Return to Video

In Praise of Chairs

  • 0:06 - 0:09
    Hi my name is Tony and
    this is Every Frame a Painting.
  • 0:09 - 0:12
    Here’s a weird question. Have you ever
    watched a scene and thought...
  • 0:16 - 0:18
    That’s a great chair.
  • 0:18 - 0:22
    I don’t mean the chair would be great
    to own, though that would be nice.
  • 0:23 - 0:26
    Just that somebody took the time to find
    the exact right chair for the story.
  • 0:27 - 0:29
    And that attention to detail
    has paid off in some way.
  • 0:29 - 0:32
    -"There are five different types of
    chairs in this hotel room."
  • 0:32 - 0:35
    -"Holy fuck what're they all doing here"
    -"Five different types of chairs."
  • 0:35 - 0:37
    -"Get em outta here man."
  • 0:38 - 0:40
    Because in film,
    a chair is not just a chair.
  • 0:40 - 0:42
    It’s a piece of production design.
    And the type of chair you choose
  • 0:42 - 0:46
    can say everything about the person
    and the world they inhabit.
  • 0:46 - 0:50
    -"You know, my papers.
    Business papers"
  • 0:51 - 0:52
    So let’s shop around.
  • 0:52 - 0:55
    If you’d like to see the film names,
    press the CC button below.
  • 1:00 - 1:04
    Let's say you’ve written a story.
    What use is something like this to you?
  • 1:05 - 1:08
    Well the first, and most common use
    of a chair is as extension of the world.
  • 1:09 - 1:13
    This is how you and I see them every day
    as part of the environment.
  • 1:14 - 1:16
    But an audience can take
    one look at them and tell
  • 1:16 - 1:17
    whether the world is bright and clean
  • 1:18 - 1:20
    or a little more run-down
  • 1:21 - 1:22
    Whether our characters
    have very little money
  • 1:23 - 1:24
    or plenty of it
  • 1:25 - 1:27
    -"You can't sell leaf-tables
    and no chairs..."
  • 1:27 - 1:30
    "Chairs, you got a dinette set.
    No chairs, you got dick!"
  • 1:31 - 1:33
    Like all production design,
    the right chair gives us
  • 1:33 - 1:35
    an entire world to imagine
    beyond the frame.
  • 1:36 - 1:38
    -"Ugly old thing."
  • 1:38 - 1:40
    -"Yet it has a certain appeal."
  • 1:42 - 1:44
    -"The Lysa Arryn of chairs."
  • 1:44 - 1:47
    And it also offers a very
    simple way to show power and hierarchy.
  • 1:48 - 1:49
    The head of the monarchy.
  • 1:50 - 1:51
    The captain of the ship.
  • 1:52 - 1:53
    Or the ruler of the whole empire.
  • 1:54 - 1:57
    -"Welcome, young Skywalker."
  • 1:58 - 2:03
    The 2nd, more unusual, use of a chair
    is as extension of a specific character.
  • 2:03 - 2:05
    For instance, you might have someone
    who’s weak and insecure.
  • 2:06 - 2:09
    -"I have so arranged that he will
    always be looking up at you...
  • 2:09 - 2:11
    -"...and you looking down at him."
  • 2:11 - 2:13
    -"Mm hmm. Very good."
  • 2:13 - 2:15
    Who tries to keep other people down.
  • 2:17 - 2:20
    And yet his plans are always challenged
    and he can never be on top.
  • 2:20 - 2:22
    -"Very interesting."
    -"Yes, you like it?"
  • 2:23 - 2:25
    In other words, a chair can represent
    the psychology of a person.
  • 2:26 - 2:27
    If they are vain...
  • 2:27 - 2:29
    If they lack inhibition...
  • 2:29 - 2:31
    Or if they really like joysticks.
  • 2:32 - 2:34
    And if you consider animation,
    you can push this even further
  • 2:35 - 2:37
    by drawing chairs that
    resemble the character.
  • 2:40 - 2:43
    Notice here how Carl’s square head
    is similar to his chair
  • 2:43 - 2:45
    while Ellie’s round head and ears
    resemble hers.
  • 2:47 - 2:49
    After she dies,
    Carl keeps her chair nearby.
  • 2:50 - 2:52
    So that every time we see it, we’re
    reminded of how much he loved her.
  • 2:55 - 2:57
    But the third option is probably
    the most widely applicable
  • 2:57 - 3:00
    a chair can be
    an extension of the situation.
  • 3:00 - 3:05
    -"And you believed that story?
    You believed that?"
  • 3:05 - 3:08
    In this scene from The Godfather Part II
    notice how Fredo tries to sit up
  • 3:09 - 3:13
    -"I’ve always taken care of you, Fredo"
    -"Taken care of me?!?"
  • 3:14 - 3:15
    but his chair won’t let him.
  • 3:15 - 3:17
    -"You’re my kid brother,
    you take care of me?!"
  • 3:18 - 3:20
    And the more he fidgets,
    the more powerless he looks.
  • 3:21 - 3:23
    Francis Ford Coppola: "There was
    something about that chair..."
  • 3:23 - 3:27
    "...that worked great for the scene.
    He kept saying 'I’m your older brother!'
  • 3:27 - 3:33
    "...and stuff like that, and the chair
    made him so limp and springy..."
  • 3:33 - 3:36
    "It just worked great."
  • 3:36 - 3:37
    The great thing about chairs is that
  • 3:37 - 3:39
    they change the posture of the actors.
  • 3:39 - 3:42
    Some chairs don’t let them
    get comfortable at all.
  • 3:44 - 3:45
    Others let them get too comfortable.
  • 3:46 - 3:50
    -"Hello, Bernie."
    -"Hello Tom, what’s the rumpus?"
  • 3:51 - 3:52
    And others encourage them
    to be a little...
  • 3:55 - 3:57
    -"Blofeld"
  • 3:57 - 3:58
    ...theatrical.
  • 4:01 - 4:05
    None of these are mutually exclusive.
    In fact, the most fun happens
  • 4:05 - 4:07
    when you start with one thing
    and end up with something else.
  • 4:08 - 4:11
    In this scene from Playtime,
    listen to the sound the chair makes.
  • 4:14 - 4:16
    It’s a simple joke.
    But a few minutes later
  • 4:17 - 4:19
    that joke gets extended,
    with two people and two chairs.
  • 4:26 - 4:30
    And as the chair keeps re-appearing
    in scene after scene after scene
  • 4:31 - 4:36
    it becomes a larger joke about how
    people always buy the same damn chairs
  • 4:37 - 4:39
    This is what great
    production design can get you.
  • 4:39 - 4:42
    That one detail that
    pays off in unexpected ways.
  • 4:44 - 4:48
    And it doesn’t have to be a chair.
    They're just very common & pretty cheap.
  • 4:52 - 4:54
    But the next time you have a scene
    and you ask the actors to sit
  • 4:54 - 4:56
    Consider this:
    what do they sit on?
  • 4:57 - 4:58
    -"This isn't real?"
  • 4:59 - 5:01
    And is there a way for that object
    to be something more?
Title:
In Praise of Chairs
Description:

more » « less
Video Language:
English
Duration:
05:19

English subtitles

Revisions