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Tatlı intikam 07 .Bölüm HD

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    You have forgotten it in Sinan's house.
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    (Music)
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    miss, I understand ...
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    I did not come here to listen to you.
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    Now I'm going to say something ...
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    ... you will listen to me.
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    I told my son, but it did not happen.
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    Now I have to tell you.
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    Boys are not
    Do you know they will not appreciate it?
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    Because of the sons
    They can not fit it.
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    But I do not want you to ...
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    I do not like you ...
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    ... it's not like that.
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    Because you...
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    ... you are my enemy.
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    Because you...
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    ... my son ...
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    ... you were taking your life. Did you understand?
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    Because my child ...
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    ... for your sake he took care of his life.
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    Did you understand?
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    If he lives today ...
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    ... on that day
    He had an angel out of it.
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    He saved his life.
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    I'm telling you the last time.
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    (Music)
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    Stay away from my son!
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    (Music - Emotional)
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    Look, Ceyda.
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    It's not exactly what you're doing
    A move ...
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    I have listened to my heart, Sinan.
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    Is it criminal?
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    (Ceyda) Is it forbidden or wrong?
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    And I do not take a step back.
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    Until the end of my love
    I will stand behind you.
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    Look, Ceyda, this way ...
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    You were in a position to notify people.
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    I am aware.
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    But what you do ...
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    ... and in so many people ...
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    ...so wrong.
    - (Ceyda) No.
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    No no no.
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    Look, I do not want you to get me wrong.
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    There is no such purpose. Look...
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    So I just ...
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    ... I thought you'd understand me best.
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    Because you're in time ...
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    Please do not stop saying that!
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    (Music)
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    Look, Ceyda.
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    Believe me, it was not right.
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    It was also years ago.
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    I was very nervous.
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    Do not fall in the same line.
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    I am also a lover of love, Sinan.
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    You are my first love.
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    You're the first man I ever said that I love.
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    Either all the dignity,
    I took you to the bottom and offered to marry you.
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    In case of mistake.
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    And I never regret it.
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    Until i finally
    I am behind what I say.
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    Look, Ceyda.
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    This is what you do with me ...
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    ... and very difficult
    You left it in a state.
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    OK.
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    OK. Well, look ...
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    ... for as long as you want me to.
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    (Ceyda) Sit down, think.
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    Just do not make haste, will you?
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    Please.
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    (Music)
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    I will think.
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    (Music)
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    I will always be here, Sinan.
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    I will be with you.
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    (Ceyda) And I will wait.
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    See how much I love you ...
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    ... and love it.
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    Okay, Ceyda.
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    OK.
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    (Music)
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    (Bird chirping voices)
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    (Simay) Moon is my life, what happened? Two more
    You were very good, very happy hour ago.
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    It's over.
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    What's up?
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    It was very good with Sinan or anything.
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    It would be even better.
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    But it will not. Because it's over before it starts.
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    (Pins sounds)
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    Brother, do not be joking about this.
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    Do not even say anything if possible, will you?
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    Let's pretend we're gone, brother, hi?
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    I will handle it, man.
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    How will you handle it, brother? Ha?
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    The engagement, the engagement, the two together?
    What are you going to do?
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    Is not it a hangover?
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    You did not hold yourself.
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    You think this is a funny situation, Bulent?
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    You think I get this funny
    Did I say that, Sinan?
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    Or is it because I'm getting angry?
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    My brother, the girl has asked you to marry me
    Why can not you just shut up the girl's mouth?
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    Why do not you say I do not want to?
    Why do not you say I do not?
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    Oh, what Pelin did to me
    Like if I did?
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    Do I have to crush her daughter there?
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    They're not the same thing.
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    How is not Bülent?
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    So we do not like Ceyda,
    Because we are not close to ourselves?
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    Vallahi, I do not know him, man.
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    This gossip is already in Ceylon
    Has begun to spread.
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    I even think you are verbal.
    I can write it here.
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    You're exaggerating.
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    Either Sinan has no news.
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    What about that
    He will not let me.
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    Her mother came by herself.
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    No, why are you so upset?
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    My father-in-law is still seeing me
    The background is turning and sitting like this.
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    The moon did not like me anyway.
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    And also you call Sinan, say ...
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    ... the mother did so like this
    Vallahi, that's your account.
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    The moon, no more Virgo.
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    No way. You never say that, do you?
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    You can not go between a man and a mother.
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    You are like this with two of her
    Such an angel sweet sweet ...
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    ... you will pretend to agree.
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    This is the voice of your relationship expert.
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    I mean, I do not think so, do not look up.
    No, you're married, three months later ...
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    ... you go home separately.
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    Then seven months later or something.
    You will divorce me, I will tell you.
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    What about Allah?
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    Everyone will know where they are.
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    If you're love, that mother,
    We will stand on the back. So much!
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    You're exaggerating.
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    I mean, it's your language too.
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    I'm burned. It's burned.
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    You are not my son, you,
    You put down on Ceyda's tongue.
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    So ...
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    ... if you do not want to hear it
    If there are some ...
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    ... you tell them first, okay?
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    (Music)
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    (Pins sounds)
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    Not that much, that much
    Not so easy.
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    I'm not just Sinan ...
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    ... and I'm sorry about the whole family.
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    So not as much as Sinan ...
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    ... I've hurt all of you.
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    The only hope in those little worlds ...
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    ... the only excitement.
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    So maybe they can see
    The greatest success ...
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    ... that their son was a doctor.
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    I have those little hopes
    I got it from his hands.
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    It's not just your hopes ...
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    ... and Sinan.
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    We only know what happened at school.
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    Ee?
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    Sinan left the house.
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    My face has risen to my soul.
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    (Virgo) Aa. They hate you.
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    So why do not I tell Pelin about this
    I have to understand that I do not understand.
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    Did something like Pelin come from my mouth?
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    You said yourself. According to that.
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    So Pelin is exactly what I am?
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    A friend I worked with for a while.
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    A friend I used to know.
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    So in conclusion my friend.
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    You have to have a kiss.
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    You slept together for two nights.
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    You come together at every opportunity
    And every time you come together ...
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    ... that you had an incredibly good time ...
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    ... just your friend, right?
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    Ok, Bülent.
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    OK.
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    Sinan. If only you
    If you say my friend ...
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    ... I'm already thirsty brother.
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    For the first time in my life,
    Said my mother.
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    It's me too.
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    Moon, but I will say something. Annelerinin
    That is, it holds the bones.
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    Good for you.
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    Here, this bellows, go with it.
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    My grandmother always says.
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    Your mother says you will not take the cow.
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    Ya comes and finds you ...
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    ... either you find your child or you love
    Someone said it would hurt like that.
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    E is down.
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    What about girls who have been swimming since then?
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    Bullshit.
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    What are you going to do now?
    Will you go to the snow?
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    No, it will not, it's over
    Now, I gave up.
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    Huh.
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    OK.
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    My wife will not recover, maybe,
    I can not be happy, but ...
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    ... and Sinan
    I will never get upset again.
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    Shut up, brother.
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    What the fuck can you do?
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    Because it does not make any sense to talk.
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    He, but ...
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    If he learns from Ceyda ...
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    ... take your little gold that comes to your engagement,
    Then I see you.
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    What the fuck are you bullshit?
    What an engagement, what gold?
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    It's in my three days
    A problem I will solve.
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    What if the girl is not rencide there
    In people, to make you feel sorry ...
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    ... I thought I would. OK.
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    What happens if you hear Pelin, what happens?
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    (Top voice)
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    I mean, even if his brother would be mentioned.
    So what?
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    There is no world where you extend it so much.
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    That's it ...
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    Schist! Stop. What are you doing, son?
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    Are you on the phone?
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    Yes, brother, I will tell you right away.
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    Look at my brother,
    Whether it's a girl or a boy ...
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    ... it is shocked to hear such news.
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    Especially the story of the protagonist
    If I said I'd think a bit like ...
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    ... the color of the job changes.
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    I tell him what happened to me beautifully.
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    He understands me too.
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    Growing up. Why you
    Are you making this so big?
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    My son, I do not have a big deal.
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    The incident is already big enough.
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    Sinan, you will tell me the truth.
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    What kind of brother is this procedure?
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    You've been happiest lately ...
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    ... the best time you've ever had.
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    Which?
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    So there is more than one.
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    But if you ask ...
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    ... huh.
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    When we found the golden heart recipe.
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    I found it by smelling the neck.
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    (Sinan) Be quiet.
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    (Music)
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    What have you done, what have you done?
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    (Sinan) Either the recipe is missing
    There was material, rose-dried.
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    I found her smelling her perfume.
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    No, brother, I do not understand anyway,
    You are just friends ...
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    ... supposedly I am in love with Virgo.
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    I have not held her hand yet.
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    You're kissing, you're sniffing ...
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    Okay, do not be ridiculous.
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    That was business.
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    Ha.
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    You mean I'm after my bread. Okay.
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    - (Sinan) No, brother.
    - (Bülent) Ha.
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    I say come to the podium. Come on.
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    Please say, I tell you, Bulent.
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    Now the brother, the golden heart
    You're just drying up, okay?
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    Yeah.
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    Then you can do it ...
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    ... blowing a blow to your ear, a very simple one
    You are telling me laughing or something like that.
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    Okay?
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    I mean, here's the girl
    You will say quietly or something.
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    In two to three days,
    You will also say you will finish.
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    The sooner you can handle the money ...
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    ... you will end this partnership
    You will also say, okay?
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    My brother and I are never such things
    You know, not my style.
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    But...
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    OK.
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    So for a matter like this ...
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    ... I do not want Pelin to be upset, man.
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    The place is empty right now.
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    Neither is there. Evening
    It will not come to the service.
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    The kids also have a break.
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    It will be done.
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    (Bülent) Come on.
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    I do not think that big talk.
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    Sudden decision making.
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    (Phone ringing tone)
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    (Phone ringing tone)
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    Look. Vallahi you want to stay away
    But Sinan does not think so.
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    Do not be calm or do anything.
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    No.
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    I will talk. So now
    I will be better off not seeing you.
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    (Phone ringing tone)
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    Hello?
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    But everything would be so beautiful.
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    He is with Sinan, I am with Bülent
    We would be very happy.
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    I saw him in my dream.
    They call it a messenger dream.
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    We're in a picnic like this, okay?
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    Everything is so beautiful. Such
    There are children and so on.
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    I have two girls.
    There's a man in there.
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    We are so happy. Ball
    We play, we jump rope.
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    (Simay) I'll ask you something.
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    Ee, Bengisu, Hakan and me
    Where are we?
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    Bengisu had a parent meeting.
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    You are looking for me.
    You went, you came from there.
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    Do not lie, Virgo.
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    You did not see it?
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    Exit.
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    But now our viewers
    Very close friend.
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    My consciousness did something like that.
    The subconscious.
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    Exclude Simay, exclude him.
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    Simo, this is the dream.
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    Dream. Do not be ridiculous.
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    I do not understand. Certainly, do not do anything.
  • 15:35 - 15:36
    Is it possible I could not see you?
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    It's okay, always, always.
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    Bengisu, Hakan or something. What about us
    We will all be very good together.
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    I'm definitely awake early. Making.
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    What happened, girl?
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    Well, he called me to make a heart of gold.
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    What is it?
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    Either now a heart of gold is a special dessert.
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    We were the first to do it together.
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    Even...
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    ... the secret in my sweetheart on my neck
    He remembered from the smell of perfume.
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    Be quiet.
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    (Music)
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    Pardon.
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    What exactly was he doing in your neck?
  • 16:19 - 16:20
    What will he do?
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    He was sniffing.
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    You decide to stay away like this
    Do you know that you gave it so right?
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    Because you are not
    Within the relationship ...
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    ... everything lives like this
    So you finished.
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    And look at me. I slapped him.
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    Is the table set up? Sit down
    Eat, then what will happen.
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    Are you the slave nun?
    Let my hands ...
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    ... if it was broken, hit him
    If my feelings were broken.
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    The moon, but I will say something,
    Is not it so romantic?
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    So they're going to make such a sweet thing.
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    Man, do you make a carpenter's table?
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    He's a cook. Of course, it's sweet, Simosh.
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    What. Mine's a doctor too.
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    When the epilepsy is sick,
    It does not even look like that.
  • 16:48 - 16:50
    I was sitting in the distance with me
    Throwing degrees from the ground.
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    You are a marvelous maniac,
    you know right?
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    Leave it to yourself.
    No talk, no need.
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    No, I will talk.
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    I need to talk. So on the phone
    Good thing I will not even talk.
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    Necip.
  • 17:05 - 17:06
    Lan boy get up.
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    Huh.
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    Schist. Lan boy, what are you doing?
  • 17:14 - 17:16
    You're waking up, you're a lover.
    Open your eyes.
  • 17:16 - 17:18
    Look, you're scaring me valla.
  • 17:18 - 17:20
    Do I know what I'm doing?
  • 17:20 - 17:22
    So what am I doing now?
  • 17:22 - 17:23
    Am I smiling or crying?
  • 17:23 - 17:26
    I look. Yes, I am tears, I am crying.
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    Happy, son, happy. We found the money.
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    These are tears of happiness already.
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    I am thirty-five years old, for the first time
    I'm shedding tears of happiness.
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    I recommend everyone, it is very enjoyable.
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    Let's get up, see, get up.
  • 17:38 - 17:40
    Get up, get up.
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    This is love.
  • 17:43 - 17:45
    This is Love. I have finally gotten lost.
  • 17:47 - 17:49
    Look at the crab, jealous.
  • 17:49 - 17:51
    You do not hear the real mother.
  • 17:51 - 17:53
    Why are you be necip? Is he jealous?
  • 17:53 - 17:54
    Look.
  • 17:55 - 17:57
    This will stay between us, okay?
  • 17:57 - 18:00
    I did not play six, nor
    I made money, okay?
  • 18:00 - 18:01
    Nobody will know.
  • 18:01 - 18:02
    Lan boy, so much money.
  • 18:02 - 18:04
    If the folks ask, what will you say?
  • 18:04 - 18:06
    What if I could just ...
  • 18:07 - 18:09
    ... reveal the peyderpey.
    You leave it to me.
  • 18:10 - 18:11
    Shit, shit.
  • 18:11 - 18:12
    E okay.
  • 18:13 - 18:21
    (Music)
  • 18:22 - 18:25
    In fear of nativity
    See if you live.
  • 18:26 - 18:28
    I'm rich, I can not make out.
  • 18:28 - 18:29
    (Laughing voice)
  • 18:31 - 18:32
    (Laughing voice)
  • 18:33 - 18:35
    (Laughing voice)
  • 18:42 - 18:43
    Yavrum.
  • 18:43 - 18:46
    Look at what you do, you scare me.
  • 18:46 - 18:48
    Sit down late. Tell me what it is.
  • 18:48 - 18:50
    Something bad, my child?
  • 18:53 - 18:55
    It's not bad.
  • 18:55 - 18:56
    Moon.
  • 18:56 - 18:59
    I mean ...
  • 19:01 - 19:03
    ... I'm ashamed, Aunt Meliha.
  • 19:05 - 19:08
    I mean, look down, I'm so hilarious ...
  • 19:08 - 19:11
    ... before marriage or something like that ...
  • 19:11 - 19:14
    Love it. Am I such a person?
  • 19:16 - 19:17
    OK.
  • 19:18 - 19:19
    Okay, I'm telling you.
  • 19:20 - 19:21
    Huh.
  • 19:21 - 19:26
    (Music)
  • 19:26 - 19:28
    I offered to marry Sinan.
  • 19:29 - 19:32
    (Music)
  • 19:32 - 19:33
    Huh.
  • 19:34 - 19:36
    I saw the dream of it.
  • 19:36 - 19:37
    Ya.
  • 19:38 - 19:42
    You are on such a white wedding dress ...
  • 19:42 - 19:46
    ... riding a white horse,
    You were passing by.
  • 19:47 - 19:49
    But he did not say yes anymore.
  • 19:49 - 19:50
    So he said he would think.
  • 19:50 - 19:51
    Good.
  • 19:52 - 19:54
    Good, leave me thinking.
  • 19:54 - 19:57
    You will be patient too.
  • 19:57 - 19:58
    You will wait.
  • 19:58 - 20:01
    Because he will die in his head,
    Will weigh, weigh.
  • 20:02 - 20:03
    Finally, for all of us ...
  • 20:04 - 20:07
    ... it will be the right decision. I am sure.
  • 20:08 - 20:10
    Look, I thought I was thinking.
  • 20:10 - 20:13
    Of course, if he does not confuse the Pelin head.
  • 20:16 - 20:18
    I do not think you ever get confused.
  • 20:19 - 20:22
    Because I myself
    I made the necessary conversation.
  • 20:23 - 20:25
    He will not step on the restaurant.
  • 20:25 - 20:31
    (Music)
  • 20:37 - 20:45
    (Music)
  • 20:59 - 21:07
    (Music)
  • 21:16 - 21:18
    (Pelin inner voice) How can I say so?
  • 21:19 - 21:22
    (Pelin inside voice) Let's say I say,
    Can I stand to see him?
  • 21:24 - 21:26
    (Pelin's inner voice) What do I say?
  • 21:26 - 21:29
    (Pelin inside sound) Seeing
    I think I'm in love.
  • 21:31 - 21:32
    Oh, did you come?
  • 21:33 - 21:34
    Well, I have not heard.
  • 21:35 - 21:37
    Yeah, I just got here. Well ...
  • 21:38 - 21:40
    ...I came. You're back.
  • 21:41 - 21:42
    New entry.
  • 21:42 - 21:45
    That's how you look at it from a distance
    I seem to be watching, but ...
  • 21:45 - 21:46
    ...there is no such thing.
  • 21:46 - 21:48
    Why are you watching me?
  • 21:48 - 21:51
    Well, so is mine.
  • 21:51 - 21:53
    To tell you that I came so early.
  • 21:53 - 21:55
    I've prepared everything.
  • 21:55 - 21:57
    Let's get started, apprentice.
  • 21:57 - 22:00
    You know my apprentice is over.
  • 22:00 - 22:02
    So I do not work here anymore.
  • 22:06 - 22:08
    (Sinan) Even if you are not working here ...
  • 22:10 - 22:13
    ... without your golden heart sweetheart
    Do you think I will?
  • 22:16 - 22:18
    (Pelin inside voice) Laugh this
    As decent as a human?
  • 22:20 - 22:22
    (Pelin inside sound)
    On the edge of my time ...
  • 22:22 - 22:24
    In that pit
    I am curled up but I am.
  • 22:24 - 22:28
    So we immediately wear our front.
  • 22:29 - 22:30
    I'm asleep.
  • 22:31 - 22:34
    Oh, sorry thing, yeah, we wear it.
  • 22:34 - 22:35
    OK, turn around.
  • 22:36 - 22:37
    I will connect.
  • 22:37 - 22:44
    (Music - Piano)
  • 22:45 - 22:46
    That's not the smell.
  • 22:46 - 22:48
    You changed it.
  • 22:50 - 22:51
    I use it occasionally.
  • 22:52 - 22:57
    (Music)
  • 22:58 - 22:59
    There's something in that, too ...
  • 23:00 - 23:02
    Wait, I'll find you now.
  • 23:02 - 23:07
    (Music)
  • 23:07 - 23:09
    (Pelin inside sound) I feel like I'm flying.
  • 23:09 - 23:12
    (Pelin inside sound) Gravity or something
    There is not in this kitchen.
  • 23:12 - 23:15
    (Pelin inside sound) I am on the clouds.
  • 23:15 - 23:18
    (Pelin inside voice) Why heart is so fast
    Who cares?
  • 23:19 - 23:21
    (Pelin inner voice) Or hands
    Why did we stop where we stopped?
  • 23:24 - 23:27
    (Pelin inside voice) Now turn and kiss.
  • 23:27 - 23:29
    (Pelin inside voice) What do I do?
  • 23:33 - 23:35
    Orange flower essence.
  • 23:38 - 23:40
    All the orange flowers are yours.
  • 23:42 - 23:43
    Pelin, are you okay?
  • 23:45 - 23:48
    I'm fine, I'm fine. I'm hanging out with something.
  • 23:48 - 23:52
    To orange flowers. Orange flower
    I have never seen it in my life.
  • 23:52 - 23:53
    - (Sinan) Is that so?
    - (Pelin) Hi.
  • 23:53 - 23:55
    It's a beautiful flower.
  • 23:55 - 23:58
    Think white like a little orchid.
  • 23:59 - 24:01
    It has orange seeds in it.
  • 24:01 - 24:03
    (Pelin inner voice) You tell the integral ...
  • 24:03 - 24:05
    ... get in there at the end.
  • 24:05 - 24:06
    (Pelin inner voice) I listen to it too.
  • 24:06 - 24:10
    That's your orange tree
    Dark green leaves.
  • 24:10 - 24:13
    There are so many oranges in it
    It looks good ...
  • 24:13 - 24:14
    ... you can not shake it.
  • 24:14 - 24:15
    (Pelin's inner voice) Have I ever been bullied?
  • 24:15 - 24:18
    (Pelin inside sound) Hele like this
    While talking like poetry.
