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Fatih Harbiye 21. Bölüm (HD)

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    Translated By Universe
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    Two Faces of Istanbul
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    Episode 21 "I LOVE YOU IS THE
    LONGEST QUESTIONED OPINION"
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    Macit... Please.
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    Well.
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    My dear ones, we are spreading.
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    In that case, this disk...
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    more sal ek dit neem
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    Well.
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    See you later.
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    See you later.
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    Good night.
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    Good night.
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    Did you feel better?
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    Yes.
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    That's good.
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    Once you come to the holding again, look into me.
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    We'll talk more this time.
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    What is he saying?
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    I went to a holding company, I wanted to see myself
    with Sahika and we met there.
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    You talked with him?
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    Friend, what conversation? We did not talk to each other.
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    - Let's go, give. Cihan, we're going.
    - What a talk.
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    Talk to Sahika.
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    Who hurt my brother?
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    I already said, old friend.
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    Do not write history, there's nothing there.
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    What is this friend?
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    You did not know that he was waving his knife right and left.
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    You owe him something, or heart issues, talk to him.
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    Fahriye, do not talk well anymore, it's all over.
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    Sahika, after all, it did not end, this type left a
    signature on my brother's leg, it's not the end.
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    You, brother and sister, are cowards.
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    Listen, Sahika, I did not find my brother on the street.
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    If this man you are talking about will once again stand in the way of Cihana,
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    you will all see Fahriye's real face.
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    Now I'm scared.
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    Of course you have something to be afraid of.
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    Wonderful, you learn fast.
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    I'm listening, Neriman.
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    Hello, Sahika, did you want me to call, something happened?
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    At Fahriye's house?
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    Okay, I'm going.
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    Please tell me what you wanted?
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    Mrs. Zehro,
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    I'm sorry for the late hour,
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    but we wanted to talk about our children.
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    Please, come in, Mr. Ismail.
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    Macit?
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    Neriman?
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    Sinasi worried you after I left?
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    Why should he bother me?
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    Yeah.
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    I saw Sinasi have a new girlfriend and that's why you are not worried anymore.
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    Neriman?
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    I came to Fahriye.
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    See you tomorrow.
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    I hang up the phone.
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    Fahriye, Sahika is here?
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    Come in, come in.
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    Now I understand why love is one team.
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    Why?
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    Because it's not important for what band you are,
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    important that you can say it when you lose or win.
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    Till death.
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    Till death.
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    It's like a disease, not some love.
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    Sahika, thank you so much for this evening.
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    What happened to your hand?
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    Nothing, a small scratch.
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    Together with Cihan, they introduced a new trend "a small scratch trend".
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    Very funny.
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    It's not funny, it's horrible.
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    When Macit brought me home, we came across Sinasi.
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    Well.
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    Poor thing.
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    Which of them?
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    There was a girl with Sinasim.
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    What?
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    Ruya.
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    Stupid.
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    It seems to me that Sinasi enjoys Ruya.
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    How do you know?
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    He looked at her the way he used to look at me.
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    Are you jealous of Sinasi?
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    Who is jealous of,
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    when he has such an amazing Macca Arcaoglu,
    what he has to do with such Sinasi.
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    Buddy, you want to get in trouble.
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    It was not enough that you came
    to our district, you come to the store.
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    In fact,
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    it can only get worse.
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    Buddy, get out of here, if you do not want to get hit in the face.
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    He is right.
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    If you say something more to Arcaoglu, you can get hit.
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    I have not said everything yet, I will say and I will go.
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    It will be better for you, as you get used to the fact that you
    will see me here so far, until my girlfriend, Sinasi, lives here.
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    Stop looking at Neriman like crazy every time you see us together.
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    Morning, day, evening, I can walk here 24H.
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    Do not look at Neriman so that she would take pity on you.
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    What are you talking about?
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    Sinasi.
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    I'm talking further.
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    Stop looking at us with this piercing gaze.
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    He went out of here.
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    Sinasi.
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    Arcaoglu, go away, go.
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    Macit, when he saw Sinasi, he got angry
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    I will not mention Sinasi, who can attack us at any moment.
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    To tell you the truth, Neriman, it's not good when your men meet so often.
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    Patience may end at Macita.
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    Macit, it's not like Sinasi,
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    that is, they are very different,
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    his education, his point of view, views on the world,
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    it's like he was from another world.
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    Dear,
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    I will tell you something.
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    Maybe both Sinasi and Macit are from other worlds,
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    but one thing connects them - they are both men.
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    It means?
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    I mean, patience in Macita is not rubbery.
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    When the matter concerns women,
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    men return to the primitive times of their ancestors.
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    If you're a man,
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    be a real man
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    and do not get Neriman thinking.
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    Go away.
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    Sinasi.
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    Tell your friend,
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    so that he stays away from my beloved.
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    Get out.
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    Sinasi.
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    Last time I warn you,
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    stay away from Neriman.
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    Buddy... I'll be right...
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    Sinasi. Let go. Let go. Sinasi.
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    I'll be right away... Go away from here. Let me go, smell it.
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    Macit?
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    Neriman?
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    Why do you think Macit returned.
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    Mrs. Zehro,
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    I do not know where to start.
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    In short,
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    our son Emre is very sorry, very much.
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    If Asli wants to come back,
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    we came for her,
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    but if she does not want to, it's her business.
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    They are still young, they do not know
    what is a marriage, a family, they will learn.
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    Mr. Ismail will not learn this way.
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    Your son was dragging my pregnant daughter on the floor.
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    Sister, will my mother send me back?
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    Is it possible? Until you do not want to, no one
    will send you Kader home, do not be afraid.
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    I barely saved my son from your children.
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    Well, it was over.
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    We made a mistake,
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    now we will look into the future.
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    I am asking for forgiveness for everything that happened.
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    Asli, forgive us too.
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    For son.
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    Now Asli can come and kiss our hands, we'll be reconciled.
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    Asli.
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    Sister, my mother sends me back.
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    Asli.
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    We will show your nobility.
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    Come, kiss your hands and we will go.
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    Please, take Mr. Ismail and Mrs. Kader to the door.
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    I can not move.
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    Hello.
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    How was your birthday?
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    Well.
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    What about her?
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    An adult, envious Fahriye.
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    Sahika, how is your hand?
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    Well, good, no problem.
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    Do not worry, the scar will not be.
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    Are you saying it will disappear?
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    It will disappear, it will disappear.
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    How much do you know.
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    We made a mistake by coming here.
    Who they are? No dignity.
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    It was me who made the mistake of letting you into your home.
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    Do you hear, hear? You brought me home to unloved people.
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    Kader, we're leaving.
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    Now you will explain to your son who he took for his wife and put a lot of poverty on our heads.
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    Quieter, who are you, that you say so about me and my family?
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    Like father, like son.
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    You destroyed my son, you destroyed my only son.
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    I'll rip you off soon.
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    Mom.
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    - Mom please.
    - Come, come here. Kader, I will kill you.
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    You think it's that simple.
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    Answer me for that.
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    - Mom!
    - Answer. You'll see.
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    I will tell Emre everything.
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    I'm dying, I'm dying.
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    Kader, Kader, are you all? Kader?
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    What are you looking at? Call an ambulance.
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    Okay, I'm calling.
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    Kader, Kader, Kader.
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    Do not touch me!
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    I'm dying.
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    I'm dying, I'm dying.
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    Onur, answer in the end.
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    As you wish.
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    Are you calling Macita?
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    To Onura.
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    We had a quarrel today.
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    Now the phone is off.
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    And what happened?
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    He allows too much.
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    He crossed the border.
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    Man should know when to stop.
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    Do you know, Pelin?
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    If you talk about Macita, it's not the same, Duygu.
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    One and the same, Pelin.
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    In the end, he has the same feelings for you, right?
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    Duygu, please, it will be better if we do not talk about it.
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    For many years…
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    Yes, I have been silent for many years.
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    What happened?
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    Mr. Onur's lie came to light.
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    Duygu, when did you grow up?
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    It happened imperceptibly.
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    Nobody notices me.
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    I am watching the triumph of Neriman, a simpleton.
