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Film Hiya Fawda Complete - فيلم هي فوضي - نسخة كاملة

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    Egyptian French mutual production
    Egypt international films
    3B productions
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    And
    France 2 channel.
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    With channel plus+
    France National Cinema center
    National Francophone organization.
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    ln contribution with
    Sunny land films company
    Union of video and film makers
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    Jean Brehat Gabriel Khouy
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    Present
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    Order or chaos
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    Starring HalaSedky
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    Youssef El Shefrief
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    With
    Hala Fakher in the charachter of
    ''Bahia''
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    Amr Abdelgelil
    Ahmed Fouad Selim
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    Dorrah Zarrouk
    Safwa
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    With
    SeifAbdelrahman
    Abdalla Meshref
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    With
    Maher Esam
    Maher Selim
    Palet dancer, Ahmed Yehia
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    Sienario and dialouge of
    NaserAbdelrahman
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    Director of production
    Maged Youssef
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    Decor excutive Accessories
    Production manager
    Hussain Wezza Osama Hussain
    Saby Elsammak
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    Assistant Cameraman
    Cameraman
    Mena Marzouk
    Tamer Jopseph
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    No!
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    Machinist Accessories
    andspecialeffects
    HasanGad
    AbbasSaber
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    Fainancial manager
    Amr Zaied
    Assistant Producer
    May Hussam
    Coordinator of production
    Rarry El Khoy
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    Outfits
    Monia Fat'h El Bab
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    Make up
    Sherief Helal
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    Negative montage
    Laila Fahy
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    Follow them, soldier.
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    Catch these boys.
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    Catch them, Mansour.
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    Tell me what's going on, people.
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    God damn you.
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    Goddamn you villains.
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    Do you think It's a war, you villains?
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    You are too tough on the poor people onIy.
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    To the vehicle.
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    You soldier.
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    catch that boy.
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    To the vehicle eveybody.
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    Hit them, soldier.
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    Move on with the vehicle. Go!
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    Get in, soldier.
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    Menna Shalaby.
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    God damn them villains. They destroyed the
    market while they were tying to arrest the
    demonstrators
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    Were you hurt?
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    No, dear. Thank god.
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    Why did you wake up so late?
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    l am teaching third class today.
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    OK. Take care.
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    Put him in lock up. Move.
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    Khaled Saleh
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    Directed by
    Youssef Shaheen
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    -Good morning, Hatem.
    -Good morning, sir.
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    l want you to take wonderful care of these
    boys.
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    l want them to have their heads straightened
    up when they get out of lockup.
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    Peace of cake, sir.
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    Get in, boy.
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    l knew it was going to be a great day.
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    Get down.
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    Move, sons of the public. Move.
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    Have them standing in two lines.
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    All ofyou put your IDs on the floor.
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    And, your watch, and evemhing that you
    have.
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    Don't you think that there is no order in the
    county.
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    No!
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    There is a government in the county.
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    An iron government.
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    And l am that government.
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    What?
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    -Didn't l tell you, that you think there is no
    order.
    -lt's my right to speak in y cell phone.
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    And it's y right to beat you.
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    Believe me, sir they are some misguided
    children.
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    They worthy of bothering you.
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    The tea, sir.
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    Your brought it just in time.
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    Put it on his back. Lean down.
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    Sir, May you be forgiving?
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    Give it to me.
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    Lean down.
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    What does you father do, boy?
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    My father- may god rest his soul- died a year
    a go.
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    So you are an orphan.
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    So you do you act the brave political activist?
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    Shouldn't you have better focused on your
    future instead of getting humiliated in
    demonstrations?
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    We must...
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    We must get out of here, and our parents
    must know that we are detained.
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    Son, It was your parents who brought you
    here because they failed to discipline you.
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    Come on.
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    Bring them all.
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    Apparantly instead of sending to the general
    prosecutor's office, l will send you to the
    reception.
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    So you may be learn a lesson.
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    Do you see these people?
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    They have just come from the reception pam.
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    -Do you want to be like them?
    -Mr. Hatem.
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    l have been tying to tell you that a man has
    died in here, yesterday.
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    Where?
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    Get him out, and hide his body any where,
    until he dies tomorrow, then we deal with that
    situation.
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    Sir, l am telling you the man is dead.
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    And l said he dies tomorrow, soldier.
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    And when he dies tomorrow, we deal with the
    situation.
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    Do you understand?
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    Let me pass.
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    Let me pass.
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    A cup of tea for the best D.A. in the republic.
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    Thank you Mr. Fahmy.
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    The suspects are to be released from the
    general prosecutor's office, on security of their
    place or residence.
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    Thank you, sir.
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    Get out of here, boys. Don't you want to go
    home?
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    Thank you, sir.
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    Bring the next group in .
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    _fl Ug_ _
    Ma __fl
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    -Do you understand?
    -Yes sir.
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    Mr. Say the chief of investigation office, sir.
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    -Lett him in.
    -Good morning Mr. Sherif.
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    Good morning. Welcome Mr. Say.
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    Sit down please.
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    Thank you, sir. May l have five minutes of our
    time?
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    -OK. Ahmed, take the suspects and wait for
    me out side.
    -Yes, sir.
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    Yes Mr. Samy.
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    The report that's on your disk says that these
    suspects have committed a riot offense,
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    And a felony of instigate of
    coup against the governing
    system, and still you released
    them .
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    This report is false Mr. Samy.
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    Yes, but we must presenre order, sir.
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    -And y orders are...
    -Your orders appIy onIy to you.
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    The general prosecutor's office doesn't
    receive orders from anybody.
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    We just enforce the law.
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    l am sory, Mr. Sherif.
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    But l must tell you, that there is a huge
    disorder outside.
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    Aand ifthose boys are released, they will
    increase the chaos
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    You people iust stop violating the law, and
    then things will calm down.
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    Thanks for you visit, Mr. Samy.
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    Thank you, Mr. Shreif.
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    Bring the rest of the suspects in .
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    Good morning sir. Why you look upset, sir?
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    The new D.A. is vey inexperienced. He let
    the demonstrator's go.
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    Don't wory, sir. The release must be done
    from here.
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    And you said no. So l will say no.
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    Until you say yes, then l will say yes.
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    l don't want anybody to catch their scent. That
    D.A. Is vey tiresome, he might come and
    inspection at any moment.
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    Even if he brings an Inspection committee
    from the United Nations organization, they
    won catch a trace of them.
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    ls there anything, that's bothering you, sir?
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    You are a Good man, Hatem. l want the next
    elections to complete safeIy. l don't want any
    riot.
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    We all are your students' sir.
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    Come on, men. Work quickly. We have a big
    area to cover today.
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    Get those banners, over there.
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    l want you to cover all this side.
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    Bring the bucket here. Bring the other glue
    bucket, quickIy.
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    Move man.
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    Hana_.
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    Hana_.
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    Yes, Madam head teacher.
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    Who are these people, and what are they
    doing here?
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    HEy, you.
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    Get them out. Let them take these things and
    get out.
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    What's your problem teacher? This the big
    bosses propaganda.
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    l saying, take this rubbish and get out of here.
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    You will anger the boss, this way.
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    What are you doing? Have you lost your
    mind?
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    -Could anybody removes the National pam's
    banners?
    -l am sory, sir. The head teacher told me to
    do this.
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    l have been hearing about you.
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    And for twenty four years l have been hearing
    that, you are smothering our breaths. What
    more do you want?
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    -You are crossing the margin.
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    -What margin? l will congratulate you when
    you lose the elections, god welling.
    -So you still insist.
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    g_
    _ ggfl
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    And l will remove them at noon.
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    -But l will hang them after tomorrow.
    -And l will remove them the next day.
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    We know that your son has recently been
    appointed as a D.A. and he still has a long
    road to go throw, so you better don't cause
    him trouble at his beginning.
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    You have nothing to do with my son.
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    lfyou really care for him, then take care of
    him, or he will be just like you, and people like
    you have extinct long time ago.
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    This is Cairo broadcast.
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    -Good morning, Miss Nour.
    -Good morning.
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    Can l walkyou, in y way?
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    No, thank you, sir the school is close, iust a
    few steps.
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    Since the dayyou took offthe school uniform,
    l have been feeling hat you are mine.
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    -l have been waiting patientIy for years,
    saying to yself tomorrow she will notice me.
    -That tomorrow will never come hatem.
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    But patience has limits, like Om kolthom's
    song says.
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    l am worried about you from yself.
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    When l get tired l become mean. l can't help
    it.
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    Mean to your self.
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    You are right.
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    l can be mean to eveybody, except you.
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    You can act hard to get as long as you like.
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    Tomorrow you will fall, my love, after it's too
    Iate.
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    Tommom, you will regret it. l swear to y
    mother's grave that you will regret it.
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    _.AMBlrS.ORG
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    Mr. Hatem.
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    Babble.
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    My driver's license was withdrawn while l was
    driving on the round road, sir.
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    Leave fif_ pounds and go to the round road,
    find a Police assistant called saeed. Tell him
    Mr. Hatem sent me.
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    Thank you, sir.
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    Sir, l want to sign my son up for school, and
    they want an electricity bill receipt but the
    electric counter of y home is not registered
    in y name.
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    Leave a hundred pounds and go to the
    electricity police head quarters.
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    You will find there a police assistant called
    Maher. Tell him that Mr. Hatem has sent you.
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    -Thank you, sir.
    -Come here, fool.
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    -Yes, sir?
    -Where is the money?
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    -Thank you, sir.
    -My daughter is sick, sir and l need to get her
    a treatment on the government expense.
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    l want to sign y daughter up for school.
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    Sir.
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    Please, sir.
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    g_
    _
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    For twenty years you have been eating
    Hawawshy.
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    Havn't you ever liked it, and thought about
    given something to restaurant's owner?
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    Drop by me at the police station today, so l
    can give you something.
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    l have an old report informing that you have
    made unauthorized extensions to the
    restaurant.
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    Forgive me, sir.
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    l was iust ioking with you. Have l ever denied
    you anything?
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    A hundred pounds for the extension.
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    -QuickIy.
    -Here, sir.
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    lfyou aren't good to Hatem, you aren't good
    to Egypt.
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    -Not good to who?
    -To Egypt.
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    -Give me the acidity medicine.
    -Yes, sir.
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    Not this one, the other one, you donkey.
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    Give me the Hat, and go ahead to the police
    station.
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    You, girl over there.
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    Girls, stop making noise. Be nice.
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    Stand up.
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    Sitdown.
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    How could you allow such disorder while your
    are teaching?
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    And how are you teaching without a map?
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    Hang the map up, please.
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    Mada. This a histoy class, not geography.
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    This exactIy is the disaster. Histoy isn't iust
    some stories.
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    Whe histoy changes, geography changes
    and get's divided, just like eveybody around
    us now is getting changed and divided.
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    Or maybe you didn't know.
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    Shrief.
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    l won't be late. l will bring mom and be right
    back with her.
