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Columbo - 704 - How to Dial a Murder

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    Rosebud.
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    Rosebud.
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    Rosebud.
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    You're gonna die.
    Every last one of you.
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    I'm sorry to give you
    the bad news,
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    but that's a fact.
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    Death, sooner or later.
    Show me those dials.
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    And the woman sitting next to
    the man in the check suit.
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    Spread out. Give yourself
    some living space.
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    If we wanted you
    next to each other,
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    we'd fill this hall and I'd
    make another $100,000.
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    But you wouldn't get the point.
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    And the point is take control.
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    Take control of your own space,
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    your own lives,
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    your own responses.
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    We don't want you crammed in,
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    contaminating each other
    with your nasty little fears
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    and insecurities.
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    And if you don't think that
    you're that kind of a girl
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    or that kind of a boy,
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    then what are you doing here
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    shoveling out your hard-earned
    money to the good doctor?
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    Now, did anybody forget
    to twist his dial?
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    No.
    No.
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    Oh, Come on,
    I can't hear that.
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    No, Dr. Mason!
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    No, Dr. Mason!
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    Good. Charlie,
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    how did they do
    on the word death?
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    They didn't like death.
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    Negative 8 dB on that one.
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    Thank you, Charlie.
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    You're not really sure
    what death means,
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    but you don't like it.
    You don't like the word.
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    You're bothered
    by the word mother
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    and you're afraid
    of the word father. Words!
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    Food, money, boss, wife, sex.
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    Mommy and daddy
    started setting you up
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    right from the cradle,
    conditioning you.
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    They took control
    with the control words.
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    Then the words took control.
    Now, who's got the control?
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    I've got the control.
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    The words locked you into
    your locked-up little lives.
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    Now we're gonna teach you
    how to smash the lock.
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    Laurel, Hardy.
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    They're not very bright, but
    they answer to their names.
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    What name do you answer to?
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    All right.
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    I'm going out
    and eating lunch.
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    A nice, big lunch.
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    But you're not gonna eat
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    until the facilitators
    tell you that you can eat.
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    Oh, you'll earn that privilege.
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    Burt, lan and Betty
    will help you with that.
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    They're going to
    hear you count.
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    Count backwards
    from a hundred,
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    count yourselves right back
    into the cradle.
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    Now, start counting.
    100...
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    99, 98,
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    97, 96,
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    95, 94,
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    93, 92...
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    What's on the docket,
    Charlie?
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    You wanted to check
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    the foreign language tapes.
    Oh, they'll wait.
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    And the seminar for
    the new facilitator group.
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    Oh, God preserve us.
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    Come on in.
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    Laurel, Hardy.
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    Come on.
    Come on.
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    Charlie, Charlie,
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    I grow weary.
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    You should try the Institute
    for Life Control.
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    Will that save me?
    - From what?
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    The Institute for Life Control.
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    Let's run away
    and be Indians, Charlie.
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    Do you miss her?
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    Lorraine?
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    Lorraine's dead.
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    You never talk about it.
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    The car went over the cliff.
    She stopped living.
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    I can't do that.
    Not even for her.
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    It wasn't that good a
    marriage, if you wanna know.
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    Eric.
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    She was seeing somebody else.
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    Somebody. I don't know who.
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    Lover.
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    Well, you still want me
    to talk about it?
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    No.
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    Come on, let's get out of here
    and play some tennis.
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    Well, I thought you'd
    never ask. Your place?
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    I have an annual physical
    with Ernie Garrison.
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    Take me a couple of hours.
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    If I'm late,
    just let yourself in
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    and make yourself at home.
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    I'll meet you
    at the house at 3:00.
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    Yes, sir... Boss.
    Tennis at 3:00.
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    Oh, Charlie, will you do me a favor and
    take those clowny Dobermans for me?
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    My pleasure.
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    Don't let them push you around.
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    Come on, gang.
    Let's go.
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    Goodbye, Charlie.
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    I'll see you at 3:00.
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    Terrific. You ought to do
    this for money.
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    Is this the best you can do?
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    Well, let's find out.
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    All right, everybody out.
    Scram. Go on. Beat it.
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    Pow!
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    We'll do a resting
    trace for five minutes.
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    Then I'll be back.
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    Thanks, Ernie.
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    Take it easy,
    it's not for you.
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    Dr. Mason's residence.
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    Charlie, it's Eric.
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    This damn physical's taking
    longer than I expected.
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    I'll get there when I can.
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    Whenever.
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    Oh, Charlie,
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    help me settle an argument
    with this big-shot doctor.
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    Ernie won't take an expert's
    word for it, so you tell him.
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    Now, in the movie
    Citizen Kane
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    what was written
    on Kane's sled?
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    I mean, exactly what
    was written there?
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    Well, the sled's hanging
    in your den it says "Rosebud."
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    You hear that, Ernie?
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    Here, Charlie,
    I'm holding up the phone.
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    You tell him
    nice and loud.
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    Rosebud.
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    Eric.
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    Any pain now?
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    No, I never felt better
    in my life.
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    No more ball. When I say
    that's it, that's it.
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    All right, one more time
    and that's it.
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    All right, officer,
    they're all yours.
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    Lieutenant.
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    They're my dogs.
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    Oh, I'm terribly sorry, sir.
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    You must be Dr. Mason.
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    Here I am,
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    playing away with these dogs
    as if nothing happened.
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    I know what a terrible shock
    this must have been, sir,
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    I mean coming home and...
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    From the doctor and all,
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    and finding out
    what happened to Mr. Hunter.
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    I'm Lieutenant Columbo, sir.
    Homicide.
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    I'm afraid, sir,
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    that we have to make out
    a police report
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    in every death, sir,
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    where the victim wasn't
    under a doctor's care.
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    Are you
    a physician yourself?
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    No, no. My doctorate's
    in psychology.
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    You're very tall, sir.
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    For a psychologist?
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    Or for someone whose dogs
    just killed his best friend?
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    It was just
    a general observation, sir.
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    You're an acute observer,
    Lieutenant.
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    What'll happen to my dogs?
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    Well, for now,
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    they're being held by
    the Animal Regulation people.
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    And then put away?
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    Well that's
    up to the court, sir,
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    but I'm afraid
    under the circumstances...
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    I'm not arguing
    the point, Lieutenant.
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    Obviously,
    they have to be destroyed.
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    Oh, Dr. Mason.
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    Dr. Mason.
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    Excuse me, sir.
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    Are you Dr. Eric Mason,
    the mind control doctor?
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    Not mind control, life control.
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    There's a difference, Lieutenant.
    I'm not a Svengali.
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    Oh, I didn't mean
    to imply, sir.
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    Just last night my wife was
    talking about your institute.
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    Oh, you're a very famous
    psychologist, sir.
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    Mrs. Columbo,
    she's highly enthusiastic
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    about taking one of
    your 48-hour sessions
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    to study control, sir.
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    I understand her enthusiasm,
    Lieutenant.
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    But it seems that I can't
    even control my own dogs.
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    Well, you know, that's
    been bothering me, too, sir.
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    They don't seem
    to need much controlling.
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    I mean they're
    very affectionate animals.
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    I hit it off with them
    right away.
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    They hit it off
    with everybody, Lieutenant.
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    Until today, sir.
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    Yes. Until today.
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    Uh, were they trained, sir?
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    I mean, some kind
    of guard dog training?
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    The only training they've
    had is to be affectionate.
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    The victim,
    Mr. Charles Hunter...
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    Dr. Hunter.
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    Dr. Hunter, sir.
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    Did the dogs get along
    with Dr. Hunter, too?
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    With everyone.
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    Including
    Miss Joanne Nicholls, sir?
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    Look, I don't know how many
    ways I can say it, Lieutenant.
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    Right, sir.
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    According to Sergeant Burke,
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    Miss Nicholls called in
    her report
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    just after 3:00 while you were
    still at the doctor's.