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    Everything must be right in front of my nose.
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    I'm stupid and he and Neriman.
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    Pelin,
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    do not chase after Mcit.
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    Do not do this.
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    Are you saying that too much?
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    Do not run after him.
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    Hold back, you lose in Macita's eyes,
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    stop.
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    Careful, everything hurts.
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    Kader, do not be afraid, nothing happened, you will recover.
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    Everything is Zehra's fault.
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    Mom? What happened?
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    Sinasi, I did not do anything to her, we only
    talked to the stairs and she lost her balance.
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    Liar.
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    Sinasi, I did not push her.
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    Sinasi, she lost her balance and fell, I did not do anything, I just stood.
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    Mr. Ismail, I will go with you too.
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    Ismail, he will not go with us.
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    Ismail, they'll kill me.
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    I'll show you all of them, they'll kill me, he will not go with us.
    I will show you all, I will make a complaint.
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    There is no need.
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    Sinasi, I did not do anything, she really fell down the stairs.
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    Asli, what happened to your mother-in-law?
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    She fell down the stairs.
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    Was there a quarrel at home?
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    What argument? The woman lost her balance and fell.
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    It's a pity her.
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    What happens now? Who will look after her now? She has no one.
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    Everything will be fine, everything will be
    fine, do not be upset. As God will let it heal.
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    Asli, now you'll have to look after her.
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    You are pregnant, do not go to hospital.
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    When he returns home, you will go and look after her.
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    He will not get up so quickly.
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    I told you more than once that I would never let your hand go.
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    It's not just about hands. I can not breathe without you, Macit.
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    Mom, everything will be fine, do not worry about it.
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    You can not do this for me?
    Try to smile.
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    In the end,
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    what would not happen, I will never regret today.
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    Mom,
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    what I feel now is love.
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    If it's a lie, it's a beautiful lie.
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    Good morning, my love. After classes you will spend time with me?
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    Did you miss me?
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    Very.
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    Neriman?
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    What's with you? You are radiating again.
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    Nothing special.
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    Listen,
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    Do not you meet again with this rich boy?
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    Do not do this, do not do it to my child, my father's heart will not stand it.
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    He is a Pelin boy, and she is the daughter of your uncle.
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    It's not her boyfriend, Aunt. Their love is for advertising.
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    There is such love for them, and what would be your love?
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    Macit Arcaoglu will not be able to show up with you for advertising,
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    because of you, he would lose his position in the upper realms.
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    Dad got up yet?
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    And father can sleep so far?
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    Child, what is happening to you, I do not understand anything.
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    You are like that, Sahika too.
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    Did you find out how Sahika cut her arm?
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    I asked, but she did not answer.
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    You're scared of asking Sahika anyway.
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    You do not understand her.
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    She does not know what is right.
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    Fahriye.
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    Good day Uncle Fayiz.
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    Good morning Fahriye, what's up?
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    What's up?
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    How should I be uncle Fayiz? The same as yesterday.
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    Good day.
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    Good day.
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    How was your birthday? All the best.
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    Birthday, yes, let them be happy.
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    For one more year or less, nothing changes with me.
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    Happy birthday Fahriye.
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    Dad's calling.
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    Certainly because of your birthday, he is not there
    but all the time thinking about his children.
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    Receive, collect.
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    Hello?
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    Dad, what's up, so much time has passed since our last conversation.
    We were worried about you, are you okay?
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    Give greetings.
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    Uncle Fayiz gives greetings.
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    From me too.
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    Dad, when will you come?
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    Are you in Riva?
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    Dad, it's been four months.
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    Yes, repeat again?
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    Say it again.
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    Really?
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    Well.
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    Congratulations.
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    Fahriye, something bad happened?
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    No,
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    even good.
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    Dad in Riva...
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    He got married.
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    They will stay there for some time.
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    Fine. It's good, and what was he doing to him?
    all life alone, right Aunt Gulter?
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    It really happened.
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    Neriman?
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    Why are we so lonely?
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    Brother.
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    The poor girl is shocked.
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    So many years without mother and father. Cihan and Fahriye are doing well.
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    And what a father they see every 3-4 months.
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    Gulter,
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    do not interfere in Fahriye's love with compassion.
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    Take care of her.
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    Well.
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    They are entrusted to us.
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    Sahika, do not go.
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    Do not go.
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    Pelin, are you leaving?
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    Yes mum.
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    I woke up thinking that Neriman took my
    two beloved men, but a new day begins.
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    Beloved, everything will be fine.
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    We will see.
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    I will leave them alone, they can live as they want.
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    I do not want to understand what
    Neriman, Macit or father do.
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    Good day.
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    Here is my heroine.
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    The most beautiful of the sisters.
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    What's happening, I do not understand anything?
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    I told my mother how you opened my eyes yesterday.
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    And what did I do? I do not understand.
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    You said, stop.
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    Pelin, stop.
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    Yes, you were right.
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    I do not have to do anything, Neriman and Macit will get tired of each other.
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    I should be strong.
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    I am waiting for Macita and Neriman,
  • 31:50 - 31:56
    to strike a blow to whoever is the first to have enough.
  • 31:58 - 32:00
    See you later.
  • 32:05 - 32:07
    Mom?
  • 32:07 - 32:09
    I'm really scared.
  • 32:09 - 32:11
    Me too, Duygu.
  • 32:13 - 32:15
    Me too.
  • 32:29 - 32:32
    Beloved, my poor thing.
  • 32:33 - 32:35
    That's life.
  • 32:36 - 32:39
    He rules us as he wants.
  • 32:39 - 32:44
    We are with Cihan, always alone.
  • 32:44 - 32:46
    Forsaken.
  • 32:46 - 32:49
    Brother and sister, two unhappy people.
  • 32:49 - 32:56
    Cihan, he will not say anything, but he was very sad when my mother abandoned us.
  • 32:56 - 33:00
    I was very small when my mother left and did not understand anything.
  • 33:00 - 33:07
    When you do not know anything, you are not looking for it.
  • 33:08 - 33:12
    Dear, do not act as if your father died.
  • 33:12 - 33:15
    He lives somewhere far away but alive.
  • 33:15 - 33:15
    Lives.
  • 33:16 - 33:22
    Once a month, she sends money and then we know she is alive.
  • 33:23 - 33:30
    Look at me, Neriman, how ungrateful I am, you see what a good father I have.
  • 33:33 - 33:39
    We do not see him alone, but we see his
    money, even if his name is saved in the bank.
  • 33:39 - 33:43
    Fahriye, you did not really see your father.
  • 33:43 - 33:46
    Yes, I have not seen.
  • 33:49 - 33:52
    But his shadow, Neriman, was enough for me.
  • 34:20 - 34:22
    Tell Onur to come to my office.
  • 34:22 - 34:25
    He can not because he has not come yet.
  • 34:25 - 34:26
    He did not come?
  • 34:29 - 34:31
    - Let me know how it will come.
    - Of course.
  • 34:39 - 34:41
    Where are you Onur?
  • 34:47 - 34:49
    Good morning, Dad.
  • 34:55 - 34:59
    You have not yet started the production of the collection from the new season.
  • 34:59 - 35:03
    The Arcaoglu fashion house still has problems with fabrics.
  • 35:05 - 35:07
    Do not worry.
  • 35:07 - 35:11
    The fabrics will be in the factory in two weeks.
  • 35:18 - 35:22
    Uncle Kerim, if it's important, I will not interrupt.
  • 35:22 - 35:27
    No Pelin, it's related to the company. And that means that with you too.
  • 35:33 - 35:36
    This is a contract signed with Ozgur.
  • 35:38 - 35:38
    Yes.
  • 35:41 - 35:47
    The terms of the contract are good, but you have information about the company?
  • 35:47 - 35:50
    Ozgur is my old friend and I believe him.
  • 35:51 - 35:54
    I'm not interested in your colleague's past.
  • 35:54 - 35:57
    I'm talking about selling them.
  • 35:57 - 35:59
    Have you read it carefully?
  • 35:59 - 36:00
    Dad.
  • 36:00 - 36:04
    I put all the information gathered on the table.
