:53
    She isn't the Kilgour char woman
  • 26:53 - 26:55
    She's a considered actress
  • 26:55 - 26:57
    An extremely clever, unscrupulous woman
    who will stop at nothing
  • 26:57 - 27:00
    Take care of the child, will you
    till her parents get back
  • 27:00 - 27:02
    Explain everything to them
  • 27:02 - 27:03
    Of course I will
  • 27:03 - 27:05
    Holmes! Where are you going?
  • 27:05 - 27:06
    Somewhere, somehow
  • 27:06 - 27:09
    I must get to the young lady
    who bought that third musical box
  • 27:09 - 27:11
    before our opponents find her
  • 27:11 - 27:13
    I only hope that I won't be too late
  • 27:17 - 27:21
    Oh no, no no no darling, you
    you mustn't cry anymore
  • 27:21 - 27:23
    Now, cheer up
  • 27:23 - 27:27
    Would you like to hear old Uncle
    make a noise like a duck?
  • 27:28 - 27:37
    [quacking]
  • 27:37 - 27:38
    Oh, sorry
  • 27:41 - 27:49
    ♪ [music box] ♪
  • 28:04 - 28:05
    Now, ladies and gentlemen
  • 28:05 - 28:10
    how much am I offered for this beautiful
    lace dressed in china figurine?
  • 28:10 - 28:12
    A lady of the French court
  • 28:12 - 28:14
    Now this is the genuine article
  • 28:14 - 28:17
    What a beautiful ornament
    for your mantlepiece
  • 28:17 - 28:20
    or you could use it as a centerpiece
    on the dining room table
  • 28:20 - 28:22
    Now, will somebody start me for £10?
  • 28:22 - 28:24
    Somebody start me for £10?
  • 28:24 - 28:26
    £8
  • 28:26 - 28:27
    £7
  • 28:27 - 28:30
    Alright 5, £5 is offered
    £5 is offered, £5 is offered
  • 28:30 - 28:34
    £5.10, £5.15, £5.15
  • 28:34 - 28:37
    £6 is offered, £6, £6
  • 28:37 - 28:38
    going once
  • 28:38 - 28:39
    going twice
  • 28:39 - 28:41
    the third and the last call
    we'll be all done
  • 28:41 - 28:43
    Sold to the lady from twig for £6
  • 28:43 - 28:48
    Next we have a real museum piece
    ladies and gentlemen
  • 28:48 - 28:51
    a fine nineteenth century doll
  • 28:51 - 28:53
    a costume and exact replica
    of the holiday clothes
  • 28:53 - 28:56
    worn by the Hungarian peasant women
  • 28:56 - 28:57
    Now, ladies and gentlemen
  • 28:57 - 29:01
    an item like this could cost you
    from £15-20 in a western shop
  • 29:01 - 29:03
    I'm not going to ask
    for anything like that
  • 29:03 - 29:05
    Who'll give me £2 for it?
  • 29:05 - 29:06
    £2, anybody offering me £2?
  • 29:06 - 29:08
    £2 for the Hungarian, £2-
  • 29:08 - 29:10
    £1, 1?
  • 29:10 - 29:12
    Anybody give me £1?
    Anybody offer me £1 for the doll?
  • 29:12 - 29:14
    £1 is offered, ladies and gentlemen
    £1 is offered
  • 29:14 - 29:17
    Now, I'm not going to waste
    your valuable time
  • 29:17 - 29:21
    or mine, in trying to get half of
    what this beautiful doll is worth
  • 29:21 - 29:24
    The young lady can steal it for £1
    and that's her good fortune
  • 29:24 - 29:26
    So it's going once
  • 29:26 - 29:28
    It's going twice, the third and last call
  • 29:28 - 29:29
    Anymore?
  • 29:29 - 29:31
    Sold to the young lady for £1
  • 29:31 - 29:33
    And now, ladies and gentlemen
  • 29:33 - 29:36
    may I draw your attention to something
    which may be a great surprise to you
  • 29:36 - 29:38
    worthy of any collection
  • 29:38 - 29:40
    The only other one like it
    is in the British museum
  • 29:40 - 29:43
    It's a Ming vase of the seventh dynasty
  • 29:43 - 29:46
    This vase lay in a large collection
  • 29:46 - 29:50
    somewhere outside Rome for over
    two centuries as I understand it
  • 29:50 - 29:53
    It was discovered there by the Notre Dandy
    Crilliams and Andrew Carperson
  • 29:53 - 29:56
    Now some of you may remember
    Sir Andrew Carperson
  • 29:56 - 30:00
    besides being a noted traveler and
    antiquarian he's also a gentlemen writer
  • 30:05 - 30:07
    The girl with a parcel
    in her hands, that's her
  • 30:07 - 30:09
    Are you sure that's the girl?
  • 30:09 - 30:12
    Well, she fits definitely
    the auctioneer's description
  • 30:12 - 30:14
    Follow her, Hamid
  • 30:51 - 30:52
    It's lovely, dear
  • 30:52 - 30:54
    And only £1
  • 30:54 - 30:55
    We can get at least three for it
  • 30:55 - 30:56
    Easily
  • 30:56 - 30:58
    I'll go make some tea
  • 30:58 - 30:59
    I could do with a cup
  • 30:59 - 31:00
    Right
  • 31:00 - 31:02
    (bell)
  • 31:04 - 31:05
    Good afternoon
  • 31:05 - 31:06
    Good afternoon
  • 31:06 - 31:09
    I'm looking for a birthday gift
    for a seven year old girl
  • 31:09 - 31:10
    What would you suggest?
  • 31:10 - 31:11
    We have some lovely dolls
  • 31:11 - 31:12
    Now this Hungarian peasant-
  • 31:12 - 31:14
    I think she has enough dolls already
  • 31:14 - 31:15
    Books are always welcome
  • 31:15 - 31:18
    Well, I'm looking for something
    a little different
  • 31:18 - 31:19
    Now, that's rather cute
  • 31:19 - 31:20
    What is it?
  • 31:20 - 31:21
    Oh, that's a musical box
  • 31:21 - 31:23
    Children always love them
  • 31:23 - 31:26
    and this is an exceptionally nice one
  • 31:26 - 31:28
    It plays many tunes
  • 31:28 - 31:33
    ♪ (music box) ♪
  • 31:33 - 31:36
    Have you any others?
  • 31:36 - 31:37
    Yes
  • 31:37 - 31:38
    If you'll just step this way
  • 31:38 - 31:40
    I have only two left
  • 31:40 - 31:46
    ♪ (music box) ♪
  • 31:46 - 31:47
    My, my!
  • 31:47 - 31:53
    Are you sure this is all you have?
  • 31:53 - 31:54
    I'm sorry
  • 31:54 - 31:55
    they're rather hard to find, you know
  • 31:55 - 31:57
    That's our entire allotment
  • 31:57 - 32:00
    I did have one other
    but I sold it earlier this afternoon
  • 32:00 - 32:02
    But it was only a plain wooden one
  • 32:02 - 32:04
    It wouldn't have been
    a very nice gift for a child
  • 32:04 - 32:05
    Really?
  • 32:05 - 32:09
    Do you happen to know
    who the purchaser was?
  • 32:09 - 32:10
    Why yes
  • 32:10 - 32:14
    He left his card
    just in case anyone should inquire for him
  • 32:14 - 32:23
    How interesting
  • 32:23 - 32:28
    I'm sorry, but I'm afraid
    I'll have to look a bit further
  • 32:28 - 32:30
    Thank you anyway
  • 32:30 - 32:33
    Good afternoon, thank you
  • 32:33 - 32:42
    (bell)
  • 32:58 - 33:00
    Cabby!