  • 24:18 - 24:21
    (Pelin inner voice) Whatever you say,
    It sounds like poetry to me now.
  • 24:21 - 24:24
    Even Cypriots say that this flower
    They remove water.
  • 24:24 - 24:26
    To use for dessert.
  • 24:26 - 24:28
    Now I'll do it soon.
  • 24:28 - 24:30
    So ee ...
  • 24:30 - 24:33
    ... put the water in the golden heart.
  • 24:33 - 24:35
    (Pelin inside sound) Pat
    I have a hug on your neck.
  • 24:35 - 24:37
    (Pelin inside sound) Come to yourself.
  • 24:37 - 24:40
    (Pelin inside voice) What do you think idiot idiot
    I feel like I'm in love.
  • 24:40 - 24:42
    (Pelin inner voice) Why did you come here?
    Pack yourself.
  • 24:43 - 24:45
    Come on, let's do it.
  • 24:45 - 24:48
    Ee, orange flower
    Are we here to talk?
  • 24:48 - 24:50
    It's going to be sweet, is not it? Let's have a dessert.
  • 24:50 - 24:52
    You are so curious to ask ...
  • 24:52 - 24:54
    ... and I said do not.
  • 24:54 - 24:58
    OK. Let's start, after all
    You have the power to work.
  • 24:58 - 25:04
    (Music)
  • 25:05 - 25:08
    (Pelin inner voice) During university years
    I do not recognize you ...
  • 25:08 - 25:10
    ... do not I know what I mean?
  • 25:11 - 25:15
    Two hundred houses, fifty
    Workplace ...
  • 25:16 - 25:20
    ... Necip Premium Doğanın Böğründe
    The first house of their house is finished.
  • 25:21 - 25:23
    (Necip) I can not tell how beautiful it is alone.
  • 25:23 - 25:25
    Would that be so good?
  • 25:25 - 25:27
    I cried for joy.
  • 25:28 - 25:30
    Some droplets drove out of my eyes.
  • 25:30 - 25:32
    But do not get upset.
  • 25:32 - 25:34
    Rich cry.
  • 25:34 - 25:35
    From joy.
  • 25:36 - 25:39
    Sales are like cheese bread now.
  • 25:39 - 25:41
    But it's not just ordinary white cheese.
  • 25:42 - 25:43
    French cheese.
  • 25:43 - 25:44
    Leo cheese.
  • 25:44 - 25:45
    (Laughing voice)
  • 25:47 - 25:48
    Ask me a question.
  • 25:49 - 25:50
    Necip Bey.
    Necip Bey.
  • 25:50 - 25:51
    Necip Bey.
    Necip Bey.
  • 25:51 - 25:53
    Necip. My son, Necip.
  • 25:55 - 25:56
    My son?
  • 25:56 - 25:58
    You will say Necip Bey, rude.
  • 25:58 - 26:00
    Lan up, my son. Necip.
  • 26:00 - 26:01
    Schist.
  • 26:01 - 26:02
    Wake up, lan.
  • 26:03 - 26:04
    I'm standing up.
  • 26:05 - 26:06
    Necip.
  • 26:06 - 26:08
    My son, Necip.
  • 26:08 - 26:09
    Necip.
  • 26:09 - 26:10
    Wake up.
  • 26:15 - 26:17
    I'm drinking.
  • 26:17 - 26:19
    Why are you leaving the shop empty?
  • 26:19 - 26:21
    Horlaman ta is heard from where.
  • 26:21 - 26:22
    I will say something to you.
  • 26:22 - 26:23
    What.
  • 26:23 - 26:25
    I have no longer after school
    Come and go to the evening.
  • 26:25 - 26:27
    I never wake up in the morning.
  • 26:27 - 26:29
    Is not that right? I'm in a bad mood here ...
  • 26:29 - 26:33
    ... you enjoy the morning puzzles, tea
    Do it arbitrarily, come on. Oh how beautiful.
  • 26:33 - 26:35
    Oh, look at everyone
    Without wiping your ...
  • 26:35 - 26:38
    ... kosher koşa tomatoes, potatoes
    He comes here.
  • 26:39 - 26:41
    I can see how many caterers are on the street.
  • 26:41 - 26:43
    They do all the shopping on the bench.
  • 26:43 - 26:45
    And why do I account for you?
  • 26:45 - 26:48
    Look Necip, did I say it was a payday?
    We are friends, thank you.
  • 26:48 - 26:52
    But if you work here
    Come on time, go on time.
  • 26:52 - 26:54
    Do not bargain with me.
  • 26:54 - 26:55
    Oh, if I can not wake up ...
  • 26:56 - 26:59
    ... al me free to you,
    Unlimited, infinite leave.
  • 26:59 - 27:01
    Sleep asleep. OK?
  • 27:01 - 27:07
    (Music)
  • 27:08 - 27:10
    Would it be such wealth?
  • 27:10 - 27:12
    One morning we will not be able to sleep.
  • 27:13 - 27:19
    (Music)
  • 27:23 - 27:25
    (Sinan's inner voice) The work is over,
    I could not even open the door.
  • 27:25 - 27:31
    (Music)
  • 27:32 - 27:35
    (Pelin inside voice) I can not say in life
    To see you again.
  • 27:36 - 27:38
    (Sinan's inner voice) I guess
    There's something about it, though.
  • 27:40 - 27:43
    (Sinan's inner voice) suddenly pouring sauce
    I'll start laughing.
  • 27:43 - 27:47
    (Sinan's inner voice) I guess you do not mind right now
    Come on, let 's pretend it' s funny.
  • 27:50 - 27:51
    (Pelin inside voice) Is it necessary to say?
  • 27:51 - 27:54
    (Pelin inner voice)
    I do not go, I do not go.
  • 27:55 - 27:58
    (Pelin inside sound) Or so
    Would not it be sad if it happens too?
  • 28:00 - 28:01
    (Inner voice) Very sorry.
  • 28:02 - 28:03
    (Sinan inner voice) Why are you so upset?
  • 28:04 - 28:05
    (Inner voice) Is that you?
  • 28:06 - 28:09
    (Inner voice) Although I am sorry now.
    He's old.
  • 28:10 - 28:12
    (Pelin inside voice) Does he still love me?
  • 28:12 - 28:14
    (Inner voice) What has changed?
  • 28:14 - 28:17
    (Sinan's inner voice) Again seeing it
    Am I not excited?
  • 28:17 - 28:19
    (Pelin inner voice) Sevse so much
    Did it make you sick?
  • 28:20 - 28:22
    (Pelin inside voice) No,
    I say the best.
  • 28:23 - 28:24
    (Inner voice) I'm telling you to go.
  • 28:24 - 28:26
    (Sinan's inner voice) Umurunda
    I am not his.
  • 28:27 - 28:28
    -Sinan.
    -Pelin.
  • 28:29 - 28:31
    Well, tell me first.
  • 28:31 - 28:32
    No, you tell me.
  • 28:32 - 28:34
    Either that's not all that much.
  • 28:34 - 28:36
    It's not that important.
  • 28:36 - 28:37
    I am a conscience.
  • 28:37 - 28:39
    It could be the least important thing in the world.
  • 28:40 - 28:41
    You will hear a lot.
  • 28:42 - 28:42
    It is.
  • 28:43 - 28:45
    Well, you tell me, then I'll laugh.
  • 28:45 - 28:46
    You say.
  • 28:48 - 28:52
    Non-flammable papers, molds
    It was over, to get them ...
  • 28:55 - 28:59
    Oo. How quickly you heard, vallahi.
  • 29:01 - 29:04
    My plaster, you never have time
    You came immediately without losing.
  • 29:05 - 29:07
    What's the connection now, Ceyda?
  • 29:07 - 29:09
    One minute, one minute.
  • 29:10 - 29:11
    What is it heard?
  • 29:11 - 29:13
    AA. Aa, you do not know.
  • 29:13 - 29:15
    E okay, then I'll give it
    Good news to you.
  • 29:15 - 29:18
    (Sinan) What is good news Ceyda?
    Please do not be bullshit.
  • 29:18 - 29:20
    It's okay, dear. I have a narrative ...
  • 29:20 - 29:23
    ... good news, do not you, Pelin decide.
    Right, Pelin?
  • 29:23 - 29:25
    Now it's like this.
  • 29:25 - 29:30
    I mean more
    I could not wait, I could not bear it.
  • 29:30 - 29:34
    And all my family daughter values
    Leaving an edge ...
  • 29:36 - 29:38
    ... in front of all the restaurant staff ...
  • 29:40 - 29:42
    ... I confessed my love to Sinan.
  • 29:46 - 29:51
    (Music - Piano)
  • 29:51 - 29:54
    Too large for staff
    It is not a surprise.
  • 29:55 - 29:58
    Anyway everyone was aware of this situation.
  • 29:58 - 29:59
    What do I do?
  • 29:59 - 30:02
    That's what I say.
    For me, outside.
  • 30:02 - 30:05
    I can never hide my feelings.
  • 30:05 - 30:07
    But I'm not satisfied with that ...
  • 30:07 - 30:10
    ... raised the squeeze one more click.
  • 30:10 - 30:12
    And...
  • 30:12 - 30:14
    ... I asked Sinan to marry me.
  • 30:15 - 30:15
    (Sinan) Hıh.
  • 30:15 - 30:18
    He promised me he'd think about it.
  • 30:19 - 30:22
    That's what I was going to say.
  • 30:26 - 30:29
    I do not want to hear from him or her ...
  • 30:29 - 30:32
    ... it does not matter to me. So...
  • 30:33 - 30:34
    ... I'm very happy.
  • 30:35 - 30:36
    Really.
  • 30:37 - 30:39
    I do not think you too.
  • 30:41 - 30:43
    So it's suddenly decided
    Do you like to give or ...
  • 30:44 - 30:46
    ... like you did in a partnership.
  • 30:48 - 30:50
    Do that too.
  • 30:52 - 30:54
    I hope the moon will come.
  • 30:54 - 30:58
    (Music)
  • 30:59 - 31:03
    (Music - Model - Crying Time)
    "How many times have I been still"
  • 31:03 - 31:06
    "I did not believe you were gone"
  • 31:07 - 31:09
    "Unforgettable"
  • 31:10 - 31:14
    "I am ready for the day you return"
  • 31:15 - 31:18
    "I'm in a mourning garden"
  • 31:18 - 31:22
    "Memories of pale flowers"
  • 31:22 - 31:27
    "Every day I look and grow"
  • 31:27 - 31:29
    (Phone ringing tone)
  • 31:34 - 31:35
    Sir Virgo?
  • 31:35 - 31:37
    Where's my daughter, what have you done?
  • 31:37 - 31:39
    We did not call, we were curious. Did you speak?
  • 31:39 - 31:40
    No need anymore.
  • 31:41 - 31:41
    How so?
  • 31:42 - 31:43
    (Pelin voice) Ceyda has proposed marriage.
  • 31:44 - 31:45
    That's what I meant.
  • 31:45 - 31:46
    What?
  • 31:46 - 31:47
    I heard, I heard.
  • 31:48 - 31:50
    Well, are you okay?
  • 31:51 - 31:52
    - (Simay) Hakan.
    - (Hakan) Hi.
  • 31:52 - 31:54
    Take a tray underneath, dear.
  • 31:55 - 31:57
    Your voice is a little bad.
  • 31:57 - 31:59
    Are you crying?
  • 31:59 - 32:01
    Well, I'm fine. Do not worry.
  • 32:02 - 32:05
    So what? So already
    I called to discuss.
  • 32:05 - 32:08
    I even accept your offer.
    That would be nice.
  • 32:09 - 32:12
    I already told Sinan. So
    That you do not think as much as in the partnership ...
  • 32:12 - 32:14
    I told her to accept it now.
  • 32:15 - 32:18
    Anyway, this is the issue now.
    I was bored too.
  • 32:18 - 32:19
    On the ground, in the ground. Finished.
  • 32:19 - 32:21
    Well, well, okay.
  • 32:21 - 32:23
    Are you okay? Should we come next?
    What shall we do?
  • 32:23 - 32:27
    Hakan, instead of
    Can you get the tray from the kitchen?
  • 32:28 - 32:31
    No, I'm fine. Go home
    I will rest a little.
  • 32:33 - 32:35
    Anyway OK. See you later.
  • 32:35 - 32:36
    OK.
  • 32:36 - 32:44
    "It's so fragile inside
    Child who believes in you "
  • 32:44 - 32:52
    "So naive that still
    Unable to understand "
  • 32:54 - 33:01
    "Time froze, as if everything was normal"
  • 33:02 - 33:06
    "I said I'm all better"
  • 33:06 - 33:10
    "It took me a while to cry"
  • 33:10 - 33:17
    "I had a few replies, I just stayed"
  • 33:18 - 33:22
    "I have not been here anymore"
  • 33:22 - 33:25
    "It took me a while to cry"
  • 33:25 - 33:29
    "It took me a while to cry"
  • 33:44 - 33:48
    "It seemed time froze"
  • 33:48 - 33:52
    "Everything is out of order"
  • 33:52 - 33:56
    "I said I'm all better"
  • 33:56 - 33:59
    "It took me a while to cry"
  • 33:59 - 34:01
    What shall we do, if we go?
  • 34:01 - 34:02
    Exit. No, let's not go.
  • 34:02 - 34:05
    Leave it alone now, listen.
    Then we will look.
  • 34:05 - 34:06
    Well, we're not breaking the plan then.
  • 34:06 - 34:07
    Am I preparing?
  • 34:07 - 34:09
    Run. Come on, run.
  • 34:13 - 34:14
    Virgo.
  • 34:15 - 34:16
    You three days ago
    Did not you go to this coat?
  • 34:16 - 34:17
    That's hair.
  • 34:17 - 34:20
    We are destroying it, it is getting corrupted.
    I need to do it again.
  • 34:22 - 34:25
    Vallahi where the nation is rich
    You are. It's nothing else.
  • 34:25 - 34:28
    So what happened to Pelin?
  • 34:28 - 34:30
    Is it something with Sinan?
  • 34:31 - 34:32
    AA!
  • 34:32 - 34:33
    Are you listening to us?
  • 34:33 - 34:35
    What am I going to listen to?
  • 34:35 - 34:38
    You are talking in bed. Human
    He does not want to hear it.
  • 34:38 - 34:39
    (Hakan) Hah.
  • 34:40 - 34:41
    - (Simay) Hakan.
    - (Hakan) Hi.
  • 34:41 - 34:42
    (Simay) My dear, look, look.
  • 34:42 - 34:44
    Look, squeeze this in the middle
    Look at it, uh, on it?
  • 34:44 - 34:48
    No, because I did not. But you
    What wisdom, you take this ...
  • 34:48 - 34:51
    ... you're squeezing like that. Such.
  • 34:51 - 34:53
    Girl, are you crazy? What are you doing?
  • 34:53 - 34:55
    No, look, there are ten trays in the kitchen.
  • 34:55 - 34:58
    Either you are just in front of the television
    I took it because you like to eat things.
  • 34:58 - 35:01
    But you are stubbornly going
    You're getting this, that!
  • 35:01 - 35:04
    I say I love it very much,
    I say there is spiritual value.
  • 35:04 - 35:06
    Simay, I've been beaten up all week.
  • 35:06 - 35:09
    One day a week leave
    I'll do it, look at what you do.
  • 35:09 - 35:11
    I've given you these forty times
    I told you, but you never hear.
  • 35:11 - 35:13
    It's coming in here like this ...
  • 35:13 - 35:14
    (Hakan) Look now. Look,
    Where will the topic come from.
  • 35:14 - 35:16
    Watch your friend at the resort.
  • 35:16 - 35:17
    You're provoking. Do not provoke, do not provoke.
  • 35:17 - 35:20
    Tell me no, talk to me.
    I'm here, talk to me.
  • 35:20 - 35:22
    What if you wore a watch
    You are scraping polish.
  • 35:22 - 35:25
    I'm entering the kitchen, thirty cups
    There is this on the counter.
  • 35:25 - 35:26
    You drank water with all of them.
  • 35:26 - 35:29
    Either three to iron your shirts.
    I give you my watch, three hours.
  • 35:29 - 35:31
    I hang regularly regularly.
  • 35:31 - 35:34
    No, you're as good as a donkey. What
    I'm making a warning sign, so ...
  • 35:34 - 35:36
    ... for hanging shirts on hangers?
  • 35:36 - 35:38
    But you do not. You are trying
    You're throwing, you're throwing.
  • 35:38 - 35:40
    How then
    Who collects the backyard.
  • 35:40 - 35:43
    E my baby, I told you forty times a helper
    To hold it. You do not admit it either.
  • 35:43 - 35:44
    It's coming once a week.
  • 35:44 - 35:46
    But you do not help me.
  • 35:46 - 35:50
    Either that, but Simay
    I say do not squeeze me.
  • 35:50 - 35:51
    Look, look.
  • 35:51 - 35:52
    This is what you do to me.
  • 35:52 - 35:55
    How am I not working either,
    I'm doing housework.
  • 35:55 - 35:57
    Like a maid. You're giving me the money.
  • 35:57 - 36:00
    Or take Bengisu from school once.
    Help your homework.
  • 36:00 - 36:01
    Come home and eat.
    So something ...
  • 36:01 - 36:03
    Enough!
  • 36:03 - 36:04
    Am I making the money easy?
  • 36:04 - 36:06
    I'm going to the cafeteria, money.
  • 36:06 - 36:08
    I'm going shopping, money.
  • 36:08 - 36:10
    If one of them is necessary, it will not burn.
  • 36:10 - 36:12
    One day I shot him in the face Simay, huh?
  • 36:12 - 36:14
    Look here. Hit it now.
  • 36:14 - 36:15
    Damn it.
  • 36:15 - 36:17
    Really damn.
  • 36:17 - 36:20
    I swear to drink for the weekend
    The trouble is on your face.
  • 36:20 - 36:21
    I do not come home.
  • 36:21 - 36:22
    I know your future will come.
  • 36:22 - 36:24
    I know because you
    Do not put on your putty ...
  • 36:24 - 36:26
    ... do not put the pod,
    You'll find something.
  • 36:26 - 36:28
    I'm tired now, Simay.
  • 36:28 - 36:30
    Tired, give me a gram of peace.
    Please enough!
  • 36:30 - 36:33
    You gave me peace
    Are you waiting for me?
  • 36:33 - 36:35
    Hakan. Do not go, do not, do not talk.
  • 36:35 - 36:35
    Hakan.
  • 36:35 - 36:38
    Get out, get out of that door
    Can you come back here again?
  • 36:38 - 36:40
    I beg you to come now!
  • 36:40 - 36:41
    Play Al house!
  • 36:42 - 36:43
    After that, sit regularly after that!
  • 36:46 - 36:47
    (Door closure sound)
  • 36:47 - 36:50
    Girl, something tiny
    What are you doing, Simosh?
  • 36:51 - 36:59
    (Music - Piano)
  • 37:16 - 37:18
    (Door chime)
  • 37:20 - 37:23
    I told you girls do not come, but you.
  • 37:24 - 37:25
    Uff!
  • 37:33 - 37:35
    It's Late Zubair.
  • 37:36 - 37:42
    (Music)
  • 37:42 - 37:43
    How are you, my daughter?
  • 37:44 - 37:45
    Good, good, good.
  • 37:47 - 37:48
    No, Dad?
  • 37:48 - 37:50
    There are suitcases, traveling?
  • 37:50 - 37:52
    Come sit down.
  • 37:52 - 37:56
    (Music)
  • 37:56 - 37:57
    Vote.
  • 37:57 - 37:58
    - (Zübeyir) Chairman.
    - (Reza) Ha.
  • 37:58 - 38:02
    Relax relax. You know, divorce
    Children are very impressed with their events.
  • 38:03 - 38:05
    Come here.
  • 38:07 - 38:08
    Now...
  • 38:09 - 38:10
    ...my beautiful daughter.
  • 38:10 - 38:12
    It's serious.
  • 38:12 - 38:16
    No one knows
    Do not get married to get divorced.
  • 38:17 - 38:21
    We also have a mother, but pain,
    But sweet thirty years passed.
  • 38:22 - 38:25
    But this year it was an anana.
    She tied it to mania.
  • 38:25 - 38:27
    That's enough! I'm a human!
  • 38:27 - 38:28
    I have a one-year life!
  • 38:28 - 38:30
    Do I have to discredit him too, baby?
  • 38:30 - 38:31
    My chief.
  • 38:32 - 38:34
    I am freeing the memorial, Pelin. It's over.
  • 38:38 - 38:42
    What do you test me or what?
    Are you testing? It is enough!
  • 38:43 - 38:46
    Aha. I said chairman
    TV's always say.
  • 38:46 - 38:50
    It says adaptation, children
    Says he is very impressed.
  • 38:50 - 38:52
    Look at my beautiful daughter, at least
    I am as much ...
  • 38:52 - 38:55
    I feel sorry but every day
    A game, every day a ...
  • 38:56 - 38:59
    ... lie, an intrigue every day. Enough!
  • 38:59 - 39:03
    He ya, yengemin that disease
    I was too much in that thing.
