< Return to Video

Why art is important | Katerina Gregos | TEDxGhent

  • 0:00 - 0:08
    [TED Intro Music]
  • 0:13 - 0:16
    I must confess I feel a little bit like
  • 0:16 - 0:18
    Little Miss Sunshine after all these
  • 0:18 - 0:21
    wonderful presentations. I'm standing
  • 0:21 - 0:23
    here on this empty stage. I have no
  • 0:23 - 0:26
    slides, no music, no PowerPoint and I'm
  • 0:26 - 0:28
    sitting here with my cards with a speech
  • 0:28 - 0:32
    I didn't memorize. But in any case I
  • 0:32 - 0:34
    really hope to inspire you to reflect
  • 0:34 - 0:36
    more on the important role that art has
  • 0:36 - 0:40
    to play in society, and to do so without
  • 0:40 - 0:41
    images, which is something very, very
  • 0:41 - 0:46
    difficult for someone on my vocation. "All
  • 0:46 - 0:50
    art is quite useless", wrote Oscar Wilde
  • 0:50 - 0:53
    in his preface the "Picture of Dorian
  • 0:53 - 0:56
    Gray". It goes without saying that his
  • 0:56 - 0:59
    Bowmore are always quite tongue-in-cheek,
  • 0:59 - 1:02
    but what I want to draw your attention
  • 1:02 - 1:06
    to here is the word "quite". It indicates
  • 1:06 - 1:10
    that declaring art as utterly useless
  • 1:10 - 1:14
    was a step too far even for Wilde. How to
  • 1:14 - 1:17
    better explain then, that art is
  • 1:17 - 1:20
    something of an unnecessary necessity.
  • 1:21 - 1:24
    Imagine for a moment a world without art
  • 1:24 - 1:27
    and culture. Without music, without cinema
  • 1:27 - 1:32
    without dance, opera, literature, poetry--
  • 1:32 - 1:35
    that world would be a very, very dull
  • 1:35 - 1:38
    place devoid of imagination; the one
  • 1:38 - 1:41
    thing that distinguishes us as human
  • 1:41 - 1:45
    beings from other species. Without art,
  • 1:45 - 1:48
    the banality of reality would be
  • 1:48 - 1:51
    intolerable. Or to paraphrase Nietzsche,
  • 1:51 - 1:55
    "we have art in order not to perish from
  • 1:55 - 1:57
    the truth". What I want to talk about
  • 1:57 - 2:00
    today is the role of contemporary art in
  • 2:00 - 2:03
    society. Why is art important? And I'm
  • 2:03 - 2:05
    not talking here about the one percent
  • 2:05 - 2:08
    of the art world. The handful of artists
  • 2:08 - 2:10
    selling for millions of dollars to
  • 2:10 - 2:13
    billion, billionaire oligarchs-which is a
  • 2:13 - 2:15
    very tiny minority of what constitutes
  • 2:15 - 2:18
    the art world. But about the art that is
  • 2:18 - 2:22
    engaged with society at large and
  • 2:22 - 2:24
    engaging also with the key issues that
  • 2:24 - 2:25
    affect us all today,
  • 2:25 - 2:28
    because that is the art that matters.
  • 2:28 - 2:31
    Today more and more artists are inspired
  • 2:31 - 2:34
    by reality than by the formal properties
  • 2:34 - 2:36
    of that reality as we know them-colors,
  • 2:36 - 2:40
    shapes, beauty. In today's complex world,
  • 2:40 - 2:43
    I believe that art for art's sake is
  • 2:43 - 2:46
    insufficient. It is the importance of
  • 2:46 - 2:48
    another kind of art that I would like to
  • 2:48 - 2:51
    talk about and this is what we call
  • 2:51 - 2:55
    socially and politically engaged art.
  • 2:55 - 2:57
    Artists working in this realm, the realm
  • 2:57 - 2:59
    of the socio-political, use different
  • 2:59 - 3:01
    media to express themselves-from
  • 3:01 - 3:03
    traditional media like sculpture and
  • 3:03 - 3:06
    painting, to film, video performance, and
  • 3:06 - 3:09
    installation-to deal with key questions
  • 3:09 - 3:12
    such as democracy, civil and human rights,
  • 3:12 - 3:15
    capitalism, the economy, migration, and
  • 3:15 - 3:18
    mobility, the environment and the Commons,
  • 3:18 - 3:21
    and a whole host of such issues. They
  • 3:21 - 3:24
    strive to provide a counterpoint to the
  • 3:24 - 3:26
    prevailing images of power and also to
  • 3:26 - 3:28
    the stereotypes that are fed to us by
