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Le Feu follet, 1963 [Multi Subs]

  • 1:15 - 1:19
    THE FIRE WITHIN
  • 1:57 - 2:01
    At that moment, Alain studied
    Lydia's face relentlessly...
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    as he had been doing
    since she came to see him
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    three days earlier.
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    What was he looking for?
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    Lydia turned her head away,
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    lowered her eyelids,
    and grew absorbed.
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    ln what?
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    ln herself?
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    Was it her contented rage
    that swelled her neck and belly?
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    This sensation that emanated
    nothing, but was so clear?
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    Once again the feeling had eluded him,
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    like a snake between stones.
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    Poor Alain.
    You look so uncomfortable.
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    lt's been so long.
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    lt's my fault.
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    Let me see you smile, Alain.
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    lt was fine. l feel satisfied.
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    lt's light out.
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    l have to hurry.
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    l have packing to do.
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    Your plane isn't until 11:00.
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    l have a lot to do this morning.
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    Francesca is picking me up at 8:00.
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    lt was so good
    to see you again.
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    You know...
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    l love you in a very special way.
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    Thank you for coming.
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    Thank Dorothy for that.
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    She's the one who asked me
    to come see you.
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    She gave me the clinic address.
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    What shall l tell Dorothy?
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    Nothing. Why?
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    l said l'd phone her
    when l get back to New York.
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    She wants to know
    how you're getting along.
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    What will you say?
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    The truth.
    That you're completely cured.
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    l'll ask her
    what she has planned for you.
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    - Will you tell her we...
    - No, Alain.
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    Unless you ask me to.
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    l won't ask you to.
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    She'll suspect something.
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    lt won't even occur to her.
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    She has other things on her mind.
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    Then again...
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    it's more likely to suit her.
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    Have you two discussed divorce?
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    We did, once.
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    Six months ago, just before l left.
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    And since then?
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    We haven't spoken since then.
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    She sends the doctor
    a monthly check.
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    She never writes?
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    She did, at first.
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    And you?
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    l wrote her two weeks ago.
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    Didn't she mention it?
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    Do you still love her?
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    l don't know.
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    Dorothy isn't the woman for you.
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    She isn't rich enough.
    She lets you do what you want.
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    You need a woman
    who won't let you out of her sight.
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    Otherwise you get depressed
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    and act foolishly.
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    You know me so well.
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    When l get depressed,
    l do foolish things.
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    Of course l know you.
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    ln fact, l think
    l've always wanted to marry you.
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    Even in Dorothy's day.
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    l can't take you to the airport.
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    The doctor will be angry
    about my spending the night out.
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    lf l don't go back now,
    they'll throw me out.
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    Francesca will drive me.
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    ln any case, Alain,
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    we'll see each other again soon.
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    How long has it been?
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    Four months... or thereabouts.
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    Without a drop of liquor?
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    Since l finished the cure
    not a drop.
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    The cure consists
    of having you drink.
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    Drink... drink...
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    until you burst.
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    ls it rough?
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    Had l known
    l wouldn't have done it.
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    And now?
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    Now?
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    Nothing.
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    Lydia...
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    l wanted you to know -
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    What're you doing?
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    l insist.
    You've forgotten, but l haven't.
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    A gambling debt on the Zographos' boat,
    four years ago.
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    This forgotten city.
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    So sad.
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    That strange clinic.
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    You're cured, Alain.
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    Why do you stay there?
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    l like it there.
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    A patient's life is ordered and simple.
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    lt shelters us.
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    l'm not eager to face life again.
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    Paris scares me.
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    Think l'm a coward?
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    No, Alain.
    l think you're unhappy.
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    Come to New York.
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    Promise you'll come as soon as you can.
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    To settle things with Dorothy.
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    Even if you get back together.
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    Don't go. Don't leave me.
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    l need you.
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    Don't leave, l'm begging you.
    It's serious.
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    l have to.
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    l have to be in New York tomorrow.
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    They want the designs.
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    - It's important?
    - Everything depends on it.
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    l'm a businesswoman now.
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    l know, l'm leaving you
    with your worst enemy. Yourself.
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    Come to New York.
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    No, Lydia, and l mean no.
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    l won't come to New York.
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    l won't marry you.
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    You'd be unhappy.
    Another Dorothy.
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    Anyway, you can't help me.
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    lt's too late.
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    Take madame to Paris.
    Hotel Raphael, avenue Kléber.
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    HEALTH CLINIC
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    REST CURES
    MEDICAL SUPERVISlON
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    They're all at lunch.
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    Thomism comes from St. Thomas.
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    So ''Saint'' implies theology.
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    Nonsense! St. Thomas separated
    philosophy from theology.
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    Some small-town professor
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    who posits Racine's world
    against that of Proust, Cocteau, Genet.
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    The prig should read La Palatine.
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    Believing is not knowing.
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    You came in this morning.
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    Credo ut intelligam, my dear man.
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    ''l believe in order to understand.''
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    Not if you claim St. Thomas
    separated philosophy and theology.
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    Don't confuse faith and understanding.
    St. Thomas says,
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    ''Where knowledge is, faith is not.''
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    Some lovely persons must
    have been so happy to see you again.
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    Lovely persons aren't demanding.
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    But you are.
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    lf you weren't, you wouldn't be here.
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    Ever been to America?
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    No, it's hard enough
    getting to know our old Europe.
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    And they're so brutal there,
    they might kill me.
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    Our young man looks pale
    after his little jaunt.
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    He was handsomer before.
    - He must still be.
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    You stare at him enough.
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    - Compared to Aristotle -
    - l refuse to discuss Aristotle.
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    But reason dominates will.
    It's what determines -
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    Why only talk to Mr. D'Averseau?
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    We'd all like to hear.
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    We sure would!
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    lt might be very interesting.
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    Are you leaving us?
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    No. Why?
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    That's what the doctor implied.
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    Aren't you happy with us?
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    Yes, l am.
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    l feel at home here.
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    You're my family.
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    Without it, Nothingness
    wouldn't have any quality.
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    Where do your parents live?
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    ln the provinces.
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    They're very old.
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    l don't see them anymore.
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    Poor boy.
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    Poor boy?
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    A youth misspent in riotous living,
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    and now, problems!
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    You're not being sensible.
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    You should take
    a nap this afternoon.
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    Go back to bed.
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    What a shame.
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    What a crying shame!
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    Checkmate in five moves...
    the great man!
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    ''Shocking! Jean-Jacques (age 5) tries
    to fly but hangs himself on curtain cord.''
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    JULY 23
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    ''Naked, she lay there dead,
    her dying husband beside her.''
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    Dorothy.
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    Money.
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    lt slips right through your fingers.
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    Am l disturbing you?
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    Not at all, Doctor.
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    l knocked several times.
    l thought you might be asleep.
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    Sit down.
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    You went to Paris last night?
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    l never left Versailles.
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    l hope you didn't do anything
    foolhardy on your first time out.
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    Don't worry, Doctor.
