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The Godfather Full Movie Part 1

  • 0:05 - 0:15
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    America has made my fortune.
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    And I raised my daughter
    in the American fashion.
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    I gave her freedom, but I taught her
    never to dishonor her family.
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    She found a boyfriend, not an Italian.
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    She went to the movies with him.
    She stayed out late.
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    I didn't protest.
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    Two months ago he took her for a drive
    with another boyfriend.
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    They made her drink whiskey
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    and then they tried to
    take advantage of her.
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    She resisted, she kept her honor.
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    So they beat her like an animal.
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    When I went to the hospital,
    her nose was broken,
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    her jaw was shattered,
    held together by wire.
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    She couldn't even weep
    because of the pain.
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    But I wept. Why did I weep?
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    She was the light of my life.
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    Beautiful girl.
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    Now she will never be beautiful again.
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    Sorry.
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    I went to the police,
    like a good American.
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    These two boys were brought to trial.
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    The judge sentenced them
    to three years in prison,
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    but suspended the sentence.
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    Suspended the sentence!
    They went free that very day!
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    I stood in the courtroom like a fool.
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    Those two bastards, they smiled at me.
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    Then I said to my wife, "For justice,
    we must go to Don Corleone. "
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    Why did you go to the police?
    Why didn't you come to me first?
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    What do you want of me? Tell me
    anything, but do what I beg you to do.
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    What is that?
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    I want them dead.
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    That I cannot do.
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    I'll give you anything you ask.
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    I've known you many years, but this
    is the first time you've asked for help.
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    I can't remember the last time
    you invited me for a cup of coffee.
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    Even though my wife is godmother
    to your only child.
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    But let's be frank here.
    You never wanted my friendship.
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    And you were afraid to be in my debt.
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    I didn't want to get into trouble.
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    I understand.
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    You found Paradise in America.
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    You made a good living, had police
    protection and there were courts of law.
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    You didn't need a friend like me.
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    But now you come to me and say,
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    "Don Corleone, give me justice. "
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    But you don't ask with respect.
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    You don't offer friendship. You don't
    even think to call me Godfather.
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    You come on my daughter's wedding
    day and ask me to murder for money.
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    I ask you for justice.
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    That is not justice.
    Your daughter is alive.
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    Let them suffer, then, as she suffers.
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    How much shall I pay you?
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    Bonasera, Bonasera.
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    What have I ever done to make you
    treat me so disrespectfully?
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    If you'd come in friendship,
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    the scum that ruined your daughter
    would be suffering this very day.
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    And if an honest man like you should
    make enemies, they'd be my enemies.
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    And then they would fear you.
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    Be my friend?
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    Godfather?
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    Good.
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    Some day, and that day may never
    come, I'll ask a service of you.
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    But until that day
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    accept this justice as a gift
    on my daughter's wedding day.
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    -Gràzie, Godfather.
    -Prego.
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    Give this to Clemenza.
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    I want people that aren't going to
    get carried away.
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    We're not murderers,
    in spite of what this undertaker says.
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    -Where's Michael?
    -Don't worry, he'll be here.
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    We're not taking the picture
    without Michael.
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    -What's the matter?
    -It's Michael.
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    Don Barzini.
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    Hey, Paulie! Let me have some wine.
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    Paulie! More wine.
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    -You look terrific on the floor.
    -Are you a dance judge or something?
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    Take a walk and do your job.
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    Sandra, watch the kids.
    Don't let them run wild.
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    You watch yourself, all right?
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    20, 30 grand. In small bills, cash.
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    In that little silk purse.
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    If this were somebody else's wedding...
    Sfortunato!
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    Hey, Paulie!
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    I got two gabagool, capocol,
    and a prosciut.
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    Stupid jerk!
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    What's the matter?
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    -Have to go back to work.
    -Tom.
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    No Sicilian can refuse any request
    on his daughter's wedding day.
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    Don Corleone, I'm honored and
    grateful that you have invited me.
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    Get out of here!
    It's a private party. Go on!
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    What is it? It's my sister's wedding.
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    Goddamn FBI don't respect nothing!
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    Come here, come here, come here!
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    ...but towards the end, he was paroled
    to help with the American war effort,
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    so for six months
    he's worked in my pastry shop.
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    Nazorine, what can I do for you?
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    Now that the war is over,
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    this boy, Enzo, they want to
    repatriate him back to Italy.
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    Godfather, I have a daughter.
    You see, she and Enzo...
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    You want Enzo to stay in this country,
    and your daughter to be married.
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    You understand everything.
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    Mr. Hagen. Thank you.
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    Wait till you see the wedding cake
    I made for your daughter!
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    The bride, the groom and the angel...
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    -Who should I give this job to?
    -Not to our paisan.
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    Give it to a Jew Congressman in
    another district. Who else is on the list?
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    Hey, Michael!
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    He's not on the list,
    but Luca Brasi wants to see you.
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    Is this necessary?
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    He didn't expect to be invited to the
    wedding, so he wanted to thank you.
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    Don Corleone, I'm honored and
    grateful that you have invited me
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    on the wedding day of your daughter.
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    May their first child
    be a masculine child.
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    Michael...
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    That man over there
    is talking to himself.
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    See that scary guy over there?
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    -He's a very scary guy.
    -What's his name?
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    His name is Luca Brasi.
    He helps my father out sometimes.
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    Michael, he's coming over here!
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    You look terrific!
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    My brother Tom Hagen,
    Miss Kay Adams.
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    Your father's been asking for you.
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    -Very nice to meet you.
    -Nice to meet you.
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    Why does your brother
    have a different name?
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    My brother Sonny found Tom Hagen
    in the street.
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    He had no home,
    so my father took him in.
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    He's been with us ever since.
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    He's a good lawyer.
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    Not a Sicilian. I think
    he's going to be consigliere.
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    -What's that?
    -That's a,
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    like a counselor, an advisor.
    Very important for the family.
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    You like your lasagna?
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    Don Corleone.
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    I'm honored and grateful
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    that you have invited me
    to your daughter's wedding.
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    On the day of your daughter's wedding.
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    And I hope that their first child
    will be a masculine child.
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    I pledge my ever-ending loyalty.
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    -For your daughter's bridal purse.
    -Thank you, Luca. Most valued friend.
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    Don Corleone, I'm going to leave you
    now, because I know you're busy.
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    Thank you.
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    Signora Corleone!
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    No!
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    Senator Cauley apologized for not
    coming, but said you'd understand.
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    Also some of the judges.
    They've all sent gifts.
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    What is that outside?
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    Johnny! Johnny!
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    I love you!
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    He came all the way from California.
    I told you he'd come!
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    -He's probably in trouble again.
    -He's a good godson.
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    Johnny, Johnny! Sing a song!
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    You never said
    you knew Johnny Fontane!
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    -Sure. You want to meet him?
    -Great! Sure.
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    -My father helped him with his career.
    -He did?
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    How?
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    -Let's listen to this song.
    -Michael...
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    Please, Michael. Tell me.
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    When Johnny was starting out, he was
    signed to a personal service contract
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    with a big bandleader.
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    And as his career got better and better,
    he wanted to get out of it.
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    Johnny is my father's godson.
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    My father went to see this bandleader.
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    He offered him $ 10,000
    to let Johnny go,
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    but the bandleader said no.
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    So the next day my father went to see
    him, but this time with Luca Brasi.
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    Within an hour,
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    he signed a release
    for a certified check of $ 1,000.
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    -How did he do that?
    -Made him an offer he couldn't refuse.
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    -What was that?
    -Luca Brasi held a gun to his head,
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    and father said that either his brains or
    his signature would be on the contract.
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    That's a true story.
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    That's my family, Kay. It's not me.
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    Beautiful!
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    I'll take care of it.
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    Tom...
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    I want you to find Santino.
    Tell him to come to the office.
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    How are you, Fredo?
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    My brother Fredo, this is Kay Adams.
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    -Hi.
    -How are you doing?
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    -This is my brother Mike.
    -Are you having a good time?
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    Yeah. This is your friend?
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    I don't know what to do.
    My voice is weak. It's weak.
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    Anyway, if I had this part in the picture,
    it puts me right back on top again.
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    But this...man won't give it to me,
    the head of the studio.
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    -What's his name?
    -Woltz.
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    He won't give it to me,
    and he says there's no chance.
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    Sonny?
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    Sonny?
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    Sonny?
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    -Sonny, are you in there?
    -What?
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    The old man wants you.
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    One minute.
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    A month ago he bought the movie rights
    to this book, a best-seller.
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    The main character
    is a guy just like me.
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    I wouldn't even have to act.
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    Godfather, I don't know what to do.
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    You can act like a man!
    What's the matter with you?
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    Is this how you turned out? A Hollywood
    finocchio that cries like a woman?
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    "What can I do? What can I do?"
    What is that nonsense?
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    Ridiculous.
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    -You spend time with your family?
    -Sure I do.
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    Good.
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    Because a man who doesn't spend time
    with his family can never be a real man.
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    You look terrible. I want you to eat.
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    Rest, and in a month this Hollywood
    big shot will give you what you want.
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    It's too late,
    they start shooting in a week.
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    I'm going to make him an offer
    he can't refuse.
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    Just go outside and enjoy yourself,
    and forget about all this nonsense.
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    -I want you to leave it all to me.
    -All right.
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    -What time does my daughter leave?
    -Soon, after they cut the cake.
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    Do we give your son-in-law
    something important?
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    Never. Give him a living, but never
    discuss the family business with him.
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    -What else?
    -Virgil Sollozzo called.
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    -We'll have to see him next week.
    -When you come back from California.
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    -When am I going to California?
    -Tonight.
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    I want you to talk to this movie big shot
    and settle this business for Johnny.
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    If there's nothing else, I'd like to go
    to my daughter's wedding.
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    Carlo, we're going to take the picture.
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    Wait a minute.
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    No, Michael. Not me.
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    Okay, that's it. Just like that. Hold it!
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    -You need a little more heat on that arc.
    -Start talking.
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    I was sent by a friend
    of Johnny Fontane.
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    This friend would give
    his friendship to Mr. Woltz,
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    if Mr. Woltz would grant us a favor.
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    Woltz is listening.
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    Give Johnny the part in that war film
    you're starting next week.
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    And what favor would your friend
    grant Mr. Woltz?
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    He could make your future union
    problems disappear.
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    And one of your stars has just moved
    from marijuana to heroin.
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    Are you trying to muscle me?
    Listen, you son-of-a-bitch!
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    Let me lay it on the line.
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    Johnny Fontane
    will never get that movie!
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    No matter how many Dago Guinea
    greaseballs come out of the woodwork!
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    -I'm German-Irish.
    -Listen here, my Kraut-Mick friend.
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    -I'm going to make trouble for you!
    -I'm a lawyer. I haven't threatened...
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    I know New York's big lawyers.
    Who are you?
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    I have a special practice.
    I handle one client.
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    I'll wait for your call.
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    By the way,
    I admire your pictures very much.
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    Check him out.
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    -It's really beautiful.
    -Look at this.
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    -It used to decorate a king's palace.
    -Very nice.
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    Why didn't you say
    you work for Corleone?
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    I thought you were some cheap hustler
    Johnny was running in.
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    -I only use his name when necessary.
    -How's your drink?
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    -Fine.
    -Now I'll show you something beautiful.
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    You do appreciate beauty, don't you?
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    There you are. $600,000 on four hoofs.
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    I bet Russian czars never paid
    that for a single horse.
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    Khartoum.
