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Dylan Moran Like Totally english subtitles

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    Subtitles downloaded from www.OpenSubtitles.org
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    Ladies and gentlemen,
    please welcome to the stage
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    Dylan Moran!
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    Hello! Hello! Yes, yesůhello.
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    Hello, it's very nice to be...and...
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    You may as well be in Londonů
    while you`re being.
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    Fantastic place.
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    Cosmopolis.
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    People from every corner of the Earth,...
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    every creed, every religion,
    every culture
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    come here to vomit in minicabs.
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    Sometimes, you know,
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    you might take it for granted, you see,
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    you might get this notion that
    there's a better life for you elsewhere.
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    because that's what happens to peopleů
    they get stressed out somewhere like this.
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    They think:
    "you know we shouldůI don't know...
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    go to the country...
    somewhere...'Somewhere Shire'".
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    It's a very bad idea.
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    IůIůI grew up in the country.
    You don'tůyou don't wanna go there.
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    You've got everything here. You're not gonna
    realize your dreams somewhere else.
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    You can do it all here.
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    You could be trapped in traffic
    in Tufnell Park for twenty yearsů
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    And you'll never have that experience
    anywhere else.
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    You don't wanna go to the country, anyway.
    Most of you know nothing about it.
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    You talk about it all the timeůyou
    read about it in the Sunday supplements.
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    You're never going to go.
    Why would you go?
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    It's a disgusting place.
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    It's always wet
    even when it`s dry...
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    There's nothing there.
    Farmers aren't really people.
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    You know this.
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    They're just necessary.
    We need somebody to kill cows.
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    Cows are supposed to be killed.
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    En masse as well.
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    I have this certain veryůwellůlimited
    sympathy with vegetariansůYou knowů
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    I don'tůI don't mind if you're vegetarian
    cause you had an accident or something years ago.
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    You fell down some steps
    and now you can't chew properly.
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    I don't mind thatůbut all this
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    vegetarian-on-principle
    stuff is wrong!
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    You're supposed to eat the cows.
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    They're big lumbering stupid things...
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    they'd be everywhere
    if we didn't eat them.
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    In the library and everything...
    Nobody actually wanted them originally.
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    You know, they were just mid-conversation that
    kept getting bumped into by these cretins...
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    Couldn't take it anymore.
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    "Give me a fuckin' fork
    I'm gonna deal with this."
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    What people really want are squirrels
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    but they're too quick.
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    Don't go to the country.
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    When is the last time you spoke to
    somebody from the country?
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    Have you ever had a conversation with these people?
    - "What did you do today?"
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    - "I had some soup."
    - "Oh for *!%*'s sake...get me outa here.
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    "Please gimme a cappucino
    before I pass out. I need a mugger."
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    "I need a healthy injection
    of cynicism right now."
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    And of course these people are friendly.
    ůcourse they are.
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    They talk to you. They haven't spoken
    to a real person in years.
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    And they bring you into the house
    and they dry all your clothes...
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    even though you've not been
    in the rain or anything.
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    And offer you the local thing.
    "You must try the local stuff."
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    Don't eat it!
    You know why it's local?
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    It's #%@@!
    That's why it's local.
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    If you eat it, you'll turn into one of them.
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    You go red,
    you start spouting bigotry...
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    and eating tweed
    with lamb fat dribbling down your chin.
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    Don't go near of any of that stuff.
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    People say:
    "I'm gonna go. It'll be great."
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    "We'll have a solar panel toiletů.
    we'll get the whole family thatched."
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    Rubbish!
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    And then you get these articles about
    how unhealthy modern life is in a city.
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    You knowůyou get mobile phone tumours...
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    far more likely in the city.
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    Well you know what? So is everything else.
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    Including sex, coffee and conversation.
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    And the conversations are
    totally different as wellůthere.
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    You're sophisticated people.
    You meet up every nine months...
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    to have a coffee with somebody and %#%$!
    about your best friend who's not there.
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    - "I hate them."
    - "I hate them more than you do."
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    Here they come.
    - "Hi, how are ya?"
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    - "Do you want a nimbacino?"
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    And in the countryside...
    because there's nothing to do...
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    Do you know what people do there?
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    Theyůtheyůthey go to each others' houses,
    they come to your house and drink tea.
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    All !+$%$!# day.
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    They crawl for twelve miles
    to come and drink tea.
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    'Cause there's nothing else to do.
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    And what people do then...
    It has its own kind of native hostility.
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    You know, they bring out all the food in the
    house and put it in front of that person...
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    and say:
    "There, eat that!"
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    Becauseůbecause if you don't put on a good spread
    you'll be ill-spoken-of in the village.
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    So people bring out nineteen
    different kinds of potatoes.
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    Sheets of ham.
    Waves of ham.
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    You take a bite out of the middle, you save
    yourself the price of a poncho.
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    They put it in front of that person
    and they say: "Fuckin' eat that!"
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    And they stay there all day.
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    Eat everything you have.
    Drink everything you have.
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    And they never know when to go.
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    You know? They're not sophisticated. They sit there.
    You're thereůone o`clock in the morning...
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    with the grandfather clock between
    your pyjama'd knees...
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    staring at the motherfuckers saying:
    "Please, go home!"
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    And you end up saying
    terrible things:
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    "Look, we drank everything in the house..."
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    "I don't think that minicab is coming..."
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    "I know we had eight or nine bottles of wine
    and half a bottle of whisky..."
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    "but I think you should drive.
    I do."
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    "I will personally sellotape
    your hands to the wheel."
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    "Get in the !+$%$!# car.
    Go away from here please."
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    And then, you know, there's theůthere's the extreme
    version of that idea of escape.
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    People think they'll emigrate, that's it.
    Theirůtheirůtheir new life will be somewhere else.
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    "Much better than here.
    I can't take it anymore."
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    Where would you go? People...
    people fling themselves all over the planet.
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    People end up in Australia.
    Why would anybody want to go there?
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    What is the point of that country?
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    I wasůI usually never leave the house but,
    we all went to Australiarecently.
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    The whole family.
    It was a ridiculous place.
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    Located three quarters of a mile
    from the surface of the sun.
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    People audibly crackling as they
    walk pass you on the street.
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    That's why they all barbecue.
    You don't need to cook somewhere like that.
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    You just bring the #%@@ out,
    fling it on a grill,
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    and it bursts into flames.
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    It's not supposed to be inhabited.
    And when they're not doing that,
    frying themselves outside,...
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    they all fling themselves into the sea.
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    Which is inhabited almost exclusively by
    things designed to kill you.
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    Sharks, jelly-fish, swimming knives.
    They're all in there.
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    And then, you know, there's theůwhere else...
    There's theůthis is the new worldů.
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    You know, and the other part
    of the new world isůis America.
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    And people think:
    "That's got a lot of promise."
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    Still...
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    Even though, we're all a bit funny
    about Americans nowů.a bit.
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    I think the reason that happenedů
    all that bad feeling about America...
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    is apart from everything
    that they've doneů
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    It's because American
    stupid people sound...
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    stupider than every other
    kind of stupid person.
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    Some people are just thick
    but you put up with them.
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    But Americans are annoying
    when they're thick.
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    Because they say: (accent) "Well, you know, I was ..."
    They're talking about one of those terrible...
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    incidents that happen every other day in America.
    They say:
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    (accent) "Well, you know, I was there
    and the guy came in,..."
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    "and he hadůlikeůa gun, you know,..."
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    "and he wasůlikeůshooting,
    and everybody else was totally dead."
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    It sounds a little divorced
    from reality somehow.
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    So I think that's why there's ill feeling
    about the place sometimes.
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    Because of everything
    the administration has done.
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    You know, it's like the really bad
    flatmate of the world.
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    (accent) "Oh, sorry. Did I break all your #%@@?
    I didn't know it was yours."
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    "Yeah, I'll replace it some time..."
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    "um...with my stuff." And...
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    because it's the only remaining empire.
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    Of course, you had an empire once.
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    Britain had a great empire.
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    And impressively commandeered
    and sequestered from the rest of the world
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    ůwith great style.
    You just marched in and said:
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    "You, you and you, *!%* off!
    We're having tiffin."
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    And everybody sort of went:
    "Oh, right, I'll gonna be off now. That's fine."
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    And it took centuries for people to go:
    "Hang on a minute..."
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    "We live here."
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    The American style is totally different.
    Far more insidious.
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    This empire is run on a totally different basis.
    What Americadoes...is it has a nosy in some placeů
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    some war-torn, $%%%!$ up place...
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    and it looks for oil or
    chocolate or whatever it wants.
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    And all the indigenous people
    obviously get pissed off.
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    And they begin to meet.
    They begin to foment.
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    They ring each other up and say:
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    (accent) "You, Habuwa, let's meet and foment...
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    at six o'clock." In the local bombed-out cafe,
    they gather round and they say:
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    (accent) "What are we go..."
    I'm doing a pan global accent, OK?
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    It saves time. because America
    gets around a lot of places.
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    "What're we..."
    And this represents poverty.
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    "Hey listenů"
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    "Hey! Haguga, listen,..."
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    "What're we gonna do 'bout the !+$%$!#
    imperialistic Yankee big dog, huh?
    What're we gonna do?"
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    "They come in hereůthey fuckin'ůthey
    look around, they take our stuff.
    What're we gonna...?"
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    "I'm talkin' to you! Put down the beans!
    Listen, what're we gonna do?"
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    It's kind of...Al Pacino from China via
    Brooklyn. But the em,...
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    And what the Americadoes...
    while these people are talking,...
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    they very, very gradually build a
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    Starbucks around them.
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    They all become addicted to latte
    and they lose the will to rebel.
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    And then they turn into Americansů
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    after a couple of weeksůthe kind of
    people who come up to me and say:
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    (accent) "Hi, I'm Irish."
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    "My grandmother was
    O'Flaherty. Did you know 'er?"
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    I always say:
    "Yes, yes, I did..."
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    "But then again everybody did."
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    But that's a particular kind of
    American obviously.
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    The kind of Americans you see in Europe...
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    who often, for some reason, seem to be
    very generously proportioned.
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    And the...you see them in museums
    blocking up the exhibits going:
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    "What is this? Can we eat it?
    Where are we? Can we ů.."
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    And yet when you go to Americayou see that
    it's a very, very...because it's so competitive and everything.
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    People are ultrafashionable
    and very thin, really.
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    I think the Americans you see
    in Europe are all the ones...
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    who stay in their apartments,
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    get food piped in and
    then they're just shipped out to Europe.
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    But the ones over there...