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    l was with a lady,
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    like a good little schoolboy.
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    Well done. Fine. Excellent.
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    Make up for lost time.
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    Once you leave here -
    - Are you throwing me out?
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    Not at all!
    l'm delighted to have you here.
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    But you've been fully cured
    for quite some time now.
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    l can't keep you here
    without reason.
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    Doctor, l'll start again.
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    lf l leave, l'll start drinking again.
    Sooner or later.
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    What else can l do?
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    No news from America?
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    There won't be any.
    There's no connection.
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    There is. Be patient.
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    l am patient.
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    l've done nothing but wait.
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    All my life.
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    Waiting...
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    for something to happen.
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    For what, l don't know.
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    Now you do.
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    You love your wife
    and she loves you.
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    That's what you think.
    Because that suits you.
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    You insisted l write to her.
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    Dorothy knows l'll never make it.
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    But you have made it.
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    - l haven't, and you know it.
    - l can see it.
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    lt won't last.
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    Wait for her letter.
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    lt could come any day now.
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    She won't answer, l tell you!
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    She can't have believed me.
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    When we married two years ago,
    l swore l'd stop.
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    As if l could.
    Especially in New York.
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    You're on the right track now.
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    You still have feelings of anxiety?
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    lt's not feelings of anxiety, Doctor.
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    lt's a single feeling
    of constant anxiety.
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    lf you hang on a while longer,
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    it will gradually let up.
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    A matter of willpower.
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    A contradiction, Doctor.
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    How can you talk
    about my willpower?
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    That's where my sickness lies.
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    That's what you're treating.
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    You weren't always this way.
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    What do you mean?
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    You were in the army.
    You went to war.
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    As an officer.
    - Leave that alone.
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    There's no connection.
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    Send her a telegram.
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    Tell her to take the next plane.
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    Take her down south.
    Or somewhere else.
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    Anywhere but Paris.
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    American women are strong and healthy.
    She'll help you forget.
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    Don't worry.
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    l'll be gone by the end of the week,
    come what may.
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    As you like.
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    What about your shop idea?
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    Selling prewar objects,
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    '37 World Fair-style.
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    A good idea.
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    You see me running a store?
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    l'm drowning in debt.
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    l can see l'm wearing you out.
    l'll leave.
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    What about our game?
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    We can play tomorrow.
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    Get some rest.
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    Life is good.
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    Good for what, Doctor?
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    Tomorrow.
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    Life...
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    flows too slowly in me.
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    So l speed it up.
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    l set it right.
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    Tomorrow l kill myself.
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    Good morning.
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    l brought your breakfast.
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    Hand me my bathrobe.
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    You're in a rush today.
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    - l'm going out.
    - Where?
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    To Paris
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    city of orgies,
    which l left for good -
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    When will you be back?
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    l won't be long.
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    l have to cash a check
    see some old friends -
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    And come in at dawn.
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    The doctor asked me
    to remind you about the telegram.
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    For your wife.
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    l was just thinking about it.
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    Telegram.
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    ''Await your letter
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    with impatience.
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    ''...with patience and hope. Stop.''
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    More blunt.
  • 37:42 - 37:44
    ''Thank you
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    for your silence. Stop.
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    You have a lover
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    in Versailles. Stop.''
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    Why not shake her up a bit?
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    ''Send reply.
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    Stop.
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    Need you. Stop.
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    Minutes count. Stop.''
  • 38:28 - 38:30
    No, reassure her.
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    ''Disregard this letter.
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    Stop.
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    Worries over.
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    Stop.
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    Be happy.''
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    Sure, more like that.
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    ''Worries over. Be happy.''
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    My letter? Throw it away.
    It's meaningless now.
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    Sure, l have plans.
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    To take a trip.
  • 39:28 - 39:30
    What?
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    No, l won't come to New York.
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    Don't worry.
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    Yes, l'm cured.
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    Lydia must have told you.
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    She told you everything?
    That's fine.
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    For New York! It's urgent?
  • 40:48 - 40:50
    Telegrams usually are.
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    A pack of Sweet Aftons, please.
  • 41:28 - 41:30
    What's that?
  • 41:30 - 41:32
    lrish cigarettes.
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    We don't carry 'em.
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    You should.
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    Not enough demand.
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    l'm asking.
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    One's not enough.
    The stock would go bad.
  • 41:50 - 41:52
    Too bad.
    A pack of Luckies, then.
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    A glass of white.
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    Going to Paris?
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    Would you give me a lift?
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    lt's against regulations.
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    l'll buy you a drink.
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    This one's on me.
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    To your health.
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    - What are you having?
    - Nothing, thanks.
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    You have to drink with us.
  • 42:53 - 42:55
    l don't drink.
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    You work in Versailles?
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    l don't work.
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    Private income?
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    l'm sick.
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    So that's why.
  • 43:36 - 43:37
    What?
  • 43:37 - 43:40
    Why you look so pale.
    What's the problem?
  • 43:41 - 43:42
    My heart.
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    Don't you mind not having money?
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    Well, l mind.
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    But you look well-off.
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    l only look it.
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    Florence, look who's here!
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    Mr. Alain! You haven't changed.
  • 45:49 - 45:51
    - You put on weight, maybe.
    - You're looking good.
  • 45:52 - 45:53
    You just got in?
  • 45:54 - 45:55
    Do you like America?
  • 45:55 - 45:57
    You live in New York?
  • 45:57 - 45:59
    Does Mr. Bernard still live here?
  • 46:00 - 46:03
    No, he left.
    Not long after you did.
  • 46:03 - 46:04
    Leaving already?
  • 46:05 - 46:08
    - l want to use the bar phone.
    - You can phone from here.
  • 46:09 - 46:10
    l must see Charlie.
  • 46:12 - 46:14
    Poor guy. He's really changed.
    His face!
  • 46:15 - 46:17
    And his voice -
    did you notice his voice?
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    - Mr. Leroy, of all people!
    - Hello, Charlie.
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    l was talking about you
    just yesterday with René.
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    ''The Beach'' bartender
    in Monte Carlo. He's in town.
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    We made a bet
    about where you were.
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    l bet you were still in America.
  • 46:41 - 46:44
    l lost.
    But l'm real glad to see you.
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    The usual Scotch Sour?
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    You serious?
    It was your first drink of the day.
  • 46:54 - 46:55
    ''To tune up,'' you'd say.
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    Mr. Lavaud, please.
  • 47:03 - 47:04
    This is Alain Leroy.
  • 47:05 - 47:08
    Say hello from Charlie.
    Tell him he's a quitter.
  • 47:08 - 47:12
    He never comes in now.
    Married men are all the same.
  • 47:13 - 47:14
    ls Mrs. Leroy with you?
  • 47:16 - 47:18
    She stayed in America?
  • 47:21 - 47:23
    Yep, Mr. Lavaud is a quitter.
  • 47:24 - 47:28
    When Mr. Castellotti is in town
    he always stays here.
  • 47:29 - 47:30
    We remember old times.