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    Khartoum.
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    I'm not going to race him, though.
    I'm going to put him out to stud.
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    Thanks, Tony.
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    Let's get something to eat.
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    Corleone is Johnny's godfather.
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    To the Italian people that's
    a very sacred, close relationship.
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    I respect it.
    Tell him to ask me anything else.
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    This favor I can't give him.
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    He never asks a second favor
    when he's been refused the first.
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    You don't understand.
    Johnny Fontane never gets that movie.
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    That part is perfect for him.
    It'll make him a big star.
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    I'm going to run him out of the business,
    and let me tell you why.
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    Johnny Fontane ruined one of Woltz
    International's most valuable protégés.
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    We trained her for five years.
    Singing, acting, dancing lessons.
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    I spent hundreds of thousands of dollars
    on her, to make her a big star.
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    Let me be even more frank.
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    To show you that I'm not a hard-hearted
    man. That it's not all dollars and cents.
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    She was beautiful.
    She was young and innocent!
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    She's the greatest piece of ass I've had
    and I've had them all over the world.
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    Then Johnny Fontane comes along with
    his olive oil voice and Guinea charm.
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    And she runs off.
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    She threw it all away
    just to make me look ridiculous!
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    And a man in my position can't afford
    to be made to look ridiculous!
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    You get the hell out of here!
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    If that goombah tries any rough stuff,
    tell him I'm no bandleader.
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    Yeah, I heard that story.
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    Thank you for dinner
    and a very pleasant evening.
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    Maybe your car can take me
    to the airport.
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    Mr. Corleone insists on hearing
    bad news immediately.
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    -You're not too tired, are you, Tom?
    -No, I slept on the plane.
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    I have the Sollozzo notes here.
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    Now...
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    Sollozzo is known as The Turk.
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    He's supposed to be very good
    with a knife,
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    but only in matters of business
    with reasonable complaint.
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    His business is narcotics.
  • 34:51 - 34:54
    He has fields in Turkey,
    where they grow poppy.
  • 34:54 - 34:58
    In Sicily he has plants
    to process them into heroin.
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    He needs cash,
    he needs protection from the police.
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    He'll give a piece of the action.
    I don't know how much.
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    The Tattaglia family is behind him here.
    They have to be in it for something.
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    -What about his prison record?
    -One term in Italy, one here.
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    He's known as a top narcotics man.
  • 35:20 - 35:25
    -Santino, what do you think?
    -A lot of money in that white powder.
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    Tom?
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    Yes. There's more money in narcotics
    than anything else.
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    If we don't get into it, somebody else
    will, maybe the five families.
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    With that money they can buy
    more police and political power.
  • 35:42 - 35:44
    Then they come after us.
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    Now we have unions and gambling, and
    that's great, but narcotics is the future.
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    If we don't get a piece of that action,
    we risk everything in 10 years' time.
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    So? What's your answer
    going to be, Pop?
  • 36:08 - 36:10
    Don Corleone.
  • 36:12 - 36:15
    I need a man who has powerful friends.
  • 36:16 - 36:18
    I need a million dollars in cash.
  • 36:18 - 36:24
    I need those politicians that you carry
    in your pocket, like nickels and dimes.
  • 36:26 - 36:30
    -What is the interest for my family?
    -30%.
  • 36:30 - 36:34
    In the first year your end should be
    three, four million dollars.
  • 36:34 - 36:36
    And then it would go up.
  • 36:37 - 36:40
    And what is the interest
    for the Tattaglia family?
  • 36:42 - 36:44
    My compliments.
  • 36:48 - 36:51
    I'll take care of them, out of my share.
  • 36:51 - 36:56
    So I receive 30% for finance,
  • 36:56 - 36:59
    political influence and legal protection?
  • 36:59 - 37:01
    That's right.
  • 37:02 - 37:06
    Why do you come to me?
    Why do I deserve this generosity?
  • 37:06 - 37:12
    If you consider a million dollars in cash
    just finance,
  • 37:12 - 37:14
    te salud Don Corleone.
  • 37:24 - 37:30
    I said that I would see you, because
    I heard you were a serious man,
  • 37:30 - 37:32
    to be treated with respect.
  • 37:37 - 37:40
    But, I must say no to you.
  • 37:41 - 37:44
    And I'll give you my reason.
  • 37:44 - 37:47
    It's true,
    I have a lot of friends in politics.
  • 37:48 - 37:52
    They wouldn't be friendly long if I was
    involved in drugs instead of gambling,
  • 37:53 - 37:58
    which they regard as a harmless vice,
    but drugs is a dirty business.
  • 37:58 - 38:03
    It doesn't make any difference to me
    what a man does for a living.
  • 38:03 - 38:09
    But your business is...a little dangerous.
  • 38:09 - 38:13
    If you're worried about security,
    the Tattaglias will guarantee it.
  • 38:13 - 38:17
    -The Tattaglias would guarantee our...
    -Wait a minute.
  • 38:24 - 38:29
    I have a sentimental weakness
    for my children, and I spoil them.
  • 38:29 - 38:32
    They talk when they should listen.
    But anyway...
  • 38:32 - 38:38
    Signor Sollozzo, my no is final. I wish to
    congratulate you on your new business.
  • 38:38 - 38:41
    I know you'll do well, and good luck.
  • 38:41 - 38:46
    Especially since your interests
    don't conflict with mine. Thank you.
  • 39:07 - 39:09
    Santino.
  • 39:09 - 39:11
    Come here.
  • 39:13 - 39:15
    What's the matter with you?
  • 39:15 - 39:20
    Your brain is going soft
    from playing with that girl.
  • 39:20 - 39:24
    Never tell anybody outside the family
    what you're thinking again.
  • 39:25 - 39:26
    Go on.
  • 39:30 - 39:33
    Tom, what's this nonsense?
  • 39:33 - 39:37
    It's from Johnny.
    He's starring in that new film.
  • 39:39 - 39:42
    -Take it away.
    -Take it over there.
  • 39:43 - 39:44
    And
  • 39:45 - 39:48
    tell Luca Brasi to come in.
  • 39:54 - 39:57
    I'm a little worried
    about this Sollozzo fellow.
  • 39:57 - 40:00
    Find out what he's got
    under his fingernails.
  • 40:01 - 40:05
    Go to the Tattaglias.
  • 40:05 - 40:09
    Make them think that you're not
    too happy with our family
  • 40:11 - 40:13
    and find out what you can.
  • 40:30 - 40:34
    I got something for your mother
    and for Sonny
  • 40:34 - 40:38
    and a tie for Freddy,
    and Tom Hagen got the Reynolds pen.
  • 40:39 - 40:42
    -What do you want for Christmas?
    -Just you.
  • 41:14 - 41:16
    Andiamo, Fredo.
  • 41:16 - 41:19
    -Tell Paulie to get the car.
    -Okay, Pop.
  • 41:19 - 41:23
    I'll have to get it myself.
    Paulie called in sick this morning.
  • 41:25 - 41:28
    Paulie's a good kid.
    I don't mind getting the car.
  • 41:32 - 41:34
    Buon natale, Caro. Gràzie.
  • 42:16 - 42:21
    -Luca! I'm Bruno Tattaglia.
    -I know.
  • 42:31 - 42:32
    You know who I am?
  • 42:32 - 42:33
    I know you.
  • 42:34 - 42:38
    You have been talking to the
    Tattaglia family...right?
  • 42:39 - 42:43
    I think you and I can do business.
  • 42:45 - 42:47
    I need someone strong like you.
  • 42:48 - 42:51
    I heard you are not happy...
  • 42:51 - 42:54
    ...with the Corleone family.
  • 42:54 - 42:56
    Want to join me?
  • 42:57 - 42:59
    What's in it for me?
  • 43:02 - 43:05
    $50,000 to start with.
  • 43:07 - 43:08
    Not bad!
  • 43:10 - 43:11
    Agreed?
  • 44:11 - 44:15
    Tom! Tom Hagen. Merry Christmas.
  • 44:15 - 44:20
    -Glad to see you. I want to talk to you.
    -I haven't got time.
  • 44:20 - 44:23
    Make time, Consigliere. Get in the car.
  • 44:25 - 44:29
    What are you worried about? If I wanted
    to kill you, you'd be dead already.
  • 44:29 - 44:31
    Get in.
  • 44:42 - 44:45
    -Fredo, I'm going to buy some fruit.
    -Okay, Pop.
  • 44:52 - 44:55
    Merry Christmas. I want some fruit.
  • 46:22 - 46:27
    Would you like me better
    if I were a nun? Like in the story.
  • 46:30 - 46:31
    No.
  • 46:31 - 46:35
    -What if I were Ingrid Bergman?
    -Now, that's a thought.
  • 46:38 - 46:40
    Michael.
  • 46:40 - 46:42
    No, I wouldn't like you better
    if you were Ingrid Bergman.
  • 46:42 - 46:44
    What's the matter?
  • 47:01 - 47:04
    They don't say if he's dead or alive.
  • 47:26 - 47:29
    -Sonny, it's Michael.
    -Where have you been?
  • 47:29 - 47:32
    -Is he all right?
    -We don't know yet.
  • 47:32 - 47:36
    There are all kinds of stories.
    He was hit bad, Mikey.
  • 47:38 - 47:41
    -Are you there?
    -Yeah, I'm here.
  • 47:41 - 47:46
    -Where have you been? I was worried.
    -Didn't Tom tell you I called?
  • 47:46 - 47:50
    No. Look, come home, kid.
    You should be with Mama, you hear?
  • 47:58 - 48:00
    Oh, my God.
  • 48:04 - 48:05
    Sonny!
  • 48:14 - 48:16
    Stay back there.
  • 48:16 - 48:19
    -Who is it?
    -Open up, it's Clemenza.
  • 48:21 - 48:25
    There's more news about your old man.
  • 48:25 - 48:27
    Word is out that he's already dead.
  • 48:27 - 48:31
    -What's the matter with you?
    -Take it easy!
  • 48:31 - 48:35
    -Where was Paulie?
    -Sick. He's been sick all winter.
  • 48:35 - 48:37
    -How often?
    -Only three, four times.
  • 48:37 - 48:41
    -Freddy didn't want a new bodyguard.
    -Pick him up now.
  • 48:41 - 48:46
    I don't care how sick he is. Bring him
    to my father's house right now.
  • 48:46 - 48:49
    -You want anyone sent over here?
    -No. Go ahead.
  • 48:58 - 49:02
    I'm going to have a couple of our people
    come over to the house.
  • 49:05 - 49:07
    -Hello?
    -Santino Corleone?
  • 49:07 - 49:10
    -Yeah.
    -We have Tom Hagen.
  • 49:10 - 49:14
    In three hours he'll be released
    with our proposition.
  • 49:14 - 49:17
    Listen to what he has to say
    before you do anything.
  • 49:18 - 49:22
    What's done is done. Don't lose that
    famous temper of yours, Sonny.
  • 49:22 - 49:24
    I'll wait.
  • 49:38 - 49:40
    Your boss is dead.
  • 49:43 - 49:48
    I know you're not in the muscle end
    of the family, so don't be scared.
  • 49:49 - 49:53
    I want you to help the Corleones
    and me.
  • 49:56 - 50:01
    We got him outside his office
    about an hour after we picked you up.
  • 50:02 - 50:04
    Drink it.
  • 50:08 - 50:12
    It's up to you to make peace
    between me and Sonny.
  • 50:16 - 50:19
    Sonny was hot for my deal, wasn't he?
