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Eddie Murphy - Raw

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    Subtitles downloaded from www.OpenSubtitles.org
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    Show me that little dance
    you-all be doing.
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    - I told y'all to stop running in here.
    - Yes, ma'am.
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    I'm gonna smack one
    of you now, you hear?
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    Them pants cost $3.98,
    baby, you hear?
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    See that chocolate cake
    I bought?
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    The chocolate cake
    that was on the counter?
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    - Yeah.
    - Well, check Cousin Cecil's pockets.
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    He probably got it in there with the
    turkey leg and the sweet potato pie.
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    Hey, little brother. Show me that
    little dance you-all be doing.
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    Get down, Lester, you is talking!
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    You move like you're 21.
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    That dance ain't new. It ain't nothing
    but the old shuffle-butt.
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    Well, show me that move.
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    Oh, Lester, sit your drunk ass down.
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    Can't you see the kids
    are trying to put a show on there?
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    Lester, she ain't your mama.
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    - Yeah. Yeah.
    - Junior!
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    Vanessa. Come on, Vanessa.
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    Come on, baby.
    Sing a song for Grandma.
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    - That's my granddaughter.
    - That's my niece.
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    *Why do fools fall in love?*
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    *Why do birds sing so gay?*
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    *And lovers await the break of day*
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    *Why do they fall in love?*
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    *Why does the rain*
    *Fall from up above?*
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    *Why do fools fall in love?*
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    *Why do they fall in love?*
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    Mama, I got a joke.
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    Little Eddie got a joke to tell.
    Go on, Eddie.
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    Eddie. Eddie.
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    I got a joke to tell.
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    Once there was a lion
    and a monkey.
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    The monkey said,
    "I can make the weather change."
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    And the lion said,
    "No, you can't."
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    So the monkey started
    climbing up the tree.
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    And then he started peeing
    on the lion's head.
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    "Now it's raining!"
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    Then he started farting.
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    "Now there's thunder!"
    Then he started doo-dooing.
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    "Now it's snowing!"
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    So the lion said, "Oh, yeah?
    Well, I can make the stars come out."
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    And then he kicked him
    in the ding-ding.
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    Thank you.
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    I love that doo-doo line.
    That boy's got talent.
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    My favorite movie is *Trading Places*.
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    - *48 Hrs*. Has to be.
    - *Trading Places*.
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    - *Beverly Hills Cop*.
    - Delirious.
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    - *Beverly Hills Cop*.
    - No, *48 Hrs*.
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    - All of them.
    - *48 Hrs*.
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    - All of them.
    - *48 Hrs*.
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    I even liked *Best Defense*.
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    I'm looking forward to seeing
    him in that leather suit.
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    - I'm telling you, that behind and all.
    - Yeah, he's looking sexy.
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    - He looks good.
    - Handsome.
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    Thank you.
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    Sit down. Everybody, sit, sit.
    Cool out.
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    Thank you, thank you, thank you,
    thank you, thank you, thank you.
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    And hello, New York City!
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    Thank you for coming out.
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    Don't let the lights and cameras
    throw y'all.
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    We filming a movie here tonight
    and y'all gonna be in this shit.
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    Except only I'm getting paid
    for the motherfucker.
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    Every now and then
    I take a joke too far.
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    That's why I haven't been
    on the road the last three years.
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    Did y'all see Delirious?
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    In Delirious, I was making fun
    out of a lot of entertainers too.
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    That's when I got scared.
    I did some jokes about Mr. T.
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    And Mr. T was gonna fuck Ed up.
    He was...
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    And I was scared,
    because y'all seen Mr. T.
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    He don't look like, you know,
    like he can't fight.
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    He looks like he can
    whip some ass, right?
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    And I was petrified. I would walk
    at parties and people say:
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    "Yo, man, Mr. T was just here
    looking for you."
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    He was walking up
    to people saying:
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    "I'm gonna whip Eddie Murphy's ass
    when I see him."
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    Then I watched his show,
    because I didn't know him,
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    to see what kind of guy he was,
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    and the character on the show
    ain't too bright.
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    So I figured if he came up to me,
    I could use the Jedi mind trick on him.
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    Mr. T walk up and go, "I heard
    you did some jokes about me."
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    "No, you didn't."
    "Maybe I didn't."
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    "I'm gonna go beat up the fool
    that told me them lies."
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    I'd be at parties,
    hear he was looking for me,
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    I would just leave.
    I don't wanna fight Mr. T.
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    Then I found out Michael Jackson
    was looking for me. I was like...
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    When Mike...
    My manager called me up and said:
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    "Yo, man, Michael Jackson is mad."
    I was like, "So?"
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    You know, because I'd fuck Mike up.
    You know, Mike...
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    Mike don't weigh but a buck-oh-five,
    you know.
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    I bust that ass on Mike. I was looking
    for him, but my manager said:
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    "We don't know everything
    about Michael.
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    "He might be this bad motherfucker
    behind closed doors.
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    "He's a recluse. Behind closed doors,
    he might be completely different."
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    And I'd be at a party and have
    Michael walk up to me one day
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    and it'd be like this:
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    "Can I talk to you for a minute?
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    "Yeah, what's your motherfucking
    problem, man?
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    "Well, how come you keep
    fucking with me then, huh?
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    "What's all the motherfucking jokes?
    You don't like my clothes?
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    "I'm Michael-motherfucking-Jackson,
    I will bust your ass.
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    "Get the fuck out, motherfucker...
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    "I will moonwalk all up and down
    your ass, motherfucker.
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    "You mind your
    motherfucking business.
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    "I hear some more shit,
    I'm gonna put this glove up your ass.
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    "I'll see you later."
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    That's a dumb...
    I could never...
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    I've been trying for five months
    to do the moonwalk
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    and I can't do the shit. It's shitty.
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    It's the dumbest dance ever,
    because I can't do it,
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    that's why I say it's stupid.
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    But how can you do the moonwalk
    and ask a woman to dance?
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    Be at a party, say, "Hey, baby,
    come on, let's dance. See you later."
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    Do the moonwalk. That's some stupid
    shit. Michael can do that shit, though.
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    Michael's so famous,
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    Michael went on TV and everything
    he says, the public believes.
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    Went on television and said:
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    "I don't have sex because
    of my religious beliefs."
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    And the public believed it.
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    I know brothers were like,
    "Get the fuck out of here."
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    And white people go, "That Michael's
    a special kind of guy.
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    "He's special. I mean, he's good,
    clean and wholesome."
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    You know how I knew y'all believed it?
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    Y'all didn't get mad when he took
    Brooke Shields to the Grammys.
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    Nobody white said shit.
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    And Brooke Shields
    is the whitest woman in America.
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    Miss America every year is Brooke.
    Fuck who you see with the crown.
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    You look up "white woman"
    in the dictionary,
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    be a picture of Brooke like this:
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    She's white.
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    And this nigger took her
    to the Grammys, nobody said shit.
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    If I took Brooke Shields
    to the Grammys,
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    y'all would lose your mind.
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    Because y'all know Brooke
    would get fucked that night.
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    And Brooke knew too.
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    That's why we going this year.
    No...
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    Stop. Now, see?
    I did jokes about...
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    I did a lot of jokes about homosexuals
    a couple years ago
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    and faggots were mad.
    They were like...
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    And they were... There's nothing like
    having a nation of fags looking for you.
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    I'd be at parties... There's always
    two or three at a party.
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    They'd be standing around looking
    at you, they'd be looking at...
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    "He's an asshole."
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    I can't travel the country
    freely no more.
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    I can't go to San Francisco.
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    They got 24-hour homo watch
    waiting for me in the airport.
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    Soon as I got off the plane,
    they'd be like:
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    "He's here, yes. Yes, it's him.
    Yes, it's him!"
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    And the cars would come rushing
    across town. It'd be:
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    And it won't be no siren, it'll be
    a real fag sitting on the roof going:
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    "Pull over. Pull over.
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    "Pull over.
    I'm gonna read him his rights.
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    "You have the right to remain silent.
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    "Anything you say can and will
    be held against you.
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    "You have the right to an attorney.
    Turn around. I'm gonna frisk you.
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    "You carrying any concealed
    weapons?
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    "Are you carrying...?
    What is this? What is this?
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    "Lay down on the floor
    and spread them."
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    - Do you watch the *Bill Cosby Show*?
    - Yeah!
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    I do too.
    I love Bill Cosby's show.
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    I been a big fan of Bill Cosby
    all my life.
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    Never met the man before,
    but he called me up about a year ago
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    and chastised me on the phone
    for being too dirty on-stage.
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    It was real weird,
    because I had never met him
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    and he just thought it was... He should
    call me up, because he was Bill,
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    and tell me that he did...
    About what comedy is all about.
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    And I sat and listened
    to this man chastise me.
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    And when Bill Cosby chastises you,
    you forget you grown.
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    You feel like one of
    the Cosby kids and shit.
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    And I ran in the house
    all excited to talk to Bill
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    and picked up the telephone
    and Bill got raw on me.
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    I was like, "Hello, Mr. Cosby?"
    And you hear:
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    "I would like to talk to you...
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    "...about some of the things
    that you do in your show.
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    "Now, I'm going to tell you a story."
    He always tells you stories.
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    "I would like to tell you a story.
    I have five children.
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    "One, two, three, four, five.
    Five... Five children.
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    "I live in Massachusetts with my wife,
    Camille, and my five children.
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    "Now, of the five children that we have,
    there are four girls and a boy.
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    "The boy's name is Ennis.
    He loves everything you do.
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    "Comes home from school
    the other day
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    "with a big smile on his face.
    And my son looks just like me.
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    "He walks through the door,
    looking at me with this big smile,
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    "and I cannot resist, because
    it's such a beautiful smile.
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    "And he walks up and I say,
    'What are you smiling about? '
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    "And the child says to me:
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    'I'm smiling because I need money
    to go see the Eddie Murphy show.
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    'Please give me money for a ticket.'
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    "Now, if the child is smiling this way
    because he needs money for a ticket,
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    "I have to give him money
    for a ticket.
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    "I do not handle the money
    in the house.
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    "My wife, Camille,
    handles the ticket money.
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    "So I must go into the kitchen,
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    "to where my wife is cooking dinner
    for the family.
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    "And she is inside
    the kitchen cooking.
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    "And she's got a bowl.
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    "And she's cooking up the food, man.
    She's cooking it up.
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    "And the child walks in the room
    with the smile
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    "and he says,
    'Mother, please, money.'
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    "She gives him the money,
    he runs off to see your show.
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    "Now, we sit in the living room
    waiting for Ennis to return.
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    "At about 5:00 in the morning,
    the child comes through the door.
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    "He has a different look on his face.
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    "A look like he heard something at your
    show that he's never heard before.
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    "And I say to my child,
    I say, 'Child... '
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    "I say, 'What did the man say
    on the stage? '
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    "And he says, 'Pop, the man
    comes out and says these things.'
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    "I say, 'Well, what did he say? '
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    'Pop, he comes out
    and says some stuff.'
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    "I say, 'What did he do? '
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    'Pop, he walks out and he goes:
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    "Hello, suck this, and MF
    and kiss my big black stuff.
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    "And suck it and stick it down
    in your mouth and suck it, suck it."'
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    "You cannot say filth, flarn, filth,
    flarn, filth in front of people."
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    And I say, "I never said
    no 'filth, flarn, filth'."
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    "You know what I'm talking about.
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    "I can't use the type of language
    that you use,
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    "but you know what I mean when
    I say 'filth, flarn, flarn, flarn, filth'."
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    I say, "I never said 'filth, flarn, filth'.
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    "I don't know what you're talking about.
    I'm offended you called. Fuck you."
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    That's when Bill got pissed and said:
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    "That's what I'm talking about.
    You cannot say 'fuck'...
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    "...in front of people."
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    And I got mad.
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    Because he thought
    that was my whole act.
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    Like I just walked out on-stage
    and cursed and left.
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    I manage to stick in some
    jokes between the curses.
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    You couldn't give no curse show.
    Walk out, say, "Hey, Felt Forum,
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    "motherfucker, dick, pussy,
    snot and shit. Good night.
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    "Good night. Suck my dick.
    Bye-bye."
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    I was pissed off. I was so mad
    I called Richard Pryor's house up.
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    I said, "Yo, Richard,
    Bill Cosby just called me up
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    "and told me I was too dirty."
    Richard said:
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    "The next time motherfucker call,
    tell him I said, 'Suck my dick.'
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    "I don't give a fuck.
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    "Whatever the fuck make
    the people laugh, say that shit."
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    He said, "Do people laugh
    when you say what you say?"
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    I said, "Yes."
    "Do you get paid?" I said, "Yes."
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    He said, "Well, tell Bill I said:
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    'Have a Coke and a smile
    and shut the fuck up.'
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    "The Jell-O pudding-eating
    motherfucker."
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    Richard... Richard is the rawest
    motherfucker in show business.
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    Richard's the one that made me
    wanna do comedy.
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    When I was little, I wanted to be
    Richard Pryor so bad I used to...
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    Remember, you'd sneak in
    the basement, put his albums on,
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    and your mother ain't
    supposed to hear,
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    and you're listening to this shit
    and I turned it...
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    I wanted to be Richard so bad, I used
    to go out on-stage when I was 15
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    and talk and act and walk
    and do everything like Richard.
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    My mother would sit there and watch
    her 15-year-old son on-stage
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    saying some outlandish shit.
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    My whole act back then
    was about taking a shit,
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    because that's all I had done at 15.
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    That was my life experience,
    but it sounded like Pryor jokes.
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    I'd be going, "You ever, sometime,
    right, you get on that toilet
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    "and when you shit,
    that water splash up on your ass?
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    "Don't that make you mad, right?
    You know what really make me mad?
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    "It's when shit come
    halfway out your ass,
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    "then go back up
    in that motherfucker.
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    "Right? Why do shit be teasing
    your ass, right?
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    "Just get the fuck out, right?
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    "You know what really bother me
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    "is when you be straining
    for a long time, right?
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    "And one little pebble shit come out.
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    "Right? Be some shit this big, right?
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    "Push your head
    up your asshole, say:
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    'That's all the shit I'm gonna get,
    motherfucker? '
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    "You know what really
    make me mad,
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    "when your ass
    don't cooperate with you
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    "and clench up
    and break the shit in half.
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    "You be mad
    as a motherfucker too,
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    "because you know
    you got to wipe your ass
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    "for, like, five hours and shit, right?
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    "Use 12 rolls of toilet paper
    on that motherfucker.
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    "You know what really make me mad,
    though, is afterwards, right?
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    "You done all the shitting you
    gonna do for the whole day, right?
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    "You finish shitting and you flush
    the toilet and wait a second
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    "and one chunk come back.
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    "What does that chunk want?"
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    That was my act.
    My mother sit there shocked.
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    If you don't speak English,
    you can't hear that bit.
  • 19:21 - 19:23
    All you hear is "shit, ass, shit, shit."
  • 19:24 - 19:25
    I got a lot of foreigners
    that come over.
  • 19:26 - 19:29
    People from other countries have seen
    my films and come over to the U.S.,
  • 19:29 - 19:30
    because New York
    is a tourist place,
  • 19:31 - 19:32
    and they get HBO
    and they catch Delirious
  • 19:32 - 19:35
    and they can't speak English
    and try to do my act
  • 19:35 - 19:36
    and all they got is the curses.