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    Mr. Shrief.
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    Mr. Shrief.
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    Good morning.
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    Good morning.
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    -Where are you going?
    -What?
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    The head teacher is in the classes checking
    on her office.
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    l mean, the head teacher is in her office
    checking on the classes.
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    l mean, the head teacher isn't in her office,
    she is checking on the classes.
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    -Headteacher. Head teacher.
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    -What is the matter, girl?
    -The full moon has arrived.
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    -What?
    -The full moon has arrived.
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    My son?
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    AYoungman, who ifthe broadness or his
    margin was compared with the see, his dew
    would has won over the water of the sees.
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    ls that for y son?
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    Please, madam tell him that l said that about
    him.
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    He is more beautiful than his damn mother.
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    Are you swearing at me, girl?
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    -l am sory, madam. l didn't mean that.
    -l am his mother.
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    -l am sory, l didn't mean it.
    -Now go to your class.
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    -Ok. Are you going to tell him what l said
    about him?
    -l will tell him, now go.
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    -Hello, Shrief.
    -Hello mom.
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    -Welcome y dear. l will get y things and go
    with you immediateIy.
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    QuickIy mom, please because Selya is
    waiting in the car.
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    Ok. You go to her, dear.
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    Because, l want to read a little.
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    Why do you reject Selvya.
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    -She loves you.
    -l hope a lizard loves her.
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    Shrief since the day you got engaged to that
    girl, you changed.
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    Have you lost your mind? Did you forget that
    she is addicted to drugs?
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    -Are we going to go throw this again?
    -Again and Again.
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    lfyou married that girl, either she will give you
    retarded babies...
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    Or one day she will say tell you, l got
    intoxicated and slept with the cook, because l
    thought he was you.
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    -Enough, mom.
    -Enough what?
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    l don't like that girl, and l don't like her father
    and their life style.
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    But they are free to do what they want with
    their own life's.
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    And l am free, to love those who l want to
    Iove.
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    Can we postpone this debate for a while.
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    l am tired. l don't know how to make you
    accept her. Even the engagement pam you
    didn't attend it.
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    And l won't attend the wedding. That if it
    happens.
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    However you come or you don't, l will mary
    sely.
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    -And l hope you will be there.
    -Your insistence means that something is not
    right.
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    -Let's suppose so, still it's natural that...
    -lt's natural that l concern about you Mister
    D.A.
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    lsn't this ShrieFs fiancEURe?
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    -And what lesson should you be attending
    now?
    -Histoy.
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    So you are skipping the class?
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    -Where is the head teacher's office?
    -Fellow me madam.
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    Come in.
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    Come in please.
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    Good evening.
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    l don't know what should l do, so he may
    notice me.
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    Some times l feel that he loves me.
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    l swear to god, l feel him before he enters the
    school.
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    l smell his scent before he enters our street.
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    Some times l be a sleep in y bed, and his
    scent wakes me up.
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    And l wake up to see him in front of me telling
    me, l love you.
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    ls that possible? You love him that much and
    you can't do anything abut it?
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    -Go and talk to his mother.
    -His mother knows that l love him.
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    Tke him to the Cinema and when the film
    stars kiss, you kiss him.
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    l heard that, Kissing in the Cinema has been
    banned.
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    -The want it to be clean.
    -Can the cinema be called a cinema without
    kissing?
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    -You are an adulteress.
    -And you are a loser.
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    l am sory l can't have lunch with you,
    because l have an inspection tour to make.
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    Let's leave it to another time.
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    Would like if we have a round and come back
    to you?
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    fl _fl gfl
    _n
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    l will take a taxi.
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    Ok. Bye mom.
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    Good bye y dear.
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    What's wrong madam? Is something
    bothering you?
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    My poor son. He is stuck in a deep hole.
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    He got attached to an indecent reckless girl.
  • 17:42 - 17:45
    He is all that l have in the world.
  • 17:47 - 17:49
    l am sory. Please don't be mad at y mother.
  • 17:49 - 17:50
    She is she is a little bit stressed.
  • 17:51 - 17:53
    Enough with this thing. Yesterday, you almost
    died by an over doze.
  • 17:54 - 17:55
    Why can't you understand the responsibility
    that you are bearing now.
  • 17:55 - 17:58
    The child in your womb might be born
    disfigured because of these things that your
    smoke.
  • 17:59 - 18:01
    fl
    flMfi]_
  • 18:02 - 18:04
    Bosy y friend gave birth last week.
  • 18:04 - 18:05
    She looks too ugly now.
  • 18:06 - 18:07
    plumpy.
  • 18:07 - 18:08
    l wish if she didn't give birth.
  • 18:09 - 18:11
    She was so beautiful, and now she looks ten
    years older.
  • 18:11 - 18:12
    What is this nonsense?
  • 18:12 - 18:14
    Awoman never feels like a woman until she
    has a child.
  • 18:15 - 18:16
    How do you think these seventy million
    people came to the world?
  • 18:17 - 18:18
    Quit causing me headache.
  • 18:18 - 18:18
    Ok, Put this cigarette out because we smell
    with hash and we are approaching a stop.
  • 18:25 - 18:26
    What exactIy are you smoking?
  • 18:28 - 18:29
    Hash of course.
  • 18:29 - 18:30
    Hash of course?
  • 18:30 - 18:32
    l am Sherief Hafez, D.A. of Shoubra.
  • 18:32 - 18:34
    l am sory, y fiancEURe likes to joke.
  • 18:34 - 18:36
    Welcome ,sir. No problem.
  • 18:36 - 18:41
    Good bye, sir.
  • 18:47 - 18:48
    Sons of...
  • 18:53 - 18:53
    Hello.
  • 18:54 - 18:56
    Four times in one week? You are impressive.
  • 18:57 - 18:58
    Quit being envious.
  • 18:59 - 19:01
    l am going to buy some cigarettes. Call me
    when you finish.
  • 19:02 - 19:03
    Gamal, find your self a hotel, because we are
    staying for the night.
  • 19:04 - 19:05
    No. We can't say for the night.
  • 19:06 - 19:07
    Because mom will beat you?
  • 19:08 - 19:08
    Don't be impolite.
  • 19:10 - 19:13
    Sherief l need you too much now. Loneliness
    is killing me.
  • 19:14 - 19:16
    Hey you, come up here.
  • 19:21 - 19:23
    -Good evening Mdm. Bahia.
    -Good evening. Go to hell.
  • 19:24 - 19:28
    Wait, Nour until we get the new gas container
    attached so you can take your hot shower.
  • 20:04 - 20:05
    Enjoy your shower
  • 20:48 - 20:50
    Mom, please come in and close this window.
    It lets the cold in.
  • 20:51 - 20:54
    Nour, didn't l tell you to close this window? Do
    you want to catch cold?
  • 20:59 - 21:02
    Dyyour hair, while l make you the
    sandwiches that you like.
  • 21:02 - 21:04
    l told you that today l am dinning at the head
    teacher's .
  • 21:04 - 21:07
    Ok, l will leave with you, to buy tailoring
    material in the meanwhile.
  • 21:08 - 21:10
    -But don't stay until it's late.
    -l will ty.
  • 21:11 - 21:13
    You have always been too sweet.
  • 21:40 - 21:43
    -Are you ready yet, Nour?
    -Almost.
  • 21:51 - 22:11
    Don't be late, Nour. You know that l don't like
    to stay alone at night.
    -All right, mom.
  • 23:36 - 23:38
    Tht's SherieFs picture when he was six years
    old.
  • 23:39 - 23:40
    And the one next to it is his picture when he
    was in high school.
  • 23:40 - 23:42
    And this one is his picture before he
    graduated.
  • 23:43 - 23:44
    He has always been beautiful.
  • 23:44 - 23:45
    Don't say ''like his mother''.
  • 23:46 - 23:48
    Ofcourse like his mother. You are as beautiful
    as the full moon.
  • 23:49 - 23:50
    lt's his father who was beautiful like the full
    MOOn .
  • 23:52 - 23:54
    Hafez was even prettier than Sherief.
  • 23:54 - 23:57
    l can't believe that. Nobody is prettier than
    Sherief.
  • 23:57 - 23:59
    lfyou had seen him, you would had killed
    your self over him.
  • 23:59 - 24:01
    But you didn't kill you self, and gave us
    Sherief.
  • 24:09 - 24:11
    l miss you too much Mister Engineer.
  • 24:17 - 24:18
    l met him in a demonstration.
  • 24:20 - 24:22
    And we got married in another demonstration.
  • 24:24 - 24:25
    After that we were sent to jail.
  • 24:28 - 24:29
    And when we were released from prison.
  • 24:30 - 24:32
    He bought me a record forAbdelwehab.
  • 24:33 - 24:35
    We were like crazy people, together.
  • 24:37 - 24:40
    Do you like the picture?
  • 24:40 - 24:42
    l would give it you. l have another copy.
  • 24:43 - 24:47
    l love the head teacher, the head teacher's
    son, and evemhing that's related to the head
    teacher.
  • 24:50 - 24:51
    -Do you love him so much?
    -Yes.
  • 24:52 - 24:53
    -At first sight?
    -At first sight.
  • 24:54 - 24:55
    -May ask you something?
    -Yes.
  • 24:56 - 24:57
    l have never seen SherieFs room. May l see
    it?
  • 24:58 - 25:00
    This passage, the opposite room.
  • 25:53 - 25:54
    Good evening.
  • 25:56 - 25:59
    Sherief. Why are you too late? We have been
    waiting for you to have dinner with us.
  • 25:59 - 26:01
    No, you have your dinner. l have dinned out.
  • 26:12 - 26:14
    What's wrong?
  • 26:14 - 26:15
    Nothing, just tired a little.
  • 26:17 - 26:19
    apparantly you are still mad because of the
    way l received Sely.
  • 26:19 - 26:21
    _ Q_U U _fl
    M_n
  • 26:22 - 26:23
    0fl_
    _
  • 26:24 - 26:25
    And l don't have to wait until mom chooses a
    bride for me.
  • 26:26 - 26:28
    Let me choose. Just like you chose the one
    you married.
  • 26:28 - 26:29
    But l hope you choose the one who desenres
    your love.
  • 26:30 - 26:32
    And Nour is the onIy one who deserves my
    Iove. Right?
  • 26:32 - 26:35
    Noor is a wondemul girl, and anybody would
    wish to have her as wife, but not me.
  • 26:36 - 26:37
    Please stop tying.
  • 26:46 - 26:49
    He is a stubborn. l don't know how did he
    become so cruel.
  • 26:49 - 26:52
    -l must go now because mom will be worried
    about me.
    -No. wait until we have dinner.
  • 26:52 - 26:54
    -l am not hungy.
    -Ok, wait. Let Sherief drive you home.
  • 26:55 - 26:58
    -No. Let him rest.
    -Rest? How can he rest as long as that
    Selya is in his life.