  • 50:20 - 50:23
    And you knew
    it was the right thing to do.
  • 50:24 - 50:29
    -Sonny will come after you.
    -That will be his first reaction, sure.
  • 50:31 - 50:37
    So you have to talk sense into him.
    The Tattaglia family is behind me.
  • 50:37 - 50:43
    The other New York families will go
    along with anything to prevent war.
  • 50:43 - 50:48
    Let's face it, with all due respect,
    the Don - rest in peace - was slipping.
  • 50:51 - 50:54
    Ten years ago,
    could I have gotten to him?
  • 50:58 - 51:02
    Well, now he's dead, Tom,
    and nothing can bring him back.
  • 51:03 - 51:09
    You've got to talk to Sonny, to the
    Caporegimes, Tessio, fat Clemenza.
  • 51:14 - 51:16
    It's good business, Tom.
  • 51:18 - 51:23
    I'll try. But even Sonny won't be able
    to call off Luca Brasi.
  • 51:26 - 51:27
    Yeah, well...
  • 51:29 - 51:32
    Let me worry about Luca.
  • 51:37 - 51:39
    You just talk to Sonny.
  • 51:39 - 51:42
    And the other two kids.
  • 51:45 - 51:47
    -I'll do my best.
    -Good.
  • 51:49 - 51:52
    Now you can go.
  • 51:59 - 52:03
    I don't like violence, Tom.
    I'm a businessman.
  • 52:03 - 52:06
    Blood is a big expense.
  • 52:27 - 52:29
    He's still alive.
  • 52:29 - 52:33
    They hit him with five shots,
    and he's still alive!
  • 52:33 - 52:38
    That's bad luck for me, and bad luck
    for you if you don't make that deal.
  • 53:23 - 53:27
    Your mother is at the hospital with
    your father. Looks like he'll pull through.
  • 53:29 - 53:36
    It's a lot of bad blood. Sollozzo, Philip
    Tattaglia, Bruno Tattaglia, Ramon...
  • 53:36 - 53:39
    -You gonna kill all those guys?
    -Stay out of it.
  • 53:40 - 53:42
    If you get rid of Sollozzo,
    everything falls into line.
  • 53:42 - 53:46
    What about Luca?
    Sollozzo thinks he can control him.
  • 53:46 - 53:50
    If Luca sold out, we're in a lot of trouble.
  • 53:50 - 53:54
    -Has anyone been in touch with Luca?
    -We've been trying all night.
  • 53:54 - 53:58
    -Hey, do me a favor...
    -Luca never sleeps over with a broad.
  • 54:00 - 54:05
    Well, Tom, you're consigliere.
    What do we do if the old man dies?
  • 54:06 - 54:13
    If we lose the old man, we lose the
    political contacts and half our strength.
  • 54:13 - 54:18
    The other New York families might
    support Sollozzo to avoid a long war.
  • 54:18 - 54:23
    This is almost 1946.
    Nobody wants bloodshed anymore.
  • 54:23 - 54:25
    If your father dies
  • 54:27 - 54:29
    you make the deal.
  • 54:29 - 54:34
    -Easy to say. He's not your father.
    -I'm as much a son as you or Mike.
  • 54:39 - 54:40
    What is it?
  • 54:41 - 54:47
    -Paulie, I told you to stay put.
    -The guy at the gates has a package.
  • 54:47 - 54:49
    Tessio, go see what it is.
  • 54:52 - 54:55
    -Shall I stay?
    -Yeah. Are you all right?
  • 54:55 - 54:58
    -I'm fine.
    -There's food. Are you hungry?
  • 54:59 - 55:02
    -No.
    -A drink? Brandy will sweat it out.
  • 55:02 - 55:05
    -Go ahead.
    -That might be a good idea.
  • 55:07 - 55:13
    Take care of that son-of-a-bitch.
    Paulie sold out the old man.
  • 55:13 - 55:16
    -Make that the first thing on your list.
    -Understood.
  • 55:16 - 55:21
    Mickey, tomorrow, get some guys
    and go to Luca's apartment.
  • 55:21 - 55:24
    Maybe we shouldn't get Mike
    mixed up in this too directly.
  • 55:27 - 55:31
    Hanging around the house
    on the phone would be a big help.
  • 55:32 - 55:34
    Try Luca again.
  • 55:42 - 55:45
    -What's this?
    -A Sicilian message.
  • 55:45 - 55:48
    It means Luca Brasi
    sleeps with the fishes.
  • 56:02 - 56:04
    -I'm going.
    -When will you be home?
  • 56:04 - 56:06
    Probably late.
  • 56:08 - 56:12
    -Don't forget the cannoli!
    -Yeah, yeah, yeah.
  • 56:14 - 56:19
    Rocco, sit on the other side.
    You block the rear-view mirror.
  • 56:20 - 56:24
    Sonny's running wild. He wants
    to go to mattresses already.
  • 56:24 - 56:30
    We have to find a spot on the
    West Side. Try 309 West 43rd Street.
  • 56:30 - 56:33
    -Know a good spot on the West Side?
    -I'll think about it.
  • 56:33 - 56:37
    Think while you're driving.
    I want to hit New York this month.
  • 56:37 - 56:39
    Watch the kids.
  • 56:50 - 56:56
    Paulie, go down 39th Street, pick up
    18 mattresses and bring me the bill.
  • 56:56 - 56:57
    Yeah, all right.
  • 56:57 - 57:02
    Make sure they're clean, because
    the guys will be there a long time.
  • 57:02 - 57:06
    -They're clean and exterminated.
    -That's a bad word to use.
  • 57:06 - 57:10
    Exterminate! Watch out,
    so we don't exterminate you!
  • 57:17 - 57:19
    Pull over. I've got to take a leak.
  • 58:01 - 58:04
    Leave the gun. Take the cannoli.
  • 58:22 - 58:25
    Hey, Mike! Hey, Mikey!
  • 58:27 - 58:29
    -Yeah.
    -Phone call!
  • 58:35 - 58:38
    -Who is it?
    -Some girl.
  • 58:42 - 58:44
    -Hello. Kay?
    -How's your father?
  • 58:44 - 58:46
    He's going to make it.
  • 58:47 - 58:49
    I Iove you.
  • 58:50 - 58:52
    I Iove you!
  • 58:53 - 58:55
    -Michael?
    -Yeah, I know.
  • 58:55 - 58:58
    -Tell me you love me.
    -I can't talk.
  • 58:58 - 59:00
    Can't you say it?
  • 59:01 - 59:03
    I'll see you tonight.
  • 59:04 - 59:07
    Why don't you tell that nice girl
    you love her?
  • 59:07 - 59:12
    I love you with all my heart. If I don't
    see you again soon, I'm going to die!
  • 59:13 - 59:18
    Come and learn something. You might
    have to cook for 20 guys some day.
  • 59:18 - 59:22
    You start with a little oil,
    then fry some garlic.
  • 59:22 - 59:28
    Throw in some tomatoes, tomato paste,
    fry it and make sure it doesn't stick.
  • 59:28 - 59:32
    You get it to a boil, you shove in
    all your sausage and meatballs.
  • 59:34 - 59:36
    Add a little bit of wine.
  • 59:39 - 59:43
    And a little bit of sugar. That's my trick.
  • 59:43 - 59:48
    Cut the crap. I have more important
    things for you. How's Paulie?
  • 59:48 - 59:50
    You won't see him no more.
  • 59:51 - 59:54
    -Where are you going?
    -To the city.
  • 59:54 - 59:58
    -Send bodyguards with him.
    -I'm going to the hospital...
  • 59:58 - 60:01
    He'll be all right.
    Sollozzo knows he's a civilian.
  • 60:01 - 60:03
    -Be careful.
    -Yes, sir.
  • 60:06 - 60:08
    Send somebody with him anyway.
  • 60:37 - 60:40
    -I have to go.
    -Can I go with you?
  • 60:41 - 60:46
    No, Kay. There will be detectives there,
    people from the press.
  • 60:46 - 60:48
    I'll wait in the cab.
  • 60:51 - 60:53
    I don't want you to get involved.
  • 60:56 - 60:58
    When will I see you again?
  • 61:04 - 61:09
    Go back to New Hampshire,
    and I'll call you at your parents' house.
  • 61:10 - 61:15
    -When will I see you again, Michael?
    -I don't know.
  • 63:27 - 63:31
    What are you doing here?
    You're not supposed to be here.
  • 63:31 - 63:35
    I'm Michael Corleone. This is my father.
  • 63:35 - 63:37
    What happened to the guards?
  • 63:37 - 63:43
    Your father had too many visitors.
    They interfered with hospital service.
  • 63:43 - 63:46
    The police made them leave
    about 10 minutes ago.
  • 63:51 - 63:55
    Get me Long Beach 45620, please.
  • 63:57 - 63:59
    Nurse. Wait a minute. Stay here.
  • 64:03 - 64:08
    Sonny, I'm at the hospital.
    I got here late, there's nobody here.
  • 64:08 - 64:13
    No Tessio's men,
    no detectives, nobody. Papa's all alone.
  • 64:13 - 64:15
    -Don't panic.
    -I won't panic.
  • 64:17 - 64:20
    I'm sorry, but you will have to leave.
  • 64:22 - 64:25
    We're going to move him
    to another room.
  • 64:25 - 64:28
    Can you disconnect the tubes?
  • 64:28 - 64:32
    -That's out of the question!
    -Do you know my father?
  • 64:32 - 64:36
    Men are coming here to kill him.
    Do you understand?
  • 64:36 - 64:38
    Help me, please.
  • 65:55 - 65:59
    -Who are you?
    -I am Enzo, the baker.
  • 66:00 - 66:02
    -Remember me?
    -Enzo.
  • 66:02 - 66:05
    You'd better go,
    there's going to be trouble.
  • 66:05 - 66:10
    If there is trouble, I'll stay here
    to help you. For your father.
  • 66:12 - 66:16
    Listen. Wait for me outside,
    in front of the hospital, all right?
  • 66:16 - 66:18
    I'll be out in a minute.
  • 66:32 - 66:36
    Just lie here, Pop.
    I'll take care of you now.
  • 66:38 - 66:40
    I'm with you now.
  • 66:41 - 66:43
    I'm with you.
  • 67:18 - 67:21
    Get rid of these. Come here.
  • 67:22 - 67:26
    Put your hand in your pocket,
    like you have a gun. You'll be all right.
  • 68:17 - 68:19
    You did good.
  • 69:08 - 69:11
    I thought all you Guinea hoods
    were locked up!
  • 69:11 - 69:15
    -Why isn't anyone guarding my father?
    -You little punk!
  • 69:16 - 69:19
    Don't you tell me my business!
    I pulled them off.
  • 69:20 - 69:26
    -Stay away from this hospital!
    -Not until my father's room is guarded.
  • 69:26 - 69:30
    -Phil, take him in!
    -The kid's clean, Captain.
  • 69:30 - 69:34
    -He's a war hero. He's never been...
    -I said take him in!
  • 69:36 - 69:42
    -What's The Turk paying you?
    -Take a hold of him. Stand him up.
  • 69:42 - 69:44
    Stand him up straight.
  • 70:06 - 70:12
    I'm the Corleones' attorney. These men
    are hired to protect Vito Corleone.
  • 70:12 - 70:14
    They're licensed to carry firearms.
  • 70:14 - 70:19
    If you interfere, you'll have to appear
    before the judge and show cause.
  • 70:19 - 70:21
    Let him go.