  • 33:02 - 33:03
    Follow that cab
  • 33:03 - 33:04
    Here now, right
  • 33:04 - 33:05
    Scotland Yard
  • 33:05 - 33:06
    Hop in
  • 33:14 - 33:16
    Sherlock Holmes
    I might have known
  • 33:16 - 33:19
    We thought we were the hunters
  • 33:20 - 33:22
    instead of which we are the hunted
  • 33:22 - 33:24
    We've been fooled
    We played right into his hands
  • 33:24 - 33:27
    Of course
  • 33:27 - 33:29
    He's had us followed
  • 33:29 - 33:31
    Don't look
  • 33:31 - 33:33
    The man in front of the toy shop
  • 33:35 - 33:36
    Hamin
  • 33:36 - 33:39
    Turn sharp right at the next corner
    and again at the next
  • 33:46 - 33:49
    No photograph of her, Comissioner
  • 33:49 - 33:50
    as I expected
  • 33:50 - 33:51
    She's not a known criminal
  • 33:51 - 33:53
    But how do you expect to know her
    if you do find her?
  • 33:53 - 33:56
    After all she was disguised
    as a char-woman
  • 33:56 - 33:57
    Don't worry, old fellow
  • 33:57 - 34:00
    If I ever see her again I'll recognize her
  • 34:00 - 34:04
    Well, it won't be long till we know
    who they are and from where they operate
  • 34:04 - 34:05
    Who's covering them?
  • 34:05 - 34:07
    Sgt. Thompson's following them, sir
  • 34:07 - 34:09
    They won't get away from him
    He's a good man
  • 34:09 - 34:12
    We could have arrested them
    at Tibert's Toy shop if we had any proof
  • 34:12 - 34:14
    But we know that they killed Emery
  • 34:14 - 34:16
    Proof, my dear fellow
  • 34:16 - 34:17
    We must have proof
  • 34:17 - 34:20
    We have x-rayed it, sir
  • 34:20 - 34:22
    There's nothing whatever
    concealed in the box
  • 34:22 - 34:24
    We'll have a look at the plates
  • 34:24 - 34:29
    Hmm
  • 34:30 - 34:32
    There must be some clue
  • 34:32 - 34:34
    It'll probably be so obvious
    that we've all overlooked it
  • 34:34 - 34:37
    Seems to me
    we're up against a bunch of lunatics
  • 34:39 - 34:41
    Not lunatic's, my dear fellow
  • 34:41 - 34:43
    Extremely astute cold-blooded murderers
  • 34:44 - 34:47
    What could these little musical boxes
    have in them that's so important
  • 34:47 - 34:49
    Don't forget they were made
    in Dartmoor Prison
  • 34:49 - 34:52
    You can smuggle stuff into prison
    but not out
  • 34:52 - 34:54
    You want us to break the box apart, sir
  • 34:54 - 34:56
    to see if the there's anything
    the x-ray hasn't caught?
  • 34:56 - 34:57
    No, not yet
  • 34:57 - 34:59
    Do you mind if I take it?
  • 34:59 - 34:59
    Certainly
  • 34:59 - 35:02
    Thanks
  • 35:10 - 35:12
    The governor of Dartmoor Prison
    informed us, sir
  • 35:12 - 35:15
    in answer to Mr. Holmes question
  • 35:15 - 35:18
    that all three musical boxes
    were made by the same convict
  • 35:18 - 35:19
    John Davidson
  • 35:19 - 35:20
    Serving a seven year term, sir
  • 35:20 - 35:22
    Davidson? The Bank of England plate?
  • 35:22 - 35:23
    That will be all
  • 35:23 - 35:24
    Yes, sir
  • 35:25 - 35:26
    Now we're getting somewhere
  • 35:26 - 35:28
    If– wait a minute
  • 35:28 - 35:30
    How did you know
    about the plates, Mr. Holmes?
  • 35:30 - 35:32
    I'm a student of crime, Inspector
  • 35:32 - 35:34
    I make it my business
    to know about such things
  • 35:34 - 35:36
    and when the name
    of Davidson was mentioned–
  • 35:36 - 35:38
    Who was this fellow, Davidson?
  • 35:38 - 35:41
    As long as Mr. Holmes seems to know
    all about it already
  • 35:41 - 35:43
    I suppose there's no harm in telling you
  • 35:43 - 35:47
    Uh, two years ago in London
  • 35:47 - 35:50
    there occurred a robbery
    of such tremendous importance
  • 35:50 - 35:53
    although the stolen articles
    have no intrinsic value whatsoever
  • 35:53 - 35:57
    but the home secretary was instrumental
    in seeing that not a word of it appeared
  • 35:57 - 35:58
    in any newspaper
  • 35:58 - 36:00
    But you never told me
    anything about this, Holmes
  • 36:00 - 36:03
    You were away at the time
  • 36:03 - 36:06
    Articles of no intrinsic value
    and yet of such importance?
  • 36:06 - 36:08
    Hmph, I don't understand
  • 36:08 - 36:10
    Davidson was aprehended
  • 36:10 - 36:12
    within fifteen minutes of committing the theft
  • 36:12 - 36:13
    but by that time
  • 36:13 - 36:16
    he had hidden the articles in question
    and they've yet to be found
  • 36:16 - 36:18
    Before going further, Dr. Watson
  • 36:18 - 36:22
    I must inform you that this matter's not
    to be mentioned outside of this room
  • 36:22 - 36:23
    Course not
  • 36:23 - 36:24
    Do I look like a man who gossips?
  • 36:24 - 36:27
    Let's not go into that now
    old fellow, shall we?
  • 36:27 - 36:29
    Davidson had been employed
  • 36:29 - 36:30
    for years
  • 36:30 - 36:32
    in a position of extreme trust
  • 36:32 - 36:34
    by the engravings department
    of the Bank of England
  • 36:34 - 36:36
    The articles he stole were nothing less
  • 36:36 - 36:41
    then a complete set of duplicate plates
    for printing £5 notes
  • 36:41 - 36:42
    What?
  • 36:42 - 36:43
    The Bank of England's own plates?
  • 36:43 - 36:45
    Precisely
  • 36:45 - 36:47
    and with those plates a gang of crooks
  • 36:47 - 36:49
    could flood England with £5 notes
  • 36:49 - 36:51
    not forged in the usual sense of the word
  • 36:51 - 36:54
    but notes undetectable
    from genuine Bank of England notes
  • 36:54 - 36:55
    in any way whatsoever
  • 36:55 - 36:57
    Good heavens
  • 36:57 - 37:00
    Any whisper at all
    might have resulted in enormous damage
  • 37:00 - 37:02
    in shaking public confidence
    in the treasury
  • 37:02 - 37:04
    We tried everything
    after we had arrested Davidson
  • 37:04 - 37:07
    Offered him a shorter sentence
    if he'd tell us where he'd hidden the plate
  • 37:07 - 37:09
    Why we even put in
  • 37:09 - 37:11
    Scotland Yard men with him as cell mates
  • 37:11 - 37:13
    but, no result
  • 37:13 - 37:16
    Obviously Davidson is a man
    of strong character and infinite patience
  • 37:16 - 37:19
    Yet suddenly he feels impelled
  • 37:19 - 37:22
    to smuggle out the secret
    of the hiding place of the plates
  • 37:22 - 37:23
    to his confederates
  • 37:23 - 37:24
    Why?