  • 47:31 - 47:34
    ''That sweet Alain,'' he says.
    He worships you.
  • 47:34 - 47:36
    He lives in Milan now.
  • 47:37 - 47:39
    Married, two cute little girls.
  • 47:39 - 47:41
    He showed me photos.
  • 47:43 - 47:45
    He comes for business
    and a bit of fun on the side.
  • 47:46 - 47:49
    The other day he brought in
    this gorgeous brunette, a stripper.
  • 47:50 - 47:52
    Fine. Tonight at 8:00.
  • 48:09 - 48:10
    Do you want a coffee?
  • 48:14 - 48:16
    No, l'm late.
  • 48:18 - 48:20
    Call me tonight at 7:00.
  • 48:29 - 48:31
    A beer, Charlie.
  • 48:34 - 48:35
    What time did you get in?
  • 48:36 - 48:38
    Late, Charlie, very late.
  • 48:38 - 48:40
    Or early, if you prefer.
  • 48:42 - 48:44
    Got some Alka-Seltzer?
    My head's bursting.
  • 48:49 - 48:51
    The Minvilles don't answer.
  • 48:51 - 48:53
    - They're not home.
    - Why not?
  • 48:54 - 48:56
    Because they're in prison.
  • 48:56 - 48:58
    Algeria again?
  • 48:58 - 49:01
    The war's over
    but not for the Minville brothers.
  • 49:13 - 49:17
    Don't you remember me?
    Michel Bostel.
  • 49:17 - 49:19
    We met at the Pamplona feria
    five or six years ago.
  • 49:20 - 49:22
    You were with an American girl.
  • 49:22 - 49:24
    l was only a kid then.
  • 49:25 - 49:27
    Then l was called up,
    and you left Paris.
  • 49:33 - 49:35
    - Is Francis down yet?
    - Not yet.
  • 49:38 - 49:39
    l'll get him up.
  • 49:41 - 49:42
    Who's that?
  • 49:43 - 49:46
    Nice guy. He lives in the hotel.
  • 49:47 - 49:49
    The room l used to have.
  • 49:50 - 49:51
    He's my successor.
  • 49:52 - 49:55
    Hardly!
    We've put a plaque on the door:.
  • 49:55 - 49:58
    ''Here, for several years,
    lived Alain Leroy.''
  • 50:00 - 50:02
    Those were the days.
  • 50:03 - 50:04
    Not like today.
  • 50:13 - 50:15
    l didn't ask how you were.
  • 50:16 - 50:17
    You don't look too good.
  • 50:18 - 50:20
    l've been ill
    but l'm better now.
  • 50:21 - 50:23
    You don't look it.
  • 50:25 - 50:27
    Problems?
    - Not really.
  • 50:28 - 50:30
    l've been in a Versailles clinic.
  • 50:32 - 50:33
    For how long?
  • 50:34 - 50:35
    Four months.
  • 50:36 - 50:37
    Leaving tomorrow?
  • 50:38 - 50:39
    For New York?
  • 50:44 - 50:46
    You didn't touch it.
  • 50:46 - 50:49
    l don't drink anymore.
    Not a drop.
  • 50:50 - 50:51
    lf l'd known -
  • 50:53 - 50:55
    l always said you drank too much.
  • 50:56 - 50:59
    You used to say,
    ''Funny thing for a barman to say!''
  • 51:09 - 51:12
    Poor boy.
    He was so full of life.
  • 51:13 - 51:16
    - And depression, too.
    - But never for long.
  • 51:27 - 51:28
    l don't have any change.
  • 51:29 - 51:31
    Never mind. Keep the change.
  • 51:33 - 51:33
    Are you nuts?
  • 51:36 - 51:37
    What a dope!
  • 52:06 - 52:08
    ls Mr. Dubourg in?
  • 52:08 - 52:10
    Now?
    They just sat down to lunch.
  • 52:11 - 52:12
    Who is it, Chantal?
  • 52:15 - 52:16
    lt's Alain.
  • 52:26 - 52:27
    Comrade Dubourg.
  • 52:29 - 52:30
    l was expecting you.
  • 52:32 - 52:33
    Liar.
  • 52:36 - 52:38
    Faveur, say hello to Alain.
  • 52:43 - 52:47
    Now run along.
    Tell Mommy to come in.
  • 52:53 - 52:54
    Playing Daddy now?
  • 52:56 - 52:57
    l do lots of things now.
  • 53:00 - 53:02
    - Still into Egyptology?
    - More than ever.
  • 53:03 - 53:06
    l sensed it in you
    from the start.
  • 53:07 - 53:11
    l remember catching you in bed
    with a blonde, your back to her,
  • 53:12 - 53:15
    your nose buried
    in a book on esoterics.
  • 53:16 - 53:20
    Yes. While dissipating my youth
    in St. Tropez, l studied Kabbala.
  • 53:22 - 53:24
    You still find it fun?
  • 53:24 - 53:27
    l don't find it fun.
    l find it interesting.
  • 53:33 - 53:36
    Remember the famous Alain
    you stole me from?
  • 53:39 - 53:41
    Alain's staying for lunch.
    - l shouldn't.
  • 53:42 - 53:43
    Set another place, Fanny.
  • 53:44 - 53:46
    lt's done. Lunch is served.
  • 53:50 - 53:53
    You never wrote or phoned,
    but we knew where you were.
  • 53:56 - 53:58
    La Barbinais told me.
  • 53:59 - 54:02
    l call him occasionally
    to ask about you.
  • 54:02 - 54:04
    How good of you.
  • 54:05 - 54:07
    But he wouldn't let me visit.
  • 54:08 - 54:09
    Total isolation.
  • 54:10 - 54:11
    l was tired.
  • 54:12 - 54:16
    The cure was rough,
    especially after New York.
  • 54:16 - 54:19
    - It has nothing to do with NY.
    - Yes, it does.
  • 54:19 - 54:21
    lt's no place for us.
  • 54:22 - 54:24
    lt's like a crazy whirlpool.
  • 54:25 - 54:26
    l love New York.
  • 54:27 - 54:31
    Fascinating, but hard to live in.
    It's intoxicating.
  • 54:32 - 54:35
    People disappear into the city
    like drug addicts.
  • 54:39 - 54:42
    l felt good there.
    It wasn't home.
  • 54:43 - 54:45
    l always felt like a visitor.
    - And Paris?
  • 54:46 - 54:48
    Pretty much the same,
    but l prefer New York.
  • 54:50 - 54:51
    People leave you alone.
  • 54:52 - 54:54
    - Why come back, then?
    - For treatment.
  • 54:55 - 54:57
    Why not there?
  • 54:58 - 55:00
    Dorothy had seen enough of me.
  • 55:00 - 55:02
    She knows you're cured?
  • 55:02 - 55:04
    She's been told.
  • 55:05 - 55:07
    And you - do you know it?
  • 55:07 - 55:08
    l feel it.
  • 55:09 - 55:12
    You feel completely sterilized,
    body and soul.
  • 55:13 - 55:14
    That's something.
