Fences - Analyzing Staging in Act 1, Scene 3 - "How come you ain't never liked me?"
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0:10 - 0:12Son: Can I ask you a question?
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0:12 - 0:13Father: What the hell you wanna ask me?
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0:13 - 0:16Mr.Stawicki is the one you got the questions for.
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0:18 - 0:21Son: How come you ain't never liked me?
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0:23 - 0:25Father: Liked you?
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0:27 - 0:31Who in the hell ever said I got to like you?
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0:31 - 0:34What law is there to say I got to like you,
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0:34 - 0:40do you want to stand up in my face and ask me some damn fool ass question like that,
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0:40 - 0:41talking about liking somebody.
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0:41 - 0:44[crash sound]
Come here, boy, when I talk to you. -
0:45 - 0:47Straighten up, god dammit.
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0:48 - 0:49I asked you a question.
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0:50 - 0:54What law is there to say I got to like you?
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0:54 - 0:55Son: None.
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0:55 - 0:56Father: Alright then.
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0:57 - 0:59Don't you eat everyday?
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0:59 - 1:00Answer me when I talk to you,
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1:00 - 1:01don't you eat everyday?
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1:01 - 1:02Son: Yeah.
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1:02 - 1:06Father: Nigga, as long as you live in my house,
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1:06 - 1:09you put a sir on the end of it when you talk to me.
Son: Yes sir. -
1:09 - 1:11Father: You eat everyday?
Son: Yes sir. -
1:11 - 1:12Father: You got a roof over your head?
Son: Yes sir. -
1:12 - 1:13Father: And clothes on your back?
Son: Yes sir. -
1:13 - 1:15Father: Why you think that is?
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1:15 - 1:16Son: Because of you.
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1:16 - 1:17Father: Hell, I know it's because of me.
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1:17 - 1:19Why do you think that is?
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1:23 - 1:25Son: 'Cause you like me?
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1:27 - 1:28Father: Like you?
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1:29 - 1:33I go out of here every morning, and bust my butt,
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1:33 - 1:37puttin up with them crackers all day long because I like you?
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1:37 - 1:40You is the biggest fool I ever saw.
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1:40 - 1:43It is my job, it is my responsibility. You
understand that? -
1:43 - 1:45A man got to take care of his family.
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1:45 - 1:49You live in my house, you sleep your behind on my bedclothes,
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1:49 - 1:53you put my food in your belly, because you are
my son, -
1:53 - 1:55you are my flesh and blood, not because I like you.
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1:55 - 1:57It is my duty to take care of you.
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1:57 - 1:59I owe a responsibility to you!
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1:59 - 2:05Wait now. Let's get this straight right now, before it go along any further.
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2:05 - 2:06I ain't got to like you.
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2:07 - 2:13Mr. Rand don't give me my money come payday because he like me.
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2:13 - 2:16He give me because he owe me.
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2:16 - 2:19Now I done give you everything I had to give you.
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2:19 - 2:21I gave you your life!
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2:21 - 2:24Your mama and me worked it out between us.
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2:24 - 2:27And liking your black ass was not a part of the bargain
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2:27 - 2:33and don't you try and go through life worried if somebody like you or not.
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2:33 - 2:37You best make sure that they are doing right
by you. -
2:39 - 2:41You understand what I'm saying, boy?
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2:41 - 2:42Son: Yes sir.
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2:42 - 2:45Father: Then you get the hell out of my face and go on down to the A&P.
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2:45 - 2:55[Jazz music, clapping]
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3:01 - 3:04Son: Can I ask you a question?
Father: The hell you got to ask me? -
3:04 - 3:06Mr.Stawicki the one you got the questions for.
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3:06 - 3:08[Audience laughs]
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3:09 - 3:11Son: How come you ain't never liked me?
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3:12 - 3:14Father: Liked you?
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3:15 - 3:17Who the hell said I got to like you?
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3:17 - 3:18[Audience laughs]
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3:18 - 3:21What law is there say I got to like you?
