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He Died With A Felafel In His Hand (complete movie)

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    ( 'GOLDEN BROWN' PLAYS )
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    Subtitles downloaded from www.OpenSubtitles.org
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    SONG: § Golden brown,
    texture like sun
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    § Lays me down,
    with my mind she runs
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    § Throughout the night
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    § No need to fight
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    § Never a frown
    with golden brown
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    § Every time just like the last
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    § On her ship tied to the mast
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    § To distant lands
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    § Takes both my hands
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    § Never a frown
    with golden brown... §
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    Flip, turn the fucking TV off!
    People are trying to sleep.
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    ( SONG CONTlNUES
    lN BACKGROUND )
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    Flip, have some fucking
    consideration!
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    ( SOUND MUTES )
    For Christ's sake, Flip!
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    Flipster?
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    (Quietly) Oh, shit!
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    Shit!
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    Fuck!
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    ( ENERGETlC ROCK MUSlC )
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    SONG: § Don't you wanna be
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    § A personality?
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    § An ocean in the sea?
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    § But you'll never make it
    if you can't shake it
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    § So don't mistake it
    Just try and fake it
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    § And l want you to know
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    § You don't have far to go
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    § So we'll use all your dough
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    § To buy new clothes
    and see what flows
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    § And powder your nose
    for those photos
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    § You're almost on your way
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    § To popularity
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    § And we'll teach you to play
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    § With icy stare
    and punk-rock hair
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    § And beatnik flare
    We'll take you there
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    § And there's so many
    round like you
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    § And we don't care
    just what you're doing
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    § After we have gone
    our separate ways
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    § Yeah, yeah
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    § Yeah, hey! §
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    (Croaks)
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    MAN: Fore!
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    Shit!
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    MAN: Bullshit!
    MAN: lt's not bullshit.
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    lt's fucking bullshit!
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    White's bleeding over Orange.
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    Cradles him in his arms
    and says, ''l love you, man.''
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    lt's fucking bullshit
    and even if it wasn't,
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    they'd say it
    like blokes say to each other.
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    GOLFER: Fore!
    ( WHACK! )
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    (Sings) § All the leaves are...
    All the leaves are brown
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    § And the sky is grey... §
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    Then Orange says back...
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    ..''l love you too, man.''
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    Yeah, they're saying,
    ''l love you, man.''
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    Not, ''l LOVE you, man.''
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    § l went for a walk
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    § On a winter's day... §
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    Why would he say that?
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    Why would he say
    ''l love you too,''
    if he wasn't a pillow biter?
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    He's bleeding to death.
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    You say shit like that
    when you're bleeding to death.
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    § l'd be safe and warm
    if l was in... §
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    He's been holding it in
    the whole time.
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    He thinks he's going to die.
    He has to let it out.
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    Otherwise, his secret
    will be carried to the grave.
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    Bull-fucking-shit!
    l love Danny here.
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    But it doesn't mean
    l'm a fucking chocolate dipper.
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    l'm no fucking
    chocolate dipper, mate.
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    What about that bit
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    where they're pointing guns
    at each other?
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    What about it?
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    Well, maybe it's not really
    their guns they're pointing.
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    There's no way, pal!
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    No way! No fucking way!
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    Dude, l've seen it
    like 1 8 times.
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    lt's fucking bullshit!
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    There's no fucking chocolate
    dippers in that movie!
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    lt's my favourite
    fucking movie!
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    You're all fucking
    ruining it for me!
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    (Sings)
    § California dreaming... §
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    lt slices a bit
    to the right, dude.
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    Fore!
    ( WHACK! )
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    l knew this bloke once, right?
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    And...
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    ..he used to masturbate so much
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    that he grew very fond
    of his hand.
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    So much so
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    that he began talking to it
    and he put a little face on it.
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    And he called it Muriel.
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    And after a while, Muriel
    began to talk back to him.
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    Fore!
    ( SPLAT! )
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    He'd get her
    all dolled up in make-up
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    and specially made
    little clothes.
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    And at night she'd go down
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    and make intense, mad,
    passionate love to him.
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    Anyway, one night about 3am,
    he wakes up in a cold sweat.
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    And he hears all this panting
    and moaning and groaning
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    coming from the next-door
    neighbour's apartment.
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    And he looks down at his hand...
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    There's nothing there.
    lt's gone.
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    lt's just this bloody stump.
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    So he staggers out
    into the hallway
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    and he sees that the next-door
    neighbour's door's wide open.
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    So he pops his head in
    and what does he see?
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    On the bed, his hand, Muriel,
    all dressed up to the nines,
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    make-up on, going down
    on the next-door neighbour.
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    lt's a true story.
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    Yeah, l heard tell once, dudes,
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    a guy has about 4,000 times
    in him before he's all used up.
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    That's fucking bullshit!
    More like 40,000.
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    ln your dreams, stick man.
    Add it up!
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    Two times a day,
    seven days a week,
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    for what, l don't know,
    40 years?
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    Two times a day?
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    Who gets to do it
    two times a fucking day?
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    Me and Jess used to.
    Two times a day...
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    Me and Jess used to do it
    five times a day.
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    For 40 years?
    What about hangovers?
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    What about Christmas Day?
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    How can you do it five times
    on Christmas Day
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    while the family's sitting
    around carving up the turkey?
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    Make up for it at night
    with the wife.
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    What wife? You haven't had
    a wife in over six months.
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    l haven't got a problem
    getting women.
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    l've got this thing l can do
    that sends them gaga.
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    How exactly do you mean 'gaga'?
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    Gaga. lnsane, berserk, talking
    in tongues. You know, gaga.
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    What, like some sort
    of secret weapon?
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    Some kind of like
    weird sideways movement?
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    Can't really say, Flip.
    But it's pretty special, though.
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    lt could be worth
    a lot of money.
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    Let's just get this straight.
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    You're 20-something years old.
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    You have no job, no money,
    very few prospects.
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    You haven't been seen
    in the vicinity of anything
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    which even faintly resembles
    a member of the opposite sex
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    in over six months.
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    And yet,
    you sit here and tell us
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    that you have
    some kind of special thing
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    that makes the other side
    go gaga.
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    Well, if it makes them
    go so fucking gaga,
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    then what the fuck are you
    doing here with us losers?
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    Yeah, he's got a point there,
    Danster.
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    Yeah, well,
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    l didn't say it fixed
    all the emotional stuff, did l?
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    Did l hear someone mention
    emotional stuff?.
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    MAN: A writer?
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    You're a writer?
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    l'm a writer.
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    l worked at Burger King
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    for three years
    before getting this job.
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    l've got an arts degree.
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    lf we get you a job that says
    you lick toilet bowls,
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    then that's what you do.
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    You lick toilet bowls.
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    (Laughs)
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    (Mutters) A writer?
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    Jesus.
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    You can't write.
    l can write.
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    Philosophical insights...
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    Direct experience
    with the mystery of being...
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    Dusky whores...
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    Russian transvestites...
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    An unfinished thesis on the
    1 0 most painful human emotions
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    does not constitute writing.
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    Got stuck on jealousy.
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    lf it points inwards,
    it means your heart's full.
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    lf it points outwards,
    it means your heart's empty.
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    You'd better
    spin it round, then.
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    She might change her mind.
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    She ran off
    with your best friend.
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    She said
    l didn't let her breathe.
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    She said she needed some space.
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    You followed her
    every time she left.
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    You sat outside the door
    when she went to the toilet.
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    ls it my fault l worried
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    l didn't have a reason to exist
    whenever she wasn't around?
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    What about a muse?
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    Enigmatic, mysterious,
    intelligent of spirit...
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    All great writers have a muse.
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    What about teletype paper?
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    Excuse me?
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    Kerouac wrote on the road on an
    entire roll of teletype paper.
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    He reckoned the pages imposed
    an artificial structure
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    on his stream of consciousness.
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    l heard tell once, dude,
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    you write
    a story for 'Penthouse',
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    they pay you 25 G's, minimum.
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    25 grand?
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    Yeah, minimum!
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    lt won't budge. That must
    mean something, mustn't it?
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    Means you're getting fat.
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    She said she needed
    to live a little.
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    What does that mean,
    ''live a little''?
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    Lead melts
    at 335 degrees Centigrade.
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    The last tram
    leaves the town hall at 1 1 :05pm.
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    That's so fucking true.
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    ( BELL RlNGS )
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    (Whispers) Oh, shit!
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    (European accent) l have
    come about the room.
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    ( UPBEAT MUSlC )
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    lt's a tent.
    Bank clerk lives there.
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    Half rent. Saves money.
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    Do you mind? lt's not for rent.
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    Name's Jabber. Jabber the Hut.
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    Anya.
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    l control the remote.
    Understand?
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    Remote stays with me
    at all times.
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    l do not believe
    in the watching of television.
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    lt is the opiate of the masses.
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    l'll just pretend
    you never said that.
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    l need to know if the fridge
    has ever had any meat in it.
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    ( WHACK! )
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    l am...how you say...
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    ..non-eater of meat.
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    Vego.
    Vego.
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    Fridge is cool.
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    Nothing but poundcake,
    beer and fish fingers.
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    What is this...fish fingers?
  • 12:02 - 12:04
    Rectangular...
    Fish...
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    Fried.
    Crunchy.
  • 12:06 - 12:07
    Good.
  • 12:07 - 12:09
    The roof, on the other hand...
    Flip!
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    lt's a beef patty.
    Been up there for years.
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    ( DOOR OPENS )
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    Stand back, people.
    We're going in!
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    ls that wise? l'm sure l saw
    something moving this morning.
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    You've got to watch out
    for the sneakers.
  • 12:34 - 12:36
    When they're replaced by army
    boots, it's random sniper time.
  • 12:40 - 12:42
    Fore!
    ( WHACK! )
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    ( SPLAT! )
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    ''Enigmatic, mysterious,
    intelligent of spirit...''
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    You're talking about the girl
    l intend to marry.
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    One. All intelligence
    must be shared.
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    Wasn't there an Anya
    in 'War and Peace'?
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    Two. Everyone's got to give it
    their best shot.
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    Chemistry, Danny.
    Can't beat chemistry.
  • 13:16 - 13:21
    Three. There is to be no lying,
    cheating or backstabbing.
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    Maybe it's Dostoevski.
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    'Brothers Karamazov', l think.
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    Guy who gets the first date
    gets a clear run.
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    Loser runs around the house
    three times
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    with his undies on his head.
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    Did you see
    the sparks fly between us?
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    lt's a done deal, my son.
    Don't even go there.
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    l thought
    you all hated vegetarians.
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    True love knows no boundaries,
    Sammy.
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    And she's not adverse
    to the occasional fish finger.
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    Basically, we're willing
    to make concessions.
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    Are we agreed?
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    l'm not like you guys.
    l'm in it for the long haul.
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    We can deal with that.
    We'll work around it.
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    lt's a bonding thing.
    Blokes got to stick together.
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    All for one, one for all.
    That sort of thing.
  • 14:11 - 14:12
    Guys with hard-ons.
  • 14:12 - 14:14
    Blood rushes from their brains
    to their dicks
  • 14:14 - 14:16
    and they all
    become real stupid.
  • 14:20 - 14:22
    MAN: Mr Kirkhope?
  • 14:22 - 14:23
    Yes?
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    l wonder if we might have
    a few moments of your time.
  • 14:28 - 14:30
    Every month,
  • 14:30 - 14:34
    $563 is supposed
    to be delivered
  • 14:34 - 14:38
    to a certain post office box
    at the Brisbane GPO.
  • 14:38 - 14:40
    ( VOlCE CHATTERS ON PHONE )
  • 14:40 - 14:43
    For the last four months,
    this has not happened.
  • 14:46 - 14:48
    Do any of you
    have any reason...
  • 14:49 - 14:51
    ..for this?
  • 14:51 - 14:54
    You do know those things give
    you brain tumours, don't you?
  • 14:54 - 14:55
    Um... (Clears throat)
  • 14:55 - 14:57
    We seem to be going through
  • 14:57 - 15:00
    a bit of a transitionary
    fiscal crisis at the moment.
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    He means a recession.
  • 15:02 - 15:04
    We're considering it
    the recession we had to have.
  • 15:07 - 15:10
    l think we got ourselves
    a couple of smart-arses.
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    Are any of you
    shitheads related
  • 15:12 - 15:14
    to a copper or a pollie?
  • 15:17 - 15:18
    Looks like we're in the clear.
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    Damn good tea.
  • 15:28 - 15:30
    lt's chai from lndia.
  • 15:30 - 15:32
    Biscuit?
    No, thank you.
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    We're expecting a big cheque
    at the end of the month.
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    25 G's
    from 'Penthouse' magazine.
  • 15:39 - 15:43
    What do you do?
    Pose for a fucking centrefold?
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    No, l'm a writer. l write
    for 'Penthouse' magazine.
  • 15:52 - 15:53
    No kidding.
  • 15:55 - 15:57
    You got a machine?
  • 15:57 - 15:58
    Er, l've got an Underwood.
  • 15:59 - 16:01
    ls that Mac or Windows?
  • 16:01 - 16:04
    lt's a typewriter.
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    Don't sound like
    no fucking writer to me, mate.