  • 26:58 - 27:01
    Please let him know that me too is a stubborn.
  • 27:01 - 27:02
    So you both desenre each other.
  • 27:05 - 27:07
    -Unbelievable.
    -Do you like it?
  • 27:07 - 27:10
    Do l like it? l am obsessed.
  • 27:10 - 27:12
    l am at your senrice, sir.
  • 27:13 - 27:15
    Ok. Listen
  • 27:16 - 27:17
    Listen.
  • 27:18 - 27:23
    l want you to put this face on the body of girl
    in lingerie.
  • 27:23 - 27:24
    At your service, sir.
  • 27:25 - 27:26
    And for the size.
  • 27:26 - 27:28
    lwant to be.
  • 27:30 - 27:31
    -ln full size.
    -yes sir.
  • 27:32 - 27:35
    Ok. Tell me, how much? Or are you doing all
    that for free?
  • 27:35 - 27:36
    fl_ U_g
    _n
  • 27:37 - 27:41
    Man, tell me how much do you want. What
    are you afraid of? Do you think that l will tell
    people that your photograph naked girls.
  • 27:42 - 27:45
    Sir, l will take this quarter, as a lucky charm.
  • 27:45 - 27:48
    No. Take this pound, and make me four of
    them.
  • 27:49 - 27:51
    Full size.
  • 27:52 - 27:53
    You seem upset.
  • 27:54 - 27:56
    g __g _
    _
  • 27:56 - 27:57
    Not good to Egypt, sir.
  • 27:57 - 27:59
    lnaddetion to that, the girl is worth it. Look.
  • 28:00 - 28:01
    lsn't she worth it?
  • 28:01 - 28:03
    -RealIy, tell me.
    -She is worth it, sir.
  • 28:03 - 28:05
    -You tell me.
    -She is so beautiful, sir. She is worth it.
  • 28:05 - 28:07
    So what's your problem?
  • 28:57 - 29:00
    You are so beautiful.
  • 30:32 - 30:35
    _.AMBlrS.ORG
  • 30:35 - 30:37
    -You five pounds time is over.
    -What is this?
  • 30:37 - 30:38
    l want to see the whole show.
  • 30:39 - 30:40
    l will give you twenty pounds.
  • 30:47 - 30:48
    That lowlife wants to see all what we have.
  • 30:49 - 30:50
    He will pay twenty pounds.
  • 30:55 - 30:56
    Give me twenty pounds.
  • 30:56 - 30:57
    l don't have it.
  • 30:58 - 30:58
    Don't be like this.
  • 30:59 - 31:02
    Give me twenty pounds and will make you
    watch something that will make you droll.
  • 31:02 - 31:04
    l don't have it. Hatem has dried me out.
  • 31:32 - 31:34
    Ok. Take them to interrogation.
  • 31:36 - 31:37
    Welcome.
  • 31:40 - 31:42
    -How can l help you.
    -Good morning, precious.
  • 31:42 - 31:45
    l am bringing a iob that will make you three
    thousands like a piece of cake.
  • 31:45 - 31:47
    Are you in, sir?
  • 31:47 - 31:50
    The tea Mr. Sayyed.
  • 31:51 - 31:52
    You speak French.
  • 31:53 - 31:56
    French, English, and some Italian.
  • 31:57 - 32:00
    The prince could talk to me in any language.
  • 32:00 - 32:03
    Mr.Sayyed used to work here, since this
    police station was the palace ofthe prince.
  • 32:04 - 32:05
    Prince Omar Turk.
  • 32:06 - 32:08
    Who is the prince now Mr. Sayyed.
  • 32:09 - 32:10
    Me or him?
  • 32:10 - 32:11
    Him. But you are the king.
  • 32:14 - 32:16
    lsn't this the high tea time?
  • 32:17 - 32:22
    -Forgive me l forgot. The cake is ready l will
    bring it right away.
    -QuickIy Mr. Sayyed.
  • 32:23 - 32:24
    Where are the three thousands?
  • 32:24 - 32:26
    Whe you do the job.
  • 32:27 - 32:29
    l want five thousands pounds before l know
    what is the job.
  • 32:32 - 32:33
    Do you see this picture?
  • 32:34 - 32:36
    -What about it?
    -Look closeIy and tell me where did you see it
    before?
  • 32:38 - 32:40
    -There is a picture like it in the commissioner's
    rOOM.
    -That's what l want.
  • 32:41 - 32:41
    l can't .
  • 32:43 - 32:45
    lt belongs to the ministy of culture, that's
    responsibility.
  • 32:46 - 32:47
    l have one like it, in y father's bazaar in
    Hussain.
  • 32:49 - 32:51
    So we take this and put this in it's place.
  • 32:52 - 32:54
    And nobody will know anything.
  • 33:02 - 33:04
    -Come watch, the show will begin.
    -l don't want to.
  • 33:04 - 33:06
    -Man l am telling you women.
    -l said no.
  • 33:06 - 33:09
    -Man you watch for free.
    -l don't want to watch anything.
  • 33:09 - 33:10
    Forget about him, man. He seems to be one
    ofthose, people. You know what l mean.
  • 33:23 - 33:29
    Give me twenty pounds or l will block the
    whole with this rock.
  • 33:53 - 33:56
    l opened this whole you thief.
  • 33:56 - 33:59
    -Let me go.
    -Let you go? Give me the money that you just
    took.
  • 34:00 - 34:02
    -Not mine.
    -Yes not yours.
  • 34:02 - 34:04
    -And who taught you?
    -l got earned them It's not your money.
  • 34:07 - 34:08
    Come watch, mister not interested in women.
  • 34:09 - 34:10
    Come watch how women tore each other
    apart.
  • 34:11 - 34:12
    Come on.
  • 34:12 - 34:14
    Give it to me. Let go.
  • 34:15 - 34:17
    After l raised you and taught you, you low.
  • 34:18 - 34:20
    l will mess you up.
  • 34:21 - 34:24
    You low life, whore.
  • 34:24 - 34:27
    -You thief, villain.
    -No, you are the thief.
  • 34:27 - 34:28
    Let me go.
  • 34:28 - 34:30
    Your son isn't in our custody, madam.
  • 34:30 - 34:31
    Look for him some where else.
  • 34:31 - 34:34
    -Please son.
    -Madam, we don't have time to waste with
    you.
  • 34:34 - 34:35
    When is the commissioner suppose to go
    out?
  • 34:35 - 34:37
    He didn't say.
  • 34:38 - 34:38
    Excuse me, sir.
  • 34:39 - 34:39
    How can l help you, madam.
  • 34:40 - 34:42
    lt seems like it's you who is going to help me.
  • 34:42 - 34:44
    Your face is charming and your eyes are full
    with kindness.
  • 34:44 - 34:46
    The good people are obvious.
  • 34:46 - 34:47
    At your service, Mother.
  • 34:47 - 34:47
    My son and his friends where arrested, they
    say they were in a demonstration.
  • 34:50 - 34:56
    My son is a good boy, but his friends told him
    to go to demonstrate with them.
  • 34:56 - 34:58
    -So he went with them to...
    -Enough! What do you think your are doing
    woman?
  • 34:58 - 35:00
    Are you going to tell me your life stoy?
  • 35:00 - 35:02
    Go now.
  • 35:02 - 35:03
    Sir, there is a fight downstairs. Somyya is
    almost killing Dina.
  • 35:05 - 35:06
    Open this door.
  • 35:10 - 35:12
    Get of her, girl.
  • 35:12 - 35:13
    You are killing her.
  • 35:14 - 35:17
    You are already in iail. What more do you
    want? To get hanged?
  • 35:17 - 35:19
    That's enough. Enough.
  • 35:21 - 35:23
    You, villains.
  • 35:24 - 35:27
    Get off her woman. l said Get off hr.
  • 35:28 - 35:31
    Got off her, Somayya.
  • 35:31 - 35:34
    Get off her.
  • 35:35 - 35:37
    So you are hiding the money, you whore. l am
    not a fool.
  • 35:38 - 35:38
    You whore, daughter of a whore.
  • 35:39 - 35:39
    -Am l the whore, or you. Miss, Shoubra
    suburb.
    -Ok Miss polite. You daughter of the shaker.
  • 35:42 - 35:44
    -Am l the whore, or you. Miss, Shoubra
    suburb.
    -Ok Miss polite. You daughter of the shaker.
  • 35:44 - 35:45
    Shut up both ofyou.
  • 35:47 - 35:49
    lfyou ever beat anybody again, Somayya.
  • 35:49 - 35:52
    l swear to your lost honor. l will hang you from
    you feet for a month.
  • 35:52 - 35:54
    Give me the money that's in your chest,
    WOMan .
  • 35:54 - 35:55
    Now.
  • 36:01 - 36:03
    Are you killing each other for a few pennies,
    you cheap.
  • 36:10 - 36:12
    Wont you ever stop this brutality?
  • 36:12 - 36:15
    So if l weren't yours? What would you have
    done to me?
  • 36:15 - 36:16
    Sitdown woman.
  • 36:17 - 36:20
    So why do you leave these hairs like this?
  • 36:20 - 36:22
    Let me remove them.
  • 36:22 - 36:23
    Sit down.
  • 36:24 - 36:25
    Let me remove them for you.
  • 36:32 - 36:33
    Don't make me, lock you up.
  • 36:34 - 36:37
    Are going to scream like women evey time?
    Another couple of hairs and you will look so
    handsome.
  • 36:42 - 36:43
    Good morning. sir.
  • 36:43 - 36:47
    Come in. What's the matter Hatem? It has
    been a while without you bringing m new
    cases. l am sitting in my office doing nothing
    while the investigation bureau is doing great
    work.
  • 36:50 - 36:53
    What a coincidence, sir. This is exactIy why l
    Ca Me nOW.
  • 36:53 - 36:57
    l have a case that will shake all of Shoubra.
    News papers and magazines.
  • 36:57 - 37:01
    After you comeback fro this mission, you
    might even head the entire security
    department. God welling.
  • 37:01 - 37:02
    Really?
  • 37:02 - 37:05
    l hope Samy didn't know anything about, this
    CaSe.
  • 37:05 - 37:09
    lt's up to you, sir to decide who should know
    and who shouldn't.
  • 37:09 - 37:11
    And eventualIy eveybody must contact you.
  • 37:11 - 37:13
    Good, good. l want to know eveything, in
    details.
  • 37:14 - 37:16
    A drug dealing case, involving some vey
    important people.
  • 37:17 - 37:17
    lfyou make a raid on them at two Am. You will
    find them red handed.
  • 37:21 - 37:24
    Fawy, sir. My informer in this case.
  • 37:27 - 37:29
    We are all at your senrice, sir.
  • 37:29 - 37:31
    So what are you waiting for? Go get ready.
  • 37:32 - 37:35
    -Yes, but Mr. samy...
    -What about him?
  • 37:35 - 37:39
    Not a big deal, sir. He just asked me to hide
    the demonstrators. l haven't done anything
    yet.
