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İncir Reçeli - İngilizce Altyazi "Fig Jam - English Subtitles"

  • 1:04 - 1:05
    Good morning, Shakespeare!
  • 1:05 - 1:10
    Cellular phones restrict freedom!
  • 1:19 - 1:27
    You owe me breakfast.
    Duygu
  • 1:34 - 1:40
    Good Morning My Left Side!
  • 1:43 - 1:45
    Remember the song playing right now!
  • 1:57 - 2:01
    Fig Jam Is Nice
  • 2:07 - 2:14
    Fathers aren't Always Right
  • 2:29 - 2:31
    Bro, can't you stand
    still just for a moment.
  • 2:31 - 2:33
    Look at the photo.
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    It is very pretentious
    of you taking your...
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    ...camera everywhere you go.
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    I've saved money for two
    years to buy this camera.
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    It isn't about
    the camera but vision.
  • 2:43 - 2:47
    What about mine, a pop
    cape? Wait! Don't move!
  • 2:47 - 2:48
    Don't move your hand!
  • 2:48 - 2:51
    Here is the moment when
    the greatest script writer...
  • 2:51 - 2:53
    ...gives himself to booze.
  • 2:55 - 2:58
    Did you shoot the
    great script writer?
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    What is this?
    I've been a moron.
  • 3:00 - 3:03
    Although there are
    so many alternatives...
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    - ... I'm picturing you.
    - Buzz off!
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    Could you please plug in
    my phone to the charger?
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    Perfect timing, dad!
  • 3:51 - 3:56
    Yes daddy. I'm at my
    friend's place. Metin.
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    Metin, please turn
    the volume down.
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    Okay father,
    I'll be there soon.
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    I am leaving.
  • 4:11 - 4:14
    - I am going to load the
    photos to computer. - Sure.
  • 4:14 - 4:16
    - Don't stay till late.
    - Okay, daddy.
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    Very funny.
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    - Where is Erol?
    - His daddy phoned.
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    Silly. He toook my
    photos all night long.
  • 5:01 - 5:04
    - Beer?
    - Okay.
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    Ozan.
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    Sweetie, if you don't
    have somewhere to stay...
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    ...you can come to my place.
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    We can have more
    drinks there.
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    Sir, we are closed.
    Please leave.
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    One moment.
    I am going to tell...
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    Madam we are closed.
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    I was telling something...
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    Ozan, I forgot my phone, bro.
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    I was busy that I forgot
    to give it back to you.
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    - Here you are.
    - Thanks bro. See you.
  • 6:19 - 6:20
    See you, bro.
  • 6:21 - 6:23
    Hop hop golden ball.
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    That is only game
    I love among all.
  • 6:26 - 6:30
    Miss, if you wish our security
    can take you to your home.
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    I can go by myself.
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    No, I can't.
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    They can take you to
    your place if you'd like.
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    - Where do you live?
    - At home.
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    I am kidding.
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    - Mr. Ozan, will you intervene?
    - Bro, what shall I do?
  • 6:52 - 6:56
    - Have you got any money? - Why?
    Do you want to borrow some?
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    He took all of them.
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    - Where do you live?
    - Galata.
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    Very close.
    Can I stay with you?
  • 7:08 - 7:11
    - Ozan!
    - Shall I leave her by the door?
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    What is this, a newspaper?
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    It was just an idea, bro,
    why are you getting mad?
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    We'll talk about
    your ideas later.
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    It seems that we are going
    to my place, young lady.
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    - Bag.
    - Bag.
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    - Have a good day, Metin.
    - Have a good day, Ozan.
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    We'll talk.
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    - But no sex.
    - No puke.
  • 7:41 - 7:44
    - No sex.
    - No puke.
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    No sex.
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    Done.
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    No sex.
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    No sex.
  • 9:21 - 9:24
    - Good morning, Mr. Metin.
    - Good morning, Cemil.
  • 9:24 - 9:27
    Last night we watched
    your sketches again.
  • 9:27 - 9:28
    We laughed a lot.
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    How can you create
    so much humour?
  • 9:31 - 9:35
    - From my ass!
    - Sure. Here is your bread.
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    - Have a great day.
    - Thanks.
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    You Owe Me Breakfast. Duygu
  • 10:31 - 10:34
    Glad to meet you.
    I am Metin.
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    There is no love in it.
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    Yes, you wrote about a
    couple likes each other but...
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    ...it is not living,
    it is cold, understand? Cold.
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    However, even if you write
    a greatest love story...
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    ...it doesn't worth
    much in these days.
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    Look, if you want to
    write about something...
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    ... it should worth money.
  • 10:58 - 11:02
    You should write a bawdy comedy.
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    Use your brain, son,
    people laugh at those.
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    Poor boy and rich girl
    method was in the past.
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    People have so many problems lately.
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    People are after bread
    money and seek...
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    ... something to laugh at.
  • 11:14 - 11:17
    Who gives a fuck to
    other people's love?
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    You write so many
    sketches to TVchannels.
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    Choose a type among them.
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    Write a script about the
    rich and sexy so we produce.
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    Mr. Metin, if you don't
    need the other pages...