  • 19:36 - 19:38
    I got foreigners from all over
    walking up, going:
  • 19:38 - 19:41
    "Eddie Murphy! Fuck you!
  • 19:46 - 19:49
    "Fuck you, Eddie.
  • 19:50 - 19:55
    "I know you. I see you on television.
  • 19:55 - 19:57
    "You're the 'fuck you' man, right?
  • 19:57 - 20:00
    "I love it. Suck my dick, huh?
  • 20:02 - 20:05
    "Suck it, you black motherfucker.
  • 20:06 - 20:12
    "I love it. The best motherfucker.
    The 'fuck you' man."
  • 20:12 - 20:16
    Made me stay in the house, man.
    Almost got married last year.
  • 20:17 - 20:18
    Don't you "ooh" and "aah".
  • 20:19 - 20:21
    Got to get married in the '80s.
    I read the papers.
  • 20:21 - 20:23
    I said, "Fuck this, I'm getting out."
  • 20:23 - 20:25
    Hey, you know, read.
    You can catch some shit.
  • 20:25 - 20:28
    You can't just keep messing around
    like you used to.
  • 20:28 - 20:31
    Eventually, your dick will fall off.
  • 20:31 - 20:34
    Remember...? Remember, like,
    VD in the '60s?
  • 20:34 - 20:37
    That shit don't just sting no more.
    Every time they cure something,
  • 20:37 - 20:40
    it come back stronger.
    VD is new and improved now.
  • 20:40 - 20:44
    They got dudes in the doctor's office
    with symptoms like, "Excuse me, doc,
  • 20:44 - 20:47
    "what does it mean when you
    go to the bathroom
  • 20:47 - 20:49
    "and fire shoot out your dick?"
  • 20:54 - 20:58
    "Let me get this right.
    So you're getting a burning sensation
  • 20:58 - 21:00
    "when you urinate?"
  • 21:00 - 21:03
    "No, fire shoot out my dick, is all.
  • 21:04 - 21:07
    "A burst of flame fly out my dick
    when I pee.
  • 21:07 - 21:10
    "I can't even pee in the house, I burn
    my house down. I gotta go outside.
  • 21:11 - 21:13
    "I was outside peeing,
    dude tried to mug me,
  • 21:13 - 21:16
    "I turned around and burned him up
    on the street.
  • 21:16 - 21:18
    "Because my dick is a blowtorch,
    is what I'm trying to say."
  • 21:18 - 21:21
    Got to be careful.
    They say having casual sex nowadays
  • 21:21 - 21:23
    is like playing Russian roulette.
  • 21:23 - 21:27
    And I know I've thrown my dick
    on the crap table many a night.
  • 21:29 - 21:31
    Looking for Miss Right,
    you be gambling every time.
  • 21:31 - 21:34
    You gambling with your dick, saying,
    "Come on, need a woman with a mind.
  • 21:35 - 21:38
    "Come on, now. I need somebody
    perfect for me. Give it to me, now!
  • 21:38 - 21:41
    "Oh, shit. Fat, bucktoothed bitch.
    No, give me my dick back. No.
  • 21:41 - 21:44
    "I'm gonna keep rolling.
    I got one more roll in me.
  • 21:44 - 21:46
    "I want the perfect woman, now.
    I want somebody with a mind,
  • 21:46 - 21:49
    "intelligence, a nice ass and a body.
    Give it to me, now!
  • 21:49 - 21:51
    "Oh, skinny cockeyed bitch.
    No, give my dick back.
  • 21:51 - 21:53
    "Give my dick back.
    Now, listen, be quiet.
  • 21:53 - 21:55
    "I'm gonna keep rolling.
    This is my last roll.
  • 21:55 - 21:57
    "This is the last one.
    This is the one for me.
  • 21:57 - 21:59
    "Miss Right. Blow on this for luck.
  • 21:59 - 22:01
    "This is my last roll.
    Come on. Here we go.
  • 22:01 - 22:04
    "Give it to me, now!
    Oh, shit. Herpes. I crapped out.
  • 22:04 - 22:07
    "My dick is fucked up.
    My dick is ruined."
  • 22:08 - 22:10
    So be careful. Get married.
  • 22:10 - 22:12
    I went out and found
    the perfect woman.
  • 22:12 - 22:17
    Nineteen years old. Beautiful face.
    A virgin. Nobody ever fucked her.
  • 22:17 - 22:19
    And had an ass like this:
  • 22:21 - 22:23
    And her legs are like:
    Her titties are like:
  • 22:23 - 22:26
    She was so fine. She's one
    of the people that's so fine,
  • 22:26 - 22:28
    when you see them,
    they make you ugly.
  • 22:28 - 22:30
    You be like, "Goddamn,
    who is that motherfucker?"
  • 22:30 - 22:32
    She was fine.
    I went, I cut all my girls off.
  • 22:32 - 22:35
    I said, "That's it, I'm getting married.
    This is it. Gonna be me and her."
  • 22:36 - 22:38
    I was so happy. And I went out
    and I went shopping.
  • 22:38 - 22:41
    And I was waiting on the line
    and I saw the Enquirer magazine
  • 22:41 - 22:43
    while I was waiting on the line
  • 22:43 - 22:45
    and I saw Johnny Carson
    on the front page.
  • 22:45 - 22:47
    There was a picture of him like this:
  • 22:49 - 22:52
    Then I said, "What's up with Johnny?"
    I turned to the inside story
  • 22:52 - 22:55
    and his wife was on the other page
    and she was like this:
  • 23:00 - 23:04
    And over her head it said, "Johnny's
    wife wants half Johnny's money."
  • 23:04 - 23:06
    I turned that shit back to Johnny.
  • 23:09 - 23:13
    Then I started thinking about it.
    Half.
  • 23:14 - 23:16
    If you... If you have $5
  • 23:16 - 23:19
    and have to give somebody
    $2.50, you'd be upset.
  • 23:20 - 23:23
    Johnny had to have
    at least 300 million.
  • 23:23 - 23:26
    And have to give up $150 million?
  • 23:26 - 23:28
    And they wasn't even married
    but ten years.
  • 23:28 - 23:31
    And $150 million? Get...
  • 23:31 - 23:34
    Give me a fucking break.
    What...? What...?
  • 23:34 - 23:37
    And ladies... Now, here's a woman
    right here saying, "Right on."
  • 23:37 - 23:39
    Baby, that's not fair.
    Not no 150 million.
  • 23:39 - 23:41
    I see a lot of you ladies going:
  • 23:41 - 23:45
    "Get all the money you can, shit.
    I'm glad she did get all that money.
  • 23:45 - 23:48
    "She earned it. She earned it.
    That... You damn right.
  • 23:48 - 23:50
    "She was married to him,
    she deserved that money."
  • 23:50 - 23:53
    Get the fuck out of my face
    with that bullshit.
  • 23:53 - 23:56
    No. Stop it.
  • 24:00 - 24:02
    No, don't get me wrong.
  • 24:02 - 24:05
    If you marry somebody
    and neither one of you have anything
  • 24:05 - 24:08
    and you build 300 million together,
    you deserve half.
  • 24:08 - 24:11
    But Johnny was 300 million in
    when they met.
  • 24:11 - 24:14
    And I'm quite sure she knew.
  • 24:15 - 24:17
    Johnny says, "Hey, I'm Johnny."
  • 24:17 - 24:19
    She was like, "I know who you are,
    motherfucker."
  • 24:19 - 24:22
    And they got married, broke up,
    shit didn't work out.
  • 24:22 - 24:25
    And then he had to give her
    $150 million of his money.
  • 24:25 - 24:27
    I know a lot of housewives
    sitting out there going:
  • 24:27 - 24:29
    "You can't put a price on what I do."
  • 24:29 - 24:32
    But, ladies, if you marry a man
    with $300 million,
  • 24:32 - 24:35
    you ain't no regular housewife. You
    ain't got to clean the house no more.
  • 24:35 - 24:37
    You get a maid.
    You ain't cleaning shit!
  • 24:38 - 24:41
    You marry a man with $300 million,
    you ain't cooking. You're eating out.
  • 24:41 - 24:45
    You marry... You know how a lot of
    housewives gotta get jobs on the side
  • 24:45 - 24:46
    to help make ends meet?
  • 24:46 - 24:49
    He got 300 million, the ends
    are meeting like a motherfucker.
  • 24:52 - 24:55
    What you gonna do, get a job at
    a boutique on the weekends and shit?
  • 24:56 - 24:59
    And say, "Here, Johnny.
    I made $ 70, put that with the rest.
  • 25:01 - 25:04
    "Now we have $300 million and 70.
  • 25:05 - 25:09
    "Because I want to do my share."
    No.
  • 25:09 - 25:11
    All you have to do, you marry
    a man with $300 million,
  • 25:11 - 25:13
    is fuck your husband.
  • 25:13 - 25:15
    That's it! That's your job.
  • 25:15 - 25:19
    Fuck your husband! That's it.
    That's... Just fuck your husband.
  • 25:19 - 25:21
    You fill out a W-2,
    they say, "What you do?"
  • 25:21 - 25:24
    You say, "I fuck my husband."
    That's it.
  • 25:28 - 25:30
    And I've had my share of pussy.
  • 25:30 - 25:33
    I have yet...
    Even if the pussy was great
  • 25:33 - 25:36
    and sparks shot out
    the woman's ass
  • 25:36 - 25:38
    and cannons blared
    and the mountains crumbled
  • 25:39 - 25:40
    and the seas roared,
  • 25:40 - 25:44
    no pussy is worth $150 million!
  • 25:46 - 25:48
    No pussy.
  • 25:52 - 25:54
    I'd like to meet some pussy like that.
  • 25:54 - 25:56
    Put the shit on layaway.
  • 25:57 - 26:01
    That shit scared the shit out of me.
    Half? I was petrified.
  • 26:01 - 26:03
    Man, you know what's real scary
  • 26:03 - 26:06
    is that American women in the '80s
    have become very business-conscious.
  • 26:06 - 26:07
    Y'all the most resourceful
  • 26:07 - 26:12
    and the most business-smart
    women on the planet. Now, in the '80s.
  • 26:12 - 26:15
    And it would be an asset to us,
    as American men,
  • 26:15 - 26:17
    if you weren't so vindictive.
  • 26:17 - 26:19
    Because the two don't match.
  • 26:19 - 26:22
    Then, what's really fucked up,
    is y'all the most loving people.
  • 26:22 - 26:24
    American women
    are all off into this romance
  • 26:24 - 26:26
    and they genuinely
    fall in love with you.
  • 26:26 - 26:30
    Now, love and money do not mix.
    The shit don't mix.
  • 26:30 - 26:32
    Especially if you got
    a business-smart woman...
  • 26:32 - 26:35
    You go up and say, "I never met
    anybody like you before."
  • 26:35 - 26:37
    "I never met anyone like you."
    "Why don't we be together."
  • 26:38 - 26:39
    "Will you marry me?"
    "I thought you'd never ask."
  • 26:39 - 26:42
    "Before we get married, why don't
    you sign this prenuptial agreement."
  • 26:47 - 26:48
    "What do you mean,
    a prenuptial agreement?"
  • 26:49 - 26:51
    "That's a contract that stipulates
    if we ever break up,
  • 26:51 - 26:54
    "you take what you had
    and I take what I had."
  • 27:00 - 27:03
    "First of all, I don't give a fuck who
    you are and what you have, OK?
  • 27:03 - 27:06
    "You got a lot of motherfucking nerve
    by asking me to sign a contract.
  • 27:06 - 27:09
    "There's nothing a man can do
    for me that I can't do for myself.
  • 27:09 - 27:11
    "You got a whole lot of...
    I love you.
  • 27:11 - 27:13
    "Telling me to sign a contract
    to show that I love you?
  • 27:14 - 27:17
    "If I need something, I can go to my
    family. My family takes care of me."
  • 27:17 - 27:20
    And men hear all that shit
    and we be like this, "OK.
  • 27:22 - 27:24
    "We don't need no contract."
  • 27:24 - 27:26
    And you don't get a contract
    and get married without one
  • 27:27 - 27:29
    and the shit don't work out
    and you break up a year later.
  • 27:29 - 27:32
    She's sitting around
    in the kitchen by herself, mad,
  • 27:33 - 27:35
    trying to figure out a way
    to get even with your ass.
  • 27:35 - 27:38
    "I can't believe that motherfucker
    did this to me!
  • 27:38 - 27:39
    "After all the shit I did...
  • 27:39 - 27:42
    "All the things I did for that
    motherfucker, he do this to me?
  • 27:42 - 27:44
    "Him and his fat bitch
    can kiss my ass!
  • 27:44 - 27:46
    "I don't give a shit about
    either one of them.
  • 27:46 - 27:48
    "I don't want shit from him or her
    and I don't care.
  • 27:48 - 27:51
    "You know something? You know
    what I should...? You know...?
  • 27:54 - 27:56
    "Half!
  • 27:56 - 27:59
    "I'll take half his shit!"
  • 28:00 - 28:01
    And they'll get it.
  • 28:01 - 28:05
    They'll get half your money,
    your house, your car, alimony,
  • 28:05 - 28:07
    child support and your children.
  • 28:07 - 28:10
    You will be on the cover
    of the Enquirer like this:
  • 28:12 - 28:14
    So be careful!
  • 28:15 - 28:16
    I started having nightmares.
  • 28:16 - 28:19
    I was waking up in the middle
    of the night like this: "Half!"
  • 28:23 - 28:26
    Because I'm into American women.
    I like American women.
  • 28:26 - 28:28
    I got a friend
    got a Japanese girlfriend.
  • 28:28 - 28:31
    And Japanese women are
    the most docile women on the planet.
  • 28:31 - 28:34
    They're real... They're real timid,
    timid, timid, timid women.
  • 28:34 - 28:36
    I walked in the house
    and his friend, Japanese girl,
  • 28:37 - 28:38
    bowed to me when I walked in.
  • 28:38 - 28:40
    I said, "What's wrong
    with your wife's back and shit?"
  • 28:41 - 28:43
    He said, "That's a Japanese thing.
    They bow."
  • 28:43 - 28:45
    And I was like,
    "Miss, did you decorate the house?"
  • 28:45 - 28:47
    She looked at her husband,
    he did like this:
  • 28:47 - 28:48
    "You may speak."
    And she spoke.
  • 28:48 - 28:52
    And I was like, "Now, that's
    pussy control for you, there."
  • 28:54 - 28:56
    You know, because I'm used
    to American women saying:
  • 28:57 - 28:58
    "You don't own me."
  • 28:59 - 29:01
    "Hey, baby, where you going?"
  • 29:08 - 29:12
    "Excuse me?"
    "I said, where you going?"
  • 29:12 - 29:14
    "You don't own me."
  • 29:14 - 29:18
    "You my woman, ain't you?"
    "I don't see no rings on these fingers.
  • 29:19 - 29:21
    "Are you gonna put a ring
    on this finger?
  • 29:21 - 29:23
    "Well, I..."
    "Then you don't own me then, OK?
  • 29:23 - 29:25
    "I don't give a fuck
    who you are or what you have, OK?
  • 29:25 - 29:28
    "You got a whole lot of nerve,
    come and ask me where I'm going.
  • 29:28 - 29:31
    "I don't answer to my father,
    I ain't gonna answer to no man.