    You see these amazing looking people.
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    They don't look real at all.
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    These incredibly exiguous women.
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    You know, those people who look like they
    can't support the weight of their
    own teeth and their head.
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    Stalking in and out of
    fashionable restaurants.
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    I don't know what they do in there.
    Maybe they just rub pesto on their legs
    or something and...
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    You know, they look like they weigh as much
    as a photograph of themselves andůand...
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    Very fashion conscious.
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    But people have this idea that it'sů
    that it's still the promised land.
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    You know, somewhere like California
    where everything is fruitful and abundant.
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    But...
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    Arnold Schwarzenegger...
    is the Governor of California.
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    There's a perfectly ordinary
    English sentence.
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    How did that happen!?
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    Do you know how that happened?
    'cause I'll tell you.
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    You know how he got into that position?
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    He got there...
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    by lifting things.
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    Now you and me,
    we avoid lifting things.
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    It's unpleasant.
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    Especially heavy things.
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    Even a five-year-old child knows this.
    They go:
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    "Huh? Noůhahahaůfuckitů no. I gonna put
    a Lego up my arse. I'm not doing that. Noůno."
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    He took a different approach.
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    He lifted the heavy...and you know,
    you lift something when you have to.
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    Piano falls on granny...
    you lift the piano.
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    'cause granny has mixed feelings
    about the whole situation.
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    Sunday lunch continues.
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    He didn't do any of that!
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    He went right over to the heavy thing
    and lifted it...
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    and put it back down
    and didn't move it anywhere.
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    And then he lifted it againů
    hundreds of times.
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    And said to the people who had stopped
    to observe this aberrant behaviour.
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    "Look how good I am... "
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    "at lifting the heavy thing..."
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    "in my underpants."
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    Now thatůsounds a little dim.
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    But it was they who said:
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    "You're the man."
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    "You're the one we want to deal with
    immigration and water rates
    and taxes and all that kind of #%@@."
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    Now, wait...
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    what we need to know is how bad
    was his predecessor at that job?
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    You know, this must have been someone who
    came to work covered in children's blood
    every morning.
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    He drives one of these vehicles, you know,
    these things they're called Hummers.
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    You know?
    It's like a big four-wheel-drive thing.
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    Huge.
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    How small does you *$*! have to be?
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    To make you walk into a car show-room
    and say:
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    "Listen, I need something in the size of
    a school..."
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    "... so people know I'm around."
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    As if driving wasn't already
    aggressive enough.
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    You see people behind the wheels
    and these things. They change,...
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    you know, in those big built-up vehicles.
    You have them here in London, you know.
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    Because it's difficult obviouslyůthe
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    coffee's on one side of the street,
    you have to get your newspaper from the other.
    It's tough, I know.
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    People change, they get behind the
    wheel of those things.
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    They lose the ability to distinguish between
    an empty packet of crisps and your children.
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    Driving is incredibly aggressive.
    I started to learn recently.
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    I don't knowůI don't know how to drive
    and it's fairly pathetic, you know,
    'cause I'můI'm thirtyůnearly thirty-five.
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    It's ridiculous.
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    And then I started getting nervous 'cause
    I can't swim either and I thought,
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    "What if I crash into a lake?
    I am $%%%!$!"
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    You learn very, very quickly that it is
    mostly about swearing actually.
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    That's all you're doing...
    swearing in a box with wheels.
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    'cause you don't swear like that with any other
    activity in your day.
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    You don't allow yourself.
    It's ok when you're driving for some reason.
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    If somebody blocks you
    when you're a walking
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    You're positively Edwardian in your manners.
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    You do this sheepish little smile together.
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    And you step aside. And you both do it
    at the same time. And you go:
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    (accent) "Oh, for goodness's sake, what to-do?"
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    "Hohoho, dear me!"
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    "I'll just...erůI'll just...oh, we did it again!
    Do you believe it. I can't believe it..."
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    "We should be on the stage..."
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    "One more timeůI'll just...
    Oh, how did we ever get this far as species?"
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    But for some reason...
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    in a car that becomes:
    "You spoke buggered!"
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    From, you know,
    an eighty-nine year-old church warden.
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    (coughs) Excuse me, I have a...
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    somethingůit'll clear up.
    It might take me with it but, you know, we'll see...
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    And all this aggression is terrible actually.
    You see that everywhere.
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    People haveůyou knowůyou think you're mad
    at the other motorist in that case.
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    Probably something else.
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    You knowůit's probably something in your own past
    that you're probably...I don't know...
    mad at your mother or something.
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    That's why you find yourself as a forty-five year old
    person on the street shouting.
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    There must be a story behind all those people
    you see mumbling on the street,
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    having those intense conversations
    that look really, really significant
  • 16:28 - 16:30
    except nobody else is there...and...
  • 16:31 - 16:33
    You know, you're probably mad at something...
    I don't...
  • 16:33 - 16:35
    Because everybody remembers:
  • 16:35 - 16:38
    you'd be alone in the kitchen and...
  • 16:38 - 16:40
    twilight would be dwindling
    and you could hear...
  • 16:40 - 16:43
    the far-off cries of the other
    children playing nearby...
  • 16:43 - 16:48
    and you knowůyou'd be alone in a kitchen 'cause
    it was your special treat time...
  • 16:48 - 16:51
    when theůthe jelly would come out
    just for you...
  • 16:51 - 16:55
    and your mother would appear at your sideů
    just this vision of Laura Ashley print dress...
  • 16:55 - 16:58
    smelling of magnolias
    and biscuits...and...
  • 16:59 - 17:03
    put the jelly in front of youů
    andůandůand you would pull your chair in...
  • 17:03 - 17:06
    and then the old-fashioned bar of
    ice-cream would come down,
  • 17:06 - 17:09
    the one that had to be cut
    with a bread knife
  • 17:09 - 17:12
    before the two sides were flanked
    with wafers...
  • 17:12 - 17:16
    and you would lift your little spoon up
    excitedly to press it in...
  • 17:16 - 17:21
    and winkle out that first divot
    of black jelly and...and
  • 17:21 - 17:25
    and then the cage would come down!
  • 17:29 - 17:33
    The cage with the Japanese
    fighting spiders inside.
  • 17:35 - 17:37
    She would strike a match off
    her forearm...
  • 17:37 - 17:41
    and go and tell you to dance
    in the front room for money.
  • 17:42 - 17:45
    And you never forget that #%@@.
    You know, it never goes away.
  • 17:51 - 17:56
    But...this idea of the good life
    being elsewhere does possess people.
  • 17:56 - 17:59
    And I suppose a lot of people now...
    because Europe is freed up and everything...
  • 17:59 - 18:01
    people move within Germany...
    a lot of...
  • 18:01 - 18:04
    within Europe rather...
    I mean I said Germanybut I meant Europe.
  • 18:06 - 18:09
    I don't know why I said Germanybut loads
    of people did go to Germanyactually,
  • 18:09 - 18:11
    recently for the World Cup.
  • 18:11 - 18:14
    A lot of English people went over
    to make uninformed prejudicial remarks...
  • 18:14 - 18:18
    about German people
    and Germany.
  • 18:18 - 18:20
    Totally ignorant and bigoted.
  • 18:21 - 18:25
    Know nothing about it...
    but they feel free to insult it.
  • 18:26 - 18:28
    Because they're English
    and they're bigoted...
  • 18:28 - 18:31
    andůbecause Germanyis a toilet.
  • 18:32 - 18:34
    A truly dreadful place.
  • 18:35 - 18:39
    Nobody ever has any reason to go there.
    It isůit is a totally dreadful place.
  • 18:39 - 18:41
    And that's just the way it is...
  • 18:41 - 18:43
    because if you're talking to a, you know,
    a modern...
  • 18:43 - 18:48
    I went there. On the same weekend I went
    to Australiaand California and it's a...
  • 18:49 - 18:54
    you see, the thing is you're talking
    to a modern, nice, affable, German person...
  • 18:54 - 18:56
    and they're saying to you something like:
  • 18:56 - 18:59
    (accent) "You know, well, it's a critical time
    right now for Germany within Europe,..."
  • 18:59 - 19:02
    "also globallyůeconomically we're pretty
    good. We have been better."
  • 19:02 - 19:05
    "But we're very vibrant in the theatre
    and arts and so onů"
  • 19:05 - 19:07
    All the time you're listening to this,
    you're thinking:
  • 19:07 - 19:10
    "Hmmmůhmmmůyeah, yeah,
    hmmm, hmmm...
    HitlerůHitlerůHitlerůHitler..."
  • 19:13 - 19:20
    "and the Hitler when you did the Hitler thing
    with Hitler. ..HitlerůHitlerůHitler..."
  • 19:20 - 19:23
    And the people look like pork.
    You can't get away from that. They do.
  • 19:23 - 19:26
    They look like pork scratchings on a towel.
  • 19:26 - 19:28
    And you can't eat the food
    because you would have to complain about it...
  • 19:28 - 19:30
    and that would mean speaking German.
    It's a disgusting language.
  • 19:30 - 19:32
    Nobody should ever speak it.
  • 19:32 - 19:34
    Even Hitler was vegetarian.
    That's how bad the food is.
  • 19:35 - 19:37
    And you couldn't speak German 'cause
    it's a horrible sound.
  • 19:37 - 19:40
    It sounds like typewriters
    eating tinfoil being kicked down a stairs.
  • 19:41 - 19:44
    Somebody is talking to you in German,
    they're saying: (accent) "Haken die hakenů(etc)"
  • 19:45 - 19:47
    You think:
    "What is happening to you from behind? "
  • 19:47 - 19:50
    "How can we make it stop?
    Please, go away."
  • 19:52 - 19:53
    Now, that's not...
  • 19:55 - 19:57
    prejudice,
    that's just observation. And the...
  • 20:00 - 20:04
    thing is English people
    are very bigoted, though, I find.
  • 20:04 - 20:07
    I say that as a neutral Irish person.
    You know, Irelandwasn't involved
    in the war at all.
  • 20:07 - 20:09
    Ireland's reaction in the war was to go:
  • 20:09 - 20:12
    "What? There's a what on?
    Sorry, what? I'm not dressed."
  • 20:12 - 20:13
    "What is it? What?
  • 20:13 - 20:15
    "you want to what?
    You need...you need a...what?"
  • 20:15 - 20:18
    "What is...? War? It's all over, is it?
    Or will...good...yeah."
  • 20:18 - 20:19
    "What do you want?"
  • 20:20 - 20:22
    Not very useful.
  • 20:24 - 20:26
    But English people are quite prejudiced,
    I think.