  • 37:40 - 37:41
    l am waiting or you to tell me what to do.
  • 37:41 - 37:45
    And the man who died a few days ago, l have
    sent his body to the morgue.
  • 37:45 - 37:50
    l want you to tell me how did he die and when
    will he die, so l can write the report.
  • 37:50 - 37:56
    No, no. No. In y police station, there are no
    demonstrators, no bandits, and no dead
    people. Nothing.
  • 37:57 - 38:00
    And ifthe general prosecutors office decided
    to inspect y police station, they will see it
    shining.
  • 38:01 - 38:02
    lt will shine, sir.
  • 38:12 - 38:13
    Open the door.
  • 38:16 - 38:17
    Open the door.
  • 38:19 - 38:20
    Zouala.
  • 38:21 - 38:22
    Yes, sir.
  • 38:23 - 38:26
    l want you to tell me, Ramadan's phone
    number. The informer, of Hafzeyya.
  • 38:27 - 38:29
    -How much, sir.
    -You will tell me for free. Give me the number
    nOW.
  • 38:30 - 38:32
    -What ever you say, sir.
    -Sir, Why are we still locked up, even though
    the general prosecutor's office has ordered
    our release.
  • 38:33 - 38:36
    You are a good boy. l have forgotten you but
    you reminded me.
  • 38:36 - 38:38
    We can't be intimidated.
  • 38:39 - 38:41
    -There is law in this county.
    -Law?
  • 38:42 - 38:44
    Here, there is onIy one law.
  • 38:45 - 38:45
    Hatem's law.
  • 38:46 - 38:47
    Come here.
  • 38:52 - 38:54
    -Follow me.
    -Where are you taking us?
  • 38:54 - 38:56
    l will make a reception party or you in your
    mother's honor.
  • 38:58 - 39:00
    l need a favor from you tonight, Ramadan.
  • 39:02 - 39:04
    l want to know, where is the Hash Now?
  • 39:07 - 39:10
    Yes. Exactly.
  • 39:15 - 39:17
    Now let the law, help you.
  • 39:35 - 39:37
    Now the police station is empty. Let's get to
    work.
  • 39:43 - 39:45
    Come on. l wantyou to get it done in five
    minutes.
  • 40:00 - 40:02
    You can't do it.
  • 40:02 - 40:04
    You can't do it, short man. get down.
  • 40:14 - 40:17
    Watchout, watch out.
  • 40:19 - 40:21
    LMUg_ _
    g_
  • 40:22 - 40:25
    Forgive me, precious. There isn't any other
    copy of this painting.
  • 40:25 - 40:27
    Do you think there is another copy of me, you
    fool?
  • 40:27 - 40:28
    Give me this.
  • 40:32 - 40:33
    -l painted this one.
    -lt's wondemul.
  • 40:34 - 40:36
    Ofcourse wondemul, but not like this.
  • 40:38 - 40:41
    Easy. Easy or you might spoil it.
  • 40:41 - 40:44
    So what are we going to do?
    -We must get out with it, just the way it's. With
    the frame.
  • 40:44 - 40:49
    lt's impossible, Idiot. The commissioner marks
    this painting with the frame. You are going to
    ruin me.
  • 41:02 - 41:04
    What's wrong with you? Why are you such a
    coward? Get up.
  • 41:04 - 41:05
    Come on let's get it down.
  • 41:05 - 41:06
    Help me lift it.
  • 41:09 - 41:12
    The painting has became one with the frame.
  • 41:13 - 41:16
    l have no time to get a carpenter to separate
    them.
  • 41:16 - 41:17
    l will find a solution.
  • 41:33 - 41:36
    Here. You patch it up the way you like.
  • 41:38 - 41:41
    You disfigured the painting? You disfigured
    the painting.
  • 41:41 - 41:44
    And l have been calling precious. You aren't
    precious at all.
  • 41:44 - 41:46
    You don't understand a thing.
  • 41:46 - 41:50
    Don't l understand a thing? You idiot l
    understand things that nobody else can
    understand.
  • 41:51 - 41:53
    You don't want to pay the rest of the money.
    Give me the four thousand pounds.
  • 41:54 - 41:56
    _
    _ _fl
  • 41:57 - 41:58
    This was a fortune.
  • 41:58 - 41:59
    lt was worth half a million pounds.
  • 42:00 - 42:01
    Now do you know how ignorant you are?
  • 42:02 - 42:06
    No. now l know what a dim thiefyou are.
  • 42:07 - 42:11
    You wanted to throw me five thousand
    pounds, while you take half a million.
  • 42:11 - 42:14
    But l swear. You will never see the sun again.
  • 42:25 - 42:26
    Welcome back, sir.
  • 42:26 - 42:28
    You always proofto us, the great is great.
  • 42:29 - 42:30
    This is nothing, Salem.
  • 42:30 - 42:31
    But there is something on Hatem.
  • 42:35 - 42:36
    He enforces payments on people.
  • 42:37 - 42:39
    No way. Hatem is vey straight.
  • 42:40 - 42:43
    Sir, l know people in the ministy. They told
    me that there are many complaints against
    Hatem.
  • 42:43 - 42:45
    They also involved ourYour name and y
    na Me .
  • 42:45 - 42:47
    Read the newspapers tomorrow.
  • 42:47 - 42:48
    You will see a recognition to me from the
    ministy.
  • 42:48 - 42:49
    Reognize, Government.
  • 42:50 - 42:54
    -sIR.
    Hello, Hatem. How are you?
  • 43:01 - 43:02
    Allright, Hatem.
  • 43:06 - 43:08
    l want you to keep an open eye on these
    suspects.
  • 43:09 - 43:10
    And specially this one in the middle.
  • 43:10 - 43:12
    -l want you to serve him good.
    -What ever you say, sir.
  • 43:13 - 43:16
    -Sir, sir. Isn't this the informer ofthis case?
  • 43:16 - 43:18
    Yes, sir. But he turned out to be an Idiot.
  • 43:18 - 43:23
    -l thought l make another use of him. Instead
    of making a new frame for the painting in your
    office, He spoiled it.
  • 43:23 - 43:25
    Spoiled what? Goddamn you.
  • 43:25 - 43:27
    That's a consignment from the ministy of
    culture.
  • 43:27 - 43:30
    Don't wory, sir. l have another copy, exactly
    like the original.
  • 43:30 - 43:34
    Exactly like it? Good, l don't want problems
    with the ministy of culture.
  • 43:34 - 43:37
    -l didn't spoil anything, sir. l am innocent
    believe me.
    -You shut up.
  • 43:37 - 43:40
    l don't want to hear you voice. You almost
    ruined the consignment.
  • 43:41 - 43:42
    Stuiped.
  • 43:43 - 43:44
    Allrigh, artist.
  • 43:50 - 43:52
    This vey bad.
  • 43:56 - 43:57
    Your address.
  • 43:58 - 44:00
    Adress, means The place where you live.
  • 44:15 - 44:17
    l advise you to be a little harder with the
    teachers.
  • 44:18 - 44:21
    Because, if it continues like this, all the
    students will graduate without knowing
    anything.
  • 44:25 - 44:28
    The problem is that, the chaos virus has
    reached evemhing in the county.
  • 44:29 - 44:31
    -We are going into a blackness.
    -You are right.
  • 44:32 - 44:37
    l know that l will get a punition but, l want you
    to write in the report that no student will learn
    Ianguages in the official schools until the
    teachers learn first.
  • 44:37 - 44:40
    l graduated from English teaching faculty
    without knowing a word in English.
  • 44:41 - 44:42
    Do you know why, sir?
  • 44:42 - 44:46
    Because when l was in primay school, prep.
    school, and High school, the teachers didn't
    speak good English.
  • 44:46 - 44:50
    And when l went to collage, most of the
    professors cared for nothing but to make the
    students have private lessons with them, for
    money.
  • 44:50 - 44:51
    So as a result. l learnt nothing.
  • 44:52 - 44:54
    And l graduate iust as you see. Bad in English
    and holding a bachelor degree.
  • 44:54 - 44:57
    -But didn't you do what you should?
    -Excuse me, l know that all these are excuses
    that l had to overcome.
  • 44:58 - 44:59
    But unfortunateIy l didn't.
  • 45:01 - 45:02
    Escuse me.
  • 45:05 - 45:08
    Come in and choose the most beautiful dress
    in the shop.
  • 45:09 - 45:10
    lt's a gift for you.
  • 45:10 - 45:12
    ___g
    0_
  • 45:13 - 45:16
    But If l told you, you wouldn't have came with
    me. l no that you are shy.
  • 45:16 - 45:18
    -And what's the occasion for the gift?
    -Without an occasion.
  • 45:18 - 45:19
    Do you want me to tell you the truth?
  • 45:21 - 45:23
    l have always hoped to have a daughter and
    buy her things.
  • 45:28 - 45:29
    Thankyou vey much, madam.
  • 45:29 - 45:34
    Come on go choose something, and will
    choose something else to you. And let's see
    whose taste is better.
  • 45:48 - 45:49
    Look Madam.
  • 45:50 - 45:52
    l like this one.
  • 45:52 - 45:56
    Q _fl _ _
    n_
  • 45:56 - 45:58
    Gir, are you fif_ years old but l don't know?
  • 45:58 - 46:01
    Q_ U_
    fl
  • 46:01 - 46:03
    Why not? When l was your age, l used to
    dress even shorter skirts.
  • 46:03 - 46:06
    And l used to walk with y husband , while l
    was wearing them, and In this same street.
  • 46:06 - 46:09
    And there was nothing wrong about it. Go,
    dear. ty it on.
  • 46:09 - 46:10
    Go ahead, girl. Live your age.
  • 46:11 - 46:12
    Go. l am telling you, go.
  • 46:23 - 46:24
    So nice.
  • 46:24 - 46:26
    l can't take it. l will take this one.
  • 46:27 - 46:28
    Ok. What ever you say.
  • 46:31 - 46:35
    -Do you want to come to the hairdressers with
    me?
    -No. Excuse me please. l have some
    notebooks to check.
  • 46:36 - 46:38
    -Greet Bahia for me.
    -l will.
  • 46:50 - 46:51
    Nour.
  • 46:52 - 46:55
    Girl, l am not going to leave you alone. You
    will mary. No way out.
  • 46:56 - 46:57
    Couldn't you be wrong about me Nour?
  • 46:58 - 47:01
    Nobody would treat you better than l would.
    Because l love you, girl.
  • 47:01 - 47:04
    Ok. Listen, ty to imagine a groom.
  • 47:04 - 47:07
    l would imagine my self in he embrace of a
    bus, to get rid ofyour nightmare.
  • 47:09 - 47:12
    -Wow, l am tired of hugging onIy in dreams.
    -Let me go.
  • 47:17 - 47:18
    Move.
  • 47:20 - 47:24
    He is terrible. At first he used to make
    remarks, but know he started to harass me.