  • 39:03 - 39:06
    Your mother's got that disease, she's even lied.
  • 39:06 - 39:08
    Just for you emotion exploitation
    To make and to make peace.
  • 39:09 - 39:12
    And do not send me to Adana
    Imagine that I will not bring your father.
  • 39:14 - 39:15
    And why is this happening? Why is this happening?
  • 39:15 - 39:18
    It's beautiful in my life
    Will not it be something?
  • 39:19 - 39:20
    Oh my beautiful daughter.
  • 39:20 - 39:23
    I am ashamed and I am like you
    I would cry out loud.
  • 39:23 - 39:25
    It was so dark to me.
  • 39:26 - 39:30
    We hand in hand with you today
    I'll beat you in the beautiful baby.
  • 39:31 - 39:35
    Build a happy life without a mother
    We will find the formula together.
  • 39:35 - 39:37
    I will come again after you
    Never leave me alone girl.
  • 39:37 - 39:38
    Do not worry about it.
  • 39:39 - 39:41
    Now that my dad will live here ...
  • 39:41 - 39:44
    ... so do not worry,
    I never leave you alone.
  • 39:45 - 39:46
    One minute, one minute.
  • 39:46 - 39:48
    Where will you live?
  • 39:48 - 39:52
    That's until your divorce is over.
    I thought we would live next to you, but ...
  • 39:52 - 39:54
    ... I am in this situation
    After seeing us ...
  • 39:54 - 39:56
    ... that you are so fond of
    After you understand ...
  • 39:56 - 39:58
    ... I will not let you go.
  • 39:58 - 40:01
    It's about the divorce, the side
    I hold one of the houses.
  • 40:01 - 40:04
    Father and daughter, we both
    We are never alone.
  • 40:04 - 40:06
    Do not worry about it, you 're slow.
  • 40:06 - 40:07
    Oh.
  • 40:07 - 40:09
    What kind of day is this?
  • 40:10 - 40:12
    What more is my coming?
  • 40:13 - 40:14
    (Crying voice)
  • 40:15 - 40:17
    Oh my daughter.
  • 40:17 - 40:18
    Oh my beautiful daughter.
  • 40:18 - 40:20
    Do not be sad, do not worry.
  • 40:20 - 40:24
    (Music)
  • 40:29 - 40:30
    Huh.
  • 40:30 - 40:32
    So it's bad.
  • 40:32 - 40:35
    What if it comes from behind
    Life did not come to mind.
  • 40:35 - 40:37
    E came so badly.
  • 40:37 - 40:39
    I could not get in the way either.
  • 40:40 - 40:40
    Uff!
  • 40:42 - 40:45
    No, the worst girl is her own
    I called my foot ...
  • 40:45 - 40:47
    As if to make a mockery
    I made him hear from Ceyda.
  • 40:47 - 40:49
    Brother, I'm real ...
  • 40:49 - 40:51
    ... that's a lot of thinking, just like
    What you did when you were a partner ...
  • 40:51 - 40:53
    Accept it as soon as
    I surprised you.
  • 40:53 - 40:55
    I think it's a big deal, brother.
  • 40:55 - 40:57
    No. It did not sound like it.
  • 40:57 - 40:59
    Then it's worse already.
  • 41:00 - 41:01
    Exit.
  • 41:02 - 41:03
    There is something else.
  • 41:05 - 41:07
    Either that sadness was in your eyes.
  • 41:07 - 41:10
    So before, before coming to Ceyda.
  • 41:13 - 41:15
    I've never seen him like that before.
  • 41:15 - 41:18
    Well, that's how it is, what do you do?
  • 41:18 - 41:21
    I missed you, too.
    You smoke in my head.
  • 41:23 - 41:24
    (Phone message sound)
  • 41:28 - 41:30
    (Simay external sound) Emergency. Let's meet.
  • 41:31 - 41:33
    (Pelin outside voice) What happened?
  • 41:35 - 41:37
    I settled in my daughter's house.
  • 41:37 - 41:40
    I'll take you too. As soon as possible
    I will bring it here.
  • 41:40 - 41:42
    (Phone message sound)
  • 41:44 - 41:46
    (Simay outside voice) I got into a fight with Hakan.
  • 41:51 - 41:53
    (Pelin outside voice) You are making peace in the evening.
  • 41:53 - 41:56
    (Pelin outside voice) I love you from the beginning.
    Do not exaggerate, please.
  • 41:59 - 42:00
    You do not have any castles anymore.
  • 42:00 - 42:02
    Girl, Simo, aa!
  • 42:02 - 42:03
    Do not be ridiculous.
  • 42:03 - 42:04
    Now look, it's a bad day
    He spent it, so ...
  • 42:04 - 42:08
    ... and your everyday
    Thought of your unnecessary quarrels.
  • 42:08 - 42:09
    Is not it unnecessary?
  • 42:09 - 42:12
    I'm always unnecessary anyway
    My struggles, everything I do.
  • 42:12 - 42:14
    I do not even dream.
  • 42:14 - 42:17
    What about it? Do not ever think so.
    Now look, I'm gonna call her ...
  • 42:17 - 42:18
    ... I'll tell him a good deal.
  • 42:18 - 42:20
    So, after all,
    They do not understand each other.
  • 42:20 - 42:22
    Maybe he wrote it with a smile.
    We do not know.
  • 42:22 - 42:25
    Look, now everything will come out.
    Do not worry.
  • 42:27 - 42:29
    Hello, Pelin?
  • 42:29 - 42:33
    Look, now you have misunderstood this thing.
    The situation is serious.
  • 42:33 - 42:35
    What are they fighting again?
  • 42:35 - 42:37
    All right, I am you
    I will also take, I will bring.
  • 42:37 - 42:40
    Here we sit at Pelin's house
    all together. What?
  • 42:40 - 42:42
    - (Zübeyir) Chairman.
    - (Reza) Oh dear.
  • 42:42 - 42:44
    Well, I put the frost on the top drawer.
  • 42:45 - 42:48
    Well, the sleeves fan
    I arrange it right next to you.
  • 42:48 - 42:51
    Socks on the other side at the bottom
    I draw a drawer, will you?
  • 42:51 - 42:52
    Okay, well done.
  • 42:52 - 42:53
    (Zübeyir) Hah.
  • 42:53 - 42:55
    Oh, they had a fight over toothpaste, did they?
  • 42:56 - 42:57
    (Pelin voice) Tooth paste
    It squeezed through the middle.
  • 42:57 - 42:59
    I'm just trying to be here ...
  • 42:59 - 43:01
    ... the most bizarre of my life
    I live one of the days ...
  • 43:01 - 43:03
    ... do not be spoiled. Tell me, I can not.
  • 43:03 - 43:08
    Now of course Pelin, such toothpaste
    It's like you're talking about ... Alo?
  • 43:08 - 43:09
    Hello?
  • 43:12 - 43:13
    It's closed.
  • 43:15 - 43:18
    What about me now
    I will not tell Pelin.
  • 43:18 - 43:20
    (Simay) When does he need
    I will be with her ...
  • 43:20 - 43:21
    ... to clean my hair ...
  • 43:22 - 43:23
    ... look what he did.
  • 43:24 - 43:26
    He is now completely understood.
    We'll tell him exactly.
  • 43:26 - 43:29
    No. Either leave it, for God's sake, Virgo.
  • 43:29 - 43:31
    I'm even in the dreams. Why
    Am i in real life i am?
  • 43:31 - 43:32
    Simosh.
  • 43:33 - 43:34
    No it is not.
  • 43:35 - 43:36
    (Virgo) I'm Simos.
  • 43:44 - 43:45
    Did I say something to you?
  • 43:45 - 43:49
    Marriage for love is perfect
    A mistake brother.
  • 43:49 - 43:50
    A perfect mistake.
  • 43:50 - 43:51
    (Tolga) Is it love?
  • 43:51 - 43:53
    What do women understand from love?
  • 43:53 - 43:53
    Ha?
  • 43:54 - 43:56
    Look, I turned a back to Pelin, what happened?
  • 43:56 - 43:58
    He went to the restaurant.
  • 43:58 - 44:01
    This is not civilization,
    Solves violence, violence.
  • 44:04 - 44:05
    (Top voice)
  • 44:06 - 44:06
    Tolga.
  • 44:07 - 44:07
    Huh.
  • 44:07 - 44:09
    Look, do not get me wrong, man.
    I'll tell you something.
  • 44:09 - 44:11
    Pelin is a bit of a volunteer.
  • 44:11 - 44:13
    That is to say,
    There is nothing.
  • 44:13 - 44:15
    Do not speak without knowing, old man.
  • 44:15 - 44:16
    I remember that day.
  • 44:17 - 44:18
    I'm so overwhelmed, I'm out.
  • 44:18 - 44:20
    I have a look, that guy is against me.
  • 44:21 - 44:24
    I did not leave that wedding
    Half of the reason is this guy.
  • 44:24 - 44:24
    Huh.
  • 44:25 - 44:26
    (Laughing voice)
  • 44:26 - 44:27
    Come on, lan.
  • 44:27 - 44:30
    You will blame the man for shame.
  • 44:30 - 44:31
    Yes, of course, son.
  • 44:32 - 44:35
    I am the purity you know.
    The pure, stupid lover you know.
  • 44:35 - 44:37
    I also understand me
    I thought there was a guy.
  • 44:38 - 44:39
    It used to be me too.
  • 44:40 - 44:44
    But I have always been myself
    I think of people in a worse situation.
  • 44:45 - 44:48
    For example, if you were here tonight and ...
  • 44:48 - 44:51
    ... breathing in the rest of your life
    There is only one person who can not.
  • 44:52 - 44:53
    (Tolga) What is it?
  • 44:54 - 44:56
    (Music)
  • 44:56 - 44:58
    This is the wedding groom.
  • 44:59 - 45:02
    So even that guy, that unlucky guy
    Even with that married woman ...
  • 45:02 - 45:06
    ... if you think you can breathe
    You, me, all the people in the world ...
  • 45:07 - 45:08
    ... I think he should be thankful.
  • 45:09 - 45:12
    All the delicacies are staged,
    Planned all.
  • 45:13 - 45:16
    Do not talk sick, son.
  • 45:16 - 45:18
    Did you say that to Pelin?
  • 45:18 - 45:19
    Are you impressed, huh?
  • 45:19 - 45:23
    You crazy son, are you? Very important
    This is information. It makes a difference, of course.
  • 45:23 - 45:26
    (Music - Moving)
  • 45:27 - 45:28
    I think you should talk.
  • 45:30 - 45:31
    (Tapping sound)
  • 45:40 - 45:41
    (Paper rustling sound)
  • 45:46 - 45:48
    Is there a problem, Bulent brother?
  • 45:48 - 45:52
    Whew! What about our catering job
    There were people poisoned.
  • 45:52 - 45:53
    Yeah.
  • 45:53 - 45:55
    His lab results are coming.
  • 45:55 - 45:57
    That is,
    Not later on.
  • 45:57 - 46:01
    Brother, you've known me for years,
    So I swear ...
  • 46:01 - 46:04
    Boy, why are you panicking?
    Have I ever doubted you?
  • 46:04 - 46:07
    But whatever it is,
    Subsequently put into.
  • 46:07 - 46:11
    Gee. Now I think, I am
    I have never been out of the kitchen in the day.
  • 46:11 - 46:13
    (Serkan) So I did not go out all night.
  • 46:14 - 46:16
    Only once.
  • 46:16 - 46:17
    (Flashback)
  • 46:17 - 46:21
    (Music)
  • 46:21 - 46:22
    (Flashback)
  • 46:22 - 46:24
    Berkay.
  • 46:25 - 46:27
    Yeah, I do not go out for ten minutes.
    Need the kitchen.
  • 46:27 - 46:30
    I said I asked Berkay,
    So that you would be interested in January.
  • 46:30 - 46:33
    From Berkay?
    - Now do not want to take your sin now, man.
  • 46:33 - 46:36
    Why would you do something like that?
    After all, he's eating bread from here.
  • 46:36 - 46:41
    So, of course, do not take the sin of anyone else
    For now, let's have a look. Surely it will appear.
  • 46:41 - 46:44
    -If anything happens to me ...
    - (Bülent) Thank you.
  • 46:44 - 46:46
    You have no one for now
    Just do not show anything.
  • 46:46 - 46:47
    This includes Sinan chef.
  • 46:47 - 46:49
    Anyhow, whoever did it will come out.
  • 46:49 - 46:50
    OK.
  • 46:51 - 46:52
    (Paper rustling sound)
  • 46:52 - 46:57
    (Music - Thriller)
  • 47:00 - 47:03
    No, you were right, Zubair.
  • 47:03 - 47:05
    I've defeated the anger.
  • 47:05 - 47:07
    I've got the words on the girl.
  • 47:07 - 47:10
    Is it easy? His father
    Divorce your child.
  • 47:10 - 47:13
    (Zübeyir) Vallahi I do not understand
    I am the president from those jobs.
  • 47:13 - 47:16
    I mean, there's no divorce like that in my dad.
  • 47:16 - 47:20
    But watching movies in such a vacated
    The families are taking their children ...
  • 47:20 - 47:24
    ... that's where they take the psychologist
    They are accustomed to hanging out.
  • 47:24 - 47:26
    I am the psychologist of my daughter.
    Know how to fix it.
  • 47:26 - 47:30
    Yesin o Adana, look
    How is it coming to you.
  • 47:31 - 47:32
    (Door chime)
  • 47:32 - 47:33
    Aha, there is incoming.
  • 47:33 - 47:35
    Whoever comes out, he likes boiling.
  • 47:36 - 47:37
    I care, Dad.
  • 47:42 - 47:43
    (Door opening sound)
  • 47:46 - 47:47
    Hello there.
  • 47:47 - 47:50
    (Music - Emotional)
  • 47:50 - 47:53
    Well, you left before you tasted it.
  • 47:53 - 47:55
    (Sinan) did not pass from my throat.
  • 47:55 - 47:58
    (Pelin voice) Do not call me such things.
  • 47:58 - 48:02
    It's not a dessert I do not know
    Why did you bother?
  • 48:02 - 48:06
    (Music - Emotional)
  • 48:06 - 48:10
    - Well, I'm going to say, but my dad ...
    - No, I do not bother.
  • 48:12 - 48:15
    Well, I came for the thing,
    For what happened today.
  • 48:17 - 48:18
    Sorry.
  • 48:19 - 48:21
    There is nothing to apologize for.
  • 48:27 - 48:30
    Either that, like I said there
    It is not so important to me.
  • 48:31 - 48:33
    I do not think you do too much, do not think.
  • 48:33 - 48:34
    Pelin, do not.
  • 48:34 - 48:36
    What I think about this topic
    You know very well.
  • 48:37 - 48:40
    I am only in people
    I did not want you to feel sorry.
  • 48:42 - 48:45
    As soon as possible you will never
    I will tell him it will not happen.
  • 48:46 - 48:51
    What I just want is to break it without spilling it
    To solve this problem. That's all.
  • 48:51 - 48:54
    (Pelin inside voice) He has blue eyes
    Even the cadilla is so good.
  • 48:55 - 48:57
    (Pelin inside voice) You are a beautiful man.
  • 48:57 - 48:59
    (Music - Emotional)
  • 48:59 - 49:01
    Are you going to say anything?
  • 49:04 - 49:09
    Ee, so I think he's in Ceyda
    Do not be as prejudiced.
  • 49:10 - 49:12
    What if you end up with an evil
    Did not you see it?
  • 49:12 - 49:14
    So during difficult times
    He was there.
  • 49:15 - 49:17
    So if you want to think again.
  • 49:17 - 49:21
    (Consent) My daughter, who has come?
    Alsina in, like this door ...
  • 49:22 - 49:24
    (Breath sound)
  • 49:24 - 49:27
    Well, I bothered you.
  • 49:28 - 49:30
    (Sinan) Good evening to you.
    I will go now.
  • 49:30 - 49:35
    (Music - Guitar)
  • 49:35 - 49:38
    Is this going to happen in the hours like this?
  • 49:38 - 49:41
    No, living alone
    It does not come to the girl 's house.
  • 49:43 - 49:44
    You pray to me.
  • 49:45 - 49:48
    (Breath sound)
  • 49:53 - 49:54
    (Door closure sound)
  • 49:55 - 50:03
    (Music - Emotional)
  • 50:04 - 50:05
    (Sniffing voice)
  • 50:05 - 50:07
    The victim is for you.
  • 50:07 - 50:10
    (Bag rustling sound)
  • 50:16 - 50:17
    (Door opening sound)
  • 50:17 - 50:19
    Necip.
  • 50:19 - 50:21
    (Music - Moving)
  • 50:21 - 50:23
    Necip, what are you doing?
  • 50:26 - 50:29
    Do not you see, I'm pushing.
  • 50:29 - 50:32
    156, 157 ...
  • 50:32 - 50:34
    I see, I see ...
  • 50:34 - 50:37
    Well, where did it come from now?
  • 50:37 - 50:41
    I mean to myself,
    I can not get up, Eve.
  • 50:41 - 50:44
    Such tight-bodied, muscular
    I say I am a man.
  • 50:44 - 50:48
    I love you so much.
    Do not push yourself.
  • 50:48 - 50:52
    Well, a little bit,
    Have a little pounds or ...
  • 50:52 - 50:54
    ... God preserved
    I will go to my necip.
  • 50:54 - 50:58
    No, I'm determined. Yaza
    I will be like Sinan.
  • 50:59 - 51:01
    -Let's hopefully.
    - (Necip) How was it?
  • 51:01 - 51:02
    What action is it now?
  • 51:02 - 51:06
    (Music - Moving)
  • 51:06 - 51:07
    Is food ready?
  • 51:07 - 51:09
    I will do something soon.
  • 51:12 - 51:14
    - I burn some.
    - (Eve) Okay okay.
  • 51:14 - 51:16
    -I'm confident.
    - (Riza) Ha?
  • 51:16 - 51:17
    Without cooling them.
  • 51:17 - 51:20
    Oh. Bring it to Adana, Adana.
  • 51:20 - 51:22
    Oh, they're the assolist, the last one.
  • 51:22 - 51:25
    - It's a bitchy country, huh?
    - (Zübeyir) He.
  • 51:25 - 51:26
    (Sound of oil scratch)
  • 51:28 - 51:30
    (Door chime)
  • 51:30 - 51:31
    Is he the resturant again?
  • 51:31 - 51:33
    No dad, it is not. I am looking.
  • 51:34 - 51:35
    Look, I'm mad, but now.
  • 51:35 - 51:43
    (Music - Moving)
  • 51:47 - 51:48
    (Door opening sound)
  • 51:49 - 51:52
    Look, it's a very important topic.
    I would not really come if it was not for.
  • 51:52 - 51:55
    Tolga will really talk to you
    I am not, please.
  • 51:55 - 51:58
    But why leave the wedding
    I'll explain to you.
  • 51:58 - 52:01
    Tolga, talk to you
    I do not want to, do you understand?
  • 52:02 - 52:04
    But you will be shocked when you hear it.
  • 52:04 - 52:07
    Oh, Tolga, my dad's home.
  • 52:08 - 52:09
    (Laughing voice)
  • 52:09 - 52:11
    Do you think I'll believe that, huh?
  • 52:12 - 52:14
    Look, listen to me now, okay?
  • 52:14 - 52:16
    I left the wedding, okay, I accept it.
  • 52:16 - 52:19
    But there is a diner named Sinan ...
  • 52:19 - 52:22
    ... that chef spitting
    Chief, he fired me.
  • 52:24 - 52:28
    In one day,
    Something bad will not come.
  • 52:28 - 52:29
    (Laughing voice)
  • 52:29 - 52:31
    I will laugh a little, do not you?
  • 52:31 - 52:33
    (Tolga) Look, the truth
    I say to you I say.
  • 52:33 - 52:36
    Wedding night is very overwhelmed, I threw myself
    out. I have a look at this guy.
  • 52:36 - 52:40
    Tell me the world's most unlucky man,
    He said that this wedding was a bride.
  • 52:40 - 52:42
    And the strange thing is you
    He talked about what he was waiting for.
  • 52:42 - 52:44
    What am I to do, I went.
  • 52:44 - 52:47
    Well, Tolga, you are so
    A man without a will ...
  • 52:47 - 52:51
    ... something that you do not recognize
    Are you leaving me on the knot?
  • 52:51 - 52:53
    OK you are right. I'm not guilty.
  • 52:53 - 52:57
    But look, this guy's eye
    Still on you.
  • 52:57 - 52:00
    Maybe from the beginning.
    I say to you, they planned it.
  • 53:00 - 53:04
    Moon Tolga, for God's sake.
    Do not be silly, for God's sake.
  • 53:04 - 53:06
    (Consent) Pelin, who came to my daughter?
  • 53:06 - 53:09
    Was he really here?
  • 53:09 - 53:11
    Camgöz, what are you doing here?
  • 53:12 - 53:15
    Daddy, he was just going to ask me something.
    Now he was going.
  • 53:15 - 53:16
    Huh.