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    Um...
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    I understand
    she lives with you, sir.
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    Not with me.
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    On the premises.
    In the guesthouse.
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    Right.
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    I've never believed the myth
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    about Dobermans turning
    into spontaneous killers.
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    I still can't get it
    through my mind.
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    Something happened.
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    Charlie must've done something
    to provoke an attack.
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    Can we just step
    into the house?
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    It's a remarkable room, sir.
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    I've never seen
    anything like it.
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    All this memorabilia.
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    All these wonderful things.
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    It's easy to see, sir, that
    you're a fanatic film buff.
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    We all need our dream
    worlds, Lieutenant.
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    Even psychologists.
    Are you a collector?
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    Oh, no, sir.
    I wouldn't know where to begin.
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    W.C. Fields.
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    Now, sir,
    there was a genius.
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    This was his pool cue.
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    Look at that.
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    And this is his pool table.
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    No.
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    Oh, yes, Lieutenant.
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    May I, sir?
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    Please.
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    W.C. Fields.
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    See if I can hit this
    in the corner pocket.
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    What I wanted to ask you, sir,
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    when you knew that
    you were gonna be late
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    for your tennis game,
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    did you happen to call
    Dr. Hunter
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    to tell him
    you were going to be late?
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    No. We both knew
    I might be held up.
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    But not as late
    as it turned out.
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    Not as late, no.
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    Do you enjoy games,
    Lieutenant?
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    I've never had time
    for them, sir.
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    But I'm sure you're
    very good at games.
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    Having your own
    tennis court and all.
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    Oh, this looks very old, sir.
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    Oh, that. It's an old movie
    light I picked up last week.
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    It's called a baby spot.
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    I'll work on it
    and clean it up like those.
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    Would you have been
    expecting a phone call?
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    This sled, sir.
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    What would this be for?
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    It's priceless.
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    From the movie
    Citizen Kane.
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    With Orson Welles?
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    Oh, that was
    a terrific movie, sir.
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    Mrs. Colombo, she claims
    that's a masterpiece.
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    I'll tell Mr. Welles
    that she approved.
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    Could we get on, Lieutenant?
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    I was going to ask you, sir,
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    if you would've been expecting
    a phone call around 3:00.
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    I mean,
    if you had been home,
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    would you be expecting
    someone to call?
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    Nobody specific.
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    I'd like you to be sure
    about that, sir.
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    Lord knows,
    after what happened here,
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    you'd be entitled
    to be confused
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    about something
    like a telephone call.
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    I appreciate the dispensation,
    Lieutenant,
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    but I'm still capable
    of recalling
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    whether or not
    I was expecting a call.
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    I was not expecting a call.
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    I wouldn't, sir.
    Not if you're headed for the kitchen.
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    To tell you the truth, sir,
    it's pretty awful in there.
  • 17:14 - 17:17
    I wouldn't go in there
    until they cleaned it up.
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    Was there a particular point
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    you wanted to make
    about Charlie
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    or the dogs?
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    Oh, right, sir. I almost forgot.
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    Is that a real phone?
  • 17:35 - 17:36
    Of course.
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    It's unplugged, sir.
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    There by the baseboard.
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    What I wanted to show you, sir,
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    the kitchen phone
    is a wall telephone,
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    just like this one.
  • 17:57 - 17:59
    The way we found it,
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    the receiver
    was hanging like this.
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    It's still hanging
    in there, sir.
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    The kitchen phone.
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    That's the way
    it's hanging now
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    and that's the way
    it was hanging
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    when I first found it.
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    You understand?
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    Yes, I understand.
    You make it very clear, Lieutenant.
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    Well,
    that's the point, sir.
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    You said that
    just prior to the attack,
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    what Charlie
    must've been doing
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    was provoking the dogs.
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    I say what he
    must've been doing
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    was standing there
    talking on the telephone.
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    Well, that seems
    a reasonable assumption.
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    But when the dogs went wild,
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    couldn't the phone have been
    knocked off the hook?
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    Not if you listen
    to the phone, sir.
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    What you're hearing, sir,
  • 18:48 - 18:50
    is the sound coming
    from the kitchen phone.
  • 18:50 - 18:52
    And that's the same sound
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    that I heard
    when I first arrived
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    and I put the kitchen receiver
    to my ear.
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    And what does that
    tell you, Lieutenant?
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    It's a fast busy signal, sir.
  • 19:03 - 19:06
    If the phone had been
    knocked off the hook,
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    what we would be hearing
    is a steady tone.
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    No, sir,
    your kitchen phone rang.
  • 19:12 - 19:16
    And your friend answered it.
    You can count on that, sir.
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    Well, since we seem to be playing
    some kind of a mind game,
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    couldn't Charlie have been calling
    out on the kitchen phone?
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    No, sir.
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    In that case we would be
    hearing a steady tone.
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    With a fast busy signal,
    we know
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    the call came in.
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    That's a fact, sir.
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    I checked
    with the telephone district.
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    Well, you seem to have won
    the game, Lieutenant.
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    I accept your fact.
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    That still leaves the question
    of why the dogs attacked.
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    You see what I mean, sir?
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    It certainly has been a tragic
    year for you, hasn't it, sir?
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    I mean,
    with your wife's death
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    just six months ago,
    and now this.
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    Well, you know,
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    we all have to deal
    with our emotions
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    and my first instinct is
    always to turn to a friend.
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    And the first friend
    I think of is Charlie.
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    And then
    Laurel and Hardy.
  • 20:13 - 20:15
    Laurel and Hardy, sir?
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    My dogs.
  • 20:16 - 20:18
    I should've known.
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    You certainly have
    a beautiful home here, sir.
  • 20:26 - 20:29
    It's like something
    out of a movie itself.
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    It belonged to Theda Bara.
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    You see, when I leave
    the Institute, Lieutenant,
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    even I live
    in a dream world.
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    Oh, there's nothing
    dreamy about you, sir
  • 20:38 - 20:40
    not the way those thousands
    of people depend on you
  • 20:40 - 20:42
    for peace of mind.
  • 20:42 - 20:45
    Well, we'll be seeing
    more of each other, sir,
  • 20:45 - 20:48
    until the investigation
    is settled.
  • 20:50 - 20:51
    Lieutenant,
  • 20:52 - 20:55
    it's not that I haven't been
    impressed by your company,
  • 20:55 - 21:57
    but what is there to settle?
  • 20:58 - 21:00
    Well, there's that
    telephone again, sir.
  • 21:00 - 21:04
    You see,
    whoever called Dr. Hunter
  • 21:04 - 21:08
    must've heard those awful
    sounds in the kitchen, sir.
  • 21:08 - 21:11
    Must've heard the dogs
    and a man dying.
  • 21:11 - 21:13
    Dying and screaming, sir.
  • 21:13 - 21:16
    And nobody called the police.
  • 21:16 - 21:20
    We never got a report, sir.
    Not a single one.
  • 21:20 - 21:22
    Except for the young girl
    down here in the guesthouse.
  • 21:22 - 21:24
    So you can see,
  • 21:24 - 21:26
    we would like to know
  • 21:26 - 21:28
    who made that telephone call, sir.
  • 21:29 - 21:32
    You understand, sir.
    Good day, sir.
  • 21:55 - 21:58
    I came in
    and he was on the floor.
  • 21:59 - 22:00
    And the dogs were
    at his throat.
  • 22:02 - 22:03
    I tried
  • 22:04 - 22:06
    but I couldn't do anything.
  • 22:08 - 22:10
    I ran away.
  • 22:10 - 22:12
    But you called us, miss.
  • 22:12 - 22:13
    Yeah, for all the good
    it did.
  • 22:14 - 22:16
    I'm cold.
  • 22:17 - 22:19
    My folks back home,
  • 22:19 - 22:21
    they were upset
    when I told them
  • 22:21 - 22:22
    I was living here
    with Dr. Mason.