  • 20:26 - 20:31
    Because I've noticed this recently.
    'cause I have lots of English friends who are
    very dear to me and...
  • 20:31 - 20:34
    I realized recently...
    when you're talking to an English person...
  • 20:34 - 20:37
    and you're from elsewhere, they share with you.
    They do a lovely thing...
  • 20:37 - 20:41
    when they're talking to you. Theyůthey
    impersonate you as they're talking to you.
  • 20:43 - 20:46
    Somebody says to me:
    (accent) "Do you want another drink then?"
  • 20:46 - 20:50
    You know, in that English voice that suggests
    they're just about to die at any moment.
  • 20:50 - 20:51
    - "Do you want another drink?"
  • 20:51 - 20:54
    - "I would. I'd love another drink. That'd
    be great. That'd be grand. Thank you."
  • 20:54 - 20:59
    They do you. They go:
    - (accent) "I would, yeah, That'd be great.
    That'd be grand. That'd be lovely."
  • 20:59 - 21:01
    - "What the *!%* are you doing?!"
  • 21:01 - 21:04
    - (accent) "Nothing. It's just funny 'cause you're Irish
    and that, you know..."
  • 21:04 - 21:06
    'cause that's still how
    Irish people are seen.
  • 21:06 - 21:09
    As twinkly-eyed fuckers
    with a pig under their arm...
  • 21:09 - 21:12
    high stepping around the world going:
  • 21:12 - 21:15
    "Ill paint your house now but watch out,
    I might steal the ladder, hohohoho."
  • 21:18 - 21:21
    Which is only half true!
  • 21:26 - 21:29
    The thing is though
    that Irish people are just far more emotional.
  • 21:29 - 21:32
    We include emotion in our culture.
  • 21:32 - 21:33
    If you're talking to an English person...
  • 21:33 - 21:36
    you don't know if they've recently died
    or just got married.
  • 21:37 - 21:39
    'cause of that English smile...
    (accent) "Hello, hello."
  • 21:39 - 21:41
    Looks like you've a rotten oyster
    under your tongue.
  • 21:41 - 21:45
    "Hello. Good morning. Don't touch me.
    Stay away. How are you...? Hello." And...
  • 21:45 - 21:48
    Either that or when emotion does appear
    it's violent.
  • 21:48 - 21:52
    They come and play football with you and rip
    the #%@@ out of the stadium and eat the chairs.
  • 21:54 - 21:56
    Whereas in Irel...somewhere like Ireland...
  • 21:56 - 21:59
    it's more hot-blooded. There's drama
    included in the fabric of every day.
  • 21:59 - 22:01
    Every...it's there every moment.
  • 22:01 - 22:03
    People wake going:
    "Oh god!..."
  • 22:03 - 22:05
    "What time is it?"
    "It's six minutes to nine."
    "Is it?"
  • 22:05 - 22:09
    "I thought it was only seven minutes to.
    We're all $%%%!$!"
  • 22:09 - 22:13
    "What's the weather like? Don't tell me!
    I can't bear to hear. I'll look myself..."
  • 22:13 - 22:15
    "Aaagh! It's fierce - mild!"
  • 22:17 - 22:19
    "What are we having for breakfast?
    Are you gonna do that thing again..."
  • 22:19 - 22:22
    "with the bread when you put it in the box and burn it?"
  • 22:24 - 22:26
    "Whose trousers are these?
    Come on, we'll both try them at once..."
  • 22:26 - 22:29
    "and see who wins."
    It's just...
  • 22:31 - 22:33
    much more emotional
    at all times.
  • 22:33 - 22:35
    For no real reason.
  • 22:38 - 22:42
    And I think sometimes
    I'd love to be like you.
  • 22:42 - 22:45
    Cool and calm and unemotional.
  • 22:45 - 22:47
    Protestant, in short.
  • 22:48 - 22:51
    What a...it's a fantastic religion.
  • 22:51 - 22:54
    It makes absolutely no demands
    upon you at all.
  • 22:54 - 22:55
    Which is why it's not a great religion.
  • 22:55 - 22:58
    All great religions
    are built on shame.
  • 22:59 - 23:01
    You don't have any of that
    if you're protestant.
  • 23:01 - 23:03
    You go to the church,
    you sing a few hymns,...
  • 23:03 - 23:06
    have a cup of tea,
    everybody goes home and has a wank.
  • 23:08 - 23:09
    You seeů
  • 23:12 - 23:14
    You have the freedom of mind...
  • 23:14 - 23:19
    to walk into a room and see
    a plate of biscuits, say.
  • 23:19 - 23:20
    And you look at them and you think:
  • 23:20 - 23:22
    "Well, there's a plate of biscuits,
    I might have a biscuit, I might not,..."
  • 23:22 - 23:26
    "I might have one later. I might put it
    in my pocket and give it to somebody else."
  • 23:26 - 23:29
    "I don't really mind.
    It's just a biccie."
  • 23:29 - 23:31
    It's not like that if you're catholic.
  • 23:31 - 23:35
    You walk in the room, you see the plate
    of biscuits, there could be other things
    going on in the room.
  • 23:35 - 23:36
    The room could be on fire,
  • 23:36 - 23:39
    it could be full of naked clowns killing
    each other with crossbows.
  • 23:39 - 23:43
    This doesn't matter to you because all
    you see is the plate of biscuits.
  • 23:43 - 23:45
    'cause you think:
    "Oh no, I'm gonna eat them. I know I am."
  • 23:45 - 23:47
    "I'm gonna eat them. I'm gonna eat them all.
    Oh no, I know I am."
  • 23:47 - 23:51
    "I'm even walking towards them.
    I wasn't aware of that but I am now."
  • 23:51 - 23:55
    "I've actually started to eat the biscuits.
    Help me! Help me!"
  • 23:55 - 23:58
    "Oh they're delicious.
    Oh the shame! The shame! The shame!"
  • 23:58 - 24:00
    "Oh I can't tell which is nicer."
  • 24:00 - 24:03
    "The biscuits or the shame!"
  • 24:03 - 24:06
    "It's a child's biscuit.
    That's perfect!"
  • 24:06 - 24:09
    "I don't deserve a grown-up one with
    dark chocolate on it."
  • 24:09 - 24:11
    "Oh, they're so nice.
    Now, they're all gone."
  • 24:11 - 24:14
    "The shame! The shame!
    That's all I've got left."
  • 24:14 - 24:17
    "Nothing can make me feel better now..."
  • 24:17 - 24:19
    "except cocaine."
  • 24:23 - 24:25
    On and on and on.
  • 24:26 - 24:30
    And yet, people still turn to Jesus.
  • 24:34 - 24:38
    You will notice though
    that the kind of people...
  • 24:38 - 24:40
    who turn to Jesus...
  • 24:40 - 24:44
    tend to be the sort of people who
    haven't done that well with everybody else.
  • 24:47 - 24:50
    Like the people who are here,
    for instance.
  • 24:52 - 24:54
    They say to themselves:
  • 24:54 - 24:58
    "Well, I can't get it right in this lifetime
    but in the next life it'll be right."
  • 24:58 - 25:02
    In the spiritual afterlife.
    Which makes no sense at allůreally.
  • 25:02 - 25:04
    It's your choice of course if you want to
    believe all this...
  • 25:04 - 25:06
    but why would you want a
    spiritual afterlife?
  • 25:06 - 25:09
    Surely you should sort the spirit out now
    while you're here.
  • 25:09 - 25:13
    This spirit is what is challenged,
    the spirit is what suffers all the knocks.
  • 25:13 - 25:15
    The spirit is the thing
    you've got to master.
  • 25:15 - 25:19
    If you are going to have an afterlife
    why not just have a physical afterlife?
  • 25:19 - 25:21
    Just come back as a tentacle
    and a set of lips...
  • 25:21 - 25:23
    looking for huge lumps of chocolate
    to *!%*?
  • 25:23 - 25:25
    It'd been much more...
  • 25:26 - 25:27
    you know, reasonable.
  • 25:29 - 25:32
    'cause the fact is, you prop yourself up
    with your compulsions all the time.
  • 25:32 - 25:35
    I'můI'm quite a compulsive person.
    I only worked this out recently.
  • 25:35 - 25:38
    I'm compulsive but
    I'm also very indecisive.
  • 25:38 - 25:41
    I don't know what I want but
    I know that I want it now...and...
  • 25:41 - 25:44
    I thought for ages, you know,
    everybody was like this.
  • 25:44 - 25:46
    I thought everybody woke up a couple of
    mornings a week...
  • 25:46 - 25:50
    in the shower with Marmite-clotted handcuffs...
  • 25:50 - 25:51
    but apparently not.
  • 25:55 - 25:57
    You know, there are sensible
    choices obviously.
  • 25:57 - 26:00
    I don't take loads of drugs...
  • 26:00 - 26:01
    'cause it's tedious.
  • 26:02 - 26:05
    Everything becomes too routine.
  • 26:05 - 26:08
    You take the drugs, you stay there
    for nine hours going: "nnnnnn"
  • 26:09 - 26:12
    Then you run out of "nnnnnnn" and
    you have to go and buy more.
  • 26:12 - 26:15
    It's just this endless cycle of repetition.
    I don't get it.
  • 26:18 - 26:24
    And..umůyou know, you can't...you can'tů
    you can get addicted to all sorts of thingsů
  • 26:24 - 26:26
    ůexcept fruit.
  • 26:28 - 26:31
    But Jesus isn't a very good role model
    for children, I don't think.
  • 26:31 - 26:34
    You know, they'd be far better of with
    somebody who's less whiny.
  • 26:34 - 26:36
    He did complain an awful lot, Jesus.
  • 26:36 - 26:39
    - "Oh, nails! Oh, vinegar!"
    - "You're the messiah, get on with it."
  • 26:39 - 26:41
    "Would you stop?"
  • 26:41 - 26:45
    Batman is a far more useful
    role-model for children.
  • 26:45 - 26:48
    He was orphaned as wellůhe didn't moan about it.
  • 26:48 - 26:50
    He went to Tibet and
    did press-ups and things...
  • 26:50 - 26:52
    with bunsen burners and
    came back and put on the ears and...
  • 26:52 - 26:54
    got up on the roof ready for anything...
  • 26:54 - 26:57
    dealing with his own personal issues.
  • 26:58 - 26:59
    Jesus moaned all the time.
  • 26:59 - 27:02
    You'll see this in the pictures,
    pointing outside of the picture.
  • 27:02 - 27:04
    In all the catholic iconography,
    pointing:
  • 27:04 - 27:07
    "I want that one. What's he got? He's got
    cream on these. I want that. What is that?"