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    - Thanks Mr. Metin.
    - No big deal.
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    Mr. Metin! I wanted
    to ask you something.
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    I couldn't find the last
    two pages of your last script.
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    Kids have lost them.
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    Are they getting
    married at the end?
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    - Girl runs away.
    - Really?
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    She is a wishy-washy indeed!
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    She has run after him...
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    - Cemil, shall we talk later?
    - Alright, no problem.
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    - But now...
    - Cemil!
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    Alright, Mr. Metin.
    Have a great day.
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    You have a surprised look
    on your face but it's Okay.
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    So how are you, bro?
    How was your meeting?
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    Really? So do we have
    so many planes again?
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    Fuck it, bro!
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    All the great artists were
    appreciated after they were dead.
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    I just wanted to make a jOke.
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    What happened to the girl
    last night, Metin?
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    Give me a beer now.
  • 14:31 - 14:33
    He asked a question,
    answer him!
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    Nothing, bro. She was
    gone when I woke up.
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    Clean job, bro.
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    The ideal woman is the one who
    is absent when you wake up.
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    No, bro. We didn't
    sleep together.
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    I slept on the couch.
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    - If she was not going to give...
    - Give what?
  • 14:46 - 14:49
    - Give what, Erol?
    - Give what, Lisa?
  • 14:49 - 14:51
    A friend of mine
    owes me some money.
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    He refuses to pay back.
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    If he isn't going
    to pay it back...
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    ...why did he get it, bastard?
  • 14:58 - 15:01
    - You look sad. - He has so
    many paper planes again.
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    You can always
    write new ones.
  • 15:04 - 15:07
    How do you say;
    my shop is here.
  • 15:07 - 15:10
    You became a Turk
    just in two years!
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    Don't move!
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    You owe me a breakfast.
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    Can I get the same one?
  • 15:40 - 15:44
    - Your face is familiar. - Do I need
    to throw up to remind you?
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    - Alright, I remember. - Correct
    answer. Look, we get on well.
  • 15:48 - 15:53
    - Thanks. - But this time don't
    forget to save some for cab.
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    I'll take it
    before I leave.
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    Thank you.
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    Good morning.
  • 18:36 - 18:39
    - Breakfast is not proper
    without fig jam. - I hate it.
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    - Didn't you spend all your
    money last night? - I lied.
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    - I set up the radio.
    Did it turn on? - I noticed.
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    It is good to
    wake up with music.
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    You start the day
    with more energy.
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    The janitor told me that
    you are a script writer.
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    That's what he believes.
  • 19:06 - 19:08
    - Here.
    - I don't like.
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    Electricity is off.
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    - Has any of your scripts
    been filmed? - Yes, all.
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    - Really? - I've shot
    them all in my head.
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    Very funny.
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    I've seen a guitar in
    your room. Can you play?
  • 19:28 - 19:31
    - A little.
    - Will you play for me later?
  • 19:31 - 19:34
    - No.
    - Why not?
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    My father has told me that...
  • 19:35 - 19:37
    ...doing one thing proper
    is better than doing...
  • 19:37 - 19:38
    ...many things a bit.
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    So, I've chosen script writing.
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    Fuck!
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    - Sketches!
    - What sketches?
  • 19:48 - 19:51
    I am writing a sketch
    for a TV talk show.
  • 19:52 - 19:54
    Yes?
  • 19:55 - 19:58
    Good morning.
    I'm fine and you?
  • 20:00 - 20:03
    Thanks.
    It's ready.
  • 20:03 - 20:05
    - Ready.
    - He is lying!
  • 20:07 - 20:09
    - I'll send you in fifteen minutes.
    - He is lying!
  • 20:09 - 20:12
    - Okay, I am going to send
    it soon. - He's lying!
  • 20:12 - 20:14
    Alright. Thanks.
    Have a good day.
  • 20:17 - 20:19
    I have to write
    those sketches.
  • 20:22 - 20:25
    There is no electricity.
  • 20:25 - 20:29
    I need to go to
    an internet café.
  • 20:31 - 20:32
    This pepper is so strong.
  • 20:32 - 20:36
    - Take the key, I am
    going out too. - Okay.
  • 20:51 - 20:54
    I forgot to take
    her phone number.
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    Fathers aren't always right!
  • 22:53 - 22:55
    Fig Jam Is Nice
  • 22:55 - 22:57
    I wish you'd have
    written down your...
  • 22:57 - 22:59
    ...phone number too.
  • 23:23 - 23:26
    - Good luck, Uncle Salih.
    - Thank you Metin.
  • 24:21 - 24:23
    Cemil, leave raki
    on the table.
  • 24:23 - 24:25
    My hands are busy.
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    Okay, Mr. Metin.
  • 24:40 - 24:42
    Cemil, we would drink together
    if you wouldn't blush.
  • 24:42 - 24:45
    I asked but he
    doesn't drink alcohol.
  • 24:47 - 24:48
    Cemil's voice.
  • 24:48 - 24:51
    I can do it again.
    Okay, Mr. Metin.
  • 25:54 - 25:57
    Will we pretend like
    strangers outside?
  • 25:57 - 25:59
    You had a friend,
    I didn't want to bother.
