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My web playroom

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    Every presentation needs this slide in it.
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    (Laughter)
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    It's beautiful, isn't it?
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    Do you see?
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    All the points, all the lines --
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    it's incredible.
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    It is the network;
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    and in my case, the network has been important in media,
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    because I get to connect to people.
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    Isn't it amazing?
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    Through that, I connect to people.
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    And the way that I've been doing it
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    has been multifaceted.
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    For example, I get people to dress up their vacuum cleaners.
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    (Laughter)
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    I put together projects like Earth Sandwich,
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    where I ask people
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    to try and simultaneously place
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    two pieces of bread
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    perfectly opposite each other on the Earth.
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    And people started laying bread in tribute,
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    and eventually a team was able to do it
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    between New Zealand and Spain.
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    It's pretty incredible -- the video's online.
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    Connecting to people in projects
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    like YoungmeNowme for example.
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    In YoungmeNowme, the audience was asked
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    to find a childhood photograph of themselves
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    and restage it as an adult.
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    (Laughter)
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    This is the same person --
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    top photo, James, bottom photo, [Jennifer].
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    Poignant.
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    This was a Mother's Day gift.
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    (Laughter)
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    Particularly creepy.
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    (Applause)
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    (Laughter)
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    My favorite of these photos, which I couldn't find,
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    is there's a picture of a 30 year-old woman or so
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    with a little baby on her lap,
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    and the next photo is a 220-lb man
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    with a tiny, little old lady peaking over his shoulder.
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    But this project changed the way
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    that I thought about connecting to people.
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    This is project called Ray.
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    And what happened was I was sent this piece of audio
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    and had no idea who generated the audio.
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    Somebody said, "You have to listen to this."
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    And this is what came to me.
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    Recording: Hi, my name is Ray,
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    and on yesterday my daughter called me
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    because she was stressed out
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    because of things that were going on on her job
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    that she felt was quite unfair.
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    Being quite disturbed, she called for comfort,
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    and I didn't really know what to tell her,
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    because we have to deal with so much mess in our society.
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    So I was led to write this song just for her,
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    just to give her some encouragement
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    while dealing with stress and pressures on her job.
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    And I figured I'd put it on the Internet
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    for all employees under stress
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    to help you better deal with what you're going through on your job.
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    Here's how the song goes.
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    ♫ I'm about to whip somebody's ass ♫
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    ♫ Oh, I'm about to whip somebody's ass ♫
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    ♫ Oh, if you don't leave me alone, ♫
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    ♫ you gonna have to send me home ♫
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    ♫ 'Cause I'm about to whip somebody's ass ♫
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    Now you might not be able to sing that out loud,
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    but you can hum it to yourself, and you know what the words are.
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    And let it give you some strength to get the next few moments on your job.
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    All right. Stay strong. Peace.
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    Ze Frank: So -- yeah.
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    No, no, no, shush. We've got to go quickly.
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    So I was so moved by this --
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    this is incredible. This was connecting, right.
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    This was, at a distance,
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    realizing that someone was feeling something,
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    wanting to affect them in a particular way,
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    using media to do it, putting it online
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    and realizing that there was a greater impact.
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    This was incredible; this is what I wanted to do.
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    So the first thing I thought of is we have to thank him.
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    And I asked my audience, I said, "Listen to this piece of audio.
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    We have to remix it. He's got a great voice.
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    It's actually in the key of B flat.
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    And have to do something with it."
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    Hundreds of remixes came back -- lots of different attempts.
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    One stood out in particular.
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    It was done by a guy named Goose.
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    Remix: ♫ I'm about to whip somebody's ass ♫
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    ♫ Oh, I'm about to whip somebody's ass ♫
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    ♫ Oh, if you don't leave me alone, ♫
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    ♫ You gonna have to send me home ♫
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    ♫ Cuz I'm about to whip somebody's ass ♫
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    ♫ I'm about to whip some ♫ --
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    ZF: Great, so it was incredible.
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    That song -- (Applause) Thank you.
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    So that song, somebody told me that it was at a baseball game
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    in Kansas City.