  • 70:53 - 70:57
    -What's with all the new faces?
    -We'll need them now.
  • 70:57 - 71:00
    After the hospital thing, Sonny got mad.
  • 71:00 - 71:03
    We hit Bruno Tattaglia this morning.
  • 71:05 - 71:07
    Jesus Christ.
  • 71:13 - 71:16
    Looks like a fortress around here.
  • 71:18 - 71:23
    Tamaduch! Hey... 100 buttonmen
    on the street 24 hours a day.
  • 71:23 - 71:27
    That Turk shows one hair on his ass,
    he's dead.
  • 71:29 - 71:31
    Mike, let me look at you.
  • 71:35 - 71:38
    You're beautiful, beautiful.
    You're gorgeous.
  • 71:38 - 71:44
    The Turk wants to talk!
    Imagine the nerve of the son-of-a-bitch.
  • 71:44 - 71:47
    -He wants a meeting today.
    -What did he say?
  • 71:47 - 71:52
    What did he say... He wants us to send
    Michael to hear the proposition.
  • 71:52 - 71:55
    He promises that the deal
    is too good to refuse.
  • 71:55 - 71:58
    -And Bruno Tattaglia?
    -That's part of the deal.
  • 71:58 - 72:03
    -He cancels out what they did to Father.
    -We should listen to them.
  • 72:03 - 72:06
    No more! Not this time, Consigliere.
  • 72:06 - 72:09
    No more meetings, discussions,
    or Sollozzo tricks.
  • 72:10 - 72:13
    I want Sollozzo, or we go to war...
  • 72:13 - 72:16
    -The other families...
    -They hand me Sollozzo!
  • 72:16 - 72:18
    This is business, not personal!
  • 72:18 - 72:23
    -They shot my father...
    -Even that was business, not personal.
  • 72:23 - 72:27
    Then business will have to suffer.
    Do me a favor.
  • 72:27 - 72:31
    No more advice on how
    to patch things up. Just help me win.
  • 72:38 - 72:42
    I found out about Captain McCluskey,
    who broke Mike's jaw.
  • 72:42 - 72:46
    He's definitely on Sollozzo's payroll,
    and for big money.
  • 72:46 - 72:50
    McCluskey has agreed
    to be The Turk's bodyguard.
  • 72:50 - 72:54
    So when Sollozzo is being guarded,
    he's invulnerable.
  • 72:54 - 72:58
    Nobody has ever gunned down
    a New York police captain.
  • 72:58 - 73:04
    All the families would come after you.
    The Corleone family would be outcasts!
  • 73:04 - 73:08
    Even the old man's political protection
    would run for cover.
  • 73:09 - 73:13
    Do me a favor.
    Take this into consideration.
  • 73:16 - 73:18
    All right, we'll wait.
  • 73:24 - 73:27
    We can't wait. We can't wait.
  • 73:28 - 73:32
    No matter what Sollozzo says,
    he's going to kill Pop.
  • 73:32 - 73:36
    That's the key for him.
    We've got to get Sollozzo.
  • 73:36 - 73:40
    -Mike is right.
    -Let me ask you something.
  • 73:40 - 73:45
    What about this McCluskey?
    What do we do with this cop?
  • 73:50 - 73:53
    They want to have a meeting
    with me, right?
  • 73:54 - 73:58
    It will be me, McCluskey and Sollozzo.
  • 74:00 - 74:02
    Let's set the meeting.
  • 74:05 - 74:08
    Get our informers to find out
    where it's going to be held.
  • 74:10 - 74:14
    We insist it's a public place.
    A bar, a restaurant.
  • 74:14 - 74:18
    Some place where there are people,
    so I feel safe.
  • 74:20 - 74:23
    They'll search me
    when I meet them, right?
  • 74:24 - 74:26
    So I can't have a weapon on me.
  • 74:29 - 74:34
    But if Clemenza can figure out a way to
    have a weapon planted there for me
  • 74:39 - 74:41
    then I'll kill them both.
  • 74:53 - 74:58
    Nice college boy. Didn't want to
    get mixed up in the family business.
  • 74:58 - 75:02
    Now you want to shoot a police captain
    because he slapped you?
  • 75:02 - 75:09
    This isn't like the army! You have to get
    close and get their brains on your suit.
  • 75:09 - 75:12
    You're taking this very personal.
  • 75:12 - 75:15
    Tom, this is business
    and he's taking it personal.
  • 75:15 - 75:19
    -Where does it say you can't kill a cop?
    -Mikey...
  • 75:19 - 75:25
    I'm talking about a cop who's mixed up
    in drugs, a dishonest cop.
  • 75:26 - 75:30
    A cop who got mixed up in the rackets
    and got what was coming.
  • 75:30 - 75:35
    That's a terrific story. We have
    newspaper people on the payroll, right?
  • 75:36 - 75:40
    -They might like a story like that.
    -They might.
  • 75:44 - 75:48
    It's not personal, Sonny.
    It's strictly business.
  • 75:51 - 75:52
    It's as cold as they come.
  • 75:52 - 75:56
    Impossible to trace,
    so you don't worry about prints.
  • 75:56 - 76:00
    I put a special tape on the trigger
    and the butt. Try it.
  • 76:12 - 76:14
    Is the trigger too tight?
  • 76:18 - 76:19
    My ears!
  • 76:19 - 76:24
    I left it noisy, so it scares away any
    pain-in-the-ass innocent bystanders.
  • 76:25 - 76:28
    You've shot them both.
    Now what do you do?
  • 76:30 - 76:34
    -Sit down, finish my dinner.
    -Don't fool around.
  • 76:34 - 76:37
    Let your hand drop to your side
    and let the gun slip out.
  • 76:38 - 76:42
    Everybody will still think you've got it.
    They'll stare at your face,
  • 76:42 - 76:45
    so walk out fast, but don't run.
  • 76:45 - 76:48
    Don't look anybody in the eye,
    but don't look away either.
  • 76:48 - 76:52
    They'll be scared stiff,
    so don't worry about nothing.
  • 76:54 - 76:58
    You'll be all right. You'll take a vacation,
    nobody knows where,
  • 76:58 - 77:00
    and we'll catch the hell.
  • 77:01 - 77:05
    -How bad do you think it will be?
    -Pretty goddamn bad.
  • 77:05 - 77:08
    All the other families will probably
    line up against us.
  • 77:08 - 77:14
    These things have to happen every five,
    10 years. Gets rid of the bad blood.
  • 77:14 - 77:18
    Been 10 years since the last one.
    You have to stop them at the beginning.
  • 77:18 - 77:24
    Like they should have stopped Hitler in
    Munich, not letting him get away with it.
  • 77:26 - 77:30
    You know, Mike, we were all proud
    of you. Being a hero and all.
  • 77:30 - 77:32
    Your father too.
  • 78:10 - 78:13
    Nothing. Not a hint. Absolutely nothing.
  • 78:14 - 78:19
    Even Sollozzo's people don't know
    where the meeting will be held.
  • 78:19 - 78:21
    How much time do we have?
  • 78:22 - 78:27
    They're going to pick you up outside
    Jack Dempsey's in an hour and a half.
  • 78:28 - 78:32
    -We could put a tail on them.
    -Sollozzo would lose our ass.
  • 78:34 - 78:38
    -What about the negotiator?
    -He's playing pinochle with my men.
  • 78:39 - 78:44
    -He's happy. They're letting him win.
    -Too risky. Maybe we should call it off.
  • 78:44 - 78:47
    The negotiator plays cards
    until Mike is back safe.
  • 78:47 - 78:51
    -He could blast whoever is in the car.
    -They'll expect that.
  • 78:51 - 78:55
    Sollozzo might not even be
    in the car, Sonny!
  • 78:55 - 78:56
    I'll get it.
  • 79:22 - 79:24
    Louis' restaurant in the Bronx.
  • 79:24 - 79:27
    -Is it reliable?
    -My man in McCluskey's precinct.
  • 79:27 - 79:33
    A police captain is on call 24 hours
    a day. He'll be there between 8 and 10.
  • 79:33 - 79:38
    -Anybody know this joint?
    -Sure, I do. It's perfect for us.
  • 79:38 - 79:43
    A small family place, good food.
    Everyone minds his business. Perfect.
  • 79:44 - 79:49
    They've got an old-fashioned toilet.
    You know, the box and the chain thing.
  • 79:51 - 79:54
    We might be able to
    tape the gun behind it.
  • 79:54 - 79:58
    All right. Mike, you go to the restaurant,
  • 79:58 - 80:02
    you eat, talk for a while, you relax.
    Make them relax.
  • 80:02 - 80:08
    Then you go to take a leak. No,
    better still, you ask permission to go.
  • 80:08 - 80:12
    Then you come back blasting.
    Two shots in the head apiece.
  • 80:14 - 80:16
    I want somebody very good
    to plant that gun.
  • 80:16 - 80:20
    I don't want him coming out
    with just his dick.
  • 80:20 - 80:26
    -The gun will be there.
    -You drive him and pick him up.
  • 80:26 - 80:27
    Let's move.
  • 80:33 - 80:36
    Did he tell you to drop the gun
    right away?
  • 80:36 - 80:38
    Yeah, a million times.
  • 80:43 - 80:47
    Don't forget. Two shots apiece
    in the head as soon as you come out.
  • 80:54 - 80:57
    How long do you think it will be
    before I can come back?
  • 80:58 - 81:00
    At least a year.
  • 81:00 - 81:05
    I'll square it with Mom, that you're not
    seeing her before you leave and...
  • 81:06 - 81:10
    I'll get a message to that girlfriend
    when the time is right.
  • 81:16 - 81:18
    Take care.
  • 81:20 - 81:22
    Take care, Mike.
  • 81:55 - 81:59
    I'm glad you came. I hope
    we can straighten everything out.
  • 82:00 - 82:05
    It's not the way I wanted things to go.
    It should never have happened.
  • 82:05 - 82:10
    I want to straighten everything out.
    I don't want my father bothered again.
  • 82:10 - 82:13
    I swear on my children
    that he won't be, Mike.
  • 82:14 - 82:17
    But you have to keep an open mind
    when we talk.
  • 82:17 - 82:22
    I hope you're not a hothead like Sonny.
    You can't talk business with him.
  • 82:24 - 82:25
    He's a good kid.
  • 82:29 - 82:33
    I'm sorry about the other night, Mike.
  • 82:33 - 82:37
    I've got to frisk you, so turn around.
    On your knees, facing me.
  • 82:42 - 82:47
    I guess I'm getting too old for my job.
    Too grouchy.
  • 82:48 - 82:52
    Can't stand the aggravation.
    You know how it is.
  • 82:54 - 82:56
    He's clean.
  • 83:22 - 83:25
    Going to Jersey?
  • 83:27 - 83:29
    Maybe.
  • 83:54 - 83:56
    Nice work, Lou.
  • 84:33 - 84:38
    -How's the food in this restaurant?
    -Try the veal. It's the best in the city.
  • 84:38 - 84:40
    I'll have it.
  • 85:16 - 85:19
    -I'm going to speak Italian to Mikey.
    -Go ahead.
  • 86:38 - 86:40
    What I want...
  • 86:41 - 86:43
    What's most important to me
  • 86:46 - 86:50
    is that I have a guarantee.
    No more attempts on my father's life.
  • 86:50 - 86:55
    What guarantees can I give you?
    I'm the hunted one!
  • 86:55 - 86:59
    I missed my chance.
    You think too much of me, kid.
  • 86:59 - 87:01
    I'm not that clever.