  • 27:07 - 27:10
    Or blaming people:
    "It was him. He hurt my feelings."
  • 27:13 - 27:21
    But...anyway...
    NowůI meant to talk about something else
    earlier on and I forgot what it was.
  • 27:21 - 27:24
    I've remembered what it is again but
    I've also forgotten.
  • 27:24 - 27:27
    And that's really what adulthood is
    like most of the time.
  • 27:28 - 27:31
    You know you spend a lot of time
    walking back to the room...
  • 27:31 - 27:34
    to get the thing that you left the room
    so that you would go and
    use it somewhere else and...
  • 27:34 - 27:38
    you're on your way back to the room
    to get the thing. You forget...
  • 27:38 - 27:41
    not only what it is but
    what room it was in and...
  • 27:42 - 27:44
    you're faced with the people who
    love you looking at you going:
  • 27:44 - 27:46
    - "What do you want? Why are you here?"
    And you go: - "I don't know."
  • 27:46 - 27:49
    You spend an awful lot of time like that.
  • 27:49 - 27:50
    And children aren't like that,...
  • 27:50 - 27:52
    which is why they look so young.
  • 27:52 - 27:55
    Because they always have
    a sense of style and purpose.
  • 27:55 - 27:57
    When they're walking around they have
    a very definite purpose.
  • 27:57 - 27:59
    They're walking, walking
    and it's a great walk as well.
  • 27:59 - 28:02
    It's not an adult sort of
    bemused shuffle.
  • 28:02 - 28:05
    It's that: - "I'm going over here."
    You say: - "Why are you going over there?"
  • 28:05 - 28:07
    - "'cause I have a harmonica."
    - "What are you doing with the harmonica?"
  • 28:07 - 28:10
    - "I'm going to put it in the toilet."
    And...
  • 28:11 - 28:15
    - "Why are you doing that?"
    - "Enough questions! Goodbye."
  • 28:16 - 28:18
    Because children express themselves.
  • 28:18 - 28:21
    That's how they look young
    and vibrant and alive.
  • 28:21 - 28:23
    And why we all envy them.
  • 28:23 - 28:28
    The child, you know, the children are...areů
    can be incredibly difficult to understand
    when you're grown-up.
  • 28:28 - 28:30
    You forget that you were a child.
  • 28:30 - 28:32
    Something simple like a child
    going to bed.
  • 28:32 - 28:34
    You know, you say:
    "Bed time, bed time, bed time."
  • 28:34 - 28:36
    That's not what the child hears.
  • 28:36 - 28:39
    What the child hears is:
    "Lie down in the dark!"
  • 28:40 - 28:42
    "For hours!"
  • 28:42 - 28:44
    "And don't move!"
  • 28:44 - 28:46
    "I'm locking the door now."
  • 28:48 - 28:52
    So the child has trouble with that so
    of course you make a concession,
    you read a fairytale or something.
  • 28:52 - 28:55
    You know, all the wisdom of the world
    compacted into little story.
  • 28:55 - 29:00
    And you say: "There was a little girl lost
    Many, many miles from home."
  • 29:00 - 29:03
    "Walking through the woods late, late
    at night..."
  • 29:03 - 29:06
    "with the creatures all hooting and
    howling and the bushes around and stepping..."
  • 29:06 - 29:10
    all over the roots of trees. And she came
    to the old sty and began to climb it..."
  • 29:10 - 29:13
    "but it broke, you see, it broke..."
  • 29:13 - 29:15
    "and she fell down."
  • 29:15 - 29:17
    "But when she got herself up
    she was alright..."
  • 29:17 - 29:22
    "and you could see the lights at home.
    And she began to walk towards home..."
  • 29:22 - 29:24
    "and then a thing ate her."
  • 29:24 - 29:27
    "Good night!"
    - "Night-night."
  • 29:28 - 29:32
    You probably sent the child to bed because
    you were just tired talking to the child.
  • 29:32 - 29:34
    'cause the child asks you questions, you see?
  • 29:34 - 29:37
    And this is one of the great things
    about having a child.
  • 29:37 - 29:40
    You look forward to teaching this child
    about the world...
  • 29:40 - 29:41
    and how it works.
  • 29:41 - 29:45
    But the child..child...children..
    the child-ren...
  • 29:45 - 29:48
    child-ren are... they're like children but
    they're bigger and they're webbed. They...
  • 29:50 - 29:53
    they're not really interested
    in your views on the world.
  • 29:53 - 29:55
    You know, they have their own questions:
  • 29:55 - 30:00
    - "What is the name of the spaces in between
    the bits that stick out on a comb?"
  • 30:02 - 30:05
    - "I don't...I don't know.
    I'm not...I'm not sure."
  • 30:05 - 30:07
    - "What do you called the place
    underneath the kettle?"
  • 30:07 - 30:10
    - "I don't know! Bed time! Bed time!"
  • 30:15 - 30:19
    But it's difficult.
    Children sleep in your bed.
  • 30:19 - 30:21
    This is part of having children.
  • 30:21 - 30:24
    It's very important for a child's development
    to sleep in the grown-ups' bed.
  • 30:24 - 30:28
    Because theirůtheir bones are growing
    in particular directions.
  • 30:28 - 30:31
    You see what happens is children
    are actually very sophisticated.
  • 30:31 - 30:34
    They sleep in your bed for a reason.
  • 30:34 - 30:36
    The child is born, it takes
    a look around and thinks:
  • 30:36 - 30:39
    "Well, this isn't quite what I'd hoped for."
  • 30:39 - 30:42
    "These people are idiots."
  • 30:42 - 30:45
    "I wouldn't have painted the house like
    this at all."
  • 30:45 - 30:48
    "But I've got to make the best of it
    so how do I..."
  • 30:48 - 30:50
    "I've got to maximize my resources..."
  • 30:50 - 30:54
    "so the key thing is to stop these people
    having any more children."
  • 30:55 - 31:00
    So children get urine samples sent through
    the post and sprinkle it on their beds.
  • 31:00 - 31:03
    They're busy people. They don't have time
    to pee the beds themselves.
  • 31:03 - 31:05
    And they crawl into your bed.
  • 31:05 - 31:09
    And because their bones are growing
    and everything they can only sleep
    in certain positions obviously.
  • 31:09 - 31:13
    The crucifix and the swastika tend to
    be the most popular.
  • 31:13 - 31:16
    Sometimes a combination of the two.
  • 31:18 - 31:22
    But the thing that really relaxes a
    child is to have their big toe nails
  • 31:22 - 31:25
    lodged squarely in your respective
    genitalia.
  • 31:25 - 31:28
    That ensures a blissful night's slumber.
  • 31:28 - 31:30
    Then the sexual kidnapping is complete.
  • 31:30 - 31:32
    "No touchy-touchy, no kissy-kissy."
  • 31:32 - 31:37
    "You two needs lots of sleep.
    I have many questions for tomorrow."
  • 31:39 - 31:41
    Very important!
  • 31:45 - 31:52
    But you lose so much of that natural,
    human panache that children have.
  • 31:52 - 31:56
    You know, you tell the child to go to bed and
    it puts that against what it wants to do...
  • 31:56 - 32:00
    and synthesizes. And says:
    "I hate you!"
  • 32:00 - 32:02
    "I really hate you!"
  • 32:02 - 32:06
    As they're scratching their arse
    with a toy elephant. Now...
  • 32:07 - 32:10
    if you could retain that sense
    of self in your adult life
  • 32:10 - 32:12
    you'd have totally
    different experience.
  • 32:12 - 32:15
    At work telling your boss:
    "I hate you!" While scratching.
  • 32:15 - 32:21
    "I really do. Everyday is the same !+$%$!# #%@@.
    I don't know why I keep coming back."
  • 32:23 - 32:25
    Difficult to keep a hold of though.
  • 32:25 - 32:28
    That's why adults are confused
    a lot of the time.
  • 32:29 - 32:32
    Adults are terribly confused,
    messed-up people.
  • 32:32 - 32:35
    That's because they forget really.
  • 32:35 - 32:39
    They don't have to pretend all the time. Really
    the fact is you're not an adult at all,...
  • 32:39 - 32:42
    you're just a tall child
    holding a beer...
  • 32:42 - 32:44
    having a conversation you don't
    understand.
  • 32:44 - 32:48
    The Middle-East...
    "Yeah, I know it was really bad.
    Yeah, I wouldn't have done that, yeah."
  • 32:49 - 32:54
    Hysterectomy...
    "Very painful. The shoulder is very
    painful area ..."
  • 32:56 - 33:00
    Being intimidated...
    I get intimidated by men, by other men.
  • 33:00 - 33:05
    You know, we were talking about the
    driving lessons, there are guys talking
    in pubs about machines and cars.
  • 33:05 - 33:06
    There's a whole culture of that.
  • 33:06 - 33:10
    They're talking about the grenumbulator
    On their whinny wax on the car.
    And they turn to me and they go:
  • 33:10 - 33:12
    - "What kind of car have you got?"
    - "I don't know but when I've got one..."
  • 33:12 - 33:15
    "it's gonna be a blue one. Hahaa!"
  • 33:17 - 33:21
    Man are always intimidating one another,
    competing with one another.
  • 33:22 - 33:24
    They're more aggressive I suppose.
  • 33:24 - 33:28
    They did thisůerůstudy actually...
  • 33:28 - 33:30
    in the University of Chicago...
    with women.
  • 33:30 - 33:35
    And they worked out that women are
    incredibly good at reading male faces.
  • 33:35 - 33:39
    You know, there's two types apparently.
    There's a kind of round, soft, sensitive-faced
    person...
  • 33:39 - 33:43
    who's a good person to have around.
    And he's good for you, good for a family.
  • 33:43 - 33:45
    Gentle and caring and can emphatize.
  • 33:45 - 33:48
    And then there's the other type
    which is more...
  • 33:48 - 33:51
    kind of stronger jawed,
    more masculine looking...smaller eyes,...
  • 33:51 - 33:54
    you know, King Kong is what
    we're talking about here.
  • 33:54 - 33:58
    And this...interestingly, this was
    the kind of male favoured by women
  • 33:58 - 34:01
    for what was called in the study
    'brief relationships'.
  • 34:01 - 34:03
    What the *!%* is that?
  • 34:03 - 34:08
    When we don't have to roll your tights down the
    whole way. What is a brief relationship exactly?
  • 34:10 - 34:13
    Now I'm talking about all this obviously, I'm
    talking about children and all that kind of,
  • 34:13 - 34:17
    you know, jobs, mentioning these things to
    pretend to you that I have an ordinary life.