  • 53:16 - 53:18
    Ee, Riza Bey, I am uncomfortable
    I gave it, do not look up.
  • 53:18 - 53:21
    A small matter between us and Pelin
    We were talking about it.
  • 53:21 - 53:22
    You have no business here anymore.
  • 53:23 - 53:25
    (Consent) You have nothing of Pelin
    You will not see me again.
  • 53:25 - 53:28
    What are you doin '
    At the door of a young girl at the hour?
  • 53:28 - 53:30
    You're right.
  • 53:30 - 53:32
    I'm not a shady anymore, Pelin.
  • 53:33 - 53:35
    I'm sorry, I apologize again.
    Good evening.
  • 53:35 - 53:37
    -Good evening.
    - (Riza) Come on!
  • 53:37 - 53:42
    (Music)
  • 53:42 - 53:43
    (Door closure sound)
  • 53:47 - 53:50
    (Foot sound)
  • 53:50 - 53:54
    (Chewing voice)
  • 53:54 - 53:57
    Vallahi this evening
    There is no more enjoyment.
  • 53:58 - 54:00
    Thank goodness, he is gaining my roommate.
  • 54:00 - 54:03
    My daughter's face is laughing.
  • 54:03 - 54:05
    (Meliha) What do I want more?
  • 54:05 - 54:07
    Look out for those who look bad.
  • 54:08 - 54:14
    Son, look at your affairs
    Put it on his way, relaxed.
  • 54:15 - 54:17
    (Meliha) Hele is a good one
    If I get your news.
  • 54:17 - 54:19
    (Necip) I hope that he will also be my mother.
  • 54:20 - 54:22
    The boss offered a new doctor.
  • 54:22 - 54:27
    His sister will not have children.
    He said, now the boss is twin uncle.
  • 54:27 - 54:29
    (Necip) God willing soon
    You'll be your grandmother too.
  • 54:29 - 54:32
    I hope the month is Necip'im.
    I pray every night.
  • 54:33 - 54:36
    Oh my dear, you do not have to wear it.
  • 54:36 - 54:38
    Anyhow, guys.
  • 54:38 - 54:42
    It's either my son or my daughter ...
  • 54:42 - 54:44
    ... I'm waiting two for each other now.
  • 54:44 - 54:47
    (Music - Moving)
  • 54:47 - 54:51
    Mom, you said you were my son for the first time.
  • 54:51 - 54:52
    I did not tell you.
  • 54:52 - 54:53
    (Laughing voice)
  • 54:55 - 54:56
    (Laughing voice)
  • 54:57 - 55:00
    Wait, boy. I said, look at you ...
  • 55:00 - 55:02
    I said, my son.
  • 55:03 - 55:05
    He says to me in the brother-in-law, he tells me.
  • 55:05 - 55:06
    It is.
  • 55:06 - 55:09
    (Music)
  • 55:09 - 55:11
    - (Sinan) Well, Mom.
    - My lady?
  • 55:11 - 55:14
    Did you mess with this stuff?
  • 55:14 - 55:17
    I'm not messing around anymore.
  • 55:17 - 55:19
    I told you in advance, did not I?
  • 55:19 - 55:21
    So it is not forcing beauty.
  • 55:22 - 55:25
    Honey, that's what you're supposed to be.
  • 55:25 - 55:28
    (Music)
  • 55:28 - 55:29
    My mother.
  • 55:32 - 55:34
    What's going on, what's going on between them?
  • 55:34 - 55:35
    (Coughing voice)
  • 55:35 - 55:37
    Ceyda offered to marry Sinan.
  • 55:37 - 55:38
    -Sister!
    (Laughter noises)
  • 55:41 - 55:44
    I really enjoyed the moon, really.
  • 55:44 - 55:47
    So it is always
    It does not happen to people.
  • 55:47 - 55:48
    So.
  • 55:49 - 55:52
    She's a beautiful girl, she's on time.
  • 55:52 - 55:54
    Okay, it's a little difficult.
  • 55:54 - 55:57
    What sharpness, such a sarcastic
    There's something about it, but come on.
  • 55:57 - 55:59
    -That flaw is in the girl's daughter.
    - (Meliha) Shit.
  • 55:59 - 56:01
    Look ...
  • 56:01 - 56:04
    Brother, thank you. Thanks.
  • 56:06 - 56:07
    Thanks.
  • 56:09 - 56:12
    He had a bitchy words.
    Come on!
  • 56:13 - 56:15
    She weighs the word, she speaks by reaping.
  • 56:15 - 56:17
    Mom!
  • 56:18 - 56:20
    OK. OK.
  • 56:21 - 56:25
    Look, I ask all of you,
    Especially if you ask me, mother.
  • 56:26 - 56:30
    This event has developed outside of me,
    I will handle this before I break my heart.
  • 56:30 - 56:35
    Please do this until then
    Do not bend it. Please.
  • 56:35 - 56:37
    OK I shut up.
  • 56:37 - 56:39
    Well, ee, you hani ...
  • 56:39 - 56:40
    Versene Sinan.
  • 56:40 - 56:41
    What am I going to do?
  • 56:41 - 56:44
    (Laughing voice)
    (Whispering voices)
  • 56:45 - 56:46
    Ha.
  • 56:46 - 56:47
    (Laughing voice)
  • 56:48 - 56:50
    (Music)
  • 56:50 - 56:51
    What is happening?
  • 56:52 - 56:54
    (Fork spoon sounds)
  • 56:55 - 56:59
    Kayinço is not worthy of you, but ...
  • 56:59 - 57:00
    ... I hope you like it.
  • 57:00 - 57:04
    (Music)
  • 57:04 - 57:08
    (Necip) To take one hour
    It does not make up for what I do, but ...
  • 57:09 - 57:11
    If you accept ... you will make me very happy.
  • 57:12 - 57:15
    Necip is very sad, my sister.
  • 57:15 - 57:20
    Forgive me forgive me but
    He said, did he throw it away from his heart?
  • 57:20 - 57:21
    (Laughing voice)
  • 57:22 - 57:23
    What are you saying?
  • 57:24 - 57:25
    Will you be able to forgive me?
  • 57:26 - 57:28
    Brother, how is he talking?
  • 57:28 - 57:33
    So if you do not get into such mixed work,
    If you do not feel sorry for my sister ...
  • 57:34 - 57:36
    ... your place is always the same.
  • 57:37 - 57:40
    Oh, you've cost yourself nothing.
  • 57:40 - 57:42
    You are welcome.
  • 57:42 - 57:43
    (Laughing voice)
  • 57:44 - 57:47
    So it's a nice watch. Really.
  • 57:48 - 57:51
    It suits you, too.
  • 57:52 - 57:53
    In...
  • 57:55 - 57:57
    ... where does the water from this mill come from?
  • 57:58 - 58:00
    Mom, it works, man.
  • 58:01 - 58:03
    I did not ask you, my daughter.
    I'm asking Necip.
  • 58:05 - 58:06
    Mom, I'm working.
  • 58:07 - 58:09
    And I got a small advance.
  • 58:09 - 58:13
    I'm your son, you already
    The salary is three cents a penny.
  • 58:13 - 58:16
    Such time maat, what is all this?
  • 58:17 - 58:19
    -You should take out the bill.
    - (Sinan) Mom!
  • 58:19 - 58:21
    Mama!
  • 58:21 - 58:24
    What? E my dear mother what?
    I want to see the bill.
  • 58:24 - 58:26
    What's the bill? No bills.
  • 58:26 - 58:33
    I got it from the black,
    There are citizens, theirs.
  • 58:33 - 58:35
    The other was not worth the money. No bills.
  • 58:35 - 58:39
    (Laughing voice)
    (Music)
  • 58:39 - 58:42
    Do not you think I'm a liar.
  • 58:42 - 58:44
    Leave you half way.
  • 58:44 - 58:45
    (Laughing voice)
  • 58:45 - 58:48
    Mom, how is he talking now? Very shameful.
  • 58:50 - 58:52
    (Sinan) Enishte, you told him ...
  • 58:53 - 58:55
    ... do not look at him in your brother-in-law.
  • 58:55 - 58:57
    I, I like very much.
  • 58:58 - 59:00
    So just think about it.
  • 59:00 - 59:03
    (Chewing voice)
  • 59:03 - 59:11
    (Music)
  • 59:11 - 59:17
    And those of us who are not very black citizens
    Cute is not like an hour.
  • 59:17 - 59:20
    (Incommunicative speech)
  • 59:20 - 59:22
    (Laughing voice)
  • 59:24 - 59:26
    - (Sinan) Anyway.
    - What a nice suralade.
  • 59:27 - 59:31
    I'm very sorry you pearl
    My mom and dad are leaving?
  • 59:32 - 59:34
    You are not divorced.
  • 59:34 - 59:37
    No, it's over. I am certain.
  • 59:38 - 59:42
    Dad, four to five
    I witnessed you, I always go back.
  • 59:42 - 59:44
    So why are you so sad and crying?
  • 59:45 - 59:46
    General.
  • 59:46 - 59:49
    So I have cry
    I mean, I saved it.
  • 59:49 - 59:50
    Oh my daughter.
  • 59:51 - 59:52
    Here you go.
  • 59:52 - 59:57
    It has everything but one grain
    I can not smile the face of my girl.
  • 59:57 - 59:59
    Woe to you, Reza.
  • 59:59 - 60:02
    Dad, do not say it. What
    Is there any relation to you?
  • 60:02 - 60:03
    So.
  • 60:03 - 60:06
    (Breath sound)
    (Music - Emotional)
  • 60:07 - 60:10
    Come on, turn the kebabs.
    You have dried up the blessing.
  • 60:10 - 60:13
    He's okay, these are okay.
  • 60:13 - 60:15
    (Sound of oil scratch)
  • 60:15 - 60:17
    (Door chime)
  • 60:17 - 60:19
    He came back again with that camouflage.
  • 60:19 - 60:21
    Either he is not a father, he never comes again.
  • 60:21 - 60:22
    Come on, that dumb child.
  • 60:22 - 60:24
    The wanderer comes again. What
    She does not know what she wants.
  • 60:24 - 60:26
    Zubeyir, you hold my father.
  • 60:27 - 60:30
    Sir, calm down now, so ...
  • 60:30 - 60:33
    ... also eat your kebab,
    The tension also peaked.
  • 60:33 - 60:35
    -Oh, my.
    - (Consent) Aa, drop it, drop it!
  • 60:36 - 60:38
    (Music)
  • 60:38 - 60:39
    (Door opening sound)
  • 60:40 - 60:41
    Yavrum.
  • 60:41 - 60:43
    Mom, what have you done yet.
  • 60:43 - 60:46
    Can we talk to you?
  • 60:46 - 60:50
    No, really, we can not talk right now
    It will be much better. I have no feelings.
  • 60:50 - 60:53
    - (Rıza) But this time this Tolga ...
    - (Zübeyir) But I'm the president I'm a victim.
  • 60:53 - 60:55
    Look, I gave the name of Allah. AA...
  • 60:57 - 61:01
    Aa, come on. A good man
    It does not come at this time anyway.
  • 61:01 - 61:04
    I am with you
    I wanted to talk.
  • 61:04 - 61:06
    Please allow me.
  • 61:06 - 61:09
    I'm tired, Mom, I'm really tired.
  • 61:09 - 61:12
    I'm tired enough to get angry with you.
  • 61:12 - 61:17
    (Music - Emotional)
  • 61:17 - 61:21
    Either for a single reason
    I played that game Consent.
  • 61:21 - 61:23
    But what you did was not the only result.
  • 61:23 - 61:26
    We've all tanned.
    You're done for us.
  • 61:26 - 61:28
    Look, this girl's been upset for months.
  • 61:29 - 61:33
    And now you need the most
    He does not even want to see you in time.
  • 61:34 - 61:36
    I would not want to be like that.
  • 61:36 - 61:38
    Come on, how will it be?
  • 61:38 - 61:41
    So lie, what would happen with so much fun?
  • 61:41 - 61:43
    (Music - Emotional)
  • 61:43 - 61:45
    Consent, please do not talk to me.
  • 61:45 - 61:49
    Either, my president, my president,
    It is great to forgive.
  • 61:49 - 61:52
    Look, that's the error,
    Sense, as far as the place has come.
  • 61:52 - 61:56
    So think about it. Easy
    Is it to bend your face like that?
  • 61:56 - 61:57
    You blend beads.
  • 61:58 - 62:00
    Come on, good night.
  • 62:00 - 62:02
    (Riza) I said I would say.
  • 62:02 - 62:04
    Talk back to my lawyer.
  • 62:05 - 62:06
    (Door closure sound)
  • 62:06 - 62:14
    (Music - Emotional)
  • 62:22 - 62:23
    (Breath sound)
  • 62:28 - 62:36
    (Music continues)
  • 62:45 - 62:50
    (Sinan outside voice) Poetry is like a secret.
    It is not you who is willing to bear, he knows.
  • 62:50 - 62:53
    (Sinan outside voice) Orange flower.
  • 62:53 - 62:56
    (Sinan outside voice) (Poetry)
    "Self-esteem in cool winter gardens"
  • 62:56 - 62:58
    "You smile or you tell me from there"
  • 62:58 - 63:00
    "Snuff room"
  • 63:00 - 63:02
    "If not, that smell I can not live with"
  • 63:02 - 63:05
    "I'm not satisfied with the smell
    Orange flowers "
  • 63:06 - 63:07
    "Lifetime"
  • 63:08 - 63:16
    (Music - Emotional)
  • 63:18 - 63:21
    (Sinan outside voice) "Your eyes
    I want to live in the well "
  • 63:21 - 63:24
    "Living as long as butterfly life"
  • 63:24 - 63:28
    "Like oatmeal dewdrops
    Keeping fragile hands "
  • 63:29 - 63:31
    "But never let go"
  • 63:32 - 63:35
    "I'm not satisfied with the smell of orange flowers"
  • 63:35 - 63:37
    "Lifetime"
  • 63:37 - 63:45
    (Music - Emotional)
  • 64:06 - 64:14
    (Music)
  • 64:16 - 64:17
    (Door opening sound)
  • 64:19 - 64:20
    (Flashback)
  • 64:21 - 64:22
    (Breath sound)
  • 64:22 - 64:23
    Come on.
  • 64:25 - 64:26
    (Door closure sound)
  • 64:27 - 64:29
    This is my house.
  • 64:30 - 64:31
    Come.
  • 64:31 - 64:37
    (Music continues)
    (Footsteps)
  • 64:38 - 64:40
    Well, how did you find it? Did you like it?
  • 64:41 - 64:42
    (Laughing voice)
  • 64:49 - 64:50
    It's beautiful.
  • 64:50 - 64:53
    Wow. E you can laugh.
  • 64:54 - 64:58
    That's my house.
    It makes people smile.
  • 65:00 - 65:01
    (Flashback)
  • 65:01 - 65:09
    (Music - Guitar)
  • 65:17 - 65:20
    My daughter, I have this much
    I did not know your grandmother.
  • 65:20 - 65:22
    My life, how I feel sorry.
  • 65:22 - 65:25
    Girl, I say superhuman, supernatural,
    Do not you speak?
  • 65:25 - 65:26
    No words at all.
  • 65:26 - 65:28
    Then let's do something.
    You do your work today ...
  • 65:28 - 65:31
    ...cancel. Next to Simay
    Let's go, let's apologize, come on.
  • 65:31 - 65:34
    It's that easy this time
    We can not get rid of it, it 's hard.
  • 65:34 - 65:36
    E what are we going to do,
    Are we going to stay like that?
  • 65:36 - 65:38
    Your brother planned everything last night.
  • 65:38 - 65:41
    We will organize a party
    And we will take the voice of Simos.
  • 65:41 - 65:44
    So we will both make peace with
    Hakan is going to fix the call.
  • 65:44 - 65:46
    Is not that the wedding anniversary tomorrow?
  • 65:46 - 65:46
    Yeah.
  • 65:47 - 65:49
    A surprise party
    We connect the business with the organization.
  • 65:49 - 65:52
    Moon, you thought so beautiful. Simosh
    Already love these things.
  • 65:52 - 65:55
    I think it goes into the place like this.
    To jump, to cry.
  • 65:55 - 65:57
    The moon will be very beautiful.
    I'm so glad.
  • 65:57 - 66:01
    Well, let's find a place right away. Because
    We did not have much time until tomorrow.
  • 66:01 - 66:04
    Yes, there is no time
    I also have a place for ...
  • 66:04 - 66:06
    I had a friend, I called her,
    I said that.
  • 66:06 - 66:10
    They are very interested if they are right. You
    Soon you are going to see the place.
  • 66:10 - 66:12
    E is good and I am good
    I'm talking, I do not understand.
  • 66:12 - 66:16
    Because I had three patients in the morning
    There, you are free until noon.
  • 66:16 - 66:19
    So it's the arrangement,
    Let's say you're an angry person.
  • 66:19 - 66:22
    Check it out, organizer
    Like everything.
  • 66:22 - 66:24
    Okay, here's where it is,
    Do I know where I am?
  • 66:24 - 66:26
    You know. Filiya.
  • 66:27 - 66:28
    -Where?
    -Fine.
  • 66:30 - 66:32
    Moon Virgo, Filia?
  • 66:38 - 66:40
    Oh Basak oh Basak.
  • 66:42 - 66:44
    Now we did not have much time.
  • 66:44 - 66:47
    E of the owner of the place
    It had to be familiar.
  • 66:47 - 66:51
    I consequently own the place
    Something like coming out.
  • 66:51 - 66:53
    What would I do if I looked at another place?
  • 66:54 - 66:56
    Virgo, I get away from there
    I say I want ...
  • 66:56 - 66:58
    ... I do not want to see Sinan ...
  • 66:58 - 66:59
    You called me a Filip.
  • 67:00 - 67:03
    You stay late too. Bülent
    He said we had breakfast at breakfast.
  • 67:04 - 67:05
    (Breath sound)
  • 67:06 - 67:10
    You are already Sinan with Ceyda
    Did not you want to connect your business?
  • 67:10 - 67:11
    Here's your opportunity.
  • 67:11 - 66:15
    (Bird chirping sound)
  • 67:15 - 67:16
    Orange flower.
  • 67:17 - 67:19
    (Music - Emotional)
  • 67:19 - 67:20
    What is that?
  • 67:20 - 67:23
    Either Sinan wrote me poetry.
  • 67:24 - 67:27
    Yesterday he brought it with the desserts.
  • 67:27 - 67:29
    Was it good?
  • 67:31 - 67:35
    Either Virgo, when I try to escape
    I seem to get into it more.
  • 67:36 - 67:38
    Why are we already down
    After this karma?
  • 67:39 - 67:40
    I wish I was the only pain ...
  • 67:40 - 67:43
    ... Tolga's wedding day
    If he had left me.
  • 67:44 - 67:45
    Believe me, this is worse.
  • 67:45 - 67:48
    (Music - Emotional)
  • 67:48 - 67:52
    I am in love for the first time in my life
    I'm afraid of being Virgo.
  • 67:53 - 67:55
    I'm fighting.
  • 67:56 - 67:58
    I'm trying not to be.
  • 67:58 - 68:01
    (Music continues)
  • 68:02 - 68:05
    But even worse is someone else
    I'm waiting for your love.
  • 68:06 - 68:11
    Hmm, then do not go.
    Do not go if you do not want to, do not mind.
  • 68:12 - 68:16
    We work with another organization,
    I do not know what to eat, huh?
  • 68:16 - 68:19
    (Music continues)
  • 68:20 - 68:21
    I will go.
  • 68:25 - 68:29
    (Breath sound)
  • 68:29 - 68:34
    (Bag rustling sound)
  • 68:34 - 68:36
    That should be enough.
  • 68:36 - 68:37
    Exit.
  • 68:37 - 68:39
    Be good when it happened.
  • 68:40 - 68:43
    (Bag rustling sound)
  • 68:43 - 68:44
    (Breath sound)
  • 68:48 - 68:51
    (Music)
  • 68:51 - 68:54
    Eve does the cleaning.
    If the bottom dip?
  • 68:54 - 68:56
    Then he will find his money.
  • 69:00 - 69:01
    (Cover closure sound)
  • 69:02 - 69:03
    (Breath sound)
  • 69:03 - 69:09
    (Bag rustling sound)
  • 69:13 - 69:14
    (Door opening sound)
  • 69:15 - 69:17
    What are you looking for, Necip? Let me help.
  • 69:17 - 69:20
    (Necip) Had it or hani my new
    Shirts, I said take them.
  • 69:21 - 69:23
    I already go to work.
    What am I going to do like this?
  • 69:23 - 69:25
    From there he rings my watch.
  • 69:26 - 69:28
    Take your watch and I know you're banging my ear ...
  • 69:28 - 69:30
    ... I took him today
    Jeweler sanction, huh?
  • 69:30 - 69:31
    Is that what it is?
  • 69:32 - 69:34
    OK, even though it's not a ring
    I attach to you from the heart, but ...
  • 69:34 - 69:37
    ... now they will see from the outside ...
  • 69:37 - 69:40
    ... they do not have rings on my finger.
  • 69:40 - 69:41
    Some of them will look.