  • 37:24 - 37:26
    I don't understand, Mr. Holmes
  • 37:26 - 37:29
    Well, for example
  • 37:29 - 37:31
    had the Bank of England made any plans
  • 37:31 - 37:32
    to radically change
  • 37:32 - 37:35
    the design of the £5 notes
    so that in say, uh
  • 37:35 - 37:36
    seven years from now
  • 37:36 - 37:38
    notes made from the stolen plates
    would be worthless?
  • 37:38 - 37:40
    Confidentially , Mr. Holmes
  • 37:40 - 37:42
    such a move was discussed
  • 37:42 - 37:44
    but replacing all the £5 notes
    in circulation
  • 37:44 - 37:46
    would be such a Herculean task that
  • 37:46 - 37:48
    nothing's been done about it as yet
  • 37:48 - 37:50
    I see
  • 37:50 - 37:52
    Of course there is another
    possible explanation
  • 37:52 - 37:56
    Davidson didn't have much time to find
    a hiding place before he was captured
  • 37:56 - 37:57
    He may be afraid
  • 37:57 - 38:02
    that the plates will be accidentally
    discovered before he is released
  • 38:02 - 38:03
    hence his anxiety
  • 38:03 - 38:06
    to communicate their whereabouts
    to his confederates as soon as possible
  • 38:06 - 38:09
    I believe you've hit it, Mr. Holmes
  • 38:09 - 38:13
    I'm sure that the message
    is contained in this musical box
  • 38:13 - 38:17
    Or rather in all three musical boxes
  • 38:17 - 38:19
    since possession of all three
    seems to be essential
  • 38:19 - 38:23
    Our opponents have 2/3 of the puzzle
    and we have 1/3
  • 38:23 - 38:26
    Oh, what are you going to do, Holmes?
  • 38:26 - 38:30
    Try to deduce the methods
    from the 1/3 that we have
  • 38:30 - 38:36
    ♪ (music box) ♪
  • 38:36 - 38:45
    (whistling)
  • 38:45 - 38:49
    ♪ (music box) ♪
  • 38:51 - 38:58
    (whistling)
  • 38:59 - 39:04
    ♪ (music box) ♪
  • 39:09 - 39:13
    It's the same tune as the one
    played by Emery's musical box
  • 39:14 - 39:15
    and yet it's different
  • 39:16 - 39:18
    Sounds the same to me
  • 39:18 - 39:19
    The tune
  • 39:20 - 39:23
    Somehow the tune
  • 39:24 - 39:25
    is the key to the mystery
  • 39:26 - 39:29
    It must be the tune
  • 39:29 - 39:32
    otherwise why use three musical boxes
    to convey the message?
  • 39:32 - 39:34
    Why not collar boxes or shoe boxes?
  • 39:34 - 39:37
    (telephone)
  • 39:37 - 39:38
    Yes
  • 39:38 - 39:39
    Oh
  • 39:39 - 39:40
    It's for you, Inspector
  • 39:40 - 39:43
    Oh, thank you, sir
  • 39:43 - 39:45
    Inspector Hopkins speaking
  • 39:45 - 39:47
    What?
  • 39:47 - 39:50
    Where?
  • 39:50 - 39:54
    Gilder's Green station reports
    they've just found Sgt. Thompson's body
  • 39:55 - 39:56
    There were tire marks on his clothes
  • 39:56 - 39:57
    He was
  • 39:57 - 39:59
    apparently run over by a taxi
  • 39:59 - 40:00
    What an unfortunate accident
  • 40:00 - 40:03
    Not an accident, my dear fellow
  • 40:03 - 40:05
    I'm afraid it's murder
  • 40:07 - 40:12
    ♪ Oh, you never know
    just who you're going to meet ♪
  • 40:13 - 40:17
    ♪ When you're walking
    down every London street ♪
  • 40:18 - 40:22
    ♪ Mrs Orchid or Mrs Brown
    Any subject of the crown ♪
  • 40:22 - 40:26
    ♪ Oh, you never know
    just who you're going to meet ♪
  • 40:27 - 40:32
    ♪ Oh, you better hold your copper
    in your 'and ♪
  • 40:33 - 40:37
    ♪ Just in case you meet a lady
    on the strand ♪
  • 40:38 - 40:42
    ♪ Girls will think you're kind of sweet
    And your day will be complete ♪
  • 40:43 - 40:46
    ♪ Oh, you never know
    just who you're going to meet ♪
  • 40:47 - 40:51
    ♪ Now a gentlemen is judged
    by 'is appearance ♪
  • 40:52 - 40:56
    ♪ Yes a gentlemen is judged
    by how he talks ♪
  • 40:57 - 41:01
    ♪ Now he's much better off
    When he's beckoned like a cough ♪
  • 41:02 - 41:05
    ♪ Especially if he's takin' him
    a walk ♪
  • 41:06 - 41:08
    What on earth is this outlandish place?
  • 41:08 - 41:10
    A rendezvous practice
  • 41:10 - 41:11
    Actors?
  • 41:11 - 41:13
    Buskers, old boy
  • 41:13 - 41:15
    You've seen them a thousand times
  • 41:15 - 41:17
    Actors only tame the queues
  • 41:17 - 41:19
    waiting outside theaters
  • 41:19 - 41:24
    ♪ Oh, you never know
    just who you're going to meet ♪
  • 41:25 - 41:29
    ♪ When you're walking
    down every London street ♪
  • 41:29 - 41:34
    ♪ So you better wear your best
    Go inside and look your best ♪
  • 41:34 - 41:38
    ♪ Oh, you never know
    just who you're going to meet ♪
  • 41:39 - 41:44
    ♪ Oh, you better keep your manners
    ripe and new ♪
  • 41:45 - 41:49
    ♪ Just in case a lady
    gives a howdy do ♪
  • 41:50 - 41:54
    ♪ If your coat is in a fleet
    Shine your shoes and keep them neat ♪
  • 41:55 - 41:59
    ♪ Oh, you never know
    just who you're going to meet ♪
  • 42:00 - 42:01
    Blimey
  • 42:01 - 42:02
    Mr. 'olmes
  • 42:02 - 42:03
    How are you, Joe?
  • 42:03 - 42:05
    Never better
  • 42:05 - 42:06
    And yourself?
  • 42:06 - 42:07
    Fine, thank you
  • 42:07 - 42:09
    I want you to meet a friend of mine
  • 42:09 - 42:10
    Dr. Watson, Joseph Cisto
  • 42:10 - 42:12
    Oh, well, any friend of Mr. 'olmes
    is a friend of mine
  • 42:12 - 42:13
    Hi, Joe
  • 42:13 - 42:15
    You gave me a good turn once
    that I'll never forget
  • 42:15 - 42:18
    Yes, I cleared Joe
    of a most unpleasant charge
  • 42:18 - 42:19
    Murder, no less
  • 42:19 - 42:20
    Murder?
  • 42:20 - 42:23
    By proving to the satisfaction
    of the police that he was busy at the time
  • 42:23 - 42:24
    blowing open someone's safe
  • 42:24 - 42:25
    That's right, governor
  • 42:25 - 42:26
    Good gracious me
  • 42:26 - 42:28
    And you're all well?
  • 42:28 - 42:30
    Now you can help me
  • 42:30 - 42:33
    Come on, buzz off, buzz off
  • 42:33 - 42:34
    Come on, stop it, stop it!
  • 42:34 - 42:36
    Can't a gentlemen have some
    piece and quiet around 'ere?