  • 36:04 - 36:09
    The company on the market is new, I agree with it,
    but it works with the best brands in the world.
  • 36:09 - 36:12
    It means that it inspires confidence.
  • 36:17 - 36:20
    Great, good job.
  • 36:22 - 36:26
    Ah, this friend of yours...
  • 36:26 - 36:27
    Onur.
  • 36:27 - 36:28
    He is not there yet.
  • 36:28 - 36:31
    I tried to contact him.
  • 36:31 - 36:32
    Pelin, you know something?
  • 36:32 - 36:34
    No.
  • 36:34 - 36:37
    He left a termination notice in the department.
  • 36:39 - 36:41
    I signed them.
  • 36:44 - 36:46
    I do not believe.
  • 36:51 - 36:55
    Yesterday evening when I left the table, something happened between you?
  • 36:55 - 36:58
    Do you think I'm the reason he left?
  • 36:58 - 37:03
    Yes, because before going to Paris, then too
    You were the last person to see Onur.
  • 37:04 - 37:06
    What happened?
  • 37:06 - 37:09
    What are you telling Onur that he does not look back after looking back?
  • 37:09 - 37:12
    That I love another.
  • 37:14 - 37:17
    I think it is not a secret.
  • 37:17 - 37:18
    Yes.
  • 37:19 - 37:22
    But Onur had a secret.
  • 37:31 - 37:33
    Sihriwan, is the car ready?
  • 37:33 - 37:35
    Yes, ready.
  • 37:35 - 37:38
    - Thank you.
    - You do not mind Mrs. Inci.
  • 37:39 - 37:43
    Feiza, welcome my dear. What's up?
  • 37:43 - 37:45
    Not so good, Inci.
  • 37:45 - 37:47
    Can we have a coffee together today?
  • 37:47 - 37:53
    Now I'm going to the studio, we can see there. I will have a moment.
  • 37:53 - 37:54
    Well.
  • 38:01 - 38:03
    Macit called?
  • 38:03 - 38:05
    In the morning he sent a message.
  • 38:09 - 38:13
    Neriman, do you have lessons today?
  • 38:13 - 38:14
    Yes, I do, but I will not go.
  • 38:14 - 38:16
    Why?
  • 38:16 - 38:23
    Fahriye, I will not leave you alone today.
  • 38:23 - 38:26
    Dear, my friend.
  • 38:26 - 38:30
    You only do it because I do not cry. But I
    will start crying even more, you will see.
  • 38:31 - 38:33
    Get up, you will go. Collect yourself.
  • 38:33 - 38:35
    You will go to lessons.
  • 38:38 - 38:41
    Give greetings to Macita.
  • 38:41 - 38:45
    Fahriye, I will not go anywhere without you today.
  • 38:45 - 38:48
    How do I have to go...
  • 38:48 - 38:49
    You must.
  • 38:49 - 38:51
    In that case, we will go together.
  • 38:51 - 38:53
    Where?
  • 38:53 - 38:54
    To the atelier?
  • 38:54 - 38:57
    So first to the atelier, then to Macita.
  • 38:58 - 39:02
    You, me, and Macit Arcaoglu?
  • 39:04 - 39:08
    You're crazy.
  • 39:08 - 39:12
    I can not go there, it does not fall out.
  • 39:12 - 39:15
    Falls.
  • 39:17 - 39:19
    Come on, we'll do makeup.
  • 39:22 - 39:24
    I'm nervous.
  • 39:31 - 39:33
    She left?
  • 39:33 - 39:36
    She feels better now, her life is in no danger.
  • 39:36 - 39:37
    Thank God.
  • 39:37 - 39:39
    What plaster?
  • 39:43 - 39:45
    Broken leg.
  • 39:47 - 39:50
    Well thank you.
  • 39:52 - 39:56
    She has a broken leg, she has been discharged from the hospital and goes home.
  • 39:56 - 39:59
    Thank God that nothing worse has happened.
  • 39:59 - 40:02
    We thank god, but what will Ms Kader say?
  • 40:02 - 40:05
    It will spit venom.
  • 40:18 - 40:20
    Slowly.
  • 40:20 - 40:23
    Mom, it's better? It hurts you?
  • 40:24 - 40:27
    You are blind? Do not you see how it is better?
  • 40:27 - 40:29
    Because of you I am in this condition.
  • 40:29 - 40:31
    I still call my son myself.
  • 40:31 - 40:34
    They will pay us for it, do not worry.
  • 40:35 - 40:38
    It was an accident, do not overdo it.
  • 40:38 - 40:39
    Do not overdo it!
  • 40:39 - 40:43
    Ismail, I almost died, but you keep telling me not to overdo it.
  • 40:43 - 40:45
    Hurts a lot.
  • 40:45 - 40:47
    Where are my medicines?
  • 40:47 - 40:49
    I'll bring it soon.
  • 40:52 - 40:58
    Are you aware of my condition?
    I will have to lie through your wife now.
  • 40:58 - 41:03
    In this age, instead of resting, I will be bedridden.
  • 41:04 - 41:13
    I said: Mrs. Zehro, forgive me, let us be reconciled, I regret very much.
  • 41:13 - 41:17
    We will not separate young people, it is a sin.
  • 41:18 - 41:20
    But this woman threw herself at me.
  • 41:20 - 41:22
    And Asli did not do anything?
  • 41:22 - 41:24
    She did.
  • 41:24 - 41:28
    Your mom was coming down the stairs, and your wife was looking at it.
  • 41:31 - 41:34
    Who will look after me now?
  • 41:47 - 41:50
    The problems do not end, they do not end.
  • 41:50 - 41:54
    We forgot about our problems, and now
    we have to worry about Mrs. Kader.
  • 41:54 - 41:56
    As she was falling down.
  • 42:00 - 42:05
    As the ball bounced off every step.
  • 42:05 - 42:06
    Nezahat.
  • 42:06 - 42:07
    Sister, not so good.
  • 42:07 - 42:09
    I was so nervous.
  • 42:09 - 42:13
    I will ask for something? From which step did Mrs. Kader fall?
  • 42:13 - 42:16
    She dropped from the first step.
  • 42:16 - 42:17
    Nezahat.
  • 42:35 - 42:37
    Hello Ruya.
  • 42:37 - 42:38
    Welcome.
  • 42:38 - 42:40
    We can talk?
  • 42:41 - 42:46
    No, I'm not in the office, can you come here?
  • 42:46 - 42:48
    Well. Where are you?
  • 42:52 - 42:55
    Mom, I'm leaving. If something happened, call me.
  • 42:55 - 42:58
    Son, it's better that nothing happens.
  • 42:58 - 42:59
    See you later.
  • 42:59 - 43:00
    See you later.
  • 43:02 - 43:05
    Come slowly, slowly.
  • 43:13 - 43:17
    Aunt Gulter, I'm going with Neriman to the atelier.
  • 43:17 - 43:20
    Okay, okay, go.
  • 43:20 - 43:21
    See you later.
  • 43:21 - 43:23
    We're leaving Dad.
  • 43:23 - 43:24
    See you later.
  • 43:32 - 43:36
    Brother, have you seen? Neriman did not leave Fahriye alone.
  • 43:36 - 43:38
    Neriman will not leave anyone alone halfway, Gulter.
  • 43:38 - 43:42
    I am sure that with who she left the road, she will go on.
  • 43:43 - 43:44
    Brother.
  • 43:45 - 43:50
    Did you say that about Fahriye or Sinasi?
  • 43:50 - 43:52
    About Neriman.
  • 44:00 - 44:03
    Asli, my dear, do not worry anymore.
  • 44:03 - 44:05
    Nothing will happen to her, do not worry.
  • 44:05 - 44:07
    He will recover soon.
  • 44:07 - 44:10
    It's what happened to me.
  • 44:10 - 44:13
    Listen to Asla, it's not your fault.
  • 44:13 - 44:15
    It was an accident.
  • 44:15 - 44:18
    Well, who will look after Mrs. Kader now?
  • 44:18 - 44:19
    Asli, do not even think about it.
  • 44:31 - 44:33
    Emre came.