  • 69:41 - 69:43
    Moon, what do you think.
  • 69:43 - 69:46
    But my trust in you is my eternal Najip.
  • 69:46 - 69:49
    If so, what is the outside
    You do not know the future.
  • 69:49 - 69:51
    Both get paid
    Thank goodness now.
  • 69:53 - 69:54
    (Tapping sound)
  • 69:55 - 69:57
    (Eve) Come on, come on. Let's.
  • 69:57 - 69:59
    (Door opening sound)
  • 70:00 - 70:01
    (Door closure sound)
  • 70:04 - 70:06
    Thank you, guys.
  • 70:09 - 70:12
    Vallahi, it's Bulent's business, but ...
  • 70:12 - 70:14
    ... how it is without you
    I do not know if we will take food.
  • 70:15 - 70:16
    (Bulent) Wait a minute.
  • 70:16 - 70:18
    This trip came through Virgo.
  • 70:18 - 70:19
    You're right.
  • 70:19 - 70:22
    I did not even know about this one.
  • 70:22 - 70:24
    You do not seem to be in this
    You're not satisfied, huh?
  • 70:25 - 70:28
    I mean, if the messenger stays with me
    A little more time ...
  • 70:29 - 70:32
    ... a different, musical one
    I could choose the place.
  • 70:32 - 70:35
    Either the music is not a problem either,
    We do it. No problem.
  • 70:35 - 70:37
    But the problem is not music.
  • 70:38 - 70:41
    Pelin Hanım is here now
    Like you do not like it, huh?
  • 70:41 - 70:42
    What do you say, Pelin?
  • 70:42 - 70:44
    Well, so much to come and go ...
  • 70:44 - 70:46
    ... so it is.
  • 70:46 - 70:49
    (Music - Emotional)
  • 70:50 - 70:53
    So let's talk business, huh?
  • 70:54 - 70:57
    Or let's do it like this. You do this job
    You two talk to each other ...
  • 70:57 - 70:59
    ... because then you
    You become such a thing.
  • 70:59 - 71:02
    (Bülent) Such sweet sweet,
    Come on, come on easy.
  • 71:02 - 71:05
    (Music - Emotional)
  • 71:05 - 71:10
    (Pelin) Ee, then I'll give you Simay
    I say Hakan's favorite dishes.
  • 71:10 - 71:13
    If you want to prepare a menu for him.
  • 71:13 - 71:19
    (Music continues)
  • 71:19 - 71:21
    Is the golden heart seven?
  • 71:22 - 71:23
    Well, I do not understand?
  • 71:23 - 71:26
    I say it's sweet I brought you yesterday.
    Did you eat?
  • 71:27 - 71:29
    No, I did not.
  • 71:29 - 71:30
    Well...
  • 71:31 - 71:32
    ... did not you open the package?
  • 71:34 - 71:35
    No.
  • 71:40 - 71:41
    (Laughing voice)
  • 71:41 - 71:42
    Beautiful.
  • 71:42 - 71:43
    (Breath sound)
  • 71:43 - 71:45
    Then let's get back to work.
  • 71:45 - 71:47
    What do they eat?
  • 71:48 - 71:49
    Good Morning.
  • 71:49 - 71:51
    (Pelin) Aa Ceyda, good morning.
  • 71:51 - 71:52
    Good Morning.
  • 71:52 - 71:55
    The evening had an invitation but anyway
    It's my last news.
  • 71:55 - 71:57
    Do not ask.
  • 71:57 - 72:00
    (Sinan) Ee, this past evening
    An organization.
  • 72:00 - 72:01
    Ha.
  • 72:01 - 72:04
    E if you do not ever sit down, we
    Let's do this with Pelin.
  • 72:04 - 72:06
    You see different things, can you?
  • 72:07 - 72:09
    Sure, if you want to.
  • 72:09 - 72:12
    Either this way,
    We'll take care of you.
  • 72:12 - 72:15
    Only in such invitations are hani
    There are different details.
  • 72:15 - 72:18
    Maybe a woman's eye is good
    It can, right?
  • 72:19 - 72:20
    Sit down.
  • 72:22 - 72:23
    (Laughing voice)
  • 72:23 - 72:26
    (Music)
  • 72:26 - 72:28
    The guest is always right.
  • 72:28 - 72:29
    If you say so.
  • 72:32 - 72:34
    (Coughing voice)
  • 72:34 - 72:39
    (Music)
  • 72:39 - 72:44
    (Water spill sound)
    (Bird chirping sound)
  • 72:44 - 72:48
    Moon Meral, the girl was very nice.
  • 72:48 - 72:50
    The window flared vallahi.
  • 72:54 - 72:56
    -He was.
    - (Meliha) You too.
  • 72:57 - 73:00
    - (Meliha) Look at the beauty of that.
    -Where are you, Jale?
  • 73:00 - 73:02
    I'm coming from the manger, Aunt Hafize.
  • 73:03 - 73:06
    See you Necip'i,
    He takes his bread from the stone.
  • 73:06 - 73:10
    What a stone be aunt, aunt bag
    The child is filling up.
  • 73:10 - 73:11
    Oh, girl.
  • 73:11 - 73:13
    (Meral) What kind of laf
    As if to contempt it?
  • 73:14 - 73:15
    (Meral) Is the house better at rest?
  • 73:15 - 73:18
    (Meliha) What a pity you are.
  • 73:18 - 73:20
    Thank goodness my daughter is at home.
  • 73:20 - 73:22
    Her face is laughing.
  • 73:22 - 73:24
    E Necip design is so ...
  • 73:24 - 73:26
    ... it's roaring, too, my dear.
  • 73:27 - 73:30
    Three or five cents or so
    Such money is also entering.
  • 73:30 - 73:34
    What is important for us anyway
    You take out a loan ...
  • 73:34 - 73:36
    ... just remove the burden from us.
  • 73:36 - 73:38
    Sinan's face is also laughing.
  • 73:38 - 73:41
    Friend with the girl he missed
    You say you live a life?
  • 73:41 - 73:42
    What should Ayol miss?
  • 73:43 - 73:45
    They just walked around and wandered.
  • 73:46 - 73:49
    (Meliha) So everyone is native
    Thank goodness they are in place.
  • 73:50 - 73:55
    Say that the moon is like Meliha sister. Example, I
    I married my first husband on a tour.
  • 73:55 - 73:57
    Look, we do not have a job with that girl.
  • 73:57 - 74:00
    (Meliha) We are both good
    Of course there are news.
  • 74:00 - 74:02
    But you will not hear it.
  • 74:02 - 74:07
    Where are the hani, the idea of your mind
    You hear that sherry because it is there.
  • 74:07 - 74:10
    What's that good news, what is it?
  • 74:10 - 74:12
    (Laughter noises)
  • 74:12 - 74:16
    Like the antenna on the Çamlıca hill
    How did the ears hear immediately?
  • 74:16 - 74:18
    Did everything come to work
    You hear it, do not you?
  • 74:18 - 74:21
    Tell the moon Meliha to crack your sister, tell me.
  • 74:21 - 74:22
    So what do we do?
  • 74:23 - 74:25
    Hear me first.
  • 74:26 - 74:28
    We speak of Sinan.
  • 74:28 - 74:29
    AA!
  • 74:29 - 74:30
    AA!..
  • 74:30 - 74:34
    Girl, they also visited
    You said they came.
  • 74:34 - 74:36
    Oh, you too.
  • 74:36 - 74:39
    (Meliha) We stole that girl
    Are we ever home? Divine.
  • 74:39 - 74:42
    I did not say that ...
  • 74:42 - 74:43
    ... Ceyda.
  • 74:43 - 74:45
    - (Woman) Aa! ..
    - (Meral) Hi!
  • 74:46 - 74:49
    Meliha girl, would you ever come from Ceyda?
  • 74:50 - 74:52
    He will send you to the nursing home the next day.
  • 74:52 - 74:54
    Do not you see his eyes?
  • 74:54 - 74:56
    How is he talking?
  • 74:56 - 74:58
    You said that when you were with her.
  • 74:58 - 75:02
    Mashallah is very nice, your son
    You said you looked good on your side.
  • 75:02 - 75:04
    Is that like the devil next to your daughter?
  • 75:04 - 75:05
    (Meliha) Aa month.
  • 75:06 - 75:07
    No moment.
  • 75:07 - 75:11
    (Meliha) So I stopped here,
    I am trying to raise you words.
  • 75:11 - 75:13
    No, you will never prosper.
  • 75:13 - 75:15
    (Meliha) Aa, aa! Outstanding goodness health.
  • 75:16 - 75:18
    Meliha ablam, be auspicious auspicious.
  • 75:18 - 75:19
    (Meliha) Come on.
  • 75:19 - 75:25
    (Music)
  • 75:26 - 75:28
    (Cutlery voices)
  • 75:33 - 75:35
    -Good luck with.
    -Thanks.
  • 75:35 - 75:40
    (Music)
  • 75:40 - 75:42
    Would you like something, Bulent?
  • 75:42 - 75:45
    Yeah. I mean more precisely
    I'll talk about something.
  • 75:46 - 75:48
    (Bülent) Now Berkay, this
    You know what happened to me.
  • 75:48 - 75:51
    We do this catering business
    Companies are complaining about us ...
  • 75:51 - 75:53
    ... due to food poisoning.
  • 75:53 - 75:55
    I know of course Bulent Bey,
    I mean since that day ...
  • 75:55 - 75:59
    ... what happens when you enter the kitchen
    I do. The weather is warm.
  • 75:59 - 76:00
    So I do not leave anything open.
  • 76:01 - 76:04
    Now, do not get me wrong Berkay
    But I have to ask.
  • 76:04 - 76:05
    It's like everybody asked.
  • 76:06 - 76:08
    You were alone in the kitchen that night.
  • 76:08 - 76:10
    Bülent Bey ...
  • 76:10 - 76:12
    ... food poison my poison
    Do you think I put it?
  • 76:12 - 76:13
    (Berkay) I mean ...
  • 76:15 - 76:17
    I'm really broke.
  • 76:17 - 76:20
    I saw something that day
    I was going to ask, but ...
  • 76:21 - 76:22
    ...calm down.
  • 76:22 - 76:26
    Look, I did not want to break you, Berkay,
    My hope is not misunderstood me.
  • 76:27 - 76:29
    Not to break ...
  • 76:29 - 76:31
    ... we spent so much time together.
  • 76:31 - 76:33
    (Breath sound)
  • 76:33 - 76:34
    Anyway.
  • 76:35 - 76:36
    Anyway.
  • 76:37 - 76:38
    Easy come again.
  • 76:38 - 76:44
    (Music)
    (Cutlery sound)
  • 76:44 - 76:46
    (Breath sound)
  • 76:46 - 76:48
    I have a baby boy, Berkay.
  • 76:48 - 76:50
    Uh, okay. Then...
  • 76:50 - 76:53
    ... you can tell us
    You are taking a picture of pasta.
  • 76:55 - 76:58
    Moon, though our chief knows better.
    Growing up?
  • 76:59 - 77:01
    -That big cake is hard in a day.
    - (Ceyda) Hı.
  • 77:01 - 77:03
    Miniature for Hakan and Simay
    I thought of a cake.
  • 77:03 - 77:05
    What about the rest of the guests
    Another sweet for you.
  • 77:05 - 77:06
    It happens.
  • 77:07 - 77:08
    It happens.
  • 77:08 - 77:11
    The Moon is stubborn about Pelin,
    As if we do not understand.
  • 77:11 - 77:14
    No, there are two minutes
    The chief who will remain in the head ...
  • 77:14 - 77:16
    ... immediately hop, it's a business.
  • 77:16 - 77:18
    Aman, do not you know Ceyda Hanim?
  • 77:19 - 77:21
    Now he's offered to get married, look.
  • 77:21 - 77:23
    Exit. I broke this game.
  • 77:24 - 77:26
    Wait, what are you doing?
  • 77:26 - 77:29
    (Music)
  • 77:29 - 77:35
    My chief, if you are allowed, Ceyda Hanım
    If you come in for a minute or two?
  • 77:36 - 77:37
    Of course.
  • 77:37 - 77:39
    Cansu is working, do not you see?
  • 77:39 - 77:42
    I see, but there is something very important.
  • 77:43 - 77:46
    Okay, we have no secrets. Tell me here.
  • 77:46 - 77:48
    It's not a hidden thing anyway.
  • 77:48 - 77:50
    What I need to show is very important
    there is something. Inside.
  • 77:51 - 77:53
    Well. Pardon.
  • 77:54 - 78:00
    (Foot sound)
  • 78:02 - 78:03
    Lady Ceyda.
  • 78:04 - 78:05
    Flowers.
  • 78:05 - 78:08
    (Cansu) Your
    There are flowers.
  • 78:08 - 78:10
    -What?
    - (Cansu) Hah.
  • 78:10 - 78:13
    Here they are always neck
    Twisted, dry, evolved.
  • 78:13 - 78:15
    (Cansu) So now I
    I do not understand the flower.
  • 78:15 - 78:17
    Children sordium, they
    Does not understand from the flower.
  • 78:17 - 78:21
    I said if something hilarious is going to happen
    Maybe you know.
  • 78:22 - 78:23
    Are you a joke?
  • 78:23 - 78:24
    What happened, Lady Ceyda?
  • 78:24 - 78:26
    Cansu, is this something really important?
  • 78:26 - 78:27
    Yeah.
  • 78:27 - 78:30
    So now that you are meticulous,
    As long as you bring it with love ...
  • 78:30 - 78:32
    ... and I panicked.
  • 78:32 - 78:36
    Alas, very beautiful flowers.
  • 78:37 - 78:41
    Ee, you're done.
  • 78:41 - 78:43
    What are you trying to do, Pelin?
  • 78:44 - 78:45
    I did not understand?
  • 78:45 - 78:50
    (Music)
  • 78:50 - 78:52
    What the hell would you say?
  • 78:54 - 78:57
    Moon, nothing, what could it be?
  • 79:00 - 79:02
    (Sinan) You are Ceyda
    You do not love as much as your sins.
  • 79:02 - 79:04
    Now what was that you did?
  • 79:04 - 79:07
    Eh, dear, we're doing business. So there is nothing.
  • 79:07 - 79:09
    Pelin.
  • 79:09 - 79:12
    Who knows you best in this world
    I'm one of the people, you know.
  • 79:12 - 79:14
    How you laughed when you were ...
  • 79:14 - 79:17
    ... just like two good-handed boys
    How you put it on your knees ...
  • 79:17 - 79:19
    ... who else could you know?
  • 79:20 - 79:22
    It's not like that.
  • 79:23 - 79:24
    Come on, Pelin.
  • 79:25 - 79:28
    While everything is so beautiful,
    What would you say?
  • 79:30 - 79:32
    Well, the job is kind of over.
  • 79:33 - 79:36
    Ceyda also knows, so with Ceyda
    You take care of the rest.
  • 79:36 - 79:38
    Ll see.
  • 79:38 - 79:46
    (Music)
  • 79:46 - 79:47
    (Chair push voice)
  • 79:50 - 79:53
    (Foot sound)
  • 79:53 - 79:54
    Where are they?
  • 79:54 - 79:58
    Vallahi went to Ms. Pelin first,
    The chief went behind.
  • 79:58 - 79:59
    OK.
  • 80:01 - 80:03
    (Foot sound)
  • 80:07 - 80:08
    Pelin.
  • 80:10 - 80:12
    I told you what to say.
  • 80:12 - 80:14
    (Bird chirping sound)
  • 80:15 - 80:16
    You feel sorry for something.
  • 80:16 - 80:18
    (Sinan) Two days ago
    You were not like that.
  • 80:21 - 80:22
    What would you say?
  • 80:22 - 80:24
    I'm doing fine.
  • 80:29 - 80:31
    Ceyda does not marry me
    Can not offer.
  • 80:31 - 80:35
    What I think about this and
    You know what to answer.
  • 80:36 - 80:37
    There is something else.
  • 80:40 - 80:43
    Sinan, nothing, do not you understand?
  • 80:43 - 80:44
    Let me go.
  • 80:47 - 80:49
    My mother.
  • 80:49 - 80:51
    You talked to my mom, did not you?
  • 80:52 - 80:55
    No. What-where
    Are you doing such things?
  • 80:55 - 80:57
    Is not he here?
  • 80:58 - 81:00
    He said you will not see my son again.
  • 81:01 - 81:03
    I'm surprised. Because it does
    I know this kind of thing.
  • 81:03 - 81:05
    Did not come.
  • 81:07 - 81:09
    So you will not say.
  • 81:09 - 81:10
    Beautiful.
  • 81:10 - 81:13
    How am I supposed to find out what
    And why you ran away from me.
  • 81:13 - 81:15
    Sinan, I do not do anything.
  • 81:16 - 81:18
    -This is what it should be.
    - (Sinan) No, it is not.
  • 81:18 - 81:20
    This is not what it should be.
  • 81:21 - 81:23
    Everything was going very well, Pelin.
  • 81:23 - 81:25
    Do not fix things
    We started, you know.
  • 81:26 - 81:30
    Through the evening we watched the movie
    How long has it been there?
  • 81:31 - 81:33
    His eyes were laughing, Pelin.
  • 81:35 - 81:38
    (Bird chirping sound)
  • 81:38 - 81:40
    (Music - Emotional)
  • 81:40 - 81:42
    We go to the cinema tonight.
  • 81:43 - 81:45
    - (Pelin) What?
    -Yeah. You heard right.
  • 81:45 - 81:47
    I invite you to the cinema.
  • 81:48 - 81:50
    This is not going to happen.
  • 81:50 - 81:51
    Beautiful.
  • 81:51 - 81:53
    Then I come home.
  • 81:53 - 81:56
    You, me and your father sit together.
  • 81:56 - 81:57
    How?
  • 81:57 - 81:58
    You decide.
  • 81:58 - 82:06
    (Music)
  • 82:11 - 82:12
    OK.
  • 82:14 - 82:16
    I'm coming to the cinema.
  • 82:16 - 82:17
    Beautiful.
  • 82:19 - 82:21
    (Bird chirping sound)
  • 82:21 - 82:25
    The moon has many years of oxen
    Rıza, I did not divorce.
  • 82:25 - 82:28
    Now he's got a chance, me
    It makes you crazy.
  • 82:28 - 82:30
    (Simay) Hakan is also the same.
  • 82:30 - 82:32
    No, I mean, the guy has a day
    There is no schedule for the day.
  • 82:32 - 82:34
    (Simay) He's always waiting for me.
  • 82:34 - 82:37
    (Simay) What a month, or a concert ticket to the moon
    Take a set, an organization ...
  • 82:37 - 82:38
    ... do something, but do not.
  • 82:39 - 82:40
    I look into it like this
    I look, I wait.
  • 82:40 - 82:43
    Oh, I passed him.
    I plan to do the program.
  • 82:43 - 82:45
    It's enough for me to be beefy.
  • 82:45 - 82:49
    In other words, Hakan is not so good from Allah
    Sometimes people want to do it.
  • 82:49 - 82:52
    When I fight like this,
    I shout to myself, to myself.
  • 82:52 - 82:53
    Oh, that's the way it looks.
  • 82:53 - 82:55
    The moon is a lot of things, too messy.
  • 82:55 - 82:56
    -Too messy.
    - (Suheyla) I understand.
  • 82:56 - 82:59
    I love both
    Vallahi, you are disgusted.
  • 82:59 - 83:01
    Good things
    You do not say that.
  • 83:01 - 83:02
    Oo! ..
  • 83:04 - 83:07
    And before I even came you
    That's what I was going to talk about.
  • 83:07 - 83:10
    (Simay) So your father's house is very
    Devoted, never neglected house.
  • 83:10 - 83:13
    So come on, book you
    Read it, wake up and love it.
  • 83:13 - 83:15
    (Suheyla) Yes, so is Riza uncle.
  • 83:15 - 83:19
    I also liked the most
    When someone else says ...
  • 83:19 - 83:22
    ... she turns around like that
    Better to beat the guy.
  • 83:23 - 83:25
    I am so in my life
    I do not know the guardian.
  • 83:25 - 83:27
    (Simay) Ya Hakan is a bit like that.
  • 83:27 - 83:29
    Once my father-in-law
    He hinted at it.
  • 83:29 - 83:32
    You're not married, you're married
    So, Simay is not sending or something.
  • 83:32 - 83:35
    This puts the weight on you. Said,
    I got married now, my family, Simosh.
  • 83:35 - 83:37
    I was shocked, and to your mom.
  • 83:37 - 83:38
    (Suheyla) Hani, that is not very true.
  • 83:38 - 83:42
    We can never get along with Rıza's mother
    But Riza is more of a favorite.
  • 83:42 - 83:45
    What's going on with me,
    I can not tell from there to me.
  • 83:45 - 83:49
    My lunar eyes, seeing
    I will kiss both of them immediately.
  • 83:52 - 83:53
    (Breath sound)
  • 83:53 - 83:55
    Oh! ..
  • 83:55 - 83:58
    The moon, but I do not, so this time
    We had a bad fight. I am very angry.