  • 87:02 - 87:04
    All I want is a truce.
  • 87:11 - 87:15
    I have to go to the bathroom.
    Is it all right?
  • 87:16 - 87:19
    When you got to go, you got to go.
  • 87:24 - 87:26
    He's clean.
  • 87:26 - 87:28
    Don't take too long.
  • 87:31 - 87:33
    I've frisked a thousand punks.
  • 92:24 - 92:26
    Okay, you take over.
  • 92:43 - 92:45
    I love you, Grandpa.
  • 92:48 - 92:51
    I'm sorry, Pa. He doesn't know you yet.
  • 92:52 - 92:55
    -Hey, big guy. Give it to Grandpa.
    -Okay.
  • 92:55 - 93:01
    " I hope you get well, Grandpa, and wish
    I see you soon. Your grandson Frank. "
  • 93:04 - 93:07
    Go with your mother.
  • 93:07 - 93:09
    Take them downstairs.
  • 93:15 - 93:17
    Go on, Carlo, you too.
  • 93:19 - 93:20
    Go on.
  • 93:41 - 93:45
    -What's the matter with you, Carlo?
    -Shut up and set the table.
  • 94:01 - 94:07
    Since McCluskey's killing, the police
    have cracked down on our operations.
  • 94:08 - 94:13
    And also the other families.
    There's been a lot of bad blood.
  • 94:13 - 94:17
    They hit us, so we hit them back.
  • 94:18 - 94:22
    Through our newspaper contacts
    we've been able to put out material
  • 94:22 - 94:27
    about McCluskey's link with Sollozzo
    in the drug rackets.
  • 94:27 - 94:29
    So things are loosening up.
  • 94:30 - 94:35
    And I'm sending Fredo to Las Vegas,
  • 94:35 - 94:37
    under the protection
    of Don Francesco of L.A.
  • 94:38 - 94:42
    -I want him to rest.
    -I'm going to learn the casino business.
  • 94:50 - 94:52
    Where's Michael?
  • 95:05 - 95:08
    It was Michael who killed Sollozzo.
  • 95:09 - 95:13
    But he's safe. We're starting to work
    to bring him back.
  • 95:35 - 95:37
    I want you to find out
    where that old pimp Tattaglia is hiding.
  • 95:37 - 95:39
    I want him now.
  • 95:39 - 95:43
    Sonny, things are starting to loosen up.
  • 95:43 - 95:48
    If you go after Tattaglia, all hell
    will break loose. Pop can negotiate.
  • 95:48 - 95:54
    -He must get better first. I'll decide...
    -War is costly. We can't do business.
  • 95:54 - 95:58
    -Neither can they. Don't worry about it!
    -We can't afford a stalemate.
  • 95:58 - 96:03
    -No more stalemate. I'll kill the bastard!
    -You're getting a great reputation!
  • 96:03 - 96:09
    Do as I say! If I had a Sicilian wartime
    consigliere, I wouldn't be in this shape!
  • 96:09 - 96:11
    Pop had Genco. Look what I got.
  • 96:15 - 96:17
    I'm sorry. I didn't mean that.
  • 96:18 - 96:21
    Ma made a little dinner. It's Sunday.
  • 96:22 - 96:26
    Niggers are having a good time
    with our policy banks in Harlem.
  • 96:27 - 96:31
    Driving new Cadillacs,
    paying 50% on a bet.
  • 96:31 - 96:34
    That's because
    they've started making big money.
  • 96:34 - 96:38
    Papa never talked business
    at the table.
  • 96:38 - 96:41
    -Shut up, Connie...
    -Don't you ever tell her to shut up.
  • 96:42 - 96:43
    Don't interfere.
  • 96:46 - 96:50
    I'd like to talk to you after dinner.
    I could do more for the family...
  • 96:50 - 96:52
    We don't discuss business at the table.
  • 97:40 - 97:42
    I kiss your hand, Don Tommasino.
  • 97:48 - 97:50
    Why are you so far
    from the house?
  • 97:50 - 97:53
    You know I'm responsible to your
    father for your life.
  • 97:53 - 97:54
    The bodyguards are here.
  • 97:55 - 97:57
    It's still dangerous...
  • 97:58 - 98:00
    We've heard from Santino
    in New York...
  • 98:01 - 98:03
    Your enemies know you're here.
  • 98:05 - 98:07
    Did Santino say when
    I can go back?
  • 98:08 - 98:09
    Not yet.
  • 98:10 - 98:12
    It's out of the question.
  • 98:15 - 98:16
    Where are you going now?
  • 98:18 - 98:19
    To Corleone.
  • 98:20 - 98:21
    Take my car.
  • 98:24 - 98:25
    I want to walk.
  • 98:28 - 98:29
    Be careful.
  • 99:04 - 99:05
    Where have all the men gone?
  • 99:06 - 99:08
    They're all dead from vendettas.
  • 99:10 - 99:12
    There are the names of the dead.
  • 99:29 - 99:33
    Hey, hey, take me to the America, G. I. !
  • 99:33 - 99:37
    Hey, hey, take me to the America, G. I. !
    Clark Gable!
  • 99:37 - 99:43
    America! Take me to the America, G. I. !
    Clark Gable, Rita Hayworth!
  • 100:01 - 100:03
    Mamma mia what a beauty.
  • 100:11 - 100:14
    I think you got hit
    by the thunderbolt.
  • 100:20 - 100:24
    In Sicily women are more
    dangerous than shotguns.
  • 100:47 - 100:49
    Did you have a good hunt?
  • 100:50 - 100:52
    You know all the girls
    around here?
  • 100:53 - 100:54
    We saw some real beauties.
  • 100:55 - 100:59
    One of them struck our friend
    like a thunderbolt.
  • 101:02 - 101:05
    She would tempt the devil himself.
  • 101:12 - 101:14
    Really put together.
  • 101:14 - 101:16
    Right, Calo?
  • 101:19 - 101:21
    Such hair, such mouth!
  • 101:24 - 101:27
    The girls around here are
    beautiful...but virtuous.
  • 101:27 - 101:30
    This one had a purple dress...
  • 101:30 - 101:32
    And a purple ribbon in her hair.
  • 101:33 - 101:36
    A type more Greek than Italian.
  • 101:39 - 101:41
    Do you know her?
  • 101:45 - 101:48
    There's no girl like that
    in this town.
  • 101:50 - 101:52
    My God, I understand!
  • 101:56 - 101:57
    What's wrong?
  • 101:59 - 102:00
    Let's go.
  • 102:02 - 102:04
    It's his daughter.
  • 102:04 - 102:06
    Tell him to come here.
  • 102:09 - 102:10
    Call him.
  • 102:30 - 102:33
    Fabrizio, you translate.
  • 102:37 - 102:39
    I apologize if I offended you.
  • 102:40 - 102:43
    I'm a stranger in this country.
  • 102:43 - 102:46
    I meant no disrespect
    to you or your daughter.
  • 102:52 - 102:55
    I'm an American, hiding in Sicily.
  • 102:56 - 102:58
    My name is Michael Corleone.
  • 103:00 - 103:05
    There are people who'd pay
    a lot of money for that information.
  • 103:07 - 103:10
    But then your daughter
    would lose a father
  • 103:11 - 103:14
    instead of gaining a husband.
  • 103:22 - 103:24
    I want to meet your daughter.
  • 103:25 - 103:29
    With your permission, and under
    the supervision of your family.
  • 103:30 - 103:32
    With all respect.
  • 103:38 - 103:42
    Come to my house Sunday morning.
    My name is Vitelli.
  • 103:47 - 103:49
    What's her name?
  • 106:44 - 106:46
    I'll knock you dizzy.
  • 106:52 - 106:54
    Save it for the library.
  • 106:58 - 107:00
    We've got to pick up my sister.
  • 107:19 - 107:20
    What's the matter?
  • 107:23 - 107:25
    What's the matter?
  • 107:26 - 107:28
    -It was my fault!
    -Where is he?
  • 107:28 - 107:31
    It was my fault. I hit him.
  • 107:32 - 107:35
    I started a fight with him.
    I hit him, so he hit me...
  • 107:41 - 107:44
    I'm just going to get a doctor
    to take a look at you.
  • 107:44 - 107:46
    Sonny, please don't do anything.
  • 107:48 - 107:50
    What's the matter with you?
    What am I going to do?
  • 107:51 - 107:53
    Make that baby an orphan
    before he's born?
  • 107:58 - 108:01
    You spic slobs still betting Yankees?
  • 108:01 - 108:04
    Tell them to stop taking in action.
  • 108:05 - 108:07
    We lost enough money last week.
  • 108:14 - 108:16
    Come here, come here!
  • 109:13 - 109:16
    If you touch my sister again, I'll kill you.
  • 113:09 - 113:13
    Hey! We weren't expecting you, Kay.
    You should call.
  • 113:14 - 113:18
    Yes, I have. I've tried writing and calling.
  • 113:18 - 113:22
    -I want to reach Michael.
    -Nobody knows where he is.
  • 113:22 - 113:24
    All we know is that he's all right.
  • 113:27 - 113:31
    -What was that?
    -An accident, but nobody was hurt.
  • 113:32 - 113:36
    Tom, will you give this letter to Michael.
    Please?
  • 113:37 - 113:43
    If I accepted that, a court could prove
    I have knowledge of his whereabouts.
  • 113:44 - 113:45
    He'll get in touch with you.
  • 113:46 - 113:49
    I let my cab go,
    so can I call another one, please?
  • 113:49 - 113:51
    Come on. Sorry.
  • 114:08 - 114:13
    -Hello?
    -Is Carlo there?
  • 114:14 - 114:16
    -Who is this?
    -A friend of Carlo.
  • 114:16 - 114:20
    Tell him that I can't make it tonight
    until later.
  • 114:26 - 114:27
    Bitch!
  • 114:29 - 114:32
    -Dinner's on the table.
    -I'm not hungry.
  • 114:32 - 114:35
    -The food is getting cold.
    -I'll eat out later.
  • 114:35 - 114:38
    -You just told me to make you dinner!
    -VafangooI!
  • 114:39 - 114:41
    I'll vafangool you!
  • 114:46 - 114:48
    She has a filthy mouth, this Guinea brat.
  • 114:53 - 114:57
    That's it, break it all,
    you spoiled Guinea brat. Break it all!
  • 115:06 - 115:09
    Why don't you bring
    your whore home for dinner?
  • 115:10 - 115:12
    Maybe I will.
  • 115:19 - 115:22
    -Clean it up!
    -Like hell I will!
  • 115:22 - 115:26
    You skinny, spoiled brat.
    Clean it up! Clean it up!
  • 115:26 - 115:31
    Clean it up! I said, clean it up!
    Clean it up!
  • 115:31 - 115:36
    Clean it up. Clean that up, you...
  • 115:39 - 115:41
    Clean it!
  • 115:41 - 115:45
    Clean it up! Yeah, kill me.
    Be a murderer, like your father!
  • 115:45 - 115:48
    -All you Corleones are murderers!
    -I hate you!
  • 115:49 - 115:50
    Come on, kill me!
  • 115:52 - 115:53
    Get out of here!
  • 115:54 - 115:57
    -I hate you!
    -Now I'll kill you.
  • 115:57 - 116:00
    You Guinea brat. Get out of here!
  • 116:10 - 116:13
    Connie, what's the matter?
    I can't hear you.
  • 116:14 - 116:17
    Connie, talk louder. The baby's crying.