  • 44:43 - 44:46
    Which one of you pushed my mom down the stairs?
  • 44:46 - 44:47
    It was an accident.
  • 44:47 - 44:49
    I swear it was an accident.
  • 44:49 - 44:50
    Accident?
  • 44:50 - 44:52
    Answer me for that.
  • 44:52 - 44:53
    It was an accident.
  • 44:53 - 44:57
    You will see what it means to bring my mother to this state.
  • 45:05 - 45:11
    I will demand a penalty for this crime.
    Everyone will know that people here live with the souls of murderers.
  • 45:11 - 45:13
    Murderers?
  • 45:13 - 45:15
    What crimes?
  • 45:15 - 45:19
    Why should we push your mother?
    She lost her balance and fell down the stairs.
  • 45:19 - 45:20
    It was an accident.
  • 45:20 - 45:21
    Mom.
  • 45:23 - 45:25
    It was an accident.
  • 45:34 - 45:37
    I will introduce you to Macit Arcaoglu.
  • 45:37 - 45:40
    Neriman, I'm very excited.
  • 45:40 - 45:43
    Macit will also be surprised when he sees you.
  • 45:43 - 45:50
    Listen, I do not want to be a surprise for him.
    Call and warn him. I do not want to be between you.
  • 45:50 - 45:53
    Nothing will happen, do not worry.
  • 46:08 - 46:18
    You know, men have nothing to regret, just look at him.
    I think that you are indifferent to Sinasi.
  • 46:18 - 46:22
    It should be. We were children, but we've grown up.
  • 46:24 - 46:27
    Are you jealous of Ruya?
  • 46:27 - 46:29
    Just tell the truth.
  • 46:29 - 46:33
    My eyes do not see anyone but Macita.
  • 46:54 - 46:58
    Mr. Macit, I leave the documentation for tomorrow's meeting on the table.
  • 46:59 - 47:01
    Thank you.
  • 47:03 - 47:05
    In place of Mr. Onura this morning...
  • 47:05 - 47:08
    For some time, please do not give an advertisement.
  • 47:08 - 47:10
    There will be no need.
  • 47:12 - 47:15
    Mr. Kerim replaced Mr. Onura with me.
  • 47:21 - 47:23
    You can go.
  • 47:24 - 47:26
    I thought you knew.
  • 47:42 - 47:45
    - You said?
    - Yes.
  • 47:45 - 47:50
    Figen, I need to know every step of the way, every breath.
  • 47:50 - 47:57
    Okay, but if you want to have a guarantee, then you have to marry your son from Pelin.
  • 47:58 - 48:00
    Uncle Kerim.
  • 48:00 - 48:04
    Pelin, Macit needs you.
  • 48:04 - 48:09
    He is confused. You should make sure that he does not make a mistake.
  • 48:09 - 48:12
    Uncle Kerim, I did everything in my power.
  • 48:12 - 48:16
    Now Macit himself should want this for himself.
  • 48:16 - 48:17
    It means?
  • 48:17 - 48:23
    It means that Macit from Neriman can do anything they want.
  • 48:24 - 48:27
    Pelin, you and Macit...
  • 48:27 - 48:29
    Uncle Kerim, it was earlier.
  • 48:29 - 48:32
    Now is Macit and Neriman.
  • 48:33 - 48:39
    It means that if you think about Macita's future
    then you have to talk to Neriman, not me.
  • 48:48 - 48:51
    Now it's your turn.
  • 49:07 - 49:09
    Welcome.
  • 49:09 - 49:11
    Good day.
  • 49:11 - 49:13
    What's up?
  • 49:13 - 49:14
    Fine.
  • 49:16 - 49:18
    But with you probably not necessarily.
  • 49:20 - 49:23
    Will we be honest with each other?
  • 49:23 - 49:24
    Well.
  • 49:24 - 49:28
    I will speak, but you will not remain silent.
  • 49:28 - 49:29
    I agree.
  • 49:29 - 49:31
    But if you want to escape, let's not start the conversation.
  • 49:31 - 49:33
    I staying.
  • 49:37 - 49:43
    I saw how it was uncomfortable to show up with me last night.
  • 49:43 - 49:44
    Ruya.
  • 49:44 - 49:45
    Sinasi,
  • 49:45 - 49:48
    Please, give it to me.
  • 49:48 - 49:51
    Maybe I will never have that courage again.
  • 49:54 - 49:59
    I see you have not forgotten about Neriman. About suffering too.
  • 50:02 - 50:07
    I do not want you to be in a more difficult situation because of me.
  • 50:09 - 50:15
    I do not want to let you lose your chance of a relationship with Neriman.
  • 50:15 - 50:16
    Well.
  • 50:16 - 50:19
    As we speak honestly, listen to me.
  • 50:19 - 50:23
    I will tell you about Sinasi, Neriman and Macita.
  • 50:23 - 50:27
    And decide on which side you stand in this story.
  • 50:47 - 50:51
    Good morning Feizo. It's good that you came.
  • 50:52 - 50:54
    What's up?
  • 50:54 - 50:56
    More important is how are you Inci?
  • 50:56 - 50:58
    You do not look good.
  • 50:59 - 51:02
    Honestly, it's not too good.
  • 51:02 - 51:04
    Macit disappointed me very much.
  • 51:04 - 51:07
    I have warned you from the very beginning.
  • 51:07 - 51:09
    Conversations do not give anything.
  • 51:09 - 51:13
    Macit is very in love with Neriman, he sees nothing.
  • 51:13 - 51:15
    That's why I came.
  • 51:16 - 51:18
    I need to protect my daughter.
  • 51:19 - 51:22
    I am asking you to speak with Macito.
  • 51:22 - 51:26
    I have talked many times. He does not want to hear anything.
  • 51:26 - 51:28
    I tried to convince him to Pelin.
  • 51:29 - 51:34
    I am asking you to keep Macita away from my daughter.
  • 51:34 - 51:41
    I can not look any longer as my daughter
    fades in sight, through Macita and Neriman.
  • 51:41 - 51:45
    It will pass, you know how Macit is.
  • 51:45 - 51:48
    Inci, Pelin is not a Macita toy.
  • 51:49 - 51:51
    Perhaps Macit does not know about it.
  • 51:52 - 51:58
    The adventure with Neriman will end sometime, or not.
  • 51:59 - 52:03
    Macit will lose in each of these quarters.
  • 52:05 - 52:09
    Why should the loser should comfort Pelin?
  • 52:10 - 52:12
    Inci, it's time to finish it.
  • 52:13 - 52:17
    The secret agreement between us has come to an end.
  • 52:18 - 52:22
    I do not want to see Macita around Pelin.
  • 52:33 - 52:35
    Neriman, Neriman.
  • 52:35 - 52:38
    It will be better if I do not go, I will stay here, I do not know this place.
  • 52:38 - 52:40
    No Fahriye, let's go.
  • 52:41 - 52:46
    Do fruitful work, work, you will definitely become artists.
  • 52:47 - 52:50
    Fahriye, you do not have to say anything.
  • 52:50 - 52:52
    No? I do not know, I'm just saying.
  • 52:58 - 53:01
    Macit Arcaoglu came first.
  • 53:02 - 53:04
    I thought Neriman was moving away from me.
  • 53:05 - 53:09
    It turns out that Macit came because Neriman went away.
  • 53:10 - 53:13
    If Neriman really loved me...
  • 53:13 - 53:14
    She wanted to be with me.
  • 53:14 - 53:16
    She would be with me.
  • 53:17 - 53:19
    Not with Macito or anyone else.
  • 53:21 - 53:25
    No love ends or does it start because of someone else.
  • 53:26 - 53:27
    Yes you are right, but...
  • 53:27 - 53:35
    You know, actually, I want to explain to you that
    if love is to come, it will happen to me and you.
  • 53:36 - 53:39
    Neriman, she will not go anywhere just because she saw you.
  • 53:40 - 53:43
    Or she will not come back from where she went.
  • 53:45 - 53:50
    Sinasi, my situation is a bit complicated.
  • 53:57 - 54:02
    I... I do not want to see you suffer because of Neriman.