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    Oh, well, Hunter S. Thompson
    used an Underwood.
  • 16:12 - 16:15
    Er, Kerouac, Hemingway
    used an Underwood.
  • 16:16 - 16:20
    Stephen King? Stephen King wrote
    heaps of stuff on an Underwood.
  • 16:20 - 16:22
    Are we going
    to get our bond back?
  • 16:33 - 16:36
    Did anyone say
    you could talk, dickstrap?
  • 16:37 - 16:39
    Did anybody here say
  • 16:39 - 16:43
    you could open your dirty,
    fucking, stinking little trap?
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    lf l get a tumour, funboy,
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    l'm going to hold you
    personally fucking responsible.
  • 16:54 - 16:55
    Us again.
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    One of the life forms here
  • 16:57 - 16:59
    has raised a question
    about the bond.
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    Yeah.
  • 17:03 - 17:05
    Sure.
  • 17:05 - 17:07
    Sure. No problem. Can do.
  • 17:10 - 17:12
    Four months' back rent.
  • 17:14 - 17:17
    Two months' rent in advance.
  • 17:17 - 17:18
    End of week.
  • 17:19 - 17:21
    Otherwise...
  • 17:34 - 17:36
    Comprehende?
  • 17:37 - 17:40
    Do you think it's true
    about the brain tumour?
  • 17:40 - 17:41
    Supposed to be.
  • 17:41 - 17:43
    You can get headset,
    you know.
  • 17:43 - 17:46
    Keep the phone in your pocket,
    talk into the mike.
  • 17:46 - 17:47
    You'd look
    like a frigging receptionist!
  • 17:47 - 17:49
    lt's an earphone thing!
  • 17:55 - 17:56
    'Penthouse' magazine?
  • 17:59 - 18:01
    ''Enter me...
  • 18:01 - 18:02
    ''..enter me,''...
  • 18:04 - 18:05
    ..she gasped.
  • 18:05 - 18:07
    ( BELL DlNGS )
  • 18:07 - 18:11
    ''Enter me hard, enter me deep.
    l want you inside me.
  • 18:11 - 18:14
    ''Yes, yes!
    lnsert yourself, Rodney.
  • 18:14 - 18:18
    ''l want you now, entering hard,
    entering deep, yes, now, oh.''
  • 18:21 - 18:22
    ''l entered her''?
  • 18:22 - 18:24
    ''He entered me''?
  • 18:24 - 18:25
    ''l wanted him inside me.''
  • 18:26 - 18:28
    What are we? Cars? Elevators?
  • 18:28 - 18:30
    Hotel rooms
    that guys can crawl inside of,
  • 18:30 - 18:33
    eat, sleep and leave a big mess
    for someone to clear up?
  • 18:33 - 18:35
    lt's for 'Penthouse' magazine.
  • 18:36 - 18:37
    l just don't think
  • 18:37 - 18:39
    anyone should enter
    or get entered, that's all.
  • 18:41 - 18:42
    What about the 25 grand?
  • 18:43 - 18:45
    1 5?
  • 18:45 - 18:47
    You want the truth?
  • 18:47 - 18:49
    ( OUTSlDE DOOR CLOSES )
  • 18:50 - 18:51
    ANYA: This...
  • 18:52 - 18:54
    Just put it on the right.
  • 18:54 - 18:56
    You sure
    you don't need any help?
  • 18:58 - 19:00
    Maybe later, l think.
  • 19:08 - 19:11
    All these words for a woman
    who doesn't want sex -
  • 19:11 - 19:14
    'frigid', 'uptight',
    'cold', 'icy'.
  • 19:15 - 19:19
    Can you think of one word
    for a man who doesn't want sex?
  • 19:20 - 19:21
    Dead.
  • 19:23 - 19:26
    ( DlSTANT SlNGALONG )
  • 20:03 - 20:08
    (Men sing) § Girl, l'm sorry
    l was blind
  • 20:08 - 20:13
    § You were always on my mind
  • 20:13 - 20:17
    § You were always on my mind
  • 20:17 - 20:22
    § Tell me
  • 20:22 - 20:27
    § Tell me that your sweet love
    hasn't died... §
  • 20:27 - 20:30
    Scary.
    § Give me... §
  • 20:30 - 20:32
    Must be...how you say?
  • 20:32 - 20:33
    § Give me one more chance... §
  • 20:33 - 20:35
    Bonding.
    § To keep you satisfied... §
  • 20:35 - 20:38
    l've said it before.
    lt's a tribal thing.
  • 20:38 - 20:41
    Go in boys and come out men.
  • 20:41 - 20:44
    (lmitates guitar)
  • 20:47 - 20:51
    § Little things l should have
    said and done... §
  • 20:52 - 20:54
    They'll be circumcising
    themselves with sharp rocks
  • 20:54 - 20:56
    any minute now.
  • 20:56 - 20:57
    JABBER: Sing it, fellows!
  • 20:57 - 21:02
    § You were always on my mind
  • 21:02 - 21:06
    § You were always
    on my mind... §
  • 21:14 - 21:16
    Getting some
    serious rays there, Flip?
  • 21:17 - 21:20
    l'm moontanning, man.
    Full moon.
  • 21:21 - 21:23
    You don't get 'em every day.
  • 21:24 - 21:26
    No, you don't.
  • 21:26 - 21:29
    Do you ever wonder
    if it's all a big con, Flip?
  • 21:30 - 21:31
    Eh?
  • 21:31 - 21:34
    This. Everything.
  • 21:35 - 21:37
    What if none of it
    really exists?
  • 21:39 - 21:41
    What if it's
    like some big experiment,
  • 21:41 - 21:43
    and we're like ants
    trapped in a giant Petri dish?
  • 21:45 - 21:48
    What if there's
    a greater intelligence out there
  • 21:48 - 21:50
    and it's creating everything
    purely as a way
  • 21:50 - 21:52
    of stopping us
    going insane on them?
  • 21:54 - 21:56
    What if nothing really exists
    until we sense it?
  • 21:56 - 21:59
    My...my room doesn't exist
    until l walk into it.
  • 21:59 - 22:02
    Front yard doesn't exist
    until l experience it.
  • 22:02 - 22:03
    You don't exist.
  • 22:05 - 22:07
    l don't...exist?
  • 22:07 - 22:12
    Well, you could be just
    a projection of my inner psyche
  • 22:12 - 22:14
    materialised from my brain
    in order to keep me company.
  • 22:16 - 22:19
    What about the cashmere
    sweater babes over the road
  • 22:19 - 22:21
    with their swishy little skirts
    and all?
  • 22:23 - 22:26
    Would they be
    from your inner psyche or mine?
  • 22:27 - 22:29
    Probably yours, l reckon, Flip.
  • 22:30 - 22:33
    Took off a while ago
    with some rugby types.
  • 22:34 - 22:38
    Losers, man. Forget them.
    No. We're connected, man.
  • 22:39 - 22:41
    Once you have them
    by the moonlight,
  • 22:41 - 22:43
    they never want to go back.
  • 22:44 - 22:47
    lt would mean
    that when we close our eyes,
  • 22:47 - 22:48
    everything disappears.
  • 22:50 - 22:52
    And if we open them
    fast enough...
  • 22:53 - 22:56
    ..we might be able to catch
    the greater intelligence out
  • 22:56 - 22:58
    and see that there's
    actually nothing there.
  • 22:59 - 23:02
    What if l kept mine open
    while you shut yours?
  • 23:04 - 23:06
    No, you're just
    being stupid now, Flip.
  • 23:06 - 23:07
    lt doesn't work like that.
  • 23:17 - 23:19
    There may be some sort
    of delay switch happening.
  • 23:20 - 23:22
    Tomorrow is the shortest day
    of the year.
  • 23:25 - 23:26
    ln pagan times,
  • 23:26 - 23:29
    it would be time for the king
    to be sacrificed...
  • 23:30 - 23:34
    ..and for the queen to select
    a new man to be her king.
  • 23:45 - 23:47
    May l?
  • 23:53 - 23:56
    Seems a bit rough on
    the poor old kings, doesn't it?
  • 23:56 - 23:58
    lt was a great honour.
  • 24:00 - 24:02
    Their blood had to be poured
    into the ground
  • 24:02 - 24:04
    to make the earth
    fertile again
  • 24:04 - 24:06
    and the harvest plentiful.
  • 24:08 - 24:11
    Makes you sort of thankful
    for crop rotation, doesn't it?
  • 24:15 - 24:18
    The female fertility cycle
    is 28 days.
  • 24:20 - 24:22
    The lunar moonth is 28 days.
  • 24:23 - 24:26
    A month.
    No, moonth.
  • 24:28 - 24:30
    The moonth is a lunar month,
  • 24:30 - 24:33
    the same
    as a woman's fertility cycle.
  • 24:34 - 24:38
    1 3 moonths
    fit exactly into one year.
  • 24:40 - 24:43
    At the end of the 1 3th moonth,
    the king must die.
  • 24:43 - 24:47
    Oh, well. l guess
    if it helps for the harvest...
  • 24:50 - 24:52
    When the patriarchy took over,
  • 24:52 - 24:54
    they abolished the 1 3th moonth
  • 24:54 - 24:56
    to stop
    the killing of the kings.
  • 24:58 - 25:00
    That's why they say
    1 3 is the unlucky number.
  • 25:03 - 25:06
    Why should
    1 3 be the unlucky number?
  • 25:06 - 25:09
    Just because some man didn't
    want to be bled to death.
  • 25:10 - 25:12
    l get very pissed off
    about that.
  • 25:12 - 25:14
    Men are bastards.
  • 25:20 - 25:22
    l hear about
    your secret weapon.
  • 25:26 - 25:29
    To make us go, how you say?
  • 25:30 - 25:33
    Gaga?
    (Clears throat)
  • 25:34 - 25:36
    Uh, will you excuse me
    for a moment?
  • 25:44 - 25:47
    GOATEE: l'm telling you, bud,
    if this deal comes together,
  • 25:47 - 25:51
    it's just going to be
    one long line of kneeling down,
  • 25:51 - 25:53
    dick-sucking motherfuckers
    waiting for me to come along
  • 25:53 - 25:56
    and give them a taste
    of the big fellow here.
  • 25:56 - 25:59
    How will you get
    the designs on?
  • 25:59 - 26:01
    l don't see how you'll do that.
  • 26:02 - 26:03
    (Coughs)
  • 26:05 - 26:08
    Any fucker propeller head
    can do the designs, bud.
  • 26:10 - 26:12
    Those lines
    and dots they've got...
  • 26:12 - 26:15
    ..can be changed
    into, like, ridges and bumps
  • 26:15 - 26:16
    for added sensitivity.
  • 26:16 - 26:19
    Fucking guy's going to think
    he's fucking Tarzan.
  • 26:19 - 26:21
    (Chuckles)
  • 26:22 - 26:24
    ( BONG HlSSES AND GURGLES )
  • 26:25 - 26:27
    You got a name for it yet?
  • 26:28 - 26:31
    We're going to call him
    the 'Woomera'.
  • 26:31 - 26:32
    Think about it.
  • 26:32 - 26:37
    ''Go further, longer
    with the Woomera.''
  • 26:37 - 26:39
    ( DOOR THUDS )
  • 26:40 - 26:42
    l thought we said
    no fucking backstabbing!
  • 26:42 - 26:44
    What are you talking about?
  • 26:44 - 26:46
    You told her!
    Told her what?
  • 26:46 - 26:48
    Secret weapon,
    talking in tongues, gaga.
  • 26:48 - 26:50
    We never!
  • 26:50 - 26:52
    What about ''all for one
    and one for all''?
  • 26:52 - 26:54
    Male bonding, remember?
  • 26:54 - 26:56
    We was doing you a favour, man.
  • 26:56 - 26:59
    We thought she'd be impressed.
    We thought she'd want a taste.
  • 26:59 - 27:00
    Yeah, right.
  • 27:04 - 27:07
    lt's going to be
    fucking huge, man.
  • 27:07 - 27:10
    Guys are going to be
    beating down my fucking door
  • 27:10 - 27:12
    to buy condoms with Aboriginal
    tribal paintings on them.
  • 27:16 - 27:18
    ( FOOTSTEPS APPROACH )
  • 27:19 - 27:22
    ( KNOCK AT DOOR )
    l'm not here.
  • 27:24 - 27:25
    ( DOOR CREAKS )
  • 27:26 - 27:27
    Excuse me.
  • 27:31 - 27:33
    Do you want to get married?
  • 27:41 - 27:42
    We get married,
  • 27:42 - 27:44
    we live together.
  • 27:45 - 27:46
    We sit...
  • 27:48 - 27:49
    ..and face the same direction.
  • 27:51 - 27:53
    We stare at the same thing.
  • 27:54 - 27:56
    We have conversation
    that lasts no longer
  • 27:56 - 27:58
    than the commercial breaks
    on TV.
  • 28:01 - 28:02
    And one day,
  • 28:02 - 28:04
    we wake up.
  • 28:04 - 28:06
    We look in the mirror...
  • 28:07 - 28:10
    ..and we wonder what happened
    to our lives.
  • 28:10 - 28:12
    You sure that's what happens?
  • 28:19 - 28:20
    There's no hope?
  • 28:22 - 28:23
    Very little.