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    In the end,
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    it was one of the top downloads
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    on a whole bunch of music streaming services.
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    And so I said, "Let's put this together in an album."
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    And the audience came together, and they designed an album cover.
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    And I said, "If you put it all on this, I'm going to deliver it to him,
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    if you can figure out who this person is,"
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    because all I had was his name -- Ray --
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    and this little piece of audio
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    and the fact that his daughter was upset.
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    In two weeks, they found him.
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    I received and email and it said,
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    "Hi, I'm Ray.
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    I heard you were looking for me."
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    (Laughter)
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    And I was like, "Yeah, Ray.
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    It's been an interesting two weeks."
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    And so I flew to St. Louis
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    and met Ray,
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    and he's a preacher --
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    (Laughter)
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    among other things.
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    So but anyways, here's the thing --
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    is it reminds me of this,
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    which is a sign that you see in Amsterdam on every street corner.
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    And it's sort of a metaphor for me for the virtual world.
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    I look at this photo, and he seems really interested
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    in what's going on with that button,
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    but it doesn't seem like he is really that interested in crossing the street.
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    (Laughter)
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    And it makes me think of this.
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    On street corners everywhere, people are looking at their cell phones,
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    and it's easy to dismiss this
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    as some sort of bad trend
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    in human culture.
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    But the truth is
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    life is being lived there.
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    When they smile --
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    right, you've seen people stop --
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    all of a sudden, life is being lived there,
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    somewhere up in that weird, dense network.
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    And this is it, right, to feel and be felt.
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    It's the fundamental force
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    that we're all after.
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    We can build all sorts of environments
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    to make it a little bit easier,
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    but ultimately, what we're trying to do
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    is really connect with one other person.
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    And that's not always going to happen in physical spaces.
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    It's also going to now happen in virtual spaces,
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    and we have to get better at figuring that out.
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    I think, of the people that build all this technology in the network,
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    a lot of them aren't very good
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    at connecting with people.
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    This is kind of like something I used to do
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    in third grade.
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    (Laughter)
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    So here's a series of projects
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    over the last few years
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    where I've been inspired by trying to figure out
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    how to really facilitate close connection.
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    Sometimes they're very, very simple things.
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    A Childhood Walk, which is a project
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    where I ask people to remember a walk
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    that they used to take as a child over and over again
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    that was sort of meaningless --
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    like on the route to the bus stop, to a neighbor's house,
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    and take it inside of Google Streetview.
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    And I promise you,
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    if you take that walk inside Google Streetview,
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    you come to a moment
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    where something comes back
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    and hits you in the face.
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    And I collected those moments --
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    the photos inside Google Streetview
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    and the memories, specifically.
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    "Our conversation started with me saying, 'I'm bored,'
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    and her replying, 'When I'm bored I eat pretzels.'
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    I remember this distinctly because it came up a lot."
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    "Right after he told me and my brother
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    he was going to be separating from my mom,
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    I remember walking to a convenience store
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    and getting a cherry cola."
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    "They used some of the morbidly artist footage,
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    a close-up of Chad's shoes in the middle of the highway.
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    I guess the shoes came off when he was hit.
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    He slept over at my house once, and he left his pillow.
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    It had 'Chad' written in magic marker on it.
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    He died long after he left the pillow at my house,
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    but we never got around to returning it."
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    Sometimes they're a little bit more abstract.
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    This is Pain Pack.
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    Right after September 11th, last year,
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    I was thinking about pain and the way that we disperse it,
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    the way that we excise it from our bodies.
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    So what I did is I opened up a hotline --
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    a hotline where people could leave voicemails of their pain,
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    not necessarily related to that event.
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    And people called in and left messages like this.
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    Recording: Okay, here's something.
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    I'm not alone,
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    and I am loved.
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    I'm really fortunate.
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    But sometimes I feel really lonely.
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    And when I feel that way
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    even the smallest act of kindness
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    can make me cry.
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    Like even people in convenience stores
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    saying, "Have a nice day,"
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    when they're accidentally looking me in the eye.