  • 34:17 - 34:22
    And this is because I'můyou knowůrelating
    to you...and you're ordinary people...
  • 34:22 - 34:26
    looking up at me with a mixture
    of awe, envy and lust. And the thing is...
  • 34:30 - 34:32
    my life is very different.
    I can't pretend it's not.
  • 34:32 - 34:35
    You know, when you go to work in the morning
    and you're going to the newsagency...
  • 34:35 - 34:38
    and everything to get your lunch of crisps
    and fags or stones...
  • 34:38 - 34:40
    or whatever it is
    you people live on...
  • 34:40 - 34:43
    You know, it's a long time since I has lived
    in a house or ate food..
  • 34:43 - 34:47
    You see, all these magazines because of
    the times we live in now, the culture...
  • 34:47 - 34:51
    you knowůthis celebrity stuff...all these...
    this wall of dreams behind you...
  • 34:51 - 34:55
    it's, you know, Brad and Angelina and me
    and everybody else up there...
  • 34:55 - 34:58
    looking down on you, making you feel
    even more ordinary.
  • 34:58 - 35:01
    But what you forget is that
    we all want to be you.
  • 35:01 - 35:06
    We all want to have, you know, 2.3 children
    and live in a house where nobody speaks to
    one another...
  • 35:06 - 35:09
    and work in a building society or something.
  • 35:09 - 35:13
    We lie awake at night tossing and turning,
    masturbating with both hands...
  • 35:13 - 35:15
    with boutique chocolates
    falling out of our mouths,...
  • 35:15 - 35:18
    wishing we could be you living
    somewhere like Willesden. And...
  • 35:20 - 35:24
    It's doubly difficult for me
    'cause I'm an Irish celebrity.
  • 35:24 - 35:26
    That's very hard gig, you know.
  • 35:26 - 35:28
    'cause not many people do it.
  • 35:28 - 35:31
    There aren't very many of them...
    and none of them are cool.
  • 35:31 - 35:34
    You look at Geldof or Bono or anything
    ůthey can't do cool.
  • 35:34 - 35:39
    You put, you know, Bowie or Lou Reed on the
    cover of Time magazine...of course they look cool.
  • 35:39 - 35:41
    'cause they can do all that stuff...
    all those looks.
  • 35:41 - 35:45
    You know, the ones that say:
    "I don't even know you're there..."
  • 35:45 - 35:47
    "but if I did I'd ignore you."
  • 35:47 - 35:52
    "I'm having people flown in from other
    galaxies just to come and scratch me."
  • 35:53 - 35:57
    You can't do that if you're Irish
    because you have a...the face.
  • 35:57 - 35:58
    You know, and an Irish face
    always looks like
  • 35:58 - 36:03
    it's been told two very important pieces
    of information at the same time.
  • 36:07 - 36:09
    At one shoulder somebody's
    just run up and said:
  • 36:09 - 36:13
    "You've just won a hundred million thousand
    pounds and loads of stuff."
  • 36:13 - 36:15
    And at the other shoulder somebody's just
    whispered in their ear:
  • 36:15 - 36:18
    "But you only have three minutes to live."
  • 36:18 - 36:20
    That's why everybody looks like this:
  • 36:25 - 36:27
    All the politicians and everybody
    you see on television always...
  • 36:27 - 36:30
    look like they're just about to pull a ham
    sandwich out of their pocket...
  • 36:30 - 36:33
    and it doesn't actually belong to them.
  • 36:34 - 36:36
    Ladies and gentlemen,
    that is the first bit.
  • 36:36 - 36:40
    I'm gonna go away and I'll see you in a
    littleů Thank you. Bye.
    INTERVAL
  • 37:26 - 37:30
    Ladies and gentlemen,
    please welcome back to the stage
  • 37:30 - 37:32
    Dylan Moran!
  • 37:37 - 37:39
    You're the man! (Heckle)
  • 37:42 - 37:43
    That's right. (heckle)
  • 37:45 - 37:47
    Thank you for sharing.
    Now...
  • 37:51 - 37:54
    - Tell us a story! (heckle)
    What's that?
    - Tell us a story! (heckle)
  • 37:54 - 37:58
    - I appreciate everything you've done.
  • 37:59 - 38:02
    I loved your early work, I think
    it's only getting better.
  • 38:05 - 38:08
    So I was talking about something...
  • 38:08 - 38:10
    and then I stopped.
  • 38:10 - 38:13
    And you agreed...we left it there.
  • 38:13 - 38:15
    But now, the thing is to get to it...
  • 38:16 - 38:18
    what I really meant say was...
  • 38:18 - 38:21
    you know, you probably all went and got
    a drink and everything in the interval...
  • 38:21 - 38:25
    and, you know, were propulsed along
    by your own needs...
  • 38:26 - 38:28
    having them filled.
  • 38:28 - 38:29
    Which is what we do.
    Some people like...
  • 38:29 - 38:32
    some people are taking
    pictures on phones.
  • 38:32 - 38:35
    I don't...whyůwhy people do thatů
  • 38:35 - 38:37
    It's very weird...
  • 38:37 - 38:40
    Everybody does that now. We all take pic...
    you do the same with holiday photos.
  • 38:40 - 38:42
    You record something to look back on it.
  • 38:42 - 38:45
    Even though you're not really there
    when you're taking the picture...
  • 38:45 - 38:46
    'cause you're too busy recording it...
  • 38:46 - 38:50
    so you retrospectively going to look
    back on where you weren't...
  • 38:50 - 38:51
    and tell yourself you had a good time.
    And...
  • 38:52 - 38:55
    but that's what holiday photos are,
    aren't they? You go away, you come back,...
  • 38:55 - 38:56
    you say:
    "Look! It's..."
  • 38:56 - 39:00
    You show your friends:
    - "Look! It's...it's us."
  • 39:02 - 39:03
    - "I know."
  • 39:04 - 39:07
    - "Yeah, but look, we're eating hummus."
    - "What a transformation."
  • 39:08 - 39:10
    - "I hope you enjoyed yourselves."
  • 39:10 - 39:13
    Because...you...that's what you're telling
    yourself. It's your reward to go away.
  • 39:13 - 39:15
    It's still the time of year people are
    going away.
  • 39:15 - 39:19
    And you can't really enjoy it.
    It's very hard anyway.
  • 39:19 - 39:23
    There's the only one airline servicing
    the world now - Air Denial...
  • 39:23 - 39:26
    where everybody gets on and they pretend
    they're in a cafe...
  • 39:26 - 39:30
    where they're trying to shut out the one thought that
    has actually kidnapped their mind, which is:
  • 39:30 - 39:32
    "We're all gonna die."
  • 39:32 - 39:36
    And you pretend you're in a cafe and that's what
    the people are there, who work on the planes...
  • 39:36 - 39:38
    are supposed to support you
    in this fantasy
  • 39:38 - 39:41
    cos they come along and they say:
    "Would you like red or white wine..."
  • 39:41 - 39:44
    "with your piece of vulcanized
    lizzard's *$*! from the moon?"
  • 39:45 - 39:49
    "How about an extra bread roll there to
    dip in your otter vomit pate?"
  • 39:49 - 39:51
    And you go: - "Red or white wine?
    What you're gonna have darling?"
  • 39:51 - 39:53
    - "I don't know. What are you gonna have?"
  • 39:53 - 39:55
    All to shut out the one thought
    which is in your mind, which is:
  • 39:55 - 39:58
    "We're gonna die! We're all gonna die!
    We're all gonna die! Right now."
  • 39:58 - 40:02
    "The plane is made of metal,
    the wings are made of metal,..."
  • 40:02 - 40:05
    "we're all eating and I'm the only
    non-terrorist aboard."
  • 40:05 - 40:06
    "We're all going to die!"
  • 40:09 - 40:13
    And you kind of...the only enjoyable bit
    actually about being up there...
  • 40:13 - 40:16
    isůis if you have a familyů
    you're with your children...
  • 40:16 - 40:21
    and you get to see the young person you used
    to be sitting a few rows ahead of you...
  • 40:21 - 40:25
    who'll always oblige you by turning around and
    giving you that scowling look.
  • 40:25 - 40:27
    'cause your child reacting to air pressure...
  • 40:27 - 40:31
    is expressing themselves by going:
    ".ablkasdkfjasdf.."
  • 40:32 - 40:34
    And they look around disapprovingly...
  • 40:34 - 40:36
    as though you're going to clock
    that look and go:
  • 40:36 - 40:38
    "Oh sorry, I'll slit their throat."
  • 40:39 - 40:44
    "ůafter all you paid for business
    and you're a busy, busy guy, aren't you?"
  • 40:48 - 40:52
    You kind of prop yourself up
    with all those things,...
  • 40:52 - 40:53
    you know, holidays and stuff.
  • 40:53 - 40:57
    Especially in this part of the world.
    When people get depressed here
  • 40:57 - 40:59
    they don't really handle it very well.
  • 40:59 - 41:01
    In other cultures they do something useful.
  • 41:01 - 41:05
    You know, they have a rain dance or they
    throw stones on one another or something.
  • 41:05 - 41:07
    But here, when people get
    pissed off they go:
  • 41:07 - 41:09
    "I can't carry on,
    I don't understand my life anymore,..."
  • 41:09 - 41:13
    "I don't know what I'm doing. I can't !+$%$!#
    handle it, I can't deal with anything..."
  • 41:13 - 41:17
    "including these cornflakes.
    I just don't know what's going on."
  • 41:17 - 41:19
    "I'm f...I can't do it."
  • 41:19 - 41:23
    "Ah ah...*!%* it, I'll buy a CD."
  • 41:23 - 41:27
    "I'll get a CD and a jacket!
    *!%* everybody!" But...
  • 41:28 - 41:31
    because you're out of your mind,
    not feeling well,...
  • 41:31 - 41:33
    you go and you buy stuff you didn't
    really want anyway,...
  • 41:33 - 41:38
    you know, 'The Ecuadorian Women's Folk Choir
    Doing The Songs of Kenny Rogers'...
  • 41:38 - 41:42
    and you bring it back, some canary yellow
    jacket with purple buttons up the front...
  • 41:42 - 41:44
    and you look at this and you think:
    "What is the #%@@?"
  • 41:44 - 41:46
    "What was I thinking?"
  • 41:46 - 41:48
    So, you take it to a charity shop.
  • 41:48 - 41:50
    That generally is the extent
    of our charity.