  • 28:30 - 28:33
    Pages, uh, tend to impose
    an artificial structure
  • 28:33 - 28:34
    on my stream of consciousness.
  • 28:36 - 28:38
    They don't make
    teletype paper anymore.
  • 28:38 - 28:39
    l've already looked.
  • 28:40 - 28:42
    Show me your hand.
  • 28:55 - 28:58
    You are deeply aware
    of your own sense of melodrama.
  • 28:59 - 29:01
    You lack faith in yourself...
  • 29:01 - 29:04
    ..but expect faith in others.
  • 29:06 - 29:09
    You project your insecurities
    onto everyone around you.
  • 29:11 - 29:15
    You reject happiness as being
    shallow and superficial.
  • 29:18 - 29:20
    You embrace postmodernism...
  • 29:20 - 29:23
    ..to avoid having
    an original thought.
  • 29:25 - 29:27
    You criticise yourself
    because...
  • 29:27 - 29:29
    ..it places you
    above criticism.
  • 29:32 - 29:34
    You desire what you hate
  • 29:34 - 29:36
    and you hate what you desire.
  • 29:39 - 29:43
    And you always have to kill
    what you love the most.
  • 29:46 - 29:47
    You can see all that?
  • 29:49 - 29:50
    Nothing is new anymore.
  • 29:52 - 29:53
    Everything is rehashed.
  • 30:04 - 30:07
    Do you think there's
    such a thing as human nature?
  • 30:09 - 30:12
    Do you think l can invite
    some friends for a party?
  • 30:14 - 30:15
    (Exhales)
  • 30:15 - 30:16
    Don't see why not.
  • 31:00 - 31:02
    ( THUD! )
  • 31:06 - 31:08
    DANNY: ''There once...
  • 31:08 - 31:12
    ''..was a...man...
  • 31:12 - 31:15
    ''..who used to masturbate...''
  • 31:16 - 31:18
    ( DlNG! )
  • 31:18 - 31:19
    ''..so much...''
  • 31:19 - 31:22
    ( JAUNTY MUSlC )
    (Whistles)
  • 31:56 - 31:58
    (Sighs) Fuck.
  • 32:00 - 32:01
    ''John and Marjorie Lewis
  • 32:01 - 32:04
    ''request the pleasure of
    the company of Daniel Kirkhope
  • 32:04 - 32:09
    ''to celebrate the marriage of
    Jessica Kate and James Lindsay
  • 32:09 - 32:12
    ''at the St Stephens Chapel.''
  • 32:12 - 32:14
    You know, there are nuances
    tenth time around
  • 32:14 - 32:16
    that slip by you at first.
  • 32:16 - 32:19
    l broke bread
    with these people, Sammy.
  • 32:20 - 32:22
    Me and Matt
    swapped cooking tips.
  • 32:22 - 32:24
    They obviously don't understand
  • 32:24 - 32:26
    the religious significance
    of that act.
  • 32:26 - 32:28
    l thought they understood me.
  • 32:28 - 32:30
    l thought they...
    sympathised with me.
  • 32:30 - 32:34
    Bit selfish of them to side
    with their own flesh and blood.
  • 32:34 - 32:37
    lt's a fucking betrayal.
    Yes, yes, yes, yes, yes.
  • 32:37 - 32:39
    Roses, Danny. Roses.
  • 32:39 - 32:41
    Candlelit dinner,
  • 32:41 - 32:44
    glass of wine, bit of a spliff
    and boof!
  • 32:45 - 32:47
    Boof.
  • 32:48 - 32:49
    Boof.
  • 32:49 - 32:52
    You old romantic, you.
  • 32:52 - 32:54
    She wants a party
    with some friends.
  • 32:54 - 32:56
    l said it would be cool.
  • 32:56 - 32:57
    (Whoops)
  • 33:01 - 33:02
    You can't beat roses, Danny.
  • 33:03 - 33:06
    Add them to the local
    all-you-can-eat salad bar
  • 33:06 - 33:08
    and you've got yourself
    one deadly combination.
  • 33:09 - 33:11
    You want to get married?
  • 33:12 - 33:14
    Can't. Got to go out later.
  • 33:14 - 33:15
    Good evening.
  • 33:17 - 33:19
    l move in now, yes?
  • 33:19 - 33:20
    Yes?
  • 33:20 - 33:22
    l move in now?.
  • 33:27 - 33:30
    l'm sorry, the room is taken.
  • 33:33 - 33:35
    Bond.
  • 33:42 - 33:44
    Do we have a name?
  • 33:44 - 33:46
    Yes.
  • 33:46 - 33:48
    Your name. What is your name?
  • 33:50 - 33:52
    Sam. Danny.
  • 33:52 - 33:54
    Flip.
  • 33:54 - 33:56
    Jabber the Hut.
  • 33:56 - 33:59
    Oh! 'Star Wars Trilogy'.
  • 33:59 - 34:01
    Got it in one, Tiger Girl.
  • 34:01 - 34:03
    You, yes?
  • 34:03 - 34:06
    Hai! Satomi.
    Satomi.
  • 34:07 - 34:09
    Where are we going to put her?
  • 34:11 - 34:13
    What do you think?
  • 34:16 - 34:18
    DANNY: They look different,
  • 34:18 - 34:20
    they talk different,
  • 34:20 - 34:23
    they know things we can't
    even begin to comprehend.
  • 34:23 - 34:26
    lf that's not a sign
    of an alien, what is?
  • 34:26 - 34:27
    He your boyfriend?
  • 34:28 - 34:30
    Do l look like a masochist?
  • 34:30 - 34:33
    They come down here,
    get impregnated with our seed,
  • 34:33 - 34:35
    then bugger off back
    to the Planet Beautiful,
  • 34:35 - 34:37
    where only women
    are allowed to live.
  • 34:37 - 34:40
    l want to find that planet.
    OK, Tiger Girl.
  • 34:40 - 34:41
    l want to live there.
  • 34:41 - 34:44
    Either we find the equivalent
    of Colombia's national debt
  • 34:44 - 34:45
    in the next 24 hours,
  • 34:45 - 34:48
    or seriously consider some kind
    of ritualised mass suicide.
  • 34:49 - 34:52
    What is going on out there?
    ( CHANTlNG )
  • 34:53 - 34:56
    Didn't your sisters who
    run with the wolves tell you?
  • 34:56 - 34:58
    (People chant)
    § Shekhinah, Morgana
  • 34:58 - 35:00
    § Maya, lzanami, Shakti... §
  • 35:00 - 35:02
    Explanation?
  • 35:02 - 35:04
    Winter solstice blue moonth.
  • 35:04 - 35:07
    Some poor bastard's
    got to be sacrificed
  • 35:07 - 35:09
    so that the earth
    may bear fruit.
  • 35:09 - 35:11
    Seems a bit rough on the bloke.
  • 35:11 - 35:12
    That's what l said,
  • 35:12 - 35:14
    but l obviously
    wasn't taking into account
  • 35:14 - 35:17
    4,000 years
    of patriarchal tyranny.
  • 35:17 - 35:18
    (Chanting continues)
  • 35:18 - 35:20
    Who are they
    going to sacrifice?
  • 35:20 - 35:22
    (Drunkenly) Hello, you duds!
  • 35:22 - 35:26
    Winter solstice
    blue moonth party!
  • 35:27 - 35:30
    § Maya, lzanami, Shakti
  • 35:30 - 35:34
    § lshtar, Ceridwen,
    Hecate, lnanna
  • 35:34 - 35:38
    § lsis, Artemis, Sophia,
    Athena, Coatilicue... §
  • 35:38 - 35:40
    Ooh!
  • 35:40 - 35:41
    Baby...
  • 35:41 - 35:43
    § Gaia, Saraswati
  • 35:44 - 35:48
    § Kali, Paso Wee,
    Demeter, Bhavati
  • 35:48 - 35:51
    § Hera, Akewa, Diana, Nidaba
  • 35:51 - 35:54
    § Chicomecoatl, waterlily... §
  • 35:54 - 35:56
    Are you not coming?
  • 35:56 - 35:58
    (Echoes) lt is very empowering.
  • 35:59 - 36:03
    § lshtar, Ceridwen,
    Hecate, lnanna
  • 36:03 - 36:06
    § lsis, Artemis,
    Sophia, Athena... §
  • 36:06 - 36:08
    l'll see you outside, then?
  • 36:08 - 36:10
    § Aphrodite, Mielikki, Astarte
  • 36:10 - 36:13
    § Gaia, Saraswati, Kali... §
  • 36:13 - 36:17
    (Male voices hum)
    (Chanting continues)
  • 36:21 - 36:22
    You're joking.
  • 36:26 - 36:28
    You're not joking.
  • 36:30 - 36:32
    Don't you want
    to run with the wolves too?
  • 36:33 - 36:36
    l might just take a raincheck
    on that one,
  • 36:36 - 36:37
    if that's OK with you.
  • 36:37 - 36:40
    Just in case the Christian
    Brothers were right.
  • 36:42 - 36:44
    (Chanting continues)
  • 36:44 - 36:45
    (Goatee whoops hysterically)
  • 36:45 - 36:48
    § Hera, Akewa,
    Diana, Nidaba... §
  • 36:48 - 36:51
    You better hurry up.
    You'll miss the sacrifice.
  • 36:53 - 36:55
    Hey...
  • 36:55 - 36:56
    What?
  • 36:56 - 36:59
    § lshtar, Ceridwen,
    Hecate, lnanna... §
  • 36:59 - 37:01
    Get out of here.
  • 37:01 - 37:03
    § lsis, Artemis, Sophia, Athena
  • 37:03 - 37:06
    § Coatilicue, Aphrodite,
    Mielikki, Astarte
  • 37:06 - 37:10
    § Gaia, Saraswati, Kali... §
    Fuck.
  • 37:10 - 37:14
    § Kali, Paso Wee,
    Demeter, Bhavati
  • 37:14 - 37:17
    § Hera, Akewa, Diana, Nidaba
  • 37:17 - 37:19
    § Chicomecoatl, waterlily
  • 37:19 - 37:21
    § Shekhina, Morgana
  • 37:21 - 37:24
    § Maya, lzanami, Shakti. §
  • 37:24 - 37:28
    l call on the guardians
    of the four watchtowers.
  • 37:28 - 37:32
    ALL: We call on the guardians
    of the four watchtowers.
  • 37:33 - 37:35
    (All chant) § lshtar... §
    GOATEE: Hey!
  • 37:35 - 37:36
    Guys?
  • 37:36 - 37:39
    Guys, l thought
    this was supposed to be
  • 37:39 - 37:41
    a pretend sacrifice.
  • 37:42 - 37:43
    Hey, guys!
  • 37:48 - 37:51
    (All chant softly) § lsis...
  • 37:51 - 37:52
    GOATEE: Hey, guys!
  • 37:52 - 37:54
    lt's getting warmer!
  • 37:54 - 37:57
    ( TENSE MUSlC )
    Are you sure this is safe?
  • 38:01 - 38:02
    Guys? l don't like it.
  • 38:02 - 38:04
    lf this was real,
  • 38:04 - 38:06
    you'd both be dog meat by now.
  • 38:06 - 38:09
    ( 'STAR WARS' THEME )
  • 38:18 - 38:21
    MAN: Guardians
    of the four watchtowers?
  • 38:22 - 38:25
    FLlP: Straight through. Out
    the back. First on the right.
  • 38:25 - 38:27
    Cool.
  • 38:32 - 38:34
    Go for it.
  • 38:35 - 38:38
    ( MUSlC SWELLS )
  • 38:46 - 38:48
    Taylor, do you know
    these people?
  • 38:48 - 38:50
    Let's just say
    l have connections.
  • 38:50 - 38:54
    l had to call in the cavalry to
    neutralise the rent situation.
  • 38:56 - 38:58
    With extreme prejudice,
    cover me.
  • 39:03 - 39:05
    ( CAR APPROACHES )
  • 39:31 - 39:32
    (Moans)
  • 39:32 - 39:34
    Oh, man!
  • 39:35 - 39:38
    (Woman moans repeatedly)
  • 39:39 - 39:40
    Ooh!
    (Man grunts)
  • 39:41 - 39:45
    (Sings)
    § The sun on the meadow... §
  • 39:45 - 39:46
    GOATEE: ..not a shish kebab!
  • 39:46 - 39:48
    Taylor, these reinforcements
    of yours...
  • 39:50 - 39:52
    ..they wouldn't be, by any
    chance, Nazis, would they?
  • 39:52 - 39:54
    You're a bunch of pagan freaks!
    Well...
  • 39:54 - 39:58
    l prefer to think of them
    as politically challenged.
  • 39:58 - 39:59
    Jesus fucking Christ!
  • 40:01 - 40:03
    Crazy, man!
  • 40:03 - 40:04
    Jesus!
    (Flip screams)
  • 40:06 - 40:07
    l knew it.
  • 40:07 - 40:10
    There's some seriously bad
    medicine going down out there.
  • 40:11 - 40:13
    Just as l thought.
  • 40:13 - 40:16
    He's crossed to the Dark Side.
  • 40:16 - 40:17
    Probably for the better.
  • 40:17 - 40:19
    He's with his own kind now.
