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Why is this painting so shocking? - Iseult Gillespie

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    On April 26th, 1937,
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    Fascist forces bombed the Basque village
    of Guernica in Northern Spain.
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    It was one of the worst civilian
    casualties of the Spanish Civil War,
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    waged between the democratic republic and
    General Franco’s fascist contingent.
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    For Pablo Picasso, the
    tragedy sparked a frenzied period of work
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    in which he produced a
    massive anti-war mural,
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    aptly titled "Guernica."
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    The painting is a powerful work of
    historical documentation
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    and political protest.
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    But while Picasso’s artistic
    motivations are clear,
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    the symbolism of the painting can be as
    confusing and chaotic as war itself.
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    How can we make sense of this
    overwhelming image,
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    and what exactly makes it a
    masterpiece of anti-war art?
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    The painting’s monumental canvas is
    disorienting from the start,
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    rendered in the abstracted Cubist style
    Picasso pioneered.
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    Cubism deliberately emphasized the
    two-dimensionality of the canvas
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    by flattening the objects being painted.
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    This afforded viewers multiple
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    and often impossible perspectives
    on the same object;
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    a technique considered shocking
    even in Picasso’s domestic scenes.
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    But in this context,
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    the style offers a profoundly
    overwhelming view
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    of violence, destruction, and casualties.
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    Multiple perspectives only compound
    the horror on display–
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    sending the eyes hurtling around the
    frame in a futile hunt for peace.
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    On the far left, a woman holding her
    dead child releases a scream;
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    her eyes sliding down her face
    in the shape of tears
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    and her head bending back unnaturally
    to echo her baby’s.
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    There is the statue of a soldier
    present below,
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    but he is unable to defend
    the woman and child.
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    Instead his broken body lies in pieces,
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    his arm clutching a splintered sword
    in a signal of utmost defeat.
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    The tip of his sword meets a woman’s foot
    as she attempts to flee the devastation.
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    But her other leg appears
    rooted to the spot,
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    locked in the corner of the canvas
    even as she stretches to move it.
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    Another victim appears
    behind this slouching figure.
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    Falling helplessly as flames
    lick around her,
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    she too is caught in her
    own hopeless scene.
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    Each of these figures bordering the
    painting are horribly trapped,
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    giving the work an acute
    sense of claustrophobia.
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    And where you might expect the canvas’
    massive size to counteract this feeling,
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    its scale only highlights the nearly
    life-sized atrocities on display.
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    Some possible relief comes from a lamp
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    held tightly by a ghostly woman
    reaching out her window.
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    But is her lantern’s hopeful glow
    truly lighting the scene?
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    Or is it the jagged lightbulb–
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    thought to represent the technologies
    of modern warfare–
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    which illuminates her view of
    the chaos below?
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    From the coffin-like confines
    of her window,
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    her arm guides the viewer back
    into the fray,
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    to perhaps the most controversial
    symbols of all–
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    two ghostly animals caught
    in the destruction.
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    Does the screaming horse embody the
    threat of Franco’s military nationalism;
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    or does the spike running through
    its body convey its victimhood?
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    Does the white bull represent Spain,
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    the country of matadors and a common
    theme in Picasso’s work–
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    or does it stand for the
    brutality of war?
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    In this scene of strife, these animals
    raise more questions than answers.
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    And additional elements hidden
    throughout the frame
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    offer even more secrets for
    close observers.
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    At the top of the canvas flashes a bird
    desperate to escape the carnage.
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    And the abundance of animals on display
    may hint at the bombing’s date–
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    a market day which flooded the streets
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    with villagers, animals, and
    other potential causalities.
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    Like the bombing of Guernica itself,
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    Picasso’s painting is dense
    with destruction.
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    But hidden beneath this supposed chaos,
    are carefully crafted scenes and symbols,
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    carrying out the painting’s multifaceted
    attack on fascism.
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    Decades after its creation,
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    "Guernica" retains its power to shock
    viewers and ignite debate,
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    and is often referenced at anti-war
    gatherings around the world.
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    Hundreds of viewers have grappled with
    its harsh imagery, shattering symbolism
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    and complex political messaging.
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    But even without a close understanding
    of it’s complicated subtext,
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    Picasso’s work remains a searing reminder
    of the true casualties of violence.
Title:
Why is this painting so shocking? - Iseult Gillespie
Speaker:
Iseult Gillespie
Description:

View full lesson: https://ed.ted.com/lessons/why-is-this-painting-so-shocking-iseult-gillespie

In 1937, in one of the worst civilian casualties of the Spanish Civil War, Fascist forces bombed the village of Guernica in Northern Spain. For Pablo Picasso, the tragedy sparked a frenzied period of work in which he produced a massive anti-war mural, titled "Guernica." How can we make sense of this overwhelming image, and what makes it a masterpiece of anti-war art? Iseult Gillespie investigates.

Lesson by Iseult Gillespie, directed by Avi Ofer.

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Video Language:
English
Team:
closed TED
Project:
TED-Ed
Duration:
05:04
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