  • 116:17 - 116:20
    Santino, I can't understand.
    I don't know.
  • 116:22 - 116:23
    Yeah, Connie.
  • 116:28 - 116:30
    You wait there.
  • 116:33 - 116:35
    No, you just wait there.
  • 116:37 - 116:40
    Son-of-a-bitch.
  • 116:40 - 116:43
    -Son-of-a-bitch!
    -What's the matter?
  • 116:47 - 116:50
    Open the goddamn gate!
    Get off your ass.
  • 116:58 - 116:59
    Sonny!
  • 117:06 - 117:08
    -Sonny.
    -Get out of here!
  • 117:09 - 117:11
    Go after him, go on!
  • 117:41 - 117:43
    Son-of-a-bitch. Come on!
  • 119:31 - 119:33
    Give me a drop.
  • 119:42 - 119:44
    My wife is crying upstairs.
  • 119:46 - 119:49
    I hear cars coming to the house.
  • 119:53 - 119:56
    Consigliere of mine,
  • 119:56 - 120:00
    tell your Don
    what everyone seems to know.
  • 120:00 - 120:02
    I didn't tell Mama anything.
  • 120:03 - 120:07
    I was about to come up and wake you
    and tell you.
  • 120:10 - 120:12
    But you needed a drink first.
  • 120:15 - 120:16
    Yeah.
  • 120:19 - 120:22
    Well, now you've had your drink.
  • 120:27 - 120:31
    They shot Sonny on the causeway.
    He's dead.
  • 120:48 - 120:51
    I want no inquiries made.
  • 120:55 - 120:58
    I want no acts of vengeance.
  • 120:59 - 121:02
    I want you to arrange a meeting
  • 121:03 - 121:06
    with the heads of the five families.
  • 121:08 - 121:10
    This war stops now.
  • 121:32 - 121:34
    Call Bonasera.
  • 121:34 - 121:37
    I need him now.
  • 121:49 - 121:54
    This is Tom Hagen. I'm calling
    for Vito Corleone, at his request.
  • 121:54 - 121:57
    You owe your Don a service.
  • 121:57 - 122:00
    He has no doubt that you will repay it.
  • 122:00 - 122:05
    He will be at your funeral parlor
    in one hour. Be there to greet him.
  • 122:26 - 122:31
    Well, my friend, are you ready
    to do me this service?
  • 122:31 - 122:34
    Yes. What do you want me to do?
  • 122:42 - 122:47
    I want you to use all your powers
    and all your skills.
  • 122:51 - 122:54
    I don't want his mother
    to see him this way.
  • 123:10 - 123:13
    Look how they massacred my boy.
  • 123:42 - 123:45
    It's safer to teach you English!
  • 123:46 - 123:47
    I know English...
  • 123:48 - 123:52
    Monday, Tuesday, Thursday,
    Wednesday, Friday, Sunday, Saturday.
  • 124:00 - 124:01
    Greetings, Don Tommasino.
  • 124:02 - 124:04
    How are things in Palermo?
  • 124:10 - 124:14
    Michael is teaching me to
    drive...watch, I'll show you.
  • 124:17 - 124:19
    How are things in Palermo?
  • 124:19 - 124:22
    Young people don't respect
    anything anymore...
  • 124:23 - 124:27
    times are changing for the worse.
  • 124:29 - 124:32
    This place has become
    too dangerous for you.
  • 124:35 - 124:40
    I want you to move to a villa
    near Siracusa...right now.
  • 124:46 - 124:47
    What's wrong?
  • 124:49 - 124:51
    Bad news from America.
  • 124:53 - 124:57
    Your brother, Santino,
    they killed him.
  • 125:03 - 125:05
    Let's go...you promised.
  • 125:24 - 125:25
    Fabrizio!
  • 125:25 - 125:27
    Get the car.
  • 125:28 - 125:32
    Are you driving yourself, Boss?
    Is your wife coming with you?
  • 125:32 - 125:36
    No, take her to her father's house
    until things are safe.
  • 125:36 - 125:38
    Okay, anything you say.
  • 125:44 - 125:46
    Calo, where is Apollonia?
  • 125:46 - 125:50
    She's going to surprise you.
    She wants to drive.
  • 125:52 - 125:54
    She'll make a good American wife.
  • 125:56 - 125:58
    Wait, I'll get the baggage.
  • 126:08 - 126:11
    Fabrizio!
  • 126:11 - 126:12
    Where are you going?
  • 126:14 - 126:16
    Wait there! I'll drive to you.
  • 126:23 - 126:24
    No, Apollonia!
  • 126:47 - 126:53
    Don Barzini, I want to thank you
    for helping me organize this meeting,
  • 126:53 - 126:58
    and the other heads of the five families
    from New York and New Jersey.
  • 127:00 - 127:03
    Carmine Cuneo from the Bronx,
  • 127:03 - 127:06
    and from Brooklyn
  • 127:08 - 127:10
    Philip Tattaglia.
  • 127:12 - 127:14
    And from Staten Island
  • 127:14 - 127:18
    we have with us Victor Strachi.
  • 127:18 - 127:24
    And the other associates that came as
    far as from California and Kansas City
  • 127:24 - 127:28
    and all the other territories
    of the country. Thank you.
  • 127:34 - 127:38
    How did things ever get so far?
  • 127:38 - 127:40
    I don't know.
  • 127:42 - 127:45
    It was so unfortunate, so unnecessary.
  • 127:48 - 127:52
    Tattaglia lost a son, and I lost a son.
  • 127:54 - 127:58
    We're quits. And if Tattaglia agrees,
  • 127:58 - 128:02
    then I'm willing to let things go on
    as before.
  • 128:03 - 128:07
    We're grateful to Don Corleone
    for calling this meeting.
  • 128:07 - 128:12
    We all know him as a man of his word.
    A modest man who listens to reason.
  • 128:12 - 128:16
    Yes, Don Barzini. He's too modest.
  • 128:16 - 128:21
    He had all the judges and politicians
    in his pocket.
  • 128:21 - 128:24
    He refused to share them.
  • 128:24 - 128:27
    When did I ever refuse
    an accommodation?
  • 128:28 - 128:30
    All of you know me.
  • 128:31 - 128:36
    When did I ever refuse,
    except one time? And why?
  • 128:38 - 128:44
    Because I believe this drug business
    will destroy us in the years to come.
  • 128:44 - 128:48
    It's not like gambling or liquor
    or even women,
  • 128:48 - 128:54
    which is something that most people
    want, but is forbidden by the Church.
  • 128:54 - 128:59
    Even the police that have helped us in
    the past with gambling and other things
  • 128:59 - 129:03
    are going to refuse to help us
    when it comes to narcotics.
  • 129:03 - 129:08
    I believed that then
    and I believe that now.
  • 129:08 - 129:11
    Times have changed.
  • 129:11 - 129:15
    It's not like the old days,
    when we could do anything we wanted.
  • 129:15 - 129:18
    A refusal is not the act of a friend.
  • 129:18 - 129:24
    If Don Corleone had all the judges and
    politicians, then he must share them
  • 129:24 - 129:29
    or let others use them. He must let us
    draw the water from the well.
  • 129:30 - 129:33
    Certainly he can present a bill
    for such services.
  • 129:33 - 129:36
    After all, we're not communists.
  • 129:39 - 129:42
    I also don't believe in drugs.
  • 129:42 - 129:47
    For years I paid my people extra, so
    they wouldn't do that kind of business.
  • 129:47 - 129:50
    Somebody says to them
    " I have powders. "
  • 129:50 - 129:54
    " If you put up
    3-4,000 dollar investment,
  • 129:54 - 129:57
    we can make 50,000 distributing. "
  • 129:58 - 130:04
    They can't resist. I want to control it
    as a business, keep it respectable.
  • 130:04 - 130:09
    I don't want it near schools,
    I don't want it sold to children.
  • 130:09 - 130:11
    Thats an infàmia.
  • 130:12 - 130:16
    In my city we would keep the traffic
    to the colored.
  • 130:16 - 130:19
    They're animals,
    so let them lose their souls.
  • 130:26 - 130:29
    I hoped that we could come here
    and reason together.
  • 130:31 - 130:37
    And I'm willing to do whatever is
    necessary to find a peaceful solution.
  • 130:38 - 130:42
    We are agreed. The traffic in drugs
    will be permitted, but controlled.
  • 130:43 - 130:47
    Don Corleone will give us protection
    in the east, and there will be peace.
  • 130:47 - 130:51
    I must have strict assurance
    from Corleone.
  • 130:51 - 130:54
    As time goes by
    and his position becomes stronger,
  • 130:54 - 130:57
    will he attempt any individual vendetta?
  • 130:57 - 131:02
    We are all reasonable men.
    We don't have to give assurances.
  • 131:02 - 131:05
    You talk about vengeance.
  • 131:05 - 131:08
    Will vengeance
    bring your son back to you?
  • 131:08 - 131:11
    Or my boy to me?
  • 131:11 - 131:14
    I forgo the vengeance of my son.
  • 131:17 - 131:19
    But I have selfish reasons.
  • 131:21 - 131:25
    My youngest son was forced
    to leave this country
  • 131:27 - 131:29
    because of this Sollozzo business.
  • 131:31 - 131:35
    And I have to make arrangements
    to bring him back here safely.
  • 131:35 - 131:37
    Cleared of all these false charges.
  • 131:39 - 131:42
    But I'm a superstitious man.
  • 131:42 - 131:47
    If an unlucky accident should befall him,
    if he should be shot by a police officer,
  • 131:49 - 131:52
    or if he should hang himself
    in his jail cell,
  • 131:52 - 131:55
    or if he's struck by a bolt of lightning,
  • 131:57 - 132:00
    then I'm going to blame
    some of the people in this room.
  • 132:02 - 132:04
    And that I do not forgive.
  • 132:07 - 132:09
    But, that aside
  • 132:12 - 132:14
    let me say that I swear
  • 132:16 - 132:19
    on the souls of my grandchildren,
  • 132:19 - 132:24
    that I will not be the one to break
    the peace we've made here today.
  • 132:49 - 132:55
    Should I insist that all of Tattaglia's
    drug middlemen have clean records?
  • 132:55 - 132:57
    Mention it. Don't insist.
  • 132:59 - 133:04
    -Barzini will know without being told.
    -You mean Tattaglia.
  • 133:05 - 133:07
    Tattaglia's a pimp.
  • 133:08 - 133:12
    He could never have outfought Santino.
  • 133:14 - 133:20
    But I didn't know until this day
    that it was Barzini all along.
  • 133:35 - 133:37
    Come on, Nancy.
  • 133:38 - 133:41
    Keep together, everyone. Brian.
  • 133:42 - 133:44
    Okay, all right.
  • 133:57 - 133:59
    How long have you been back?
  • 134:00 - 134:02
    I've been back a year.
  • 134:03 - 134:05
    Longer than that, I think.
  • 134:08 - 134:10
    It's good to see you, Kay.
  • 134:21 - 134:24
    I'm working for my father now, Kay.
  • 134:27 - 134:30
    He's been sick. Very sick.
  • 134:31 - 134:33
    But you're not like him.
  • 134:33 - 134:37
    You told me you weren't going to
    become like your father.
  • 134:39 - 134:43
    My father is no different
    than any other powerful man.
  • 134:43 - 134:47
    Any man who's responsible
    for other people.
  • 134:48 - 134:50
    Like a senator or president.
  • 134:50 - 134:53
    -How naive you sound.
    -Why?