    He suddenIy appears to me any where like a
    ghost.
  • 47:24 - 47:26
    l hope a ghost haunts him.
  • 47:27 - 47:28
    Mom.
  • 47:29 - 47:29
    Can anybody hurt us?
  • 47:30 - 47:32
    l am afraid, he has authority
  • 47:32 - 47:34
    Authority? That bald head has authority?
  • 47:35 - 47:35
    l can blow him away with a breath. You are
    Bahia's daughter, girl.
  • 47:37 - 47:38
    Fearnothing.
  • 47:38 - 47:40
    l am afraid he might not leave me alone.
  • 47:41 - 47:44
    Let him come near you, and you will see what
    l will do.
  • 47:48 - 47:51
    -l don't understand. Where are we going?
    -Just come with me.
  • 47:51 - 47:53
    Elect Mohamadeen Sobahy.
  • 47:54 - 47:56
    People say that these people solve all
    problems.
  • 47:56 - 47:59
    -Who are these people?
    -You will know, right now.
  • 47:59 - 48:01
    Vote for Dr. Kamal Mansour. The man of
    senrices.
  • 48:02 - 48:03
    That's him.
  • 48:03 - 48:05
    Are these them? you can't be serious.
  • 48:05 - 48:07
    -The head teacher say's that they are
    impostors.
    -Just come.
  • 48:08 - 48:09
    Yes we are the solution.
  • 48:16 - 48:22
    And save, you and the entire county from
    corruption adultey, and lechey.
  • 48:22 - 48:23
    Start with your own self, sister.
  • 48:24 - 48:25
    Enlight your relatives and neighbors.
  • 48:26 - 48:32
    And you y daughter, Tell your friends about
    the goodness that's coming on our hand's by
    god's grace.
  • 48:32 - 48:37
    And If our rivals in the elections, gives you
    money. Take it, it's legitimate for you.
  • 48:37 - 48:41
    But behind the curtain, nobody can see you,
    except god and your conscience.
  • 48:42 - 48:45
    Your vote to us is your way to heaven.
  • 48:45 - 48:47
    Thank you, sir.
  • 48:51 - 48:54
    -Peace upon you.
    -Peace and god's mercy upon you.
  • 48:55 - 48:57
    -What was he saying?
    -l don't know. Nonsense l guess.
  • 48:57 - 48:58
    -He was speaking in original Arabic.
  • 48:58 - 49:00
    -By the way what does lechey mean?
    -Bad things.
  • 49:26 - 49:28
    l came to you because l want you to pray for
    me, my teacher.
  • 49:28 - 49:31
    l want to mary y neighbor, Nour, But she
    hates me, and l don't know why.
  • 49:31 - 49:36
    l want you to make me a talisman, to make
    her once, look in my eyes without hatred.
  • 49:37 - 49:39
    Because if she continues this, Sheikh, l will
    destroy her.
  • 49:44 - 49:48
    So you can know dose love mean. And forget
    about charlatanism and talismans and all
    theses things.
  • 49:49 - 49:52
    Get up man. Get up and praise the lord with
    these people.
  • 49:52 - 49:54
    Go, my dear. get up.
  • 49:54 - 49:56
    May god guide you.
  • 50:20 - 50:22
    Go on.
  • 51:02 - 51:07
    Mom, l hear scratching the Shaft.
  • 51:13 - 51:18
    fl _fl Wg_0 U
    _gfl
  • 51:21 - 51:25
    This is a battey offense, woman. l can drag
    you to the police station immediateIy.
  • 51:25 - 51:28
    But l will forgive, for the teacher.
  • 51:28 - 51:31
    Listen, don't ever mention y daughter.
  • 51:31 - 51:35
    l am not afraid of authority or anything. l even
    Ifyou have the whole government to your
    support.
  • 51:35 - 51:39
    Please, miss teacher, do you have some
    disinfectant.
  • 51:43 - 51:44
    Allright.
  • 51:49 - 51:52
    -Tell the head teacher's son to do something
    about that fool.
    -No. Not Sherief.
  • 51:53 - 51:53
    Didn't you say that he is a D.A. that means he
    definiteIy can stop him.
  • 51:56 - 51:59
    No l can't tell him about something like this,
    he might take it for a coquety, or something.
  • 52:00 - 52:03
    Coquety? Are you..
  • 52:03 - 52:05
    Oh. mom. please.
  • 52:08 - 52:11
    Oh mom, please? You Little sly.
  • 52:12 - 52:13
    And you have been hiding this from me. Tell
    me about it.
  • 52:14 - 52:15
    Tell you what, there isn't allot to tell.
  • 52:15 - 52:17
    -Discribe him to me. Is he tall or short?
    -As tall as Cairo tower.
  • 52:19 - 52:20
    -Fat or thin?
    - Like if he was perfectIy Canred.
  • 52:20 - 52:21
    -Handsome or ugIy?
    -Like the full moon.
  • 52:22 - 52:25
    -And dose mister full moon love you.
    -Love me? He is engaged.
  • 52:25 - 52:28
    -Oh y god. Are you in love with a married
    man?
    -l said engaged, mom. Not married.
  • 52:28 - 52:31
    Oh my god. Why, Nour? What is it that you
    Iack, a hand or a leg?
  • 52:32 - 52:34
    -What do those who got married have on
    you?
    -Are you going to mourn for me? Good night.
  • 52:35 - 52:37
    Get up. Get up and tell me.
  • 52:38 - 52:39
    Tell me.
  • 52:41 - 52:41
    Do you love him?
  • 52:53 - 52:55
    May god gives what you desenre for your
    good intention.
  • 53:13 - 53:14
    Come in, sir please.
  • 53:15 - 53:17
    Tell, madam that the mister has arrived.
  • 53:20 - 53:22
    -Would you like something to drink, sir?
    -No, we are leaving immediately.
  • 53:22 - 53:24
    Prepare the car.
  • 53:25 - 53:27
    Hello, mister consultant.
  • 53:27 - 53:29
    -Hello, sir.
    -Welcome, son.
  • 53:30 - 53:31
    So, where are you going today?
  • 53:31 - 53:32
    Sely wants to dance.
  • 53:32 - 53:34
    Great Idea.
  • 53:35 - 53:37
    Whe l was you age, l used to onIy watch
    dancing in movies.
  • 53:37 - 53:38
    l waned to ty it too bad.
  • 53:38 - 53:42
    But we were poor. And when l got rich, l was
    too old to dance.
  • 53:42 - 53:45
    But you two, you must have fun and please
    your self. It's your days.
  • 53:47 - 53:49
    UnfotunatIy l have an important appointment
    at the politics committee. l can't say with you
    any longer.
  • 53:50 - 53:51
    No problem, sir we are leaving immediacy
    anyway.
  • 53:52 - 53:53
    So why are you sitting here? Go get her.
  • 53:54 - 53:55
    Or she wont come down at all.
  • 53:55 - 53:56
    Jeje is making her a tattoo.
  • 53:57 - 53:59
    What tattoo? And who is Jeje?
  • 53:59 - 54:01
    Jeje is the best in Egypt who make's tattoos
  • 54:01 - 54:03
    l know you still haven't accustomed to our life
    style.
  • 54:03 - 54:04
    But don't wory you will.
  • 54:05 - 54:06
    You are a smart man.
  • 54:08 - 54:10
    Sherief. It's good that you came.
  • 54:10 - 54:12
    Come, look at my tattoo.
  • 54:12 - 54:13
    lt will drive eveybody in Egypt cray.
  • 54:14 - 54:14
    -Get out.
    -What?
  • 54:15 - 54:16
    l said get out.
  • 54:16 - 54:18
    Waite until she gives birth.
  • 54:24 - 54:25
    Why do you deform your body, like this?
  • 54:25 - 54:27
    My love, l am different from you in many
    aspects.
  • 54:28 - 54:32
    lfyou realIy love me, you must accept me the
    way l am.
  • 54:41 - 54:42
    Oh.
  • 54:45 - 54:48
    _M Q_
  • 54:49 - 54:52
    Who is Farid? He is the best dancer in our
    group.
  • 54:52 - 54:53
    Are you ever going to learn dancing?
  • 56:53 - 56:53
    -What do you think you are doing?
    -What's wrong?
  • 56:55 - 56:57
    Are you cray? Did you forget that you are
    pregnant?
  • 56:57 - 57:00
    Don't wory l went to a doctor and got rid of
    the child.
  • 57:01 - 57:01
    What do you mean?
  • 57:02 - 57:04
    l mean l went to a doctor and got rid ofthe
    child.
  • 57:04 - 57:06
    l mean l had an abortion.
  • 57:06 - 57:07
    l mean, there is no child anymore.
  • 57:08 - 57:10
    Not anymore?
  • 57:14 - 57:16
    Sherief.
  • 57:42 - 57:43
    Sherief.
  • 57:45 - 57:46
    Good evening.
  • 57:47 - 57:47
    You mean good morning.
  • 57:48 - 57:50
    Eveyday you come home at dawn.
  • 57:50 - 57:52
    So your heart has beaten.
  • 57:52 - 57:53
    And why is your cell phone locked?
  • 57:53 - 57:55
    My son, l am talking to you. Answer me.
  • 57:56 - 57:58
    Mg 0_
    g_
  • 57:58 - 58:00
    Are going to get sick ifyou quit talk about this
    matter?
  • 58:00 - 58:03
    Any way be happy. l have leR Selya, and got
    sick of her and the entire world.
  • 58:04 - 58:05
    But what did l do to you?
  • 58:06 - 58:07
    And what are you doing?
  • 58:07 - 58:11
    Untill yesterday, l really loved Selya, but
    today l feel a terrible emptiness.
  • 58:11 - 58:12
    But is this worthy of making you leave home?
  • 58:13 - 58:15
    Let's go to Alexandria for a few days and you
    will forget her.
  • 58:15 - 58:15
    So l am going to forget her in a day or two,
    while you couldn't forget dad, for 29 years old.
  • 58:18 - 58:23
    You want me to go Alexandria, stay in the best
    hotel, the best service, and look at the sea,
    that l will be able to forget.
  • 58:25 - 58:27
    Mom, l need to be alone.
  • 58:27 - 58:29
    Maybe l will learn how to forget.
  • 58:29 - 58:31
    l can't let you. l can't leave you alone.
  • 58:31 - 58:38
    -This is what l was afraid of.
    -Mom, l don't want any advises.
  • 58:40 - 58:41
    Mister D.A.
  • 58:42 - 58:45
    l never wished anything in y life, but your
    happiness.
  • 58:46 - 58:48
    l wont tell you how much l suffered.
  • 58:49 - 58:52
    Or what did l sacrifice to make you a grown
    and respectable man.
  • 58:53 - 58:54
    Let me tell you what did you sacrifice.
  • 58:54 - 58:56
    l remember all your sacrifices.
  • 58:56 - 58:59
    l remember that you didn't mary again after
    my father died. For my sake.