  • 29:31 - 29:33
    "Ain't no man gonna tell me
    where I can go.
  • 29:33 - 29:34
    "Who do you think you are?
  • 29:34 - 29:36
    "To come and ask me where
    I'm going? Nobody owns me.
  • 29:37 - 29:39
    "I own myself.
    I am my own person."
  • 29:41 - 29:44
    And we hear all that shit,
    then be, "OK."
  • 29:46 - 29:49
    "Well, where you gonna be?"
    "I'm gonna be where I'm at!
  • 29:51 - 29:54
    "You don't own me!"
    Well, you don't.
  • 29:54 - 29:57
    You don't own your woman.
    "You gonna put a ring on my finger?"
  • 29:57 - 29:58
    That shuts you right up.
    You say, "OK."
  • 29:59 - 30:01
    I know you spend a lot of your money
    on your woman.
  • 30:01 - 30:04
    And I know you go to the movies
    and you go to get the ice cream
  • 30:04 - 30:07
    and the candy and the flowers
    and the anklets and the bracelets
  • 30:07 - 30:08
    and help her get some clothes.
  • 30:08 - 30:11
    You spending all your money
    on shit you ain't never spent it on.
  • 30:11 - 30:13
    But you don't own her.
  • 30:13 - 30:16
    Because theoretically,
    that pussy's on lease.
  • 30:18 - 30:22
    You're leasing the pussy.
    With an option to buy.
  • 30:29 - 30:33
    But be careful, because
    you lose half on the trade-in.
  • 30:33 - 30:36
    You got to be careful.
    You gotta have a J-O-B in the '80s.
  • 30:36 - 30:39
    You gotta have some money,
    you can't get no pussy.
  • 30:39 - 30:41
    Listen to the radio.
    That's what it's about.
  • 30:41 - 30:43
    Listen to Madonna.
    "I'm a material girl in a material world,
  • 30:44 - 30:46
    "you ain't got no money,
    you can't have no pussy."
  • 30:47 - 30:48
    There's a song out now called
  • 30:48 - 30:51
    "Got to Have a J-O-B
    If You Wanna Be With Me."
  • 30:53 - 30:56
    And the lyrics go,
    "Ain't nothing going on but the rent."
  • 30:56 - 30:58
    Like if you went up and said:
  • 30:58 - 31:00
    "Hey, baby, what's going on?"
    "The rent, motherfucker."
  • 31:01 - 31:05
    "You have a job?" "Well, I..."
    "Then get the fuck out my face."
  • 31:07 - 31:10
    Got to have some money. It says,
    "No romance without finance."
  • 31:10 - 31:11
    And women love them songs.
    They be going:
  • 31:12 - 31:16
    *Got to have a J-O-B*
    *If you wanna be with me*
  • 31:17 - 31:18
    Janet Jackson got a hit record:
  • 31:18 - 31:21
    "What Have You Done
    For Me Lately".
  • 31:21 - 31:23
    That's what they thinking.
    "What have you done for me lately?"
  • 31:24 - 31:25
    The record start off like that.
  • 31:25 - 31:28
    "I know he used to do shit for you,
    but what has he done for you lately?"
  • 31:30 - 31:33
    "Baby, I love you."
    "What have you done for me lately?"
  • 31:35 - 31:39
    "You the only thing on my mind."
    "What have you done for me lately?"
  • 31:39 - 31:43
    "We make good love."
    "What have you done for me lately?"
  • 31:43 - 31:46
    Got to have some money
    to get some pussy in the '80s.
  • 31:46 - 31:49
    It's fucked up, that's why I say,
    hey, I'm a target.
  • 31:49 - 31:53
    If I ever get married, I have to go off
    to the woods of Africa
  • 31:53 - 31:57
    and find me some crazy,
    naked, zebra bitch...
  • 31:58 - 32:02
    ...that knows nothing about money.
    She got to be butt naked on a zebra
  • 32:03 - 32:06
    with a big bone in her nose
    and a big plate lip
  • 32:07 - 32:09
    and a big, fucked-up Afro!
  • 32:09 - 32:13
    Her Afro... Afro gotta...
    Like, Angela Davis see it and go:
  • 32:13 - 32:15
    "Goddamn, that's some
    fucked-up shit."
  • 32:15 - 32:16
    Afro gotta be fucked up
  • 32:17 - 32:19
    and one of them picks
    with a fist in the back.
  • 32:19 - 32:21
    And she gotta be butt naked,
    because if she got clothes,
  • 32:21 - 32:23
    she gonna have to put
    something in the pockets.
  • 32:23 - 32:26
    She's gotta be butt naked on
    the zebra. And y'all think it's a joke.
  • 32:26 - 32:29
    I'm gonna walk up and say,
    "Hey, how you doing? My name's..."
  • 32:29 - 32:30
    And she go:
  • 32:31 - 32:34
    I say, "Miss Murphy. Miss Murphy."
    And I'm gonna bring her home.
  • 32:34 - 32:37
    Y'all gonna go past a newsstand one
    day and see me on the cover of JET
  • 32:37 - 32:40
    with some woman with a big bone
    and a plate and a big, fucked-up Afro,
  • 32:40 - 32:43
    butt naked, and y'all gonna say,
    "Eddie must be visiting Africa."
  • 32:43 - 32:46
    It'll say, "Murphy Marries Bush Bitch."
    I'm gonna be like:
  • 32:48 - 32:50
    What?
  • 32:51 - 32:53
    What?
  • 32:53 - 32:55
    Because I ain't getting caught.
  • 32:55 - 32:57
    I refuse to get caught out there.
    Fuck that.
  • 32:58 - 33:00
    And I'm gonna bring her home
    and lock her up in the house.
  • 33:01 - 33:03
    You go off to Africa
    and get you a bush woman,
  • 33:03 - 33:05
    you can't let her mingle
    with American women.
  • 33:05 - 33:07
    Because they'll change her shit up.
  • 33:08 - 33:10
    American women stick together.
    Last thing they wanna see
  • 33:10 - 33:12
    is you got some trained
    bush bitch in your house.
  • 33:13 - 33:15
    They will catch her by herself
    in the kitchen
  • 33:15 - 33:17
    and throw a monkey wrench
    in your whole program.
  • 33:17 - 33:20
    They get her alone, they be like,
    "I can't stand the way you be
  • 33:20 - 33:22
    "doing everything he tell you to do.
    You a human being.
  • 33:23 - 33:25
    "This house is too big for one person
    to clean. Why don't you leave?
  • 33:26 - 33:28
    "You always crying. Just leave him.
    You know something?
  • 33:28 - 33:31
    "Do you know you could take half
    his money? Did you know that?
  • 33:32 - 33:34
    "He didn't tell you
    you were entitled to half?
  • 33:34 - 33:35
    "He only told you half the story.
  • 33:35 - 33:38
    "You can take half the money,
    the car, the house, the children.
  • 33:38 - 33:40
    "You can buy all the zebras
    and bones you want.
  • 33:40 - 33:43
    "Go back home in style, girl.
    And get your hair done right.
  • 33:43 - 33:46
    "Cut that Afro off, go back home
    in style. Who the hell he think he is?
  • 33:46 - 33:48
    "Let me tell you about Eddie Murphy.
  • 33:48 - 33:51
    "That motherfucker ain't nothing but...
    Oh, hi, Eddie. How you doing?
  • 33:52 - 33:54
    "Oh, I didn't know you was here.
    You scared me.
  • 33:55 - 33:59
    "No, I can't stay. I was just talking
    to Uhmfufu about a couple of things.
  • 33:59 - 34:02
    "No, no, no, I got to go. I got to...
    You two... Y'all two lovebirds talk.
  • 34:02 - 34:04
    "Eddie, talk to your...
    Talk to Uhmfufu.
  • 34:04 - 34:09
    "Y'all got a lot to talk about. Go on,
    Eddie. Please, talk to her. Uhmfufu..."
  • 34:10 - 34:16
    And leave me in the kitchen with
    some bush bitch with an attitude.
  • 34:18 - 34:20
    "Eddie!
  • 34:21 - 34:23
    "Eddie!
  • 34:24 - 34:27
    "I want to talk to you!"
  • 34:30 - 34:31
    "What's your problem, baby?"
  • 34:31 - 34:34
    "I don't like the way
    you treat me, Eddie.
  • 34:34 - 34:37
    "You treat me like animal."
  • 34:40 - 34:43
    "You was butt naked
    on a zebra last month."
  • 34:44 - 34:46
    "I don't care, Eddie.
    I am American woman now.
  • 34:46 - 34:48
    "I want what's coming to me.
  • 34:48 - 34:53
    "Eddie, what have you
    done for me lately?"
  • 35:01 - 35:04
    "I want you to be happy.
    Well, what you want?"
  • 35:04 - 35:06
    "Half!
  • 35:06 - 35:12
    "Give me half, Eddie.
    Give me half, Mr. Fuck-you Man.
  • 35:13 - 35:16
    "Suck my dick, Eddie.
  • 35:17 - 35:19
    "You motherfucker."
  • 35:20 - 35:24
    Then I'd be on the front page
    of the African Enquirer like this:
  • 35:26 - 35:29
    So be careful.
    Don't get caught in a trap.
  • 35:29 - 35:31
    Any woman can get
    any man she wants
  • 35:31 - 35:35
    if she puts her mind and pussy to it.
    They can have you.
  • 35:35 - 35:38
    They have figured us out. We're very
    easy creatures to figure out.
  • 35:38 - 35:41
    And women know all they have
    to do is cater to our egos enough
  • 35:41 - 35:44
    and they can have you. Guys,
    how many times have you fucked
  • 35:44 - 35:47
    some ugly bitch that just kept hanging
    around and you had to fuck her?
  • 35:48 - 35:51
    And then afterwards you be like this,
    "I can't believe I fucked this bitch."
  • 35:51 - 35:53
    They just cater to your ego.
  • 35:53 - 35:54
    Sometimes you'll see
    a real ugly bitch
  • 35:54 - 35:56
    with a handsome dude.
    You say, "How that happen?"
  • 35:57 - 35:58
    Dude's going,
    "Yeah, how that happen?"
  • 35:58 - 36:02
    Because she catered to his ego.
    They can figure us out.
  • 36:02 - 36:04
    Guys, don't get trapped.
    We'll call them "pussy traps".
  • 36:04 - 36:06
    Let's call them pussy traps.
  • 36:06 - 36:08
    It's a trap.
    They trap you with the pussy.
  • 36:08 - 36:10
    They catch you with the pussy, see.
    And it's a trap.
  • 36:10 - 36:12
    The most common trap
    is to not give you any, though.
  • 36:13 - 36:15
    Don't think, "Maybe you're
    gonna put a trap on."
  • 36:15 - 36:18
    The most common is when you ain't
    getting any at all, that's the trap.
  • 36:18 - 36:20
    When you meet a woman
    and everything is perfect
  • 36:20 - 36:23
    and she won't do anything,
    it's a trap.
  • 36:23 - 36:26
    Sometimes it backfires, because a lot
    of women play these games with sex.
  • 36:26 - 36:29
    And ladies like sex just as much as we
    do, guys, but they act like they don't.
  • 36:30 - 36:32
    But they do.
    There's not a woman...
  • 36:32 - 36:34
    There's not a woman in this room
  • 36:34 - 36:37
    that wouldn't rather be somewhere
    else with a nice stiff one in them.
  • 36:37 - 36:39
    Don't you let them fool you.
  • 36:41 - 36:44
    They like it just as much as us.
    See, ladies sitting there going:
  • 36:44 - 36:46
    "That's true.
  • 36:47 - 36:50
    "He's funny, but he's not that funny.
  • 36:50 - 36:53
    "I'll take a dick over a smile any day.
    Yes, I will."
  • 36:53 - 36:55
    They like it just as much as us,
    but they play these games.
  • 36:55 - 36:57
    Know where it backfires
    on you, ladies?
  • 36:57 - 36:59
    When you go meet a guy,
    he wants you, you want him,
  • 36:59 - 37:01
    you like each other,
    everything is perfect,
  • 37:01 - 37:03
    but you won't do anything.
    He say, "Let's go."
  • 37:03 - 37:05
    You say, "No, I'm not gonna do it."
    And after that,
  • 37:05 - 37:09
    he don't like you no more.
    But he still wants to fuck you.
  • 37:10 - 37:13
    So he waits.
    He be like, "Okay, I'll wait.
  • 37:14 - 37:16
    "Goodnight."
    And you wait.
  • 37:16 - 37:18
    You wait three months.
  • 37:18 - 37:21
    Then you finally get it
    and she's like this, "I'm yours."
  • 37:21 - 37:23
    And you go, "Fuck you, bitch!"
  • 37:25 - 37:29
    "Fuck you and your pussy.
    Get the fuck out of my face."
  • 37:31 - 37:33
    Be careful. Don't get trapped.
  • 37:33 - 37:35
    The most common trap
    is to not give you any.
  • 37:35 - 37:37
    Let me hear the men clap
    that are with women
  • 37:37 - 37:40
    that you've never slept with before.
    Let me hear you clap, truthfully.
  • 37:41 - 37:43
    Look at the ladies going,
    "Stop clapping."
  • 37:43 - 37:46
    Shame on you. You should've
    fucked them. Clap. Clap louder.
  • 37:46 - 37:48
    Shame on you.
    Y'all should've fucked them.
  • 37:48 - 37:50
    These men like you
    and you just won't do it,
  • 37:50 - 37:53
    because you're trying to trap...
    Guys, don't be hurt. She likes you.
  • 37:53 - 37:55
    This is what is going on inside
    your house every night.
  • 37:56 - 37:59
    "Baby, come on, now, please."
    She go, "No, stop it. Stop it. Stop."
  • 37:59 - 38:02
    "Baby, come on. Would you stop?"
    "Oh, stop. Can we please stop?
  • 38:02 - 38:03
    "Are we gonna go too far?"
  • 38:03 - 38:05
    "I want it to go too far.
    Come on now, baby."
  • 38:05 - 38:09
    "We could... Stop.
    I just don't think the time is right."
  • 38:11 - 38:14
    "Well, my dick don't get
    much harder than this.
  • 38:16 - 38:18
    "I been waiting three months.
    What's the problem?"
  • 38:18 - 38:20
    "I don't wanna fuck.
    I wanna make love.
  • 38:20 - 38:23
    "I've had too many relationships that
    didn't work out. You're special to me.
  • 38:24 - 38:26
    "I know all the girls do everything
    that you want.
  • 38:26 - 38:29
    "And I don't wanna go through...
    Why are you doing this...?"
  • 38:29 - 38:33
    And men see those tears
    and we be, "OK.
  • 38:35 - 38:37
    "We don't have to do nothing."
  • 38:38 - 38:40
    Then you go out and your friends be,
    "Yo, man, you fuck her yet?"
  • 38:41 - 38:42
    "No."
  • 38:43 - 38:47
    "Why not?"
    "She's special.
  • 38:47 - 38:50
    "She said she don't wanna fuck,
    she wanna make love."
  • 38:50 - 38:53
    Which is bullshit. I mean, fucking
    and making love, let's be real.
  • 38:53 - 38:57
    I mean, the physical act...
    I like to fuck somebody I'm in love with.
  • 38:57 - 39:00
    But I ain't making love to nobody.
    I get into bed...
  • 39:00 - 39:02
    I get into bed...