  • 42:36 - 42:43
    And you too
  • 42:43 - 42:44
    There you are, Mr. 'olmes
  • 42:44 - 42:46
    Now we can have
    some piece and quiet around 'ere
  • 42:46 - 42:47
    Thank you, Joe
  • 42:47 - 42:49
    There's £5 in this for you
  • 42:49 - 42:52
    Well, I wouldn't want
    to take it on me-self, sir
  • 42:52 - 42:54
    but I can get someone
    to do it for you for 'alf o'that
  • 42:54 - 42:56
    You don't know what the job is yet
  • 42:56 - 42:57
    For £5?
  • 42:57 - 42:58
    Murder aint it?
  • 42:58 - 43:00
    What?
  • 43:00 - 43:01
    No not murder, just
  • 43:01 - 43:03
    um, music
  • 43:03 - 43:04
    I want you to identify a song for me
  • 43:04 - 43:07
    Oh, there aint a song that's been written
    that I don't know
  • 43:07 - 43:08
    That's why I came to you
  • 43:08 - 43:12
    Of course, the violin
    is more my instrument, but, um
  • 43:12 - 43:13
    Oh, well
  • 43:13 - 43:14
    Here we go
    Now listen to this, Joe
  • 43:14 - 43:21
    ♪ (piano) ♪
  • 43:21 - 43:22
    Wait a minute
  • 43:22 - 43:23
    You're playing that wrong
  • 43:23 - 43:25
    That should be E♮ not E♭
  • 43:25 - 43:26
    You know the song?
  • 43:26 - 43:29
    Oh, yes, it's an old
    Australian song called, uh
  • 43:29 - 43:30
    The Swagman
  • 43:30 - 43:32
    but you're playing it all wrong
  • 43:32 - 43:33
    That's what I hoped you'd say
  • 43:33 - 43:34
    Now listen again, Joe
  • 43:34 - 43:41
    ♪ (piano) ♪
  • 43:41 - 43:42
    That's the same tune, all right
  • 43:42 - 43:45
    but you're making different mistakes
    than you did the first time
  • 43:45 - 43:47
    No not mistakes, Joe, call them variations
  • 43:47 - 43:49
    Here, play the song for me, will you
    the way it's written?
  • 43:49 - 44:11
    ♪ (piano) ♪
  • 44:11 - 44:12
    There you are
  • 44:12 - 44:13
    Thank you, Joe
  • 44:13 - 44:15
    What's it mean, Holmes?
  • 44:15 - 44:17
    Are you onto something?
  • 44:17 - 44:19
    Perhaps
  • 44:19 - 44:20
    I don't know yet
  • 44:20 - 44:23
    It's probably a code of some sort
  • 44:23 - 44:25
    Joe!
  • 44:25 - 44:28
    Could you write the song sown for me
  • 44:28 - 44:30
    the way it was originally written?
  • 44:30 - 44:33
    Oh, sure, Mr. 'olmes
    but it will take a few minutes
  • 44:33 - 44:33
    Mmmhmm
  • 44:33 - 44:35
    Here, Madel!
  • 44:35 - 44:37
    Pale ale
  • 44:37 - 44:39
    Come on, 'op to it, 'long with it
  • 44:39 - 44:49
    ♪ (piano) ♪
  • 44:52 - 44:54
    Well, obviously it isn't the lyrics
  • 44:54 - 44:57
    No combination of those words
    made any sense at all
  • 44:57 - 44:58
    The variations in the way
  • 44:58 - 45:00
    Emery's musical box played the tune
  • 45:00 - 45:02
    are different than the variations
    in the one we have
  • 45:02 - 45:03
    You sure?
  • 45:03 - 45:04
    Quite
  • 45:04 - 45:05
    You see, I took the trouble to memorize
  • 45:05 - 45:07
    the tune as played by Emery's box
  • 45:07 - 45:08
    that night we were with him in his flat
  • 45:08 - 45:10
    Holmes, you amaze me
  • 45:10 - 45:11
    Did I mention, my dear fellow
  • 45:11 - 45:13
    one of the first principles
    in solving crime
  • 45:13 - 45:16
    is never to disregard anything
    no matter how trivial
  • 45:16 - 45:18
    Why are there three boxes?
  • 45:18 - 45:18
    Why not one?
  • 45:18 - 45:20
    Because the message
  • 45:20 - 45:23
    was obviously too long to be conveyed
    by any one variation
  • 45:23 - 45:25
    Then there's the third box
  • 45:25 - 45:28
    The one that woman took from the Kilgours
  • 45:28 - 45:31
    That contains yet another
    set of variations
  • 45:31 - 45:34
    Yes, well, it's all beyond me
  • 45:35 - 45:36
    Well, all we have to do now
  • 45:36 - 45:38
    is to plant the secret of the variations
  • 45:38 - 45:40
    Not a very easy problem to solve
    my dear fellow
  • 45:40 - 45:46
    ♪ (exciting music) ♪
  • 45:46 - 45:46
    Hello
  • 45:46 - 45:47
    What's up?
  • 45:47 - 45:52
    We've had company
  • 45:52 - 46:00
    I say, this is outrageous!
  • 46:00 - 46:04
    Ask Mrs. Hudson to come in here, will you?
  • 46:04 - 46:06
    Right
  • 46:06 - 46:10
    ♪ (intense music) ♪
  • 46:10 - 46:12
    Mrs. Hudson!
  • 46:12 - 46:14
    Yes?
  • 46:14 - 46:16
    Oh, there you are
  • 46:16 - 46:17
    Will you come up here at once, please?
  • 46:17 - 46:19
    Coming, sir
  • 46:30 - 46:36
    Mercy me, Mr. Holmes
  • 46:36 - 46:37
    What has happened?
  • 46:37 - 46:39
    Who called while we were out, Mrs. Hudson?
  • 46:39 - 46:40
    Just a young lady
  • 46:40 - 46:42
    The one who said you wanted her
    to wait for you
  • 46:42 - 46:45
    and a nice little old gentlemen with her
  • 46:45 - 46:46
    Our friends again, Watson
  • 46:46 - 46:47
    Friends?
  • 46:47 - 46:48
    What did the young lady look like?
  • 46:48 - 46:50
    Oh, I-I couldn't see hers face
    She had a
  • 46:50 - 46:52
    a heavy black veil on
  • 46:52 - 46:55
    but she had such a nice way with her
  • 46:55 - 47:00
    Oh, I'm sorry Mr. Holmes
    if I've done anything wrong
  • 47:00 - 47:04
    but you did say that I should always
    let clients come in and wait for you
  • 47:04 - 47:06
    Don't worry, Mrs. Hudson, don't worry
  • 47:06 - 47:07
    You had no way of knowing
  • 47:07 - 47:09
    It's quite all right, quite all right
  • 47:09 - 47:11
    Now don't worry, Mrs. Hudson
  • 47:11 - 47:16
    Don't worry?
  • 47:16 - 47:17
    Where on earth's the musical box?
  • 47:17 - 47:20
    They didn't get it
  • 47:20 - 47:21
    Didn't get it?
  • 47:21 - 47:23
    Where is it?
  • 47:23 - 47:24
    It's in your hand
  • 47:24 - 47:25
    Huh?
  • 47:25 - 47:26
    That biscuit jar
  • 47:26 - 47:30
    Take the biscuits off the top
  • 47:30 - 47:37
    Now put your hand inside
    and you'll find the music box
  • 47:37 - 47:40
    Well done, Holmes
  • 47:40 - 47:42
    Well done, amazing!