  • 40:19 - 40:22
    Shouldn't we mark him
    as of the beast?
  • 40:22 - 40:24
    lt's just shock, that's all.
  • 40:24 - 40:26
    Saw a cashmere sweater back...
    Shut up!
  • 40:26 - 40:28
    Ow!
    (Laughs)
  • 40:29 - 40:32
    Cashmere sweater babe came back
    with flat-headed rugby type.
  • 40:32 - 40:34
    (Man and woman moan)
  • 40:34 - 40:37
    They've been going at it
    like lamb chops on the lawn.
  • 40:37 - 40:39
    TAYLOR: What, now?.
    Mmm.
  • 40:39 - 40:42
    WOMAN: Ooh!
    MAN: Gentle, gentle, gentle.
  • 40:42 - 40:43
    (Both moan)
  • 40:47 - 40:48
    Ooh, ouch!
  • 40:48 - 40:51
    Nasty!
    (Tuts)
  • 40:51 - 40:53
    That's got to hurt.
    (Woman exclaims)
  • 40:53 - 40:54
    lt's a bad game, dude.
  • 40:54 - 40:57
    (Both moan and yell)
    Brings out the worst in people.
  • 40:57 - 40:59
    (Passionate yelling escalates)
  • 41:00 - 41:02
    JABBER: No! No!
  • 41:02 - 41:05
    l'll do anything!
    l'll come to your meetings!
  • 41:05 - 41:07
    l'll denounce the others!
    Please!
  • 41:07 - 41:09
    Leave it here, please.
  • 41:10 - 41:11
    This cannot be happening.
  • 41:11 - 41:13
    Now, that is just
    fucking going too far!
  • 41:13 - 41:15
    ( CHAlNSAW BUZZES )
  • 41:20 - 41:23
    (All sing) § Oh, Father
    Oh, Father
  • 41:23 - 41:26
    § Oh, show us a sign
  • 41:26 - 41:28
    § Your children have waited
  • 41:28 - 41:30
    § To see... §
    ( WOOD CLATTERS )
  • 41:30 - 41:33
    § The morning will come
  • 41:33 - 41:36
    § When the world is mine
  • 41:36 - 41:39
    § Tomorrow belongs
  • 41:39 - 41:42
    § Tomorrow belongs
  • 41:42 - 41:45
    § Tomorrow belongs to me... §
  • 41:45 - 41:47
    ( CHAlNSAW BUZZES )
  • 41:47 - 41:50
    § Tomorrow belongs
  • 41:50 - 41:52
    § Tomorrow belongs
  • 41:52 - 41:57
    § Tomorrow belongs to me
  • 41:58 - 42:00
    § Oh, Father
  • 42:00 - 42:03
    § Oh, Father
    Oh, show us the sign
  • 42:03 - 42:06
    § Your children have waited
  • 42:06 - 42:09
    § To see
  • 42:09 - 42:11
    § The morning will come
  • 42:11 - 42:14
    § When the world is mine
  • 42:14 - 42:17
    § Tomorrow belongs
  • 42:17 - 42:20
    § Tomorrow belongs
  • 42:20 - 42:24
    § Tomorrow belongs to me... §
  • 42:26 - 42:31
    Time to pay the rent...
    arsewipes.
  • 42:31 - 42:33
    ( CHAlNSAW BUZZES )
    § Tomorrow belongs
  • 42:33 - 42:35
    § To me. §
  • 42:37 - 42:39
    (Crowd cheers and applauds)
  • 42:43 - 42:46
    (Woman sings)
    § Should auld acquaintance
  • 42:46 - 42:48
    § Be forgot
  • 42:48 - 42:52
    § And never brought to mind
  • 42:52 - 42:56
    (All sing )§ Should auld... §
    Fucking wankers.
  • 42:56 - 42:58
    § Be forgot and... §
  • 42:58 - 43:01
    Look after her for me,
    will you, little buddy?
  • 43:01 - 43:03
    § Auld lang syne
  • 43:03 - 43:06
    § For auld lang... §
    l love you, man.
  • 43:07 - 43:09
    l love you too, Flip.
  • 43:09 - 43:12
    § For auld lang syne
  • 43:12 - 43:15
    § We'll take a cup... §
  • 43:15 - 43:17
    ( MOTORBlKE APPROACHES )
  • 43:17 - 43:19
    (Screams)
  • 43:24 - 43:28
    § Should auld acquaintance
    be forgot and... §
  • 43:28 - 43:32
    Whoa! Freak show, dude.
  • 43:33 - 43:38
    § Should auld acquaintance
    be forgot
  • 43:38 - 43:43
    § And days of auld lang syne
  • 43:43 - 43:48
    § For auld lang syne, my dear
  • 43:48 - 43:53
    § For auld lang syne... §
  • 43:53 - 43:56
    ( CHAlNSAW BUZZES )
    § We'll take a cup
  • 43:56 - 43:58
    § Of kindness then
  • 43:58 - 44:01
    § For auld lang... §
    l go now, yes?
  • 44:01 - 44:03
    l think so, Tiger Girl.
  • 44:03 - 44:05
    l really do think so.
  • 44:05 - 44:07
    Hai, douma arrigatou.
  • 44:07 - 44:11
    § Be forgot
    and never brought to mind... §
  • 44:11 - 44:13
    ( CRASH! )
  • 44:14 - 44:16
    ( CRASH! )
  • 44:16 - 44:19
    § And days of auld lang syne
  • 44:19 - 44:24
    § For auld lang syne, my dear
  • 44:24 - 44:27
    § For auld lang syne... §
  • 44:27 - 44:28
    lt's us.
  • 44:30 - 44:34
    Yeah, well, l don't think
    you're going to like this...
  • 44:35 - 44:37
    ..very much.
  • 44:37 - 44:39
    (All cheer and applaud)
  • 44:47 - 44:50
    MAN: lf this were an environmentally
    sound society, Daniel,
  • 44:50 - 44:52
    your two-litre plastic
    orange juice bottle
  • 44:52 - 44:54
    would be just the right height
  • 44:54 - 44:56
    to fit your dry fettuccine
    into, wouldn't it?
  • 44:56 - 44:58
    ( GUlTAR SOFTLY PLAYS )
  • 45:02 - 45:05
    (Sings) § All the leaves are...
    All the leaves are brown
  • 45:05 - 45:09
    § And the sky is grey... §
    But it's not, though, is it?
  • 45:09 - 45:11
    lt's an economically corrupt,
    non-renewable,
  • 45:11 - 45:12
    rip the guts
    out of the ecosystem,
  • 45:12 - 45:14
    toxic materialist society,
    isn't it?
  • 45:14 - 45:18
    § l've been for a walk
  • 45:18 - 45:20
    § On a winter's day... §
  • 45:20 - 45:22
    So they make
    your two-litre juice bottle
  • 45:22 - 45:24
    exactly 2.5cm too fucking short
  • 45:24 - 45:27
    to fit your dry fettuccine
    into, don't they?
  • 45:27 - 45:32
    § l'd be safe and warm
    lf l was in L... §
  • 45:33 - 45:35
    On fucking purpose!
  • 45:39 - 45:41
    You do know
    those things leak radiation
  • 45:41 - 45:42
    like a sieve, don't you?
  • 45:45 - 45:47
    Beginning to worry about you,
    Daniel.
  • 45:48 - 45:51
    Starting to notice a severely
    self-destructive streak
  • 45:51 - 45:52
    in you lately.
  • 45:54 - 45:57
    ( STEADY ROCK MUSlC )
  • 46:15 - 46:17
    SONG: § l am the passenger
  • 46:18 - 46:21
    § And l ride and l ride
  • 46:22 - 46:24
    § l ride through
    the city's backside
  • 46:25 - 46:28
    § l see the stars
    coming out today
  • 46:29 - 46:32
    § Yeah, they're bright
    in a hollow sky
  • 46:32 - 46:34
    § You know it looks
    so good today... §
  • 46:34 - 46:35
    ( DOORBELL RlNGS )
  • 46:38 - 46:39
    Fuck!
  • 46:41 - 46:43
    Flip! What are you doing here?
  • 46:44 - 46:46
    He met the winner
    of the Tathra wet...
  • 46:46 - 46:49
    Met the winner of the Tathra
    wet T-shirt competition.
  • 46:49 - 46:51
    Whoo!
  • 46:51 - 46:54
    Started pissing down as soon as
    we crossed the fucking border.
  • 46:56 - 46:58
    Poor little bastard here
    nearly froze to death.
  • 46:59 - 47:01
    You should really
    call your mother, Daniel.
  • 47:02 - 47:05
    She hasn't heard from you
    in weeks.
  • 47:05 - 47:06
    Been doing the figures,
    Danny boy.
  • 47:07 - 47:10
    l've done all the dates,
    bought all the flowers,
  • 47:10 - 47:12
    had all
    the candlelit dinners...
  • 47:13 - 47:16
    Been to gallery openings,
    sat through the plays.
  • 47:16 - 47:18
    Expressed my feelings.
  • 47:18 - 47:22
    Came up with some new ones
    l never even knew l had.
  • 47:22 - 47:25
    Said all the right things,
    told all the right lies,
  • 47:25 - 47:30
    but still...still not one drop
    of affection down south.
  • 47:30 - 47:33
    You do realise Lenin
    wasn't actually his real name?
  • 47:34 - 47:36
    lt's a completely made-up name.
  • 47:36 - 47:38
    Like...Bono or Prince.
  • 47:38 - 47:40
    You see this wallet?
  • 47:42 - 47:44
    Apparently...rocked up
    one morning
  • 47:44 - 47:46
    and said, ''Call me Lenin.''
  • 47:46 - 47:52
    $4,873 have passed through this
    wallet in the past 1 2 months.
  • 47:52 - 47:53
    All of it...
  • 47:53 - 47:55
    ..in the sole pursuit of women.
  • 47:55 - 47:57
    Pity he didn't hang around.
  • 47:57 - 47:59
    He could have called himself
  • 47:59 - 48:01
    'The political leader
    formerly known as Lenin'.
  • 48:01 - 48:02
    So, you know what l did?
  • 48:02 - 48:07
    l got up, caught a cab
    to the red-light district,
  • 48:07 - 48:09
    walked into a brothel...
  • 48:10 - 48:12
    ..pulled out a $1 00 bill
  • 48:12 - 48:16
    and a very nice girl
    took me into her room
  • 48:16 - 48:18
    and had sex with me
    just like that!
  • 48:20 - 48:21
    l'm a convert, Danny boy.
  • 48:22 - 48:24
    A true believer.
  • 48:25 - 48:28
    Just goes to show you
    what a postmodern guy he was.
  • 48:35 - 48:37
    ( THUNDER CRASHES,
    DOORBELL RlNGS )
  • 48:40 - 48:41
    Fuck!
  • 48:42 - 48:43
    Sammy!
  • 48:45 - 48:47
    Your mum says
    you really should...
  • 48:47 - 48:49
    ..try and ring her a bit more.
  • 48:52 - 48:53
    She's terrified
    of commitment, Danny.
  • 48:55 - 48:58
    Commitment involves feelings,
    feelings involve emotions
  • 48:58 - 48:59
    and emotions
    are a fascist construct
  • 48:59 - 49:01
    forced upon us
    over thousands of years
  • 49:01 - 49:03
    by the patriarchal hierarchy.
  • 49:03 - 49:06
    l'm beginning to hate
    that patriarchal hierarchy.
  • 49:07 - 49:08
    l wasn't allowed to moan
  • 49:08 - 49:10
    because it sounded
    like a cliche.
  • 49:10 - 49:11
    l wasn't allowed to gasp
  • 49:11 - 49:13
    because it sounded
    like a cliche.
  • 49:13 - 49:15
    l wasn't allowed
    to say ''l love you''
  • 49:15 - 49:17
    because it sounded
    like a cliche.
  • 49:19 - 49:22
    How do you climax without it
    sounding like a cliche?
  • 49:23 - 49:25
    Do you reckon l should look
  • 49:25 - 49:27
    at 'P' for prostitute
    or 'E' for escort?
  • 49:28 - 49:30
    ( THUNDER RUMBLES )
  • 49:42 - 49:45
    ( HAUNTlNG MUSlC )
  • 49:46 - 49:48
    Make love to me.
  • 49:51 - 49:52
    Excuse me?
  • 49:54 - 49:56
    You know, berserk?
  • 49:57 - 49:59
    Gaga, talking in tongues?
  • 49:59 - 50:04
    SONG: § ls there a time
    for keeping your distance... §
  • 50:06 - 50:07
    Don't you find me attractive?
  • 50:08 - 50:11
    Of course
    l find you attractive.
  • 50:12 - 50:13
    Well, then...
  • 50:13 - 50:15
    Well, we're mates.
  • 50:16 - 50:18
    You can't sleep with your mates.
  • 50:18 - 50:21
    lt's one of the unwritten rules
    of the moral code of mateship.
  • 50:22 - 50:25
    l didn't know
    there were any unwritten rules
  • 50:25 - 50:26
    of the moral code of mateship.
  • 50:26 - 50:28
    Oh, yeah, they're...
    they're the biggies.
  • 50:28 - 50:30
    No sleeping with a mate.
  • 50:30 - 50:32
    No sleeping
    with a mate's girlfriend.