  • 58:59 - 59:01
    But you chose this life.
  • 59:01 - 59:04
    And you chose to sacrifice, so why do you
    want me to pay the price or your sacrifices.
  • 59:05 - 59:06
    How did you gain this cruelty?
  • 59:07 - 59:09
    My cruelty or your cruelty while you were
    raising me as Hafez.
  • 59:10 - 59:11
    You never pictured me as your son.
  • 59:11 - 59:14
    You have always treated me the wrong way,
    and pictured me as a ghost for somebody
    else.
  • 59:14 - 59:17
    Look, mom. This is m father, and l love him
    just as much as you do.
  • 59:18 - 59:20
    l realIy look like him, but he is a person and l
    am another person.
  • 59:20 - 59:21
    He belongs to some time, but l am in another
    time now.
  • 59:22 - 59:28
    l lived with you for twenty nine years. Day and
    night, night and day. Until l became a big
    problem for you.
  • 59:29 - 59:30
    May be you will notice the difference between
    me and him.
  • 59:30 - 59:32
    -No you wont leave me.
    -Yes l will leave you and right now.
  • 59:38 - 59:38
    Maybe.
  • 59:40 - 59:41
    But you couldn't love me as l am.
  • 59:56 - 59:58
    Hello, Gamal. l am coming to stay with your
    for a couple of days Ifyou don't mind.
  • 59:59 - 59:59
    No, l don't want to talk about any thing now.
  • 60:00 - 60:00
    No, l don't want to talk about any thing now.
  • 60:02 - 60:04
    -Hello Gamal.
    -Hello Sherief.
  • 60:09 - 60:11
    l am sory.
  • 60:14 - 60:15
    Have you hated me already?
  • 60:15 - 60:18
    So the child was the onIy thing that connected
    us?
  • 60:19 - 60:21
    Ok. Ifyou want a child, l agree.
  • 60:21 - 60:22
    We can have another one.
  • 60:22 - 60:24
    Oh realIy?
  • 60:24 - 60:27
    So your stomach inflates, and you look like a
    ball.
  • 60:28 - 60:30
    So your body gets spoiled and you can't draw
    a tattoo on it properIy.
  • 60:31 - 60:33
    And your friends mourns your lost beauty.
  • 60:34 - 60:37
    -Please don't be offensive.
    -Did l offend you by taking the decision to kill
    a child.
  • 60:37 - 60:38
    Whose onIy guilt was that you were his
    mother.
  • 60:38 - 60:40
    Sherief, l love you.
  • 60:41 - 60:42
    l love you and l can't live without you.
  • 60:42 - 60:44
    l know that l did a mistake.
  • 60:45 - 60:47
    -Remorse is killing me.
    -Remorse?
  • 60:48 - 60:51
    Farid dances better than l do, and John
    Iaughs better than l do.
  • 60:52 - 60:53
    DefinitIy you will find somebody to love you
    better than l do.
  • 60:54 - 60:56
    Sherief, l put your case inside.
  • 60:56 - 60:58
    -Do you need something from me, before l
    Ieave?
    -lt's me who is leaving.
  • 60:58 - 61:00
    _
    ,
  • 61:01 - 61:02
    _.AMBlrS.ORG
  • 61:02 - 61:03
    lfyou leave me l will kill y self.
  • 61:05 - 61:07
    FrankIy, l don't care anymore.
  • 61:34 - 61:35
    Father.
  • 61:39 - 61:40
    Yes, y son.
  • 61:40 - 61:44
    ActualIy It's the first time for me to be in a
    church, l am a Muslim.
  • 61:44 - 61:46
    Welcome, l am priest Serdal, how can l help
    you?
  • 61:47 - 61:49
    l want you o make a love talisman for me.
  • 61:49 - 61:52
    l want Nour, y neighbor to love me, and
    notice nobody other than me.
  • 61:53 - 61:54
    l want her for me alone.
  • 61:54 - 61:56
    Calm you're self down y, son. We are not
    involved in these things.
  • 61:56 - 61:58
    But l promise to pray for you.
  • 61:59 - 62:00
    Mister.
  • 62:00 - 62:01
    My, sheikh.
  • 62:02 - 62:03
    Father.
  • 62:04 - 62:05
    l can't wait any longer.
  • 62:09 - 62:11
    Allrigh, then.
  • 62:12 - 62:16
    There will be no celebrations this year, No
    hymns
  • 62:17 - 62:21
    No, incense, No palm branches, and no
    convoys in the streets. Congregation is
    prohibited.
  • 62:22 - 62:22
    Emergency law.
  • 62:28 - 62:28
    -This is St. Treas cathedral.
    -lsn't that the one who doses the miracles?
  • 62:29 - 62:33
    Tell her. Tell her that, there will be no
    celebrations this year.
  • 62:36 - 62:38
    Son of Naeema.
  • 62:40 - 62:42
    -Good evening, sir.
    -Hello, sir.
  • 62:48 - 62:49
    l wrote, what l want to say in this paper.
  • 62:50 - 62:52
    Salwa. Salwa.
  • 62:52 - 62:53
    You, girl.
  • 62:53 - 62:54
    Take the paper.
  • 62:55 - 62:56
    Salwa.
  • 62:56 - 62:57
    Take the paper.
  • 62:58 - 62:59
    You, girl.
  • 63:01 - 63:01
    Salwa.
  • 63:02 - 63:04
    Are you acting Romeo, you dirt.
  • 63:04 - 63:05
    Stand here.
  • 63:08 - 63:09
    Take ofyour cloths.
  • 63:10 - 63:11
    Now.
  • 63:14 - 63:15
    Take ofyour pants.
  • 63:17 - 63:18
    Now.
  • 63:19 - 63:21
    Go bring that bucket over there.
  • 63:22 - 63:23
    Go.
  • 63:23 - 63:25
    l want you to clean this floor. All of it.
  • 63:27 - 63:28
    Hey, Juliet. Watch your beloved freezing in
    the cold.
  • 63:34 - 63:37
    Work hard, boy. Don't linger please.
  • 63:41 - 63:43
    Come here. come close.
  • 63:44 - 63:45
    Come closer.
  • 63:45 - 63:46
    Sit down.
  • 63:50 - 63:51
    How old is your mother?
  • 63:52 - 63:53
    She is fif_ years old.
  • 63:53 - 63:57
    -ls you grandmother alive?
    -My grandmother who is my father's mother is
    alive, she is over a hundred years old.
  • 64:23 - 64:29
    -A special cup of coffee for you, sir.
    -What is the matter, Bashandy? Am l going to
    sit here having drinks for long?
  • 64:30 - 64:32
    There is something better than the talisman,
    sir.
  • 64:33 - 64:34
    The magical water.
  • 64:35 - 64:36
    Better than the talisman.
  • 64:42 - 64:45
    l mean jinnis. Jennis, sir. May god protects us.
  • 64:46 - 64:47
    ln the name of god the most gracious, the
    most merciful.
  • 64:50 - 64:52
    -Jinnis?
    -Yes, jinnis.
  • 64:53 - 64:56
    -About the money...
    -Oh y go, money? No.
  • 64:56 - 65:01
    Please, Bashandy y son, is poor and good
    boy. Please take care of him.
  • 65:01 - 65:04
    -Are you reminding me to take care of y
    son? Bashandy is like my son.
    -Come here, son.
  • 65:06 - 65:10
    -Yes, madam.
    -You spy this water on her doorstep.
  • 65:11 - 65:12
    And make her cross over it.
  • 65:12 - 65:16
    And after one hour she will obey you like a
    ring in your finger.
  • 65:16 - 65:17
    One hour?
  • 65:18 - 65:21
    God bless you, miss.
  • 65:22 - 65:23
    Mnd bless Bashandy.
  • 65:24 - 65:29
    -May god give you and never takes away from
    you anything but, those who hate you. Say
    a Me n.
    -Amen.
  • 65:54 - 65:58
    Tyrant beauty.
  • 67:02 - 67:02
    l swear to god l will scandalize you.
  • 67:04 - 67:07
    Because we didn't take any action against
    you, you over estimated your self.
  • 67:07 - 67:11
    Now you want to use witchcraft, to ruin her.
    Dim son of dirt.
  • 67:11 - 67:13
    Go inside your apartment, woman.
  • 67:13 - 67:15
    No woman can yell at me.
  • 67:15 - 67:18
    Right now l will go to your police station. l will
    defame you.
  • 67:18 - 67:21
    l will make scandalize you in front of
    eveybody, you low.
  • 67:27 - 67:30
    l swear l make a dummy fetish foryou, and
    stick sixty needles in its eyes. To kill you.
  • 67:30 - 67:35
    lt will make you destroyed, wont let a leave a
    good part ofyour body.
  • 67:35 - 67:39
    Do you think that nobody can stop you? No, l
    am too hard for you. You fool.
  • 67:39 - 67:41
    l am harder than the hardest man in your
    county.
  • 67:41 - 67:44
    -What is the matter, Om Nour?
    -Low villain. Get in.
  • 68:00 - 68:01
    Get in, Nour.
  • 68:04 - 68:09
    How can a little dispute with Sherif make you
    abandon the school and the people who love
    you?
  • 68:10 - 68:11
    Or maybe you didn't know that there are allot
    of people who love you.
  • 68:12 - 68:15
    What can l do Nour? l can't help it.
  • 68:16 - 68:17
    So what did you do you usually do when you
    fought with your husband?
  • 68:18 - 68:21
    -Do you want the truth?
    -Of course.
  • 68:22 - 68:23
    l used to leave the house.
  • 68:24 - 68:25
    And who used to make up to the other one
    first?
  • 68:26 - 68:29
    l usually went to the Nile River, to calm down.
    Then rush back to him.
  • 68:30 - 68:31
    Where is Sherief now?
  • 68:32 - 68:35
    At his friend Gamal's place.
  • 68:35 - 68:38
    Get up, get dressed and get your son back.
  • 68:38 - 68:43
    You are such a rude girl. But l like people like
    you. Those who know how to decide issues.
  • 68:49 - 68:50
    You are sick. You need treatment.
  • 68:50 - 68:53
    Sir, sickness isn't the problem.
  • 68:53 - 68:58
    The problem is that l am going to jail, and l
    am responsible for a famiIy ofa mother and
    three girls.
  • 68:59 - 69:02
    You will go in alone at first. But Ifyou take
    Iong, l will go in behind you and save the day.
  • 69:02 - 69:03
    Shutup.
  • 69:05 - 69:06
    May l come in.
  • 69:09 - 69:11
    No. No. sit down on your chair.
  • 69:13 - 69:15
    l will wait here until you finish.
  • 69:16 - 69:17
    Ok one moment and l be free.
  • 69:19 - 69:21
    And Ifyou feared iail, why did you fraud
    official papers?
  • 69:21 - 69:25
    Sir, l have graduated with a bachelor degree
    in science seven years ago, but l am still
    unemployed.