  • 22:23 - 22:25
    They said that
    I'd get into trouble.
  • 22:26 - 22:28
    I think I'm in trouble.
  • 22:28 - 22:30
    Excuse me, miss.
  • 22:32 - 22:34
    How did you
    come to live here?
  • 22:36 - 22:38
    It beats
    a college dormitory.
  • 22:46 - 22:48
    See, I met Dr. Mason
    when I did the control course
  • 22:48 - 22:49
    at the Institute.
  • 22:50 - 22:53
    And he said that he and
    his wife had a guesthouse
  • 22:53 - 22:55
    and they liked having
    psychology students
  • 22:55 - 22:56
    and they said
    I could live here
  • 22:56 - 22:58
    if I helped
    take care of the main house.
  • 22:59 - 23:02
    So I talked it over
    with Sigmund, and we took it.
  • 23:02 - 23:03
    Sigmund?
  • 23:03 - 23:05
    Sigmund.
  • 23:05 - 23:08
    Daddy said that
    he'd always look after me.
  • 23:08 - 23:10
    Daddy didn't know
    about the dogs.
  • 23:14 - 23:16
    But after Mrs. Mason died,
  • 23:16 - 23:17
    I had the whole place
    to myself mostly,
  • 23:17 - 23:18
    you know, weekends and all.
  • 23:18 - 23:21
    So it turned out
    to be a good deal.
  • 23:22 - 23:24
    Lieutenant, would you like
    some hot chocolate?
  • 23:24 - 23:27
    Oh, I'd like that very much,
    very much.
  • 23:27 - 23:28
    So would I.
  • 23:30 - 23:31
    There'll just be
    a few more questions, miss.
  • 23:34 - 23:35
    Earn them.
  • 23:37 - 23:38
    Did you know Dr. Hunter?
  • 23:39 - 23:40
    Sure.
  • 23:41 - 23:42
    He was around a lot.
  • 23:43 - 23:46
    When you say you had
    the place to yourself,
  • 23:46 - 23:48
    did you take care of the dogs?
  • 23:48 - 23:51
    Well, sometimes.
    They were terrific company.
  • 23:51 - 23:54
    But Saturdays or Sundays,
    sometimes both days,
  • 23:54 - 23:55
    Eric took them.
  • 23:55 - 23:57
    To the Institute, miss?
  • 23:58 - 24:02
    No, he hasn't worked weekends
    since Mrs. Mason died.
  • 24:08 - 24:12
    Why don't we just sit down,
    you, me, and Sigmund?
  • 24:13 - 24:15
    Why didn't I think of that?
  • 24:21 - 24:23
    Over here, miss.
  • 24:31 - 24:32
    Uh, miss,
  • 24:33 - 24:35
    just before the screams,
  • 24:37 - 24:40
    just before the thing happened
    up in the kitchen,
  • 24:41 - 24:43
    you said you were swimming.
  • 24:44 - 24:47
    Now try and remember.
    It's very important.
  • 24:47 - 24:50
    Did you hear a phone ringing?
  • 24:50 - 24:51
    No.
  • 24:52 - 24:54
    Ordinarily,
    when you're in the pool,
  • 24:55 - 24:57
    can't you hear a phone
    ringing in the kitchen?
  • 24:57 - 24:58
    Yes.
  • 24:59 - 25:01
    But you didn't hear
    a phone ring?
  • 25:02 - 25:04
    I didn't hear any phone.
  • 25:06 - 25:08
    Thank you very much, ma'am.
  • 25:13 - 25:14
    You try and get some sleep.
  • 25:32 - 25:34
    One more question, ma'am.
  • 25:35 - 25:37
    Just before the screams,
  • 25:38 - 25:40
    were you swimming
    on top of the water
  • 25:40 - 25:43
    or were you swimming
    under the water?
  • 25:43 - 25:44
    I was diving.
  • 25:46 - 25:47
    Swimming under the water.
  • 25:47 - 25:50
    So you couldn't have heard the
    phone ring up in the house?
  • 25:52 - 25:54
    I didn't hear any phone.
  • 25:54 - 25:57
    Very good.
  • 26:09 - 26:10
    Oh, sorry, sir.
  • 26:10 - 26:12
    Just leaving. Excuse me.
  • 26:32 - 26:34
    Eric, hold me!
  • 26:34 - 26:35
    Joanne, listen to me.
  • 26:35 - 26:36
    It was so awful.
  • 26:36 - 26:37
    Listen to me.
  • 26:38 - 26:40
    I want to comfort you
    and I want you to comfort me.
  • 26:40 - 26:44
    But not until you take control.
  • 26:44 - 26:47
    You think of your secret word.
  • 26:47 - 26:49
    The word that
    nobody knows but you.
  • 26:49 - 26:52
    The word that defeats
    every other word.
  • 26:57 - 26:59
    I've got a new one.
  • 26:59 - 27:01
    A new secret word.
  • 27:01 - 27:02
    Blood!
  • 27:05 - 27:07
    Now, who's gonna
    control your life?
  • 27:08 - 27:11
    You or that word?
  • 27:13 - 27:15
    Don't worry about it.
    I'll sleep it off.
  • 27:16 - 27:18
    You've suffered
    a terrible experience.
  • 27:18 - 27:21
    It's time to go home.
    Get out of this place, Jo.
  • 27:22 - 27:24
    But I don't wanna go.
  • 27:25 - 27:27
    You've wanted to go.
  • 27:28 - 27:30
    Ever since you've known.
  • 27:30 - 27:31
    Known what?
  • 27:31 - 27:33
    That you and I
    aren't going to be lovers,
  • 27:34 - 27:36
    that I control my own space.
  • 27:37 - 27:38
    That you can't have
    everything you want,
  • 27:38 - 27:40
    just because you want it.
  • 27:40 - 27:43
    What the hell do you know
    about it, Doctor?
  • 27:43 - 27:45
    What do you know about it?
  • 27:59 - 28:00
    Heel.
  • 28:05 - 28:07
    Okay. All right.
    Out! Sit!
  • 28:08 - 28:09
    Sit, sit.
  • 28:10 - 28:11
    That's a good boy.
  • 28:12 - 28:14
    It's all right, Lieutenant.
    You can pet him.
  • 28:14 - 28:16
    Why should I?
  • 28:16 - 28:19
    To show him
    that you're friendly.
  • 28:19 - 28:20
    Why doesn't he show me first?
  • 28:20 - 28:23
    Come on, Baruk's a love.
    Come on.
  • 28:24 - 28:26
    Who knows what goes on
    in the head of a dog?
  • 28:27 - 28:28
    I do.
  • 28:28 - 28:29
    You do, huh?
  • 28:31 - 28:33
    How you doing, old-timer?
  • 28:34 - 28:36
    You know about dogs.
  • 28:36 - 28:38
    Then what about
    those Dobermans?
  • 28:39 - 28:42
    Why would they kill
    Dr. Hunter?
  • 28:43 - 28:45
    They've never been trained
    as attack dogs?
  • 28:45 - 28:46
    No, ma'am.
  • 28:46 - 28:49
    Well, then they might kill for the
    same reason people do, Lieutenant.
  • 28:49 - 28:51
    Why do people kill?
  • 28:51 - 28:53
    Oh, I understand those reasons.
  • 28:53 - 28:56
    People murder out of fear,
    jealousy, greed, sex,
  • 28:56 - 28:58
    all those things.
  • 28:58 - 29:00
    Well, so do dogs,
    Lieutenant.
  • 29:01 - 29:03
    And sometimes, like us,
    they just go crazy.
  • 29:07 - 29:10
    Henry, you're gonna need
    that funny suit.
  • 29:12 - 29:14
    Baruk, heel.
  • 29:16 - 29:19
    When a dog goes killer wild
    we call it reverting.
  • 29:19 - 29:21
    It's reversion
    back to the wolf.