  • 25:59 - 26:01
    He is a family friend.
  • 26:02 - 26:05
    - Do you live with your family?
    - No.
  • 26:05 - 26:08
    - Where is your family?
    - In Ýzmir.
  • 26:08 - 26:12
    - Nice city. Why are you here?
    - I came here to study.
  • 26:13 - 26:18
    - After? - After I graduated I
    worked in bars for a long time.
  • 26:18 - 26:20
    I was giving away
    what I wrote.
  • 26:20 - 26:23
    Then I started to
    write TV sketches.
  • 26:23 - 26:26
    How do you feel
    of your sketches...
  • 26:26 - 26:27
    ...being watched by people?
  • 26:27 - 26:29
    I don't know. That should
    be asked to the actors.
  • 26:29 - 26:31
    They are the ones
    recognized on the streets.
  • 26:32 - 26:34
    A grocery store wouldn't give
    me anything without paying.
  • 26:34 - 26:38
    The janitor Cemil
    appreciates you much.
  • 26:39 - 26:43
    According to me everyone should
    has someone to appreciate.
  • 26:43 - 26:47
    Whom do you appreciate most?
  • 27:05 - 27:09
    By the way, if you give me
    your phone number I can call...
  • 27:49 - 27:52
    Good morning, Shakespeare!
    Cellular phones restrict freedom!
  • 28:07 - 28:09
    Remember the song playing right now!
  • 28:09 - 28:13
    ... there are so many reasons...
  • 28:13 - 28:18
    ... didn't pity on me...
    I'm burning with your flames...
  • 28:18 - 28:23
    ... come and put off my fire
    with your skin my love.
  • 28:25 - 28:29
    I am taking your photos.
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    Aren't you gonna
    pose or something?
  • 28:33 - 28:36
    Something I like
    this or that?
  • 28:36 - 28:37
    Sorry, Liza.
  • 28:38 - 28:41
    No, this is not normal.
    There is something about you
  • 28:41 - 28:42
    A girl?
  • 28:44 - 28:47
    - What's her name?
    - Duygu.
  • 28:47 - 28:50
    - What's her profession?
    - I don't know.
  • 28:50 - 28:53
    - Is she a student?
    - I don't know.
  • 28:53 - 28:57
    - Where does she live?
    - I don't know.
  • 28:57 - 29:00
    Very well. Are you
    planning to have kids?
  • 29:01 - 29:05
    Bro, first you get to know each
    other and then you'll tell us.
  • 29:05 - 29:07
    Now, shoot.
  • 30:00 - 30:02
    - What was playing on the radio?
    - "Psychopath".
  • 30:03 - 30:05
    It is our song now.
    May get a beer?
  • 30:05 - 30:07
    - "Psychopath"?
    - Yes.
  • 30:07 - 30:10
    Should it be something
    depressing instead?
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    I recognized your
    face which is familiar...
  • 31:11 - 31:13
    ... welcome to my heart my dear...
  • 31:13 - 31:14
    ... sorry about the mess around here.
  • 31:24 - 31:28
    - Good morning.
    - Good morning.
  • 31:28 - 31:31
    I wanted to prepare
    breakfast before you sneak out.
  • 31:31 - 31:34
    This time I had no
    intention to sneak out.
  • 31:34 - 31:37
    Really? Then I wokee up
    so early for nothing.
  • 31:37 - 31:40
    - C'mon, breakfast
    is on me then. - Okay.
  • 31:46 - 31:48
    Good Morning My Left Side
  • 31:52 - 31:54
    This place only
    serves breakfast.
  • 31:54 - 31:57
    You can have it at
    any time of the day.
  • 31:57 - 32:01
    Everything is so fresh here.
    Even the clotted cream is homemade.
  • 32:02 - 32:03
    - Bon appetite.
    - Thanks.
  • 32:03 - 32:05
    Thanks.
  • 32:05 - 32:08
    - What is the tattoo on your
    arm stands for? - An angel.
  • 32:08 - 32:11
    I did it myself.
    After my mum's death.
  • 32:11 - 32:15
    - How did it happen?
    - It hurt a bit.
  • 32:15 - 32:18
    - I meant your mum.
    - Committed suicide.
  • 32:22 - 32:24
    I can do one for
    you if you want.
  • 32:24 - 32:27
    - What?
    - Tattoo.
  • 32:27 - 32:29
    I have no idea.
  • 32:29 - 32:32
    I can't think of something so
    valuable to carve on my skin.
  • 32:32 - 32:34
    For instance we can
    make a feather pen.
  • 32:34 - 32:38
    Wouldn't be so flashy
    for a person who...
  • 32:38 - 32:41
    ...writes only sketches
    to TV channels?
  • 32:42 - 32:45
    You never talk about yourself.
  • 32:46 - 32:48
    My name is Duygu.
    I'm 25 years old.
  • 32:48 - 32:50
    I'm joining your
    lives from Istanbul.
  • 32:50 - 32:52
    You know about my mum.
    My father lives in the country.
  • 32:52 - 32:56
    I don't have any siblings.
    I like your company and fig jam.
  • 32:58 - 33:01
    - Are you excited?