  • 83:58 - 84:00
    I'm sorry, I mean.
  • 84:00 - 84:03
    I am very homesick
    She left me.
  • 84:03 - 84:05
    (Breath sound)
  • 84:08 - 84:10
    (Music)
    (Horn sounds)
  • 84:10 - 84:11
    So.
  • 84:12 - 84:14
    Does not it have a thicker twist?
  • 84:14 - 84:15
    Necip, you can see the money.
  • 84:16 - 84:17
    But look, you're losing such a customer.
  • 84:17 - 84:19
    He's in Trabzon.
  • 84:20 - 84:22
    At least two thousand five hundred,
    Holds between three thousand.
  • 84:22 - 84:25
    Holding you from your feet,
    Turn it over and shake it ...
  • 84:25 - 84:27
    ... up to two hundred, three hundred
    A pile of money comes out Necip.
  • 84:27 - 84:29
    (Music - Moving)
  • 84:29 - 84:30
    OK.
  • 84:31 - 84:32
    Get.
  • 84:34 - 84:36
    You will count it out of yourself.
  • 84:36 - 84:38
    He's been killed, Necip.
  • 84:38 - 84:40
    Now there is Necip Bey.
  • 84:43 - 84:45
    What is it, remove it, look at it right next to it.
  • 84:45 - 84:47
    (Necip) Hah, such a thing
    Take a souvenir photo.
  • 84:48 - 84:56
    (Music - Moving)
  • 84:59 - 85:00
    Get.
  • 85:00 - 85:02
    And with that beautiful package ...
  • 85:02 - 85:04
    ... Eve will be a gift.
  • 85:10 - 85:15
    (Sound of water)
    (Plate dish voice)
  • 85:17 - 85:25
    (Platter dishes)
    (Ambient sound)
  • 85:25 - 85:33
    (Music)
  • 85:33 - 85:34
    (Effect sound)
  • 85:34 - 85:36
    (Foot sound)
  • 85:37 - 85:38
    Bülent Bey got too squeezed.
  • 85:38 - 85:42
    (Berkay) But I'm not empty,
    He almost apologized to me.
  • 85:42 - 85:44
    Do not worry, you are now
    They probably do not doubt.
  • 85:44 - 85:47
    I wonder if there is a self-condition?
  • 85:48 - 85:50
    Berkay, do I have to worry?
  • 85:50 - 85:53
    (Music)
  • 85:53 - 85:54
    It's over now.
  • 85:55 - 85:57
    I can not do what you want, Mrs. Ceyda.
  • 85:58 - 85:59
    The moon is bright.
  • 85:59 - 86:01
    I had a last one from you then.
  • 86:01 - 86:04
    Okay, we know. Now today
    We passed by tomorrow.
  • 86:05 - 86:06
    Just look at me.
  • 86:06 - 86:09
    You are my image after that
    You do not come and go very often ...
  • 86:09 - 86:11
    ... he also pay attention to Serkan
    You're doing it, okay?
  • 86:12 - 86:13
    Well.
  • 86:13 - 86:20
    (Music continues)
  • 86:21 - 86:22
    (Effect sound)
  • 86:22 - 86:24
    (Foot sound)
  • 86:27 - 86:32
    (Foot sound)
    (Music - Thriller)
  • 86:32 - 86:33
    (Ceyda) No, what happened?
  • 86:33 - 86:35
    What about poisoning?
  • 86:35 - 86:36
    Not from the outside.
  • 86:37 - 86:38
    Ha.
  • 86:39 - 86:41
    Do you think someone was in the restaurant?
  • 86:41 - 86:42
    So.
  • 86:42 - 86:44
    (Breath sound)
  • 86:44 - 86:47
    (Bülent) Do not take your sin
    I say we have Berkay ...
  • 86:47 - 86:49
    ... a little too wild.
  • 86:49 - 86:52
    (Bülent) So, everyone in the kitchen
    There is more or less a love for each other.
  • 86:52 - 86:55
    Everyone is talking, but
    I did not see anyone talking to anyone.
  • 86:56 - 86:58
    If you are talking to E
    Talking a couple, that's it.
  • 86:58 - 87:00
    (Music - Thriller)
  • 87:00 - 87:02
    You say Berkay made you?
  • 87:02 - 87:05
    (Bülent) I mean I can not say that.
    That's why I ask you.
  • 87:05 - 87:06
    Could it be such a thing?
  • 87:08 - 87:10
    So let's say he did.
  • 87:10 - 87:13
    Why do not you do something like that,
    What could be the reason?
  • 87:13 - 87:16
    So he squeezed one of the competitors
    The money on his pocket, he did.
  • 87:16 - 87:19
    After counting,
    There is a ton of reason.
  • 87:19 - 87:23
    So when you talk like that
    My mind was clear as well.
  • 87:24 - 87:27
    (Ceyda) No, I have a few
    I saw the suspicious movement before.
  • 87:27 - 87:29
    But I did not say anything.
  • 87:29 - 87:32
    (Ceyda) You know Sinan, dust
    To your employees.
  • 87:32 - 87:35
    I will come and say something
    I will be guilty.
  • 87:35 - 87:37
    So I wish you had told me.
  • 87:37 - 87:38
    How should I know.
  • 87:38 - 87:39
    I mean, I could not think.
  • 87:40 - 87:42
    Whew!..
  • 87:42 - 87:43
    I'm getting really upset now.
  • 87:44 - 87:46
    (Ceyda) No, all of us
    There is labor in this restaurant.
  • 87:46 - 87:49
    I see you're not at all comfortable either.
  • 87:50 - 87:53
    Bülent, I think we should ...
  • 87:53 - 87:56
    ... leaving Berkay out of business
    We'd better think about the situation.
  • 87:56 - 87:58
    No dear, not that much
    So, let's just stop.
  • 87:58 - 88:00
    What is what first
    Let's understand.
  • 88:00 - 88:02
    Then we look for him.
  • 88:04 - 88:05
    Anyway, I'm out.
  • 88:05 - 88:06
    OK.
  • 88:07 - 88:10
    (Foot sound)
  • 88:11 - 88:19
    (Music - Thriller)
  • 88:19 - 88:24
    (Foot sound)
  • 88:24 - 88:26
    (Rıza) Are you leaving without notifying the Bab?
  • 88:26 - 88:28
    Dad, I heard you, you did not.
    I am going to the cinema.
  • 88:29 - 88:30
    Moon Dad.
  • 88:30 - 88:32
    So what do I do with Tolga?
  • 88:32 - 88:35
    Delete the face
    A little, you have climbed too much.
  • 88:35 - 88:37
    Either do not exaggerate.
  • 88:37 - 88:40
    A blush, a mascara. Ya
    What is the nation.
  • 88:40 - 88:43
    People will not enter me. They
    His parents will think of him.
  • 88:43 - 88:46
    And your face is already
    Very beautiful be my child.
  • 88:47 - 88:49
    Look at me, what am I going to say?
  • 88:49 - 88:52
    Come on, what are you going to do?
    Sit down, watch it together.
  • 88:52 - 88:56
    What's the job at midnight girl
    Part of you on the street, I do not understand.
  • 88:56 - 88:58
    Dad, eight-thirty.
  • 88:58 - 89:01
    Not even at all, it was dark.
    The moon is in the sky.
  • 89:01 - 89:02
    Do not exaggerate the moon.
  • 89:02 - 89:05
    (Pelin) Come on, I'm out.
  • 89:05 - 89:06
    Do not wait for me, I have a key.
  • 89:06 - 89:08
    Be home before you hit him.
  • 89:08 - 89:10
    (Foot sound)
  • 89:11 - 89:13
    (Rıza) See you girl daughter
    How is grown.
  • 89:13 - 89:16
    If you take him a minute,
    My name is not Reza.
  • 89:16 - 89:18
    Even once in a while
    This kid is not out.
  • 89:18 - 89:20
    Sure, dear.
  • 89:20 - 89:23
    (Music)
  • 89:23 - 89:26
    (Breath sound)
  • 89:30 - 89:33
    (Cricket beetle sounds)
  • 89:33 - 89:34
    (Door opening sound)
  • 89:34 - 89:35
    What happened to Necip?
  • 89:36 - 89:37
    (Necip) Come on.
  • 89:37 - 89:39
    (Foot sound)
  • 89:39 - 89:40
    What happened?
  • 89:43 - 89:44
    What's this?
  • 89:44 - 89:45
    Open it, see what?
  • 89:46 - 89:52
    (Music)
  • 89:52 - 89:54
    Necip, what have you done?
  • 89:55 - 89:57
    What do I do, look how many years.
  • 89:57 - 90:00
    What a day my site ettin,
    What a day you wanted a gift.
  • 90:00 - 90:02
    I owe you my debt now.
  • 90:03 - 90:06
    I do it when I have it. Allah is more
    Give it a lot, make it more.
  • 90:07 - 90:08
    My nephew.
  • 90:08 - 90:12
    Sende this to a lot of spending
    Or what?
  • 90:12 - 90:14
    How much do you earn?
  • 90:14 - 90:15
    Let's take a look, will it fit?
  • 90:15 - 90:17
    Well, it's a very expensive thing.
  • 90:17 - 90:20
    Put the cost of what you're going to do.
  • 90:20 - 90:21
    We are working now.
  • 90:22 - 90:24
    Well, we have a credit at work.
  • 90:24 - 90:26
    (Necip) I work with my eyes
    They made me a closed installment.
  • 90:27 - 90:28
    I slowly pushed.
  • 90:28 - 90:29
    Ah.
  • 90:29 - 90:32
    (Music)
  • 90:32 - 90:33
    Ya.
  • 90:34 - 90:35
    (Kissing voice)
  • 90:36 - 90:37
    (Laughing voice)
  • 90:40 - 90:48
    (Music)
  • 90:48 - 90:53
    Aa, look at this romantic comedy
    I have read very good comments about.
  • 90:53 - 90:55
    This movie is very beautiful.
  • 90:58 - 91:00
    You and science fiction?
  • 91:01 - 91:05
    - (Sinan) You want to sleep?
    - Oh, I love science fiction.
  • 91:05 - 91:10
    Get Star Wars 1, get 2 ...
  • 91:11 - 91:13
    ... three. I mean, I love everything.
  • 91:13 - 91:14
    Surprised.
  • 91:15 - 91:17
    Over the years people
    The taste changes.
  • 91:18 - 91:20
    You do not like science fiction.
  • 91:21 - 91:21
    Whew!
  • 91:22 - 91:24
    I have forgotten about a
    Lots of things you know.
  • 91:24 - 91:25
    (Laughing voice)
  • 91:25 - 91:28
    (Music)
  • 91:28 - 91:30
    The school's in the cinema club ...
  • 91:32 - 91:35
    ... showing District 9
    Remember, remember?
  • 91:35 - 91:37
    -As.
    - (Sinan) Hıh.
  • 91:37 - 91:39
    I saw you and the crew there ...
  • 91:40 - 91:43
    ... how happy I am God.
    So in the end ...
  • 91:43 - 91:46
    ... a point we have in common with the girl I love
    I think that I have.
  • 91:46 - 91:47
    Science fiction.
  • 91:48 - 91:49
    I remembered.
  • 91:49 - 91:51
    I sat right next to you, remember?
  • 91:52 - 91:54
    Well, I remembered that.
  • 91:59 - 92:03
    Anyway, my self film three hundred,
    I want you to take four hundred minutes.
  • 92:03 - 92:08
    So after all the girl I love
    I'm watching science fiction side by side.
  • 92:08 - 92:12
    So, for the first time,
    I felt like watching a movie.
  • 92:13 - 92:16
    Then the movie started.
    The generic floods you before you flow.
  • 92:16 - 92:20
    And you just say:
    "Ayy is science fiction."
  • 92:20 - 92:23
    "I can not watch it in life.
    I thought it was comedy. "
  • 92:23 - 92:25
    The moon remembered. Moon, I am so ashamed.
  • 92:25 - 92:27
    (Laughing voice)
  • 92:27 - 92:29
    Anyway, the years have passed.
  • 92:30 - 92:32
    And now we make up for that day.
  • 92:33 - 92:37
    Let's just forget about that day.
    This is our first movie ...
  • 92:37 - 92:39
    ... and become our first movie adventure, will you?
  • 92:41 - 92:43
    It's okay.
  • 92:43 - 92:44
    What is that?
  • 92:45 - 92:46
    (Music - Thriller)
  • 92:46 - 92:48
    (Pelin) Aa Ceyda!
  • 92:50 - 92:53
    -And how small is not the world?
    - (Sinan) Ya.
  • 92:54 - 92:55
    This is very contrary to your house.
  • 92:56 - 92:58
    The halls E are very nice. I
    I come here often.
  • 92:59 - 93:02
    (Pelin) So ee, our three
    We are entering together with filme.
  • 93:02 - 93:04
    - (Pelin) Hi, did you take your ticket?
    - (Sinan) Well, ee ...
  • 93:05 - 93:06
    ... why do not you bother with Ceyda
    Are we now?
  • 93:07 - 93:09
    What if it's love or what does it bother?
  • 93:10 - 93:13
    Either it's a romantic comedy,
    I came to watch him.
  • 93:13 - 93:15
    I do not bother you.
  • 93:15 - 93:18
    Oh no, my dear, what illness? So...
  • 93:18 - 93:20
    ... the same movie separately
    Are we going to watch them in the halls?
  • 93:21 - 93:22
    Am I right?
  • 93:22 - 93:24
    (Music)
  • 93:24 - 93:25
    (Laughing voice)
  • 93:26 - 93:28
    (Music)
  • 93:28 - 93:29
    (Flashback)
  • 93:30 - 93:31
    Do not you answer?
  • 93:32 - 93:34
    You, me, and Sinan ...
  • 93:34 - 93:37
    ... we're going to the cinema, are we?
    - (Pelin) Yes, what is it?
  • 93:37 - 93:40
    - Are you the man I did not see?
    - (Ceyda) Not preferably.
  • 93:40 - 93:42
    I am a human you have absolutely to see.
  • 93:42 - 93:45
    Coming or not
    Do it, you tell it.
  • 93:46 - 93:51
    I can not believe it. So that's the show
    It is not a trap to show people.
  • 93:51 - 93:53
    (Ceyda) What am I supposed to do now?
  • 93:53 - 93:56
    We will go to our cinema
    Do I have to fly in the air?
  • 93:56 - 93:59
    (Ceyda) Then what would you do,
    For God's sake, tell me.
  • 93:59 - 94:00
    It's a bit of a fuss.
  • 94:01 - 94:02
    (Zipper sound)
  • 94:02 - 94:07
    (Music - Thriller)
  • 94:07 - 94:09
    Did you give this to Sinan's mother?
  • 94:10 - 94:12
    I do not know. So...
  • 94:12 - 94:14
    ... but I seem to remember somewhere.
  • 94:16 - 94:17
    OK.
  • 94:18 - 94:19
    You won.
  • 94:20 - 94:23
    Her mother has already spoken openly
    You do not want us to see you again.
  • 94:25 - 94:28
    I have never seen them again
    I do not want to open up.
  • 94:28 - 94:30
    Who is my face
    I do not want you to feel sorry.
  • 94:31 - 94:32
    Hmm.
  • 94:32 - 94:34
    So help me
    Are you?
  • 94:36 - 94:37
    Even if I cry blood ...
  • 94:38 - 94:40
    ...Yeah.
  • 94:41 - 94:43
    Are you coming or not?
  • 94:43 - 94:47
    (Music - Emotional)
  • 94:47 - 94:48
    (Flashback)
  • 94:48 - 94:52
    (Music - Emotional)
    (Ambient sounds)
  • 94:52 - 94:53
    Here.
  • 94:53 - 94:55
    (Ambient sounds)
  • 94:55 - 94:56
    There.
  • 94:56 - 95:04
    (Ambient sounds)
  • 95:07 - 95:10
    (Speaker paper sound)
  • 95:11 - 95:13
    (Music)
  • 95:14 - 95:18
    (Sinan) Pelin, do not look at the blame,
    I could not watch a movie of all kinds.
  • 95:20 - 95:21
    No problem.
  • 95:21 - 95:29
    (Music)
  • 95:30 - 95:34
    He is following
    I do not understand.
  • 95:34 - 95:36
    (Sinan) We do not meet here
    It never seemed normal to me.
  • 95:36 - 95:40
    Do not exaggerate. I think
    We take the girl's sin.
  • 95:40 - 95:42
    So we're looking for something underneath everything.
  • 95:43 - 95:44
    I do not know.
  • 95:45 - 95:46
    Maybe he's right.
  • 95:48 - 95:51
    (Phone ringing tone)
    - (Pelin) Aa, my phone is ringing.
  • 95:51 - 95:54
    (Phone ringing tone)
    (Music)
  • 95:54 - 95:56
    - (Sinan) Do not open it now.
    - No, I'm looking for my dad.
  • 95:58 - 96:00
    (Pelin) Sir, Daddy.
  • 96:01 - 96:02
    You can not be serious!
  • 96:04 - 96:07
    Either Dad, I just came to the cinema,
    How can I get out now?
  • 96:08 - 96:12
    (Pelin) Okay, okay.
    I'm coming right now.
  • 96:13 - 96:14
    Nothing important, right?
  • 96:15 - 96:18
    Either, my dad is so pensive,
    The door closed ...
  • 96:18 - 96:20
    ... he's out there. Man
    She is waiting for me in the garden.
  • 96:20 - 96:22
    E okay, let's go together.
  • 96:22 - 96:24
    No, you sit down, sit down, sit down.
  • 96:24 - 96:26
    (Pelin) E you watch the movie together.
  • 96:26 - 96:29
    Either, no. Together,
    we will go together.
  • 96:30 - 96:31
    (Music)
  • 96:31 - 96:32
    (Flashback)
  • 96:32 - 96:34
    I'm telling you the last time.
  • 96:34 - 96:38
    (Music - Thriller)
    (Bird chirping sound)
  • 96:38 - 96:39
    Stay away from my son.
  • 96:40 - 96:41
    (Flashback)
  • 96:41 - 96:43
    (Movie voices)
  • 96:43 - 96:47
    What if you stay, what happens,
    Sit down and watch your movie.
  • 96:47 - 96:49
    Really from my face
    Do not ruin the evening.
  • 96:49 - 96:51
    (Movie voices)
  • 96:51 - 96:53
    (Woman) Madam,
    Are you going to withdraw now?
  • 96:53 - 96:55
    (Pelin) OK, ad
    Will you watch?
  • 96:55 - 96:58
    - (Man) God.
    - Something good!
  • 96:59 - 97:01
    Well, okay, I'm out.
  • 97:01 - 97:04
    (Pelin) Good looking. Do not puke.
  • 97:04 - 97:12
    (Music)
    (Movie voices)
  • 97:24 - 97:32
    (Music)
    (Movie voices)
  • 97:32 - 97:33
    Lady.
  • 97:34 - 97:36
    Are you going to leave, do I have to open the door?
  • 97:37 - 97:39
    (Music)
    (Movie voices)
  • 97:39 - 97:43
    Either look at it, now
    How is it coming along?
  • 97:43 - 97:48
    (Music)
    (Movie voices)
  • 97:48 - 97:50
    I will not go, do not open!
  • 97:50 - 97:58
    (Music)
    (Movie voices)
  • 98:09 - 98:11
    (Pelin inside sound) What have I done?
  • 98:11 - 98:12
    (Pelin inside voice) I should have been there.
  • 98:13 - 98:15
    (Pelin inside sound) Own
    I sat with my hands.
  • 98:16 - 98:19
    (Pelin inner voice) My head is Sinan
    I'm lonely now.
  • 98:19 - 98:21
    (Pelin inside sound) He also
    The hand was full of horns.
  • 98:22 - 98:24
    (Pelin inside voice) I am eliminated
    I ate it to him.
  • 98:25 - 98:27
    (Pelin inside sound) Now
    Will this be eating Ceyda?
  • 98:27 - 98:32
    (Music - Emotional)
  • 98:32 - 98:35
    (Crying voice)
  • 98:36 - 98:39
    Excuse me, do you have a handkerchief?
  • 98:39 - 98:41
    Ma'am, the movie has just begun.
  • 98:42 - 98:45
    That movie has already started for me.
  • 98:46 - 98:47
    Give it to me.
  • 98:47 - 98:51
    (Music - Generic)
  • 98:52 - 98:53
    Thanks.
  • 98:53 - 98:56
    (Music - Generic)
  • 98:56 - 98:57
    (Crying voice)
  • 98:57 - 99:05
    (Music - Generic)
  • 99:07 - 99:09
    Oh, there was a sip (beep)?
  • 99:09 - 99:13
    So what would be 20 years ago
    If you were Suheyla?
  • 99:14 - 99:16
    Then you are fragile.
  • 99:17 - 99:18
    Your grape.
  • 99:19 - 99:22
    Something tiny
    The worlds would be yours.
  • 99:23 - 99:26
    Look, I think it's only one time
    I did not even catch your lie.
  • 99:27 - 99:30
    (Consent) What would it be?
  • 99:30 - 99:33
    (Music - Emotional)
  • 99:33 - 99:34
    My chairman.