  • 50:32 - 50:34
    No urinating on a mate's car.
  • 50:34 - 50:37
    lt's column-of-salt
    sort of stuff.
  • 50:37 - 50:38
    Sodom and Gomorrah and all that.
  • 50:40 - 50:42
    Old Testament?
    Yeah, you know.
  • 50:42 - 50:45
    Plagues, pestilence,
    frogs falling from the sky,
  • 50:45 - 50:46
    that sort of thing.
  • 50:50 - 50:51
    Doesn't sound too good,
    does it?
  • 50:55 - 50:59
    § ls there a time
    to run for cover... §
  • 51:00 - 51:02
    l just need to feel loved.
  • 51:05 - 51:07
    l just need to feel.
  • 51:10 - 51:13
    ( DARK MUSlC )
  • 51:16 - 51:18
    SONG: § l hear stories
    from the chamber
  • 51:18 - 51:20
    § How Christ was born
    into a manger
  • 51:20 - 51:24
    § And like some ragged stranger
    died upon the cross
  • 51:24 - 51:28
    § And might l say
    it seems so fitting in its way
  • 51:28 - 51:30
    § He was a carpenter by trade
  • 51:30 - 51:33
    § Or at least
    that's what l'm told... §
  • 51:34 - 51:35
    Sammy?
  • 51:38 - 51:40
    ( WATER RUNS )
    Sammy?
  • 51:43 - 51:44
    Sammy.
  • 51:46 - 51:47
    Oh, fuck!
  • 51:48 - 51:51
    § And in a way
    l'm hoping to be done
  • 51:51 - 51:53
    § With all this
    weighing up of truth
  • 51:53 - 51:56
    § Eye for an eye
    Tooth for a tooth
  • 51:56 - 51:58
    § And l've got
    nothing left to lose
  • 51:58 - 52:00
    § And l'm not afraid to die
  • 52:00 - 52:02
    § The mercy seat
    is waiting... §
  • 52:02 - 52:04
    Oh, shit!
  • 52:04 - 52:08
    § ln a way
    l'm yearning to be done
  • 52:08 - 52:10
    § With all this measuring
    of proof
  • 52:10 - 52:13
    § Eye for an eye
    Tooth for a tooth... §
  • 52:15 - 52:18
    Why is 3:00 in the morning
    always the hour of choice
  • 52:18 - 52:21
    to put on Nick Cave,
    get depressed and kill yourself?.
  • 52:21 - 52:24
    What's wrong
    with the middle of the day
  • 52:24 - 52:26
    when everyone's awake
    and ready to call an ambulance?
  • 52:28 - 52:29
    What's happening to me?
  • 52:31 - 52:34
    l can't even
    kill myself properly.
  • 52:34 - 52:35
    l can't do anything properly.
  • 52:35 - 52:37
    ( SOFT PlANO MUSlC )
  • 52:37 - 52:39
    l'm sure if you concentrated,
  • 52:39 - 52:42
    you'd be able to kill yourself
    better than anyone else l know.
  • 52:46 - 52:47
    Really?
  • 52:47 - 52:50
    You do everything
    better than anyone else l know.
  • 52:52 - 52:53
    You think?
  • 52:55 - 52:58
    SONG: § And the mercy seat
    is waiting
  • 52:58 - 53:02
    § And l think my head
    is burning
  • 53:02 - 53:07
    § And in a way
    l'm yearning to be done... §
  • 53:07 - 53:08
    l must look horrible.
  • 53:09 - 53:11
    You look wonderful.
  • 53:11 - 53:14
    § Eye for an eye
    Tooth for a tooth... §
  • 53:14 - 53:16
    Did you have fish sticks
    for dinner?
  • 53:18 - 53:19
    Possibly.
  • 53:21 - 53:22
    You just...
  • 53:23 - 53:25
    ..you sort of taste...
    all fishy.
  • 53:27 - 53:28
    Should l brush?
  • 53:30 - 53:33
    § l hear stories
    from the chamber
  • 53:33 - 53:36
    § How Christ was born
    into a manger
  • 53:36 - 53:40
    § And like
    some ragged stranger... §
  • 53:41 - 53:43
    ( THUMP! )
  • 53:45 - 53:47
    Your room's
    very orderly, Danny.
  • 53:47 - 53:49
    One of the best we've seen.
  • 53:50 - 53:52
    How do you know my name?
  • 54:00 - 54:03
    l'll tell you
    how this game works, Daniel.
  • 54:03 - 54:04
    We're the cops.
  • 54:04 - 54:06
    We get to ask the questions.
  • 54:08 - 54:09
    You're the suspect.
  • 54:09 - 54:12
    You get to complain
    about your civil liberties,
  • 54:12 - 54:15
    perhaps get shot,
    maybe even killed.
  • 54:16 - 54:19
    And it has
    to stay like that, Daniel.
  • 54:19 - 54:22
    Otherwise, everything
    falls out of balance.
  • 54:23 - 54:25
    And when things
    fall out of balance,
  • 54:25 - 54:27
    you know what happens then,
    don't you, Daniel?
  • 54:29 - 54:32
    Your spiritual values
    start to decline.
  • 54:33 - 54:34
    You get your disintegration
  • 54:34 - 54:36
    of your social structure,
    don't you?
  • 54:37 - 54:39
    The system collapses.
  • 54:39 - 54:42
    Pestilence, flood, famine...
  • 54:44 - 54:45
    lt happened to the Romans.
  • 54:45 - 54:47
    lt happened to the Greeks.
  • 54:48 - 54:51
    lt happened
    to the ancient Mesopotamians.
  • 54:52 - 54:55
    And we don't want it happening
    to us, now, do we, Daniel?
  • 54:57 - 54:58
    What's this, then, Daniel?
  • 54:59 - 55:01
    Toilet paper?
  • 55:02 - 55:03
    l'm a writer.
  • 55:03 - 55:05
    Pages impose
    an artificial structure
  • 55:05 - 55:07
    on my stream of consciousness.
  • 55:08 - 55:11
    Well, l guess that would mean
    you'd write shit, then.
  • 55:11 - 55:12
    Wouldn't it, Daniel?
  • 55:16 - 55:17
    What's going on?
  • 55:17 - 55:19
    We're the police, sweetheart.
  • 55:19 - 55:22
    Your civil liberties
    are about to be violated.
  • 55:22 - 55:23
    Oh, great.
  • 55:28 - 55:31
    lf prostitution
    is the rental of the body...
  • 55:34 - 55:35
    ..marriage is the sale.
  • 55:37 - 55:39
    You're a sick fuck,
    aren't you, Daniel?
  • 55:40 - 55:42
    What is wrong with you?
  • 55:42 - 55:44
    Haven't you got
    anything better to do,
  • 55:44 - 55:46
    like chasing rapists
    or murderers or something?
  • 55:48 - 55:50
    You know something
    about rapes and murders,
  • 55:50 - 55:52
    do you, sweetheart?
  • 55:53 - 55:55
    Fuck you.
    Sammy.
  • 55:56 - 55:58
    We refuse
    to answer any questions
  • 55:58 - 55:59
    without the presence
    of a solicitor.
  • 56:04 - 56:07
    You know what we usually
    do to places like this, Daniel?
  • 56:08 - 56:10
    We usually torch them.
  • 56:11 - 56:14
    So that would make you
    the arson squad, then?
  • 56:14 - 56:18
    (Laughs) You're a tough nut to
    crack, aren't you, hard case?
  • 56:19 - 56:21
    You animals got any guns
    on the premises?
  • 56:21 - 56:22
    Sure, we've got a cache
  • 56:22 - 56:24
    of paramilitary weapons
    up in the attic.
  • 56:24 - 56:26
    l'll just nip up
    and get them, shall...?
  • 56:28 - 56:30
    No, l reckon
    you're on something.
  • 56:31 - 56:33
    What do you reckon, Stuart?
  • 56:36 - 56:37
    Put it away, Russ.
  • 56:38 - 56:41
    You lot on drugs?
    Only when we can get them.
  • 56:53 - 56:55
    lf you don't cooperate,
    hard case,
  • 56:55 - 56:58
    you never know
    what might happen.
  • 57:05 - 57:07
    Nice tatts, man.
  • 57:10 - 57:12
    You look like a fucking
    pincushion down there, mate.
  • 57:15 - 57:17
    Flip, what's going on?
  • 57:17 - 57:20
    lt's cool, dude.
    Nanna's booked me into rehab.
  • 57:20 - 57:21
    (Sighs)
  • 57:21 - 57:25
    lt's a good one. They get you
    to make your own bed and stuff.
  • 57:25 - 57:28
    Let's stop the clowning around,
    hard case.
  • 57:28 - 57:31
    Your friend here led us
    a merry chase last night
  • 57:31 - 57:33
    through numerous brothels,
    two nightclubs,
  • 57:33 - 57:35
    a girlie bar and the casino.
  • 57:35 - 57:37
    Picked him up
    at the blackjack table,
  • 57:37 - 57:40
    trying to order
    half a dozen Asian girls
  • 57:40 - 57:42
    and a gram of speed
    from the croupier.
  • 57:42 - 57:43
    We cancelled the girls.
  • 57:43 - 57:46
    Not before he whacked up over
    eight-grand's worth of whoopee
  • 57:46 - 57:48
    on this, though, Danny boy.
  • 57:48 - 57:49
    That's my card.
  • 57:49 - 57:51
    lt would seem so, Danny boy.
  • 57:53 - 57:57
    Seems like you owe $7,257
    in rent and damages
  • 57:57 - 58:00
    to some of our friends
    in Brissy, Daniel.
  • 58:01 - 58:04
    Add that to the eight large...
  • 58:04 - 58:06
    ..notched up
    by your associate here.
  • 58:06 - 58:07
    Which means
    you're going to need
  • 58:07 - 58:10
    the mother of all student loans
    to pay that lot back,
  • 58:10 - 58:12
    aren't you, Daniel?
  • 58:12 - 58:14
    We refuse to say one more word
  • 58:14 - 58:16
    until we have spoken
    to a lawyer.
  • 58:16 - 58:19
    l've had just about enough
    of you l can take, arsewipe!
  • 58:20 - 58:23
    Some of our friends
    own that casino, Daniel.
  • 58:23 - 58:25
    And they don't like
    being out-of-pocket.
  • 58:25 - 58:28
    Makes them angry.
    Makes us angry.
  • 58:28 - 58:30
    (Nervously) l need to pee.
  • 58:32 - 58:33
    Can you hear something, Stuart?
  • 58:37 - 58:38
    Put it away, Russ.
  • 58:38 - 58:40
    You know,
    like a mosquito buzzing,
  • 58:40 - 58:41
    or something like that.
  • 58:41 - 58:44
    Russ! Put...it...away!
  • 58:50 - 58:53
    He needs to fucking pee,
    you fascist pig dog!
  • 58:54 - 58:56
    ( BANG!, THUD! )
  • 58:59 - 59:00
    Shit.
  • 59:02 - 59:03
    Big mistake, hard case.
  • 59:04 - 59:06
    Big fucking mistake.
  • 59:14 - 59:15
    Fight the power, Daniel!
  • 59:18 - 59:20
    Fight the power, lain.
  • 59:31 - 59:34
    STUART: Pity it had to come
    to this, Daniel.
  • 59:34 - 59:37
    And who was to know
    it was only a water pistol?
  • 59:38 - 59:39
    Excuse me?
  • 59:39 - 59:41
    The gun.
    What gun?
  • 59:41 - 59:45
    Your friend pulled a gun.
    We fired in self-defence.
  • 59:45 - 59:48
    Who was to know
    it was only a toy?
  • 59:48 - 59:50
    Are you insane?
    There was no gun.
  • 59:52 - 59:54
    You look after yourself
    out there, Daniel.
  • 59:55 - 59:57
    Anything could happen,
    you know.
  • 59:58 - 60:03
    And let's face it, mate,
    it probably will, won't it?
  • 60:03 - 60:05
    ( SlREN WAlLS )
  • 60:05 - 60:07
    l'm not your mate.
  • 60:19 - 60:21
    Maybe...
  • 60:21 - 60:24
    Maybe it was like,
    you know, a Buddhist thing.
  • 60:24 - 60:27
    He denies your existence,
    don't call us, we'll call you,
  • 60:27 - 60:29
    that sort of thing.
  • 60:29 - 60:30
    lt's the police, Sammy.
  • 60:31 - 60:34
    They're hardly likely to be
    Buddhists.
  • 60:35 - 60:37
    They shoot first,
    ask questions later down here.
  • 60:41 - 60:42
    l'm a dead man.
  • 60:44 - 60:45
    Maybe you're
    just losing weight.
  • 60:51 - 60:53
    lnwards, your heart is full.
  • 60:54 - 60:56
    Outwards, your heart is empty.
  • 61:10 - 61:12
    l wasn't exactly expecting
    a shower of confetti.
  • 61:20 - 61:22
    Maybe you should...move on.
  • 61:23 - 61:25
    lt might not be too sensible
  • 61:25 - 61:27
    to wait around
    for anything to happen.
  • 61:29 - 61:31
    What about you?
  • 61:34 - 61:37
    l think l'll...think l'll
    stick around here for a while.