  • 3:28 - 3:32
    the media. Since the time of the
  • 3:32 - 3:34
    Enlightenment art has a very long
  • 3:34 - 3:37
    history of engagement with the political.
  • 3:37 - 3:39
    Art is in a sense political, as it is
  • 3:39 - 3:42
    about a person's views and freedom to
  • 3:42 - 3:46
    act; freedom to express themselves. So art
  • 3:46 - 3:50
    is always about taking a position. There
  • 3:50 - 3:52
    have been moments in history where art
  • 3:52 - 3:54
    was put to the service of politics and
  • 3:54 - 3:57
    society in a program in which the gap
  • 3:57 - 3:59
    between the two was temporarily bridged.
  • 3:59 - 4:02
    One can immediately think of example of
  • 4:02 - 4:04
    the Russian avant-garde. But this effect
  • 4:04 - 4:07
    has been always very hard to pinpoint
  • 4:07 - 4:12
    and to quantify and times have changed.
  • 4:12 - 4:16
    So then, what does art do? What can it do?
  • 4:16 - 4:19
    And why is it important? The fact of the
  • 4:19 - 4:22
    matter is, that it is very, very difficult
  • 4:22 - 4:24
    to pigeonhole and categorize what
  • 4:24 - 4:28
    exactly art is, and how it functions. That
  • 4:28 - 4:30
    is its beauty, and that is its
  • 4:30 - 4:32
    ungraspable value. For want of a better
  • 4:32 - 4:35
    word, it is impossible to both quantify
  • 4:35 - 4:38
    and qualify how art affects those
  • 4:38 - 4:40
    who see it because it works in
  • 4:40 - 4:44
    mysterious, latent, and very subtle ways.
  • 4:44 - 4:46
    That's why it's always such an uphill
  • 4:46 - 4:49
    struggle to convince politicians of arts
  • 4:49 - 4:51
    funding. To convince them that the value,
  • 4:51 - 4:54
    that is, the importance, the significance
  • 4:54 - 4:57
    and the merit of art, cannot be judged by
  • 4:57 - 5:01
    popular consensus and numbers alone. And
  • 5:01 - 5:03
    this is because art allows for something
  • 5:03 - 5:07
    that cannot be defined. Therefore one can
  • 5:07 - 5:09
    never predict the ways in which it will
  • 5:09 - 5:11
    affect people change people's minds or
  • 5:11 - 5:14
    influence their subsequent behavior. As
  • 5:14 - 5:17
    such, it's a subtle power that changes
  • 5:17 - 5:18
    the world
  • 5:18 - 5:22
    one perception at a time, and that is why
  • 5:22 - 5:25
    art is very often seen, and rightly so, as
  • 5:25 - 5:29
    a threat by the powers that be. The
  • 5:29 - 5:32
    British artist, Antony Gormley, began by
  • 5:32 - 5:36
    defining art as follows, "Art is about one
  • 5:36 - 5:40
    person's expectation of and their use of
  • 5:40 - 5:43
    their own freedom to act. Art is
  • 5:43 - 5:46
    optimistic because it makes a person, it
  • 5:46 - 5:49
    makes a statement that one person can
  • 5:49 - 5:52
    change the world, even if that world
  • 5:52 - 5:55
    exists on a tiny piece of paper 5x7
  • 5:55 - 5:59
    inches. Art as an act of shared
  • 5:59 - 6:02
    communication is in a small way saying, 'I
  • 6:02 - 6:04
    make the world,
  • 6:04 - 6:08
    I don't simply inherit it." In making this
  • 6:08 - 6:09
    world,
  • 6:09 - 6:13
    what does art do then? Art can change the
  • 6:13 - 6:16
    way we think. It can crack open cemented
  • 6:16 - 6:20
    opinions and it challenges the given. It
  • 6:20 - 6:22
    looks at the world with a critical eye.
  • 6:22 - 6:25
    It opens up horizons, but beyond those
  • 6:25 - 6:27
    which are familiar to us.
  • 6:27 - 6:29
    It challenges standardized or
  • 6:29 - 6:32
    problematic views of the world. It
  • 6:32 - 6:34
    exposes that which is often hidden under
  • 6:34 - 6:37
    the carpet. It reaches further than the
  • 6:37 - 6:39
    accepted and the known and beyond the
  • 6:39 - 6:42
    inevitability that we have been told we
  • 6:42 - 6:46
    cannot escape. Art functions as the
  • 6:46 - 6:49
    conscience of society. The best art
  • 6:49 - 6:51
    should ask you what you think, prompt you
  • 6:51 - 6:52