    - No.
  • 33:01 - 33:04
    I am only worried that
    your questions might be hard.
  • 33:04 - 33:08
    Cowards die many times
    before their deaths.
  • 33:59 - 34:00
    - Fuck!
    - What?
  • 34:00 - 34:02
    I forgot to buy cigarettes.
  • 34:02 - 34:06
    I'm gonna get a pack.
    You prepare the table...
  • 34:06 - 34:08
    - Okay?
    - Okay.
  • 35:07 - 35:09
    I recognized your
    face which is familiar...
  • 35:09 - 35:11
    ... welcome to my heart my dear...
  • 35:11 - 35:13
    ... sorry about the mess around here.
  • 39:25 - 39:27
    Sorry.
  • 39:59 - 40:05
    - Do I need to say something?
    - You don't need to.
  • 40:06 - 40:08
    Talking is not for you.
  • 40:11 - 40:15
    You leave without saying
    anything, don't you?
  • 40:15 - 40:20
    You depart in such a manner
    that one's breathing is...
  • 40:20 - 40:23
    ...left half finished,
    let alone he is living.
  • 40:24 - 40:29
    You don't tell anything that
    millions can be told on that.
  • 40:31 - 40:35
    You don't tell me
    anything, Duygu. You just go.
  • 40:35 - 40:40
    - I didn't go.
    - Wrong. You have never come.
  • 40:40 - 40:42
    I've created a woman
    in my mind and...
  • 40:42 - 40:44
    ...lived with her passionately.
  • 40:44 - 40:48
    Probably people laugh at
    me for talking to myself.
  • 40:48 - 40:50
    You don't exist.
  • 40:50 - 40:54
    - I didn't go but ran away.
    - Ran away from me?
  • 40:57 - 40:59
    Did you run away from a
    guy who never touched you...
  • 40:59 - 41:01
    ...although slept with you in
    the same bed many times.
  • 41:01 - 41:03
    I ran away from that.
    Do you understand?
  • 41:03 - 41:05
    I would love to have
    your point of view.
  • 41:05 - 41:07
    What was I seeing?
  • 41:09 - 41:14
    There is no address,
    no phone.
  • 41:15 - 41:18
    I go to bed with you and
    when I wake up you are gone.
  • 41:18 - 41:18
    The most important...
  • 41:18 - 41:22
    Do you know what is
    the most important?
  • 41:22 - 41:25
    That I smelled your scent.
  • 41:25 - 41:28
    That I fall in love to a
    real person for the first time...
  • 41:28 - 41:32
    Other than the silly
    characters I've created.
  • 41:34 - 41:36
    - I...
    - I tell you.
  • 41:37 - 41:38
    You are egoist.
  • 41:39 - 41:45
    I am HIV positive.
    I mean, I am AIDS.
  • 43:44 - 43:48
    Treatment of AIDS
  • 43:53 - 43:56
    You can ask me
    everything dear.
  • 43:57 - 43:59
    I just want to know how...
  • 43:59 - 44:01
    They only try to extend
    the duration of life.
  • 44:01 - 44:04
    Infection occurs by sexual
    intercourse and blood transfer.
  • 44:04 - 44:06
    It doesn't spread with towel,
    knife, fork, spoon or water.
  • 44:06 - 44:08
    It doesn't spread with
    skin contact or hand shake.
  • 44:08 - 44:12
    According to researches only one
    person was infected by kissing...
  • 44:12 - 44:14
    ...because they both had
    severe teeth bleeding.
  • 44:14 - 44:16
    Although only one person
    it still is a risk.
  • 44:16 - 44:17
    During the last period
    of the sickness...
  • 44:17 - 44:20
    ...male patients have lesions
    but my skin will remain smooth.
  • 44:20 - 44:22
    In fact no one dies
    because of AIDS.
  • 44:22 - 44:25
    HIV infects primarily vital
    cells in the human immune system.
  • 44:25 - 44:29
    Even if an individual catches
    cold can't resist it and dies.
  • 44:29 - 44:32
    - Any more questions?
    - No.
  • 44:32 - 44:34
    After this appetiser
    briefing can we...
  • 44:34 - 44:37
    ...start breakfast now?
  • 44:47 - 44:49
    Why don't you get treatment?
  • 44:50 - 44:54
    Do you think
    I've never tried?
  • 44:54 - 44:57
    In this country even
    doctors do not shake...
  • 44:57 - 44:58
    ...hands with HIV
    positive people.
  • 44:58 - 45:00
    No need to mention the
    rest of the society.
  • 45:00 - 45:02
    When treatment starts
    it is heard immediately.
  • 45:02 - 45:05
    If you have known how people
    will react after learning it...
  • 45:05 - 45:08
    ...you would be regretful
    for talking about the treatment.
  • 45:08 - 45:11
    - How about your father...
    - He knows.
  • 45:13 - 45:17
    I guess he is the only one
    who really understands me.
  • 45:18 - 45:22
    How long an AIDS patient
    can survive if gets treatment?
  • 45:22 - 45:25
    Not AIDS, HIV positive.
  • 45:25 - 45:27
    By taking handful of
    pills daily you can...