  • 99:35 - 99:39
    Man will not erase because of his stubborn love.
    Now I mean ...
  • 99:39 - 99:41
    ... there he is, you are here.
  • 99:42 - 99:44
    Do not worry each other
    I'm a victim.
  • 99:45 - 99:47
    No, what am I getting angry at
    do you know? OK...
  • 99:47 - 99:49
    ... regret as dogs
    You've come.
  • 99:49 - 99:51
    What, when you say that
    Are we going to leave immediately?
  • 99:52 - 99:55
    Take one lower, one
    Give a detailed apology.
  • 99:55 - 99:58
    But not! This is both guilty and powerful!
  • 99:58 - 100:02
    That's what he tells you. So
    I do not even know if I'm a fan.
  • 100:02 - 100:04
    It was cut off from eating and drinking.
  • 100:05 - 100:07
    - (Riza) Hi?
    -Hee, vallahi. So...
  • 100:07 - 100:10
    ... play moyen by saying truth
    The woman who will fall into the beds.
  • 100:11 - 100:15
    (Music - Emotional)
  • 100:15 - 100:16
    Ugh!
  • 100:17 - 100:21
    (Suheyla) You are older than you
    And a woman who is away ...
  • 100:21 - 100:25
    ... on our relationship
    Wants to establish dominance.
  • 100:26 - 100:27
    Is this your mother-in-law?
  • 100:28 - 100:29
    (Suheyla) Look at me, magic
    Did he do something like that?
  • 100:29 - 100:32
    All this dark land
    The clouds are not that?
  • 100:32 - 100:34
    No dear, old-fashioned woman,
    Why would you do something like that?
  • 100:34 - 100:35
    No, no, no.
  • 100:36 - 100:39
    My shaman is thirty years old.
    We are married, did not love me.
  • 100:40 - 100:44
    The moon is just how good you are.
    I need Vallahi.
  • 100:44 - 100:46
    - (Suheyla) Very, very good.
    - (Simay) Let's do this occasionally.
  • 100:46 - 100:52
    Let's do it. I
    Hakan is now a little small to come.
  • 100:52 - 100:55
    - (Simay) No, he does not come home.
    - (Suheyla) What does that mean?
  • 100:55 - 100:58
    (Suheyla) Aa! Come on, young man.
  • 100:58 - 101:02
    (Suheyla) Would that be? Fight
    Even if you are home you will come home.
  • 101:02 - 101:04
    If you do not get any better
    Simay, I will tell you.
  • 101:04 - 101:06
    (Simay) Do not worry,
    My eye is on it.
  • 101:06 - 101:08
    I'm doing something. Tolga's staying.
  • 101:08 - 101:11
    Moon Simay, the lamb
    You have entrusted me in the course.
  • 101:11 - 101:14
    (Suheyla) Moon boots
    Not Tolga, hi?
  • 101:14 - 101:16
    You get a job right now.
  • 101:16 - 101:18
    So now, tomorrow
    Our wedding anniversary.
  • 101:18 - 101:20
    I mean, this is for sure
    It already does something a surprise.
  • 101:20 - 101:22
    I like him half way
    Forgive the mouth, take it home.
  • 101:22 - 101:24
    Well, well done.
  • 101:24 - 101:26
    (Suheyla) If we have time ...
  • 101:26 - 101:30
    ... Let's read Pelin's bastard too,
    Let us see what is waiting.
  • 101:30 - 101:32
    (Music)
  • 101:32 - 101:32
    Do you see it?
  • 101:33 - 101:35
    (Music)
  • 101:35 - 101:36
    (Movie voices)
  • 101:36 - 101:39
    (Pelin inside voice) It was the right Pelin.
    You did the right thing.
  • 101:39 - 101:41
    (Pelin inside sound) Now sit down and watch the movie.
  • 101:41 - 101:47
    (Ambient sounds)
    (Do not speak English)
  • 101:50 - 101:52
    (Music)
  • 101:52 - 101:54
    (Pelin inside sound) Hii, they are kissing!
  • 101:54 - 101:57
    (Pelin inside voice) Moon, I swear
    It seemed like something was stuck.
  • 101:58 - 102:00
    (Music)
    (Movie voices)
  • 102:00 - 102:03
    (Pelin inside sound) None
    My dear, he is not kissing.
  • 102:03 - 102:05
    (Pelin inside sound) My eye is wrong.
  • 102:06 - 102:13
    (Music)
    (Movie voices)
  • 102:21 - 102:24
    (Music)
    (Movie voices)
  • 102:24 - 102:26
    (Travelers) - Something good!
    Cuckoo!
  • 102:26 - 102:34
    (Music)
    (Movie voices)
  • 102:38 - 102:41
    - (Sinan) Orange flower.
    - (Ceyda) Huh?
  • 102:42 - 102:44
    I did not hear you say something?
  • 102:44 - 102:46
    Well, well ...
  • 102:46 - 102:48
    ... a familiar smell.
  • 102:49 - 102:51
    Well, it could be my perfume.
  • 102:54 - 102:58
    No you ee, vanilla
    You prefer chocolates.
  • 102:58 - 103:01
    I do not like it. Even allergies
    I can say I have.
  • 103:01 - 103:09
    (Music)
  • 103:14 - 103:21
    (Music)
    (Movie voices)
  • 103:30 - 103:35
    (Music)
    (Movie voices)
  • 103:35 - 103:37
    What a beautiful movie.
  • 103:38 - 103:40
    I do not have any place to go.
  • 103:41 - 103:44
    The movie ended. Get up, get up!
  • 103:44 - 103:46
    Yeah, but we have to go now.
  • 103:47 - 103:50
    What do I say, ee ...
  • 103:50 - 103:53
    ... go to me first
    If we drink something, huh?
  • 103:54 - 103:57
    (Sinan) I am very tired.
    There's a ton of work to do tomorrow.
  • 103:58 - 104:00
    Should we get here tonight?
  • 104:02 - 104:03
    Okay, okay.
  • 104:03 - 104:05
    (Ambient sounds)
  • 104:05 - 104:08
    (Music)
  • 104:08 - 104:12
    (Pelin inner voice) They made ideal men.
    They've got a connection.
  • 104:12 - 104:15
    (Pelin inner voice) The first time
    I did not notice the man, and I was also upset.
  • 104:16 - 104:19
    (Pelin inside voice) Now own
    I hand it to someone else. Why?
  • 104:19 - 104:21
    (Pelin inside sound) Because
    My conscience orders it.
  • 104:21 - 104:24
    (Pelin inside sound) After that I
    Why can not I be happy? It's already ...
  • 104:24 - 104:26
    ... do not be you, be happy or anything, Pelin.
  • 104:28 - 104:30
    Ma'am, the movie is over.
  • 104:32 - 104:34
    Either, I have dropped the cube.
  • 104:35 - 104:37
    (Music)
  • 104:37 - 104:38
    Oh, I found it.
  • 104:39 - 104:43
    (Music)
  • 104:43 - 104:45
    (Tolga) Moruk, I said I talked.
  • 104:45 - 104:48
    This guy brought me gaza, he
    I do not have to leave the wedding because of it.
  • 104:48 - 104:50
    I swear that a gram
    He did not even wear me.
  • 104:52 - 104:54
    I went to the grocery store for forty times, my son.
  • 104:55 - 104:59
    (Hakan) Today never. Tic
    No, no, my brother.
  • 104:59 - 105:03
    (Tolga) Vallahi is not shaking me.
    Vallahi's not shaking, man.
  • 105:03 - 105:06
    Is there such a thing?
    I was not his first love?
  • 105:07 - 105:09
    (Hakan) This time he decided to give up on me.
  • 105:10 - 105:14
    Tolga, koskoca twenty-four hours never
    My brother who has not spoken, can you believe?
  • 105:14 - 105:15
    We never talked.
  • 105:17 - 105:19
    Tomorrow is our wedding anniversary.
  • 105:20 - 105:22
    If you notice the wrong
    If you do not call tomorrow ...
  • 105:23 - 105:26
    ... then it is absolutely sure
    The moment you gave up.
  • 105:26 - 105:34
    (Music)
  • 105:37 - 105:39
    (Music)
    (Seagull voices)
  • 105:41 - 105:43
    (Ambient sounds)
  • 105:47 - 105:53
    (Music - Thriller)
  • 105:55 - 106:00
    I'm going to say something, this week's vision
    Did you see the romantic comedy you entered?
  • 106:00 - 106:02
    We did not have much opportunity, Mrs. Ceyda.
  • 106:03 - 106:05
    Definitely recommend the moon
    I do, so I'm fascinated.
  • 106:06 - 106:08
    (Ceyda) Yesterday we went to Sinan ...
  • 106:08 - 106:10
    ... we both liked very much.
  • 106:11 - 106:14
    Bülent, my life, especially you love it.
    I mean, it's a full-length movie.
  • 106:14 - 106:15
    I have a tight bra.
  • 106:16 - 106:19
    Of course. I must have a chance. Thanks.
  • 106:19 - 106:25
    (Music - Thriller)
  • 106:27 - 106:34
    (Music - Romantic)
  • 106:34 - 106:37
    What's the conversation out there?
    Do you know it's turning?
  • 106:37 - 106:40
    Brother, I have no taste. If I will
    Do not tell me what happens.
  • 106:40 - 106:41
    Hmm.
  • 106:42 - 106:45
    So if you lie you will be very nervous.
    But I think it's a huge bomb.
  • 106:46 - 106:49
    - (Sinan) I'll check the cast.
    -You went to the cinema with Ceyda yesterday.
  • 106:49 - 106:53
    (Music - Romantic)
  • 106:53 - 106:54
    (Laughing voice)
    - (Bülent) Okay.
  • 106:54 - 106:57
    I knew it was a lie,
    You're laughing nervously. Sustum.
  • 106:58 - 106:59
    No, brother, I went.
  • 106:59 - 107:03
    I'm laughing at myself. These events
    I'm laughing at how it got to this point.
  • 107:04 - 107:05
    How did you go?
  • 107:06 - 107:10
    Brother, I went to Pelin. After
    In a way, how it is ...
  • 107:10 - 107:12
    ... with the film Ceyda
    I had to watch.
  • 107:13 - 107:15
    I did not understand anything.
  • 107:15 - 107:18
    (Sinan) I do not understand either.
    I do not understand anything from the movie.
  • 107:18 - 107:21
    (Bülent) Okey, then Ceyda is here
    I've caught your lie at the end.
  • 107:21 - 107:24
    Because that movie
    He said he liked it very much.
  • 107:24 - 107:25
    (Laughing voice)
  • 107:27 - 107:28
    Bülent.
  • 107:30 - 107:33
    - Can we close this place now?
    - (Bülent) Okay.
  • 107:33 - 107:36
    You have been so long
    The smile is not a voyage at all.
  • 107:36 - 107:39
    (Bülent) I close the door immediately.
    There is noon service, there is evening party.
  • 107:39 - 107:41
    Shut up, you can relax and play comfortably.
  • 107:42 - 107:43
    Cozy comfortably.
  • 107:43 - 107:48
    (Music - Romantic)
  • 107:48 - 107:49
    (Breath sound)
  • 107:50 - 107:58
    (Radio tones)
    (Street sounds)
  • 108:05 - 108:08
    (Music)
  • 108:08 - 108:10
    No, what happened here?
  • 108:10 - 108:12
    Ay Necip, they exchange the exchange office.
  • 108:12 - 108:15
    Do not do it. Someone who follows it.
  • 108:15 - 108:17
    (Necip) In our own neighborhood
    We can not even go out on the street.
  • 108:18 - 108:19
    (Male) Well, have you seen it?
  • 108:19 - 108:22
    There is a moon officer, he
    He saw it, and my mother.
  • 108:22 - 108:26
    But the officer just fainted, of course, fear.
    He does not remember anything.
  • 108:26 - 108:28
    My only witness is my mother.
  • 108:28 - 108:29
    (Laughing voice)
  • 108:29 - 108:32
    When you see the housekeeper,
    What happens when you hear it?
  • 108:32 - 108:37
    AA! I did something afterwards, but in the future
    A motorboat, a fly.
  • 108:37 - 108:40
    (Meral) E police said
    He said here, stop ...
  • 108:40 - 108:44
    ... we said, we will take statements.
    We are waiting for him, of course.
  • 108:44 - 108:46
    (Male) What was your aunt Aunt Hafize?
    From around?
  • 108:46 - 108:51
    I did not see his face. Black
    Glasses, black hat.
  • 108:51 - 108:52
    And the boy ...
  • 108:53 - 108:57
    ... in the 1.70, chunky light ...
  • 108:58 - 109:01
    ...bellied. Aha, full
    It was like Necip.
  • 109:02 - 109:04
    Come on! Look at what you simulate.
  • 109:04 - 109:07
    (Hafize) Tak this is Meliha's
    Do not make a head hat
  • 109:07 - 109:10
    ... tak-glasses, believe your twin.
  • 109:10 - 109:12
    Go, go!
  • 109:13 - 109:15
    Such crazy talk or something.
  • 109:17 - 109:19
    (Necip) Something. Nothing like that either.
  • 109:19 - 109:23
    (Music)
    (Radio tones)
  • 109:23 - 109:24
    (Door chime)
  • 109:25 - 109:26
    (Door opening sound)
  • 109:29 - 109:30
    What was it?
  • 109:32 - 109:34
    I'm your ...
  • 109:34 - 109:36
    ... that seriousness is my place!
  • 109:36 - 109:38
    (Simay) No, wait a minute.
  • 109:38 - 109:40
    I am very sorry my love, too
    I really apologize.
  • 109:40 - 109:43
    -I'm not really aware.
    - (Simay) Stop.
  • 109:43 - 109:43
    (Laughing voice)
  • 109:44 - 109:47
    I apologize, I apologize very much
    What happens, I've been so selfish, forgive me.
  • 109:47 - 109:48
    Forgive me, forgive me.
  • 109:48 - 109:52
    Okay okay. What about it?
    Would it be that self-pardoning?
  • 109:52 - 109:53
    It was the idea of Virgo's crack.
  • 109:54 - 109:56
    Here, so how certain is it from him.
  • 109:56 - 109:59
    Now, when I learn the truth,
    I was upset, I did not know what to say.
  • 110:00 - 110:02
    (Pelin) Basak also said that ours
    Do not you know, tickle ...
  • 110:02 - 110:04
    ... when you're laughing, you're already in peace.
    Forgive me, forgive me ...
  • 110:04 - 110:08
    Okay, okay, no, stop, okay.
    Excuse me, excuse me.
  • 110:08 - 110:11
    (Simay) So look at the halt in that group.
    What is this, what is this?
  • 110:11 - 110:12
    You are our group ...
  • 110:12 - 110:14
    (Kiss sound)
  • 110:14 - 110:16
    ... your prince, I am my dear!
    -Good.
  • 110:16 - 110:19
    First you are the robe, now
    Are you fighting?
  • 110:19 - 110:21
    Aa, is it like that, honey?
  • 110:21 - 110:23
    We're joking with your mom.
  • 110:23 - 110:25
    (Pelin) Peanut.
  • 110:26 - 110:27
    AA! What are they?
  • 110:28 - 110:30
    - (Pelin) They're for you.
    - (Simay) Hi.
  • 110:30 - 110:33
    If tickling did not work,
    You would bribe me, right?
  • 110:33 - 110:36
    My daughter, this is just the beginning.
    You see the real evening.
  • 110:36 - 110:40
    - Surprise, surprise.
    - (Simay) God, good luck.
  • 110:40 - 110:42
    (Music)
  • 110:42 - 110:47
    (Music)
    (Foot sound)
  • 110:48 - 110:50
    We need to talk urgently, Hakan.
  • 110:52 - 110:54
    Virgo, you do not turn it on.
  • 110:55 - 110:56
    - Do not run out of taste.
    (Computer shutdown sound)
  • 110:56 - 110:57
    Gee.
  • 110:57 - 111:00
    What, after that, is your life
    Will you not talk until the end with SimoS?
  • 111:00 - 111:02
    (Silence)
  • 111:03 - 111:06
    - I have a patient three o'clock.
    - (Virgo) Transfer to someone else.
  • 111:06 - 111:08
    Virgo, thanks a lot
    Thank you, thank you very much ...
  • 111:08 - 111:10
    ... but you're a co-worker with Simay.
    I'm not an avid.
  • 111:10 - 111:12
    Hele hele, look at the words. You
    Stop by Tolga ...
  • 111:12 - 111:14
    ... you have begun to resemble him,
    Block
  • 111:14 - 111:16
    Look, do not mess with my mouth.
  • 111:16 - 111:18
    So you are huge people,
    You do what you want.
  • 111:18 - 111:21
    I'm not an enthusiast
    But also Bengisu?
  • 111:21 - 111:23
    What is the sins of a child as much as a hand?
  • 111:23 - 111:25
    We do not have that much
    I suppose Başak Hanım thinks.
  • 111:25 - 111:27
    We're trying not to tell him next to him.
  • 111:27 - 111:29
    (Virgo) You're not coming home.
  • 111:29 - 111:31
    (Virgo) How bad is the child
    Do you know how to cry ...
  • 111:31 - 111:34
    ... my father left us, my father
    He left us.
  • 111:34 - 111:37
    No, it's like poison. let's
    If you can fool it.
  • 111:37 - 111:40
    (Music)
  • 111:41 - 111:44
    - (Hakan) I did not know.
    - You knew you came home, Hakan.
  • 111:44 - 111:47
    (Music)
  • 111:47 - 111:48
    Virgo, okay.
  • 111:49 - 111:52
    I would like to ask the guard friend,
    If I come early, can I go?
  • 111:53 - 111:54
    Let's. Come on, please.
  • 111:55 - 111:56
    Come on, ask a favor.
  • 111:56 - 111:58
    (Music)
  • 111:58 - 111:59
    (Door opening sound)
  • 111:59 - 112:02
    (Music)
  • 112:02 - 112:03
    Uff!
  • 112:04 - 112:06
    (Eve) Mother, did we get the plum?
  • 112:06 - 112:07
    (Laughing voice)
  • 112:07 - 112:09
    (Meliha) I know your wife.
  • 112:09 - 112:11
    (Laughing voice)
  • 112:11 - 112:12
    (Street sounds)
  • 112:12 - 112:15
    - (Meliha) Aa, what is this girl?
    - (Eve) What?
  • 112:16 - 112:19
    - (Meliha) This.
    - (Eve) Hi, is that it? My necip's gift.
  • 112:19 - 112:20
    AA!
  • 112:21 - 112:23
    Why did you say that before?
  • 112:24 - 112:26
    Do you think it's eye-catching?
  • 112:27 - 112:30
    So what do I know, look
    It's worth it, mom.
  • 112:30 - 112:33
    (Laughing voice)
  • 112:33 - 112:36
    Divine girl. Would that ever happen?
  • 112:36 - 112:39
    (Meliha) To your mother's daughter
    Is it worth the look?
  • 112:39 - 112:42
    Everything good for you
    Something makes me very happy.
  • 112:43 - 112:45
    (Meliha) I'll take a look. Look at me.
  • 112:46 - 112:48
    That's a lot of money.
  • 112:50 - 112:52
    I mean, these are all installments, mother.
  • 112:53 - 112:55
    Then this whole salary
    Takside will lay down.
  • 112:55 - 112:59
    I told you too. Necip'im ana
    I said no such load, but there it is.
  • 113:00 - 113:01
    Moon, I understand.
  • 113:02 - 113:05
    (Meliha) Now in the pocket of this money
    If it does, we will go and race to the horse race.
  • 113:06 - 113:08
    (Meliha) E also scared?
  • 113:08 - 113:11
    Put it in front of the door,
    Just to keep the neighborhood.
  • 113:12 - 113:14
    (Meliha) What do you do, money for money
    I can tie it in one place and ...
  • 113:15 - 113:17
    ... said I should not run around with my money.
  • 113:17 - 113:20
    - I think you're well, Mother.
    - (Meliha) The moon is bebe.
  • 113:20 - 113:22
    Oh.
  • 113:22 - 113:25
    (Meliha) After taking the house
    Then, after I got you ...
  • 113:27 - 113:30
    ... I stand behind him.
    He will not lose.
  • 113:30 - 113:38
    (Music)
  • 113:48 - 113:51
    (Hakan) You can go home until you come here
    We saw Bengisu. What are we doing here?
  • 113:52 - 113:54
    (Virgo) Bengisu is a good life.
  • 113:55 - 113:57
    (Simay) Ayy, I mean Pelin.
  • 113:58 - 114:00
    (Simay) Moon, your big surprise
    Was it Philippe you said?
  • 114:01 - 114:04
    - (Simay) I think you're here a lot ...
    - (Pelin) I do not think so.
  • 114:06 - 114:14
    (Music - Romantic)
  • 114:17 - 114:23
    (Music - Romantic)
    (Applause voices)
  • 114:23 - 114:25
    (Confetti burst sound)
  • 114:25 - 114:33
    (Music - Romantic)
    (Applause voices)
  • 114:36 - 114:44
    (Music - Romantic)
  • 114:51 - 114:52
    Darling.