  • 29:21 - 29:23
    We don't talk about it
    a whole lot. But it happens.
  • 29:23 - 29:26
    Well, that would
    explain it, ma'am.
  • 29:26 - 29:29
    Except that you told me you played
    with the dogs after they went savage.
  • 29:29 - 29:32
    Now I've never heard of a reverting
    dog that didn't stay that way.
  • 29:33 - 29:36
    Well, thank you very much, ma'am.
  • 29:36 - 29:39
    We didn't clear much up,
  • 29:39 - 29:41
    but it sort of highlights
    the problem.
  • 29:41 - 29:44
    Glad I could help.
    Bye-bye, Lieutenant.
  • 29:44 - 29:46
    Henry, we're just
    gonna run a couple. Okay?
  • 29:47 - 29:50
    Watch him, Baruk.
    Watch him. Watch him.
  • 29:50 - 29:52
    Baruk, kiss.
  • 29:59 - 30:01
    Baruk, out! Come.
  • 30:02 - 30:03
    Baruk, come.
  • 30:03 - 30:05
    Miss Cochrane! Ma'am!
  • 30:05 - 30:08
    Good boy, good boy.
  • 30:08 - 30:09
    What did you just do?
  • 30:10 - 30:11
    Just an attack command.
  • 30:11 - 30:13
    But you said...
  • 30:16 - 30:17
    K-I-S-S, ma'am.
  • 30:18 - 30:20
    Well, that's
    Baruk's attack word.
  • 30:20 - 30:22
    A dog can respond
    to any command,
  • 30:22 - 30:23
    as long as he's trained
    to understand it.
  • 30:24 - 30:25
    Here, I'll show you.
  • 30:26 - 30:30
    Baruk, watch him,
    watch him. Kill!
  • 30:37 - 30:40
    Yes, yes,
    you're a good dog.
  • 30:40 - 30:42
    Yes, all right.
  • 30:42 - 30:44
    All right, that's enough.
  • 30:44 - 30:47
    Baruk, down, down.
    -That's enough, all right.
  • 30:49 - 30:50
    You mean that a trainer
  • 30:50 - 30:53
    can control a dog
    with any word?
  • 30:54 - 30:55
    Any word at all?
  • 30:56 - 30:58
    A sign, or a sound, a word.
  • 30:58 - 31:00
    Any word in any language.
  • 31:00 - 31:02
    Right, right.
  • 31:04 - 31:06
    Millions of words.
  • 31:07 - 31:09
    And you can train any dog
    to do that?
  • 31:10 - 31:11
    If he's smart enough, yeah.
  • 31:11 - 31:14
    Even a dog like mine?
    Back there in the car?
  • 31:14 - 31:16
    Just a regular dog?
  • 31:17 - 31:20
    My wife, she's alone a lot,
    me working nights and all.
  • 31:21 - 31:24
    We were thinking of training
    him up to be a guard dog.
  • 31:24 - 31:27
    I'd feel a lot better
    knowing she was protected.
  • 31:30 - 31:31
    Come on, dog,
  • 31:32 - 31:34
    here's the teacher.
  • 31:38 - 31:40
    Come meet your teacher.
  • 31:41 - 31:43
    Sit, just like
    I taught you, sit.
  • 31:47 - 31:50
    All right. Now, stay.
  • 31:50 - 31:52
    Don't go running around.
  • 31:53 - 31:55
    You see?
  • 31:55 - 31:57
    This dog could be
    a lethal weapon.
  • 31:57 - 31:59
    He's already partly trained.
  • 31:59 - 32:01
    What do you think, ma'am?
  • 32:01 - 32:03
    If you wanna protect
    your wife, Lieutenant,
  • 32:03 - 32:05
    why don't you just
    teach her karate?
  • 32:06 - 32:07
    Goodbye.
  • 32:13 - 32:14
    Kill.
  • 32:16 - 32:17
    Kiss.
  • 32:20 - 32:22
    Go back in the car.
  • 32:23 - 32:24
    Get back in the car.
  • 32:29 - 32:31
    Well, listen,
    you're only a dog.
  • 32:31 - 32:33
    You're not a college professor.
  • 32:38 - 32:40
    I'm sorry, sir.
    This is a closed area.
  • 32:41 - 32:43
    My name is Mason
  • 32:43 - 32:45
    and the officer at the desk
    told me I could see my dogs.
  • 32:48 - 32:51
    I don't know, Dr. Mason.
    Just a second.
  • 32:53 - 32:56
    Laurel. Hardy.
  • 32:58 - 33:00
    I'm gonna have to check
    with Lieutenant Columbo.
  • 33:00 - 33:02
    He's around here somewhere.
  • 33:03 - 33:05
    Oh, officer.
  • 33:05 - 33:07
    When will my dogs be put away?
  • 33:08 - 33:09
    Nothing definite.
  • 33:09 - 33:11
    You'll be glad to know the
    Lieutenant's doing everything he can
  • 33:11 - 33:13
    to keep them alive.
  • 33:13 - 33:15
    I see. Thank you.
  • 33:23 - 33:24
    Well, now, my darlings.
  • 33:26 - 33:30
    I wish you
    a long and happy life.
  • 33:30 - 33:32
    But that wouldn't be so
    comfortable for me, would it?
  • 33:32 - 33:35
    So you're gonna have
    to do me one last service.
  • 33:36 - 33:37
    You want some candy?
  • 33:39 - 33:41
    Guess what I got for you.
  • 33:41 - 33:44
    Your favorite chocolates.
    See?
  • 33:46 - 33:49
    Hold it, just hold it, sir!
  • 33:52 - 33:54
    They're only supposed
    to be fed by the officer, sir.
  • 33:55 - 33:57
    Not even chocolates,
    Lieutenant?
  • 33:57 - 34:00
    Not even chocolates, Doctor.
  • 34:00 - 34:02
    Well, in that case,
    would you care for one?
  • 34:03 - 34:04
    Thank you all the same, sir.
  • 34:06 - 34:08
    Delicious.
  • 34:11 - 34:13
    I'll say good night,
    Lieutenant.
  • 34:14 - 34:16
    Oh, I'm glad
    I ran into you, sir.
  • 34:16 - 34:18
    There's something
    I wanted to ask you.
  • 34:20 - 34:24
    The technicians, they found
    this on your kitchen floor.
  • 34:24 - 34:26
    They asked me
    to account for it, sir.
  • 34:26 - 34:27
    Do you know
    what it might be?
  • 34:29 - 34:31
    It looks like straw,
    Lieutenant.
  • 34:32 - 34:34
    The technicians, they were
    confused by that, sir.
  • 34:34 - 34:36
    They couldn't figure out
    where it came from.
  • 34:37 - 34:40
    Oh, I'm sure it's from a case
    of wine I ordered last week.
  • 34:40 - 34:42
    Right, of course.
  • 34:43 - 34:45
    Well,
    that would explain it.
  • 34:45 - 34:46
    Straw from a case of wine.
  • 34:46 - 34:49
    I told them it was gonna be
    something like that.
  • 34:49 - 35:52
    Will there be anything else,
    Lieutenant?
  • 34:52 - 34:54
    Well, as long as
    you asked, sir,
  • 34:54 - 34:56
    just to fill out my report.
  • 34:57 - 35:00
    When you used to take the dogs
    away on a weekend,
  • 35:01 - 35:04
    what is it
    you did with the dogs?
  • 35:04 - 35:06
    We'd walk down the beach.
  • 35:06 - 35:09
    And they played
    and I would think.
  • 35:09 - 35:11
    Thinking's an old-fashioned
    habit, Lieutenant,
  • 35:11 - 35:13
    and one
    well worth cultivating.
  • 35:13 - 35:16
    Well, I'm gonna have
    to try that sometime, sir.
  • 35:17 - 35:20
    You were always with the dogs?
  • 35:20 - 35:21
    Always.
  • 35:21 - 35:23
    On the beach?