  • 41:50 - 41:54
    We give away all the #%@@ we never
    needed or wanted in the first place.
  • 41:54 - 41:59
    And that's why charity shops themselves
    have that incredible funk of depression.
  • 41:59 - 42:03
    That layered smell and all the women who
    work in there are a hundred and three.
  • 42:04 - 42:06
    And...they were twenty when they
    turned up for work that morning,...
  • 42:06 - 42:08
    they just aged in the smell.
  • 42:09 - 42:12
    Presumably as well there are people going
    into those shops as well who think...
  • 42:12 - 42:17
    when they look at the stuff they go:
    "That mirror in the shape of a cello..."
  • 42:17 - 42:20
    "covered in seashells is a !+$%$!# bargain.
    Do you have any more of those?"
  • 42:20 - 42:22
    "Do you? I need about ten."
  • 42:27 - 42:31
    So what takes you out of that?
    What will get you away from all that?
  • 42:31 - 42:33
    All the interiority you don't need.
  • 42:33 - 42:35
    Children are very good actually for that.
  • 42:35 - 42:38
    Teaching you about the world.
    Peeing on you.
  • 42:39 - 42:42
    It's hard to feel sorry for yourself
    and your past...
  • 42:42 - 42:46
    if you wake up with
    somebody sitting on your face...
  • 42:46 - 42:47
    saying:
  • 42:48 - 42:50
    "I'm hungry."
  • 42:52 - 42:57
    But you know, youůwomenůwomen
    are more supportive of one another around children.
  • 42:57 - 43:00
    If a woman gets pregnant, you know, other women
    pitch in and they sort of talk about it...
  • 43:00 - 43:04
    and it's far more useful, you know, men,
    when men are about to have a child,...
  • 43:04 - 43:08
    if they have young male single friends, they're
    notůthey're not so good. You know this.
  • 43:08 - 43:12
    You know, your male friends arrive and
    they stand there and they look at you
    and they come and see the baby...
  • 43:12 - 43:14
    and they don't really know
    how to deal with it.
  • 43:14 - 43:16
    You know, they don't get it
    'cause they go:
  • 43:16 - 43:20
    "Well, I'm here, you know, your house
    is a medley of disgusting smells,..."
  • 43:20 - 43:23
    "there's nothing to eat, everybody's wearing
    bathrobes,..."
  • 43:23 - 43:27
    "there's no bar, I can't *!%* anybody,
    why am I here?"
  • 43:33 - 43:35
    Women tend to be more mature.
  • 43:36 - 43:40
    You know, men look at breasts the way
    women look at babies.
  • 43:41 - 43:43
    "Aww, isn't that lovely?"
    And they...
  • 43:46 - 43:50
    if a woman gets pregnant all the
    women she's ever met in her whole life...
  • 43:50 - 43:53
    will appear from all corners of the earth
    to support her...
  • 43:53 - 43:56
    by telling her horror stories of all the
    pregnancies they've ever heard about.
  • 43:57 - 44:00
    "It's fantastic what you're doing.
    I love the way you're handling this."
  • 44:00 - 44:03
    "It won't be like what happened to Michelle."
    - "What? What happened to Michelle?"
  • 44:03 - 44:05
    - "Oh, did I say Michelle? I didn't mean
    to mention that, I'm sorry. Don't worry."
  • 44:05 - 44:08
    "She was a fool. She ate vegetables
    and drank water."
  • 44:08 - 44:11
    "The baby came out her ear.
    You'll be fine."
  • 44:11 - 44:14
    "You'll be absolutely fine.
    Nothing will happen to you."
  • 44:15 - 44:17
    "She can't sit down now.
    Nobody in the family talks to one another."
  • 44:17 - 44:19
    "You'll be fine.
    Don't worry about it."
  • 44:26 - 44:29
    Men are...men remain envious of women,
  • 44:29 - 44:34
    despite what women think. Menůmen
    would like toůto be femaleůsometimes.
  • 44:34 - 44:38
    To understand things moreůto have accessů
    to have the freedom...
  • 44:38 - 44:42
    to ask these questions
    that women say every day:
  • 44:43 - 44:48
    - "Why did you put the towelůthe wet towel..."
  • 44:48 - 44:53
    "on the bathroom floor? You left it there!
    Why did you do that?"
  • 44:54 - 44:59
    - "Well, me and the guys were talking
    about it over a period of weeks..."
  • 45:00 - 45:02
    "you know, in the bunker..."
  • 45:03 - 45:05
    "and we figured that was
    the best place for it."
  • 45:05 - 45:07
    "It wouldn't work in the kitchen."
  • 45:13 - 45:16
    The questions that everybody asks now are
  • 45:16 - 45:19
    the questions that everybody has always
    asked about each other.
  • 45:19 - 45:21
    You know, you still hear all this stuff:
  • 45:21 - 45:24
    "What do women want?"
    As though it's really mysterious.
  • 45:24 - 45:25
    As though it's a big deal.
  • 45:25 - 45:28
    All that women want is what anybody wants.
  • 45:28 - 45:30
    You know, friendship and companionship
    and respect...
  • 45:30 - 45:34
    and a certain amount of
    leadership with submission...
  • 45:34 - 45:38
    and a kind of cooperation at all times...
  • 45:38 - 45:41
    and pre-emptive empathy and you know,...
  • 45:41 - 45:44
    general telepathy.
    It's no big deal, is it?
  • 45:44 - 45:47
    And then when the same questions
    are asked of men.
  • 45:47 - 45:50
    "What is it that men want?"
    You're always told that it's really very simple.
  • 45:50 - 45:52
    You know, something like "lingerie"...
  • 45:53 - 45:55
    Now historically there hasn't been
    a big demand...
  • 45:55 - 45:58
    for male lingerie from women.
  • 45:58 - 46:02
    Because there's a limited amount you
    can do with male genitalia.
  • 46:02 - 46:03
    There's a limited amount you can
    do with anything...
  • 46:03 - 46:07
    that looks like it's hanging out of the
    side of a shark's mouth. And...
  • 46:12 - 46:15
    it doesn't really matter if you
    put a velvet gown around it.
  • 46:15 - 46:17
    It's not gonna do the trick.
  • 46:21 - 46:25
    We're told that this is whatůwhat...what
    men want - lingerieůyou know...
  • 46:26 - 46:28
    for women to look like cakes.
  • 46:29 - 46:33
    "It's not enough that you want to
    be with me and love me."
  • 46:33 - 46:37
    "You must first be a French fancy."
    And...
  • 46:38 - 46:42
    Now women don't want that. Traditionally
    women have been attracted to uniforms.
  • 46:42 - 46:44
    So it's not difficult
    to know what women want.
  • 46:44 - 46:47
    Fascists - that's really what they're all after.
  • 46:48 - 46:50
    Say what you like about nazi Germany
  • 46:51 - 46:53
    They turned heads.
  • 46:53 - 46:55
    Everywhere those storm troopers went...
  • 46:55 - 46:59
    "Check him out before he kills us!"
    That happened a lot.
  • 47:05 - 47:10
    But sometimes I think it passes through
    the mind of heterosexual people...
  • 47:10 - 47:12
    that it might be easier to be gay.
  • 47:13 - 47:15
    'cause obviouslyůyou know...
  • 47:16 - 47:18
    there's apparently...
  • 47:18 - 47:20
    less...
  • 47:20 - 47:24
    errrrrrů.responsibilities outside yourself.
    That's how it would appear sometimes.
  • 47:24 - 47:27
    And alsoůyou knowůif you're straight...
  • 47:27 - 47:30
    and you're pissed off or stressed out...
    what do you do really...
  • 47:30 - 47:34
    you know, you have an extra piece of cake or
    a couple of drinks you shouldn't really have.
  • 47:34 - 47:37
    If you're gay you can go to a toilet
    and *!%* a stranger.
  • 47:37 - 47:41
    Now that's...that has got to work some
    of the kinks out, hasn't it?
  • 47:42 - 47:45
    Afterwards he must think:
    "Yeah, I can deal with my emails now."
  • 47:47 - 47:51
    But because of that then you get straight
    people disparaging gay relationships...
  • 47:51 - 47:55
    and saying:
    "Well, they can't be meaningful, you know,
    if they...you met in a latrine."
  • 47:56 - 48:00
    But most heterosexual people in this country
    and around the world...
  • 48:00 - 48:03
    meet each other and
    get together with one another...
  • 48:03 - 48:05
    when they're totally, totally drunk.
  • 48:05 - 48:08
    Smashedůout of their minds...
  • 48:08 - 48:13
    they could not spell their own face.
    And they
  • 48:13 - 48:17
    go home with that person. You might spend
    months with that person...
  • 48:17 - 48:19
    or a year...
    or you might have a family.
  • 48:20 - 48:22
    This is what happens.
    This is how you meet.
  • 48:22 - 48:24
    But you wouldn't buy a toaster
    when you're drunk.
  • 48:25 - 48:29
    'cause that's too important. It's got to be
    crispy in just the right way, hasn't it?
  • 48:31 - 48:34
    I think that's why you see couples...
  • 48:34 - 48:38
    sitting with their new babies
    outside cafes and so on...
  • 48:38 - 48:40
    drinking tea, looking at one another,
    looking to the pram,...
  • 48:40 - 48:42
    looking into the middle distance
    and back to one another...
  • 48:42 - 48:43
    because they're thinking:
  • 48:43 - 48:46
    "Ohůwhůwhat the *!%* happened?!"
  • 48:47 - 48:50
    "I just thought we were gonna have
    a few drinks. Who's this guy?"
  • 48:58 - 49:02
    And love is incrediblyůerůmysterious
    as you know.
  • 49:03 - 49:07
    And it's still the thing that troubles most
    people for a lot of their lives...
  • 49:07 - 49:10
    until they work it outůand which youů
    you may do eventually.
  • 49:10 - 49:13
    You hear the conversations in the restaurants,
    the lovers speaking to one another.
  • 49:13 - 49:16
    And it never really changes.
  • 49:16 - 49:19
    People compete with one another as they're
    telling each other that they love each other.
  • 49:19 - 49:21
    - "I love you."
    - "I love you."
  • 49:21 - 49:23
    - "Yeah, but I really love you.
    I mean I love you."
  • 49:23 - 49:27
    "I love pencils you have sucked and
    thrown away twenty years ago."
  • 49:27 - 49:31
    "I love your eyebrows and your ancestry
    and everything about you!"
  • 49:31 - 49:34
    "Just eat your food and let me
    love you. Don't speak!" And...
  • 49:35 - 49:38
    they don't know of course at the time
    that that dialogue is just...