  • 69:26 - 69:28
    l found a iob, but they want an apprentice
    diploma.
  • 69:28 - 69:32
    l had to fraud the certificate, so l may have a
    salay to support my mother and sisters.
  • 69:32 - 69:36
    Q0
    __a _fl
  • 69:37 - 69:38
    To decide his health status.
  • 69:39 - 69:44
    The the suspect is to be presented before us,
    to continue the interrogations.
  • 69:44 - 69:45
    Go ahead.
  • 69:46 - 69:47
    Wait for outside Ahmed.
  • 69:49 - 69:50
    How are you?
  • 69:50 - 69:52
    All this time Sheriefyou didn't ty to call me.
  • 69:55 - 69:57
    Evemime l talk to you, they tell me he is not
    here.
  • 69:58 - 69:58
    Are you denying me?
  • 70:00 - 70:01
    Are you denying me?
  • 70:05 - 70:06
    Our home without you is a nightmare.
  • 70:08 - 70:10
    l came here just to tell you a couple of words.
  • 70:10 - 70:12
    And it's too hard on me.
  • 70:12 - 70:14
    Mom you don't need to say anything.
  • 70:15 - 70:16
    l have to say it.
  • 70:18 - 70:21
    You are the only person l have in this world to
    talk about y sorrow with.
  • 70:24 - 70:30
    Some time we do allot ofthings to the ones
    we love, and we think that this way we are
    making them happy.
  • 70:33 - 70:34
    But apparentIy.
  • 70:37 - 70:38
    You were right Sherief.
  • 70:40 - 70:42
    l didn't know how to love you.
  • 70:46 - 70:47
    Forgive me.
  • 70:47 - 70:50
    Mom, what are you talking about? It's you
    who should forgive me.
  • 70:50 - 70:51
    l was vey cruel to you.
  • 70:55 - 70:56
    l am sory.
  • 71:00 - 71:01
    Apparntly you don't need saving.
  • 71:02 - 71:05
    Yes. This is right. For long time we didn't see
    this beautiful smile.
  • 71:06 - 71:07
    What can l do? l miss her.
  • 71:30 - 71:33
    He seems vey tranquil. He is playing your
    favorite song.
  • 71:33 - 71:35
    l hope he stays tranquil and keeps away from
    that Sely devil.
  • 71:42 - 71:45
    l know that you are a high born, but this is the
    onIy way to ear pigeons.
  • 71:48 - 71:50
    Even the queen of England l head that she
    uses her hands to eats eat cooked birds.
  • 72:16 - 72:18
    Would you dance with me, y lady?
  • 72:18 - 72:19
    My son.
  • 72:33 - 72:35
    Dance with Nour.
  • 72:43 - 72:44
    l can't dance.
  • 72:44 - 72:47
    He will teach you. Go.
  • 72:50 - 72:52
    One, two, three.
  • 72:53 - 72:55
    One, two, three.
  • 72:55 - 72:56
    You have musical ears.
  • 72:57 - 72:57
    What do my ears have to do with dancing?
  • 72:58 - 73:00
    Dancing is rhythm, and rhythm need ears
    nothing more.
  • 73:00 - 73:01
    So you will learn quickIy how to dance.
  • 73:12 - 73:14
    -Your hands are trembling.
    -Should l tell you a secret?
  • 73:14 - 73:16
    -Tellme.
    -When l look in your eyes, l feel shy and
    confused.
  • 73:16 - 73:19
    Good, so your cheeks become reddish and
    Iook even prettier.
  • 73:19 - 73:20
    -Should l tell you a secret?
    -Yes.
  • 73:21 - 73:22
    This is the first time l notice how beautiful you
    are .
  • 73:23 - 73:23
    ls this true?
  • 73:24 - 73:25
    Yousee here you became more reddish.
  • 73:26 - 73:28
    l wont get reddish and, l wont be shy, and l
    will tell you all that's in y heart.
  • 73:28 - 73:29
    l know about it.
  • 73:29 - 73:30
    So what about you?
  • 73:31 - 73:32
    My heat started to beat.
  • 73:34 - 73:35
    Madam.
  • 73:37 - 73:38
    -He said it to me.
    -RealIy?
  • 73:49 - 73:49
    Miss Nour.
  • 73:50 - 73:51
    Good evening.
  • 73:53 - 73:53
    -What's the matter Nour? Am l not talking to
    you?
    -What is going on? Who're you?
  • 73:57 - 73:58
    What's the matter, man?
  • 73:58 - 73:59
    What's your problem, madam?
  • 73:59 - 74:00
    She is y neighborhood's girl.
  • 74:01 - 74:03
    -l hope you get tore apart in the
    neighborhood.
    -Respect your uniform,or l will take it offyou.
  • 74:04 - 74:06
    Take off who's uniform? Show me your l.D.
  • 74:11 - 74:12
    You have just wasted your own self.
  • 74:13 - 74:13
    - Enough get in the car. Sherif.
    -You dirt.
  • 74:17 - 74:20
    -What are you doing? He is a D.A. Are you
    cray?
    -Get in the car now. Get in the car.
  • 74:25 - 74:27
    Enough. you gave him what he deserved. Get
    in the car now.
  • 74:28 - 74:29
    Animal.
  • 74:30 - 74:31
    Go.
  • 74:34 - 74:39
    His testimony was heard, and he vowed not to
    harass the complainer, or face the legal
    actions.
  • 74:41 - 74:42
    Sign.
  • 74:45 - 74:47
    l think l don't need to remind you. You know
    the law vey well.
  • 74:48 - 74:52
    lfyou even look at her. l will take offyour
    official suit. And maybe l will take offyour
    eyes too.
  • 74:53 - 74:54
    Go.
  • 74:59 - 75:05
    _.AMBlrS.ORG
  • 75:05 - 75:07
    Why, do you hate us?
  • 75:09 - 75:10
    Why?
  • 75:11 - 75:13
    One wants to pray for me and the other wants
    to pray.
  • 75:13 - 75:14
    l don't want hear a sound.
  • 75:16 - 75:18
    Why there isn't any mercy? Why?
  • 75:23 - 75:24
    Bring them here, Nour.
  • 75:26 - 75:30
    l forgot to tell you. Please go upstairs to Om
    George and get the coffee cups set.
  • 75:32 - 75:36
    What wrong with that? Neighbors should help
    each other. When they have guests, they
    borrow eveything from me.
  • 75:37 - 75:38
    And that's realIy allot of food. This isn't a
    dinner, It's a banquet.
  • 75:39 - 75:41
    Shouldn't l be happy when y daughter's
    fiancEUR dines in y place?
  • 75:42 - 75:44
    Have you lost your mind? When did he get
    engaged to me?
  • 75:44 - 75:46
    He will.
  • 75:47 - 75:51
    -Yester day l had a dram it was like...
    -Please spare m your dreams.
  • 75:51 - 75:52
    l will go to get ready before they arrive.
  • 75:57 - 76:05
    May god protects us from devils, evil and
    eny.
  • 76:10 - 76:13
    -from eveybody who sees you and don't
    praise the honorable prophet.
    -Please, mom stop doing these things.
  • 76:13 - 76:16
    Thisis all iust yths. And this smoke will
    suffocate us.
  • 76:16 - 76:18
    lf it doesn't work, at least it will removes the
    cooking smells from the apartment.
  • 76:19 - 76:20
    They are here.
  • 76:24 - 76:25
    Welcome,welcome.
  • 76:26 - 76:26
    -You honored us.
    -Hello.
  • 76:28 - 76:30
    This wasn't necessay, really.
  • 76:32 - 76:34
    Welcome Mr. Sherief.
  • 76:34 - 76:36
    Come in please. We are honored.
  • 76:36 - 76:38
    Welcome, welcome.
  • 76:42 - 76:44
    God bless your hands Bahia. Your food is
    vey tasty.
  • 76:45 - 76:49
    l was vey confused what should l cook for
    you to show appreciation for the favor you did
    to us.
  • 76:50 - 76:52
    What favor? Nour is just like my daughter.
  • 76:53 - 76:55
    God bless you. But still we must thankyou.
  • 76:56 - 76:59
    You are over estimating this matter. That man
    isn't even worth ofyou to talk about him.
  • 76:59 - 77:01
    -He is nothing.
    -God save you.
  • 77:01 - 77:04
    Quit complimenting and finish your food
    quickIy, because l am inviting you to the
    cinema.
  • 77:04 - 77:08
    What do we have to do with the cinema? l
    have never been to a cinema since your
    father died.
  • 77:08 - 77:12
    Listen, You go with Nour. l have allot to talk to
    Bahia about.
  • 77:13 - 77:14
    No. They aren't going anywhere before they
    eat the dessert.
  • 77:15 - 77:16
    ARer that you can do what ever you want.
  • 77:17 - 77:20
    l have mad for you a dish of pumpkin. It's so
    delicious that you will eat your fingers with.
  • 77:53 - 77:54
    Do you know what are our mothers talking
    about now?
  • 77:55 - 77:56
    No.
  • 77:56 - 77:57
    They are deciding our wedding date.
  • 77:59 - 78:01
    Shouldn't they have asked me first. Maybe l
    would have said no.
  • 78:02 - 78:05
    l don't want too. But l thought l mary you as
    an act of charity.
  • 78:05 - 78:07
    Youare rude.
  • 78:07 - 78:09
    Look what are they doing in the film
  • 78:28 - 78:29
    No. Wait.
  • 78:36 - 78:38
    -Do you want me to read your palm?
    -Can you?
  • 78:38 - 78:39
    Ncourse.
  • 78:39 - 78:41
    -You will be traveling soon.
    -This one is too old.
  • 78:42 - 78:43
    Do you know that l have never traveled?
  • 78:44 - 78:46
    Ok. Give me your hand.
  • 78:46 - 78:48
    -You will be traveling soon.
    -This one is too old.
  • 78:48 - 78:50
    No it's a new one. We will have our
    honeymoon in Aswan.
  • 78:51 - 78:53
    ls this true? l have always wanted to go to
    Aswan.
  • 78:53 - 78:53
    0__
    ___fl
  • 78:56 - 78:57
    -Anything?
    -Anything.
  • 78:58 - 78:59
    l wish l can hug you.
  • 78:59 - 79:00
    -Justthis?
    -Yes.
  • 79:01 - 79:01
    But l wish l can do many things.
  • 79:02 - 79:06
    But as a man ofthe law. l must tell you that
    what l want to do is considered obscene
    action in the public streets.
  • 79:07 - 79:08
    That means three months in jail.
  • 79:08 - 79:09
    Let it even be nine months.
  • 80:41 - 80:41
    Am l ugly Somayya?
  • 80:42 - 80:44
    Nobody like you in the whole world.
  • 80:44 - 80:45
    You are our sir.
  • 80:55 - 80:57
    They are even effeminate.
  • 81:01 - 81:04
    Ok. How can l make y face acceptable.