  • 47:42 - 47:54
    ♪ (music box) ♪
  • 48:03 - 48:05
    Pff, nice fresh smell
  • 48:06 - 48:08
    Like a pub after closing time, pff
  • 48:14 - 48:15
    Mr. Holmes
  • 48:15 - 48:16
    What?
  • 48:16 - 48:18
    It's morning
  • 48:18 - 48:21
    Allow me to congratulate you
    on a brilliant bit of deduction
  • 48:21 - 48:30
    It's not a transposition
  • 48:30 - 48:33
    not a polygraph transposition
    not a trigraph
  • 48:33 - 48:36
    nor any known form of decoding
  • 48:36 - 48:38
    How about the Morse Code
    have you tried that?
  • 48:38 - 48:40
    Yes, at about three o'clock this morning
  • 48:40 - 48:42
    I'm sorry, old man
    I was only trying to help
  • 48:49 - 48:59
    ♪ (violin) ♪
  • 48:59 - 49:01
    Oh, do me a favor
  • 49:01 - 49:02
    not again
  • 49:02 - 49:03
    Must have heard that thing
    a thousand times
  • 49:03 - 49:05
    kept me awake all night
  • 49:05 - 49:11
    ♪ (pizzicato violin) ♪
  • 49:11 - 49:15
    Not a very distinguished composition
    I grant you
  • 49:15 - 49:17
    You know perfectly well
    I don't know one tune from the other
  • 49:17 - 49:20
    When I was a kid, my people tried
    to have me taught the piano
  • 49:20 - 49:23
    I always felt sorry
    for that old teacher of mine
  • 49:23 - 49:27
    Poor old girl, finally reached a point of
    numbering the keys for me
  • 49:27 - 49:31
    1, 2, 3, 4- even then
    I-I never progressed beyond-
  • 49:31 - 49:33
    Numbering the keys, Watson!
  • 49:33 - 49:35
    The nineteenth key of the keyboard
  • 49:35 - 49:38
    is the nineteenth letter of the alphabet
  • 49:38 - 49:39
    Yes! Here
  • 49:39 - 49:42
    I'm done, I'll give it to you
    old fellow, will you
  • 49:42 - 49:46
    The first altered note, write yes first
  • 49:46 - 49:49
    Now the eighth, the key
  • 49:49 - 49:52
    is H
  • 49:52 - 49:54
    The fifth key, E
  • 49:54 - 49:57
    The twelfth key
  • 49:57 - 49:58
    L
  • 49:58 - 50:01
    The sixth key, F
  • 50:01 - 50:03
    S-H-E-L-F
  • 50:03 - 50:05
    Shelf
  • 50:05 - 50:08
    Your piano lessons
    were not in vain, old fellow
  • 50:08 - 50:09
    You've solved it
  • 50:09 - 50:10
    Thank you
  • 50:10 - 50:14
    Thanks, old man, ha!
  • 50:14 - 50:17
    We now have two thirds of the message
  • 50:17 - 50:18
    "Behind books"
  • 50:18 - 50:20
    "Third shelf"
  • 50:20 - 50:21
    "Secretary"
  • 50:21 - 50:23
    "Doctor S"
  • 50:24 - 50:26
    Presumably
  • 50:26 - 50:28
    these are the first and second
    portions of the message
  • 50:28 - 50:32
    And this gang has the first
    and third parts of it
  • 50:32 - 50:33
    Precisely
  • 50:33 - 50:34
    Then it's a stalemate
  • 50:34 - 50:36
    Yes, Commissioner
    but we can't leave it like that
  • 50:36 - 50:38
    There's no doubt in my mind
    that they'll try to secure
  • 50:38 - 50:41
    our third of the message that's missing
  • 50:41 - 50:44
    I assume you've taken every precaution
    to guard the third music box
  • 50:44 - 50:45
    Oh, yes, it's carefully hidden at Baker St
  • 50:45 - 50:46
    with Dr. Watson on guard, however
  • 50:46 - 50:49
    I'm reasonably certain that, uh
  • 50:49 - 50:50
    difficult as it may be
  • 50:50 - 50:51
    we can find the plates
  • 50:51 - 50:53
    even without the missing part
    of the message
  • 50:53 - 50:59
    "Behind books, third shelf
    secretary, doctor S"
  • 50:59 - 51:02
    Outside of the fact that Davidson hid
    the Bank of England plates
  • 51:02 - 51:04
    somewhere in London, Mr. Holmes
  • 51:04 - 51:05
    I don't see that we could rest at all
  • 51:05 - 51:07
    Allow me to point out to you, sir
  • 51:07 - 51:09
    the key words
  • 51:09 - 51:11
    "Doctor S"
  • 51:11 - 51:14
    It looks as though the plates were hidden
    in the house of a doctor
  • 51:14 - 51:17
    Whether the "S" stands
    for his first or last initial
  • 51:17 - 51:19
    remains to be determined
    by a process of elimination
  • 51:19 - 51:22
    Frill, there must be ten thousand
    doctors in London with
  • 51:22 - 51:25
    "S" for a first or last initial
  • 51:25 - 51:26
    Precisely
  • 51:26 - 51:28
    and every one of them
    will have to be questioned in person
  • 51:28 - 51:31
    That's why I say
    this is a task for Scotland Yard
  • 51:31 - 51:32
    It's a task all right
  • 51:32 - 51:36
    but Scotland Yard has searched worse
    haystacks and found a needle
  • 51:36 - 51:38
    Well, for the time being
  • 51:38 - 51:40
    I'll leave the matter
    in your hands, gentlemen
  • 51:40 - 51:43
    We'll call you if and when
    we get a lead on our
  • 51:43 - 51:45
    mysterious "Doctor S"
  • 51:45 - 51:50
    In the meantime I intend to follow up
    a little clue concerning a cigarette
  • 51:53 - 51:57
    Mmm
  • 51:57 - 51:59
    You are certain of the identification
    of the tobacco?
  • 51:59 - 52:01
    Absolutely
  • 52:01 - 52:04
    I have made up this special blend
    for only three customers
  • 52:04 - 52:07
    It is almost pure Egyptian
  • 52:07 - 52:07
    Mmmhmm
  • 52:07 - 52:09
    with a mixture of Laticia
  • 52:09 - 52:11
    for added body
  • 52:11 - 52:13
    and a pinch of Parich
  • 52:13 - 52:16
    merely a whisper as one might say
  • 52:16 - 52:18
    for elusive fragrance–
  • 52:18 - 52:20
    Yes yes, and the, um, the three customers?
  • 52:20 - 52:23
    Major Wilson in Bombay, India
  • 52:23 - 52:24
    Mmmhmm
  • 52:24 - 52:27
    Mrs. Catherine Leenington Smith
  • 52:27 - 52:27
    Mmmhmm
  • 52:27 - 52:28
    in Ireland
  • 52:28 - 52:29
    Yes, and the third?
  • 52:29 - 52:31
    Mrs. Hilga Courtney
  • 52:31 - 52:33
    of Park Mansions
  • 52:33 - 52:34
    Bryanston Square
  • 52:34 - 52:35
    Thank you
  • 52:35 - 52:36
    Thank you very much
    you've been most helpful
  • 52:36 - 52:39
    It's a pleasure to have
    been of service, Mr. Holmes
  • 52:40 - 52:42
    (buzz)
  • 52:45 - 52:47
    (buzz)
  • 52:48 - 52:50
    Yes
  • 52:50 - 52:51
    Mrs. Courtney
  • 52:51 - 52:52
    Yes
  • 52:52 - 52:54
    My name is Sherlock Holmes
  • 52:54 - 52:55
    Oh, do come in
  • 52:55 - 52:57
    Thank you
  • 52:57 - 52:59
    I've heard of you, of course, Mr. Holmes
  • 52:59 - 53:04
    I believe we have a mutual friend
    in Sir Edward Brookdale
  • 53:04 - 53:06
    He's spoken to me of you quite often
  • 53:06 - 53:07
    Indeed?