  • 49:38 - 49:42
    from a very bad science fiction film
    written by nature.
  • 49:42 - 49:43
    Really what they're saying
    to one another is:
  • 49:43 - 49:46
    "The race must continue!
    The race must continue!"
  • 49:46 - 49:49
    "My vadudium is pointing at
    your phenungulator."
  • 49:49 - 49:51
    "The race must continue!"
  • 49:53 - 49:57
    And if they don't handle it properly you see
    them forty years later,...
  • 49:57 - 50:00
    the same people in the same restaurant,
    if you have the time...
  • 50:00 - 50:03
    you go there and you see them and they
    communicate on a different way nowů
  • 50:03 - 50:05
    In middle ageů
  • 50:05 - 50:08
    In some cultures it's called 'silence'.
  • 50:08 - 50:10
    Unless I'm missing something
    and they're saying a lot...
  • 50:10 - 50:12
    with the fork hitting the plate.
  • 50:12 - 50:16
    And if their eyes do meet this time it's
    not intimacy, it's embarrassment.
  • 50:16 - 50:19
    The man makes that noise
    as he chomps his chop...
  • 50:19 - 50:23
    in his throatůa kind of horrible soundů
    thisů"Hhhmmmnnnngggg.."
  • 50:24 - 50:26
    Sounds like a Balkan curse.
    And...
  • 50:27 - 50:30
    the woman has her own noise of disquiet.
    The "hhhhhhmmmmmm..."
  • 50:31 - 50:34
    As she's spearing her salad.
  • 50:34 - 50:38
    Like aůyou knowůsounds like a dove
    having a dump. And then they...
  • 50:40 - 50:43
    they go home to the bed
    they've sheared for...
  • 50:43 - 50:47
    sheared...when you shear a bed
    it's aůits a difficult process.
  • 50:48 - 50:51
    Itůyou know, when you go home you're a bit...
    had a couple of drinks...
  • 50:51 - 50:53
    and the bed's all wooly,
    and you have to...
  • 50:54 - 50:56
    and you have to get the clippers out.
  • 50:57 - 51:00
    "Here we go again. Don't move."
    And...
  • 51:02 - 51:04
    and when they've sheared the bed
    they share it...
  • 51:05 - 51:08
    and they get in with...
    and they have real intimacy...
  • 51:08 - 51:12
    which takes years to achieve, you know...
  • 51:12 - 51:15
    you're not gonna get it with somebody
    you don't know very well,...
  • 51:15 - 51:17
    not that there really is such a thing
    as 'casual sex'.
  • 51:17 - 51:20
    What is that?
    What is that supposed to be?
  • 51:20 - 51:24
    It's never really casual.
    You always have to turn up...and the...
  • 51:25 - 51:29
    it's never casual unless you're both
    wearing Sherlock Holmes's hats or something...
  • 51:29 - 51:32
    and you're covered in crisps, one of you
    is eating an omelette,...
  • 51:32 - 51:35
    the other one is doing a crossword.
    Then it's kind of casual.
  • 51:37 - 51:40
    I'm talking about real intimacy.
  • 51:40 - 51:43
    When people don't mess around with all that
    manipulating the phrase "I love you."
  • 51:43 - 51:46
    People...you get this all the time:
    "I love you. I love you. I love you I love you..."
  • 51:47 - 51:50
    "Bake me a cake or go away."
  • 51:51 - 51:54
    Children can master those three words.
  • 51:54 - 51:55
    - "What do you want for breakfast, darling?"
  • 51:55 - 51:58
    - "I want sugar fried in honey."
  • 52:00 - 52:03
    - "No! You're having fruit, bread, wholesome
    things like that."
  • 52:03 - 52:05
    - "I love you, Daddy!"
    - "I love you too..."
  • 52:05 - 52:09
    "Sugar you say? I'll be right back."
  • 52:11 - 52:14
    I mean it's just hard
    to like certain foods.
  • 52:16 - 52:19
    Look at this.
    I'm trying to addict to myself to it.
  • 52:19 - 52:21
    It doesn't work for me...fruit.
  • 52:22 - 52:24
    It's just God showing off:
  • 52:25 - 52:27
    "Look at all the colours I know."
  • 52:31 - 52:33
    Horrible stuff!
  • 52:33 - 52:37
    You know, when somebody comes to your house
    for dinner or the weekend or something...
  • 52:37 - 52:42
    and they don't bring a bottle of wine or
    some chocolates or biscuits or something...
  • 52:42 - 52:44
    you %#%$! about that person when they
    leave saying:
  • 52:44 - 52:47
    "Mean *!#%%%$!**%*. Didn't bring anything."
  • 52:47 - 52:50
    You never hear anybody saying:
    "They didn't bring any fruit."
  • 52:50 - 52:52
    "Not a single melon.
    We had them for three weeks."
  • 52:52 - 52:54
    "I didn't see a grape."
  • 52:55 - 52:57
    Nobody likes it.
  • 52:57 - 52:59
    That's why they put mirrors
    around it in supermarkets.
  • 53:00 - 53:02
    You just catch sight of yourself
    and you think:
  • 53:02 - 53:04
    "Fuckit, I'm dyingůI better eat some of this."
  • 53:04 - 53:06
    They don't do that with
    the eclairs, do they?
  • 53:08 - 53:10
    Horrible!
  • 53:10 - 53:12
    You have one - confirm that it's awful.
  • 53:14 - 53:18
    Ah, it's got stones and things in it.
    What is the point?
  • 53:20 - 53:22
    What was I saying?
  • 53:23 - 53:25
    I have no idea what I was saying.
    What was I saying?
  • 53:26 - 53:28
    It doesn't matter.
  • 53:28 - 53:36
    But um...yeah, you knowůit takes ages as well,
    it goes on and on and on.
  • 53:41 - 53:47
    Now!...theůtheůtheůtheůumůthe
    other thingůyou knowů
  • 53:47 - 53:49
    I don't know!
  • 53:50 - 53:53
    Yes! Intimacyůand what is real and what is not.
  • 53:54 - 53:56
    And I supposeůyou know...
  • 53:56 - 54:01
    the conditions have to be right of course
    forůforůforůfor love to happen.
  • 54:01 - 54:05
    You knowůit is much more
    difficult to be female, I grant you that.
  • 54:05 - 54:08
    Because the body's more complicated.
  • 54:09 - 54:11
    You know, if you're born a woman
    all these things happen to you.
  • 54:11 - 54:17
    You're a baby, then a child, then a girl, then
    a girl-woman and all these things are going on.
  • 54:17 - 54:21
    It's a constant opera with masks keep
    falling to the floor throughout your life.
  • 54:21 - 54:25
    "Who am I? I don't know!
    Watch out I'm !+$%$!# nuts." And...
  • 54:26 - 54:29
    If you're a male, you know, you're born,
    you have a finger up your nose...
  • 54:29 - 54:31
    and the other hand on your dick
    and you get taller.
  • 54:31 - 54:32
    And that is really it.
  • 54:38 - 54:40
    And it's fairly amazing...
  • 54:40 - 54:45
    to think of theůtheůthe ludicrous taboos...
  • 54:45 - 54:50
    that persist amongst us,
    informed, intelligent, able people.
  • 54:50 - 54:53
    Just from biology.
    For all these years...
  • 54:53 - 54:57
    it is still a difficult thing
    to talk about menstruation...
  • 54:57 - 54:59
    with a woman if you're male.
  • 54:59 - 55:02
    And you find this out as a young man...
    very quickly.
  • 55:02 - 55:04
    'cause you're talking to somebody
    and you're saying:
  • 55:04 - 55:09
    "ListenůlistenůI agree with everything
    you're carving on the kitchen table."
  • 55:09 - 55:11
    "I do."
  • 55:11 - 55:13
    "I really, really do."
  • 55:13 - 55:17
    "But do you think it's possible
    you may feel this way...
  • 55:17 - 55:20
    "perhaps because of your per...aaaggghhh!!!"
  • 55:24 - 55:28
    That first high-kick to the thorax
    generally does the trick.
  • 55:30 - 55:32
    If you address the subject
    at all thereafter...
  • 55:32 - 55:34
    it's always in the most feeble way.
    You go:
  • 55:34 - 55:36
    "Yes, yes, I know, haha, yes,..."
  • 55:36 - 55:39
    "have you seen the Moon?"
    You don't...
  • 55:44 - 55:46
    And we're told and it's traditional...
  • 55:46 - 55:49
    that things have to be just right
    for a woman...
  • 55:49 - 55:52
    for certain exchanges...
  • 55:53 - 55:56
    and acts to happen between you.
    If you care about somebody...
  • 55:56 - 55:58
    really, properly careůit has to be just right.
  • 55:58 - 56:03
    You knowůwe're told that men don't need very
    much. They just...you knowůthey just appear.
  • 56:03 - 56:06
    All circumstances are fine for
    any sensitive occasion.
  • 56:06 - 56:07
    Whereas with women
    things have to be right.
  • 56:07 - 56:10
    You know, people are saying "I love you"
    all the time to reassure one another.
  • 56:10 - 56:13
    "I love you. I love you. I love you."
    In bed as they're making love.
  • 56:13 - 56:17
    - "I love you. I love you."
    - "Why have you got ham in your bed?"
  • 56:18 - 56:22
    This is what women say.
    - "Why?"
    - "I don't know. It's there.
  • 56:22 - 56:24
    "Are you hungry? Are you hungry?
    You're not hungry?"
  • 56:24 - 56:27
    "You might be hungry later. I don't know.
    But it's there. I'm prepared." And...
  • 56:28 - 56:32
    - "What is the noise? There's noise downstairs."
    - "It's nothing. It's my flatmate."
  • 56:32 - 56:34
    "Forget it. He won't hear anything."
  • 56:34 - 56:37
    "I'll tell him everything later anyway.
    Don't worry about it..."
  • 56:37 - 56:41
    - "No, we must have music."
    - "Alright! Christ! I love you. I love you."
  • 56:41 - 56:43
    "Nowůthere."
    - "Not Wagner!"
  • 56:43 - 56:46
    "I feel like I'm being invaded."
  • 56:46 - 56:47
    - "Oh God! What's the point?"
  • 56:47 - 56:50
    "You're just lying there anyway, you've taken
    all the lingerie off. This is too easy."
  • 56:50 - 56:52
    "Can't you hide under the bed
    and send up a flare or something."
  • 56:52 - 56:54
    "This has to be a game for me."
  • 56:57 - 56:59
    All these games.
  • 56:59 - 57:00
    All the fear.