  • 61:38 - 61:40
    Sort of like it.
  • 61:42 - 61:44
    (Taylor retches)
  • 61:57 - 61:59
    (Yells)
  • 62:07 - 62:09
    Best fucking night
    l've had in ages.
  • 62:42 - 62:45
    Just what
    is your fucking problem, Nina?
  • 62:45 - 62:48
    Nothing, Dirk.
    What is your fucking problem?
  • 62:48 - 62:51
    l don't have a problem, Nina.
    l'm just making toast.
  • 62:51 - 62:53
    Well, l'm just unpacking
    the shopping, Dirk.
  • 62:54 - 62:59
    (Sings) § All the leaves are...
    All the leaves are brown
  • 62:59 - 63:02
    § And the sky is grey... §
  • 63:08 - 63:12
    You're fucking insane.
    You're a fascist bitch.
  • 63:12 - 63:13
    You're the fascist, Dirk!
  • 63:13 - 63:15
    l am not a fascist, Nina.
  • 63:15 - 63:18
    § l went for a walk
  • 63:18 - 63:20
    § On a winter's day
  • 63:26 - 63:30
    § lf l didn't tell her
  • 63:30 - 63:32
    § l could leave today... §
  • 63:33 - 63:35
    That's the biscuit shelf, Nina.
  • 63:35 - 63:38
    This...is where
    the pineapple chunks go.
  • 63:38 - 63:40
    That's the biscuit shelf, Dirk!
  • 63:40 - 63:42
    Scotch fingers, Tim Tams,
    Tiny Teddies...
  • 63:42 - 63:44
    This is the pineapple shelf.
  • 63:44 - 63:47
    lt always has been, and always
    will be the pineapple shelf.
  • 63:48 - 63:51
    You're a crazy,
    lying, anorexic...
  • 63:52 - 63:54
    ..praying fucking mantis
    evil witch!
  • 63:54 - 63:57
    Danny, l demand
    we have a house meeting.
  • 63:57 - 64:00
    § California dreaming
  • 64:00 - 64:03
    § On a winter's day... §
  • 64:04 - 64:06
    ( BUZZER SOUNDS )
  • 64:07 - 64:09
    Sammy!
  • 64:09 - 64:10
    What are you doing here?
  • 64:10 - 64:12
    Heard you had a spare room.
  • 64:12 - 64:14
    You really should
    ring your mum, you know.
  • 64:14 - 64:16
    l think she misses you.
  • 64:18 - 64:21
    Tuesdays and Thursdays,
    Danny puts out the rubbish.
  • 64:21 - 64:23
    Mondays, Wednesdays
    and Fridays,
  • 64:23 - 64:26
    Dirk cleans the bathroom
    and the kitchen.
  • 64:26 - 64:29
    Saturdays and Wednesdays,
    new person...
  • 64:29 - 64:30
    ..that's you...
  • 64:30 - 64:32
    vacuums the house,
    including all the bedrooms.
  • 64:32 - 64:34
    Taylor cooks
    when he's not on night shift,
  • 64:34 - 64:36
    Uptight does it when he is.
  • 64:36 - 64:38
    And everyone's banned
    from writing each other
  • 64:38 - 64:40
    into their novels, plays,
    film scripts, websites
  • 64:40 - 64:41
    and all future technologies.
  • 64:42 - 64:44
    What about you? What do you do?
  • 64:46 - 64:49
    l don't have
    to put up with this.
  • 64:49 - 64:50
    l have an audition
    in the morning.
  • 64:52 - 64:54
    Don't know what you see in her.
  • 64:54 - 64:55
    She's not very attractive.
  • 65:01 - 65:02
    Welcome to hell.
  • 65:03 - 65:05
    SAM: At least it's warm.
  • 65:07 - 65:09
    ( BUZZER SOUNDS )
  • 65:09 - 65:10
    Mr Corcoran?
  • 65:10 - 65:12
    Excuse me?
  • 65:12 - 65:14
    l'm with the William Macey's
    hire-purchase division.
  • 65:14 - 65:16
    Just wondering if
    a Robert Corcoran lived here.
  • 65:16 - 65:18
    Come on in.
  • 65:18 - 65:20
    You're number five for the week.
  • 65:21 - 65:24
    Forming a club here
    for people chasing Mr Corcoran.
  • 65:24 - 65:25
    And you are?
  • 65:25 - 65:27
    Bragg. Billy Bragg.
  • 65:27 - 65:29
    Pleasure to meet you,
    Mr Repo Man.
  • 65:31 - 65:33
    Drawer of the living dead.
    All for Mr Corcoran.
  • 65:35 - 65:37
    Doesn't take a rocket scientist
    to figure it out.
  • 65:37 - 65:40
    Fake lD, phone account,
    broker a line of credit,
  • 65:40 - 65:42
    stakes back to us, bingo.
  • 65:42 - 65:43
    There is no Mr Corcoran.
  • 65:43 - 65:45
    Probably never was.
  • 65:46 - 65:48
    lf work calls,
    l've had a car accident.
  • 65:48 - 65:51
    lf uni calls, l'm in Melbourne
    on a research trip.
  • 65:51 - 65:53
    lf Mum calls, l'm gay
  • 65:53 - 65:55
    and fucking my sister
    over at her place.
  • 65:55 - 65:57
    And if Joey calls,
  • 65:57 - 66:00
    l'm still using the computer
    so he can go and get fucked!
  • 66:02 - 66:05
    You know, if you all watched
    more daytime soaps,
  • 66:05 - 66:07
    you'd understand much better
    what l go through
  • 66:07 - 66:09
    every day of my life.
  • 66:10 - 66:12
    The ups and downs,
    the highs and lows...
  • 66:14 - 66:17
    How about a nice cup of tea?
    ( DOOR SLAMS )
  • 66:28 - 66:29
    ( BUZZER SOUNDS )
  • 66:31 - 66:33
    (Sighs)
  • 66:33 - 66:35
    Fuck!
  • 66:36 - 66:38
    Your mother seems very nice.
  • 66:38 - 66:41
    You really should speak to her
    a bit more often.
  • 66:52 - 66:54
    Mr Corcoran, l presume?
  • 66:57 - 66:59
    Do..stoevski.
  • 67:00 - 67:02
    ltalian name, is it?
  • 67:04 - 67:06
    That old Corcoran
    sure does love to shop,
  • 67:06 - 67:08
    doesn't he, Feodor?
  • 67:09 - 67:11
    And he ain't finished
    with us yet.
  • 67:11 - 67:12
    Not by a long shot.
  • 67:13 - 67:19
    He's got your Amex, your Visa,
    your MasterCard, Diners Club...
  • 67:19 - 67:21
    ..hell, even
    your Grace Bros card's
  • 67:21 - 67:23
    up there in the top five.
  • 67:23 - 67:24
    You're too sensitive.
  • 67:24 - 67:26
    You feel too much.
  • 67:27 - 67:29
    Why do you always
    have to feel so much?
  • 67:31 - 67:33
    Why do you always
    have to wear black?
  • 67:34 - 67:36
    l am in mourning for my life.
  • 67:36 - 67:39
    This is Sydney, you know. They
    do things differently here.
  • 67:39 - 67:41
    Nobody cares
    about my problems, do they?
  • 67:41 - 67:45
    Nobody cares about how
    l was raped by my uncle at 1 4,
  • 67:45 - 67:46
    or how my psycho ex-boyfriend
  • 67:46 - 67:48
    slept with my arch-nemesis
    from drama school!
  • 67:52 - 67:54
    Do you always have to flirt?
  • 67:54 - 67:57
    You flirt with anything. You'd
    flirt with a rock if you could.
  • 67:57 - 67:59
    l find it natural.
  • 67:59 - 68:01
    Well, try to suppress it.
  • 68:04 - 68:06
    l think you're being weird.
  • 68:08 - 68:09
    Not as weird as you.
  • 68:09 - 68:12
    When it comes to weird,
    l think you take the cake.
  • 68:13 - 68:15
    l am not weird.
  • 68:15 - 68:17
    Nice tea, Feodor.
    lt's lndian, l think.
  • 68:17 - 68:19
    Biscuit?
    Mmm.
  • 68:19 - 68:21
    l don't want to talk anymore.
  • 68:22 - 68:24
    l've had a cunt of a day.
  • 68:24 - 68:26
    lt's not cheap, you know.
    Bulimia's not cheap, you know?.
  • 68:29 - 68:31
    A real cunt of a day.
  • 68:34 - 68:37
    'Crime and Punishment'
    and...what was the other one?
  • 68:37 - 68:39
    'The ldiot'.
  • 68:39 - 68:41
    l'll keep an eye
    out for them, Feodor.
  • 68:41 - 68:42
    But l'll tell you,
  • 68:42 - 68:45
    you'll never be a successful
    writer with titles like that.
  • 68:45 - 68:49
    This is Sydney. You've got
    to be more upbeat, you know?.
  • 68:49 - 68:51
    l want those creatures
    out of my house!
  • 68:53 - 68:55
    ( FUNKY MUSlC )
  • 69:13 - 69:15
    (Women passionately moan)
  • 69:26 - 69:28
    ( FOOTSTEPS APPROACH )
  • 69:32 - 69:34
    ( KNOCK AT DOOR )
  • 69:37 - 69:38
    What?
  • 69:43 - 69:45
    May l?
  • 69:56 - 69:58
    We are not
    too loud for you, are we?
  • 70:07 - 70:09
    You know,
    we were just having fun.
  • 70:11 - 70:13
    How's the patriarchal hierarchy?
  • 70:14 - 70:16
    How is...how you say?
  • 70:18 - 70:20
    Your stream of unconsciousness?
  • 70:26 - 70:28
    (Sighs)
  • 70:30 - 70:33
    You sure we're
    not too loud for you?
  • 70:35 - 70:38
    Not a problem.
    Knock yourself out.
  • 70:44 - 70:46
    l had better go.
  • 71:03 - 71:05
    (Women squeal and laugh)
  • 71:08 - 71:09
    Fuck.
  • 71:10 - 71:13
    ( GLASS SMASHES )
    Look what you've done!
  • 71:15 - 71:17
    Jesus Christ!
  • 71:18 - 71:19
    ( KNOCK AT DOOR )
  • 71:22 - 71:24
    l'm sorry. We broke the lamp.
  • 71:27 - 71:28
    Look...
  • 71:28 - 71:31
    l don't care
    if you break your skull
  • 71:31 - 71:32
    and your fucking little brains
  • 71:32 - 71:34
    come seeping out
    onto the carpet.
  • 71:34 - 71:36
    l just want to be left alone.
  • 71:49 - 71:50
    l want to be...
  • 71:50 - 71:52
    ..going berserk.
  • 71:52 - 71:54
    l want to be
    talking in tongues.
  • 71:54 - 71:57
    l want to be...gaga.
  • 72:15 - 72:17
    l'm sorry.
    What for?
  • 72:18 - 72:21
    lt didn't mean anything.
    Spare me the cliches, Danny.
  • 72:21 - 72:23
    l'm a parody of myself,
    remember?
  • 72:23 - 72:26
    No-one can hurt me.
    l have no feelings, remember?
  • 72:26 - 72:28
    Feelings
    are a fascist construct.
  • 72:33 - 72:34
    No!
  • 72:34 - 72:37
    l don't see why
    l should suffer just because
  • 72:37 - 72:40
    you two were beaten as children
    and forced to eat dog food!
  • 72:42 - 72:43
    She's a chaos freak, Danny.
  • 72:44 - 72:48
    lt's like the antimatter
    equivalent of a control freak.
  • 72:48 - 72:50
    She needs to inject chaos
    into any given situation...
  • 72:51 - 72:53
    ..doesn't care
    about the outcome.
  • 72:54 - 72:56
    Just the trouble
    she causes for everyone.
  • 72:56 - 72:59
    l am Bajorian,
    she's Cardassian.
  • 72:59 - 73:01
    She bites. l bite too.
  • 73:02 - 73:03
    What?
  • 73:05 - 73:06
    lt is from 'Star Trek'.
  • 73:06 - 73:09
    Cardassian...and Bajorian.
  • 73:09 - 73:13
    They are two life forms that
    try to be kind to each other,
  • 73:13 - 73:15
    but they can't help
    their nature.
  • 73:16 - 73:17
    Like the frog and the scorpion.
  • 73:19 - 73:22
    You know this tale?
    lt is Greek.
  • 73:24 - 73:27
    Look at yourself.
    You're not even upset.
  • 73:29 - 73:31
    You don't even know
    how to get upset.
  • 73:40 - 73:44
    l just...don't want to be
    in love with anyone right now.
  • 73:52 - 73:54
    lf you want to,
    just sleep with her.
  • 73:54 - 73:56
    l really don't
    give a shit anymore.
  • 73:56 - 73:58
    l don't want to sleep with her.
  • 73:58 - 74:00
    Yeah, right!
  • 74:01 - 74:03
    Don't...
  • 74:03 - 74:04
    ..touch me.
  • 74:04 - 74:06
    Just don't.
  • 74:15 - 74:17
    Where are you going?
  • 74:23 - 74:25
    You know, Danny...
  • 74:26 - 74:28
    ..whatever happened
    to your moral code of mateship?