  • 54:05 - 54:07
    Because…
  • 54:10 - 54:13
    Look, it's very hard for me to talk about it.
  • 54:13 - 54:14
    Ruya.
  • 54:15 - 54:19
    I am in a position that I can not promise you anything.
  • 54:20 - 54:22
    I can not lie to you.
  • 54:23 - 54:24
    I know.
  • 54:25 - 54:27
    You are unique.
  • 54:28 - 54:30
    You too.
  • 54:31 - 54:33
    If only you could understand it.
  • 55:11 - 55:13
    Neriman, just look.
  • 55:13 - 55:15
    Fahriye.
  • 55:17 - 55:20
    Neriman, that's it?
  • 55:23 - 55:27
    Neriman, I do not know anything about art.
  • 55:30 - 55:32
    See you later, Inci.
  • 55:33 - 55:35
    Neriman, what is it?
  • 55:36 - 55:38
    Neriman?
  • 56:26 - 56:30
    Neriman, daughter of Nazan, is it you?
  • 56:31 - 56:33
    Feiza, please.
  • 56:35 - 56:38
    And you're probably the uncle's wife.
  • 56:38 - 56:41
    You played well today.
  • 56:48 - 56:52
    It's obvious that you started working to enter the show business.
  • 56:53 - 56:55
    Your father started it too.
  • 56:55 - 56:57
    Just like you, with high hopes.
  • 56:58 - 57:01
    I do not have to listen.
  • 57:01 - 57:04
    How do you take one more step,
  • 57:10 - 57:13
    I will put this tiny world on your head.
  • 57:16 - 57:18
    Neriman.
  • 57:19 - 57:21
    Hello Macit.
  • 57:29 - 57:31
    I think you know each other.
  • 57:31 - 57:33
    We know each other, my dear.
  • 57:35 - 57:39
    I wish you, as soon as you met her.
  • 57:45 - 57:47
    All right?
  • 57:51 - 57:55
    Feiza, Neriman is learning a drawing here.
  • 57:55 - 57:57
    I do not want you to think about something else.
  • 57:57 - 58:01
    You know what I think? That it will be better if you open your eyes and start thinking.
  • 58:05 - 58:07
    Mrs. Inci, I am today...
  • 58:08 - 58:10
    Macit.
  • 58:10 - 58:13
    Mom, we have to leave.
  • 58:20 - 58:22
    And who is that?
  • 58:22 - 58:24
    Fahriye.
  • 58:24 - 58:26
    Professor Inci,
  • 58:26 - 58:35
    art is a difficult subject only today I understood it, health for
    your hands, good luck and more inspiration in art, all good.
  • 58:39 - 58:43
    Neriman, wait for me.
  • 58:45 - 58:48
    We will not go anywhere without you.
  • 58:53 - 58:56
    My best friend,
  • 58:57 - 59:01
    a friend from the heart, my yesterday, my today, my childhood.
  • 59:02 - 59:04
    In short, Fahriye.
  • 59:06 - 59:08
    In the end, we met.
  • 59:08 - 59:09
    Nice to meet you Fahriye.
  • 59:09 - 59:13
    Macit, you have no idea how nice it is for me.
  • 59:13 - 59:14
    Let's go.
  • 59:21 - 59:22
    And Macit.
  • 59:23 - 59:25
    And that's all.
  • 59:25 - 59:27
    Think well.
  • 59:28 - 59:31
    Of course, that's not all.
  • 59:31 - 59:33
    My heart,
  • 59:34 - 59:36
    my irreplaceable,
  • 59:36 - 59:39
    my best inspiration,
  • 59:39 - 59:42
    the most beautifully painted drawing,
  • 59:42 - 59:43
    my love.
  • 59:45 - 59:47
    Love.
  • 59:53 - 59:55
    I would not mind disturbing
  • 59:56 - 60:01
    someone has someone, and someone does not, a person feels bad while standing in the back.
  • 60:01 - 60:03
    Come on, let's go.
  • 60:04 - 60:06
    Where would you like to go?
  • 60:06 - 60:09
    Please, let it be far away.
  • 60:09 - 60:11
    Fahriye, it's better if we do not go too far.
  • 60:11 - 60:15
    Not Neriman, today we will go where Fahriye will want to.
  • 60:15 - 60:18
    That's right, Macit. Macit, Macit...
  • 60:19 - 60:22
    Fahriye, you're a happy girl.
  • 60:22 - 60:23
    You have not seen anything yet.
  • 60:23 - 60:25
    We drive?
  • 60:42 - 60:44
    Excuse me.
  • 60:44 - 60:46
    Where?
  • 60:46 - 60:47
    To my office.
  • 60:48 - 60:52
    - And Mr. Onur?
    - He slowed.
  • 60:53 - 60:55
    Now I am.
  • 60:56 - 61:00
    In that case, I wish you good luck.
  • 61:10 - 61:13
    Is Mrs Pelin in Mr. Onur's office?
  • 61:13 - 61:17
    No, Mr. Onur does not work here anymore.
  • 61:18 - 61:20
    Really?
  • 61:20 - 61:23
    Believe me, I'm just as surprised as you.
  • 61:23 - 61:25
    Excuse me.
  • 61:25 - 61:27
    Hello.
  • 61:28 - 61:30
    Be careful.
  • 61:30 - 61:31
    Ozgur?
  • 61:31 - 61:33
    Yes, it's me.
  • 61:35 - 61:38
    Mrs. Pelin is waiting for you at your place.
  • 61:38 - 61:41
    Well thank you.
  • 61:41 - 61:43
    Would you like to drink with us?
  • 61:43 - 61:44
    Willingly.
  • 61:44 - 61:47
    Okay, then we're going.
  • 61:57 - 62:00
    A fruitful work of Master Ahmet.
  • 62:00 - 62:01
    Sister Gulter, welcome.
  • 62:01 - 62:05
    Please give the two freshest, but that they will be well baked.
  • 62:05 - 62:05
    It stands to reason.
  • 62:05 - 62:08
    I got scared yesterday evening, when
    the ambulance came to our district.
  • 62:08 - 62:10
    What happened? Something happened to someone that an ambulance came?
  • 62:10 - 62:13
    She came to Zehra. You did not know?
  • 62:13 - 62:14
    To Zehra?
  • 62:14 - 62:16
    Oh, what a disaster.
  • 62:16 - 62:19
    Ah, Zehra.
  • 62:19 - 62:22
    What happened, sister Gulter?
  • 62:22 - 62:24
    Welcome. Please forgive me, Master Cemal.
  • 62:29 - 62:33
    Mrs. Kader was discharged home from the hospital.
  • 62:33 - 62:35
    How does she feel? Did you call, you asked?
  • 62:35 - 62:38
    Ayfer, we asked, we asked.
  • 62:38 - 62:42
    How could an adult woman fall off the stairs?
  • 62:42 - 62:44
    It's a pity her.
  • 62:47 - 62:49
    Nezahat.
  • 62:49 - 62:51
    I'll see who it is, Mom.
  • 62:54 - 62:58
    Asli, are you going to look after your mother-in-law now?
  • 62:59 - 63:02
    Child, brew tea.
  • 63:02 - 63:04
    He's got a leg in a cast.
  • 63:08 - 63:14
    Nezahat, how did Kader get down the stairs?
  • 63:14 - 63:16
    Have you quarreled?
  • 63:31 - 63:33
    Just look,
  • 63:34 - 63:39
    the poor woman stumbled.
  • 63:41 - 63:44
    An unfortunate accident.
  • 63:51 - 63:53
    Ayfer, what's up?
  • 65:00 - 65:05
    "Who will look after her now?
    There is no one who is poor. "
  • 65:05 - 65:10
    "Asli, are you going to look after your mother-in-law now?"
  • 65:13 - 65:18
    "You will see how it is to bring my mother to such a state."
  • 65:18 - 65:22
    "It was an accident, I swear it was an accident."
  • 65:22 - 65:29
    "I will demand punishment. Everyone will know
    that people with murderers' lives live here."
  • 66:08 - 66:11
    Neriman, what a beautiful place.