  • 53:07 - 53:13
    And to what good fortune
    am I indebted for this visit?
  • 53:13 - 53:15
    I think you know, Mrs. Courtney
  • 53:15 - 53:19
    Well, I did get a summons
    for speeding last week
  • 53:19 - 53:22
    but outside of that I don't think I'm
    of any interest to the police
  • 53:22 - 53:24
    Oh, come now, Mrs. Courtney
  • 53:24 - 53:26
    you seem to forget
    that you and I have met before
  • 53:26 - 53:27
    I'm sorry
  • 53:27 - 53:30
    I'm sure I would have remembered
    meeting the great Sherlock Holmes
  • 53:30 - 53:32
    Please sit down
  • 53:32 - 53:33
    Thank you
  • 53:33 - 53:36
    You say we met before
  • 53:36 - 53:36
    Yes
  • 53:36 - 53:42
    At the home of Mr. and Mrs. Kilgour
    143 B. Hampton Rd
  • 53:42 - 53:44
    Kilgour
  • 53:44 - 53:46
    I don't think I know anyone of that name
  • 53:46 - 53:49
    Well, I didn't say you knew them
  • 53:49 - 53:52
    As a matter of fact you called on them
    when they were out
  • 53:52 - 53:55
    I don't understand, Mr. Holmes
  • 53:55 - 53:57
    Really?
  • 53:57 - 53:59
    And you were dressed rather differently
  • 53:59 - 54:00
    Indeed
  • 54:00 - 54:04
    Cigarette?
  • 54:04 - 54:07
    Thank you
  • 54:07 - 54:19
    Thank you
  • 54:21 - 54:23
    You know, Mrs. Courtney
  • 54:23 - 54:25
    people generally forget
  • 54:25 - 54:26
    you're assuming a disguise
  • 54:26 - 54:30
    but the shape of the ear
    is an almost infallible means
  • 54:30 - 54:33
    of recognition and identification
    to the trained eye
  • 54:33 - 54:35
    Evidently you've mistaken me
    for someone else
  • 54:35 - 54:38
    Oh, no, not at all
    though naturally I expected your denial
  • 54:38 - 54:42
    But when you payed your visit
    to my rooms at Baker St
  • 54:42 - 54:44
    You carelessly left behind
  • 54:44 - 54:47
    another identification
  • 54:47 - 54:52
    I don't eglartha
  • 54:52 - 54:53
    Yes, I must admit they are
  • 54:53 - 54:55
    You see Mr. Holmes
  • 54:55 - 54:59
    to catch one as clever as you
    I had to use a very special lure
  • 54:59 - 55:02
    I knew you'd be unable
    to resist the bait of my cigarette
  • 55:02 - 55:04
    Having read with great interest
    your monograph
  • 55:04 - 55:08
    On the Ashes of 140
    Different Varieties of Tobacco
  • 55:08 - 55:12
    I should advise you
    not to move, Mr. Holmes
  • 55:12 - 55:17
    I must congratulate you
    on your ingenuity, Mrs. Courtney
  • 55:17 - 55:19
    It was indeed a brilliantly designed trap
  • 55:19 - 55:21
    Thank you, Mr. Holmes
  • 55:21 - 55:23
    Praise from a master is indeed gratifying
  • 55:23 - 55:27
    I shall always cherish the memory
    of your flattering words
  • 55:27 - 55:30
    Memory?
  • 55:30 - 55:32
    Precisely
  • 55:32 - 55:35
    I'm afraid these gentlemen
    have a most regrettable task to perform
  • 55:35 - 55:37
    Unless of course
  • 55:37 - 55:40
    you care to turn over
    the missing musical box
  • 55:40 - 55:44
    with your pledge to take
    no action against us in the future
  • 55:44 - 55:46
    I'm afraid that will be impossible
  • 55:46 - 55:48
    I thought that would be your answer
    Hamid!
  • 55:48 - 55:51
    Careful!
  • 55:51 - 55:52
    Careful
  • 55:52 - 55:56
    There's no need to be so unnecessarily
    rough with our distinguished guest
  • 55:56 - 56:01
    You realize, Mr. Holmes, that your demise
    will not take place here, the, uh
  • 56:01 - 56:03
    corpus delectae, you know
  • 56:03 - 56:04
    Well, naturally
  • 56:04 - 56:08
    Shall we go?
  • 56:08 - 56:11
    So fearfully awkward
    having a dead body lying about
  • 56:11 - 56:13
    Don't you agree, Mr. Holmes?
  • 56:13 - 56:14
    Another dead body
  • 56:14 - 56:17
    should not weigh too heavily
    on your conscience, Mrs. Courtney
  • 56:24 - 56:29
    You mind if I have a cigarette?
  • 56:29 - 56:31
    Well, I don't see why not
  • 56:31 - 56:42
    ♪ (dramatic music) ♪
  • 56:42 - 56:43
    (tire screech)
  • 56:43 - 56:46
    Be careful, Hamid!
  • 56:46 - 56:48
    It's the brakes, they bind
  • 56:48 - 56:52
    Thank you, Col. Cavanaugh
  • 56:52 - 56:55
    That's very considerate of you
  • 56:55 - 57:21
    ♪ (dramatic music) ♪
  • 57:23 - 57:26
    You'll be happy to know, Mr. Holmes
  • 57:26 - 57:28
    that your death will be a painless one
  • 57:28 - 57:32
    Hamid
  • 57:32 - 57:35
    Attach this to the motor of the taxi
  • 57:38 - 57:40
    That little attachment, my dear Mr. Holmes
  • 57:40 - 57:42
    contains the deadly fluid know as
  • 57:42 - 57:44
    mono sulfride
  • 57:44 - 57:47
    The German's use it
    with gratifying results in removing their
  • 57:47 - 57:50
    undesirables
  • 57:50 - 57:54
    ♪ (dramatic music) ♪
  • 57:54 - 57:56
    Start the motor
  • 57:56 - 58:02
    (engine start)
  • 58:18 - 58:20
    Tape his mouth
  • 58:27 - 58:32
    Now, up with him, Hamid
  • 58:40 - 58:44
    You find yourself like
    Mohamed's coffin, Mr. Holmes
  • 58:44 - 58:47
    Suspended between heaven
  • 58:47 - 58:49
    and earth
  • 58:53 - 58:56
    Plenty of fuel in the tank?
  • 58:56 - 58:57
    Good
  • 58:57 - 59:00
    It would be too bad to have anything
    go wrong through so
  • 59:00 - 59:02
    simple an oversight
  • 59:02 - 59:04
    Come on
  • 59:04 - 59:48
    ♪ (dramatic music) ♪
  • 59:48 - 59:49
    (coughing)
  • 60:01 - 60:03
    (knock)
  • 60:04 - 60:07
    Yeah, who's there?
  • 60:08 - 60:09
    (yawn)
  • 60:10 - 60:13
    Good afternoon
  • 60:13 - 60:14
    Mr. Sherlock Holmes
  • 60:14 - 60:16
    No, I'm Dr. Watson
  • 60:16 - 60:18
    Oh, of course, Dr. Watson
  • 60:18 - 60:20
    How stupid of me?