  • 55:15 - 55:16
    ln ''sterilized'' there's ''sterile.''
  • 55:17 - 55:18
    You're telling me.
  • 55:30 - 55:31
    Do you like Françoise Hardy?
  • 55:31 - 55:32
    Who, then?
  • 55:33 - 55:34
    Sylvie Vartan.
  • 55:35 - 55:36
    Who's that?
  • 55:37 - 55:39
    A teen idol.
  • 55:40 - 55:42
    You forget population growth,
    old man.
  • 55:42 - 55:45
    Young people today are hopeless.
  • 55:45 - 55:47
    Good-looking, elegant, well-fed.
  • 55:48 - 55:50
    They're all alike,
    like California oranges.
  • 55:51 - 55:53
    But you know nothing about them.
  • 56:05 - 56:07
    Have you worked at all?
  • 56:09 - 56:11
    l'd been keeping a diary lately.
  • 56:12 - 56:15
    Of no interest whatsoever.
    l tore it up today.
  • 56:18 - 56:19
    How are you now?
  • 56:22 - 56:24
    Feeling empty.
  • 56:26 - 56:28
    With some atrocious moments.
  • 56:29 - 56:30
    Can you hold out?
  • 56:32 - 56:35
    Hold out? It's all over for me.
  • 56:37 - 56:38
    l'm leaving.
  • 56:39 - 56:41
    Don't you understand?
  • 56:55 - 56:58
    Life still has things to offer.
  • 56:59 - 57:02
    You must have
    a sense of your life.
  • 57:03 - 57:06
    That sense can't perish.
  • 57:09 - 57:11
    l hate things
    that stay locked up.
  • 57:12 - 57:14
    A man's got to show
    what he's made of.
  • 57:16 - 57:18
    Doing something well is wonderful.
  • 57:18 - 57:20
    l never knew what that meant.
  • 57:21 - 57:23
    l've only run after money,
  • 57:23 - 57:25
    like everybody else.
  • 57:25 - 57:28
    Then you would've worked or stolen.
  • 57:28 - 57:33
    No, what you call money
    is an excuse for daydreaming.
  • 57:33 - 57:36
    Go on. l don't want
    to spoil your pleasure.
  • 57:39 - 57:41
    What l love about man
    is not his passions,
  • 57:43 - 57:45
    but what those passions produce.
  • 57:46 - 57:49
    ldeas. Gods.
  • 57:51 - 57:53
    Where do you see passions here?
  • 57:56 - 57:58
    You got me wrong.
  • 57:59 - 58:01
    Don't judge by appearances.
  • 58:03 - 58:05
    You see me
    as a resigned bourgeois.
  • 58:06 - 58:08
    But my life's more intense now
  • 58:09 - 58:10
    than when l drank
    and slept around.
  • 58:11 - 58:13
    l'll end up writing a book
  • 58:14 - 58:16
    on the virtues of ancient Egypt.
  • 58:17 - 58:19
    They run in my blood.
  • 58:20 - 58:22
    Others will learn from it.
  • 58:25 - 58:26
    The sun -
  • 58:27 - 58:28
    you can touch it.
  • 58:29 - 58:33
    Come to Egypt with us.
    Those people have the sun inside them.
  • 58:38 - 58:40
    Let's take a walk, prophet.
  • 58:56 - 58:58
    The Minvilles are different.
  • 58:58 - 59:00
    They're addicted to action.
  • 59:03 - 59:04
    Do you ever see Eva?
  • 59:05 - 59:08
    l don't see her or the others.
    What for?
  • 59:09 - 59:11
    You're harsh for a happy man.
  • 59:12 - 59:14
    Does your life satisfy you?
  • 59:14 - 59:16
    lt doesn't matter.
  • 59:17 - 59:18
    What if you get bored?
  • 59:20 - 59:22
    Fanny and her daughters,
  • 59:23 - 59:25
    that musty apartment -
  • 59:25 - 59:28
    they're part of my passion.
  • 59:29 - 59:32
    And the old glint in your eye?
  • 59:33 - 59:34
    Your superb energy?
  • 59:36 - 59:36
    l'm older.
  • 59:37 - 59:38
    Really!
  • 59:39 - 59:42
    Yes, l'm older. The hopes are gone,
    but l have certainties now.
  • 59:43 - 59:46
    l left my youth for another life.
  • 59:47 - 59:50
    You turn your back.
    You reject adulthood.
  • 59:51 - 59:53
    You're stuck in adolescence.
  • 59:59 - 60:00
    Hence your anxiety.
  • 60:06 - 60:08
    lt's hard to be a man.
  • 60:09 - 60:11
    You have to want it.
  • 60:12 - 60:14
    Aren't you sick of mirages?
  • 60:19 - 60:21
    l can't stand mediocrity.
  • 60:21 - 60:24
    You've spent the last 10 years
    in gilded mediocrity.
  • 60:27 - 60:30
    And l've had enough.
    l'm calling it a day.
  • 60:33 - 60:36
    l refuse to grow old.
  • 60:37 - 60:40
    You miss your youth
    as if you'd lived it to the fullest.
  • 60:41 - 60:44
    lt was a promise. And a lie.
  • 60:47 - 60:48
    l was the liar.
  • 60:57 - 60:59
    You're tormented
    by the idea of women.
  • 61:02 - 61:04
    l have no power over them.
  • 61:04 - 61:06
    That's a laugh.
  • 61:07 - 61:08
    l was handsome at 20.
  • 61:09 - 61:11
    They still find me fun and nice.
  • 61:13 - 61:17
    But it's not enough.
    l have no hold on them.
  • 61:18 - 61:21
    And yet, it's only through women
  • 61:22 - 61:25
    that l've felt some hold on life.
  • 61:35 - 61:37
    lt's not life itself l blame
  • 61:38 - 61:41
    but what's contemptible in it.
  • 61:46 - 61:48
    How did all this start?
  • 61:49 - 61:50
    lf l knew, maybe l could help you.
  • 61:51 - 61:54
    Alcohol was in my blood
    before l realized it.
  • 61:54 - 61:56
    What do you mean?
  • 61:57 - 62:01
    l started to drink
    while waiting for things.
  • 62:03 - 62:06
    Then one day l realized
    l'd spent my life waiting.
  • 62:07 - 62:08
    For women.
  • 62:09 - 62:10
    Money.
  • 62:11 - 62:12
    Action.
  • 62:14 - 62:16
    So l drank myself stupid.
  • 62:16 - 62:20
    But you had Dorothy,
    and a lot of others.
  • 62:21 - 62:24
    l never had them.
    l don't have them now.
  • 62:25 - 62:28
    You've got Dorothy. You don't have
    to sleep with her to prove it.
  • 62:29 - 62:31
    l don't.
    l wasn't a good lover.
  • 62:31 - 62:33
    She fled your drinking.
  • 62:33 - 62:35
    l drink because l'm a bad lover.
  • 62:42 - 62:45
    Funny lives we lead,
    clinging to women.