  • 66:11 - 66:12
    Yes.
  • 66:57 - 67:01
    Asli, Asli...
  • 67:01 - 67:03
    Did you set the kettle?
  • 67:10 - 67:12
    Asli.
  • 67:19 - 67:21
    Asli, please, do not do it.
  • 67:21 - 67:23
    Asli, no.
  • 67:37 - 67:42
    Let this child take away from me.
  • 67:45 - 67:48
    Mom, do you think it's a sin?
  • 67:48 - 67:50
    I hate him.
  • 67:51 - 67:53
    Emre died for me.
  • 68:03 - 68:07
    - Mom, he came, he came!
    - What do you want?
  • 68:07 - 68:08
    Where is the man?
  • 68:08 - 68:10
    Are you bringing men home?
  • 68:10 - 68:11
    He went out of here.
  • 68:13 - 68:17
    Did you find someone here too?
  • 68:17 - 68:18
    Exit.
  • 68:18 - 68:19
    Where is he?
  • 68:19 - 68:21
    Get out of here.
  • 68:27 - 68:30
    Mom, that's enough, that's enough.
  • 68:30 - 68:32
    Okay, that's good.
  • 69:56 - 69:58
    This is it.
  • 69:58 - 70:01
    In two months, one of the singers wants to buy
    your last song for your album.
  • 70:01 - 70:04
    Sign this contract now.
  • 70:04 - 70:05
    Congratulations.
  • 70:05 - 70:06
    Thank you.
  • 70:10 - 70:12
    Can you please?
  • 70:19 - 70:21
    Sinasi.
  • 70:21 - 70:23
    Do not rush.
  • 70:36 - 70:38
    Ryshat, what happened?
  • 70:41 - 70:43
    Did you get something sweet?
  • 70:43 - 70:49
    Brother, the man who was with the girl that night and he
    paid for the bill... This card was between the banknotes.
  • 70:49 - 70:54
    She must have come out accidentally. I thought it might be a clue.
  • 70:54 - 70:56
    I will go and check.
  • 70:56 - 70:57
    Go.
  • 70:58 - 71:00
    Confectionery of master Cemal.
  • 71:00 - 71:03
    They called from home, I have to go.
  • 71:03 - 71:05
    Okay, young man.
  • 71:05 - 71:07
    Agreement signed?
  • 71:07 - 71:09
    I have not read it yet, I will see at home.
  • 71:09 - 71:11
    See you later.
  • 71:13 - 71:15
    She is observant.
  • 71:24 - 71:26
    Emre!
  • 71:43 - 71:45
    I have a sore back.
  • 71:45 - 71:47
    Bring one more pillow.
  • 71:47 - 71:49
    Well.
  • 71:50 - 71:51
    Asli?
  • 71:52 - 71:54
    Make some more coffee.
  • 72:09 - 72:12
    Come here, come on.
  • 72:14 - 72:22
    Come on, come on.
  • 72:23 - 72:26
    Neriman, you go and I feed the birds.
  • 72:26 - 72:27
    Well.
  • 72:28 - 72:32
    Neriman, just do not forget about me.
  • 72:32 - 72:33
    Do not worry, we will not forget.
  • 72:33 - 72:36
    Are you sure?
  • 72:38 - 72:41
    You are so cute.
  • 72:44 - 72:46
    Come.
  • 72:59 - 73:01
    Carefully, carefully.
  • 73:07 - 73:10
    I am very happy with this cooperation.
  • 73:10 - 73:14
    I thought you would only buy materials, and you were still partners.
  • 73:14 - 73:15
    Yes.
  • 73:15 - 73:18
    The Ozgura company became our partner in the sales department.
  • 73:18 - 73:18
    Ah yes.
  • 73:19 - 73:21
    All this is thanks to Macita.
  • 73:21 - 73:23
    He is very clever.
  • 73:23 - 73:28
    Somehow he connected me with the Arcaoglu company and with Istanbul.
  • 73:31 - 73:34
    Ozgur, do you have a girlfriend?
  • 73:34 - 73:38
    No, girls do not like my style.
  • 73:38 - 73:39
    Style?
  • 73:39 - 73:42
    They want me to always do something for them.
  • 73:42 - 73:45
    If you can not do anything, you will only suffer.
  • 73:45 - 73:49
    How much you give, so much love you get in return.
  • 73:49 - 73:55
    But for the one, I just want to breathe.
  • 73:55 - 73:57
    It means?
  • 73:57 - 74:02
    I mean, I am looking for a girl who will love me as I am.
  • 74:02 - 74:06
    You have a difficult task.
  • 74:07 - 74:10
    I'll go now.
  • 74:10 - 74:11
    Where's Duygu?
  • 74:13 - 74:15
    I'll go visit my dad.
  • 74:15 - 74:17
    Maybe we'll go somewhere in the evening?
  • 74:18 - 74:20
    I mean everyone together.
  • 74:21 - 74:23
    Okay, let's go.
  • 74:25 - 74:28
    OK, see you later.
  • 74:35 - 74:39
    Pelin, I have to admit something to you.
  • 74:41 - 74:42
    I…
  • 74:42 - 74:48
    I think... I do not think so.
    I am 100% sure that your sister pleases me.
  • 74:48 - 74:50
    Are you kidding?
  • 74:50 - 74:52
    No, I'm serious.
  • 74:58 - 75:00
    And the last one here.
  • 75:01 - 75:03
    All?
  • 75:03 - 75:04
    Yes thank you.
  • 75:04 - 75:06
    What's up at Neriman?
  • 75:06 - 75:08
    All good.
  • 75:08 - 75:10
    She's just a little lost.
  • 75:10 - 75:12
    Sahika, can I ask you for something?
  • 75:12 - 75:20
    When Neriman comes to visit you, or for another
    reason, can you convince her to look at me?
  • 75:20 - 75:21
    Of course.
  • 75:24 - 75:28
    Can I also ask you for something?
  • 75:28 - 75:36
    With your consent, I would like to buy a new frame that I have bought.
    Family photographs are very important.
  • 75:36 - 75:40
    You may be missing your wife, that is, on your desk.
  • 75:40 - 75:43
    Believe, it's better.
  • 75:44 - 75:46
    I have more space on my desk.
  • 75:46 - 75:49
    Okay, then I will not talk about it any more.
  • 75:51 - 75:57
    Ah yes, you wanted to reserve a table for dinner.
  • 75:57 - 75:59
    Yes, I will be glad if you can take care of it.
  • 75:59 - 76:00
    Of course.
  • 76:00 - 76:03
    Will you be alone or...
  • 76:04 - 76:07
    I hope I will not be alone.
  • 76:34 - 76:36
    What are you thinking about?
  • 76:39 - 76:41
    About nothing.
  • 76:41 - 76:43
    I just feel.
  • 76:43 - 76:47
    Okay, tell me about it.
  • 76:49 - 76:53
    I experience love for the first time.
  • 76:54 - 76:56
    I do not know how to explain it.
  • 76:56 - 76:59
    Or maybe in this way I will explain...
  • 77:08 - 77:10
    Calm
  • 77:11 - 77:13
    and a pleasant smell.
  • 77:27 - 77:30
    Neriman, I trust you.
  • 77:31 - 77:33
    Thanks to you I'm not alone.
  • 77:33 - 77:35
    And I.
  • 77:37 - 77:39
    I love you.
  • 77:40 - 77:42
    I love you.
  • 78:06 - 78:10
    Maybe now we will go this way?
  • 78:12 - 78:15
    Fahriye, this is the second time.
  • 78:15 - 78:17
    Second?
  • 78:17 - 78:21
    I will go now, and then...
  • 78:21 - 78:23
    Alright, I'm coming. So see you soon.
  • 78:23 - 78:26
    No, Fahriye, wait.
  • 78:28 - 78:31
    As we are here, I want to take you to one more place.
  • 78:31 - 78:33
    I want to introduce you to my best friend.
  • 78:33 - 78:36
    But I can not be late for home.
  • 78:36 - 78:38
    For me, this is a special friend.
  • 78:38 - 78:40
    You say no.
  • 78:44 - 78:47
    How can I tell you no?