  • 60:20 - 60:21
    Not at all
  • 60:21 - 60:22
    Stupid of me
  • 60:22 - 60:24
    Won't you come in?
  • 60:24 - 60:27
    Well, I-I really came to see Mr. Holmes
  • 60:27 - 60:28
    Oh, I'm afraid he's out
    I don't know when he'll be back
  • 60:28 - 60:30
    Perhaps there's something I can do
  • 60:30 - 60:32
    Won't you sit down?
  • 60:32 - 60:33
    Thank you
  • 60:33 - 60:34
    You know
  • 60:34 - 60:38
    Sherlock Holmes and I have been engaged
    on a great many cases
  • 60:38 - 60:39
    Oh, really?
  • 60:39 - 60:40
    Yes, indeed
  • 60:40 - 60:41
    As a matter of fact, at this very moment
  • 60:41 - 60:44
    we're involved in one of the most baffling–
  • 60:44 - 60:46
    Well, oh, won't you tell me your trouble?
  • 60:46 - 60:48
    I may be able to help you
  • 60:48 - 60:50
    Very kind of you, Dr. Watson
  • 60:50 - 60:51
    perhaps
  • 60:51 - 60:53
    if I wouldn't be imposing too much
  • 60:53 - 60:57
    Imposing? Oh, there's no imposition
    no imposition at all
  • 60:57 - 60:59
    A pleasure I assure you, now
  • 60:59 - 61:01
    tell me all about it Miss, uh
  • 61:01 - 61:01
    Miss Williams
  • 61:01 - 61:03
    Mrs. Williams
  • 61:03 - 61:05
    I live in Therough, Dr. Watson
  • 61:05 - 61:07
    and-and I've come up to London
    in sheer desperation
  • 61:07 - 61:09
    my only sister has disappeared
  • 61:09 - 61:11
    and the local police seem utterly
    unable to find her
  • 61:11 - 61:13
    Well, Holmes and I solved a case
    exactly like that once
  • 61:13 - 61:16
    very interesting as far as I remember
  • 61:16 - 61:20
    I call it The Adventure of
    the Solitary Cyclist
  • 61:20 - 61:22
    Oh, sorry
  • 61:22 - 61:24
    Now come to think of it
    it wasn't so very similar
  • 61:24 - 61:26
    Entirely different
  • 61:26 - 61:27
    Couldn't think what I was saying
  • 61:27 - 61:30
    Where were we?
  • 61:30 - 61:33
    She's only seventeen, Dr. Watson, and
  • 61:33 - 61:35
    until she disappeared last Thursday she
  • 61:35 - 61:37
    seemed to be in the best of spirits
  • 61:37 - 61:41
    Possibly a romantic entanglement?
  • 61:41 - 61:42
    Oh, no, no, nothing of the sort
  • 61:42 - 61:44
    She left no note
  • 61:44 - 61:46
    didn't even pack a bag, no explanation
  • 61:46 - 61:50
    She just started to walk to the village
    from our house in broad daylight and
  • 61:50 - 61:53
    simply vanished from the face of the earth
  • 61:53 - 61:55
    Oh, there, there, there, there
  • 61:55 - 61:57
    Might I have a glass of water?
  • 61:57 - 61:59
    Of course, a glass of water
  • 61:59 - 62:01
    One minute
  • 62:04 - 62:16
    ♪ (dramatic music) ♪
  • 62:30 - 62:33
    There you are, my dear
  • 62:33 - 62:35
    Thank you, Dr. Watson
  • 62:35 - 62:38
    There, there, you're not to cry anymore
    You must pull yourself together
  • 62:38 - 62:39
    I feel much better already
  • 62:39 - 62:41
    knowing that you're going to help me
  • 62:41 - 62:42
    Oh, Dr. Watson, look!
  • 62:42 - 62:44
    Good heavens!
  • 62:46 - 62:48
    (coughing)
  • 62:49 - 62:51
    Get through, get through
    the fire brigade quickly
  • 62:51 - 62:55
    ♪ (dramatic music) ♪
  • 62:55 - 62:56
    Haven't you a fire extinguisher?
  • 62:56 - 62:59
    By George, we have, in the kitchen
  • 63:22 - 63:24
    Don't you worry, Miss Williams
    we'll have this thing out in no time
  • 63:26 - 63:35
    (coughing)
  • 63:35 - 63:36
    Ah, that's better
  • 63:37 - 63:41
    Get some air
  • 63:43 - 63:44
    There you see there was
  • 63:44 - 63:47
    there was no need
    for the fire brigade after all
  • 63:47 - 63:49
    I hope you weren't too frightened
    Miss Williams
  • 63:53 - 63:54
    Gone
  • 63:55 - 63:56
    That's the trouble with women
  • 63:56 - 63:58
    They always lose their heads
    in an emergency
  • 63:59 - 64:00
    Hmph
  • 64:04 - 64:08
    The musical box!
  • 64:09 - 64:12
    Great Scott!
  • 64:16 - 64:18
    Miss Williams!
  • 64:24 - 64:26
    Well?
  • 64:26 - 64:27
    Good
  • 64:27 - 64:28
    And Holmes?
  • 64:28 - 64:32
    By now Mr. Holmes has no doubt
    exchanged his violin for a harp
  • 64:32 - 64:35
    Well, that's assuming
    that heaven is his destination
  • 64:38 - 64:40
    And now that we have
    the missing musical box
  • 64:40 - 64:51
    ♪ (music box) ♪
  • 64:51 - 64:53
    19th note
  • 64:53 - 64:56
    19th letter
  • 64:58 - 64:59
    "S"
  • 65:03 - 65:04
    He hasn't been there, you say
  • 65:04 - 65:06
    Holmes, where on earth have you been?
  • 65:06 - 65:07
    I've been trying to get you at the club
  • 65:07 - 65:09
    Scotland Yard, all over London
  • 65:09 - 65:13
    You were looking for me
    in the wrong places
  • 65:14 - 65:16
    Holmes, a terrible thing's happened
  • 65:16 - 65:17
    I've been duped
  • 65:17 - 65:18
    That woman
  • 65:18 - 65:20
    she made a complete fool of me
  • 65:20 - 65:21
    Well, what do you mean?
  • 65:21 - 65:22
    Well, she came here
  • 65:22 - 65:24
    let off a smoke bomb
  • 65:24 - 65:26
    I thought the whole place was on fire
    and my first thought was to
  • 65:26 - 65:27
    to save the musical box
  • 65:27 - 65:28
    No need to say anymore
  • 65:28 - 65:30
    She has the box
  • 65:30 - 65:31
    Yes
  • 65:31 - 65:35
    Don't blame yourself too much, old fellow
  • 65:36 - 65:38
    She is an extremely clever antagonist
  • 65:40 - 65:43
    Smoke bomb, you said?
  • 65:43 - 65:45
    (laughing)
  • 65:46 - 65:48
    Well, you can console yourself
    with the thought
  • 65:48 - 65:51
    that your charming friend is
    at least a reader of yours
  • 65:51 - 65:52
    What do you mean?