  • 62:46 - 62:48
    You don't seem to cling to Fanny.
  • 62:49 - 62:52
    l wallow in her warmth
    like a pig in a trough.
  • 63:03 - 63:05
    She makes you want
    to touch her.
  • 63:06 - 63:08
    Paris is like her, and so is life.
  • 63:10 - 63:12
    You and your mediocre certainties!
  • 63:21 - 63:22
    Let that mediocrity be enough.
  • 63:23 - 63:25
    You'll recover some of your verve.
  • 63:26 - 63:28
    You're spineless. And weak.
  • 63:30 - 63:31
    And lazy.
  • 63:31 - 63:33
    Certainties frighten you.
  • 63:34 - 63:37
    You defend the shadows
    since the sun hurts your eyes.
  • 63:40 - 63:42
    Are you my friend?
  • 63:43 - 63:47
    lf you are my friend,
    take me as l am. Not otherwise.
  • 63:51 - 63:52
    Let me look at you.
  • 63:55 - 63:57
    l wanted you to help me die.
  • 64:00 - 64:01
    That's all.
  • 64:07 - 64:09
    Promise to come see us again.
  • 64:11 - 64:13
    We lead an organized life.
  • 64:14 - 64:16
    You can write.
  • 64:17 - 64:19
    Move in tomorrow.
  • 64:19 - 64:22
    Dubourg,
    what will you do tonight?
  • 64:24 - 64:28
    l'll write a few pages
    on my Egyptians...
  • 64:31 - 64:33
    then make love to Fanny.
  • 64:34 - 64:37
    l fall into her silence
    as into a well.
  • 64:38 - 64:41
    At the bottom is a great sun
    that warms the earth.
  • 64:47 - 64:49
    Alain, l work.
  • 64:50 - 64:51
    l'm patient.
  • 64:54 - 64:57
    Come Iive with us.
    You'll see what patience is.
  • 65:00 - 65:02
    Alain, I love Iife.
  • 65:04 - 65:06
    What I love in you
    is thati rreplaceable thing...
  • 65:07 - 65:09
    the Iife inside you.
  • 65:47 - 65:50
    You look like death warmed over.
  • 65:52 - 65:55
    You're no spring chicken yourself.
  • 65:57 - 65:58
    You have lovely eyes.
  • 66:32 - 66:35
    You choose your friends.
    You hang out with healthy people.
  • 66:37 - 66:40
    You go to see Dubourg again.
    That deadbeat Dubourg.
  • 66:41 - 66:42
    Manners, manners.
  • 66:43 - 66:45
    How's your American witch?
  • 66:47 - 66:48
    New York?
  • 66:56 - 66:58
    Yes, we have amazing friends.
  • 67:00 - 67:02
    They think time changes them.
  • 67:03 - 67:06
    So they run around like mad,
    not knowing what they're doing.
  • 67:07 - 67:11
    Having children, making deals,
    writing books.
  • 67:12 - 67:14
    Or else they kill themselves.
  • 67:15 - 67:17
    Or they get mystical, like Dubourg.
  • 67:18 - 67:20
    The party's over.
  • 67:21 - 67:25
    The bastards talk about sincerity
    and go about their grubby lives.
  • 67:31 - 67:33
    - And you?
    - Me?
  • 67:35 - 67:37
    Abandoned, ruined
  • 67:38 - 67:41
    utterly devastated...
    unshakeable!
  • 67:42 - 67:45
    l never change.
    l never try to understand.
  • 67:47 - 67:49
    Sleep is all l believe in.
  • 67:50 - 67:52
    You have changed.
    You work now.
  • 67:52 - 67:54
    Painting? My one weakness.
  • 67:55 - 67:56
    The only one?
  • 68:04 - 68:06
    And Carla? Where is she?
  • 68:08 - 68:11
    She got herself killed.
    It was last year in a car accident.
  • 68:14 - 68:15
    Along with some fool.
  • 68:17 - 68:18
    lt's absurd.
  • 68:33 - 68:35
    You can stay here if you like.
  • 68:36 - 68:38
    Thanks, but l'm leaving.
  • 68:38 - 68:40
    l came to say good-bye.
  • 68:41 - 68:42
    You too?
  • 68:50 - 68:53
    Disaster, honey!
    The stove's died on us.
  • 68:53 - 68:56
    That's Urcel. l warn you,
    he's a real chatterbox.
  • 69:05 - 69:09
    Detoxification. A strange thing.
  • 69:12 - 69:15
    Why do we pretend
    to go into detox, dear God!
  • 69:18 - 69:20
    Out of kindness.
  • 69:24 - 69:26
    To make a few
    worried friends happy.
  • 69:28 - 69:32
    So as not to leave poor mankind
    alone with its misery.
  • 69:36 - 69:37
    Shut up, Urcel.
  • 69:38 - 69:41
    You went into detox
    because you were afraid of dying.
  • 69:44 - 69:45
    Wrong.
  • 69:46 - 69:49
    We poets have no need for drugs
  • 69:50 - 69:52
    to attain the borderline
    between life and death.
  • 69:55 - 69:58
    What brought me
    back to drugs, in fact,
  • 69:59 - 70:01
    was the love of risk in our blood.
  • 70:04 - 70:05
    Where do you find death,
  • 70:07 - 70:09
    the madness in all this?
  • 70:09 - 70:12
    Drugs are life.
    They're boring,
  • 70:13 - 70:14
    just like life.
  • 70:19 - 70:22
    Nice system you have
    to put your mind at rest.
  • 70:24 - 70:26
    Some addicts live to be 70.
  • 70:30 - 70:32
    All you risk is deadening your mind.
  • 70:33 - 70:34
    lt's all right for you to talk.
  • 70:35 - 70:38
    Urcel is taking a huge risk.
    He has to produce his work.
  • 70:41 - 70:42
    Oh, please, my dear.
  • 70:46 - 70:49
    His work... more alibis.
  • 70:52 - 70:55
    You poor man,
    you have no sense of such things.
  • 70:59 - 71:01
    You're empty inside.
  • 71:05 - 71:06
    What a boor!
  • 71:07 - 71:08
    He's become unbearable.
  • 71:10 - 71:14
    Basically he's a failure,
    and an envious one.
  • 71:15 - 71:16
    Nonsense.
  • 71:19 - 71:20
    He's a very sweet guy...
  • 71:22 - 71:24
    and he's deeply unhappy.
  • 71:27 - 71:29
    l shouldn't have let him go.
  • 71:30 - 71:31
    Don't worry.
  • 71:32 - 71:34
    He may be unhappy,
    but he won't kill himself.
  • 71:35 - 71:36
    How do you know?
  • 71:39 - 71:40
    Just shut up.
  • 72:01 - 72:03
    l know you don't like me.
  • 72:03 - 72:07
    l just came for news about
    Jerome Minville and his brother.
  • 72:09 - 72:10
    Try the Flore.
  • 72:22 - 72:24
    l hear you were in prison.
  • 72:25 - 72:27
    l was until last week.