  • 35:23 - 35:24
    On different beaches.
  • 35:26 - 35:28
    Good night, sir.
  • 35:28 - 35:30
    Good night, Lieutenant.
  • 35:42 - 35:44
    Kill!
  • 35:45 - 35:46
    Kiss!
  • 35:49 - 35:51
    Diamonds!
  • 35:51 - 35:53
    Rubies.
  • 35:53 - 35:54
    Sneakers.
  • 35:57 - 35:59
    Terrific.
  • 36:20 - 36:22
    Terrific.
  • 37:22 - 37:24
    Good morning, Lieutenant.
  • 37:32 - 37:34
    Oh, it's you, sir.
  • 37:35 - 37:37
    They told me you was busy.
  • 37:38 - 37:40
    I was just playing with this.
    Is that all right, sir?
  • 37:41 - 37:44
    We use it to monitor reactions
    to certain words.
  • 37:44 - 37:46
    Words control
    our lives, Lieutenant.
  • 37:46 - 37:47
    If we let them.
  • 37:48 - 37:49
    That's why we
    encourage our people
  • 37:49 - 37:51
    to learn a secret word.
  • 37:51 - 37:53
    To fight off
    all the other words.
  • 37:54 - 37:56
    Do you have a secret word?
  • 37:56 - 37:57
    No, I don't think so.
  • 37:59 - 38:01
    Do you have one, sir?
  • 38:02 - 38:04
    Of course, Lieutenant.
  • 38:04 - 38:06
    My very own.
  • 38:07 - 38:08
    I'll be right down.
  • 38:11 - 38:13
    It's about your late wife, sir.
  • 38:15 - 38:16
    Lorraine?
  • 38:16 - 38:18
    I guess it's mostly
    about the dogs,
  • 38:18 - 38:21
    and that telephone call
    just before Dr. Hunter died.
  • 38:22 - 38:25
    I can't get it
    out of my head
  • 38:25 - 38:28
    that someone wanted
    the dogs to kill.
  • 38:29 - 38:30
    Lieutenant, I can't...
  • 38:30 - 38:32
    You could've been
    the target, sir.
  • 38:33 - 38:34
    An enemy.
  • 38:34 - 38:36
    Someone who wanted
    to get rid of you.
  • 38:36 - 38:39
    Something went wrong
    and Dr. Hunter killed instead.
  • 38:40 - 38:42
    That's incredible nonsense.
  • 38:43 - 38:45
    Not if you consider
    your wife.
  • 38:46 - 38:50
    The automobile accident,
    her car going off a cliff.
  • 38:51 - 38:52
    The investigators,
  • 38:53 - 38:55
    they still can't figure out why.
  • 38:58 - 38:59
    Is there someone
  • 39:00 - 39:03
    who hated you
    and Mrs. Mason enough
  • 39:04 - 39:06
    to see you dead?
  • 39:09 - 39:11
    Do you really believe that?
  • 39:11 - 39:14
    Well, sir,
    I can't say that I do.
  • 39:15 - 39:17
    It's just that we have
    to consider every side.
  • 39:18 - 39:21
    You do that very well.
  • 39:21 - 39:24
    You're a fascinating man,
    Lieutenant.
  • 39:24 - 39:26
    To a psychologist, sir?
  • 39:26 - 39:29
    You pass yourself off
    as a puppy in a raincoat.
  • 39:29 - 39:31
    Happily running
    around the yard,
  • 39:31 - 39:33
    digging holes
    all over the garden.
  • 39:33 - 39:37
    Only, you're laying
    a minefield
  • 39:37 - 39:39
    and wagging your tail.
  • 39:39 - 39:40
    It's just the job, sir.
  • 39:40 - 39:43
    It makes us look that way.
  • 39:43 - 39:45
    We'll discuss it sometime.
  • 39:45 - 39:47
    Your whole personality.
  • 39:48 - 39:50
    Oh, I would enjoy that, sir.
  • 39:51 - 39:53
    Well, I guess most people,
  • 39:53 - 39:56
    they like to hear
    about their personalities.
  • 39:56 - 39:58
    I mean, especially
    from an expert.
  • 39:59 - 40:00
    Lord knows I do.
  • 40:01 - 40:02
    I can sit and listen
  • 40:03 - 40:05
    to someone talk
    about me for hours.
  • 40:08 - 40:09
    I'll be running along sir.
  • 40:16 - 40:18
    You don't have
    any time now, sir, do you?
  • 40:18 - 40:21
    No, no, please, look,
    I'm really very busy.
  • 40:21 - 40:23
    Sorry.
  • 40:52 - 40:53
    Eric?
  • 40:56 - 40:59
    Dr. Mason is lecturing
    tonight, miss.
  • 40:59 - 41:01
    I'm sorry. I saw the light.
  • 41:02 - 41:05
    Miss Nicholls, there's
    something I have to ask you.
  • 41:06 - 41:08
    In the kitchen.
  • 41:11 - 41:13
    I can't.
    Not in there. Please.
  • 41:14 - 41:16
    We can try, miss.
  • 41:20 - 41:22
    I know how you feel.
  • 41:22 - 41:24
    But, kitchen,
    that's just a word.
  • 41:32 - 41:34
    See, it's just a kitchen.
  • 41:38 - 41:40
    What I wanted to ask you is,
  • 41:41 - 41:42
    you heard
    Dr. Hunter screaming.
  • 41:44 - 41:46
    Now, where was he
    when you saw him?
  • 41:50 - 41:51
    There.
  • 41:51 - 41:52
    There.
  • 41:53 - 41:54
    And the dogs?
  • 41:55 - 41:56
    There.
  • 41:56 - 41:58
    What you heard,
  • 42:00 - 42:01
    was it just a scream,
  • 42:04 - 42:07
    or was Dr. Hunter trying
    to say something?
  • 42:10 - 42:13
    Can you hear me up here, miss?
  • 42:13 - 42:14
    He... He was calling
  • 42:15 - 42:17
    for Eric.
  • 42:17 - 42:19
    He was calling
    for his friend.
  • 42:21 - 42:22
    This hook, miss,
  • 42:23 - 42:25
    do you know
    what it might be for?
  • 42:25 - 42:26
    No.
  • 42:27 - 42:29
    I've never noticed it.
  • 42:33 - 42:35
    And right after seeing that,
  • 42:37 - 42:39
    that's when you called
    the police?
  • 42:42 - 42:44
    So I called
    from the guesthouse,
  • 42:44 - 42:46
    on my own phone.
  • 42:46 - 42:48
    Thank you, miss.
  • 42:49 - 42:51
    You did very well.
  • 42:49 - 42:41
    I tried this phone
    but it was dead.
  • 42:54 - 42:57
    Miss Nicholls, this spotlight.
  • 42:58 - 43:01
    Dr. Mason calls it
    a baby spot.
  • 43:02 - 43:04
    He says he picked this up
    last week,
  • 43:04 - 43:06
    but he couldn't have
    bought it
  • 43:06 - 43:07
    in one of those
    cinema buff stores.
  • 43:08 - 43:10
    It's got a lot of dirt
    on it, you see that?
  • 43:10 - 43:12
    And his secretary says
    he worked every day last week
  • 43:12 - 43:14
    and most of the nights.
  • 43:14 - 43:15
    Well, it was a weekend,
    Lieutenant.
  • 43:16 - 43:17
    He always brought home
    lots of junk
  • 43:17 - 43:19
    when he took the dogs with him,
  • 43:19 - 43:22
    like that
    old hitching post.
  • 43:22 - 43:24
    Well, that makes sense,
    miss.
  • 43:25 - 43:27
    There's a lot of
    rust on this,
  • 43:28 - 43:29
    but you can
    still make out.
  • 43:30 - 43:34
    It says, "Property
    of Callaghan Film Ranch,
  • 43:34 - 43:36
    "Peach Tree, California."