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    ZF: So what I did was I took those voicemails,
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    and with their permission, converted them to MP3s
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    and distributed them to sound editors
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    who created short sounds
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    using just those voicemails.
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    And those were then distributed to DJs
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    who have made hundreds of songs
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    using that source material.
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    (Music)
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    We don't have time to play much of it.
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    You can look at it online.
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    "From 52 to 48 with love"
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    was a project around the time of the last election cycle,
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    where McCain and Obama both,
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    in their speeches after the election, talked about reconciliation,
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    and I was like, "What the hell
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    does that look like?"
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    So I thought, "Well let's just give it a try.
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    Let's have people hold up signs about reconciliation."
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    And so some really nice things came together.
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    "I voted blue. I voted red.
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    Together, for our future."
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    These are very, very cute little things right.
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    Some came from the winning party.
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    "Dear 48, I promise to listen to you, to fight for you, to respect you always."
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    Some came from the party who had just lost.
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    "From a 48 to a 52, may your party's leadership be as classy as you,
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    but I doubt it."
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    But the truth was that as this start becoming popular,
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    a couple rightwing blogs and some message boards
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    apparently found it to be a little patronizing,
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    which I could also see.
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    And so I started getting amazing amounts of hate mail,
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    death threats even.
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    And one guy in particular kept on writing me these pretty awful messages,
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    and he was dressed as Batman.
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    And he said, "I'm dressed as Batman to hide my identity."
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    Just in case I thought the real Batman
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    was coming after me;
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    which actually made me feel a little better --
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    like, "Phew, it's not him."
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    So what I did --
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    unfortunately, I was harboring all this kind of
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    awful experience and this pain inside of me,
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    and it started to eat away at my psyche.
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    And I was protecting the project from it, I realized. I was protecting it --
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    I didn't want this special, little group of photographs
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    to get sullied in some way.
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    So what I did, I took all those emails,
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    and I put them together into something called Angrigami,
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    which was an origami template
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    made out of this sort of vile stuff.
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    And I asked people to send me beautiful things
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    made out of the Angrigami.
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    (Laughter)
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    But this was the emotional moment.
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    One of my viewer's uncles died on a particular day
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    and he chose to commemorate it with a piece of hate.
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    It's amazing.
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    The last thing I'm going to tell you about is a series of projects
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    called Songs You Already Know,
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    where the idea was,
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    I was trying to figure out to address
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    particular kinds of emotions with group projects.
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    So one of them was fairly straightforward.
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    A guy said that his daughter got scared at night
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    and could I write a song for her, his daughter.
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    And I said, "Oh yeah,
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    I'll try to write a mantra that she can sing to herself
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    to help herself go to sleep."
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    And this was "Scared."
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    (Video) ♫ This is a song that I sing when I'm scared of something ♫
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    ♫ I don't know why but it helps me get over it ♫
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    ♫ The words of the song just move me along ♫
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    ♫ And somehow I get over it ♫
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    ♫ At least I don't suck at life ♫
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    ♫ I keep on trying despite ♫
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    ♫ At least I don't suck at life ♫
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    ♫ I keep on trying despite ♫
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    ♫ This is a song that I sing when I'm scared of something ♫
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    Okay, so I wrote that song, right. Thank you.
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    So the nice thing was is he walked by his daughter's room at some point,
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    and she actually was singing that song to herself.
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    So I was like, "Awesome. This is great."
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    And then I got this email. And there's a little bit of a back story to this.
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    And I don't have much time.
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    But the idea was that at one point
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    I did a project called Facebook Me Equals You,
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    where I wanted to experience what it was like
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    to live as another person.
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    So I asked for people's usernames and passwords to be sent to me.
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    And I got a lot, like 30 in a half an hour.
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    And I shut that part down.
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    And I chose two people to be,
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    and I asked them to send me descriptions
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    of how to act as them on Facebook.
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    One person sent me a very detailed description;
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    the other person didn't.
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    And the person who didn't, it turned out,
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    had just moved to a new city and taken on a new job.
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    So, you know, people were writing me and saying, "How's your new job?"
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    I was like, "I don't know.
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    Didn't know I had one."
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    But anyway, this same person, Laura,
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    ended up emailing me a little bit after that project.