  • 72:31 - 72:34
    lt's good to see you.
    You don't look so good.
  • 72:39 - 72:40
    Pretty-boy Alain!
  • 72:45 - 72:47
    He says we need
    some mountain air.
  • 72:47 - 72:49
    He hasn't changed a bit.
  • 72:49 - 72:52
    What did you do over in JFK-land?
    Party a lot?
  • 72:53 - 72:56
    - l should've been with you.
    - We did ask you.
  • 73:00 - 73:03
    Your plan was doomed
    from the start.
  • 73:03 - 73:06
    Sure. History marches on.
  • 73:07 - 73:10
    They'll hear from us again.
    We're stubborn, you know.
  • 73:11 - 73:13
    You won't give up?
  • 73:13 - 73:17
    Are you crazy?
    - No. We're going skiing in Spain.
  • 73:23 - 73:26
    Alain Leroy...
    an old pal from Algeria.
  • 73:27 - 73:30
    - And Left Bank dives.
    - A fine officer in his day.
  • 73:31 - 73:33
    - A great friend.
    - A bit of a drunk.
  • 73:33 - 73:35
    More than a bit.
    Always with the ladies.
  • 73:36 - 73:37
    No political conscience.
  • 73:38 - 73:40
    - Not to be counted on.
    - Too bad.
  • 73:40 - 73:44
    Carrying on with your plot now
    is grotesque and stupid.
  • 73:45 - 73:46
    You haven't a chance.
  • 73:49 - 73:50
    You're just boy scouts.
  • 73:51 - 73:53
    You don't know
    what you're talking about.
  • 73:54 - 73:55
    We're stubborn, l said.
  • 73:56 - 73:58
    When it's all over
  • 73:58 - 74:01
    we'll go on a binge,
    just like old times.
  • 76:42 - 76:45
    Not living there anymore?
    l thought you were.
  • 76:46 - 76:47
    No, l came back.
  • 77:52 - 77:56
    The humiliation of it all.
  • 78:01 - 78:04
    ln St. Tropez,
    for the whole month of June!
  • 78:04 - 78:06
    What a madhouse!
  • 78:06 - 78:09
    lt was ten years ago.
    The whole crowd was there, remember?
  • 78:10 - 78:11
    lt was something!
  • 78:12 - 78:15
    We told Coppi, the cyclist,
    his girl had killed herself.
  • 78:16 - 78:18
    lt wasn't funny.
  • 78:18 - 78:21
    Once he hijacked
    an American Express tourist bus
  • 78:22 - 78:25
    and gave them
    a tour of the Ritz while talking
  • 78:26 - 78:28
    about Scott Fitzgerald.
  • 78:30 - 78:31
    See that face?
  • 78:34 - 78:35
    Alcohol.
  • 78:36 - 78:38
    He's done for.
  • 78:39 - 78:41
    A shame.
    He was good-looking.
  • 78:41 - 78:44
    Richard was in love with him.
  • 78:49 - 78:52
    Go-kart racing
    in the streets of Paris!
  • 78:53 - 78:56
    He organized it.
    It drove the cops nuts.
  • 79:28 - 79:29
    Look out!
  • 79:36 - 79:37
    Are you all right?
  • 80:24 - 80:25
    Mr. Leroy!
  • 80:36 - 80:38
    - Come dry off.
    - Don't worry.
  • 80:39 - 80:41
    You're soaked.
  • 80:46 - 80:47
    l'm not feeling well.
  • 80:56 - 80:57
    l'm early.
  • 80:59 - 81:01
    l fainted in the street.
  • 81:04 - 81:05
    Lie down until dinner.
  • 81:08 - 81:09
    You've got time.
  • 81:11 - 81:14
    Brancion won't be here
    before 10:00. As usual.
  • 81:17 - 81:18
    You know Brancion?
  • 81:18 - 81:21
    No. l mean, yes.
    Don't we all?
  • 81:23 - 81:26
    He's a big man nowadays.
    He's the talk of the town.
  • 81:28 - 81:30
    That loudmouthed intellectual
    amUSeS me.
  • 81:31 - 81:33
    Him and his strongman act.
  • 81:34 - 81:35
    Don't speak ill of strongmen.
  • 81:45 - 81:47
    l'll be up later.
  • 81:57 - 81:59
    Ring if you need anything.
  • 82:13 - 82:14
    Let him sleep.
  • 82:16 - 82:18
    l know what happened.
  • 82:19 - 82:23
    The first drink after detox
    makes you very sick.
  • 82:25 - 82:26
    And then?
  • 82:27 - 82:29
    Then it's all right,
    unfortunately.
  • 82:35 - 82:36
    Poor Alain.
  • 82:40 - 82:42
    lt's nice to see him again.
  • 82:50 - 82:53
    You're looking
    ugly today, Ma Ubu.
  • 83:04 - 83:07
    The peace of mind of these people!
  • 84:22 - 84:24
    Nobody would touch the story.
  • 84:24 - 84:27
    The Anglo-American press
    has more guts.
  • 84:27 - 84:28
    Excuse me.
  • 84:36 - 84:39
    What did my mother
    always say when l was late?
  • 84:40 - 84:44
    ''Alain, you'll start
    with the current course.''
  • 84:45 - 84:47
    Sit down.
  • 84:48 - 84:50
    You know everyone?
  • 84:54 - 84:56
    l don't think you've met Brancion.
  • 84:56 - 85:00
    Marc, may l present a revenant,
    Alain Leroy.
  • 85:01 - 85:03
    An old friend of Cyrille's,
    and an old flame of mine.
  • 85:14 - 85:16
    Hong Kong is overrated.
  • 85:16 - 85:20
    Oriental eroticism
    based on my own little experience,
  • 85:21 - 85:23
    is nothing like what they say.
  • 85:24 - 85:26
    But there's Chinese erotica.
  • 85:27 - 85:29
    There's nothing erotic about it.
  • 85:31 - 85:35
    Eroticism is a Western invention
    a Christian concept
  • 85:35 - 85:38
    based on ideas of good and evil,
  • 85:38 - 85:40
    transgression and original sin.
  • 85:42 - 85:44
    These concepts don't exist there.
  • 85:47 - 85:49
    l'm not hungry, Louis.
  • 85:49 - 85:51
    l'll just have cheese.
  • 85:54 - 85:55
    Young as ever.
  • 86:00 - 86:01
    We've met before.
  • 86:05 - 86:07
    On Long Island,
    at the Fairmans'.
  • 86:10 - 86:12
    How is Dorothy?
  • 86:15 - 86:16
    l don't really know.
  • 86:17 - 86:19
    l hear she's happy.
  • 86:23 - 86:26
    l said something
    l shouldn't have?
  • 86:26 - 86:28
    Not really.
  • 86:28 - 86:29
    Chinese libertines
  • 86:30 - 86:33
    are pure hedonists
    for whom love is a pleasure
  • 86:34 - 86:35
    which they seek to refine.
  • 86:36 - 86:37
    lt's something esthetic,
  • 86:38 - 86:40
    whereas for us it's a concept.
