Week 1.6 The Image in Advertising
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0:13 - 0:16[MUSIC].
Let's start and think about advertising, -
0:16 - 0:23and the first image is one for an
anti-wrinkling cream. -
0:23 - 0:29This is an advert that was put out in
Britain and, featured Rachel Weiss, the -
0:29 - 0:36British actress.
Its suggested that the image that was -
0:36 - 0:45used, in this particular instance was
unrepresentative of the effects that the -
0:45 - 0:48wrinkle cream had.
Now, this is advertising. -
0:48 - 0:54Let's just be practical about this.
yes it contravenes some standards. -
0:54 - 0:57they have selected a particularly
photogenic image. -
0:57 - 1:03The fact they've had to doctor it
slightly, does suggest that they're over -
1:03 - 1:06exaggerating the potential effects of the
product. -
1:06 - 1:12But no one is going to be too shocked to
learn that this periodically happens, and -
1:12 - 1:15gets picked up by the appropriate
authorities. -
1:15 - 1:19When it come to advertising there's also
what is acceptable, what's not acceptable -
1:19 - 1:24as times change.
there is fairly heavy regulation in the -
1:24 - 1:3121st century about tobacco advertising.
But when you have an instance of an -
1:31 - 1:37advertising company in America who is
licensed the use of the Abbey Road cover -
1:37 - 1:41by the Beatles.
Airbrushing out to the cigarette held by -
1:41 - 1:45Paul McCartney as they cross the zebra
crossing. -
1:45 - 1:50You get an idea of how the concerns of
society have changed. -
1:50 - 1:53That something that was a common place in
the late 60s in the first decade of the -
1:53 - 1:59Twenty-first Century, can't be viewed
without some alteration. -
1:59 - 2:04Now if we're worrying about photographs
of cigarette smoking, in the modern age. -
2:04 - 2:08Here is an instance which four and six
have from 2005. -
2:08 - 2:17It seems very innocuous Clemet Herd the
illustrator of a revised edition of the -
2:17 - 2:24children's classic book Good Night Moon.
Had in the previous couple of decades, -
2:24 - 2:28been pictured on the back cover holding a
cigarette. -
2:28 - 2:33When it came to the new edition, the
publishers felt it was appropriate to -
2:33 - 2:38have the cigarette removed, and with the
reluctant agreement of Mr. -
2:38 - 2:42Herd's family, that was done.
So, for something that was unacceptable -
2:42 - 2:48for two what's unacceptable now, had been
let passed for two decades. -
2:48 - 2:52Times changed.
So did the requirement of the airbrushing -
2:52 - 2:56of the photograph.
When it comes to advertising, you -
2:56 - 3:00shouldn't necessarily be surprised that
cigarettes are in or out of the -
3:00 - 3:05photograph of the time.
Or that a photograph may have been -
3:05 - 3:10altered to enhance the effects of the,
quote, wrinkle cream, unquotes on the -
3:10 - 3:14image.
But when it comes to the cover of Time, -
3:14 - 3:17Time magazine, you're expecting something
a little bit different. -
3:17 - 3:25And in 2007 Time magazine ran an article,
How The Right Went Wrong. -
3:25 - 3:28And it displays fairly clearly Ronald
Reagan but, digitally added was a tear -
3:28 - 3:42across his right cheek.
As if Reagan was lamenting after the -
3:42 - 3:46event, How The Right Went Wrong, so to
speak. -
3:46 - 3:51Now, Time argued that, they'd made it
clear at one point or other that this was -
3:51 - 3:55a montage.
But having a photograph of Ronald Reagan, -
3:55 - 3:59as opposed to a photograph of Ronald
Reagan with a tear given the head, the -
3:59 - 4:03headline to the article, does change the
way that you are going to interpret it. -
4:03 - 4:09So, again, this is a piece of advertising
which is augmented a photograph and -
4:09 - 4:13augmented a photograph for the effect of
promoting sales. -
4:13 - 4:17Now when it comes to magazine covers
there seems to be a very high proportion -
4:17 - 4:21of them especially if they're appealing
to men with young women on them. -
4:21 - 4:25It could be women of any age, but, you
know, lets be practical about this. -
4:25 - 4:33In 2003 GQ magazine perpetrated something
of a controversy. -
4:33 - 4:40they had Kate Winslet on their cover.
Kate Winslet one of the finest actresses -
4:40 - 4:47of her generation was digitally altered
to narrow her hips. -
4:47 - 4:53To effectively elongate her, for what was
perceived to be the image requirements of -
4:53 - 4:59the clientele.
so there we have someone who is known for -
4:59 - 5:05her abilities, her integrity as an
actress, yes, her looks, she's a -
5:05 - 5:10Hollywood star as much as anything else.
But the need to change it, to sell more -
5:10 - 5:15magazines?
As opposed to representing her as she is. -
5:15 - 5:19That does seem taking things a little bit
far, and did cause a controversy at the time. [BLANK_AUDIO]
- Title:
- Week 1.6 The Image in Advertising
- Description:
-
From the description of Week 1 of The Camera Never Lies:
Learning Outcomes (Week 1)
On completing this week of work, you should be able to:
1. Understand the broad objectives of the course, and its structure;
2. Begin thinking about your own reactions to images in a modern and historical context; and
3. Consider more critically the images you see in the modern media.
Claude Almansi edited English subtitles for Week 1.6 The Image in Advertising | ||
Claude Almansi edited English subtitles for Week 1.6 The Image in Advertising | ||
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Claude Almansi edited English subtitles for Week 1.6 The Image in Advertising | ||
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