  • 39:03 - 39:05
    I get into bed...
  • 39:05 - 39:07
    When you get into bed, would you
    rather have somebody say:
  • 39:08 - 39:09
    "Oh, make love to me"
  • 39:09 - 39:13
    or grab the back of your head and say,
    "Fuck the shit out of me.
  • 39:16 - 39:18
    "You motherfucker.
  • 39:18 - 39:21
    "Just fuck, mother...
    Fuck me, goddamn it."
  • 39:21 - 39:23
    You want somebody
    in the bed with you:
  • 39:23 - 39:26
    "Oh, darling, I want to make
    love to you." That type of shit.
  • 39:33 - 39:35
    "You a motherfucker..."
  • 39:37 - 39:41
    I'm a realist. But they'll tell you, "I don't
    wanna fuck, I wanna make love."
  • 39:41 - 39:44
    And they make you wait. And you wait
    and wait and wait and wait.
  • 39:44 - 39:49
    And you just keep on waiting, you just
    wait and finally she gives you some.
  • 39:49 - 39:52
    And it's the best
    you ever had in your life.
  • 39:52 - 39:55
    You come harder
    than you've ever came.
  • 39:55 - 39:59
    "This was it. This was the feeling I've
    been searching for. I finally made love."
  • 39:59 - 40:02
    You didn't make love.
    It just felt real good. You know why?
  • 40:02 - 40:05
    Because you waited
    five months for it.
  • 40:07 - 40:11
    If you're starving and somebody
    throw you a cracker,
  • 40:11 - 40:12
    you gonna be like this:
  • 40:13 - 40:15
    "Goddamn, that's the best cracker
    I ever ate in my life!
  • 40:16 - 40:19
    "That ain't no regular cracker, was it?
    What was that, a Saltine?
  • 40:19 - 40:20
    "Goddamn, that was delicious.
  • 40:21 - 40:24
    "That wasn't no Saltine. That was...
    That was a Ritz. That wasn't a Ritz?
  • 40:24 - 40:27
    "God, that was the best cracker
    I ever ate in my life.
  • 40:27 - 40:29
    "Can I have another one, please?
    Please, one more."
  • 40:29 - 40:32
    Then you get married, because
    you think you've found the bomb.
  • 40:33 - 40:36
    Have the same crackers
    every day for a year.
  • 40:36 - 40:38
    And you roll over one day
    and be like:
  • 40:38 - 40:43
    "Hey, I just got some
    regular old crackers."
  • 40:43 - 40:46
    Try to leave? Half!
  • 40:46 - 40:49
    So be careful. Marry someone
    that's not gonna fool around on you.
  • 40:50 - 40:51
    Which would be hard
    to do in the '80s,
  • 40:51 - 40:54
    because everybody's
    fucking each other nowadays.
  • 40:54 - 40:56
    It's like Fuckfest '87.
  • 40:56 - 40:59
    Everybody... Everybody is fucking
    and it really... It's getting bad.
  • 40:59 - 41:02
    Let me hear the women clap that
    are loyal to their men, truthfully.
  • 41:02 - 41:04
    Let me hear you clap.
  • 41:07 - 41:10
    OK, now, let me hear... Let me hear
    the women clap that have men
  • 41:10 - 41:14
    that are loyal to them, truthfully.
  • 41:19 - 41:22
    Yeah, I see. Y'all some disillusioned
    ladies clapping right now.
  • 41:24 - 41:25
    Let me hear the men clap.
  • 41:26 - 41:29
    Let me hear the men clap
    that are loyal to their women.
  • 41:31 - 41:35
    Stop. You lying motherfuckers, stop.
  • 41:35 - 41:39
    Stop, stop, stop. Kiss my ass.
  • 41:39 - 41:42
    Fuck, there ain't no such thing as
    a loyal man, you lying motherfuckers.
  • 41:43 - 41:46
    Stop it. Yeah, the only reason you're
    clapping is because your woman's
  • 41:46 - 41:49
    sitting next to you right now
    when I asked you.
  • 41:52 - 41:55
    When I asked the question,
    she looked at you like this:
  • 41:59 - 42:01
    "You gonna put your hands together?
  • 42:02 - 42:05
    "You better stomp your feet and light
    a match for this pussy, goddamn it.
  • 42:05 - 42:09
    "Stand up and clap.
    Stand your ass up and clap."
  • 42:12 - 42:14
    "She's number one!"
  • 42:14 - 42:16
    Get the fuck out.
    No such thing as a loyal man.
  • 42:17 - 42:19
    Ladies, do not be fooled. I know
    some men have some strong raps
  • 42:19 - 42:22
    and they'll have you believing it.
    No loyal men.
  • 42:22 - 42:23
    All men fuck other women.
  • 42:23 - 42:27
    We are low by nature
    and have to do it.
  • 42:28 - 42:30
    We are men.
    All men do it.
  • 42:30 - 42:34
    We have to do it.
    We are men. It is a man thing.
  • 42:34 - 42:38
    Men must find and conquer
    as much pussy as they can get.
  • 42:38 - 42:41
    Do not think for two seconds that you
    are the only one your man is fucking.
  • 42:41 - 42:43
    He is a man
    and has to conquer women.
  • 42:44 - 42:46
    I see a lot of you good women
    sitting out there going:
  • 42:46 - 42:49
    "Not my man."
    Yes, your man too.
  • 42:50 - 42:52
    Your man too.
  • 42:52 - 42:56
    If he's not here with you tonight,
    he fucking somebody.
  • 42:57 - 42:59
    Because he is a man.
    It has nothing to do with you.
  • 43:00 - 43:01
    You can have the best pussy
    in the world.
  • 43:01 - 43:06
    There can be a cape hanging
    out your pussy with a big S on it.
  • 43:06 - 43:09
    Your man's still gonna go fuck
    somebody else, because he is a man.
  • 43:09 - 43:12
    It is a dick thing.
    Do not try to understand it.
  • 43:12 - 43:15
    You have to have a dick
    to understand this. We are men.
  • 43:15 - 43:18
    I know a lot of guys sitting out there
    right now like this too:
  • 43:18 - 43:20
    "Yo, Ed, shut the fuck up, man!
  • 43:29 - 43:32
    "I ain't spent all my money
    for this, motherfucker!"
  • 43:32 - 43:35
    You gonna be driving home tonight
    with your wife in the car like this:
  • 43:35 - 43:38
    "You don't really be fooling around like
    Eddie Murphy say you do, do you?"
  • 43:50 - 43:52
    "No, baby. That's just jokes.
  • 43:55 - 43:57
    "That Ed sure is funny, ain't he?
  • 43:58 - 44:01
    "Why don't we change the subject.
    Let's talk about something different.
  • 44:01 - 44:04
    "I don't wanna talk about this stuff."
    "I do wanna talk about this stuff.
  • 44:05 - 44:07
    "Why does he have to lie to me?
    I think he was telling the truth.
  • 44:07 - 44:10
    "If you fooled around, I would be so
    hurt and disgusted, I would wait
  • 44:11 - 44:14
    "until you went to sleep, I would come
    inside the room and kill you."
  • 44:14 - 44:18
    - Thanks, Eddie!
    - We love you!
  • 44:19 - 44:21
    "Yeah, that Ed sure is funny.
  • 44:22 - 44:23
    "I ain't got to worry.
    As much as I love you,
  • 44:24 - 44:27
    "I wouldn't fool around.
    Let's talk about the Richard Pryor."
  • 44:27 - 44:29
    "I don't wanna talk about
    the Richard Pryor.
  • 44:29 - 44:31
    "I wanna talk about this,
    because if you fooled around,
  • 44:32 - 44:33
    "I would be so hurt,
    you know what I would do?"
  • 44:33 - 44:36
    "What would you do, baby,
    take half?"
  • 44:39 - 44:41
    "No, I'd wait till you went to sleep
  • 44:41 - 44:44
    "and I'd come inside the room
    and cut your dick off."
  • 44:50 - 44:53
    "Don't be talking about
    cutting off my dick."
  • 44:53 - 44:56
    "Well, you don't be putting your dick
    in nobody else, then."
  • 44:56 - 45:00
    "Well, I don't play that shit. You cut off
    my dick, you better run, goddamn it.
  • 45:00 - 45:02
    "Stop making them dick threats."
  • 45:02 - 45:04
    The woman's favorite...
    Y'all always make...
  • 45:04 - 45:07
    The woman's favorite threat is,
    "I'll do something to your dick."
  • 45:07 - 45:10
    "If a man do this, I kick him in his nuts.
    A man put his hands...
  • 45:10 - 45:13
    "Don't you put your hands on me,
    I'm gonna kick you where it hurts."
  • 45:13 - 45:17
    Dick threats. Y'all don't realize
    how sensitive nuts are, do you?
  • 45:17 - 45:20
    Men don't like to hear a threat like that.
    You hear somebody:
  • 45:20 - 45:23
    "I'll kick you in the nuts."
    It make you wince, be like:
  • 45:23 - 45:25
    "Change the subject, please."
  • 45:25 - 45:28
    You don't have to kick
    no nuts to hurt nobody.
  • 45:28 - 45:31
    You could just graze nuts.
  • 45:32 - 45:34
    And the man would be fucked up.
  • 45:34 - 45:37
    And that pain is worse, because
    it don't set in for, like, ten seconds.
  • 45:37 - 45:39
    You be wondering if it's gonna hurt.
  • 45:40 - 45:44
    You say, "I wonder,
    did that hit my nuts, just...?"
  • 45:47 - 45:50
    There's no getting around it.
    "I'll kick you in your nuts."
  • 45:50 - 45:52
    You don't have to kick.
    You could just graze it.
  • 45:52 - 45:55
    Y'all do that... You ever have
    a woman play-fight with you?
  • 45:55 - 45:57
    Your man get serious
    when they threaten your dick.
  • 45:57 - 45:59
    You be, "Hey, baby, come on."
    And she go:
  • 45:59 - 46:02
    You say, "Hey, hey, hey.
  • 46:03 - 46:06
    "I think playtime is over.
  • 46:06 - 46:09
    "Getting a little crazy." That's why men
    don't like to handle babies.
  • 46:09 - 46:13
    Them little babies with them
    high-top white shoes on
  • 46:13 - 46:16
    with the real hard bottoms.
    When they about 1 years old,
  • 46:16 - 46:18
    you pick them up
    and their leg muscles be strong
  • 46:18 - 46:20
    and they stomp you
    in the nuts with both feet.
  • 46:21 - 46:23
    And both of y'all be dribbling.
    You be like:
  • 46:27 - 46:28
    And their mother think
    you talking baby talk.
  • 46:29 - 46:31
    "Oh, that's so cute,
    the way they talking."
  • 46:32 - 46:35
    "Yeah, go to your mother, please."
    "What's the matter, he stink?"
  • 46:35 - 46:38
    "No, I'm about to throw
    this motherfucker someplace.
  • 46:38 - 46:42
    "Get a little older, I'm gonna kick
    you in your nuts, see how you like it."
  • 46:43 - 46:46
    "I kick him in his nuts." Always talking
    about kicking somebody in the nuts.
  • 46:46 - 46:49
    You know what, ladies?
    I had a woman ask me the other day:
  • 46:49 - 46:52
    "You know why I say my thing?
    I wanna know why all men fool around.
  • 46:52 - 46:54
    "Why, why, why? I do everything
    my man wants me to do
  • 46:54 - 46:58
    "and he still fools around. Why?
    I cook, I clean, I fuck.
  • 46:58 - 47:00
    "I come and go as he says.
    Why, why, why?"
  • 47:00 - 47:02
    Then you call up your girlfriends
    and go, "Why?"
  • 47:02 - 47:04
    She go, "I don't know.
    My man ain't home." "Why?"
  • 47:04 - 47:05
    Then you call up your mother
    and say, "Mama, why?"
  • 47:06 - 47:08
    She go, "I don't know, your father
    ain't home." "Why? Why?"
  • 47:08 - 47:11
    I'll tell you why all men fool around.
  • 47:12 - 47:14
    - Why?
    - Hear the ladies go, "Why?"
  • 47:14 - 47:16
    Men fool around because of this.
  • 47:17 - 47:20
    Look at all the women in the audience
    right now looking up here like this:
  • 47:24 - 47:28
    We fool around because
    we figured women out.
  • 47:29 - 47:31
    We did.
    See, a lot of you ladies going:
  • 47:31 - 47:33
    "What does he mean,
    he figured us out?"
  • 47:33 - 47:36
    And dumb niggas going, "Yeah, what
    does he mean, we figured them out?"
  • 47:37 - 47:40
    We figured you out in this sense,
    and this is true.
  • 47:40 - 47:43
    Anybody's ever done this
    will agree with what I'm saying.
  • 47:43 - 47:46
    Any woman that's ever had this done
    to her will agree what I'm gonna say.
  • 47:47 - 47:49
    Those of you who've never
    done this will go, "I disagree."
  • 47:49 - 47:53
    But once you make
    a woman come real hard,
  • 47:54 - 47:56
    once you make a woman say:
  • 47:57 - 48:00
    No matter how bad you fuck up,
    no matter what you do wrong,
  • 48:00 - 48:04
    no matter what you say, no matter
    what you do, as long as you say:
  • 48:04 - 48:08
    "I'm sorry," she will listen to your story.
    And that's the truth.
  • 48:08 - 48:14
    That's the God's honest truth.
    It is the truth. Stop it. It's the truth.
  • 48:14 - 48:17
    It is the truth. And, ladies, as soon
    as y'all make that noise,
  • 48:17 - 48:20
    your relationship will change
    with your man. Because we know.
  • 48:20 - 48:22
    We wait on that noise.
    We waiting on it.
  • 48:22 - 48:25
    Because we know we can act different
    as soon as you go:
  • 48:25 - 48:28
    We know we can act the fool then.
    Remember when your man
  • 48:29 - 48:32
    couldn't make it, he would call?
    No more of that shit. He heard you go:
  • 48:32 - 48:34
    Remember he wanted to spend all his
    free time with you? No more of that.
  • 48:34 - 48:36
    You made that noise.
    Your man can act crazy.
  • 48:36 - 48:38
    We know as soon as you go:
  • 48:38 - 48:42
    Our face is in the pillow like this,
    "I got this motherfucker now, boy."
  • 48:42 - 48:44
    Then you start talking to her:
  • 48:44 - 48:46
    "Whose pussy is this?
    Whose pussy is this?"
  • 48:46 - 48:48
    "Oh, it's your pussy!
    It's your pussy!"
  • 48:53 - 48:56
    And your relationship changes
    from that moment.
  • 48:56 - 48:58
    The woman be sitting on the bed,
    legs shaking:
  • 48:58 - 48:59
    "Oh, my God.
    Oh, I can't believe it.
  • 49:00 - 49:02
    "I never came like that before.
    I can't believe it."
  • 49:02 - 49:04
    And their man get real cold,
    saying shit like:
  • 49:04 - 49:06
    "Why don't you shake your ass home."
  • 49:07 - 49:10
    "What are you talking about?
    Why are you treating me like this?
  • 49:10 - 49:12
    "We have a relationship."
  • 49:12 - 49:14
    "You don't own me."
  • 49:22 - 49:24
    "What do you mean?
    We have a relationship.
  • 49:24 - 49:26
    "I thought that we go together."
  • 49:26 - 49:29
    "I don't see no rings on your finger."