    to ask questions,
  • 6:52 - 6:56
    and put you into doubt. Art testifies to
  • 6:56 - 6:58
    the power of the human imagination. The
  • 6:58 - 7:01
    unique capacity of humans to project, to
  • 7:01 - 7:04
    dream, and to reflect on things not only
  • 7:04 - 7:06
    as they are, but as they could, or should
  • 7:06 - 7:10
    be. In a world driven by popular
  • 7:10 - 7:13
    consensus, including for example, the
  • 7:13 - 7:15
    homogenization of globalization, and the
  • 7:15 - 7:18
    general dominance of conservative values,
  • 7:18 - 7:21
    art advocates difference and gives voice
  • 7:21 - 7:23
    to the other with a capital 'O'. It
  • 7:23 - 7:26
    highlights important ideas, problems, and
  • 7:26 - 7:28
    issues that are sidelined or silenced
  • 7:28 - 7:31
    due to political or economic interests.
  • 7:31 - 7:33
    Art functions as the barometer of
  • 7:33 - 7:35
    society; as a moral and intellectual
  • 7:35 - 7:38
    resistance. And as a friend of mine, the
  • 7:38 - 7:40
    South African artist, Kendall Gear says,
  • 7:40 - 7:43
    "Art shakes the tree and then all the
  • 7:43 - 7:46
    monkeys fall out". Art doesn't change the
  • 7:46 - 7:48
    world on a macro level, it changes the
  • 7:48 - 7:52
    world on a micro level. In that sense, its
  • 7:52 - 7:55
    importance cannot be measured. Art
  • 7:55 - 7:58
    changes things in very subtle ways; it is
  • 7:58 - 8:02
    a form of soft power. Artists themselves
  • 8:02 - 8:04
    are a kind of free-floating intelligence:
  • 8:04 - 8:06
    independently operating, untied
  • 8:06 - 8:08
    individuals, who are free of the
  • 8:08 - 8:10
    normative thinking of their environment
  • 8:10 - 8:13
    and are able to act independently of
  • 8:13 - 8:16
    social or class realities. Art can foster
  • 8:16 - 8:19
    dialogue, reconciliation, engagement,
  • 8:19 - 8:21
    solidarity connectivity, and
  • 8:21 - 8:23
    understanding of those with opposing
  • 8:23 - 8:27
    views. I'm convinced that if more people
  • 8:27 - 8:29
    engage with it, the world would be a much
  • 8:29 - 8:32
    better place. In that sense, art should
  • 8:32 - 8:34
    also have a much more important place in
  • 8:34 - 8:38
    school curriculums and education.
  • 8:38 - 8:41
    Artistic imagination and creativity are
  • 8:41 - 8:44
    not added bonuses for society, they're
  • 8:44 - 8:47
    not the icing on the cake, they are
  • 8:47 - 8:49
    integral to the human spirit and to
  • 8:49 - 8:52
    human aspirations; an essential part of
  • 8:52 - 8:55
    what makes us human. Art thinks about the
  • 8:55 - 8:58
    world in its current state and it can
  • 8:58 - 9:02
    re-imagine the world as it should be. More
  • 9:02 - 9:05
    importantly, art is the last frontier
  • 9:05 - 9:08
    of unregulated, free expression.
  • 9:08 - 9:10
    Which is particularly important at a
  • 9:10 - 9:11
    time when the Commons,
  • 9:11 - 9:13
    public space, and information are
  • 9:13 - 9:15
    increasingly being privatized and
  • 9:15 - 9:18
    regulated by the neoliberal order. In
  • 9:18 - 9:22
    that sense, art is born of, and advocates
  • 9:22 - 9:25
    freedom. Artists always see a world full
  • 9:25 - 9:27
    of opportunities, chances, potential,
  • 9:27 - 9:30
    possibilities, and prospects. Their
  • 9:30 - 9:32
    ability to go beyond the possible and
  • 9:32 - 9:35
    into the imaginable should be an example
  • 9:35 - 9:39
    and an inspiration for us all. And as I
  • 9:39 - 9:42
    started with Oscar Wilde I'd also like
  • 9:42 - 9:46
    to finish with him, "No great artist sees
  • 9:46 - 9:50
    things as they really are. If he did you
  • 9:50 - 9:54
    would cease to be an artist". Open your
  • 9:54 - 9:58
    eyes to art and surprise yourself.
  • 9:58 - 10:02
    [applause]
Title:
Why art is important | Katerina Gregos | TEDxGhent
Description:

more » « less
Video Language:
English
Duration:
10:02

English subtitles

Revisions