  • 45:27 - 45:28
    ...live for a long time.
  • 45:28 - 45:31
    Doesn't a longer time
    which we can spend...
  • 45:31 - 45:33
    ...together mean
    something for you?
  • 45:33 - 45:36
    We can't spend that
    time together, darling.
  • 45:36 - 45:38
    Once I restart treatment
    this will be heard and...
  • 45:38 - 45:41
    ...do you think they
    will treat you differently...
  • 45:41 - 45:44
    ...while you are with me.
  • 46:48 - 46:52
    You still didn't ask me
    how I was infected?
  • 46:52 - 46:56
    I am scared to face the
    person who caused you this.
  • 49:51 - 49:54
    Stop!
    Stop it my love!
  • 49:55 - 49:58
    I beg you to stop!
  • 49:59 - 50:00
    Stop.
  • 50:00 - 50:03
    I can't do this to you.
  • 50:13 - 50:17
    This is very
    difficult my love.
  • 50:21 - 50:24
    I wish I was immortal.
  • 50:24 - 50:28
    While refusing treatment?
  • 50:28 - 50:34
    I didn't mean death.
    I meant immortality.
  • 51:21 - 51:24
    I was going to eat that.
  • 51:47 - 51:54
    ... there are so many reasons...
    one of them is the lover...
  • 51:54 - 52:00
    ... didn't pity on me...
    I'm burning with your flames...
  • 52:00 - 52:07
    ... come and put off my fire
    with your skin my love.
  • 52:33 - 52:36
    I used to play hide
    and seek with my friends...
  • 52:36 - 52:38
    ...when I was a kid.
  • 52:38 - 52:41
    I was scared that
    they would not find...
  • 52:41 - 52:42
    ...me where I hide.
  • 52:42 - 52:46
    While I was waiting
    I needed to pee.
  • 52:46 - 52:50
    I used to leave my hiding
    place with that excuse.
  • 52:53 - 52:57
    They always accepted my
    excuse and never tagged me.
  • 53:00 - 53:04
    After I've learnt my
    sickness I started to hide.
  • 53:05 - 53:09
    Never gone out of the
    place where I was hiding.
  • 53:11 - 53:15
    I needed so many things
    but grinned and bear it.
  • 53:18 - 53:22
    Because people are
    harsh, impatient.
  • 53:24 - 53:29
    They would immediately tag me.
  • 53:30 - 53:33
    Then you came.
  • 53:34 - 53:38
    You reached the underneath of
    the bed where I was hiding.
  • 53:38 - 53:42
    I was seeking
    a place to hide.
  • 53:44 - 53:49
    Here is too narrow.
    Too dark.
  • 53:49 - 53:54
    Here is painful.
    Go!
  • 53:59 - 54:01
    I found you.
  • 54:02 - 54:05
    I saw you.
  • 54:05 - 54:08
    I touched you.
  • 54:14 - 54:18
    Touching you is like
    having a break in life.
  • 54:20 - 54:23
    Touching you
    is like breathing.
  • 54:27 - 54:31
    Touching you is like
    burning all the words.
  • 54:32 - 54:36
    Touching you is like
    forgiving the whole mankind.
  • 54:36 - 54:40
    Touching you is like
    cleaning up the life.
  • 54:44 - 54:48
    Touching you is like
    challenging death.
  • 56:45 - 56:49
    - Is raki in the fridge?
    - In the fridge.
  • 56:52 - 56:55
    - What did you do today?
    - Nothing, my Shakespeare.
  • 56:55 - 56:57
    Just visited some book shops.
    What about you?
  • 56:57 - 57:01
    Nothing else but sent
    out the sketches.
  • 57:02 - 57:05
    Fish is well fried.
  • 57:06 - 57:08
    Raki must be cold by now.
    I'll go and get it.
  • 59:12 - 59:18
    You know, just because of this
    reason I couldn't ask Duygu.
  • 59:19 - 59:21
    I had no idea what to do...
  • 59:21 - 59:25
    ...when I met the animal
    who infected her this.
  • 59:27 - 59:30
    I still don't know.
  • 59:36 - 59:40
    It is difficult to
    tell this but...
  • 59:41 - 59:45
    ...I really wanted you
    to be healthy in front of me.
  • 59:46 - 59:49
    I'd love to hurt you.
  • 59:52 - 59:55
    But you have nothing
    to lose, don't you?
  • 59:55 - 59:59
    You can't even reply me.
  • 60:02 - 60:06
    Because you are finished.
  • 60:06 - 60:08
    You are dying.
  • 60:08 - 60:12
    C'mon tell me something.
  • 60:13 - 60:17
    Give me a reason
    to unplug you.
  • 60:17 - 60:21
    C'mon tell me something.
  • 60:21 - 60:23
    Talk to me!
  • 60:23 - 60:26
    Say "I poisoned the only
    woman you loved".
  • 60:26 - 60:30
    Say "Every day before
    you I am melting the...
  • 60:30 - 60:31
    ...only woman you loved".
  • 60:31 - 60:35
    Say "I'm dying and don't
    give a shit about you".
  • 60:35 - 60:38
    Say "I fucked your life"!