  • 49:30 - 49:32
    "But I love you!"
  • 49:32 - 49:35
    "Well, what have you
    done for me lately?"
  • 49:42 - 49:43
    And y'all put up with it.
  • 49:44 - 49:46
    Y'all start putting up
    with all kinds of crazy shit.
  • 49:46 - 49:48
    I guess it's hard to find
    somebody that knows
  • 49:48 - 49:51
    how to do it to you right,
    because when y'all find one,
  • 49:51 - 49:53
    y'all stick through that man
    through all kinds of bullshit.
  • 49:54 - 49:56
    I know a man got busted coming
    out of another woman's house.
  • 49:56 - 49:58
    Show you how far a woman will stoop.
  • 49:58 - 50:00
    He got busted coming out
    of another woman's house.
  • 50:00 - 50:02
    His woman saw him come out,
  • 50:02 - 50:04
    knew that the woman lived there
    and didn't say shit.
  • 50:04 - 50:06
    Wait till they got home and said:
  • 50:06 - 50:08
    "What the hell was you doing
    in that bitch's house?"
  • 50:08 - 50:11
    You know what the man said?
    "Wasn't me."
  • 50:13 - 50:15
    "I looked right in your face!"
  • 50:16 - 50:18
    "Wasn't me."
  • 50:18 - 50:20
    "Well, I'm supposed
    to be a fool, right?"
  • 50:20 - 50:22
    "Hey.
  • 50:22 - 50:24
    "Wasn't me."
  • 50:26 - 50:30
    You know what the woman said?
    "Maybe it wasn't you."
  • 50:33 - 50:37
    I got a friend got busted
    in his house, in his bed,
  • 50:37 - 50:40
    where him and his wife sleep,
    with another woman, fucking!
  • 50:41 - 50:43
    His wife walked inside the house,
    opened up the bedroom door,
  • 50:43 - 50:46
    saw her man in her bed
    with another woman, fucking.
  • 50:46 - 50:48
    She walks in:
  • 50:49 - 50:51
    The man jumped up,
    saw his woman standing there.
  • 50:51 - 50:54
    She ran down the hallway. Chased his
    woman down the hallway butt naked
  • 50:54 - 50:57
    with a rock-hard dick,
    talking about, "I'm sorry."
  • 50:57 - 51:00
    This sound like a tragedy, right?
    No, it was like this:
  • 51:00 - 51:02
    "Baby, wait, wait.
    Whoa, whoa, whoa, whoa.
  • 51:02 - 51:04
    "Baby, look. Whoa, hold on.
    Wait, we got to talk.
  • 51:04 - 51:06
    "Baby, I am sorry."
    "No, you're not sorry.
  • 51:06 - 51:09
    "I can't believe you did this.
    You have no respect for me.
  • 51:09 - 51:11
    "Get the fuck...
    Don't you fucking touch me."
  • 51:11 - 51:12
    "Wait, baby, I am sorry.
    Wait a second."
  • 51:13 - 51:15
    "No, if you're sorry,
    you wouldn't have fucked her!"
  • 51:15 - 51:17
    And then you change
    the shit around. Right, guys?
  • 51:17 - 51:19
    "OK, wait a minute!
  • 51:20 - 51:22
    "Wait one second, goddamn it!
  • 51:23 - 51:25
    "Yes, I fucked her, yes.
  • 51:26 - 51:28
    "Is that what you want me to say?
    I fucked her? I fucked her.
  • 51:28 - 51:31
    "We fucked, all right?
    You happy now? We fucked!
  • 51:31 - 51:34
    "Now, let's talk about the word 'fuck'
    for a minute.
  • 51:35 - 51:38
    "Because that's a very important
    word here. Fuck, yes, we did.
  • 51:38 - 51:42
    "Fuck. I fucked her.
  • 51:42 - 51:45
    "I make love to you.
  • 51:56 - 52:00
    "And if you gonna let a fuck
    come between our love,
  • 52:00 - 52:03
    "there's something really wrong
    happening here, baby."
  • 52:06 - 52:07
    Bullshit.
  • 52:09 - 52:11
    That's the only reason
    why it works.
  • 52:11 - 52:13
    Now, guys, I see a lot of y'all
    feeling real macho,
  • 52:13 - 52:15
    because you may have heard
    your woman make that noise
  • 52:16 - 52:17
    and you think you are
    in control of your shit.
  • 52:18 - 52:20
    But I told you a half-hour ago,
    women are vindictive.
  • 52:20 - 52:24
    Don't you think for two seconds that if
    you keep breaking this woman's heart,
  • 52:24 - 52:28
    your sweet, innocent, little,
    sweet, loving, darling woman,
  • 52:28 - 52:31
    she eventually will go out
    and fuck someone else.
  • 52:31 - 52:35
    Don't think she won't.
    Don't think she won't.
  • 52:36 - 52:39
    Look, all the men's faces,
    they're like this now:
  • 52:43 - 52:45
    And men don't like to picture
    their woman fucking nobody.
  • 52:45 - 52:48
    That's taboo. Watch the guy's faces.
    Ladies, look at them.
  • 52:48 - 52:52
    Guys, picture your woman
    fucking your best friend.
  • 52:52 - 52:54
    Look at them, they're:
  • 52:57 - 52:59
    Hey, your woman is like this:
  • 53:04 - 53:06
    I gotta tell you, be careful.
    And women ain't like us.
  • 53:06 - 53:08
    It's not their nature to fool around.
  • 53:08 - 53:10
    Like, we'll go out
    and sneak out to the hotel
  • 53:10 - 53:13
    and have to wash your dick
    in the sink and all that shit.
  • 53:13 - 53:16
    Women gonna do it classy.
    They don't fuck around like us.
  • 53:16 - 53:19
    It's like, "Hey, I don't do this often,
    I'm gonna do it right."
  • 53:19 - 53:20
    Know when your woman's
    gonna fool around?
  • 53:21 - 53:23
    You keep messing her over,
    eventually she says shit like this:
  • 53:23 - 53:27
    "You know, I think I'm gonna go to the
    Bahamas by myself for the weekend."
  • 53:29 - 53:31
    And you say,
    "You want me to go with you?"
  • 53:31 - 53:34
    She goes, "No, just me
    and my girlfriends are going.
  • 53:36 - 53:38
    "Just me and my friends."
  • 53:39 - 53:40
    And we so stupid,
  • 53:40 - 53:44
    we start thinking about all the pussy
    we can get while she gone.
  • 53:46 - 53:48
    "You gonna go by yourself?"
    "Yes."
  • 53:48 - 53:49
    "OK."
  • 53:50 - 53:53
    And send your woman off
    to the romantic Bahamas by herself?
  • 53:53 - 53:55
    By herself to the Bahamas?
  • 53:55 - 53:58
    She's walking on the beach,
    she laid out all day and got a tan,
  • 53:58 - 54:01
    your woman is fine
    and got her body looking right,
  • 54:01 - 54:03
    she's walking on the beach,
    crying, in the Bahamas.
  • 54:03 - 54:05
    Lovers on the beach making love.
  • 54:05 - 54:08
    She's all by herself, walking along,
    feeling sad, thinking about you
  • 54:08 - 54:11
    and everybody's real romantic.
    The motion of the ocean
  • 54:11 - 54:14
    is shimmying off...
    The moon is shimmying off the ocean.
  • 54:15 - 54:17
    Your woman's standing,
    looking at it and crying.
  • 54:17 - 54:21
    And all of a sudden,
    a dude named Dexter walks up.
  • 54:23 - 54:26
    Dexter St. Jock.
  • 54:27 - 54:29
    He walk up swinging his dick.
  • 54:34 - 54:36
    Then he do that smooth
    Bahamas shit on your woman.
  • 54:36 - 54:41
    "What a beautiful girl like you doing
    by herself on the island of love?
  • 54:42 - 54:43
    "This is the island for lovers.
  • 54:43 - 54:45
    "You should be being held
    right now, girl.
  • 54:45 - 54:47
    "What you crying about?"
  • 54:48 - 54:50
    "I'm having some problems
    with my boyfriend,
  • 54:50 - 54:52
    "so I came down here
    to think it over."
  • 54:53 - 54:54
    "Tell me what hotel
    your man's staying.
  • 54:54 - 54:57
    "I tell him that you treat
    a woman like you like a princess.
  • 54:57 - 55:01
    "If you were my woman,
    I make love to you constantly.
  • 55:02 - 55:03
    "What hotel this man staying in?"
  • 55:04 - 55:07
    "Well, he's back in New York."
  • 55:08 - 55:10
    "Is that right?
  • 55:15 - 55:17
    "Well, listen, girl. Won't you
    come back around my place?
  • 55:18 - 55:20
    "We sit down and talk it over."
  • 55:21 - 55:23
    "All we gonna do is talk?"
  • 55:32 - 55:34
    He take your woman to his house
  • 55:34 - 55:37
    and roll one of them
    big-ass Bahama joints.
  • 55:38 - 55:42
    Shit this big and shit. Put some
    of that Bob Marley music on.
  • 55:43 - 55:44
    And y'all know Bob
    be preaching this shit:
  • 55:45 - 55:48
    *Don't let him fool you*
    *Oh, no*
  • 55:51 - 55:55
    *Or even try to school you*
    *Oh, yeah*
  • 55:55 - 55:59
    *Could this be love?*
    *And be loved*
  • 56:00 - 56:02
    Dick swinging.
  • 56:03 - 56:07
    Next thing you know,
    Dexter is fucking your woman.
  • 56:07 - 56:09
    Well.
  • 56:10 - 56:13
    Send your woman home
    floating on air.
  • 56:14 - 56:18
    Walk through the door like this:
    *I shot the sheriff*
  • 56:22 - 56:25
    We so stupid, we think it
    was the weather. We be going:
  • 56:25 - 56:27
    "Hey, baby, you need
    to get away more often."
  • 56:27 - 56:29
    And she be like this:
  • 56:30 - 56:32
    And never tell you.
    It's her little secret.
  • 56:33 - 56:36
    All women have
    a skeleton in the closet.
  • 56:36 - 56:38
    All women have done
    something that only them
  • 56:38 - 56:42
    and another person knows about.
    All women have one skeleton.
  • 56:42 - 56:45
    Even the little, sweet, innocent ones
    have something that only them
  • 56:45 - 56:47
    and another person knows about.
    All women.
  • 56:47 - 56:51
    Don't be... Look at the guys,
    looking at their women again like this:
  • 56:53 - 56:55
    "You got skeletons in your closet?
  • 56:55 - 56:58
    "I thought I seen a bone in your shoe.
    Whose skeleton was that?"
  • 56:59 - 57:01
    Don't be fooled. They all have
    a skeleton in their closet.
  • 57:02 - 57:06
    Some of them got cemeteries
    in their closet and shit.
  • 57:08 - 57:12
    You open the door and ravens
    and shit fly out of the closet.
  • 57:12 - 57:14
    So be careful. Be careful.
  • 57:14 - 57:16
    Get somebody you gonna be
    with forever.
  • 57:16 - 57:18
    Find somebody perfect for you.
  • 57:18 - 57:21
    I'm not saying they're perfect people.
    I'm saying we ain't perfect.
  • 57:21 - 57:24
    Find somebody just as fucked up
    as you are and settle down.
  • 57:25 - 57:26
    That's what you gotta do.
  • 57:26 - 57:30
    If I ever get married, I got to marry
    somebody with personality.
  • 57:30 - 57:32
    For instance, I hate those quiet,
    salad-eating bitches,
  • 57:33 - 57:34
    those real quiet ones, you know.
  • 57:34 - 57:37
    The kind of women, you take
    them out to dinner, you say:
  • 57:37 - 57:40
    "Hey, what you wanna eat?"
    They go, "I'll just have a salad."
  • 57:41 - 57:43
    And you hear their stomach going:
  • 57:48 - 57:51
    "I don't know why my stomach
    is making that noise."
  • 57:51 - 57:53
    "Because you're hungry, bitch."
  • 57:54 - 57:55
    "Why don't you have
    something to eat?"
  • 57:55 - 57:58
    "No, no, no. I'm fine, I'm fine.
    I'll just have a salad."
  • 58:00 - 58:03
    "What you want to drink?"
    "Water."
  • 58:04 - 58:06
    "What movie you wanna see
    after you finish eating?"
  • 58:06 - 58:09
    "Whatever you wanna see
    is OK with me.
  • 58:09 - 58:12
    "As long as it's a PG.
    I hate scary movies."
  • 58:13 - 58:16
    "This is my friend Bob and Karen."
    "Hi."
  • 58:16 - 58:19
    "What's your problem?"
    "I'm just a little shy."
  • 58:19 - 58:21
    Get your shy ass away from me.
  • 58:21 - 58:24
    I hate those shy bitches.
    They make me sick to my mother...
  • 58:25 - 58:27
    I hate shy...
    You know, those shy women,
  • 58:27 - 58:31
    those are usually the ones that have
    the most skeletons in their closet.
  • 58:33 - 58:35
    That's why they shy now.
  • 58:35 - 58:38
    Because they been raising hell
    all their life, now they shy.
  • 58:38 - 58:40
    Think about it.
    All them shy women that you meet,
  • 58:41 - 58:42
    they never from the town
    you meet them in.
  • 58:42 - 58:44
    They always from somewhere else.
  • 58:44 - 58:46
    Then they come to your town
    and get shy.
  • 58:47 - 58:48
    Get the fuck out of here.
  • 58:49 - 58:51
    They afraid to talk,
    because they think a bone
  • 58:51 - 58:53
    is gonna fly out their mouth
    or some shit.
  • 58:57 - 58:59
    "Hi.
  • 58:59 - 59:01
    "So many skeletons."
  • 59:04 - 59:08
    I hate shy women. I like extroverts,
    I like women with a sense of humor.
  • 59:08 - 59:11
    I like funny girls, funny women.
  • 59:12 - 59:14
    But you gotta be good-looking too.
  • 59:14 - 59:17
    I don't wanna fuck no funny, ugly bitch
    and shit. I'd have me in the bed going:
  • 59:17 - 59:20
    "Hey, baby, can you tell me
    some more jokes, please?"
  • 59:20 - 59:22
    Gotta be a good cook.
  • 59:22 - 59:24
    I didn't realize my mother was
    a good cook till after I moved out.
  • 59:25 - 59:27
    When you're a child, if your mother
    doesn't take you to McDonald's,
  • 59:27 - 59:29
    you don't think she can cook.
    I had one of those mothers,
  • 59:29 - 59:32
    no matter what you want,
    she has the ingredients at home.
  • 59:32 - 59:35
    You say, "Ma, I wanna stop
    and get some McDonald's."
  • 59:36 - 59:38
    And she go,
    "I got hamburger meat at home."
  • 59:39 - 59:42
    "But I want McDonald's hamburger."
  • 59:42 - 59:44
    "I'll make you a hamburger
    better than McDonald's."
  • 59:45 - 59:47
    "You cook better than McDonald's?"
  • 59:47 - 59:50
    "That's right.
    You can help Mama make it."
  • 59:50 - 59:52
    You say, "Shit, that's better
    than McDonald's."
  • 59:52 - 59:55
    Your mother say,
    "OK, go get me the big frying pan."