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3:21 - 3:24You want to stand up in my face and ask a damn fool ass question like that,
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3:24 - 3:27talking about liking somebody. Come here when I'm talking to you.
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3:29 - 3:31Straighten up, god dammit.
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3:31 - 3:33I asked you a question.
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3:33 - 3:36What law is there say I got to like you?
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3:36 - 3:38Son: None.
Father: Well alright then. Don't you eat everyday? -
3:40 - 3:42Answer me when I talk to you, don't you eat everyday?
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3:42 - 3:44Son: Yeah.
Father: Nigga, as long as you in my house, -
3:44 - 3:47you put a sir on the end of it when you talk to me.
Son: Yes sir. -
3:47 - 3:48Father: You eat everyday,
Son: Yes sir. -
3:48 - 3:50Father: Got a roof over your head?
Son: Yes sir. -
3:50 - 3:51Father: Got clothes on your back?
Son: Yes sir. -
3:51 - 3:52Father: Why you think that is?
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3:52 - 3:53Son: 'Cause of you.
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3:53 - 3:56Father: Hell, I know it's cause of me. But why you think that is?
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3:57 - 3:58Son: 'Cause you like me?
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3:58 - 4:01[Audience laughs]
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4:01 - 4:02Father: Like you?
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4:03 - 4:10I go out of here every morning, bust my butt puttin up with them crackers everyday cause I like you?
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4:10 - 4:12[Audience laughs]
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4:12 - 4:13You about the biggest fool I ever saw.
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4:13 - 4:14[Audience laughs]
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4:14 - 4:19It's my job, it's my responsibility, you
understand that? -
4:19 - 4:22A man is supposed to take care of his family.
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4:22 - 4:25You live in my house, sleep your behind on
my bedclothes, -
4:25 - 4:27fill your belly with my food,
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4:27 - 4:31because you my son, you my flesh and blood,
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4:31 - 4:33not 'cause I like you.
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4:33 - 4:34Because it's my duty to take care of you.
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4:34 - 4:37I owe a responsibility to you!
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4:37 - 4:40Let's get this straight right here, before it get along any further.
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4:40 - 4:42I ain't got to like you.
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4:42 - 4:45Mr. Rand don't give me my money come payday 'cause he like me.
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4:45 - 4:47He give it to me 'cause he owe me.
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4:47 - 4:50I done give you everything I got to give you. I give you your life!
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4:50 - 4:52Me and your mama worked that out between us,
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4:52 - 4:55and liking your black ass wasn't part of
the bargain. -
4:55 - 4:56[Audience laughs]
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4:56 - 5:00Now don't you try and go through life worrying about whether somebody like you or not.
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5:00 - 5:03You best be making sure they doing right by you.
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5:03 - 5:05You understand what I'm saying?
Son: Yes sir. -
5:05 - 5:07Father: Then get the hell out of my face and get on down to the A&P.
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5:07 - 5:11[Audience laughs and claps]
- Title:
- Fences - Analyzing Staging in Act 1, Scene 3 - "How come you ain't never liked me?"
- Description:
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A Note on Fair Use: These juxtaposed scenes create a new work of art that is stimulating and enriching for the general public. It is for nonprofit educational purposes. It allows viewers to contemplate the infinite possibilities for staging Wilson's written language by exploring some possibilities of what that language sounds like and looks like on stage/screen. The conversations this new work of art allows cannot happen without it; the whole of this new work elicits an academic conversation that is otherwise impossible as it allows us to explore Wilson's words. The difference between the brevity of individual clips used compared to the length of that work as a whole is so substantial that the potential market for the original commercial product is not diminished; on the other hand, this new work of art opens up the market to new customers that may have otherwise not known of the original film/play. Thus, this new work of art is protected under both Fair Use, initially indicated as "comment, teaching, scholarship, and research" under Title 17, Section 107, but substantiated by the points above.
- Video Language:
- English
- Duration:
- 05:12