  • 60:40 - 60:42
    Tell me something.
  • 60:46 - 60:50
    Tell me something so I'll
    get rid of the rock inside me.
  • 60:52 - 60:56
    Tell me something
    so I can breathe.
  • 61:04 - 61:06
    Tell me something.
  • 61:34 - 61:37
    Tell me something.
  • 62:00 - 62:03
    - Metin, you are early today.
    - Give me a beer.
  • 62:07 - 62:10
    - Something bad happened?
    - Bad?
  • 62:15 - 62:19
    Darling...
  • 62:20 - 62:23
    Darling...
  • 62:34 - 62:37
    Metin bro, if you'd like one
    of our guys can take you home.
  • 62:37 - 62:39
    No need. I'll walk
    down the coast.
  • 62:39 - 62:42
    - Fresh air might refresh me.
    - As you wish.
  • 63:40 - 63:43
    What are we are
    tossing for, love?
  • 63:45 - 63:48
    Tossing for what?
  • 63:48 - 63:51
    We are drinking
    for the losers, love.
  • 63:51 - 63:54
    That's me.
  • 63:54 - 63:58
    Or wait a minute.
    Changed my mind.
  • 63:58 - 64:01
    Today we are drinking
    for the death of...
  • 64:01 - 64:03
    ...the killer of our love.
  • 64:03 - 64:07
    The killer who
    struggling among cables.
  • 64:07 - 64:11
    Sooner or later he will die.
  • 64:12 - 64:16
    Death will be a
    survival for him.
  • 64:17 - 64:21
    - Whom are you talking about?
    - About your ex.
  • 64:21 - 64:24
    About my executioner.
  • 64:24 - 64:28
    While I was scared to face
    him you led me to him.
  • 64:30 - 64:33
    Did you follow me?
  • 64:33 - 64:37
    I was worried that you
    would run away again.
  • 64:38 - 64:41
    My thick head may
    understand everything.
  • 64:41 - 64:44
    Anything can happen.
  • 64:44 - 64:47
    One can face anything.
  • 64:48 - 64:56
    But your desire
    for a mature guy...
  • 65:00 - 65:04
    Is your body that cheap?
  • 65:11 - 65:15
    Do you know what
    is really cheap?
  • 65:17 - 65:21
    Your easily made judgements
    which don't value anything.
  • 66:06 - 66:08
    Good morning babe.
  • 66:09 - 66:10
    Your mouth smells
    like my shoes.
  • 66:10 - 66:13
    You can't come to
    breakfast like this.
  • 66:13 - 66:16
    The whole place
    stinks like a shoe.
  • 66:16 - 66:19
    I was wondering why
    there were no vermin here?
  • 66:19 - 66:21
    Of course they
    wouldn't stay here.
  • 66:21 - 66:24
    Poor things must have fled.
  • 66:29 - 66:33
    Are you re-writing
    "Love Story"?
  • 66:33 - 66:36
    If I don't drop by
    we can't see each other.
  • 66:36 - 66:37
    Why don't you call and ask me...
  • 66:37 - 66:41
    ...if I am okay and need anything
    or when is my first exhibition?
  • 66:42 - 66:45
    Which I am not planning
    to have one soon.
  • 66:45 - 66:48
    But still I expect
    you to ask me.
  • 66:48 - 66:50
    If I don't pop by
    we'll loose communication.
  • 66:51 - 66:55
    You are very untidy, man.
  • 66:59 - 67:00
    Have you become senile?
  • 67:00 - 67:01
    There are notes everywhere.
  • 67:01 - 67:02
    Fuck!
  • 67:02 - 67:07
    You writers are unreliable.
    You don't even like fig jam.
  • 67:07 - 67:11
    Erol, you are like a sewing
    machine at this time of the day.
  • 67:11 - 67:13
    We need to find you
    a girl friend, bro.
  • 67:13 - 67:16
    She shouldn't be around so
    much but come time to...
  • 67:16 - 67:17
    ...time to tidy up your ass.
  • 67:18 - 67:21
    You're lucky to have me for
    dropping by to fix your ass.
  • 67:38 - 67:42
    I shouldn't have forgotten the
    powder sugar but still tasty.
  • 67:47 - 67:49
    By the way...
  • 67:54 - 67:58
    ...here is my first photo
    shot with my new camera.
  • 67:58 - 68:02
    I printed the date and
    my signature at the back.
  • 68:07 - 68:08
    Thanks.
  • 68:09 - 68:10
    Thanks?
  • 68:10 - 68:12
    Is this how you
    respect an artist?
  • 68:12 - 68:14
    What a shame!
  • 68:14 - 68:18
    I can't stay in this
    environment any more.
  • 68:18 - 68:21
    I go to my course
    where I perform my art.
  • 68:21 - 68:25
    Don't bother to
    show me to the door.
  • 68:27 - 68:31
    See you in the evening.
  • 68:34 - 68:36
    What are you doing
    with my shoes?
  • 68:36 - 68:38
    Are they yours'?
  • 68:38 - 68:40
    I am sorry, I thought the
    owner had already died...
  • 68:40 - 68:44
    Drop them immediately!