  • 134:53 - 134:56
    They don't have men killed.
  • 134:59 - 135:01
    Who's being naive, Kay?
  • 135:02 - 135:07
    My father's way of doing things is over.
    Even he knows that.
  • 135:08 - 135:13
    In five years the Corleone family
    is going to be completely legitimate.
  • 135:14 - 135:18
    Trust me. That's all I can tell you
    about my business. Kay...
  • 135:20 - 135:23
    Michael, why did you come here? Why?
  • 135:24 - 135:29
    What do you want with me after all
    this time? I've been calling and writing.
  • 135:29 - 135:33
    I came because I need you.
    I care for you.
  • 135:33 - 135:37
    -Please stop it, Michael.
    -Because... I want you to marry me.
  • 135:38 - 135:41
    -It's too late.
    -Please, Kay...
  • 135:43 - 135:47
    I'll do anything you ask
    to make up for what's happened to us.
  • 135:48 - 135:52
    Because that's important, Kay.
    Because what's important is that
  • 135:54 - 135:57
    we have each other.
    That we have a life together.
  • 135:59 - 136:02
    That we have children. Our children.
  • 136:03 - 136:05
    Kay, I need you.
  • 136:07 - 136:09
    And I love you.
  • 136:31 - 136:35
    Barzini's people chisel my territory
    and we do nothing about it!
  • 136:35 - 136:38
    -Soon I'll have no place to hang my hat!
    -Be patient.
  • 136:39 - 136:42
    I'm not asking for help.
    Just take off the handcuffs.
  • 136:42 - 136:45
    -Be patient.
    -We must protect ourselves.
  • 136:45 - 136:48
    -Let me recruit some new men.
    -No.
  • 136:48 - 136:52
    -Barzini would get an excuse to fight.
    -Mike, you're wrong.
  • 136:54 - 136:56
    Don Corleone...
  • 136:56 - 137:00
    You once said that one day Tessio
    and me could form our own family.
  • 137:00 - 137:04
    Till today I would never think of it.
    I must ask your permission.
  • 137:05 - 137:08
    Michael is now head of the family.
  • 137:08 - 137:12
    If he gives his permission,
    then you have my blessing.
  • 137:13 - 137:15
    After we make the move to Nevada
  • 137:15 - 137:19
    you can leave the Corleone family
    and go on your own.
  • 137:19 - 137:24
    -How long will that be?
    -Six months.
  • 137:24 - 137:27
    Forgive me, but with you gone,
  • 137:27 - 137:30
    me and Pete
    will come under Barzini's thumb.
  • 137:30 - 137:36
    I hate that Barzini. In six months' time
    there will be nothing left to build on.
  • 137:36 - 137:39
    -Do you have faith in my judgment?
    -Yes.
  • 137:39 - 137:42
    -Do I have your loyalty?
    -Always, Godfather.
  • 137:42 - 137:45
    Then be a friend to Michael.
    Do as he says.
  • 137:50 - 137:55
    Things are negotiated that'll solve your
    problems and answer your questions.
  • 137:56 - 137:58
    That's all I can tell you now.
  • 137:59 - 138:01
    Carlo, you grew up in Nevada.
  • 138:01 - 138:05
    When we make our move there,
    you'll be my right-hand man.
  • 138:05 - 138:10
    Tom Hagen is no longer consigliere.
    He'll be our lawyer in Vegas.
  • 138:10 - 138:12
    That's no reflection on Tom,
    just how I want it.
  • 138:12 - 138:17
    If I ever need help, who's a better
    consigliere than my father? That's it.
  • 138:37 - 138:41
    -Thank you, Papa.
    -I'm happy for you, Carlo.
  • 138:41 - 138:44
    Mike... Why am I out?
  • 138:45 - 138:48
    You're not a wartime consigliere, Tom.
  • 138:49 - 138:53
    Things may get rough with the move.
  • 138:53 - 138:54
    Tom.
  • 138:59 - 139:04
    I advised Michael. I never thought
    you were a bad consigliere.
  • 139:04 - 139:09
    I thought Santino was a bad Don,
    rest in peace.
  • 139:10 - 139:13
    Michael has all my confidence,
    just as you do.
  • 139:14 - 139:19
    But there are reasons why you must
    have no part in what is going to happen.
  • 139:20 - 139:23
    -Maybe I could help.
    -You're out, Tom.
  • 140:12 - 140:17
    I can't get over the way your face looks.
    So good!
  • 140:17 - 140:21
    This doctor did some job.
    Did Kay talk you into it? Hey, hey, hey!
  • 140:22 - 140:26
    Leave them out here.
    He's tired and wants to clean up.
  • 140:26 - 140:28
    Let me open the door, all right?
  • 140:34 - 140:40
    -Hello, Mike! Welcome to Las Vegas!
    -All for you, kid! It's all his idea.
  • 140:40 - 140:42
    -Your brother Freddy.
    -Girls?
  • 140:46 - 140:49
    I'll be right back. Keep them occupied.
  • 140:51 - 140:54
    -Anything you want, kid, anything.
    -Who are the girls?
  • 140:56 - 140:59
    -That's for you to find out.
    -Get rid of them, Fredo.
  • 141:01 - 141:05
    -Hey, Mike...
    -I'm here on business. Get rid of them.
  • 141:05 - 141:08
    I'm tired. Get rid of the band too.
  • 141:14 - 141:17
    Hey, take off. Take off. Let's go.
  • 141:17 - 141:19
    Hey, that's it. Hey, Angelo.
  • 141:21 - 141:23
    Hey, come on! Scram!
  • 141:25 - 141:28
    Come on, honey. I don't know
    what's the matter with him, Johnny.
  • 141:29 - 141:30
    Sorry.
  • 141:32 - 141:34
    I don't know. He's tired.
  • 141:41 - 141:44
    What happened to Moe Greene?
  • 141:44 - 141:49
    He had some business. He said to
    give him a call when the party started.
  • 141:49 - 141:51
    Well, give him a call.
  • 141:52 - 141:55
    -Johnny, how are you?
    -Nice to see you, Mike.
  • 141:55 - 141:58
    -We're proud of you.
    -Thanks.
  • 141:58 - 142:01
    Sit down, I want to talk to you.
    The Don is proud too.
  • 142:01 - 142:04
    Well, I owe it all to him.
  • 142:05 - 142:06
    He knows how grateful you are.
  • 142:07 - 142:10
    That's why
    he'd like to ask a favor of you.
  • 142:10 - 142:12
    Mike, what can I do?
  • 142:13 - 142:15
    We're thinking of giving up our interests
  • 142:16 - 142:18
    in the olive oil business
    and settling here.
  • 142:19 - 142:25
    Moe will sell us his share of the casino
    and the hotel, so we'll own all of it.
  • 142:25 - 142:27
    -Tom!
    -Are you sure?
  • 142:28 - 142:31
    Moe loves the business.
    He never said nothing about selling.
  • 142:31 - 142:33
    I'll make him an offer he can't refuse.
  • 142:35 - 142:37
    See, Johnny...
  • 142:37 - 142:41
    We figure that entertainment
    would draw gamblers to the casino.
  • 142:41 - 142:45
    We hope you'll sign a contract
    to appear five times a year.
  • 142:48 - 142:53
    Perhaps convince some of your friends
    in the movies to do the same.
  • 142:54 - 142:56
    We're counting on you.
  • 142:58 - 143:02
    Sure, Mike.
    I'll do anything for my godfather.
  • 143:02 - 143:03
    Good.
  • 143:05 - 143:09
    Hey, Mike! Hello, fellows.
    Everybody's here. Freddy, Tom.
  • 143:09 - 143:12
    -Good to see you.
    -How are you, Moe?
  • 143:12 - 143:17
    Have everything? Specially prepared
    food, the best dancers, and good credit.
  • 143:17 - 143:21
    Draw chips for everybody,
    so they can play on the house.
  • 143:24 - 143:26
    Is my credit good enough
    to buy you out?
  • 143:28 - 143:30
    Buy me out?
  • 143:30 - 143:33
    The casino, the hotel.
  • 143:33 - 143:36
    The Corleone family
    wants to buy you out.
  • 143:36 - 143:41
    The Corleone family wants
    to buy me out? No, I buy you out.
  • 143:41 - 143:45
    Your casino loses money.
    We can do better.
  • 143:45 - 143:49
    -You think I'm skimming off the top?
    -You're unlucky.
  • 143:53 - 143:56
    You Guineas make me laugh.
  • 143:56 - 144:00
    I took Freddy in when you had a bad
    time, and now you try to push me out!
  • 144:02 - 144:05
    You did that
    because we bankrolled your casino
  • 144:05 - 144:11
    and the Molinari family guaranteed
    his safety. Let's talk business.
  • 144:11 - 144:13
    Yes. First of all, you're all done.
  • 144:14 - 144:16
    You don't have
    that kind of muscle anymore.
  • 144:16 - 144:21
    The Godfather is sick. You're getting
    chased out of New York by the others.
  • 144:21 - 144:25
    Do you think you can come to my hotel
    and take over?
  • 144:25 - 144:30
    I talked to Barzini. I can make a deal
    with him and still keep my hotel!
  • 144:30 - 144:33
    Is that why you slapped my brother
    around in public?
  • 144:33 - 144:38
    That was nothing, Mike.
    Moe didn't mean nothing by that.
  • 144:38 - 144:42
    He flies off the handle sometimes,
    but we're good friends.
  • 144:43 - 144:47
    I have a business to run.
    I've got to kick asses sometimes.
  • 144:47 - 144:51
    We had an argument,
    so I had to straighten him out.
  • 144:51 - 144:54
    You straightened my brother out?
  • 144:54 - 144:59
    He was banging cocktail waitresses!
    Players couldn't get a drink.
  • 144:59 - 145:01
    What's wrong with you?
  • 145:06 - 145:09
    I leave for New York tomorrow.
    Think about a price.
  • 145:10 - 145:11
    Son-of-a-bitch!
  • 145:11 - 145:17
    I'm Moe Greene! I made my bones
    when you were out with cheerleaders.
  • 145:17 - 145:19
    Wait a minute, Moe. I have an idea.
  • 145:20 - 145:24
    Tom, you're the consigliere.
    Talk to the Don...
  • 145:24 - 145:29
    Just a minute. Don is semi-retired and
    Mike is in charge of the family business.
  • 145:29 - 145:33
    If you have anything to say,
    say it to Michael.
  • 145:38 - 145:42
    Mike, you don't come to Las Vegas and
    talk to a man like Moe Greene like that!
  • 145:43 - 145:44
    Fredo...
  • 145:46 - 145:48
    You're my older brother, and I love you.
  • 145:50 - 145:54
    But don't ever take sides with anyone
    against the family again.
  • 145:55 - 145:56
    Ever.
  • 146:04 - 146:09
    I have to see my father and his people,
    so have dinner without me.
  • 146:10 - 146:15
    This weekend we'll go out. We'll go to
    the city, see a show and have dinner.
  • 146:23 - 146:26
    Your sister wants to ask you something.
  • 146:26 - 146:28
    -Let her ask.
    -She's afraid to.
  • 146:28 - 146:31
    They want you to be godfather
    to their boy.
  • 146:31 - 146:33
    -We'll see.
    -Will you?
  • 146:33 - 146:35
    Let me think about it. Come on.
  • 146:44 - 146:47
    Barzini will move against you first.
  • 146:47 - 146:52
    He'll set up a meeting with someone
    you absolutely trust.
  • 146:52 - 146:54
    Guaranteeing your safety.