  • 59:55 - 59:57
    So you hand her the frying pan
    and she say:
  • 59:57 - 59:59
    "I want you to go in the refrigerator
    and get the meat
  • 59:59 - 60:03
    and while you in there, get me a green
    pepper and a onion." And you say:
  • 60:04 - 60:07
    "Ain't no green peppers
    at McDonald's."
  • 60:08 - 60:10
    "I'm not making McDonald's,
    I'm making Mama's burger.
  • 60:10 - 60:12
    "I need a green pepper and an onion
    and get me an egg out too."
  • 60:15 - 60:18
    "What you need eggs for?
  • 60:18 - 60:20
    "I want hamburgers.
  • 60:20 - 60:23
    "You making Egg McMuffins."
  • 60:27 - 60:29
    "I'm not making an Egg McMuffin.
    I don't know what no Egg McMuffin is.
  • 60:29 - 60:31
    Just get me the egg
    and shut your mouth."
  • 60:31 - 60:32
    She take the egg and
    the green peppers
  • 60:33 - 60:34
    and chop the peppers up
    in big chunks.
  • 60:35 - 60:37
    Don't even dice it. Big chunks
    of green peppers and onion
  • 60:37 - 60:40
    and mix the egg in and put
    paprika and all this shit in it
  • 60:40 - 60:44
    and make a big meatball and put it
    in the middle of this frying pan.
  • 60:44 - 60:49
    At McDonald's, the meat is this thin.
    Your mother's shit is like this or fatter.
  • 60:49 - 60:51
    Green peppers hanging
    out of it and shit.
  • 60:51 - 60:54
    And there's a big split in the middle
    and grease is popping out.
  • 60:54 - 60:55
    You're looking at it while it's popping.
  • 60:56 - 60:58
    You're looking at the grease
    in the pan and thinking:
  • 60:58 - 61:00
    "That don't look like no McDonald's."
  • 61:00 - 61:04
    Then your mother say, "Go inside
    the refrigerator and get me the bread
  • 61:04 - 61:08
    out of the bread box." And you go
    look in the bread box and you say:
  • 61:08 - 61:10
    "Ma, we don't have
    no hamburger buns.
  • 61:11 - 61:13
    "All we have is Wonder Bread."
  • 61:13 - 61:17
    "That's what I said. Get the bread
    out of the bread box."
  • 61:17 - 61:20
    "You gonna put it
    on square Wonder Bread?"
  • 61:20 - 61:23
    "Bread is bread. Bring me
    that bread before I slap you.
  • 61:23 - 61:24
    "Don't tell me about Wonder Bread.
  • 61:24 - 61:27
    "As much as that bread costs,
    don't tell me about Wonder Bread.
  • 61:27 - 61:29
    "This is Wonder Bread.
    A hamburger is a hamburger."
  • 61:30 - 61:33
    And she'd make it and put it in
    the middle of square Wonder Bread.
  • 61:33 - 61:36
    At McDonald's, they use buns,
    the meat covers the whole bread.
  • 61:36 - 61:40
    At your mother's, the meat's right
    in the middle of the bread,
  • 61:40 - 61:42
    with grease running
    through the middle,
  • 61:42 - 61:43
    making the bread stick
    to the plate.
  • 61:44 - 61:45
    This big green pepper
    is hanging out the top
  • 61:46 - 61:47
    of this big meatball on the bread.
  • 61:47 - 61:51
    And you try to put some ketchup on it
    and it mixes with the grease,
  • 61:51 - 61:53
    turn the bread into pink dough.
  • 61:54 - 61:56
    Then you grab it
    and get fingerprinted
  • 61:56 - 61:58
    and you got big, pink fingerprints
    in the dough.
  • 61:58 - 62:01
    You stand there looking at it and you
    try to make it look like McDonald's,
  • 62:02 - 62:04
    so you rip the edges off around it,
    make it round.
  • 62:04 - 62:06
    And you got green peppers and
    grease running down your hand.
  • 62:07 - 62:09
    And your mother say,
    "Now, go on outside and play."
  • 62:10 - 62:11
    And the other kids got McDonald's.
  • 62:11 - 62:17
    They outside going,
    "We got McDonald's hamburgers.
  • 62:17 - 62:21
    "McDonald's. McDonald's.
  • 62:21 - 62:24
    "I got McDonald's."
  • 62:25 - 62:30
    And you standing there
    with this big "house burger".
  • 62:30 - 62:31
    And kids are honest.
  • 62:31 - 62:35
    They say, "Where you get that
    big, welfare, green-pepper burger?"
  • 62:36 - 62:37
    And you cry.
  • 62:42 - 62:45
    "My mother made it."
  • 62:47 - 62:49
    And long slob...
    When little kids cry,
  • 62:49 - 62:51
    some long slob come
    out of their mouth
  • 62:51 - 62:55
    and it hangs this far to the ground.
    And it won't break.
  • 62:55 - 62:58
    And adults stand around going,
    "That slob gonna break?"
  • 62:58 - 63:00
    And it won't.
    The wind can blow that slob:
  • 63:02 - 63:05
    You know where you see kids crying?
    I do it all the time, I'm sadistic.
  • 63:05 - 63:07
    I like to go to supermarkets
    and watch mothers lose it
  • 63:08 - 63:10
    and beat the shit out of their kids.
  • 63:16 - 63:17
    Party at the Loft!
  • 63:17 - 63:20
    I was at the Loft. You know why
    I ain't dancing at the Loft?
  • 63:20 - 63:22
    I had just got over some shit.
    I go to parties...
  • 63:22 - 63:26
    I went to a white disco recently
    and I watched the white people dance.
  • 63:26 - 63:29
    Y'all... Y'all can't dance.
  • 63:31 - 63:33
    No, it's not... I'm not being racist.
    I mean, I mean...
  • 63:33 - 63:35
    It's like saying black people
    have thick lips.
  • 63:35 - 63:37
    That's not racist.
    It's true. We have thick lips
  • 63:38 - 63:39
    and white people can't dance.
  • 63:40 - 63:43
    And y'all be trying.
    Y'all be really...
  • 63:43 - 63:46
    Do y'all listen to the words
    or the beat?
  • 63:47 - 63:51
    Because y'all be... I really...
    I tell you, every time you see a black...
  • 63:51 - 63:54
    When you go to a white club, you see
    five or six brothers just standing.
  • 63:54 - 63:56
    You ask, "Why are those
    niggers in here?"
  • 63:56 - 63:58
    They watching y'all dance.
  • 63:58 - 64:01
    "Look at these crazy motherfuckers."
  • 64:01 - 64:04
    Y'all got one dance y'all can do.
    Y'all can do this shit, like this:
  • 64:09 - 64:12
    But y'all don't do no moves,
    it's just this:
  • 64:13 - 64:16
    Y'all do some shit like this,
    you be fucked up. You'd be:
  • 64:16 - 64:18
    "Oh, shit..."
  • 64:20 - 64:22
    And white people, y'all step
    on each other's feet.
  • 64:22 - 64:25
    Brothers, we go to the disco,
    get all fucked up,
  • 64:25 - 64:27
    you're stepping and hitting and...
  • 64:27 - 64:29
    Brothers got some dance.
    They be doing this with their heads.
  • 64:29 - 64:31
    Some shit like that.
  • 64:32 - 64:35
    If the white people do that,
    they'll kill each other. They be like:
  • 64:36 - 64:37
    "Sorry."
  • 64:38 - 64:40
    "Let's stick with this."
  • 64:42 - 64:44
    I was in the club, man.
    I stopped going...
  • 64:45 - 64:47
    I ain't dancing at the Loft
    because I had a fight recently
  • 64:47 - 64:49
    and I said I ain't dancing.
    I went to clubs...
  • 64:49 - 64:52
    People get drunk, go to clubs
    and start fighting.
  • 64:52 - 64:53
    I had a fight with an Italian dude
  • 64:53 - 64:56
    right around the time
    Rocky came out.
  • 64:56 - 65:00
    Italians... White people, period, y'all
    go crazy after y'all see a Rocky movie
  • 65:00 - 65:02
    because y'all believe that shit.
  • 65:02 - 65:05
    Because the movies are
    so emotional and so real,
  • 65:05 - 65:07
    you sit there and go like,
    "Hey, this is real."
  • 65:08 - 65:10
    And Stallone have y'all white
    people pumped, especially Italians.
  • 65:11 - 65:14
    After Italians see Rocky, they come
    out the movie theater, they be like...
  • 65:14 - 65:17
    Italians are funny people, because
    they act like niggas. It's funny.
  • 65:17 - 65:19
    They do. They hold
    their dick more than us.
  • 65:19 - 65:22
    They be standing around,
    "Get the fuck out of here."
  • 65:28 - 65:33
    "It's right here, all right?
    What? Hey, fuck you, all right?"
  • 65:33 - 65:36
    Everything is a question too.
    "Hey, what am I, an asshole?
  • 65:36 - 65:39
    "What am I, a fucking jerk?
    Get the fuck out of here.
  • 65:39 - 65:41
    "It's right here, all right?"
  • 65:51 - 65:53
    After they see Rocky, they come out
    of the theater charged.
  • 65:53 - 65:56
    They be like,
    "All right, Rock-O!
  • 65:56 - 65:58
    "All right, Sly!"
  • 66:05 - 66:08
    "All right, Rock-O! Rock-O!"
  • 66:09 - 66:10
    Go up to the people
    standing on line and shit.
  • 66:11 - 66:13
    "Hey, paisan, you going in to see
    Rocky right now?"
  • 66:13 - 66:17
    "Yeah."
    "It's a great fucking movie.
  • 66:20 - 66:21
    "It's great.
  • 66:23 - 66:25
    "You gonna like this.
    When Sly comes out,
  • 66:25 - 66:27
    "he breaks this big
    fucking nigger's face.
  • 66:27 - 66:28
    "He busts it fucking wide open.
  • 66:29 - 66:32
    "Fucking melanzane laying
    on the floor, fucked up.
  • 66:34 - 66:39
    "It's fucking great. I fucking
    love it, man. All right, Rock-O!
  • 66:39 - 66:41
    "At the end of this picture, now,
    just between you and I,
  • 66:41 - 66:45
    "I don't wanna ruin the surprise,
    but Sly wins this one again."
  • 66:45 - 66:47
    "You know what I like
    about Stallone's movies?
  • 66:47 - 66:51
    "The realism. Because that's the way
    you gotta treat those fucking moolies.
  • 66:51 - 66:55
    "They think they can fucking push you
    around, 'Oh, you big hotshot,'
  • 66:55 - 66:56
    "get the fuck out of here.
  • 66:56 - 66:59
    "Get the fuck out of my face
    with that shit.
  • 66:59 - 67:01
    "That's what I like about Sly.
    He goes in
  • 67:01 - 67:04
    "and the moolies are beating him
    and he don't fucking go down,
  • 67:04 - 67:07
    "he comes in and he cracks
    the fucking moolie's hole like this.
  • 67:07 - 67:11
    "He falls on the ground. You know,
    you can really fucking do that.
  • 67:11 - 67:13
    "You see that fucking big melanzane
    standing over there?
  • 67:13 - 67:16
    "See that black guy over there
    at the line getting candy?"
  • 67:16 - 67:20
    "Yeah." "All right. Now,
    he's about 6'5". I'm 5'2".
  • 67:21 - 67:23
    "I ain't no big guy, all right?
  • 67:23 - 67:26
    "But I'm Italian. Watch this.
    You watch this, all right?
  • 67:32 - 67:35
    "Hey, excuse me, brother.
  • 67:36 - 67:39
    "Hey, let me have a box of Juji Fruits
  • 67:39 - 67:41
    "and let me have some Bon Bons.
  • 67:41 - 67:43
    "I think I'll have some
    Bon Bons there.
  • 67:43 - 67:45
    "And let me have some
    Junior Mints.
  • 67:46 - 67:49
    "And give me another box
    of Juji Fruits.
  • 67:49 - 67:52
    "And the nigger's gonna pay for it."
  • 67:56 - 67:58
    "Excuse me?"
  • 68:02 - 68:07
    "You heard what I said, moolie.
    Pay for my fucking candy...
  • 68:12 - 68:14
    "...or I'll kick your ass."
  • 68:16 - 68:18
    "Oh, you just saw Rocky.
  • 68:20 - 68:23
    "Look, little Italian white man.
  • 68:23 - 68:25
    "I enjoy Sylvester Stallone's
    movies too.
  • 68:25 - 68:28
    "But I'm waiting to get some candy
    and I'm gonna go see a movie.
  • 68:28 - 68:32
    "Why don't you just go hop in your
    IROC Z-28 and take your ass home."
  • 68:36 - 68:38
    "I'll kick your fucking ass."
  • 68:39 - 68:40
    Then they hear that Rocky music.
  • 68:41 - 68:44
    Hour later:
  • 68:45 - 68:46
    "He's not gonna make it.
  • 68:47 - 68:50
    "The big nigger named Abdullah's
    hand wrapped around his throat.
  • 68:50 - 68:53
    "And a box of Juji Fruits rammed
    up his ass. He's not gonna make it.
  • 68:54 - 68:55
    "He's fucked up."
  • 68:57 - 69:00
    That's who I had a fight with.
    An Italian.
  • 69:00 - 69:03
    Those are the worst white people to
    fight, especially around Rocky time.
  • 69:03 - 69:08
    Because I was in a discotheque talking
    to Deney Terrio from *Dance Fever*.
  • 69:08 - 69:11
    Don't ask me why.
  • 69:11 - 69:13
    We were there kicking it
    and this Italian dude
  • 69:13 - 69:16
    was there with his girlfriend
    and she is looking at me or Deney.
  • 69:17 - 69:19
    Italians don't play that shit.
    You hear the shit they say
  • 69:19 - 69:22
    to their girlfriends? "What the fuck
    you looking over there for?
  • 69:22 - 69:24
    "Don't tell me you're not looking.
    I just saw you.
  • 69:25 - 69:27
    "You been looking over there
    all fucking night.
  • 69:27 - 69:29
    "You look over there again
    and I'm gonna pick up a glass
  • 69:30 - 69:33
    "and shove it in your fucking mouth.
    Don't look over there. No, you shut up.
  • 69:33 - 69:35
    "You're making me look
    like an asshole.
  • 69:35 - 69:37
    "Don't you ever disrespect me.
    Don't you ever.
  • 69:38 - 69:41
    "Hey, shut up. Don't you ever...
    I'll fucking kick your ass inside here.
  • 69:41 - 69:45
    "What are you looking at a fucking
    dancer and a melanzane for?
  • 69:45 - 69:48
    "You know I'll kick his moolie ass."
    He pushed me.
  • 69:48 - 69:51
    Black people from New York have
    this trick we use on white people.
  • 69:52 - 69:53
    It works.
    Even if you can't fight,
  • 69:53 - 69:55
    you have to act like you can fight,
  • 69:55 - 69:57
    because that gets you out
    of a lot of fights.
  • 69:58 - 69:59
    It works.
    If you have some problem...
  • 70:00 - 70:02
    Walk up to a white dude and
    step on his foot. And he says:
  • 70:02 - 70:06
    "Hey, you got a problem?" You go,
    "Yeah, motherfucker, I got a problem!"
  • 70:12 - 70:15
    "I just lost my motherfucking job
  • 70:15 - 70:18
    "to a white man, look just like you!
  • 70:21 - 70:25
    "So I say I'm gonna step on some feet
    till I feel I've redeemed myself.