  • 68:49 - 68:53
    Mr. Metin, any garbage?
  • 68:54 - 68:57
    Anyway, I'll drop by later.
  • 69:24 - 69:27
    Scene 1
  • 70:31 - 70:36
    - Shall I take you home?
    - I can go by myself.
  • 70:40 - 70:47
    - Get in there but don't vomit!
    - No sex!
  • 70:52 - 70:57
    No sex!
  • 71:05 - 71:07
    Good morning, Shakespeare
  • 71:07 - 71:08
    Cellular phones restrict freedom!
  • 72:20 - 72:21
    Fathers aren't always right!
  • 72:36 - 72:40
    My sorrow is here...
  • 72:44 - 72:50
    ... not in the pouring rain...
    not in the lying autumn...
  • 72:50 - 72:54
    ... not in empty streets.
  • 72:57 - 73:00
    My body is thrown...
  • 73:03 - 73:09
    ... time lost in your hair...
  • 73:09 - 73:13
    ... my eyes watch the streets...
  • 73:13 - 73:17
    ... the reason is rebellious love.
  • 73:19 - 73:23
    I am burning inside I am bleeding inside...
  • 73:34 - 73:48
    ... what is left behind is handful...
  • 73:48 - 73:54
    ... you left me in sorrow...
  • 73:54 - 74:00
    ... my mind blown.
  • 74:46 - 74:47
    Can I help you?
  • 74:47 - 74:50
    There was a sick person here.
  • 74:50 - 74:53
    - I... - Mr. Selim.
    He was my tenant.
  • 74:53 - 74:56
    He passed away.
  • 74:56 - 75:00
    I am lookng for the girl
    who used to visit him.
  • 75:00 - 75:01
    His daughter Duygu.
  • 75:01 - 75:05
    She left here after
    her father's death.
  • 75:16 - 75:19
    Daughter?
  • 77:30 - 77:32
    What are you doing, bro?
  • 77:33 - 77:34
    Have you lost your mind?
  • 77:34 - 77:38
    You answer my call
    and then do whatever...
  • 77:57 - 77:59
    Only one person was
    infected AIDS by kissing.
  • 78:02 - 78:04
    My father is the only
    person who really understands me.
  • 78:06 - 78:08
    She left here after
    Mr. Selim's death.
  • 78:09 - 78:10
    Fig jam is nice.
  • 78:13 - 78:21
    Metin!
    What are those, bro?
  • 78:22 - 78:24
    If you have satisfied
    your curiosity you may go.
  • 78:24 - 78:25
    How can I go leaving
    with you like...
  • 78:25 - 78:27
    Erol, fuck off!
  • 78:27 - 78:30
    You see I am alive.
    Now go.
  • 78:31 - 78:34
    - Metin!
    - Fuck off, Erol!
  • 78:37 - 78:41
    If you need anything
    call me, bro.
  • 79:06 - 79:10
    I would love to
    write like you.
  • 79:10 - 79:14
    I think you writers are
    born to be a writer.
  • 79:14 - 79:18
    I mean you don't live
    what you write mostly.
  • 79:18 - 79:22
    The script writer of ET
    didn't see an ET.
  • 79:24 - 79:26
    Cheers!
  • 79:34 - 79:38
    Can you pass me
    the water, darling?
  • 79:43 - 79:48
    People are like rain
    drops striking a windscreen.
  • 79:48 - 79:52
    While some drops are
    going down it mixes up...
  • 79:52 - 79:57
    ...with more drops and
    its movement gets stronger.
  • 79:57 - 80:00
    I've mixed with you my love.
  • 80:00 - 80:02
    People are cruel, wasteful.
  • 80:02 - 80:07
    They behave as if
    everything is everlasting.
  • 80:10 - 80:11
    One day...
  • 80:11 - 80:15
    ...they don't think that the
    driver may open the window.
  • 80:21 - 80:24
    I love you.
  • 81:58 - 82:00
    I wish I was immortal.
  • 82:06 - 82:10
    I wanted to be immortal.
  • 82:10 - 82:13
    While refusing treatment?
  • 82:13 - 82:19
    I didn't mean death.
    I meant immortality.
  • 82:50 - 82:52
    Voyage of an AIDS patient.
  • 83:08 - 83:10
    Said "While carrying
    the death in her pocket...
  • 83:10 - 83:14
    ...she wanted to be immortal".
  • 84:54 - 84:55
    Fig Jam
  • 84:55 - 84:58
    We are shooting.
  • 85:00 - 85:01
    Okay, thanks.
  • 85:01 - 85:04
    If there will be any
    developments we'll call you.
  • 85:04 - 85:06
    Even if it is negative
    please let me know so...
  • 85:06 - 85:08
    ...I won't wait for nothing.
  • 85:08 - 85:10
    Sure.
    Have a great day.
  • 85:12 - 85:14
    I worked on the
    scenes you gave me.
  • 85:14 - 85:15
    It seems to be a nice story.
  • 85:15 - 85:19
    But why on earth this
    girl loves fig jam so much?
  • 85:19 - 85:23
    That seems silly.
  • 85:55 - 85:59
    What is so important
    you want to tell me?