  • 78:49 - 78:53
    The two halves have become a whole, their love is like a priceless stone.
  • 78:53 - 78:56
    Or something like that, but there certainly was love.
  • 78:57 - 78:59
    You match yourself.
  • 79:22 - 79:24
    I love you.
  • 79:30 - 79:32
    I said, I love you.
  • 79:32 - 79:35
    I have not heard, Fahriye, have you heard?
  • 79:35 - 79:38
    I heard some purring, but I did not understand.
  • 79:39 - 79:41
    I love you.
  • 79:41 - 79:45
    Yes, always say it loud, okay?
  • 79:46 - 79:50
    Tfu, tfu, the dog's charm.
  • 80:16 - 80:18
    What happened?
  • 80:27 - 80:29
    Mom, what happened?
  • 80:34 - 80:36
    Asli...
  • 80:40 - 80:42
    She's gone.
  • 80:47 - 80:49
    Sinasi.
  • 80:49 - 80:52
    Do not go there, do not go.
  • 80:56 - 80:58
    Asli will not come back.
  • 81:10 - 81:14
    If she did not go, her conscience would chew her.
  • 81:18 - 81:22
    Even if she came back, her thoughts would be there.
  • 81:25 - 81:30
    Nezahat, if something happened, call.
  • 81:34 - 81:38
    Asli could not stay here. Let her silence her conscience.
  • 81:39 - 81:42
    When the eyes see what is good and what is bad, then it will come back.
  • 81:59 - 82:02
    Our offer reaches level 135.
  • 82:03 - 82:06
    Please, inform Mr. Macita that the meeting has already begun.
  • 82:06 - 82:09
    Mr. Macita is not in the office.
  • 82:33 - 82:36
    In that case, we start.
  • 82:59 - 83:01
    Good morning, Mr. Macit.
  • 83:01 - 83:02
    Hello master. What's up?
  • 83:02 - 83:03
    Thank god, good.
  • 83:03 - 83:05
    - Hello.
    - Hello.
  • 83:05 - 83:07
    Prepare the carriage?
  • 83:07 - 83:08
    You do not need master Salihu.
  • 83:08 - 83:10
    We have little time. We came to see Daghan.
  • 83:10 - 83:14
    Mr. Daghan was last seen with Mrs. Nazly.
  • 83:14 - 83:16
    It does not surprise me at all.
  • 83:16 - 83:17
    Your friend's name is Daghan.
  • 83:17 - 83:19
    So my friend's name is Daghan.
  • 83:20 - 83:23
    Good master Salihu, we go to Daghan.
  • 83:23 - 83:24
    Yes sir.
  • 83:29 - 83:32
    Macit, it's a very beautiful place.
  • 83:32 - 83:33
    Yes.
  • 83:46 - 83:48
    Fruitful work.
  • 83:49 - 83:51
    Good morning, Mr. Macit.
  • 83:51 - 83:52
    Good day.
  • 83:52 - 83:53
    Good day.
  • 83:53 - 83:54
    Hello, my name is Neriman.
  • 83:57 - 84:01
    Macit, he talked about you some time ago.
  • 84:02 - 84:05
    I'm very curious, Mrs. Nazly. He is here?
  • 84:06 - 84:11
    Of course. This is Mrs. Nazly.
  • 84:16 - 84:20
    And this lion is Mr. Daghan.
  • 84:21 - 84:23
    Macit.
  • 84:23 - 84:24
    Yes.
  • 84:24 - 84:26
    Let's go.
  • 84:26 - 84:28
    Daghan.
  • 84:28 - 84:30
    Mrs. Nazly.
  • 84:34 - 84:36
    And Mr. Daghan there.
  • 84:36 - 84:38
    Just like that.
  • 84:46 - 84:48
    Stretch out your hand.
  • 85:17 - 85:22
    Macit, thank you so much for this day, I had fun.
  • 85:22 - 85:24
    Well, what are you, pleasure on my side.
  • 85:30 - 85:33
    I also thank you, Macit.
  • 85:33 - 85:35
    What are you thanking for?
  • 85:35 - 85:37
    As if we were strangers to each other.
  • 85:37 - 85:39
    Wait, do not be upset.
  • 85:39 - 85:41
    Thank you
  • 85:41 - 85:43
    is for loving me.
  • 85:43 - 85:46
    And for making me believe in love.
  • 85:48 - 85:50
    Neriman, go immediately.
  • 85:50 - 85:53
    For I will embrace you now and I will not let you go anywhere.
  • 86:16 - 86:19
    Fahriye, how happy I am.
  • 86:19 - 86:22
    You will fly with happiness.
  • 86:22 - 86:30
    Do you want to hear something? Macit Arcaoglu
    is a very nice man, and not only... How cute.
  • 86:30 - 86:34
    Oh, almighty God.
  • 86:34 - 86:35
    Aunt Gulter, we've come.
  • 86:35 - 86:36
    Come in, come in.
  • 86:36 - 86:38
    Auntie, we are not too late?
  • 86:38 - 86:42
    Child, it has no relationship with you.
  • 86:42 - 86:44
    What happened?
  • 86:44 - 86:46
    Asli came back.
  • 86:46 - 86:48
    Which house?
  • 86:48 - 86:50
    Home to Kader?
  • 86:51 - 86:55
    As for me, it's too much fun for one day.
  • 86:55 - 86:57
    Why did she go?
  • 86:57 - 87:01
    Mrs. Kader fell down Zehry's stairs and broke her leg.
  • 87:01 - 87:03
    What? Wait a minute.
  • 87:03 - 87:05
    She deserved.
  • 87:05 - 87:09
    Do not look at me like that, she has worked for it herself.
    Continue auntie Gulter.
  • 87:25 - 87:27
    Get out of the way.
  • 87:29 - 87:31
    We've already talked.
  • 87:32 - 87:34
    We talked.
  • 87:34 - 87:37
    Sahika, but we did not survive.
  • 87:38 - 87:42
    We will not have a happy ending with us.
  • 88:02 - 88:05
    Ah Asli, ah.
  • 88:05 - 88:07
    Stupid.
  • 88:07 - 88:10
    Do not say that, Sahika.
  • 88:10 - 88:13
    It's because of Mrs. Kader.
  • 88:14 - 88:18
    I have one conscience, I do not understand one.
  • 88:18 - 88:23
    What are these remorse?
    What strange people are you, what is this place?
  • 88:23 - 88:29
    Sahika, here it is. Even Kader is sorry for us.
  • 88:36 - 88:41
    Neriman, I'll tell you something. Sahika
    worries about Asli, but does not let him know.
  • 88:41 - 88:43
    Yes.
  • 88:51 - 88:53
    Bon Appetit.
  • 88:53 - 88:59
    It tastes terrible, it makes me sick. Prepare a dessert for me.
    I feel like something sweet.
  • 88:59 - 89:01
    Will it hurt at this hour?
  • 89:01 - 89:06
    Just look... I've asked for dessert, and I've been telling so much.
  • 89:08 - 89:13
    It is not enough that they have led to such
    a state, and the words are still twisting.
  • 89:14 - 89:16
    I did not say anything.
  • 89:16 - 89:19
    Of course, my dear, you did not say anything like that.
  • 89:19 - 89:25
    Your mother did nothing, the same thing happened to me.
  • 89:26 - 89:28
    They turned my life into a nightmare.
  • 89:40 - 89:45
    Listen to me, if you'll be good to her,
    know that I will never forgive you.
  • 89:46 - 89:50
    Do not forget that they brought me to this state.
  • 89:50 - 89:52
    Mom, what should I do?
  • 89:52 - 89:55
    Go and break her leg?
  • 89:55 - 89:59
    Until I get out of this bed, she will only suffer.
  • 90:05 - 90:07
    It's good.
  • 90:13 - 90:18
    Asli Asli!
  • 90:21 - 90:23
    I have to go to the toilet.
  • 90:28 - 90:33
    Take this and that.
  • 90:35 - 90:37
    Slowly.
  • 90:49 - 90:53
    Mrs Inci will see me tomorrow, she will not be happy.