  • 43:36 - 43:39
    There. You might try starting
    your own collection.
  • 43:42 - 43:44
    I just might go there, ma'am.
  • 43:46 - 43:48
    Good night, Lieutenant.
  • 43:48 - 43:49
    Good night, miss.
  • 43:53 - 43:55
    Good night, sir.
  • 47:05 - 47:06
    Dr. Mason, sir?
  • 47:07 - 47:08
    I've been looking forward
  • 47:08 - 47:10
    to having that
    psychological discussion
  • 47:10 - 47:12
    about my personality.
  • 47:12 - 47:14
    But this is not
    the time or the place.
  • 47:14 - 47:15
    I... I was looking
    for some reports
  • 47:16 - 47:17
    that Charlie was working on.
  • 47:18 - 47:19
    What brings you here,
    Lieutenant?
  • 47:20 - 47:23
    Oh. Just looking around, sir.
    Looking and thinking.
  • 47:24 - 47:25
    Thinking and looking.
  • 47:25 - 47:27
    In my work,
    we call that gestalting.
  • 47:27 - 47:28
    Gestalting?
  • 47:29 - 47:32
    Trying to find the particular
    out of the totality.
  • 47:32 - 47:35
    Looking for the one reality
    that explains the whole.
  • 47:36 - 47:38
    I guess that's what
    I've been trying to do
  • 47:38 - 47:39
    with this suit.
  • 47:40 - 47:42
    Dr. Hunter, he's got
    a lot of suits,
  • 47:42 - 47:45
    but this is the only one
    without a jacket.
  • 47:46 - 47:48
    Did he wear this one
    much, sir?
  • 47:48 - 47:51
    I wouldn't know. We wear
    blazers at the Institute.
  • 47:51 - 47:53
    Well, these are what I need.
  • 47:54 - 47:56
    Good luck, Lieutenant,
  • 47:56 - 47:58
    with whatever
    you're looking for.
  • 47:58 - 48:01
    Right, sir.
    I'll just stay on here and...
  • 48:03 - 48:05
    Gestalt a while.
  • 48:11 - 48:12
    Dr. Mason.
  • 48:15 - 48:18
    Could you tell me about
  • 48:18 - 48:20
    how Dr. Hunter was with women?
  • 48:21 - 48:24
    He was divorced
    a few years ago.
  • 48:24 - 48:26
    I mean just
    before he was killed.
  • 48:26 - 48:29
    Any special women
    in his life?
  • 48:30 - 48:32
    Different women.
    Nobody special.
  • 48:32 - 48:36
    I gather from your staff that
    he was quite a ladies' man.
  • 48:36 - 48:38
    Well, that was the game
    Charlie was good at.
  • 48:39 - 48:40
    Well, don't let me
    hold you up, sir.
  • 48:41 - 48:44
    We'll still have that personal
    talk sometime, Lieutenant.
  • 49:20 - 49:22
    If at first you don't succeed,
  • 49:23 - 49:25
    run away, Sigmund.
    Run away.
  • 49:58 - 49:59
    Tonight?
  • 49:59 - 50:01
    Goodbye to all this.
  • 50:08 - 50:11
    Everything that's ever lived
    has to die, Joanne.
  • 50:11 - 50:13
    Not like Charlie died.
  • 50:20 - 50:22
    Poor Charlie.
  • 50:27 - 50:29
    I could've made you happy.
  • 50:32 - 50:33
    Not after Lorraine.
  • 50:34 - 50:35
    Lorraine and Charlie.
  • 50:37 - 50:40
    All your grief for them
    and nothing for me.
  • 50:40 - 50:42
    No more grieving, Eric.
  • 50:43 - 50:44
    Your wife and your friend,
  • 50:45 - 50:46
    they were lovers.
  • 50:48 - 50:50
    You never knew that.
  • 50:52 - 50:53
    What?
  • 50:53 - 50:57
    I saw them when you were
    working at the Institute.
  • 50:59 - 51:00
    When Charlie came here.
  • 51:01 - 51:03
    And he took her to the places
    they went together.
  • 51:05 - 51:07
    They were lovers, Eric.
  • 51:10 - 51:11
    You knew that
  • 51:14 - 51:15
    all the time
  • 51:18 - 51:19
    and said nothing?
  • 51:20 - 51:22
    You loved her so.
  • 51:31 - 51:33
    You mustn't talk of this,
    Jo.
  • 51:38 - 51:39
    Never.
  • 51:44 - 51:45
    No one can know.
  • 51:49 - 51:50
    No one can ever know.
  • 52:00 - 52:02
    Excuse me, Miss Nicholls,
  • 52:02 - 52:04
    I thought I might find
    Dr. Mason here.
  • 52:05 - 52:06
    Good evening, sir.
  • 52:06 - 52:08
    I hoped you might have
    a little time.
  • 52:11 - 52:14
    Time for what, Lieutenant?
  • 52:16 - 52:18
    Do you think
  • 52:18 - 52:20
    we could find one single word
  • 52:20 - 52:22
    that dominates
    your life, Lieutenant?
  • 52:22 - 52:24
    Well now that you
    put it that way, sir,
  • 52:24 - 52:26
    I suppose there is one.
  • 52:27 - 52:29
    Then say the word.
  • 52:29 - 52:31
    Murder.
  • 52:31 - 52:33
    Well, that's simple enough.
  • 52:33 - 52:35
    Your work dominates
    everything.
  • 52:35 - 52:37
    Doesn't everyone's, sir?
  • 52:38 - 52:39
    Only a fortunate few.
  • 52:40 - 52:42
    Now, I'm gonna say a word
  • 52:42 - 52:45
    and you tell me the first word
    that comes into your mind.
  • 52:45 - 52:47
    Then I'll say another word,
    and so on.
  • 52:48 - 52:50
    Murder.
  • 52:50 - 52:51
    Dogs.
  • 52:52 - 52:53
    Justice.
  • 52:53 - 52:54
    Work.
  • 52:54 - 52:55
    Mother.
  • 52:55 - 52:57
    Father.
    Father.
  • 52:57 - 52:58
    Win.
  • 52:58 - 52:59
    Pain.
  • 52:59 - 53:00
    Fail.
  • 53:00 - 53:02
    Murder.
  • 53:04 - 53:05
    Word.
  • 53:07 - 53:09
    I'd say you had
    a wholesome enough childhood.
  • 53:09 - 53:12
    And you're something of
    an overachiever, Lieutenant.
  • 53:13 - 53:15
    But how did we get
    from murder to word?
  • 53:17 - 53:19
    Well, it's those dogs, sir.
  • 53:19 - 53:21
    I keep coming back to
  • 53:22 - 53:24
    how maybe there's
    some kind of a signal,
  • 53:24 - 53:26
    some kind of
    a special attack word
  • 53:26 - 53:28
    that the dogs will respond to.
  • 53:29 - 53:31
    But then the dogs
    would have to be trained.
  • 53:31 - 53:33
    The worst of it is
  • 53:34 - 53:36
    if someone did train the dogs,
  • 53:37 - 53:39
    they could dangle that word
    right in front of me
  • 53:39 - 53:41
    and I wouldn't even
    recognize it.
  • 53:41 - 53:43
    But the dogs would,
    according to your theory.
  • 53:43 - 53:44
    Oh, yes, sir.
  • 53:45 - 53:47
    Yes, the dogs would
    certainly react to the word.
  • 53:48 - 53:50
    But isn't there an order
    for the dogs to be put away?
  • 53:52 - 53:54
    In 48 hours.
  • 53:55 - 53:57
    This is terrific wine, sir.
  • 53:58 - 54:02
    Judge Jacob Metzler handed
    down the order yesterday.
  • 54:03 - 54:05
    I understand
    he's a friend of yours, sir.
  • 54:07 - 54:09
    May we play the game again?
  • 54:11 - 54:13
    I'm sorry, the game?