  • 86:01 - 86:07
    In fact I wanted to
    tell you this before...
  • 86:08 - 86:10
    Tell what?
  • 86:10 - 86:15
    Two years ago you came
    to Istanbul for a week.
  • 86:16 - 86:20
    Why didn't you go back?
  • 86:21 - 86:23
    Love.
  • 86:24 - 86:27
    Love of Istanbul.
  • 86:27 - 86:31
    But I couldn't find the love
    I was seeking in Istanbul.
  • 86:32 - 86:36
    - So I decided to
    return home. - Return?
  • 86:36 - 86:39
    I've already stayed a lot.
  • 86:39 - 86:43
    One shouldn't push
    her luck so much.
  • 86:43 - 86:47
    One should see the other
    countries and cities too.
  • 86:47 - 86:51
    You are right.
    One shouldn't push luck so much.
  • 86:56 - 86:59
    - Would you like fig jam?
    - I don't like.
  • 87:00 - 87:02
    How do you feel playing
    an AIDS patient?
  • 87:02 - 87:04
    Did you have difficulty
    in making sex scenes.
  • 87:04 - 87:07
    When will you
    shoot the sequel?
  • 87:09 - 87:13
    Dr. Tayfun is the AIDS
    couch of our actress.
  • 87:14 - 87:17
    Congratulations.
    Great script.
  • 87:23 - 87:28
    You, you know her.
    I've seen you with her.
  • 87:28 - 87:29
    Where is she?
  • 87:29 - 87:35
    - Tell me!
    - Yurt Hospital.
  • 87:51 - 87:53
    I found you my love.
  • 87:53 - 87:56
    Open your eyes.
    Please open your eyes.
  • 87:56 - 87:57
    Forgive me.
  • 87:57 - 88:01
    I behaved like the others.
    Please open your eyes.
  • 88:01 - 88:05
    Open and forgive me my love.
    You are now immortal.
  • 88:06 - 88:10
    - Welcome darling.
    - I found you!
  • 88:11 - 88:14
    Get me out of here.
  • 88:19 - 88:21
    When my father
    brought this disease...
  • 88:21 - 88:24
    ... to our home I wasn't born yet.
  • 88:24 - 88:29
    My mum thought that she
    was milking me for months.
  • 88:30 - 88:33
    When she learnt about
    my father's cheating and...
  • 88:33 - 88:39
    ... her poisoning me
    she refused treatment.
  • 88:41 - 88:44
    I wasn't lying when I told
    you she committed suicide.
  • 88:45 - 88:48
    I am going my mum's way.
  • 88:48 - 88:54
    Instead of living a longer life
    while being excluded from society...
  • 88:54 - 89:00
    I preferred living a shorter
    life like an ordinary person.
  • 89:01 - 89:05
    Docs say that I'll die
    because of influenza.
  • 89:06 - 89:09
    Funny isn't it?
  • 89:12 - 89:15
    This illness kills
    while living.
  • 89:19 - 89:24
    They didn't give me any
    right to love something alive.
  • 89:24 - 89:27
    So I loved fig jam.
  • 89:29 - 89:32
    Fig jam was you, my love.
  • 89:42 - 89:45
    Now close your eyes.
  • 90:10 - 90:13
    Think about the good
    things you'll do.
  • 90:14 - 90:17
    I am not telling that
    you should forget me...
  • 90:17 - 90:20
    ...because I wouldn't forget you.
  • 90:21 - 90:24
    But never cross with life.
  • 90:25 - 90:28
    I'll be with you
    whatever you will do.
  • 90:29 - 90:34
    In the mornings you'll
    again wake up with the radio.
  • 90:34 - 90:37
    You'll get out of bed
    with energy and...
  • 90:37 - 90:41
    ...turn down the radio.
  • 90:41 - 90:44
    Then you'll open the
    window and stretch...
  • 90:44 - 90:46
    ...yourself through outside
  • 90:46 - 90:51
    There are thousands outside
    waiting for your stories.
  • 90:52 - 90:55
    They all expect to be
    understood, like me.
  • 90:58 - 91:01
    Write my love.
    Continuously.
  • 91:03 - 91:07
    Tell them each other.
  • 91:09 - 91:16
    Tell them how beautiful
    to touch each other.
  • 91:18 - 91:21
    Tell them to mix up with each other.
  • 91:21 - 91:27
    Tell them what they forget
    during the life cycle.
  • 91:29 - 91:32
    Tell them about making love.
  • 91:32 - 91:39
    Tell them how to become a single
    body even in the worst moment.
  • 91:40 - 91:44
    Dying alone is difficult.
    Tell them the easiest way.
  • 91:52 - 91:55
    Now, open your eyes my love.
  • 91:57 - 92:02
    I promise you.
    Everything will be fine.
  • 92:07 - 92:13
    I am mixed with you my love.
    Now you are now stronger.
  • 92:17 - 92:25
    Tell them one day the driver
    suddenly may open the window.
  • 93:59 - 94:12
    Fig Jam
Title:
İncir Reçeli - İngilizce Altyazi "Fig Jam - English Subtitles"
Description:

more » « less
Video Language:
Turkish

English subtitles

Revisions