  • 74:29 - 74:32
    Oh, l reckon
    those rules were written
  • 74:32 - 74:34
    more with football buddies
    in mind.
  • 74:39 - 74:41
    One day, Danny,
  • 74:41 - 74:43
    you're going
    to wake up old and grey...
  • 74:44 - 74:47
    ..in a house
    full of dumb kids...
  • 74:48 - 74:50
    ..living off fish fingers,
  • 74:50 - 74:52
    bucket bongs
    and social security.
  • 74:54 - 74:57
    You'll wake up, and it's
    going to hit you like a fist...
  • 74:58 - 75:01
    ..right in the middle
    of your stupid-looking face.
  • 75:04 - 75:06
    You're going to wonder
    whatever happened to your life.
  • 75:16 - 75:19
    ( TECHNO MUSlC )
  • 75:57 - 75:59
    Well, l hope you're all
  • 75:59 - 76:00
    extremely satisfied
    with yourselves.
  • 76:00 - 76:02
    My boyfriend
    now thinks l'm gay.
  • 76:02 - 76:04
    My mother thinks
    l've been in a car accident.
  • 76:04 - 76:06
    My boss thinks
    l'm in Melbourne.
  • 76:06 - 76:09
    And someone told my uni tutor
    to go and get fucked.
  • 76:11 - 76:14
    TV: What are you
    feeling right now?.
  • 76:14 - 76:15
    Desire.
  • 76:16 - 76:17
    Yes.
  • 76:20 - 76:22
    She said
    we never talked anymore.
  • 76:23 - 76:25
    She said
    l never reveal of myself.
  • 76:27 - 76:29
    They are all very fit,
    aren't they?
  • 76:29 - 76:32
    They are all very, very fit.
  • 76:32 - 76:34
    Look at this crap!
  • 76:34 - 76:37
    Look at all the fat,
    ugly whores that get on TV.
  • 76:37 - 76:39
    Why can't l get on fucking TV?
  • 76:39 - 76:41
    How can l reveal of myself?.
  • 76:43 - 76:44
    What is there to reveal?
  • 76:46 - 76:48
    The little man
    behind the curtain
  • 76:48 - 76:49
    pulling all the strings?
  • 76:50 - 76:52
    Who wants to see that?
  • 76:54 - 76:58
    l've been to drama school.
    l am a bit of a babe, aren't l?
  • 77:00 - 77:03
    ''That's who l am, Gail.
  • 77:04 - 77:06
    ''That's what l am,
    right or wrong.
  • 77:06 - 77:08
    ''l can't change that.''
  • 77:12 - 77:13
    Al Pacino.
  • 77:14 - 77:16
    l love that man.
  • 77:17 - 77:20
    My pathetic life
    consists of sitting around,
  • 77:20 - 77:22
    waiting for imaginary
    acting jobs to materialise,
  • 77:22 - 77:23
    eating myself stupid
    and throwing up
  • 77:23 - 77:25
    in the middle of the night.
  • 77:25 - 77:27
    Well, l'm sick of it,
    l tell you!
  • 77:27 - 77:29
    l'm sick of it!
  • 77:30 - 77:31
    l have something to declare.
  • 77:33 - 77:34
    l'm gay.
  • 77:34 - 77:36
    Do we have any lollies?
  • 77:38 - 77:40
    l said l was gay.
  • 77:40 - 77:42
    l'm...gay.
  • 77:42 - 77:44
    That's nice, Dirk.
  • 77:44 - 77:45
    lt is obvious, really.
  • 77:45 - 77:47
    Always thought you were.
  • 77:54 - 77:56
    l'd just like to say
    that l've got a problem
  • 77:56 - 77:59
    with you all accepting my
    homosexuality without question.
  • 78:00 - 78:02
    No wonder
    my suppressed heterosexual side
  • 78:02 - 78:04
    is in a spin all the time!
  • 78:04 - 78:07
    You all thought l was gay, even
    when l was fucking straight!
  • 78:07 - 78:09
    Dirk, we think it's great, mate.
  • 78:09 - 78:12
    What's so fucking great
    about being a poofter, Danny?
  • 78:14 - 78:15
    Nothing, Dirk, just...
  • 78:16 - 78:18
    ..finish the bathroom.
  • 78:18 - 78:21
    That's just
    fucking typical, Daniel!
  • 78:21 - 78:24
    l'd like to declare l've got
    a problem with that too.
  • 78:24 - 78:28
    You want me to put on
    a fucking pink apron, Danny?
  • 78:28 - 78:31
    You want me to put on
    the fucking washing-up gloves
  • 78:31 - 78:32
    and lick the boots
  • 78:32 - 78:35
    of the hetero-fascist
    sterility conspiracy thing?
  • 78:35 - 78:37
    No fucking way, pal!
  • 78:37 - 78:41
    l'm not
    some mincing fucking queen,
  • 78:41 - 78:43
    lick the boots
    of you hetero fucks!
  • 78:43 - 78:45
    ''Oh, give the fag some
    hetero foot massage routine
  • 78:45 - 78:47
    ''when he comes in.''
  • 78:47 - 78:48
    Bullshit!
  • 78:50 - 78:52
    Gay men are dying, Danny.
  • 78:52 - 78:55
    And you want me
    to clean the bath.
  • 78:56 - 78:58
    Dirk, just forget it, mate.
  • 78:59 - 79:01
    You don't mean that,
    do you, Danny?
  • 79:02 - 79:04
    What you really mean is,
  • 79:04 - 79:06
    ''All you filthy
    little arse bandits
  • 79:06 - 79:07
    ''should be nailed to a tree.''
  • 79:07 - 79:09
    lsn't that so, Danny?
  • 79:18 - 79:20
    (Sighs)
  • 79:24 - 79:25
    Dirk,
  • 79:25 - 79:30
    this newly installed
    sophisticated gay radar of yours
  • 79:30 - 79:32
    is picking up
    shit from the cosmos
  • 79:32 - 79:34
    that just ain't fucking there.
  • 79:34 - 79:36
    l've got my own shit
    to worry about.
  • 79:37 - 79:39
    l've lived
    in 49 shared households
  • 79:39 - 79:41
    in what seems as many years.
  • 79:41 - 79:44
    l've been ripped off, raided,
  • 79:44 - 79:47
    threatened, burnt out, shot at,
  • 79:47 - 79:50
    cheated on, scabbed
    in every one of those years.
  • 79:50 - 79:53
    My beds are foam slabs
    on the floor.
  • 79:53 - 79:55
    My cupboards are stacks
    of stolen milk crates.
  • 79:56 - 79:58
    l've lived
    with tent-dwelling bank clerks,
  • 79:58 - 80:02
    albino moontanners,
    nitro suckers,
  • 80:02 - 80:06
    psycho fucking drama queens,
    acid eaters,
  • 80:06 - 80:09
    mushroom farmers,
    fucking brothel crawlers,
  • 80:09 - 80:12
    fridge pissers,
    hard-core separatist lesbians,
  • 80:12 - 80:15
    and obscurely
    tiger-throated Japanese girls!
  • 80:15 - 80:19
    And now the best friend l've
    ever had in the fucking world
  • 80:19 - 80:21
    won't even fucking talk to me!
  • 80:21 - 80:25
    l'm in a psycho fucking
    nightmare from hell,
  • 80:25 - 80:27
    and l'm fucking fed up with it!
  • 80:27 - 80:29
    (Quietly) So, l suggest, pal...
  • 80:30 - 80:32
    ..that you tune in...
  • 80:34 - 80:36
    ..and chill fucking out.
  • 80:52 - 80:54
    Nobody asks me
    about my problems, do they?
  • 80:54 - 80:56
    Nobody asks me
    about my loopy parents
  • 80:56 - 80:58
    and their endless
    fucking divorce case.
  • 81:00 - 81:02
    l've got to give evidence,
    you know.
  • 81:02 - 81:04
    They've both subpoenaed me,
    you know.
  • 81:06 - 81:08
    l didn't know.
  • 81:11 - 81:13
    You didn't ask...
  • 81:14 - 81:15
    ..did you?
  • 81:18 - 81:20
    They're very, very fit.
  • 81:20 - 81:23
    You have to admit
    they're very, very fit.
  • 81:30 - 81:31
    Dirk's gay.
  • 81:31 - 81:33
    l always thought he was.
  • 81:41 - 81:43
    l baked some scones,
    if you want.
  • 81:44 - 81:46
    lt's a new recipe.
  • 81:54 - 81:56
    ( FOOTSTEPS APPROACH )
  • 82:00 - 82:02
    TAYLOR: You...you OK
    in there, little buddy?
  • 82:02 - 82:05
    ( POlGNANT MUSlC )
    (Sighs)
  • 82:05 - 82:08
    SONG: § Who's going
    to tell you when
  • 82:08 - 82:11
    § lt's too late... §
  • 82:12 - 82:14
    Thought you might need
    some supplies
  • 82:14 - 82:16
    in there, little buddy.
  • 82:16 - 82:18
    Had to make everything
    flat for you.
  • 82:27 - 82:29
    SONG: § Can't go on
  • 82:30 - 82:35
    § Thinking nothing's wrong
  • 82:38 - 82:41
    § Who's going to drive you home
  • 82:42 - 82:43
    § Tonight? §
  • 82:46 - 82:48
    NlNA: Fuck!
    Fucking little jerk.
  • 82:49 - 82:51
    § Who's going to pick you up
  • 82:53 - 82:55
    § When you fall? §
  • 82:58 - 83:00
    ANYA: Cigarette?
  • 83:00 - 83:03
    § Who's going to hang it up
  • 83:05 - 83:07
    § When you call? §
  • 83:13 - 83:16
    There is a man
    in a spaceship...
  • 83:17 - 83:19
    ..floating above a planet...
  • 83:20 - 83:22
    ..which is like a brain.
  • 83:24 - 83:26
    lt can read from his mind.
  • 83:29 - 83:33
    The planet recreated
    his dead wife...
  • 83:34 - 83:35
    ..from his memory.
  • 83:37 - 83:40
    But...she wasn't
    exactly the same.
  • 83:41 - 83:43
    She was like a photocopy.
  • 83:45 - 83:47
    So, he hates her.
  • 83:48 - 83:52
    He locks her in a room
    to be rid of her.
  • 83:56 - 83:59
    But she tears through the door
    like if it was paper...
  • 84:01 - 84:03
    ..just to be with him.
  • 84:07 - 84:09
    She loves him...
  • 84:10 - 84:12
    ..but he hates her.
  • 84:14 - 84:15
    So...
  • 84:16 - 84:20
    ..she tries to kill herself,
    but she can't die.
  • 84:21 - 84:24
    So, she comes back to life
    like the resurrection.
  • 84:29 - 84:32
    lt's only when he sees the pain
    she's going through...
  • 84:34 - 84:36
    ..that he's able to love her...
  • 84:39 - 84:40
    ..for what she is.
  • 84:46 - 84:48
    You understand?
  • 84:48 - 84:50
    § Who's going to drive you home
  • 84:51 - 84:53
    § Tonight?
  • 84:56 - 84:58
    § You know you can't go on
  • 84:59 - 85:04
    § Thinking nothing's wrong
  • 85:07 - 85:10
    § Who's going to drive you home
  • 85:11 - 85:14
    § Tonight? §
    ( LOUD BANGlNG )
  • 85:15 - 85:16
    (Clears throat)
  • 85:31 - 85:33
    DANNY!
  • 85:33 - 85:37
    ''There once was a man
    who used to masturbate so much
  • 85:37 - 85:41
    ''that he grew
    very fond of his hand.''
  • 85:42 - 85:46
    (Laughs) Hey...
    you're a writer, dude!
  • 85:48 - 85:50
    l'm a writer?
    You're a writer.
  • 85:50 - 85:53
    Can't get much better
    than 'Penthouse', dude.
  • 85:53 - 85:55
    ( BUZZER SOUNDS )
  • 85:55 - 85:57
    Sammy?
  • 85:57 - 85:59
    Flip, what are you doing here?
  • 86:00 - 86:02
    l couldn't
    handle it anymore, man.
  • 86:03 - 86:05
    lt was like the fucking army
    in there.
  • 86:07 - 86:10
    When they said
    l'd have to make my own bed,
  • 86:10 - 86:13
    l didn't know they meant...
    MAKE my own bed, you know?.
  • 86:13 - 86:14
    Like, out of twigs and shit.
  • 86:20 - 86:23
    Shit.
    Mr Dostoevski, l presume?
  • 86:25 - 86:28
    l've just been reading
    one of your novels, Feodor.
  • 86:28 - 86:29
    What did you think?
  • 86:29 - 86:31
    Bit depressing, actually.
  • 86:31 - 86:33
    l was going through
    a dark period.
  • 86:33 - 86:36
    Had to brush up on all my
    pop culture references, Feodor.
  • 86:36 - 86:38
    Or is it Bragg?
  • 86:38 - 86:43
    Or maybe it just all adds up
    to one Robert J. Corcoran.
  • 86:43 - 86:44
    Tea?
  • 86:44 - 86:46
    Letters
    for the oppressed minority.
  • 86:46 - 86:49
    That's not funny, Taylor.
    Gay men aren't dying, you know.