  • 54:13 - 54:14
    The word game.
  • 54:14 - 54:16
    Only, this time I'll start.
  • 54:20 - 54:21
    Money.
  • 54:22 - 54:23
    Work.
  • 54:24 - 54:25
    Work.
  • 54:25 - 54:26
    Teach.
  • 54:26 - 54:27
    Elephant.
  • 54:28 - 54:29
    Tusk.
  • 54:29 - 54:30
    Wolf.
  • 54:30 - 54:31
    Dog.
  • 54:32 - 54:33
    Dog.
  • 54:33 - 54:34
    Kill.
  • 54:34 - 54:35
    Kill.
  • 54:35 - 54:36
    Charlie.
  • 54:37 - 54:38
    Wife.
  • 54:38 - 54:40
    Love.
  • 54:40 - 54:41
    Animal.
  • 54:41 - 54:42
    Hunt.
  • 54:42 - 54:43
    Trap.
  • 54:43 - 54:45
    Word game.
  • 54:49 - 54:52
    You're right, Lieutenant,
    it's an excellent wine.
  • 54:52 - 54:54
    Well, thank you very much, sir.
  • 54:54 - 54:56
    I'll explain
    to Mrs. Columbo
  • 54:56 - 54:58
    how my condition
    is work-dominated.
  • 54:59 - 55:00
    Oh, I think
    she might have guessed.
  • 55:00 - 55:02
    This gate, sir,
    with that big letter "K."
  • 55:04 - 55:06
    I can't get it
    out of my mind
  • 55:06 - 55:09
    that I've seen that gate
    somewhere before.
  • 55:10 - 55:12
    It's your wife's favorite
    movie, Lieutenant.
  • 55:12 - 55:14
    That's the gate
    from Citizen Kane.
  • 55:14 - 55:16
    That's it, sir.
  • 55:16 - 55:19
    The opening shot
    of the movie.
  • 55:19 - 55:21
    It's through the gate
    to the big house.
  • 55:21 - 55:24
    And just a single light
    in the window.
  • 55:24 - 55:26
    And the crystal ball.
  • 55:27 - 55:29
    Snowing
    in the crystal ball.
  • 55:30 - 55:32
    And Charles Foster Kane
    dies.
  • 55:34 - 55:36
    That's where it all begins.
  • 55:36 - 55:39
    With his last word,
    "Rosebud."
  • 55:40 - 55:41
    The sled.
  • 55:42 - 55:44
    The one that's hanging
    on your study wall.
  • 55:45 - 55:47
    If we go on like this, sir,
  • 55:47 - 55:49
    we'll be playing
    the word game again.
  • 55:49 - 55:51
    Good night, sir.
  • 55:51 - 55:53
    That's some terrific gate.
  • 55:55 - 55:56
    Good night, Lieutenant.
  • 56:00 - 56:01
    Dog.
  • 56:01 - 56:02
    Dog.
  • 56:03 - 56:04
    Kill.
  • 56:05 - 56:05
    Kill.
  • 56:05 - 56:06
    Charlie.
  • 56:08 - 56:09
    Wife.
  • 56:09 - 56:10
    Love.
  • 56:11 - 56:12
    Animal.
    Hunt.
  • 56:12 - 56:13
    Trap.
    Word game.
  • 56:14 - 56:15
    Nothing.
  • 56:16 - 56:18
    What'd you expect,
    Lieutenant?
  • 56:18 - 56:21
    We'll try it again
    in the cage.
  • 56:28 - 56:29
    Murder.
  • 56:29 - 56:30
    Dogs.
  • 56:30 - 56:31
    Justice.
  • 56:35 - 56:36
    Win.
  • 56:36 - 56:38
    Pain.
  • 56:38 - 56:39
    Fail.
  • 56:39 - 56:41
    Mmm-hmm?
    Yeah. One second.
  • 56:41 - 56:42
    Word.
  • 56:43 - 56:45
    Lieutenant, it's for you.
    Judge Metzler.
  • 56:46 - 56:49
    I'd say you
    had a wholesome enough childhood.
  • 56:49 - 56:51
    And you're
    something of an...
  • 56:52 - 56:54
    It's Lieutenant Columbo,
    Judge. Thanks for returning.
  • 56:55 - 56:57
    It's about those two Dobermans
    and the death order.
  • 56:58 - 57:00
    I understand that
    they killed a man,
  • 57:00 - 57:03
    but I'm not sure it was really
    the dogs that killed him.
  • 57:04 - 57:07
    I can't prove anything, sir,
    not without those dogs.
  • 57:09 - 57:11
    You better get out here,
    Lieutenant.
  • 58:57 - 59:00
    That's quite a stunt,
    isn't it, sir?
  • 59:00 - 59:03
    I mean, the way the dogs
    go to the phone like that.
  • 59:04 - 59:05
    What the hell
    are you playing at?
  • 59:05 - 59:07
    Oh, just my game, sir.
  • 59:07 - 59:09
    You're good at tennis
    and word games.
  • 59:09 - 59:11
    And Dr. Hunter, he was
    a winner with women.
  • 59:11 - 59:13
    This is my game.
  • 59:14 - 59:15
    He's my partner.
  • 59:15 - 59:17
    I call him Charlie.
  • 59:18 - 59:21
    Really? You have a morbid
    streak, Lieutenant.
  • 59:21 - 59:23
    I should've suspected that.
  • 59:23 - 59:25
    It's as if
    the dogs were trained
  • 59:25 - 59:28
    to be right there at the phone
    when Dr. Hunter got that call
  • 59:28 - 59:30
    just before he was murdered.
  • 59:31 - 59:32
    And the murderer
    had to be certain
  • 59:32 - 59:34
    that this was the only phone
    that would ring.
  • 59:35 - 59:36
    May I show you, sir?
  • 59:37 - 59:38
    In the study?
  • 59:47 - 59:49
    You know, Judge Metzler
    countermanded the order
  • 59:49 - 59:51
    on Laurel and Hardy.
  • 59:51 - 59:52
    That was very good luck
    for us, sir.
  • 59:53 - 59:56
    You remember this phone
    was disconnected.
  • 59:56 - 59:58
    That's so Dr. Hunter would
    answer in the kitchen,
  • 59:58 - 60:00
    where the dogs came in.
  • 60:01 - 60:03
    Don't feel
    you have to comment, sir.
  • 60:03 - 60:05
    It's just a theory.
  • 60:08 - 60:10
    Do you mind, sir?
  • 60:10 - 60:14
    I really enjoy the game
    and I don't get much chance.
  • 60:14 - 60:16
    Would you care
    to join me?
  • 60:26 - 60:28
    Oh, I found
    this tennis ball, sir.
  • 60:28 - 60:30
    It's like the kind you use,
  • 60:31 - 60:33
    with dog tooth marks on it.
  • 60:39 - 60:42
    I found it out at the old
    Callaghan Movie Ranch,
  • 60:46 - 60:49
    where you got
    this baby spot, sir.
  • 60:49 - 60:51
    Yes I've visited Callaghan's.
  • 60:57 - 60:59
    That's where the murderer
    trained his dogs, sir.
  • 61:00 - 61:01
    On the Western Street
  • 61:02 - 61:05
    with a hanging dummy, sir.
    Made out of straw.
  • 61:08 - 61:10
    Just like the one
    that's in there.
  • 61:11 - 61:13
    The same kind of straw, sir,
  • 61:13 - 61:16
    that the technicians found
    in your kitchen that day.
  • 61:17 - 61:19
    And you know
    what the murderer did?
  • 61:20 - 61:22
    He took a loudspeaker
  • 61:22 - 61:24
    and he put it
    inside the dummy
  • 61:24 - 61:26
    to repeat the kill commands.
  • 61:27 - 61:29
    So that the dogs
    would tear anyone apart
  • 61:29 - 61:30
    when they heard
    that attack word.