  • 65:52 - 65:54
    If I remember correctly
  • 65:54 - 65:57
    you wrote about my little experiment
    with the smoke and the cry of fire
  • 65:57 - 65:58
    in the story you entitled
  • 65:58 - 66:01
    A Scandal in Bohemia which has just
    appeared in the Strand Magazine
  • 66:01 - 66:03
    Alright, alright, old boy
  • 66:03 - 66:03
    Don't rub it in
  • 66:03 - 66:08
    Well, it may cheer you up to know
    that she made a fool of me, too
  • 66:08 - 66:12
    That cigarette stub
  • 66:12 - 66:15
    It was planted here
    for one express purpose
  • 66:15 - 66:17
    You got any bandaging around this place?
  • 66:17 - 66:18
    Bandaging, what's the matter, Holmes?
  • 66:18 - 66:20
    Are you hurt?
  • 66:20 - 66:22
    The explanations
    will have to wait until later
  • 66:22 - 66:23
    At the moment we are faced with a problem
  • 66:23 - 66:25
    which I fear is insurmountable
  • 66:25 - 66:27
    Come over here a moment, would you?
  • 66:27 - 66:28
    Right
  • 66:28 - 66:32
    Our opponents are in possession
    of all three parts of the code
  • 66:32 - 66:33
    and here are we
  • 66:33 - 66:34
    while the Bank of England plates
  • 66:34 - 66:36
    pass into their possession
  • 66:36 - 66:38
    Cheer up, old fellow, cheer up
  • 66:38 - 66:40
    As Dr. Samuel Johnson once said
  • 66:40 - 66:42
    "There's no problem
    the mind of man can set
  • 66:42 - 66:45
    that the mind of man cannot solve"
  • 66:45 - 66:47
    What's that, old fellow?
  • 66:47 - 66:48
    Oh, just quoting Dr. Samuel Johnson
  • 66:48 - 66:49
    He said "There is no"–
  • 66:49 - 66:52
    Thank you, Watson, thank you
  • 66:55 - 66:57
    Leaving the front reception room
  • 66:57 - 66:59
    we come into the main hall
  • 66:59 - 67:02
    where Dr. Johnson was in the habit
    of passing through
  • 67:02 - 67:05
    to have his meager meals
    in the dining on opposite
  • 67:05 - 67:08
    in company with his friend and biographer
  • 67:08 - 67:10
    James Bosswald
  • 67:10 - 67:12
    We will now pass up the stairway
  • 67:12 - 67:15
    which remains in its natural wood finish
  • 67:15 - 67:18
    just as it was
    when the good doctor was here
  • 67:18 - 67:20
    The framed etching on the wall
  • 67:20 - 67:23
    Is believed to have been
    presented to Dr. Johnson
  • 67:23 - 67:24
    by the distinguished painter
  • 67:24 - 67:26
    Sir Joshua Reynolds
  • 67:26 - 67:32
    I've been told here that that picture
    was given in by Mrs. Thrail
  • 67:32 - 67:33
    and it's definitely not a Reynolds
  • 67:33 - 67:35
    Is that important, my dear?
  • 67:35 - 67:37
    Oh, I'm sorry
  • 67:37 - 67:38
    Oh
  • 67:38 - 67:41
    This way, ladies and gentlemen
    please this way
  • 67:41 - 67:43
    Move along children, move along
  • 67:43 - 67:45
    The secretary's not on this floor
  • 67:45 - 67:46
    Patience, Hamid
  • 67:46 - 67:47
    I have a feeling–
  • 67:47 - 67:51
    My dear Col. with Sherlock Holmes
    out of the way what could go wrong?
  • 68:00 - 68:02
    And here we have the gallant library
  • 68:03 - 68:05
    in which Dr. Johnson
    wrote his famous dictionary
  • 68:06 - 68:07
    and in which you will see also
  • 68:08 - 68:10
    many of the great man's books
    and other items of interest
  • 68:12 - 68:14
    Step forward, ladies and gentle–
    please step forward
  • 68:15 - 68:16
    Standing in the corner is the secratary
  • 68:17 - 68:19
    which contains many of the original works
  • 68:19 - 68:20
    by the literary genius
  • 68:21 - 68:24
    On this table, Dr. Johnson's cat Hodge
  • 68:24 - 68:26
    used to sleep while his master worked
  • 68:27 - 68:29
    The strange thing about this cat
    ladies and gentlemen
  • 68:29 - 68:30
    was it's love of oysters
  • 68:31 - 68:33
    They do say that the dear doctor
    often went hungry
  • 68:34 - 68:36
    To find the cat that delicacy
  • 68:37 - 68:38
    What a pity, hmm
  • 68:39 - 68:42
    Now we will visit the Grey Room
    which is immediately below us
  • 68:43 - 68:44
    in which you will see the very bed
  • 68:45 - 68:47
    in which Dr. Johnson died
  • 68:47 - 68:48
    What did he die of?
  • 68:48 - 68:51
    Gout
  • 68:51 - 68:52
    Just gout
  • 68:53 - 68:55
    This way, ladies and gentlemen
    mind the steps, please
  • 69:09 - 69:10
    Your keys
  • 69:27 - 69:28
    Third shelf up
  • 69:28 - 69:35
    ♪ (dramatic music) ♪
  • 69:35 - 69:36
    The knife
  • 69:36 - 69:43
    Gentlemen, the Bank of England plates
  • 69:46 - 69:47
    Well, Mrs. Courtney
  • 69:47 - 69:50
    so we meet again
  • 69:50 - 69:52
    No, I shouldn't do that
    if I were you, Col. Cavanaugh
  • 69:52 - 69:55
    I must congratulate you, Mr. Holmes
  • 69:55 - 69:57
    You're far more clever than I thought
  • 69:57 - 70:00
    Thank you, Mrs. Courtney
  • 70:00 - 70:04
    Praise from you is indeed gratifying
  • 70:04 - 70:06
    I shall always cherish the memory
  • 70:06 - 70:08
    of your flattering words
  • 70:08 - 70:09
    Memory?
  • 70:09 - 70:13
    Oh, thank you
  • 70:13 - 70:16
    And now I have a most
    regrettable task to perform
  • 70:16 - 70:19
    (gunshot)
  • 70:20 - 70:23
    Holmes!
  • 70:23 - 70:26
    Coming, Holmes!
  • 70:27 - 70:28
    Holmes
  • 70:28 - 70:29
    You alright?
  • 70:29 - 70:30
    perfectly, thank you, old fellow
  • 70:30 - 70:32
    but I think this gentleman on the floor
    requires some medical attention
  • 70:32 - 70:35
    we will see that he looks his best
    you know, when he's hanged
  • 70:36 - 70:37
    Take them in charge
  • 70:50 - 70:55
    Hmm, a brilliant antagonist
  • 70:55 - 70:59
    It's a pity her talents
    were so misdirected
  • 70:59 - 71:01
    Will you see
    that these plates are returned
  • 71:01 - 71:02
    to the Bank of England, Inspector?
  • 71:02 - 71:04
    I still don't understand
    how you solved it, Mr. Holmes–
  • 71:04 - 71:06
    It's entirely due to Dr. Watson
  • 71:06 - 71:07
    He gave me the clue when he mentioned
  • 71:07 - 71:09
    Dr. Samuel Johnson
  • 71:09 - 71:11
    Well, congratulations, Doctor
  • 71:11 - 71:12
    Oh, thank you, Inspector
  • 71:12 - 71:13
    I don't think I could have
    done it entirely
  • 71:13 - 71:15
    without Mr. Holmes's help, you know
  • 71:15 - 71:18
    (laughter)
Title:
Sherlock Holmes in Dressed to Kill - full movie
Description:

more » « less
Video Language:
English
Team:
Film & TV
Duration:
01:11:32

English subtitles

Incomplete

Revisions Compare revisions