  • 70:26 - 70:27
    "You got a problem?"
  • 70:27 - 70:30
    And white guys will go,
    "Hey, I didn't know about your job."
  • 70:31 - 70:33
    They leave and brother
    be standing there like this:
  • 70:33 - 70:35
    "That was close.
  • 70:36 - 70:37
    "I almost got fucked up."
  • 70:38 - 70:40
    So I know you gotta act
    like you can fight.
  • 70:40 - 70:42
    First, you make your voice
    go up an octave
  • 70:42 - 70:44
    and act real confused.
    And mumble:
  • 70:44 - 70:46
    "What the fuck this
    motherfucker trying...?
  • 70:46 - 70:48
    "Yo, you don't put your
    motherfucking hand, no...
  • 70:49 - 70:51
    "Mind your motherfucking business.
    I'll bust your motherfucking ass.
  • 70:52 - 70:54
    "Don't you never put your hands...
    Shut the fuck up.
  • 70:54 - 70:56
    "What the fuck is wrong
    with you, man?
  • 70:56 - 70:58
    "You know I'll bust you...
    Get the fuck off me.
  • 70:58 - 71:01
    "I'll bust your motherfucking ass too.
    Mind your motherfucking business.
  • 71:02 - 71:04
    "You want some, motherfucker?
    You want some?
  • 71:04 - 71:06
    "Then make a move, then.
    Make a move.
  • 71:06 - 71:09
    "Yeah, you better walk away, mother...
    I'll bust your pussy ass too.
  • 71:09 - 71:11
    "You never put your
    motherfucking hands on me.
  • 71:11 - 71:14
    "What the fuck is your problem?
    What's your problem, huh?
  • 71:14 - 71:17
    "You got a problem?
    Well, I'm gonna settle your problem.
  • 71:17 - 71:19
    "I'm gonna settle your problem,
    motherfucker!"
  • 71:19 - 71:22
    And the dude did like this,
    "Come on!"
  • 71:28 - 71:30
    I was stuck.
  • 71:31 - 71:33
    I was standing there like this now.
  • 71:34 - 71:36
    Dude said, "Come on,
    that's the way I like it."
  • 71:36 - 71:40
    I didn't know what to do, because
    I could act like I could fight good.
  • 71:40 - 71:42
    I'm an actor, I ain't no fighter.
  • 71:42 - 71:47
    You put me in a movie where
    I'm the star, I'll kick your ass.
  • 71:47 - 71:49
    This is real shit.
    He's going, "Come on."
  • 71:49 - 71:51
    I was frozen, man.
    I was standing there,
  • 71:51 - 71:53
    my ego jumped out
    of my body and said,
  • 71:54 - 71:56
    "Punch him in the face, Ed."
  • 71:56 - 71:57
    I said, "I ain't punching nobody."
  • 71:57 - 71:59
    My ego said,
    "Well, give me your hand."
  • 72:01 - 72:03
    Clocked that boy in his eye.
  • 72:03 - 72:05
    Boy fell on the deck holding his eye,
  • 72:05 - 72:07
    he was all fucked up.
    I looked at my ego, I said:
  • 72:07 - 72:09
    "What the fuck you do that for?"
  • 72:09 - 72:11
    Ego said, "Because you've got
    an image to uphold.
  • 72:11 - 72:13
    "You kicked the dude's ass.
    Relax."
  • 72:13 - 72:14
    The dude was laying there,
    holding his eye.
  • 72:15 - 72:17
    My ego said, "Now talk some shit
    so people know not to mess with you."
  • 72:17 - 72:20
    And I was like, "Yeah.
  • 72:22 - 72:24
    "I'm tired of people messing with me."
  • 72:24 - 72:27
    "Now tell them if somebody else move,
    you gonna kick their ass."
  • 72:28 - 72:30
    "If somebody else move,
  • 72:30 - 72:32
    "I'm gonna kick their ass?"
  • 72:34 - 72:36
    "Do some rhyme with your name.
    That always scares white people."
  • 72:36 - 72:38
    "Because I'm Ed
  • 72:38 - 72:41
    "and if you mess with Ed,
    you be dead."
  • 72:43 - 72:45
    "That's all right. Just worry about...
    Shit, you doing fine.
  • 72:46 - 72:47
    "You just relax, don't worry.
    Just be cool.
  • 72:48 - 72:50
    "Ain't nobody gonna move after
    they seen you kick this dude's ass.
  • 72:51 - 72:53
    "Just relax and cool out."
    I start cooling out. My ego said:
  • 72:53 - 72:55
    "Every now and then you
    gotta whip somebody's ass,
  • 72:56 - 72:59
    "let them know where you stand."
    I said, "Yeah, yeah, yeah!"
  • 72:59 - 73:03
    I ain't see this dude's brother
    standing behind me.
  • 73:03 - 73:05
    And he has seen Rocky too.
  • 73:06 - 73:08
    And he swung around my back
  • 73:08 - 73:10
    and punched me in the mouth...
  • 73:11 - 73:13
    ...real, real hard.
  • 73:14 - 73:16
    Because the punch said:
  • 73:17 - 73:19
    And my ego said, "What was that?!"
  • 73:20 - 73:23
    I said, "I don't know."
    And my lip said, "Hey, fellas!"
  • 73:41 - 73:44
    So I'm standing there
    with my lips hanging down,
  • 73:44 - 73:47
    looking like J.J. From
    *Good Times* and shit.
  • 73:49 - 73:51
    And I ain't know what to do,
    so I scream for security.
  • 73:51 - 73:53
    I said, "Security!"
  • 73:53 - 73:56
    And that's when one of my boys
    jumped over the table
  • 73:56 - 73:58
    like Linc Hayes from
    the *Mod Squad*
  • 73:58 - 74:00
    and grabbed that boy
    and started going:
  • 74:00 - 74:02
    Boy hit the deck. My boy jumps up
    and starts fucking this boy up
  • 74:03 - 74:06
    and his brother woke up, jump on top
    of my boy and started kicking his ass.
  • 74:06 - 74:08
    Then somebody says,
    "Fight in the back!"
  • 74:08 - 74:10
    And all the people,
    the bouncers, came
  • 74:10 - 74:12
    and saw two niggers
    fighting two white guys.
  • 74:12 - 74:14
    They jump on the niggers.
    "You niggers have to learn
  • 74:14 - 74:17
    "to stop fucking up our club.
    Didn't we let you in here, nigger?
  • 74:17 - 74:19
    "We saw you laughing while
    we were dancing. We saw you."
  • 74:20 - 74:22
    Then all the brothers saw 40 white
    guys beating up two black guys,
  • 74:23 - 74:24
    "Hey, you can't beat up the brothers."
    They jump in the fight.
  • 74:25 - 74:27
    Then it looked like 40 white guys
    fighting 40 black guys,
  • 74:27 - 74:31
    it was a big race war and suntan lotion
    and Jheri-curl juices shooting all over.
  • 74:31 - 74:34
    And at the end of the fight,
    everybody sued me.
  • 74:36 - 74:38
    Everybody claimed
    I whipped their ass.
  • 74:38 - 74:42
    I'm 5'10". I weigh 165 pounds.
    I can't whip a disco's ass by myself.
  • 74:43 - 74:45
    Even people that didn't fight sued me.
  • 74:45 - 74:47
    People that watched the fight
    was in court.
  • 74:47 - 74:49
    "No, I didn't actually fight,
    but I was there watching.
  • 74:50 - 74:52
    "And it was a discotheque
    and a strobe light fell off the ceiling,
  • 74:53 - 74:55
    "creating a weird effect
    with the mirror
  • 74:55 - 74:58
    "and I saw this
    and my eyes were sprained,
  • 74:58 - 75:02
    "the eyes, and I need 12 million
    for my sprained eyes."
  • 75:04 - 75:07
    Brothers sued me. Yo, man,
    the brothers came out and sued.
  • 75:07 - 75:10
    I was like, "Ain't no brothers
    gonna sue me." Brothers sued Ed.
  • 75:10 - 75:13
    The brothers went to get paid.
    I was, "Brothers don't sue brothers."
  • 75:13 - 75:15
    They was like, "Fuck that.
    I'm getting paid, motherfucker."
  • 75:16 - 75:18
    Brothers went to court,
    got educated on the judge.
  • 75:18 - 75:20
    All of a sudden they was like,
    "State your case."
  • 75:20 - 75:24
    "Yes, Your Honor, on the evening
    in question, per se, Your Honor.
  • 75:25 - 75:27
    "Yo, check it out, Your Honor.
    I was inside the disco.
  • 75:28 - 75:30
    "Cooling, right?
    I went in with my girlie, right?
  • 75:30 - 75:32
    "My girl start illing,
    'Oh, there go Eddie Murphy.'
  • 75:32 - 75:35
    "Start acting all tipsy and shit.
    I say, 'Where? ' She say, 'Over there.'
  • 75:35 - 75:37
    "I say,
    'Fuck that big-nose motherfucker.
  • 75:38 - 75:40
    'I make my money just like him.'
    Right, Your Honor?
  • 75:40 - 75:42
    "I don't give a fuck.
    I ain't getting on nobody.
  • 75:42 - 75:46
    "So, Your Honor, check it out, right?
    What happened then, right?
  • 75:46 - 75:49
    "I say, 'Yo, what you want, me go over,
    get the motherfucker autograph? '
  • 75:49 - 75:51
    "I got the autograph for my girlie.
  • 75:51 - 75:54
    "I walked over and said,
    'Yo, Ed, sign this autograph.'
  • 75:55 - 75:58
    "Then Ed say, 'I ain't signing
    a motherfucking thing.
  • 75:58 - 76:00
    'Fuck you and your ugly bitch.'
    I say, 'Yo, Ed.
  • 76:01 - 76:02
    'I'll bust your ass
    for saying shit like that.'
  • 76:03 - 76:06
    "He say, 'Motherfucker, I... '
    And he ran over to my woman
  • 76:06 - 76:08
    "and slap her in the face,
    Your Honor.
  • 76:08 - 76:10
    "Then he slap me and
    my man in the face.
  • 76:10 - 76:13
    "All three of us, like
    the Three Stooges, Your Honor.
  • 76:13 - 76:15
    "Twelve million.
  • 76:16 - 76:18
    "Twelve!" I was disgusted.
  • 76:18 - 76:21
    "Yeah, Your Honor.
    Give us half his shit."
  • 76:26 - 76:29
    I was mad. I called my mother up.
    You know how you do.
  • 76:29 - 76:31
    When you get depressed,
    you call your mother.
  • 76:31 - 76:33
    You get your ass whipped,
    first you call home.
  • 76:34 - 76:36
    I call my mother's house.
    Because you wanna hear:
  • 76:36 - 76:38
    "It's gonna be all right, baby.
    It's gonna be fine.
  • 76:38 - 76:41
    "You just come on home. Stop crying.
    I'll cook you something to eat.
  • 76:42 - 76:43
    "I'll cook you one of them
    big old hamburgers
  • 76:44 - 76:46
    "I used to make before.
    You just come on home."
  • 76:46 - 76:48
    And you want that burger
    when you get older.
  • 76:48 - 76:50
    I called my mother's house,
    it was a Friday night,
  • 76:50 - 76:52
    the phone rang for a half-hour.
  • 76:53 - 76:56
    Which meant my pops was home, and
    on the weekends, my pops gets drunk.
  • 76:56 - 76:58
    I was praying he wouldn't
    answer the phone,
  • 76:58 - 77:00
    because I'm bleeding,
    my lips are swollen,
  • 77:00 - 77:01
    people walking by going,
    "Jimmie Walker."
  • 77:02 - 77:03
    I'm going, "No, I'm Ed.
    I just had a fight."
  • 77:04 - 77:06
    So I'm praying my father
    wouldn't answer the phone.
  • 77:06 - 77:09
    And I picture this is going on,
    my pops is home like this, drunk:
  • 77:10 - 77:12
    "This is my house!
  • 77:17 - 77:20
    "It's my house
    and I don't give a fuck!
  • 77:20 - 77:22
    "You know something?
    Hey, I'm drunk, Lil.
  • 77:22 - 77:25
    "Lil? I'm drunk.
    And you know something?
  • 77:25 - 77:27
    "It's beautiful.
  • 77:29 - 77:32
    "It's beautiful, Lil. In my heart
    and my soul, I'm drunk.
  • 77:32 - 77:33
    "You know something, fuck it.
  • 77:34 - 77:37
    "Because if I wanna drink
    something in my house, fine.
  • 77:37 - 77:40
    "You don't like it,
    get the fuck out of my house.
  • 77:41 - 77:44
    "I pay the bills for this motherfucker.
    I wanna drink something, I drink.
  • 77:44 - 77:47
    "Hey, Lil, you gonna
    answer this telephone?
  • 77:47 - 77:49
    "Do you hear the phone ringing?
  • 77:49 - 77:50
    "Lil!
  • 77:55 - 77:58
    "That's the phone, motherfucker.
    That's not me.
  • 77:59 - 78:00
    "No, I'm not answering shit.
  • 78:01 - 78:03
    "I pay the bills.
    I'm gonna answer the phone too?
  • 78:03 - 78:06
    "Who am I, Alexander Graham Bell
    up in this motherfucker?
  • 78:06 - 78:08
    "You better answer this telephone.
  • 78:08 - 78:10
    "Lil, answer the phone.
    Goddamn it, look...
  • 78:10 - 78:12
    "Shit, I'm watching the fights, Lil.
  • 78:12 - 78:14
    "Are you...?
    You're not gonna answer it?
  • 78:14 - 78:16
    "OK. Fine.
    Don't touch the phone no more, Lil.
  • 78:16 - 78:19
    "Since you can't get up off your ass
    and answer the phone,
  • 78:19 - 78:21
    "you can't touch the phone.
    Bye-bye, phone, for Lillian.
  • 78:22 - 78:25
    "No more phone for you.
    Your phone privileges are cut off.
  • 78:25 - 78:27
    "I'm gonna write that down
    and put it on the fridge.
  • 78:28 - 78:29
    "That's the new rules in the house.
  • 78:29 - 78:32
    "I'm gonna take the old rules off
    and put new rules up.
  • 78:32 - 78:34
    "You gonna listen to me
    when I tell you to do something.
  • 78:34 - 78:37
    "We gonna put new rules up.
    We gonna put rules up. Rules up.
  • 78:37 - 78:39
    "Rules. Rules.
  • 78:39 - 78:45
    "One, 'Lillian cannot use the phone.'
  • 78:46 - 78:49
    "Two, 'Lillian cannot... '
  • 78:49 - 78:51
    "Since you're such a smart
    motherfucker,
  • 78:51 - 78:54
    "you can't go outside anymore either.
  • 78:54 - 78:58
    "Cannot go outside ever again.
  • 78:58 - 79:00
    "Now, put the rules up, Lillian.
  • 79:00 - 79:02
    "You abide by my rules
    and my regulations, goddamn it.
  • 79:03 - 79:05
    "And the rules say
    'No phone and no outside.'
  • 79:05 - 79:09
    "And I don't give a fuck if the
    motherfucking house is burning down.
  • 79:09 - 79:11
    "If I come home and a fireman
    putting the house out, I say:
  • 79:11 - 79:13
    'How you find out the house
    was burning? '
  • 79:13 - 79:16
    'We got a call from your wife,'
    I kick your motherfucking ass.