    - Brancion!
  • 86:42 - 86:44
    My friend Alain can't take
    his eyes off you.
  • 86:54 - 86:56
    Let me tell you a story.
  • 86:57 - 86:58
    A famous one.
  • 87:00 - 87:02
    One day,
    at 7:00 in the morning,
  • 87:03 - 87:07
    a policeman finds,
    sleeping the sleep of the dead drunk,
  • 87:08 - 87:11
    a young man lying
    on the Tomb of the Unknown Soldier.
  • 87:15 - 87:17
    The said young man,
  • 87:18 - 87:19
    sure he was home in bed
  • 87:20 - 87:24
    had laid his watch
    wallet, and handkerchief
  • 87:25 - 87:29
    next to the memorial flame
    as if it were a night table.
  • 87:32 - 87:34
    Who was the hero of our tale?
  • 87:36 - 87:37
    Alain Leroy, here present.
  • 88:00 - 88:02
    Brancion doesn't like drunks.
  • 88:03 - 88:05
    He has a bad liver.
  • 88:08 - 88:11
    l heard in New York
    you were getting divorced.
  • 88:11 - 88:13
    Mental cruelty?
  • 88:14 - 88:15
    Who's that?
  • 88:17 - 88:19
    François Mignac,
    a model Parisian.
  • 88:19 - 88:21
    ln bed at 3:00 a.m.
    Riding from 9:00 to 11:00.
  • 88:23 - 88:27
    Then off to the stock exchange,
    to win or lose a quick million.
  • 88:28 - 88:29
    Business lunch.
  • 88:29 - 88:32
    Some time at the office.
    A woman.
  • 88:33 - 88:34
    A few drinks.
  • 88:35 - 88:38
    Dinner out. A nightclub.
    Then he starts over again.
  • 88:38 - 88:41
    Twenty years,
    and he still loves it!
  • 89:07 - 89:09
    lt's nice to see you.
  • 89:10 - 89:12
    We've missed you.
  • 89:14 - 89:15
    You're sweet.
  • 89:23 - 89:25
    Once he gets his divorce.
  • 89:29 - 89:31
    Good for you. That's true love!
  • 89:31 - 89:32
    This is all new.
  • 89:35 - 89:37
    l've never felt this way.
  • 89:39 - 89:41
    And you know me.
  • 89:41 - 89:43
    A woman in love.
  • 89:44 - 89:46
    Do l know him?
  • 89:46 - 89:48
    No. He never goes out.
  • 89:49 - 89:52
    But you'll meet him.
    He's coming to pick me up.
  • 89:54 - 89:59
    So that's the fabulous
    Iegendary, irresistible Alain Leroy.
  • 90:00 - 90:04
    Harlequin, Watteau,
    gallant revels.
  • 90:07 - 90:08
    Don't be mean.
  • 90:09 - 90:11
    He's not himself tonight.
  • 90:12 - 90:14
    Say something nice to him.
  • 90:15 - 90:17
    lt would wound him even more.
  • 90:20 - 90:22
    We could help each other.
  • 90:22 - 90:24
    Give me a call.
  • 90:25 - 90:27
    Do you have my number?
  • 90:29 - 90:30
    Corrupting a minor.
  • 90:38 - 90:41
    Your husband's crazy,
    giving Alain a drink.
  • 90:42 - 90:45
    A shame you don't get along
    with Brancion.
  • 90:45 - 90:47
    He's irritating, but he's someone.
  • 90:48 - 90:49
    ls he?
  • 90:50 - 90:51
    Go on. Shoot him down!
  • 90:54 - 90:56
    A man of many parts.
  • 90:57 - 90:59
    A good sport.
  • 91:00 - 91:02
    Wears his dentures with confidence.
  • 91:02 - 91:04
    Has had every woman here tonight.
  • 91:05 - 91:06
    Except Solange.
  • 91:10 - 91:12
    A real Martian!
  • 91:13 - 91:15
    l envy his serenity.
  • 91:17 - 91:19
    Get off my back!
  • 91:25 - 91:27
    l'll do as l like!
  • 91:29 - 91:30
    Cyrille...
  • 91:33 - 91:35
    your Piranesis are superb.
  • 91:36 - 91:38
    The best prints l've ever seen.
  • 91:40 - 91:43
    l admire what you do.
  • 91:44 - 91:46
    Because you don't believe in it.
  • 91:47 - 91:50
    You're wrong.
    l damn well do.
  • 91:53 - 91:54
    l just want to say, sir...
  • 91:57 - 92:00
    that like you,
    l don't find it funny
  • 92:00 - 92:02
    to sleep on a tomb...
  • 92:04 - 92:06
    when it's so easy to open it
    and sleep inside.
  • 92:08 - 92:10
    That's all.
  • 92:12 - 92:15
    Forgive me.
    l never get drunk,
  • 92:15 - 92:18
    and l hate stories about drunks.
  • 92:18 - 92:20
    l'm a poor drunkard.
  • 92:22 - 92:24
    Liquor is stupid.
  • 92:25 - 92:27
    We drunks are poor cousins...
  • 92:29 - 92:30
    and we know it.
  • 92:38 - 92:39
    Anyway,
  • 92:40 - 92:42
    we fade away fast.
  • 92:42 - 92:44
    Alain, you're too far gone.
  • 92:45 - 92:47
    l'm not gone yet,
    but l'm going.
  • 92:48 - 92:51
    l have to go. l'm late.
  • 92:54 - 92:58
    As it happens, l'm a man.
    But l've never had money or women.
  • 92:59 - 93:01
    Yet l'm very active.
  • 93:03 - 93:04
    The thing is...
  • 93:06 - 93:08
    l can't reach out with my hands.
  • 93:10 - 93:12
    l can't touch things.
  • 93:18 - 93:20
    And when l do touch things,
  • 93:21 - 93:22
    l feel nothing.
  • 93:29 - 93:31
    Come say hello to the Filolies.
  • 93:47 - 93:49
    l'd like you to meet Frédéric.
  • 93:50 - 93:52
    And you, sir?
  • 93:53 - 93:54
    Do you believe in your actions?
  • 93:59 - 94:01
    l don't like talking about myself.
  • 94:01 - 94:03
    Then you don't like talking.
  • 94:04 - 94:06
    l enjoy listening to you.
  • 94:16 - 94:17
    You believe in Maria?
  • 94:22 - 94:24
    Congratulations on finding Maria.
  • 94:25 - 94:26
    You have a woman.
  • 94:28 - 94:30
    l have nothing.
  • 94:30 - 94:31
    Come now!
  • 94:33 - 94:35
    You don't know what it's like
  • 94:36 - 94:39
    being unable to touch anything.
  • 94:45 - 94:46
    l'm incapable of wanting.
  • 94:49 - 94:50
    l can't even desire.
  • 94:52 - 94:54
    The women here tonight...
  • 94:56 - 94:58
    l can't desire them.
  • 94:59 - 95:00
    They scare me.