  • 61:33 - 61:36
    If you'll just look
    in that pocket there, sir.
  • 61:43 - 61:45
    You see this, sir?
  • 61:45 - 61:47
    That's what the murderer
    dressed the dummy with,
  • 61:47 - 61:49
    out there on that
    old Western Street.
  • 61:49 - 61:51
    I found that
    when I went back there
  • 61:51 - 61:52
    to take a second look.
  • 61:53 - 61:56
    This is a torn piece from
    Dr. Hunter's missing jacket.
  • 61:56 - 62:00
    So the dogs would
    take the scent, sir.
  • 62:00 - 62:02
    To reinforce the kill command.
  • 62:02 - 62:04
    Doesn't that make sense
    to you, sir?
  • 62:10 - 62:12
    Well, what does all this have
    to do with me, Lieutenant?
  • 62:13 - 62:16
    Well, Charlie died
    in your house.
  • 62:16 - 62:19
    The dogs are your dogs.
  • 62:20 - 62:22
    14 ball, sir.
  • 62:22 - 62:24
    And then,
    there's your wife.
  • 62:26 - 62:28
    If you'll just look
    in that pocket, sir.
  • 62:33 - 62:37
    Dr. Hunter and your wife.
  • 62:38 - 62:41
    It must have been one of
    those time-delay snapshots.
  • 62:41 - 62:43
    There's a whole bunch
    of photos just like that
  • 62:44 - 62:46
    in Dr. Hunter's desk.
  • 62:46 - 62:47
    Maybe that's how you found out
  • 62:47 - 62:49
    about their affair, sir.
  • 62:49 - 62:51
    And you picked up
    those photographs
  • 62:51 - 62:54
    that day that I was
    in Dr. Hunter's apartment.
  • 62:57 - 62:59
    Only, I took this one
    first, sir.
  • 63:00 - 63:02
    Before you got there.
  • 63:06 - 63:09
    You play a first-rate
    game, Lieutenant.
  • 63:10 - 63:12
    Well, my father taught me, sir.
  • 63:17 - 63:20
    So that was the motive.
    Their affair.
  • 63:22 - 63:24
    That's why you killed
    your wife, Dr. Mason.
  • 63:25 - 63:27
    I can't prove that.
  • 63:28 - 63:32
    I can certainly prove
    that you killed Dr. Hunter.
  • 63:33 - 63:36
    Not without the kill command,
    Lieutenant.
  • 63:36 - 63:38
    Oh, that won't be
    necessary, sir.
  • 63:42 - 63:44
    It was really
    a very simple case.
  • 63:45 - 63:47
    Starting with that
    kitchen phone, sir.
  • 63:48 - 63:50
    Because you're the one
    that called Dr. Hunter.
  • 63:53 - 63:55
    You claim you were
    at your physician's
  • 63:55 - 63:57
    having your heart examined,
  • 63:58 - 64:00
    which was true.
  • 64:01 - 64:03
    Your electrocardiogram, sir.
  • 64:04 - 64:05
    Just before 3:00,
  • 64:06 - 64:08
    your physician left you alone
    for a resting trace.
  • 64:09 - 64:11
    At that moment,
    you were lying down
  • 64:11 - 64:12
    in a restful position
  • 64:13 - 64:17
    and you heart showed
    a calm, slow, easy beat.
  • 64:18 - 64:21
    Look at this part,
    right here.
  • 64:22 - 64:24
    Lots of sudden stress.
  • 64:25 - 64:27
    Lots of excitement.
    Right here at 3:00,
  • 64:27 - 64:29
    your heart beating
    like a hammer
  • 64:29 - 64:31
    just before the dogs attacked.
  • 64:34 - 64:36
    Oh, you killed him
    with a phone call, sir.
  • 64:37 - 64:38
    I'll bet my life on it.
  • 64:44 - 64:46
    A very simple case.
  • 64:46 - 64:48
    Not that I'm
    particularly bright, sir.
  • 64:50 - 64:54
    I must say
    I found you disappointing.
  • 64:54 - 64:56
    I mean, your incompetence.
  • 64:56 - 64:58
    You left enough clues
    to sink a ship.
  • 64:59 - 65:02
    Motive, opportunity.
  • 65:02 - 65:05
    And for a man
    of your intelligence, sir,
  • 65:06 - 65:09
    you got caught
    in a lot of stupid lies.
  • 65:10 - 65:12
    A lot of them.
  • 65:18 - 65:21
    Laurel. Hardy.
  • 65:26 - 65:29
    I think you deserve the
    whole package, Lieutenant.
  • 65:29 - 65:31
    The total picture.
  • 65:31 - 65:34
    Everything to make
    your case complete.
  • 65:34 - 65:36
    Oh, I think
    I've made my case, sir.
  • 65:38 - 65:39
    Watch the dogs.
  • 65:45 - 65:47
    Rosebud.
  • 65:53 - 65:54
    Rosebud!
  • 65:59 - 66:03
    Oh, yes, yes, yes.
  • 66:03 - 66:06
    Okay, that's it.
    Okay, that's it.
  • 66:06 - 66:09
    Now, when I say
    that's it, that's it.
  • 66:09 - 66:10
    All right, one more kiss
    and that's it.
  • 66:10 - 66:13
    All right, that's it, fellas,
    that's it.
  • 66:19 - 66:22
    Is that what you call
    a conditioned response, sir?
  • 66:23 - 66:26
    The way you just turned
    those dogs on me?
  • 66:28 - 66:29
    You knew the command.
  • 66:30 - 66:33
    The point is, sir,
    you knew the command.
  • 66:33 - 66:35
    I didn't know it.
    I just heard it.
  • 66:35 - 66:37
    It was on this tape machine.
  • 66:41 - 66:42
    You see this, sir?
  • 66:44 - 66:46
    That's what they call
    a voice-operated control.
  • 66:46 - 66:50
    When this
    is attached to this,
  • 66:50 - 66:52
    like this
  • 66:52 - 66:56
    and somebody talks,
    it switches on automatically.
  • 66:57 - 67:01
    Now, I had this in my pocket,
    that night a few weeks ago
  • 67:01 - 67:03
    when you and I played
    the word game.
  • 67:10 - 67:13
    And I played that
    for the dogs.
  • 67:14 - 67:16
    And just by accident, sir,
  • 67:16 - 67:19
    they heard that part where you
    and I stood out by the gate
  • 67:19 - 67:21
    and talked about...
  • 67:22 - 67:24
    Citizen Kane.
  • 67:24 - 67:26
    And Charles Foster Kane dies.
  • 67:26 - 67:29
    And
    that's where it all begins.
  • 67:30 - 67:32
    With his last word,
    "Rosebud."
  • 67:34 - 67:38
    Laurel and Hardy,
    they went crazy.
  • 67:40 - 67:43
    And then, there was
    this lady dog trainer.
  • 67:43 - 67:46
    And she knew
    how to deprogram the dogs.
  • 67:46 - 67:48
    So now,
  • 67:49 - 67:51
    instead of killing
    when they heard the word,
  • 67:51 - 67:53
    they kissed.
  • 67:53 - 67:57
    It's like trading one conditioned
    response for another.
  • 67:58 - 67:59
    You understand, sir.
  • 68:08 - 68:10
    Can I try this again, sir?
  • 68:12 - 68:15
    Very good, Lieutenant.
    Remarkable, really.
  • 68:18 - 68:21
    You take control very well.
    All the way.
  • 68:22 - 68:25
    I'd swear you'd taken my course.
  • 68:25 - 68:29
    Oh, no, sir. Oh, no, never.
  • 68:30 - 68:33
    It's just that I enjoy
    the pleasure of the game.
  • 68:39 - 68:42
    I wonder how
    W.C. Fields did it.
Title:
Columbo - 704 - How to Dial a Murder
Description:

Columbo - 704 - How to Dial a Murder

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Video Language:
English
Team:
Film & TV

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