  • 57:02 - 57:05
    Very difficult to tell some people
    you love them, of course.
  • 57:05 - 57:09
    Very difficult to tell your father
    you love him if you're a man.
  • 57:09 - 57:13
    - "I love you, Dad."
    - "Oh yeahůhmmůhmmůoh yeahůyeah..."
  • 57:14 - 57:16
    "You ok for money?"
  • 57:17 - 57:20
    - "I'm very good for money. I just
    want to tell you that I love you."
  • 57:20 - 57:22
    - "Ohůyeahůyeah. I'll tell your mother."
  • 57:22 - 57:23
    You know, it's a difficult thing.
  • 57:27 - 57:30
    So these people talking in the restaurant...
  • 57:30 - 57:33
    maybe about what they don't really
    understand, will find out later.
  • 57:33 - 57:35
    With everything that happens to them.
  • 57:35 - 57:38
    And when they go to bed at night
    years and years later
  • 57:38 - 57:40
    they do achieve a kind of real intimacy.
  • 57:40 - 57:44
    But you have to know somebody very well
    to be able to say:
  • 57:44 - 57:47
    "I hate the way you breathe."
  • 57:48 - 57:51
    "Why do you breathe like that?
    It sounds like it's coming through your
    !+$%$!# forehead!"
  • 57:53 - 57:56
    "I haven't slept in 35 years!"
  • 57:57 - 58:01
    "Do you have any idea how fat you actually are?
    Do you? Do you have any !+$%$!# idea?"
  • 58:04 - 58:07
    "No, you don't, do you?
    Because your little faceů"
  • 58:07 - 58:10
    "ůis an island trapped in the sea of flab!"
  • 58:17 - 58:19
    "I would stab you to death but I can't..."
  • 58:19 - 58:21
    "afford to take the two weeks off work!"
  • 58:34 - 58:37
    Nothing that can't be sorted out
    by a nice cup of tea.
  • 58:42 - 58:44
    But it is difficult.
    It is of course...
  • 58:45 - 58:49
    the people whoůwhoůwho love you,
    who know you...
  • 58:49 - 58:50
    who can wound you.
  • 58:50 - 58:55
    That is the terrible vulnerability.
    These people know how youůhow youů
    how you work.
  • 58:55 - 58:59
    You can take all kinds of abuse
    from strangers or people at work or...
  • 58:59 - 59:02
    people on the street.
    It doesn't matter. You brush it all off.
  • 59:02 - 59:05
    But you don't have to get rage or obscenity
    from somebody who knows you.
  • 59:05 - 59:07
    They just have to say the right thing
    at the right time.
  • 59:09 - 59:11
    "Your nosehair..."
  • 59:12 - 59:14
    "which is grey..."
  • 59:15 - 59:17
    "is in my eye."
  • 59:20 - 59:21
    That'll do it!
  • 59:24 - 59:26
    We're all...
  • 59:26 - 59:28
    very woundable.
  • 59:29 - 59:31
    We all want a certain treatment.
  • 59:31 - 59:33
    You want to hear things
    said in a certain way.
  • 59:33 - 59:35
    I heard a terrible storyů
  • 59:35 - 59:39
    IůIůI didn't even...I didn't think
    this kind of thing happened.
  • 59:39 - 59:41
    But this happenedů
  • 59:41 - 59:43
    This guy knows a guy, it happened...
  • 59:43 - 59:45
    the guy I know, knows another guy...
  • 59:45 - 59:48
    it happened to him.
    And..I'mů very well connected. And...
  • 59:49 - 59:53
    he told me this man was in bed
    with hisůwith his person...and...
  • 59:54 - 59:57
    they were making love.
    And she actually called out the wrong name.
  • 59:58 - 59:59
    I didn't think that could happen.
  • 59:59 - 60:01
    She called out the wrong name.
    And when I heard that I thought:
  • 60:01 - 60:04
    'How would you ever recover
    from something like that?'
  • 60:04 - 60:06
    You'd be destroyed!
  • 60:06 - 60:10
    But then I realized, you know,
    it wouldn't even have to be the wrong name.
  • 60:10 - 60:12
    Somebody could just say your name
    in the wrong way.
  • 60:13 - 60:16
    Because everybody wants to hear:
    "Oh, John!"
  • 60:16 - 60:18
    But you don't want to hear:
    "John!"
  • 60:21 - 60:22
    Or:
  • 60:22 - 60:24
    "John?"
  • 60:32 - 60:38
    But the very worst, you know, patronizing,
    comforting one: "Ohhoho, John."
  • 60:39 - 60:41
    These things can change your life!
  • 60:45 - 60:47
    Ladies and gentlemen,
    that is all from me.
  • 60:47 - 60:48
    Thank you very much for coming.
  • 60:48 - 60:50
    I've enjoyed talking to you.
    Good night.
  • 61:29 - 61:34
    Okůyou know..quickly 'cause...
  • 61:34 - 61:35
    you've got to go. Hm?
  • 61:38 - 61:40
    Listen, the thing is...
  • 61:40 - 61:43
    you will get to a certain point
    in your lives.
  • 61:43 - 61:45
    You get older, you know.
  • 61:46 - 61:48
    You may have read about it.
    And...
  • 61:48 - 61:51
    people don't age well in this country.
  • 61:51 - 61:53
    Look at them...
  • 61:53 - 61:55
    You see continental people, tourists,
    they come around,...
  • 61:55 - 61:57
    you know the people who are bicycling
    around in their red and yellow cagoules...
  • 61:57 - 61:59
    pointing at cathedrals...
  • 61:59 - 62:01
    With springy white hair...
  • 62:01 - 62:04
    and rimless, lenseless, glassless spectacles.
  • 62:04 - 62:06
    Having a wonderful timeů
    Living on yoghurt,...
  • 62:06 - 62:07
    going home and having sex...
  • 62:07 - 62:10
    even though they're eighty-three
    hundred years old.
  • 62:11 - 62:13
    It doesn't happen like that here,
    in Britainand Ireland.
  • 62:13 - 62:16
    You see people aging. It's all wrong.
    They're wearing brown.
  • 62:16 - 62:18
    They're at bus stops.
    They bend over...
  • 62:18 - 62:21
    holding a half a tin of
    cat food in a plastic bag.
  • 62:22 - 62:25
    Talking about the weather they haven't
    seen in the last 15 years.
  • 62:27 - 62:29
    Mumbling rubbishů
    getting closer to the graves...
  • 62:29 - 62:32
    so they don't have that far to
    jump when it actually opens up.
  • 62:32 - 62:34
    Denying their vitality.
  • 62:34 - 62:38
    That's not the way we should age. You should
    be as alive as can until you're totally dead.
  • 62:40 - 62:43
    In all respects.
    In every sphere.
  • 62:43 - 62:46
    It is...wait!
    I think you see...
  • 62:46 - 62:48
    this is a popular movement.
  • 62:48 - 62:51
    It is of course dangerous.
    You have to take advice.
  • 62:51 - 62:54
    You know, you can't be gung-ho about it.
  • 62:54 - 62:56
    If you're going to make love to somebody
    and you're very, very old and they're...
  • 62:56 - 62:59
    very, very old you have to be sensible.
  • 62:59 - 63:02
    It is...I hate to use the word 'lube'
    but I just have.
  • 63:02 - 63:05
    You have to pretend
    you're swimming the Channel.
  • 63:05 - 63:08
    It's...look you change, you all...
    your body changes...
  • 63:08 - 63:10
    it's a tinder box down there.
  • 63:10 - 63:14
    It would be a terrible way to be found
    the next morning - two charred skeletons
  • 63:14 - 63:17
    still smouldering in the wheel-barrow position.
  • 63:17 - 63:20
    Nobody wants to be remembered like that.
  • 63:21 - 63:24
    You want to be remembered with affection...
    and dignity.
  • 63:24 - 63:27
    You might have to think about
    what you're going to say.
  • 63:27 - 63:29
    You might have to say something quite good.
  • 63:29 - 63:32
    You probably won't.
    You'll say something rubbish like:
  • 63:32 - 63:35
    "Do you think this is off?"
    They'll be the last words you'll ever say.
  • 63:36 - 63:38
    Or worse:
    "Hey everybody, watch this!"
  • 63:43 - 63:46
    But before you do...
  • 63:46 - 63:52
    it's great if you can meet the other person
    you're supposed to share this mystery with.
  • 63:53 - 63:56
    And you know when that happens I think.
    People know when that happens to them...
  • 63:56 - 63:59
    because you often meet that person at a
    particular time in your life.
  • 63:59 - 64:02
    Sometimes when you're young and poor.
  • 64:02 - 64:04
    You know, when you're living in a room.
    You're both live in rooms...
  • 64:04 - 64:06
    where you have all your #%@@ů
    'cause you're poor.
  • 64:06 - 64:09
    And it's lit by candlelight
    and you climb the stairs...
  • 64:09 - 64:11
    to that person's room. They've been to yours
    and now you're going to theirs.
  • 64:11 - 64:13
    It's serious. And...
  • 64:15 - 64:17
    you're standing opposite that person
    and there is a moment...
  • 64:17 - 64:20
    where you realize
    you're not looking at an expression of...
  • 64:20 - 64:24
    fleeting lust or some sort of
    passing of the time...
  • 64:24 - 64:27
    you knowůin the surrounding befuddlement.
  • 64:27 - 64:30
    Where actuallyůyou know each otherů
    you know you want to be together.
  • 64:30 - 64:33
    And you realize it and it's an amazing moment
    when you...
  • 64:33 - 64:36
    the other person's actually taking
    their clothes off in front of you...
  • 64:36 - 64:38
    smiling from the very middle of themselves
    at you...
  • 64:38 - 64:40
    saying:
    "I want to be with you."
  • 64:40 - 64:44
    And you're looking at them with their bare
    shoulders all shimmering in this...
  • 64:44 - 64:46
    roseate candlelight.
  • 64:46 - 64:49
    And you realize this is the person for you.
  • 64:49 - 64:50
    And then...
  • 64:50 - 64:53
    and then the cage comes down!
  • 64:55 - 64:58
    And your mother jumps from the wardrobe!
  • 64:59 - 65:02
    With a cigarillo pointing out of
    the corner of her mouth...
  • 65:03 - 65:06
    and you kill her with a trowel.
  • 65:06 - 65:09
    Ladies and gentlemen, thank you for coming.
    Good night.
  • 65:10 - 65:13
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Title:
Dylan Moran Like Totally english subtitles
Description:

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Video Language:
English, British
Duration:
01:06:11

English, British subtitles

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