  • 146:55 - 146:58
    And at that meeting
    you'll be assassinated.
  • 147:03 - 147:06
    I like to drink wine more than I used to.
  • 147:07 - 147:11
    -Anyway, I'm drinking more.
    -It's good for you, Pop.
  • 147:16 - 147:17
    I don't know.
  • 147:19 - 147:22
    Are you happy with your wife
    and children?
  • 147:23 - 147:26
    -Very happy.
    -That's good.
  • 147:28 - 147:33
    I hope you don't mind the way I keep
    going over this Barzini business.
  • 147:33 - 147:36
    -No, not at all.
    -It's an old habit.
  • 147:37 - 147:40
    I spend my life trying not to be careless.
  • 147:42 - 147:45
    Women and children can be careless,
    but not men.
  • 147:49 - 147:51
    -How's your boy?
    -He's good.
  • 147:51 - 147:54
    He looks more like you every day.
  • 147:56 - 148:01
    He's smarter than I am. He's three
    and can read the funny papers.
  • 148:03 - 148:05
    Read the funny papers.
  • 148:12 - 148:18
    I want you to arrange for a telephone
    man to check all in- and out-going calls.
  • 148:18 - 148:23
    -I did it already. I took care of that, Pop.
    -That's right. I forgot.
  • 148:27 - 148:29
    What's the matter?
  • 148:30 - 148:32
    What's bothering you?
  • 148:36 - 148:40
    I'll handle it. I told you I can handle it,
    so I'll handle it.
  • 148:54 - 148:58
    I knew that Santino
    would have to go through all this.
  • 148:58 - 149:00
    And Fredo...
  • 149:02 - 149:04
    Fredo was, well...
  • 149:06 - 149:09
    But I never wanted this for you.
  • 149:12 - 149:17
    I worked my whole life. I don't apologize
    for taking care of my family.
  • 149:17 - 149:21
    And I refused to be a fool,
  • 149:21 - 149:25
    dancing on a string
    held by all those big shots.
  • 149:27 - 149:30
    I don't apologize. That's my life,
    but I thought that,
  • 149:32 - 149:37
    that when it was your time, you would
    be the one to hold the strings.
  • 149:39 - 149:45
    Senator Corleone. Governor Corleone.
    Something.
  • 149:45 - 149:48
    Another pezzonovante.
  • 149:48 - 149:49
    Well...
  • 149:53 - 149:56
    Just wasn't enough time, Michael.
    Wasn't enough time.
  • 149:57 - 150:00
    We'll get there, Pop. We'll get there.
  • 150:05 - 150:09
    Now listen, whoever comes to you
    with this Barzini meeting,
  • 150:09 - 150:12
    he's the traitor. Don't forget that.
  • 150:29 - 150:32
    Can I hold it, please?
  • 150:47 - 150:50
    -Can I water these?
    -Yes, go ahead.
  • 150:51 - 150:53
    Over here, over here.
  • 150:55 - 150:58
    Be careful. You're spilling it.
  • 151:04 - 151:06
    Anthony!
  • 151:06 - 151:08
    Come here, come here.
  • 151:13 - 151:15
    That's it. We'll put it right there.
  • 151:21 - 151:23
    I'll show you something. Come here.
  • 151:25 - 151:27
    Stand there.
  • 151:31 - 151:33
    Give me an orange!
  • 151:51 - 151:53
    That's a new trick.
  • 151:54 - 151:56
    You run in there. Run in there.
  • 152:10 - 152:12
    Where are you?
  • 155:09 - 155:12
    Mike, can I have a minute?
  • 155:22 - 155:24
    Barzini wants to arrange a meeting.
  • 155:24 - 155:28
    He says we can straighten out
    any of our problems.
  • 155:28 - 155:31
    -You talked to him?
    -Yeah.
  • 155:32 - 155:36
    I can arrange security. On my territory.
  • 155:39 - 155:41
    -All right?
    -All right.
  • 155:59 - 156:02
    Do you know
    how they're going to come at you?
  • 156:04 - 156:08
    They're arranging a meeting
    in Brooklyn. Tessio's ground.
  • 156:10 - 156:12
    Where I'll be safe.
  • 156:24 - 156:28
    I always thought it would be Clemenza,
    not Tessio.
  • 156:28 - 156:32
    It's the smart move.
    Tessio was always smarter.
  • 156:34 - 156:35
    But I'm going to wait.
  • 156:36 - 156:37
    After the baptism.
  • 156:41 - 156:44
    I've decided to be godfather
    to Connie's baby.
  • 156:44 - 156:49
    And then I'll meet
    with Don Barzini and Tattaglia.
  • 156:50 - 156:53
    All the heads of the five families.
  • 159:14 - 159:19
    Michael, do you believe in God, the
    Father, Creator of Heaven and Earth?
  • 159:19 - 159:20
    I do.
  • 159:20 - 159:24
    Do you believe in Jesus Christ,
    His only Son, our Lord?
  • 159:24 - 159:25
    I do.
  • 159:25 - 159:29
    Do you believe in the Holy Ghost,
    the Holy Catholic Church?
  • 159:29 - 159:30
    I do.
  • 160:36 - 160:40
    Michael Francis Rizzi,
    do you renounce Satan?
  • 160:47 - 160:48
    I do renounce him.
  • 160:58 - 160:59
    And all his works?
  • 161:13 - 161:14
    I do renounce them.
  • 161:16 - 161:17
    Oh, God!
  • 161:20 - 161:24
    -And all his pomps?
    -I do renounce them.
  • 161:39 - 161:43
    Michael Rizzi, will you be baptized?
  • 161:44 - 161:45
    I will.
  • 161:52 - 161:57
    Michael Rizzi, go in peace,
    and may the Lord be with you. Amen.
  • 162:12 - 162:14
    Kay!
  • 162:14 - 162:16
    Kiss your godfather.
  • 162:40 - 162:44
    Can't go to Vegas.
    Something's come up.
  • 162:44 - 162:46
    Everybody has to leave without us.
  • 162:46 - 162:49
    -Mike, it's our first vacation!
    -Connie, please.
  • 162:49 - 162:53
    Go back to the house, wait for my call.
    It's important.
  • 162:54 - 162:56
    I'll only be a couple of days.
  • 163:12 - 163:14
    We're on our way to Brooklyn.
  • 163:17 - 163:20
    -I hope Mike can get us a good deal.
    -I'm sure he will.
  • 163:28 - 163:34
    Sal, Tom, the boss says he'll come in a
    separate car, so you two go on ahead.
  • 163:34 - 163:37
    -That screws up my arrangements.
    -That's what he said.
  • 163:37 - 163:40
    I can't go either, Sal.
  • 163:51 - 163:55
    Tell Mike it was only business.
    I always liked him.
  • 163:57 - 164:00
    -He understands that.
    -Excuse me, Sal.
  • 164:06 - 164:08
    Tom, can you get me off the hook?
  • 164:10 - 164:13
    -For old times' sake?
    -Can't do it, Sally.
  • 164:58 - 165:01
    You have to answer for Santino, Carlo.
  • 165:06 - 165:10
    -Mike, you got it all wrong.
    -You fingered Sonny for Barzini.
  • 165:11 - 165:15
    That little farce
    you played with my sister.
  • 165:15 - 165:20
    -You think that could fool a Corleone?
    -I'm innocent. I swear on the kids.
  • 165:20 - 165:23
    -Please, don't do this.
    -Sit down.
  • 165:25 - 165:28
    Don't do this to me, please.
  • 165:37 - 165:39
    Barzini is dead.
  • 165:41 - 165:43
    So is Philip Tattaglia.
  • 165:44 - 165:46
    Moe Greene.
  • 165:47 - 165:51
    Strachi. Cuneo.
  • 165:53 - 165:58
    Today I settle all family business,
    so don't tell me you're innocent, Carlo.
  • 165:58 - 166:00
    Admit what you did.
  • 166:04 - 166:05
    Get him a drink.
  • 166:12 - 166:13
    Come on.
  • 166:14 - 166:17
    Don't be afraid, Carlo.
  • 166:17 - 166:20
    Do you think
    I'd make my sister a widow?
  • 166:21 - 166:23
    I'm godfather to your son, Carlo.
  • 166:30 - 166:32
    Go ahead, drink, drink.
  • 166:37 - 166:41
    No, you're out of the family business.
    That's your punishment.
  • 166:42 - 166:46
    You're finished.
    I'm putting you on a plane to Vegas.
  • 166:46 - 166:48
    Tom.
  • 166:52 - 166:56
    I want you to stay there. Understand?
  • 166:56 - 166:58
    Only don't tell me you're innocent.
  • 166:59 - 167:04
    Because it insults my intelligence.
    Makes me very angry.
  • 167:08 - 167:10
    Who approached you?
  • 167:11 - 167:13
    Tattaglia or Barzini?
  • 167:21 - 167:23
    It was Barzini.
  • 167:27 - 167:29
    Good.
  • 167:35 - 167:39
    There's a car waiting outside
    to take you to the airport.
  • 167:39 - 167:43
    I'll call your wife
    and tell her what flight you're on.
  • 167:47 - 167:50
    -Mike...
    -Get out of my sight.
  • 168:16 - 168:17
    Hello, Carlo.
  • 169:17 - 169:20
    -I'm trying to tell you...
    -Mama, please!
  • 169:29 - 169:31
    Michael!
  • 169:31 - 169:33
    -What is it?
    -Where is he?
  • 169:35 - 169:40
    Michael, you lousy bastard!
    You killed my husband.
  • 169:40 - 169:45
    You waited until Papa died,
    so nobody could stop you.
  • 169:45 - 169:48
    You blamed him for Sonny.
    Everybody did.
  • 169:48 - 169:54
    But you never thought about me!
    Now what are we going to do?
  • 169:54 - 169:55
    Connie.
  • 169:58 - 170:00
    Why do you think
    he kept Carlo at the Mall?
  • 170:00 - 170:03
    He knew he was going to kill him.
  • 170:03 - 170:09
    And you stood godfather to our baby.
    You lousy cold-hearted bastard!
  • 170:09 - 170:13
    Want to know how many men he had
    killed with Carlo? Read the papers!
  • 170:13 - 170:16
    That's your husband,
    that's your husband!
  • 170:25 - 170:30
    No! No, no...
  • 170:30 - 170:33
    Take her upstairs. Get her a doctor.
  • 170:54 - 170:56
    She's hysterical.
  • 171:00 - 171:02
    Hysterical.
  • 171:04 - 171:06
    Michael, is it true?
  • 171:08 - 171:12
    -Don't ask me about my business, Kay.
    -Is it true?
  • 171:12 - 171:14
    Don't ask me about my business.
    Enough!
  • 171:34 - 171:36
    All right.
  • 171:39 - 171:40
    This one time.
  • 171:44 - 171:48
    This one time
    I'll let you ask me about my affairs.
  • 171:54 - 171:55
    Is it true?
  • 171:59 - 172:01
    Is it?
  • 172:03 - 172:04
    No.
  • 172:18 - 172:21
    I guess we both need a drink. Come on.
  • 172:52 - 172:54
    Don Corleone.
Title:
The Godfather Full Movie Part 1
Description:

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Video Language:
English
Duration:
04:18
Maggie S (Amara staff) edited English subtitles for The Godfather Full Movie Part 1
Retired user edited English subtitles for The Godfather Full Movie Part 1
ashulost edited English subtitles for The Godfather Full Movie Part 1
ashulost added a translation

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