  • 95:02 - 95:03
    Scare me!
  • 95:05 - 95:06
    Take Solange, for instance.
  • 95:08 - 95:11
    Five minutes with her
    and l'd feel like an insect.
  • 95:13 - 95:14
    l'd vanish into the woodwork.
  • 95:15 - 95:17
    What's wrong, Alain?
    You're a bit tipsy.
  • 95:18 - 95:20
    And so sad.
    What is it now?
  • 95:27 - 95:29
    You're life itself.
  • 95:30 - 95:32
    Yes, life.
  • 95:33 - 95:36
    But l can't touch you.
    It's horrible.
  • 95:38 - 95:41
    You're here in front of me
    but there's no way.
  • 95:52 - 95:54
    So l'll try with death.
  • 95:56 - 95:58
    She should be
    more accommodating.
  • 96:05 - 96:07
    Life is strange.
  • 96:09 - 96:12
    You're a beautiful woman.
    A good woman.
  • 96:13 - 96:15
    You love making love.
  • 96:18 - 96:19
    And yet...
  • 96:20 - 96:23
    between the two of us
    nothing's possible.
  • 96:34 - 96:36
    To leave without having
    touched anything.
  • 96:37 - 96:39
    Beauty. Goodness.
  • 96:40 - 96:42
    All their lies.
  • 96:44 - 96:46
    You can work miracles.
  • 96:47 - 96:48
    Touch the leper.
  • 96:49 - 96:52
    lt's a matter of timing
  • 96:52 - 96:54
    between a man and a woman.
  • 96:56 - 96:59
    And your beauties -
    Dorothy, Lydia and the others.
  • 97:00 - 97:02
    They're lovely.
    They adore you.
  • 97:02 - 97:05
    Not lovely enough.
    Not good enough.
  • 97:05 - 97:07
    They've gone.
  • 97:07 - 97:09
    They're waiting for you.
  • 97:13 - 97:16
    They love making love as much as l do.
  • 97:16 - 97:17
    Things well done.
  • 97:20 - 97:21
    That's it.
  • 97:22 - 97:24
    Things well done.
  • 97:28 - 97:29
    l'm leaving.
  • 97:31 - 97:33
    Stay with us. Talk to me.
  • 97:38 - 97:39
    l'll be back.
  • 97:40 - 97:42
    But l have to go now.
  • 97:44 - 97:46
    Without a word.
    Enough humiliation.
  • 97:47 - 97:49
    You'll be back?
  • 97:59 - 98:02
    - Need any money?
    - l'm loaded.
  • 98:03 - 98:05
    Let's lunch tomorrow
    and we'll talk.
  • 98:06 - 98:10
    Good-bye, Alain.
    We're very fond of you.
  • 98:10 - 98:12
    Good-bye, Solange, Cyrille.
  • 98:12 - 98:15
    Don't forget:. Iunch tomorrow.
  • 98:52 - 98:54
    Cyrille has a hold on Solange.
  • 98:55 - 98:58
    He's a good lover,
    and he's worth millions.
  • 98:59 - 99:01
    Brancion hasn't much of a chance.
  • 99:07 - 99:09
    When l was 18
    and fairly good-looking,
  • 99:10 - 99:12
    my first mistress cheated on me.
  • 99:12 - 99:14
    Eighteen is an age
    for being two-timed.
  • 99:14 - 99:17
    At 18 or at 30.
    They're always nice,
  • 99:18 - 99:21
    but they all leave
    or they let me go.
  • 99:21 - 99:24
    You really surprise me.
    Call it what you will,
  • 99:25 - 99:27
    but you attract them.
  • 99:28 - 99:31
    l'm awkward, inept.
  • 99:33 - 99:35
    The sensitivity was in my heart,
  • 99:35 - 99:37
    not my hands.
  • 99:43 - 99:46
    When you care about people,
    Milou, they're nice.
  • 99:47 - 99:48
    They give you everything.
  • 99:51 - 99:52
    Love.
  • 99:54 - 99:55
    Money.
  • 99:58 - 100:01
    You must make people feel
    you want them
  • 100:02 - 100:04
    and that you'll hold on to them.
  • 100:12 - 100:15
    You're sensitive, Milou
    but you don't want them.
  • 100:16 - 100:18
    l don't love them.
  • 100:19 - 100:20
    l never could love them.
  • 100:24 - 100:26
    l can't touch. l can't take.
  • 100:27 - 100:29
    lt has to come from the heart.
  • 100:30 - 100:31
    What is it you wanted?
  • 100:34 - 100:36
    l'd have liked
    to captivate people,
  • 100:37 - 100:39
    hold on to them
  • 100:40 - 100:41
    bind them close.
  • 100:42 - 100:45
    So that things would stay still
    around me.
  • 100:46 - 100:48
    But it always went to hell.
  • 100:48 - 100:51
    You really love people
    that much?
  • 100:54 - 100:56
    l wanted so much to be loved...
  • 100:57 - 100:59
    that l feel l do love.
  • 103:15 - 103:16
    Want some breakfast?
  • 103:18 - 103:19
    No, thanks.
  • 103:34 - 103:36
    l'm not to be disturbed
    before noon.
  • 105:30 - 105:31
    ls that you, Alain?
  • 105:32 - 105:34
    Did l wake you?
  • 105:35 - 105:36
    Solange.
  • 105:36 - 105:39
    Dearest Alain, l'm calling
    to remind you about lunch.
  • 105:39 - 105:43
    We're expecting you without fail.
    Don't be late.
  • 105:44 - 105:46
    We'll have a nice chat.
  • 105:47 - 105:48
    How are you today?
  • 105:49 - 105:50
    Not bad.
  • 105:50 - 105:53
    With that tone of voice?
    Can we count on you?
  • 105:54 - 105:55
    Sure you can.
  • 105:58 - 105:59
    That's sweet of you.
  • 106:00 - 106:01
    l care for you.
  • 106:02 - 106:04
    You care for me.
  • 106:05 - 106:06
    And Brancion?
  • 106:06 - 106:09
    Brancion is your opposite.
  • 106:11 - 106:13
    He's a force of nature.
  • 106:14 - 106:17
    And you like forces of nature?
  • 106:18 - 106:20
    l like all sorts of people.
  • 106:22 - 106:24
    l'm not a force of nature.
  • 106:25 - 106:26
    You have heart.
  • 106:28 - 106:30
    l don't understand any of this.
  • 106:32 - 106:33
    Good-bye, Solange.
  • 106:38 - 106:41
    Solange answers for Dorothy.
  • 108:01 - 108:03
    l'm killing myself
    because you didn't love me,
  • 108:04 - 108:06
    because l didn't love you.
  • 108:06 - 108:08
    Because our ties were loose
  • 108:09 - 108:11
    l'm killing myself to tighten them.
  • 108:11 - 108:13
    l leave you
  • 108:14 - 108:15
    with an indelible stain.
Title:
Le Feu follet, 1963 [Multi Subs]
Description:

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Duration:
01:48:21

English subtitles

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