  • 79:17 - 79:20
    "You're in this house to stay!
    You'll burn up in this motherfucker.
  • 79:21 - 79:24
    "No, Lillian, where you going? Didn't
    I just say you couldn't go no place?
  • 79:24 - 79:26
    "How the hell you gonna
    go somewhere...?
  • 79:26 - 79:29
    "You're not going to Shirley's house
    to play Pokeno. Fuck Pokeno.
  • 79:29 - 79:32
    "Take your coat off. No, you can't
    go no place because I said so.
  • 79:32 - 79:35
    "The rules say 'no outside.' I know you
    wanna leave, that's why you can't go.
  • 79:35 - 79:37
    "You better call and tell her
    you're not coming.
  • 79:37 - 79:39
    "You can't use my phone.
  • 79:40 - 79:42
    "I don't know.
    You better lift up the window
  • 79:42 - 79:43
    "and scream your
    motherfucking head off.
  • 79:44 - 79:45
    "But you're not... I don't give...
  • 79:45 - 79:48
    "You're not going no place.
    You're not going no place.
  • 79:48 - 79:51
    "Because I know you wanna leave.
    That's why. I know you wanna leave.
  • 79:51 - 79:52
    "I know you wanna leave."
  • 79:52 - 79:54
    I got one of those fathers
    who gets drunk and sings
  • 79:55 - 79:56
    old Motown songs to you
    in his argument,
  • 79:56 - 79:59
    fucks up the lyrics
    and thinks he's saying it right.
  • 79:59 - 80:02
    "*I know you wanna leave me*
  • 80:02 - 80:05
    "*But I refuse to let you go, Lillian*"
  • 80:07 - 80:09
    Then he fuck up,
    think he's saying it right.
  • 80:09 - 80:13
    "*If I have to beg and plead*
    *Do the symphony*
  • 80:17 - 80:20
    "*I don't mind because it means*
    *That much to me*
  • 80:20 - 80:22
    "You're not going no place.
  • 80:22 - 80:24
    "You be right here in this
    motherfucker, Lil.
  • 80:24 - 80:27
    "*Watching the ships roll in*
  • 80:28 - 80:31
    "*Then you watch them*
    *Roll away again*
  • 80:32 - 80:33
    "Lillian
  • 80:34 - 80:37
    "Because I put the rules up.
    Like Diana Ross say,
  • 80:37 - 80:41
    "*It's my house*
    *I live here*
  • 80:41 - 80:46
    "And she sing in Spanish too, Lillian:
    *En my casa, I... Yo vivo aqui*
  • 80:50 - 80:52
    "This is my house!
    I don't give a fuck!
  • 80:52 - 80:55
    "Do you hear this phone? I'm gonna
    answer, because I know it's Shirley.
  • 80:55 - 80:58
    "And you not supposed to let
    a phone ring for a half-hour.
  • 80:58 - 81:00
    "You let it ring two or three times
    and hang it up.
  • 81:00 - 81:03
    "That's a lonely bitch at the end
    of that line. I'm gonna tell her.
  • 81:03 - 81:06
    "Hello? Shirley? Bitch, if you ever
    let my phone ring like this again...
  • 81:06 - 81:09
    "Shir...? What's wrong...?
    Hey, what's wrong with you?
  • 81:09 - 81:11
    "What you crying about?
    Eddie, what's...?
  • 81:11 - 81:13
    "Eddie, what's wrong with you?
  • 81:13 - 81:17
    "What? You had a fight?!
    Lillian, get my pistol.
  • 81:17 - 81:19
    "Who you have a fight with?
  • 81:19 - 81:22
    "What? A disco? With Deney Terrio?
  • 81:22 - 81:25
    "Fuck you doing with Deney Terrio?
  • 81:25 - 81:29
    "And Jimmie Walker?
    And your lips? And you shot...
  • 81:29 - 81:32
    "What? Lillian, Eddie had a fight
    in a disco with Deney Terrio
  • 81:32 - 81:34
    "and shot Jimmie Walker.
  • 81:36 - 81:38
    "He shot him in the lips, Lil.
  • 81:39 - 81:41
    "Eddie, why'd you shoot
    Jimmie Walker in his lips?
  • 81:42 - 81:44
    "I like *Good Times*.
  • 81:44 - 81:46
    "Oh, you took a shot in your lips?
  • 81:46 - 81:49
    "And you look like Jimmie Walker?
    Oh, that'd do it.
  • 81:50 - 81:54
    "Who punched you in the lips?
    Italian? For what?
  • 81:54 - 81:57
    "What you mean 'nothing'? Nobody get
    punched for nothing. What'd you do?
  • 81:57 - 82:00
    "Don't tell me 'nothing'.
    You had to do something.
  • 82:00 - 82:02
    "What did you do?
    No, don't tell me 'nothing'.
  • 82:02 - 82:04
    "Nobody gets punched for nothing.
    What...? Eddie...
  • 82:04 - 82:08
    "No, don't say 'nothing'. Eddie.
    *Nothing from nothing leaves nothing*
  • 82:10 - 82:11
    "*Had to do something*
  • 82:12 - 82:14
    "*Motherfucker punched you*
    *In the mouth*
  • 82:16 - 82:18
    "Now, what did you do?
    What?
  • 82:19 - 82:22
    "Eddie. No... Eddie, then it's something
    that you did a long time ago.
  • 82:23 - 82:25
    "Didn't I always tell you,
    you reap what you sow? Yes.
  • 82:25 - 82:27
    "What goes around comes around,
    Eddie.
  • 82:27 - 82:30
    "Yes, that's why that man punch you
    in your mouth tonight,
  • 82:30 - 82:31
    "for something you did
    a long time ago.
  • 82:32 - 82:33
    "Yes, Eddie.
    Well, you give what you get.
  • 82:33 - 82:35
    "You get what you give.
    That's why that man...
  • 82:35 - 82:38
    "Eddie. What do you mean,
    you don't remember what you did?
  • 82:38 - 82:40
    "He probably punched you
    for something you did
  • 82:40 - 82:42
    "when you was living here.
  • 82:42 - 82:45
    "I didn't catch everything that you did.
    I worked all day, you played all day.
  • 82:45 - 82:48
    "Eddie, who broke that lamp in 1971?
  • 82:49 - 82:52
    "It was you! Yes, it was. That's why
    that man kick your ass tonight.
  • 82:53 - 82:56
    "I'd appreciate if you go up and tell him
    that your father says 'Thank you.'
  • 82:56 - 82:59
    "Save me a trip to California.
    Because you never respect me.
  • 82:59 - 83:01
    "You never listen to what
    I tell you to do.
  • 83:01 - 83:04
    "I put rules on the refrigerator
    and you never obey my rules.
  • 83:04 - 83:06
    "Me and your mother want respect.
  • 83:06 - 83:08
    "You, Charlie and Vernon could not
    respect me and your mother.
  • 83:08 - 83:12
    "All we wanted was some respect.
    All we asked for was a little respect.
  • 83:12 - 83:14
    "How come you can't respect me?
    How come?
  • 83:14 - 83:17
    "I'm a man. I want respect.
    I want respect, Eddie.
  • 83:17 - 83:20
    "*What we want*
    *Baby, you got it*
  • 83:21 - 83:24
    "*What we need*
    *I know you got it*
  • 83:24 - 83:26
    "*Because all I'm asking*
  • 83:26 - 83:28
    "*Is for a little respect, motherfucker*
  • 83:29 - 83:32
    "*When you come on home, baby*
    Hold on a minute.
  • 83:37 - 83:40
    "*The kiss is sweeter than honey*
  • 83:40 - 83:43
    "*R- E-S-Z-C-P*
    *Find out what you mean to me*
  • 83:43 - 83:45
    "*R- E-C-C-T-T-P*
  • 83:45 - 83:48
    "Motherfucker,
    you know how to spell it!
  • 83:51 - 83:53
    "Respect. You never had no
    respect for me, Eddie.
  • 83:54 - 83:56
    "That's why the man kick your ass.
    And when I was a child,
  • 83:56 - 83:59
    "I respect my parents.
    And we didn't have shit. Okay?
  • 83:59 - 84:02
    "I had shit, Eddie. Me and my brothers
    and sisters didn't have shit.
  • 84:03 - 84:07
    "I had 11 brothers and sisters, Eddie.
    My father made 13 cents a week.
  • 84:09 - 84:12
    "He worked at the Coleco toy factory,
    Eddie, and made 13 cents a week.
  • 84:12 - 84:15
    "That's not a lot of money
    when you have 11 children.
  • 84:15 - 84:18
    "We didn't have all the fancy things
    like you, Charlie and Vernon.
  • 84:18 - 84:21
    "We didn't have fancy luxuries
    like food.
  • 84:22 - 84:24
    "What the fuck you gonna eat
    on 13 cents a week?
  • 84:24 - 84:26
    "We had to eat whatever my father
    brought home from work.
  • 84:26 - 84:29
    "We ate the toys, Eddie.
  • 84:29 - 84:31
    "We ate the toys
    and we never complained,
  • 84:31 - 84:33
    "because my mother
    could cook her ass off.
  • 84:33 - 84:35
    "My mother get some hot sauce
    and some salt and pepper,
  • 84:35 - 84:38
    "make a Tonka truck
    taste so delicious.
  • 84:38 - 84:41
    "The wheels will melt
    in your mouth, Eddie.
  • 84:41 - 84:43
    "And you appreciate it.
    You never complained.
  • 84:43 - 84:45
    "It was all for one and one for all.
    We stuck together.
  • 84:46 - 84:47
    "I only hurt my brothers
    and sisters once.
  • 84:47 - 84:49
    "I came home from school
    and my mother had made
  • 84:50 - 84:51
    "a birthday feast for my father.
  • 84:51 - 84:53
    "She had cooked and slaved
    over the stove all day
  • 84:54 - 84:56
    "and made enough food
    for 13 people to feast on
  • 84:56 - 85:00
    "for my father for his birthday
    and I sat down and ate it all by myself.
  • 85:00 - 85:03
    "I ate it all, Eddie, by myself.
    And my father came inside the kitchen,
  • 85:03 - 85:06
    "put his little birthday hat on
    and he looked at all the children.
  • 85:06 - 85:08
    "He had a tear in his eye
    and he said,
  • 85:08 - 85:09
    'Which one of you kids sat down
  • 85:10 - 85:12
    'and ate a whole fucking game
    of Monopoly by yourself? '
  • 85:14 - 85:16
    "And I ate it all, Eddie!
  • 85:16 - 85:18
    "Boardwalk, Park Place,
    Illinois Avenue,
  • 85:18 - 85:22
    "the shoe, the boat,
    the hat, the cannon,
  • 85:22 - 85:24
    "Connecticut Avenue,
    Luxury Tax,
  • 85:24 - 85:28
    "Eddie, I even ate those cheap
    purple motherfuckers after 'Go'...
  • 85:28 - 85:29
    "...that nobody buys.
    I ate them.
  • 85:29 - 85:32
    "I ate Baltic and Ralph Avenue.
    Yes, I did.
  • 85:32 - 85:34
    "I did, and I sat down and ate
    my father's birthday cake too.
  • 85:34 - 85:36
    "No, we couldn't afford a cake.
  • 85:36 - 85:38
    "It was two Etch-A-Sketches
    on top of each other.
  • 85:38 - 85:40
    "Two Etch... Etch-A-Sketch cake.
    That's right.
  • 85:41 - 85:42
    "We couldn't afford no icing,
  • 85:42 - 85:45
    "so my mother would write 'Happy
    Birthday Pop' on the Etch-A-Sketch.
  • 85:45 - 85:48
    "Know how you made a wish?
    You shook it till the words disappeared,
  • 85:48 - 85:49
    "then you ate the Etch-A-Sketch.
  • 85:50 - 85:52
    "And that was your birthday cake.
    And we never complained.
  • 85:52 - 85:54
    "We were happy to get that.
    All for one and one for all.
  • 85:55 - 85:58
    "We would get dressed to go to school.
    Let me tell you about our clothes.
  • 85:58 - 86:01
    "We had to wear whatever my father
    brought home from work, Eddie.
  • 86:01 - 86:02
    "We wore the toys!
  • 86:03 - 86:06
    "Each day my mother would wake up
    and open 11 Twister games, Eddie.
  • 86:07 - 86:08
    "She would roll the Twister mats
    on the floor.
  • 86:09 - 86:10
    "Me and my 11 brothers and sisters
  • 86:10 - 86:12
    "would wrap the Twister mats
    around our body like a suit.
  • 86:12 - 86:15
    "Then we get a Hot Wheels racetrack
    and put that around our waist as a belt.
  • 86:16 - 86:18
    "And if there was no Hot Wheels,
    we used Johnny Lightning.
  • 86:18 - 86:20
    "And if there was no Johnny Lightning,
    we ripped up a Hula Hoop
  • 86:20 - 86:22
    "and put that around our waist.
    But we went to school, goddamn it.
  • 86:22 - 86:25
    "Other children would make fun of us
    because we got on Twister suits.
  • 86:25 - 86:27
    "And it's no fun to get your ass
    kicked in a Twister mat.
  • 86:27 - 86:31
    "Right foot, blue. Left hand, red, Eddie.
    It was a goddamn game to these kids.
  • 86:31 - 86:32
    "I'm standing on the corner,
  • 86:32 - 86:35
    "a motherfucker is spinning the
    spinner and kicking my ass, Eddie.
  • 86:35 - 86:38
    "Then I gotta go to school and watch
    the other children eat real food.
  • 86:38 - 86:41
    "I gotta watch them eat peanut butter
    and jelly, bologna and Swiss,
  • 86:41 - 86:44
    "ham and cheese. I got a goddamn
    Silly Putty sandwich.
  • 86:45 - 86:48
    "Then, for dessert, they're gonna
    pull out a Hostess cupcake
  • 86:48 - 86:51
    "and I gotta eat a goddamn Slinky?
  • 86:51 - 86:54
    "A Slinky spring?! And, Eddie,
    I ate so many Slinkys,
  • 86:54 - 86:56
    "every time I hear the motherfucking
    Slinky song,
  • 86:56 - 86:58
    "it make me sick to my stomach.
  • 86:58 - 87:00
    "*They walk downstairs*
    *Alone and in pairs*
  • 87:00 - 87:01
    "*And make a clinkety sound*
  • 87:02 - 87:05
    "*A thing, a thing, a marvelous thing*
    *Everyone knows it's Slinky*
  • 87:05 - 87:08
    "*A Slinky, a Slinky*
    *A wonderful, wonderful toy*
  • 87:09 - 87:12
    "*A Slinky, a Slinky*
    *They're fun for a girl and a boy*"
  • 87:12 - 87:14
    Bye-bye, I gotta go.
    Thank you.
  • 87:14 - 87:17
    Best watched using Open Subtitles MKV Player
Title:
Eddie Murphy - Raw
Description:

Eddie Murphy Raw (1987) is an American stand-up comedy film directed by Robert Townsend and starring Eddie Murphy. It was Murphy's second feature stand-up video, following Eddie Murphy Delirious. The 90 minute show was filmed in New York City's Felt Forum, a venue in the Madison Square Garden complex.

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Video Language:
Afar
Duration:
01:30:25
Cooper Sheldon edited English subtitles for Eddie Murphy - Raw
Cooper Sheldon added a translation

English subtitles

Revisions