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    And I felt badly for not having done a good job.
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    And she said, "I'm really anxious, I just moved to a new town, I have this new job,
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    and I've just had this incredible amount of anxiety."
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    So she had seen the "Scared" song and wondered if I could do something.
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    So I asked her, "What does it feel like when you feel this way?"
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    And she wrote a sort of descriptive set
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    of what it felt like to have had this anxiety.
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    And so what I decided to do.
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    I said, "Okay, I'll think about it."
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    And so quietly in the background, I started sending people this.
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    (Audio) ♫ Hey ♫
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    ♫ You're okay ♫
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    ♫ You'll be fine ♫
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    So I asked people
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    whether they had basic audio capabilities,
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    just so they could sing along to the song with headphones on,
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    so I could just get their voices back.
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    And this is the kind of thing that I got back.
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    Recording: ♫ Hey ♫
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    ♫ You're okay ♫
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    ♫ You'll be fine ♫
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    ZF: So that's one of the better ones, really.
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    But what's awesome is, as I started getting more and more and more of them,
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    all of a sudden I had 30, 40 voices from around the world.
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    And when you put them together, something magical happens,
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    something absolutely incredible happens,
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    and all of a sudden I get a chorus from around the world.
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    And what was really great is, I'm putting all this work together in the background,
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    and Laura sent me a follow-up email because a good month had passed by.
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    And she said, "I know you've forgotten about me.
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    I just want to say thanks for even considering it."
  • 15:46 - 15:49
    And then a few days later I sent her this.
  • 15:51 - 15:58
    (Audio) ♫ Right now, it feels like I forgot to turn the light on ♫
  • 15:59 - 16:03
    ♫ And things that looked so good yesterday ♫
  • 16:03 - 16:06
    ♫ are now shades of gray ♫
  • 16:06 - 16:10
    ♫ And it seems like the world is spinning ♫
  • 16:10 - 16:13
    ♫ while I'm standing still ♫
  • 16:13 - 16:18
    ♫ Or maybe I am spinning I can't tell ♫
  • 16:18 - 16:20
    ♫ And then you say ♫
  • 16:20 - 16:23
    ♫ Hey ♫
  • 16:23 - 16:26
    ♫ You're okay ♫
  • 16:27 - 16:30
    ♫ You'll be fine ♫
  • 16:30 - 16:33
    ♫ Just breathe ♫
  • 16:33 - 16:35
    ♫ And now the words sing ♫
  • 16:35 - 16:38
    ♫ Hey ♫
  • 16:38 - 16:41
    ♫ You're okay ♫
  • 16:41 - 16:44
    ♫ You'll be fine ♫
  • 16:45 - 16:48
    ♫ Just breathe ♫
  • 16:48 - 16:50
    ♫ Now everybody sings ♫
  • 16:50 - 16:53
    ♫ Hey ♫
  • 16:53 - 16:56
    ♫ You're okay ♫
  • 16:56 - 17:00
    ♫ You'll be fine ♫
  • 17:00 - 17:04
    ♫ Just breathe ♫
  • 17:05 - 17:07
    ♫ Hey ♫
  • 17:07 - 17:11
    ♫ You're okay ♫
  • 17:11 - 17:15
    ♫ You'll be fine ♫
  • 17:15 - 17:18
    ♫ Just breathe ♫
  • 17:19 - 17:22
    ♫ Hey ♫
  • 17:22 - 17:25
    ♫ You're okay ♫
  • 17:26 - 17:29
    ♫ You'll be fine ♫
  • 17:29 - 17:32
    ♫ Just breathe ♫
  • 17:32 - 17:34
    Thank you.
  • 17:34 - 17:38
    (Applause)
Title:
My web playroom
Speaker:
Ze Frank
Description:

On the web, a new "Friend" may be just a click away, but true connection is harder to find and express. Ze Frank presents a medley of zany Internet toys that require deep participation -- and reward it with something more nourishing. You're invited, if you promise you'll share.

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Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
17:39
TED edited English subtitles for My web playroom
TED added a translation

English subtitles

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