  • 114:54 - 114:55
    You look so beautiful.
  • 114:57 - 114:59
    Baby, forgive me what happens.
  • 115:00 - 115:04
    What if you do not get your toothpaste so tight,
    If you do not do anything ...
  • 115:06 - 115:08
    ... that is, I am overcoming you.
  • 115:08 - 115:11
    (Music - Romantic)
  • 115:12 - 115:14
    (Ambient music - violin)
  • 115:15 - 115:18
    Hii. Softens in the first three minutes
    I said, I got a hairdresser.
  • 115:19 - 115:22
    Vallahi I was very angry this time,
    I said I would last five minutes.
  • 115:22 - 115:24
    Simos will never mislead me.
  • 115:24 - 115:25
    (Laughing voice)
  • 115:25 - 115:28
    (Ambient music - violin)
  • 115:28 - 115:31
    These double kumruses are only
    I say not let it go. The wolves are closed.
  • 115:32 - 115:33
    Hmm.
  • 115:33 - 115:36
    I hope these words are just for me.
    Because if ...
  • 115:36 - 115:38
    ... merry work
    If you understand that it is.
  • 115:39 - 115:46
    (Ambient music - violin)
  • 115:55 - 116:03
    (Music - Emotional)
  • 116:13 - 116:14
    (Ceyda) You are very stylish.
  • 116:14 - 116:16
    (Music - Thriller)
  • 116:16 - 116:17
    Thank you.
  • 116:17 - 116:19
    I thought you'd be in the kitchen.
  • 116:20 - 116:23
    Oh, no. I've done most of the work.
  • 116:23 - 116:25
    (Sinan) With the rest
    You will be interested.
  • 116:26 - 116:27
    I will dance tonight.
  • 116:28 - 116:29
    (Laughing voice)
  • 116:29 - 116:31
    Is this an offer?
  • 116:33 - 116:34
    Do not look up, but not to you.
  • 116:34 - 116:38
    (Music - Thriller)
    (Ambient sounds)
  • 116:39 - 116:41
    I have a promise to someone else.
  • 116:41 - 116:49
    (Music - Thriller)
    (Ambient sounds)
  • 116:55 - 116:56
    Chagatay, what's up?
  • 116:56 - 116:58
    - Good boy, what about you?
    - (Tolga) Did our Hakan come?
  • 116:58 - 116:59
    No, brother, she did not.
  • 117:00 - 117:02
    If you open the TV, the match will start now.
    - (Çağatay) OK, brother.
  • 117:02 - 117:04
    (Chair pull sound)
  • 117:07 - 117:14
    (Ambient music - violin)
  • 117:20 - 117:28
    (Music)
    (Ambient music - violin)
  • 117:31 - 117:33
    What are you mixing?
  • 117:34 - 117:35
    What are you talking about?
  • 117:36 - 117:39
    You said you'd help yesterday,
    You set the cinema to go.
  • 117:39 - 117:41
    So-called Sinan
    You would stay away but ...
  • 117:41 - 117:44
    ... what wisdom Sinan
    I had a promise to dance to you.
  • 117:46 - 117:47
    There is no such thing.
  • 117:48 - 117:51
    Beautiful. But if it happens
    I say that ...
  • 117:51 - 117:54
    ... the same as yesterday's benefits
    I wait for today too.
  • 117:54 - 117:55
    According to that.
  • 117:55 - 118:01
    (Music)
    (Ambient sounds)
  • 118:02 - 118:09
    (Ambient music - violin)
  • 118:10 - 118:14
    (Music)
    (Ambient music - violin)
  • 118:15 - 118:16
    Will you dance with me?
  • 118:17 - 118:20
    (Music)
  • 118:21 - 118:25
    I just bought this. And today
    I really am not in the mood.
  • 118:26 - 118:28
    I do not listen to you these days.
  • 118:28 - 118:30
    Because you're not the one talking.
  • 118:30 - 118:35
    (Music)
  • 118:35 - 118:41
    (Ambient sounds)
  • 118:41 - 118:42
    Would you stop being a fan?
  • 118:43 - 118:44
    (Music - Teoman - Do not Look At Me That Way)
    "Do not look at me like that"
  • 118:45 - 118:46
    Let the dance man forget everything.
  • 118:47 - 118:48
    Trust me.
  • 118:50 - 118:52
    "Understand"
  • 118:53 - 118:55
    "Against ourselves ..."
  • 118:55 - 118:56
    You have not let go, but yourself.
  • 118:57 - 119:00
    (Sinan) Let's say in the wind
    You are a winged leaf.
  • 119:01 - 119:03
    How can you resist the wind?
  • 119:03 - 119:04
    (Sinan) Think so.
  • 119:05 - 119:06
    Let yourself go.
  • 119:06 - 119:08
    "Do not come near me"
  • 119:10 - 119:13
    "Do not touch me like that"
  • 119:16 - 119:19
    "This world against ourselves"
  • 119:21 - 119:25
    "They will not understand us"
  • 119:27 - 119:35
    "This life is like this.
    If you keep it in my possession "
  • 119:35 - 119:42
    "Let's live this way
    Did you ask our hearts? "
  • 119:42 - 119:50
    "This life is like this.
    If you keep it in my possession "
  • 119:50 - 119:57
    "Let's live this way
    Did you ask our hearts? "
  • 119:59 - 120:03
    "Do not talk to me like that"
  • 120:05 - 120:08
    "Doors off"
  • 120:10 - 120:14
    "This world against ourselves"
  • 120:15 - 120:19
    "They will not understand us"
  • 120:21 - 120:23
    These are the most
    Do you know I'm laughing?
  • 120:24 - 120:26
    They are still not in love
    They claim.
  • 120:27 - 120:28
    (Laughing voice)
  • 120:28 - 120:32
    When I fall down like this
    Remind me to laugh, okay?
  • 120:32 - 120:36
    "Do not look at this broken"
  • 120:37 - 120:42
    "Do not cry me anymore"
  • 120:43 - 120:48
    "This life is like this.
    If you keep it in my possession "
  • 120:48 - 120:50
    (Phone ringing tone)
  • 120:50 - 120:52
    That's it.
  • 120:52 - 120:55
    (Phone ringing tone)
  • 120:55 - 120:57
    My love, I forgot to tell Tolga.
  • 120:58 - 121:01
    - We were going to watch the game.
    - (Simay) If you want to go.
  • 121:01 - 121:05
    No, of course I will not go. But now
    I wanna say something, the child wonder.
  • 121:06 - 121:07
    (Simay) What if we were here now
    You say you wake up and ...
  • 121:07 - 121:09
    ... it's going to work out or something.
  • 121:10 - 121:11
    (Simay) Do not do anything.
  • 121:11 - 121:12
    Well, what am I going to say?
  • 121:13 - 121:16
    Well, here it is,
    Tomorrow you can tell me.
  • 121:16 - 121:18
    All right, all right, all right.
  • 121:18 - 121:22
    "If you hold it in our possession"
  • 121:23 - 121:25
    (Television announcer voice)
    In the top ten by Vitor Pereira ...
  • 121:25 - 121:29
    (Phone ringing tone)
    (Television sound)
  • 121:29 - 121:30
    Is that what it is now?
  • 121:31 - 121:34
    (Phone ringing tone)
    (Television sound)
  • 121:34 - 121:35
    What else?
  • 121:35 - 121:38
    (Music - Thriller)
    (Television sound)
  • 121:38 - 121:39
    What?
  • 121:40 - 121:41
    It's all there, is it?
  • 121:43 - 121:43
    OK.
  • 121:43 - 121:51
    (Music - Thriller)
    (Television sound)
  • 121:55 - 121:59
    Remember, this is the last
    Was our song. We had our last dance.
  • 121:59 - 122:03
    My life, you cried in our first song,
    You are crying in our last song.
  • 122:03 - 122:05
    Here I am a romantic person.
  • 122:06 - 122:08
    If I cry, you know there is no problem.
  • 122:08 - 122:10
    (Ambient music)
  • 122:11 - 122:12
    (Sinan) Did you eat the Golden Heart Sweet?
  • 122:15 - 122:18
    It's not a dessert I do not know
    Why are you asking so much?
  • 122:19 - 122:21
    Because we did it together and you left.
  • 122:23 - 122:24
    Yeah.
  • 122:24 - 122:27
    (Ambient music)
  • 122:27 - 122:29
    Then I wrote a poem.
  • 122:31 - 122:33
    (Sinan) I put it in my sweet. So...
  • 122:34 - 122:36
    ... so you can open it. As a gift.
  • 122:36 - 122:43
    (Ambient music)
    (Ambient sounds)
  • 122:43 - 122:44
    I missed it.
  • 122:45 - 122:48
    (Ambient music)
    (Ambient sounds)
  • 122:49 - 122:52
    (Poetry) "In cool winter gardens
    Herself "
  • 122:53 - 122:55
    "You smiled and told me from there"
  • 122:55 - 122:59
    (Music - Romantic)
  • 122:59 - 123:01
    "Kokun sarıyordu chamber"
  • 123:01 - 123:09
    (Music - Romantic)
  • 123:12 - 123:15
    "That smell I can not live without
  • 123:15 - 123:18
    (Music - Romantic)
  • 123:18 - 123:21
    "I'm not satisfied with the smell of orange flowers"
  • 123:21 - 123:24
    (Music - Romantic)
  • 123:24 - 123:25
    "Lifetime"
  • 123:25 - 123:29
    (Music - Romantic)
  • 123:29 - 123:30
    "Your eyes ..."
  • 123:30 - 123:37
    (Music continues)
  • 123:37 - 123:39
    You see, I write my own
    I even forgot about poetry.
  • 123:42 - 123:44
    "In the eyes of your eyes"
  • 123:47 - 123:49
    "I want to live"
  • 123:49 - 123:52
    (Music - Emotional)
  • 123:53 - 123:55
    "Living as long as the life of your butterfly"
  • 123:57 - 124:02
    "Raw pitted bean paste
    To keep fragile hands like "
  • 124:03 - 124:06
    (Pelin) "But never to let go"
  • 124:07 - 124:10
    "I'm not satisfied with the smell of orange flowers"
  • 124:12 - 124:13
    "Lifetime"
  • 124:13 - 124:21
    (Music - Emotional)
  • 124:33 - 124:40
    (Music - Emotional)
  • 124:41 - 124:43
    Why did not I read it?
  • 124:43 - 124:46
    (Ambient sounds)
  • 124:46 - 124:48
    Because we do not have a son.
  • 124:48 - 124:54
    (Music - Emotional)
  • 124:56 - 124:57
    (Tolga) Let go of Pelin!
  • 124:58 - 125:01
    (Music - Thriller)
  • 125:02 - 125:05
    (Tolga) He always broke this guy, did not he?
    This guy broke everything!
  • 125:05 - 125:08
    (Pelin) Tolga, do not be silly!
    Go away, you're drunk!
  • 125:09 - 125:10
    Move, Pelin!
  • 125:10 - 125:12
    -Don't get mad!
    (Punch sound)
  • 125:13 - 125:15
    (Hakan) Tolga, get up.
  • 125:15 - 125:20
    (Music - Thriller)
  • 125:20 - 125:21
    You will not touch this girl again.
  • 125:22 - 125:24
    I will see you again next time
    I will not see, do you understand?
  • 125:24 - 125:25
    Get up.
  • 125:26 - 125:27
    (Hakan) Come on.
  • 125:27 - 125:27
    (Hakan) Come on!
  • 125:28 - 125:36
    (Music - Thriller)
  • 125:46 - 125:53
    (Music - Thriller)
  • 125:56 - 125:59
    (Simay) Moon, I suppose
    I made peace with my husband, but ...
  • 125:59 - 126:01
    ... the man is not there.
  • 126:02 - 126:05
    Girl, let's
    He's gone, next.
  • 126:05 - 126:06
    (Key sound)
  • 126:08 - 126:10
    Is it just something to say?
  • 126:10 - 126:12
    This Sinan still loves you.
  • 126:13 - 126:15
    (Virgo) Aa! Just that?
  • 126:15 - 126:17
    (Music - Romantic)
  • 126:17 - 126:20
    The moon girls, it turns out that it is now.
  • 126:20 - 126:24
    It does not close, so do not close my life.
    It stays as it is.
  • 126:25 - 126:28
    It's a little bit. Do not turn off, do not turn off.
  • 126:28 - 126:32
    (Simay) Never close. One
    Go talk to Sinan once.
  • 126:32 - 126:37
    (Simay) De, or osu busu or something
    Ooo, never mind, nothing will happen.
  • 126:37 - 126:41
    (Simay) You go too, very good
    So you say you go.
  • 127:01 - 127:03
    (Door chime)
  • 127:05 - 127:13
    (Music - Romantic)
  • 127:13 - 127:14
    (Door opening sound)
  • 127:15 - 127:16
    Ceyda?
  • 127:17 - 127:19
    (Sinan) What are you doing here?
  • 127:19 - 127:24
    (Music - Thriller)
  • 127:24 - 127:26
    I say I need you.
  • 127:28 - 127:29
    Why do not you understand?
  • 127:31 - 127:32
    (Ceyda) Hı?
  • 127:32 - 127:35
    (Music - Thriller)
  • 127:36 - 127:36
    Ceyda.
  • 127:37 - 127:39
    You're drunk.
  • 127:41 - 127:42
    Let's talk tomorrow.
  • 127:43 - 127:46
    (Music - Thriller)
  • 127:46 - 127:48
    Pardon. Pardon.
  • 127:49 - 127:50
    (Breath sound)
  • 127:52 - 127:54
    If it was him, you'd take it, would not you?
  • 127:54 - 127:56
    (Music - Thriller)
  • 127:57 - 127:58
    You got what you got.
  • 128:00 - 128:02
    You were listening.
  • 128:04 - 128:05
    Is not it?
  • 128:06 - 128:07
    I listened to you too.
  • 128:09 - 128:11
    -Yeah ...
    (Falling voice)
  • 128:11 - 128:14
    (Music - Thriller)
  • 128:15 - 128:16
    OK.
  • 128:17 - 128:18
    Have a coffee ...
  • 128:18 - 128:20
    ... then I will leave you home.
  • 128:22 - 128:25
    (Door closure sound)
  • 128:25 - 128:28
    (Music continues)
  • 128:28 - 128:29
    (Throat cleaning voice)
  • 128:30 - 128:33
    (Music continues)
  • 128:34 - 128:35
    Be careful.
  • 128:35 - 128:37
    (Music continues)
    (Foot sound)
  • 128:38 - 128:46
    (Music)
  • 128:46 - 128:48
    I'll make you a hard coffee.
  • 128:48 - 128:56
    (Music)
  • 129:09 - 129:17
    (Music continues)
  • 129:30 - 129:37
    (Music continues)
  • 129:50 - 129:57
    (Music continues)
  • 129:57 - 130:00
    A cigar comes up
    Do I make coffee or drink?
  • 130:01 - 130:03
    The main thing is that Simos had a need for a coffee.
  • 130:04 - 130:06
    Girl, this is good
    Did not we see the evils?
  • 130:06 - 130:08
    The moon was talking hard.
  • 130:09 - 130:11
    He was talking hard, but right
    Pelin was talking.
  • 130:13 - 130:16
    Virgo, that's her mother
    As much as I said ...
  • 130:16 - 130:18
    ... how is it, so do not you dare.
  • 130:18 - 130:20
    Moon vallahi look up
    But I will.
  • 130:20 - 130:23
    (Virgo) Yes, okay you are his son
    I am so sorry, yes, I accept it.
  • 130:23 - 130:26
    But now you will make him happy.
    I saw it today.
  • 130:26 - 130:29
    I think that today,
    I saw your look at him.
  • 130:29 - 130:31
    I saw you dance.
  • 130:31 - 130:33
    (Virgo) I know, now
    Do not tell me anything.
  • 130:33 - 130:35
    Go take your love, please.
  • 130:36 - 130:37
    What?
  • 130:37 - 130:40
    (Music)
  • 130:42 - 130:46
    (Silence)
  • 130:46 - 130:49
    (Door chime)
  • 130:52 - 130:55
    (Door chime)
  • 130:56 - 130:58
    Who is the moon, who is it?
  • 131:00 - 131:02
    (Door opening sound)
  • 131:02 - 131:07
    (Foot sound)
  • 131:08 - 131:12
    (Silence)
  • 131:12 - 131:14
    (Meliha screaming)
  • 131:14 - 131:16
    (Music - Thriller)
  • 131:16 - 131:18
    Ah! My foot!
  • 131:18 - 131:19
    AA!
  • 131:20 - 131:22
    (Police) Good evening. Necip
    Does your darkness sit here?
  • 131:23 - 131:23
    Just me.
  • 131:23 - 131:26
    (Police) Return to the back, sit back on the wall!
    Get this!
  • 131:26 - 131:28
    What's going on, Officer, what?
    Are you doing my husband?
  • 131:28 - 131:31
    (Police) Armed robbery
    lady. The exchange office has been robbed.
  • 131:31 - 131:39
    (Music - Thriller)
  • 131:43 - 131:45
    (Meliha) Eve!
  • 131:45 - 131:47
    (Clamp sounds)
  • 131:47 - 131:50
    (Music - Thriller)
  • 131:51 - 131:59
    (Music - Romantic)
    (Rain sound)
  • 132:08 - 132:16
    (Music - Romantic)
    (Rain sound)
  • 132:28 - 132:36
    (Music - Romantic)
  • 132:49 - 132:52
    (Male) Yes Rüzgar Hanım, entry
    It seems to be today as a date.
  • 132:52 - 132:54
    (Male) Is your release date certain?
  • 132:54 - 132:56
    Well, let's leave it open for the moment.
  • 132:56 - 133:00
    (Music - Romantic)
  • 133:00 - 133:02
    (Door click sound)
  • 133:02 - 133:05
    Oh, come on this hour ...
  • 133:05 - 133:07
    ... do not take the key.
  • 133:07 - 133:08
    (Stage transition sound)
  • 133:09 - 133:11
    (Suheyla) Are you withdrawing from here?
    Get out!
  • 133:12 - 133:14
    (Consent) What are you doing here?
    Do not you understand laftan?
  • 133:14 - 133:16
    I came to my daughter's house,
    Is there a saying?
  • 133:17 - 133:19
    If you are very uncomfortable, you will leave.
  • 133:19 - 133:22
    - (Consent) Both guilty and strong!
    I'm not guilty.
  • 133:22 - 133:24
    (Suheyla) What did I do
    I did it for my Pelin's good.
  • 133:25 - 133:26
    Besides, she's not a mother.
  • 133:26 - 133:34
    (Music)
  • 133:36 - 133:39
    (Silence)
  • 133:39 - 133:40
    (Breath sound)
  • 133:40 - 133:45
    (Silence)
  • 133:45 - 133:47
    (Door click sound)
  • 133:48 - 133:56
    (Music - Thriller)
  • 134:09 - 134:17
    (Music - Thriller)
    (Foot sound)
  • 134:31 - 134:39
    (Music - Thriller)
  • 134:43 - 134:51
    (Music - Model - Crying Time)
  • 134:56 - 134:57
    (Door opening sound)
  • 135:00 - 135:07
    "As if it froze,
    Everything was out of the ordinary "
  • 135:08 - 135:15
    "I said, I'm fine,
    It took time to cry "
  • 135:16 - 135:23
    "I had a few replies,
    I was left "
  • 135:24 - 135:31
    "I have not been with you anymore,
    It took time to understand "
  • 135:31 - 135:33
    "It took me a while to cry"
  • 135:33 - 135:35
    I mean, I'm gonna go in, but ...
  • 135:36 - 135:43
    (Music continues)
  • 135:50 - 135:57
    "As if it froze,
    Everything was out of the ordinary "
  • 135:58 - 136:05
    "I said, I'm fine,
    It took time to cry "
  • 136:05 - 136:06
    "It took me a while to cry"
  • 136:07 - 136:12
    This directory is represented by Kanal D
    It has been made to the Association of Voice Description.
  • 136:13 - 136:15
    Www.sebeder.org
  • 136:16 - 136:19
    Voice Description Text Writer:
    Emine Kolivar
  • 136:20 - 136:22
    Speaking by:Emine Kolivar
  • 136:23 - 136:28
    Subtitle:Çağıl Dogan -
    B. Miliza Koçak - Tugay Farmer
  • 136:28 - 136:31
    Sign Language Translation:Clear Euphrates
  • 136:32 - 136:36
    Last Controls:Fulya Akbaba -
    Beliz Coşar - Samet Demirtas
  • 136:37 - 136:40
    Technical Production:Emre Çırak - Ayşegül Uçar
  • 136:40 - 136:47
    "I had a few replies,
    I was left "
  • 136:48 - 136:55
    "I have not been with you anymore,
    It took time to understand "
  • 136:55 - 137:00
    "It took me a while to cry"
  • 137:00 - 137:08
    (Music continues)
  • 137:11 - 137:15
    "It took me a while to cry"
Title:
Tatlı intikam 07 .Bölüm HD
Video Language:
Turkish
Duration:
02:05:58

English subtitles

Incomplete

Revisions