  • 86:49 - 86:51
    What exactly does it mean,
    ''gay men''?
  • 86:51 - 86:54
    $7,257 on rent and damages
    to a house in Brisbane,
  • 86:54 - 86:58
    $8,329 owing
    to a Melbourne casino,
  • 86:58 - 87:02
    and $9,392
    in credit card fraud.
  • 87:02 - 87:06
    Leaves a grand total
    of $24,979.
  • 87:06 - 87:08
    They are, like, very fit,
    aren't they?
  • 87:10 - 87:11
    They are all very, very fit.
  • 87:12 - 87:14
    lt's a summons, Corcoran.
  • 87:14 - 87:16
    You're due to appear
    at Darlinghurst District Court
  • 87:16 - 87:18
    tomorrow at 1 0am.
  • 87:20 - 87:21
    Fucking little faggot!
  • 87:25 - 87:26
    Don't be late, Corcoran.
  • 87:26 - 87:28
    You can't afford
    any more fines, can you?
  • 87:28 - 87:32
    SONG:
    § Shout, ''Man overboard''... §
  • 87:37 - 87:39
    They're going
    to send me away, Flip.
  • 87:40 - 87:42
    No, it's not going
    to happen, man.
  • 87:43 - 87:45
    You're the only one.
  • 87:46 - 87:48
    Only one what?
  • 87:48 - 87:49
    The only one not into it.
  • 87:51 - 87:52
    lnto what?
  • 87:52 - 87:54
    Well, they said at the farm
  • 87:54 - 87:57
    that l had to find
    someone who's not into it
  • 87:57 - 87:58
    to hang out with.
  • 87:58 - 88:02
    When l checked it out, man,
    everyone's into it.
  • 88:02 - 88:04
    Seems like
    it's an absolute must-have
  • 88:04 - 88:06
    to have on the CV, you know?.
  • 88:08 - 88:09
    And you're the only one.
  • 88:09 - 88:11
    Only one not into it.
  • 88:12 - 88:14
    They're not going
    to send you away.
  • 88:20 - 88:23
    Been going through
    a lot of emotions and stuff.
  • 88:24 - 88:27
    You know, like...
    crying and stuff?.
  • 88:28 - 88:31
    Been thinking
    a lot about things.
  • 88:33 - 88:37
    Like l was sitting in
    the common room the other day
  • 88:37 - 88:40
    watching a video and stuff,
    and this...
  • 88:41 - 88:45
    ..video came on with a band
    and an orchestra and shit.
  • 88:45 - 88:48
    And the tears just started
    pouring out of me, mate.
  • 88:49 - 88:50
    l mean...
  • 88:50 - 88:53
    ..the way those cloths
    floated downwards and stuff.
  • 88:58 - 89:01
    Even though we didn't
    hang out together much,
  • 89:01 - 89:04
    l really appreciated
    you being there.
  • 89:05 - 89:07
    lt was really great.
  • 89:12 - 89:15
    You're not upset with me,
    are you, mate?
  • 89:16 - 89:20
    l just didn't realise
    how heavily into it l was.
  • 89:24 - 89:26
    Want to know
    what the worst thing is?
  • 89:30 - 89:32
    l can't get an erection.
  • 89:35 - 89:37
    Can't get an erection, mate.
  • 89:38 - 89:41
    lt's the...medication,
    you know?.
  • 89:46 - 89:48
    l love you, mate.
  • 89:50 - 89:51
    l love you too, Flip.
  • 89:57 - 89:59
    l'm going to get
    something to eat. You want?
  • 90:02 - 90:03
    Oh, jeez, l got the horn!
  • 90:13 - 90:16
    ( 'GOLDEN BROWN' PLAYS )
  • 90:25 - 90:29
    SONG: § Golden brown,
    texture like sun
  • 90:29 - 90:32
    § Lays me down,
    with my mind she runs
  • 90:32 - 90:34
    § Throughout the night
  • 90:34 - 90:36
    § No need to fight
  • 90:36 - 90:40
    § Never a frown
    with golden brown
  • 90:44 - 90:48
    § Every time just like the last
  • 90:48 - 90:51
    § On her ship tied to the mast
  • 90:51 - 90:53
    § To distant lands
  • 90:53 - 90:56
    § Takes both my hands
  • 90:56 - 90:59
    § Never a frown
    with golden brown... §
  • 91:06 - 91:09
    Flip, turn the fucking TV off!
    People are trying to sleep.
  • 91:15 - 91:16
    Flip, have some fucking
    consideration!
  • 91:17 - 91:20
    ( MUSlC STOPS )
    For Christ's sake, Flip!
  • 91:22 - 91:23
    Flipster?
  • 91:32 - 91:34
    Shitload of paperwork
    here, mate.
  • 91:34 - 91:36
    Shitload.
  • 91:36 - 91:39
    Must have happened right
    in the middle of the Top 1 00.
  • 91:39 - 91:41
    Just like a junkie, eh?
  • 91:42 - 91:45
    He'll never know what hit
    number one now, will he, eh?
  • 91:45 - 91:46
    (Snorts)
  • 91:46 - 91:48
    Typical bloody junkie.
  • 91:50 - 91:52
    Did you know he was a junkie?
  • 91:54 - 91:57
    Don't touch anything
    until the lab boys arrive.
  • 91:58 - 92:00
    Never know with these junkies.
  • 92:00 - 92:01
    Mmm, you never know.
  • 92:02 - 92:04
    And don't eat the felafel.
  • 92:15 - 92:18
    ( 'GOLDEN BROWN' FADES lN )
  • 93:20 - 93:22
    SONG: § Na na na na
  • 93:22 - 93:23
    § Na na na na
  • 93:30 - 93:35
    § Never a...
    Never a frown... §
  • 93:56 - 93:59
    ( MUSlC FADES OUT )
  • 94:19 - 94:20
    What's that mean?
  • 94:23 - 94:25
    Flip.
  • 94:26 - 94:27
    Flip's dead.
  • 94:38 - 94:41
    ( MELANCHOLY PlANO MUSlC )
  • 94:41 - 94:43
    TAYLOR: To Flip!
    ALL: To Flip!
  • 94:59 - 95:03
    SONG: § l don't believe
    in an interventionist God... §
  • 95:03 - 95:05
    See you around, dude.
  • 95:09 - 95:14
    § But l know, darling,
    that you do... §
  • 95:16 - 95:17
    Just some buds, bud.
  • 95:19 - 95:24
    § But if l did, l would
    kneel down and ask him... §
  • 95:24 - 95:26
    The essentials of life,
    little buddy.
  • 95:29 - 95:31
    § Not to intervene... §
  • 95:31 - 95:34
    Greater love
    hath no man, Flipmeister.
  • 95:36 - 95:39
    § Not to touch
    a hair on your head
  • 95:39 - 95:42
    § Leave you as you are
  • 95:42 - 95:44
    § lf he felt
    he had to direct you
  • 95:44 - 95:47
    § Then direct you
    into my arms... §
  • 95:48 - 95:50
    See you, Flip.
  • 95:50 - 95:55
    § lnto my arms, O Lord
  • 95:55 - 95:58
    § lnto my arms, O Lord... §
  • 95:58 - 96:00
    Goodbye, strange man.
  • 96:00 - 96:05
    § lnto my arms, O Lord
  • 96:05 - 96:08
    § lnto my arms
  • 96:12 - 96:18
    § And l don't believe
    in the existence of angels
  • 96:22 - 96:26
    § But looking at you,
    l wonder if that's true... §
  • 96:26 - 96:27
    l love you too, Flip.
  • 96:32 - 96:37
    § But if l did,
    l would summon them together
  • 96:42 - 96:47
    § And ask them
    to watch over you... §
  • 96:47 - 96:48
    This is for you.
  • 96:50 - 96:52
    She opened it by mistake.
  • 96:52 - 96:54
    § To make
    bright and clear your path
  • 96:55 - 96:58
    § And to walk like Christ
    in grace and love
  • 96:58 - 97:01
    § And guide you into my arms
  • 97:03 - 97:08
    § lnto my arms, O Lord... §
  • 97:08 - 97:09
    We're off to Paris.
  • 97:09 - 97:12
    Anya says they take actresses
    much more seriously over there.
  • 97:14 - 97:18
    § lnto my arms, O Lord... §
  • 97:19 - 97:21
    l think l should
    dye my hair black.
  • 97:21 - 97:24
    Wouldn't l look much more
    like a babe with black hair?
  • 97:24 - 97:27
    We should go
    to the Cannes Film Festival.
  • 97:27 - 97:29
    There's all sorts of producers
    and directors over there.
  • 97:29 - 97:32
    l'd love to network
    with those sort of people.
  • 97:33 - 97:34
    Can l borrow your phone?
  • 97:42 - 97:45
    Yeah. Can l speak
    to Sergeant O'Neil, please?
  • 97:47 - 97:49
    Tell her it's about
    Robert J. Corcoran.
  • 97:50 - 97:52
    (Danny plays acoustic guitar)
  • 97:54 - 97:55
    TAYLOR: lf l was gay,
  • 97:55 - 97:57
    l wouldn't be worrying
    about fucking all...
  • 97:57 - 98:00
    How could you, Taylor?
    (Dirk cries)
  • 98:00 - 98:01
    Everything will be alright.
  • 98:01 - 98:04
    Now there's no National voters
    or footballers here.
  • 98:05 - 98:08
    TAYLOR: Oh, just trying
    to do my straight man...
  • 98:08 - 98:09
    l've got something for you.
  • 98:10 - 98:12
    What?
  • 98:15 - 98:17
    Teletype paper.
  • 98:20 - 98:22
    ( CAR ENGlNE STARTS )
  • 98:22 - 98:24
    What?
    (Laughs quietly)
  • 98:29 - 98:30
    What?
  • 98:30 - 98:32
    ( POLlCE SlREN WAlLS )
  • 98:43 - 98:45
    Do you want to get married?
  • 98:45 - 98:47
    Can't. Got to go out later.
  • 98:47 - 98:50
    l don't know if it's all
    it's cracked up to be, anyhow.
  • 98:53 - 98:55
    There's just one more thing.
  • 98:56 - 98:58
    Mmm?
    Berserk.
  • 98:58 - 99:00
    Gaga. Talking in tongues.
  • 99:02 - 99:05
    Well, you know. l may have
    exaggerated that part a little.
  • 99:07 - 99:10
    ( 'CALlFORNlA DREAMlNG'
    PLAYS )
  • 99:16 - 99:17
    TAYLOR: Fore!
    ( WHACK! )
  • 99:17 - 99:20
    SONG: § And the sky is grey
  • 99:20 - 99:22
    § And the sky is grey
  • 99:22 - 99:24
    § l've been for a walk
  • 99:24 - 99:26
    § l've been for a walk
  • 99:26 - 99:28
    § On a winter's day
  • 99:28 - 99:30
    § On a winter's day
  • 99:30 - 99:34
    § l'd be safe and warm
    § l'd be safe and warm
  • 99:34 - 99:36
    § lf l was in L.A.
  • 99:36 - 99:39
    § lf l was in L.A.
  • 99:39 - 99:42
    § California dreaming
    § California dreaming
  • 99:42 - 99:47
    § On such a winter's day
  • 99:47 - 99:49
    § Stopped into a church
  • 99:51 - 99:53
    § l passed along the way
  • 99:55 - 99:59
    § Well, l got down on my knees
    § Got down on my knees
  • 99:59 - 100:03
    § And l pretend to pray
    § l pretend to pray
  • 100:03 - 100:05
    § You know
    the preacher liked the cold
  • 100:05 - 100:07
    § Preacher liked the cold
  • 100:07 - 100:09
    § He knows l'm gonna stay
  • 100:09 - 100:12
    § Knows l'm gonna stay
  • 100:12 - 100:15
    § California dreaming
    § California dreaming
  • 100:15 - 100:21
    § On such a winter's day
  • 100:21 - 100:24
    ( FLUTE lNSTRUMENTAL )
  • 100:53 - 100:56
    § All the leaves are brown
    § All the leaves are brown
  • 100:56 - 100:58
    § And the sky is grey
  • 100:58 - 101:01
    § And the sky is grey
  • 101:01 - 101:04
    § l've been for a walk
    § l've been for a walk
  • 101:04 - 101:06
    § On a winter's day
  • 101:06 - 101:08
    § On a winter's day
  • 101:08 - 101:12
    § lf l didn't tell her
    § lf l didn't tell her
  • 101:12 - 101:14
    § l could leave today
  • 101:14 - 101:17
    § l could leave today
  • 101:17 - 101:20
    § California dreaming
    § California dreaming
  • 101:20 - 101:25
    § On such a winter's day
    § California dreaming
  • 101:25 - 101:29
    § On such a winter's day
    § California dreaming
  • 101:29 - 101:35
    § On such a winter's day. §
  • 101:35 - 101:36
    TAYLOR: Fore!
  • 101:36 - 101:38
    (Frog croaks)
    Shit.
  • 101:39 - 101:42
    Best watched using Open Subtitles MKV Player
Title:
He Died With A Felafel In His Hand (complete movie)
Description:

An australian indipendent comedy based on the same title novel by the australian writer John Birmingham.
more » « less
Duration:
01:42:44

English subtitles

Revisions

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