  • 90:53 - 90:57
    Neriman, I was scared of this Mrs Inci.
  • 90:57 - 91:00
    In fact, she is not a bad woman.
  • 91:00 - 91:04
    As every mother wants the best for her child.
  • 91:04 - 91:10
    Please, please. You defend her.
  • 91:11 - 91:13
    And this mother Pelin?
  • 91:13 - 91:18
    If this woman lived in our neighborhood,
    she would be Kader's best friend.
  • 91:18 - 91:20
    But Macit is different, right?
  • 91:20 - 91:23
    As if he was not from that world.
  • 91:24 - 91:26
    Just like you.
  • 91:26 - 91:30
    How much are you from this neighborhood,
  • 91:30 - 91:33
    so much Macit is from the other world.
  • 91:33 - 91:39
    We have connected this difference, we are complementing ourselves.
  • 91:39 - 91:47
    The one who looks at you will understand that love has united you.
  • 91:47 - 91:50
    Yes, love.
  • 91:51 - 91:55
    Neriman, will I find someone who will love me too?
  • 91:55 - 91:57
    Yes of course.
  • 91:57 - 92:00
    There is even one that is waiting for you.
  • 92:00 - 92:02
    Do not be foolish.
  • 92:02 - 92:04
    Where?
  • 92:04 - 92:10
    Your beloved is waiting somewhere and when the time comes, he will find you.
  • 92:10 - 92:13
    Thank you, you really helped me.
  • 92:13 - 92:21
    Just think... There is something waiting and waiting, but
    let it come and be next to me. I'm tired of this waiting.
  • 92:37 - 92:39
    Mom.
  • 92:48 - 92:53
    I know that you are waiting impatiently to talk
    with me about today's incident in the atelier.
  • 92:55 - 93:00
    You were an amazing duet with Mrs. Feiza, standing in front of Neriman.
  • 93:05 - 93:15
    Mom, do not worry. In the end you will get used to
    it, everyone will get used to it and understand it.
  • 93:32 - 93:35
    Neriman, beloved.
  • 93:35 - 93:37
    Why did not you call?
  • 93:39 - 93:44
    Macit, I missed you.
  • 93:47 - 93:51
    Okay, we'll talk later.
  • 93:51 - 93:53
    Who came? Dad or Aunt Gulter?
  • 93:53 - 93:54
    Good night.
  • 93:54 - 93:55
    Good night, beloved.
  • 93:55 - 93:58
    Neriman, remember, do not dream about us.
  • 93:58 - 93:59
    Why?
  • 93:59 - 94:04
    We will live through everything, experience that nothing is a dream.
  • 94:15 - 94:17
    What's up with that great love?
  • 94:17 - 94:19
    Well.
  • 94:19 - 94:22
    Well, know the value of these moments.
  • 94:22 - 94:26
    Do not worry, Sahika, I'm happy every moment.
  • 94:26 - 94:32
    Listen, my dear, no emotion
    lasts forever, neither love.
  • 94:34 - 94:37
    Sahika, have you never fallen in love?
  • 94:39 - 94:45
    Aaa... You are talking about this eternal and magical feeling.
  • 94:45 - 94:47
    It's an eternal and magical feeling...
  • 94:47 - 94:58
    For me, it's like a curse. When I want to curse someone, I say:
    "God, give me love," and he'll give you something.
  • 95:13 - 95:16
    Oh no, no.
  • 95:16 - 95:18
    What happened, why are you complaining?
  • 95:18 - 95:21
    What does it mean, what it means, I'm late for work.
  • 95:21 - 95:26
    I wanted to wake you up, but I felt sorry for you because you slept so sweetly.
  • 95:26 - 95:30
    Thank you, thank you, soon you will see how they will regret me.
  • 95:31 - 95:36
    Auntie, I'm leaving too. I go to the store for the drawing utensils.
  • 95:36 - 95:38
    See you, watch out for yourself.
  • 95:43 - 95:48
    Celebrities in this photo - it's definitely not me.
  • 95:48 - 95:50
    Brother, what's up?
  • 95:50 - 95:52
    Where should I start?
  • 95:52 - 95:54
    Start from the first page.
  • 95:55 - 95:58
    That's right, my man came.
  • 95:58 - 96:00
    You get along well.
  • 96:00 - 96:02
    I like this man.
  • 96:02 - 96:04
    Friend, Sinasi...
  • 96:04 - 96:09
    With this man, we will agree your future,
    as I say kiss the hand you kiss.
  • 96:11 - 96:14
    My friend came.
  • 96:16 - 96:18
    Sweetness of Master Cemal.
  • 96:18 - 96:19
    Yes.
  • 96:19 - 96:22
    Yes, like one evening in one of the restaurants
  • 96:22 - 96:27
    one smart guy lost this card,
  • 96:27 - 96:33
    and my woman was with him.
  • 96:43 - 96:45
    Do not you go to class?
  • 96:45 - 96:46
    No.
  • 96:46 - 96:48
    Will you meet with Macito?
  • 96:48 - 96:49
    I do not know.
  • 96:49 - 96:54
    Maybe you will visit me in the office, and
    by the way you will give him a surprise?
  • 96:54 - 96:56
    I can not come.
  • 96:56 - 96:59
    Neriman, why are you still running?
  • 97:00 - 97:04
    You are not aware of what he is doing for you.
    You also do something for him.
  • 97:04 - 97:09
    As soon as I get to the office, I will say that you will come.
  • 97:09 - 97:13
    Sahika, Sahika, do not do this.
  • 97:13 - 97:15
    Cihan, what's going on?
  • 97:16 - 97:18
    It's destiny.
  • 97:19 - 97:21
    He does not fall silent.
  • 97:23 - 97:25
    Sahika.
  • 97:27 - 97:30
    Are you saying I'm going to get my hands dirty?
  • 97:30 - 97:30
    I'll be right...
  • 97:30 - 97:33
    What kind of man are you?
  • 97:33 - 97:34
    The bastard.
  • 97:34 - 97:36
    With what to people?
  • 97:36 - 97:36
    Cihan.
  • 97:36 - 97:38
    Leave me.
  • 97:38 - 97:42
    Who did you come to, our home?
  • 97:42 - 97:43
    Leave.
  • 97:43 - 97:45
    You craze.
  • 97:45 - 97:48
    Sinasi, what are you doing?
  • 97:48 - 97:50
    Tell me what he did?
  • 97:51 - 98:03
    Friend, this man... He has wasted Sahika's life.
  • 98:10 - 98:11
    He...
  • 98:13 - 98:16
    What kind of man was he? Imagine...
  • 98:16 - 98:17
    Leave me.
  • 98:17 - 98:22
    - It's not a man. Leave me! It's not a man!
    - Stop.
  • 98:59 - 0:00
    Welcome to our district.
Title:
Fatih Harbiye 21. Bölüm (HD)
Description:

Geleneksellikle modernlik arasına sıkışmış Fatihli genç bir kız olan Neriman’ın ilginç hayat hikâyesi. Bir yanda Neriman’ın Fatih’te birlikte büyüdüğü, çocukluk aşkı Şinasi. Diğer yanda modern İstanbul’un varlıklı üst sınıfından yakışıklı Macit...

Çok farklı kültür ve değerler arasında bocalayan, duygusal gelgitler yaşayan genç bir kız, Neriman...

Fatih Harbiye ‘aşk ile sevgi’nin çıkmazlarıyla izleyiciyi karşı karşıya bırakıyor...

YAPIM
Koliba Film

YAPIMCI
Ata Türkoğlu

YÖNETMEN
Sadullah Celen

SENARYO
Hayriye Ersöz

OYUNCULAR
Neslihan Atagül, Kadir Doğulu,Yunus Emre Yıldırımer,Dilara Öztunç, Başak Parlak,Okday Korunan,Murat Göksu,Serkan Şenalp,Barış Hacıhan,Seda Türkmen,Fırat Topkorur,Ergün Demir,Pınar Dikici,Itır Esen,Yusuf Baymaz,Gökçe Akyıldız

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Video Language:
English
Duration:
01:40:47

English subtitles

Revisions