  • 81:06 - 81:08
    l wish l can be beautiful Somayya.
  • 81:08 - 81:10
    Beautiful? You are already beautiful.
  • 81:11 - 81:13
    Look.
  • 81:14 - 81:15
    TAke it and look.
  • 81:21 - 81:24
    Stop adulating, woman. Do you take me for a
    fool?
  • 81:26 - 81:29
    Bring the mirrors girls, and let him see his
    beautiful face.
  • 81:29 - 81:33
    -What are you doing?
    -Come on. And you say that you are ugly?
    You are so handsome.
  • 81:34 - 81:38
    - You are so sweet and beautiful. Sweeter
    than the sweet.
    -That's enough.
  • 81:40 - 81:44
    -What did l have to do with you from the
    beginning, to get y self obsessed with your
    eyes.
    -Enough. Stop.
  • 81:45 - 81:49
    -Enough. l said enough.
    -You are so sweet and beautiful, sweeter than
    the sweet.
  • 81:49 - 81:54
    fl_0
    _Mgfl
  • 82:05 - 82:09
    Believe me you are Beautiful, but you are
    neglecting your own self.
  • 82:09 - 82:11
    And you be even more beautiful when you do
    what l tell you.
  • 82:12 - 82:15
    Why don't you let me out tonight?
  • 82:21 - 82:23
    Let you out?
  • 82:23 - 82:25
    You are charged for a huge charge.
  • 82:26 - 82:28
    We have been chasing your around for an
    entire year.
  • 82:29 - 82:31
    Woman, we arrested you among the largest
    prostitution network in the whole county.
  • 82:32 - 82:35
    Get me out tonight, and l will spend the whole
    night with you.
  • 82:35 - 82:37
    And l will amuse you.
  • 82:37 - 82:38
    lMpossible.
  • 82:39 - 82:40
    lt's against the law.
  • 82:40 - 82:42
    And l have never allowed anybody to have
    anything on me.
  • 82:42 - 82:46
    One night. Let me enjoy you. and please you.
  • 82:47 - 82:48
    Forget.
  • 82:49 - 82:50
    Where are we going Somayya?
  • 82:51 - 82:54
    What did l tell you? You give up yourself to
    me for five minutes and l will make you
    pemect.
  • 82:56 - 82:57
    The one that Yosra goes to.
  • 82:57 - 82:59
    What hairdresser Somayya? l am bald.
  • 82:59 - 83:00
    He will create hair for you.
  • 83:00 - 83:02
    Would you please give up yourself to me.
  • 83:02 - 83:04
    What is this give up your self matter,
    Somayya?
  • 83:06 - 83:07
    lt's too ugIy.
  • 83:11 - 83:11
    Yes that's it Miss. Loza.
  • 83:15 - 83:16
    But look, Somayya.
  • 83:17 - 83:20
    -No it's not suitable.
    -No it's not suitable. Take it and bring me all
    the wigs that we have, Loza.
  • 83:20 - 83:22
    But l want them with a rubber band Loza.
  • 83:25 - 83:27
    What ever you say, sir. Rubber band.
  • 83:28 - 83:29
    l will leave you for five minutes, and l be right
    back.
  • 83:29 - 83:31
    -Ok. Somayya.
    -Take are of the sir Loza.
  • 83:31 - 83:32
    Yes, of course.
  • 83:33 - 83:35
    But who can l go to work like this?
  • 83:35 - 83:36
    Ok.
  • 83:39 - 83:40
    What do you think?
  • 83:41 - 83:43
    lt's not nice. AbsoluteIy not nice.
  • 83:43 - 83:46
    l brought you the hash divided in quarters. Of
    course you know much for a quarter?
  • 83:47 - 83:51
    This isn't important now. Come on before
    somebody notice.
  • 83:57 - 84:01
    lt makes me look like a tourist.
  • 84:02 - 84:04
    Where is Somayya? Let hr come to see it.
  • 84:04 - 84:06
    She is coming right now. She is iust getting
    something from the warehouse.
  • 84:17 - 84:20
    This is it. So where is Somayya. Iet her come
    to see it.
  • 84:20 - 84:24
    She is coming right away, sir. She is iust
    bringing something.
  • 84:24 - 84:25
    Where is Somayya, girl.
  • 84:26 - 84:27
    l swear she is coming right away, sir.
  • 84:27 - 84:30
    -Where is Somayya?
    -She is in here, sir. l swear.
  • 84:31 - 84:32
    Somayya.
  • 84:40 - 84:42
    Let go. Let me go. Goddamn you.
  • 84:45 - 84:46
    Even you.
  • 84:48 - 84:49
    lsn't it enough what Nour did?
  • 85:08 - 85:09
    Come here.
  • 85:11 - 85:12
    Come here.
  • 85:16 - 85:18
    Forgive me, sir. l am your woman.
  • 85:18 - 85:21
    My woman, you filth? All ofyou are filth.
  • 85:22 - 85:27
    You traded me for a cockroach and she
    traded me for a man who isn't worth anything
    among men.
  • 85:27 - 85:28
    l will show you both.
  • 85:28 - 85:30
    -Sir, It's you who is in my heart.
    -Shut up.
  • 85:30 - 85:32
    You are done with me.
  • 85:34 - 85:38
    But the other one. l will give her a last chance,
    aRer that l will make her an example for what l
    can do.
  • 85:40 - 85:44
    Easterday is always a great day.
  • 85:45 - 85:50
    -l met Bahia, at Elazbakeyya fence.
    -What's all this joy about, Madam. Bahia.
  • 85:51 - 85:53
    _
    g
  • 85:54 - 85:55
    But why are you dressed up? Where are you
    going?
  • 85:55 - 85:56
    l am going to bm smoked fish.
  • 85:57 - 85:58
    And dose the smoked fish require all this
    elegance?
  • 85:59 - 86:01
    Or are you going to spend the Easter day a
    sleep.
  • 86:01 - 86:02
    l wish.
  • 86:05 - 86:08
    Easterday is always great.
  • 86:09 - 86:12
    l met Bahia at the Azbakeyya fence.
  • 86:37 - 86:40
    -Shouldn't we tell them first?
    -No, let it be a surprise.
  • 86:40 - 86:43
    Let's take Nour and Bahia and go to any
    place on the Nile.
  • 86:51 - 86:54
    -Help me Nour.
    -What's the matter, girl?
  • 86:54 - 86:58
    Hatem messed up y fathers vegetables, and
    arrested him. He swore that he wont let him
    go until you go to him.
  • 86:59 - 87:02
    -Go to him where? That animal.
    -He is waiting for you in the fish restaurant on
    the Nile bank.
  • 87:06 - 87:08
    Who dose he thing he is? l am going to him
    and l am not coming back without your father.
  • 87:17 - 87:18
    What did you do to your self?
  • 87:21 - 87:23
    Are you so happy with your uniform, acting
    hard on a poor girl.
  • 87:23 - 87:24
    ls this gentlemen behavior?
  • 87:25 - 87:27
    This is the last time l let you get away with
    your dirty actions, and you will release Saly's
    father, how ever you liked it or not.
  • 87:28 - 87:30
    -Come here or l will put the cuffs on you.
    -That might has been possible in the past
    times.
  • 87:31 - 87:34
    Oh. You think that, that D.A boy will protect
    you?
  • 87:34 - 87:36
    So you don't know Hatem.
  • 87:37 - 87:39
    Your gentleman is weak. l can crunch on him.
  • 87:39 - 87:43
    -What do you want with me?
    -Nothing. We just have a meal together, then l
    will let SaIy's father go.
  • 87:44 - 87:45
    -Man, please understand.
    -Don't say no.
  • 87:45 - 87:50
    What are you going to lose? On the other
    hand you will win your friend's father, instead
    of letting him suffer.
  • 87:50 - 87:52
    Come on, please. l will release him for you.
  • 87:54 - 87:55
    Come on.
  • 87:56 - 87:58
    No, wait. Just like the films.
  • 88:03 - 88:03
    So.
  • 88:07 - 88:10
    Don't ty to fool me. We are here to eat fish,
    so don't waist our time with salad.
  • 88:11 - 88:12
    Nicenewlock Mr. Hatem. Is it the latest
    fashion?
  • 88:13 - 88:15
    -What do you think?
    -Wondemul, vey nice.
  • 88:16 - 88:19
    And you, Nour. My eyes light.
  • 88:20 - 88:23
    -What do you think about the new look?
    -l don't think anything. You can ask somebody
    else.
  • 88:26 - 88:29
    Somebody else? l have nobody, Nour.
  • 88:30 - 88:32
    Nour l am more pathetic than you can
    imagine.
  • 88:34 - 88:36
    Since l came to this world l have been an
    orphan.
  • 88:38 - 88:41
    My mother leR me when l was two years old,
    and got married after my father has died.
  • 88:43 - 88:44
    And my uncle was a dog.
  • 88:44 - 88:46
    He robbed me of y land.
  • 88:47 - 88:49
    l kept moving from house to another.
  • 88:51 - 88:53
    At my aunt's there are fixed times for food.
  • 88:54 - 88:56
    And at y other aunt's l had to take
    permission to go to the bathroom.
  • 88:58 - 89:00
    And at my other uncle's beating is a sport.
  • 89:00 - 89:02
    And cying is prohibited.
  • 89:04 - 89:06
    l spent my whole life hungy, and l was never
    satisfied.
  • 89:09 - 89:12
    Atwo years old child not allowed to play.
  • 89:13 - 89:14
    Nobody takes car somebody else's child,
    Nour.
  • 89:15 - 89:17
    Since l was in primay eduation stage l was
    Iocked in an orphanage.
  • 89:18 - 89:21
    Whe l left it l inherited my father's uniform,
    and became a police assistant like y father..
  • 89:22 - 89:24
    But a good police assistant.
  • 89:25 - 89:27
    Any body who has a problem, l solve it for
    him.
  • 89:28 - 89:31
    You take bribes in exchange of these
    senrices. Or do you think that l don't know?
  • 89:31 - 89:33
    And generalIy, that's your life and you are free
    to decide how to live it. l have nothing to do
    with you.
  • 89:34 - 89:35
    l would love to be educated on your hands,
    Nour.
  • 89:36 - 89:37
    Put the food down.
  • 89:40 - 89:43
    You are too lucky, Nour.
  • 89:43 - 89:50
    -ARer we get married, l will pamper you and
    treat you right.
    -l am telling you for the last time...
  • 89:51 - 89:54
    -Hury up, put the rest of the dishes.
    -Yes, sir.
  • 89:57 - 89:57
    l am giving a final warning. Stay away from
    me and my friends, Hatem.
  • 90:00 - 90:00
    l am giving a final warning. Stay away from
    me and my friends, Hatem.
  • 90:00 - 90:02
    Oh, y god.
  • 90:02 - 90:03
    Hatem.
  • 90:04 - 90:06
    lt's so nice from your mouth.
  • 90:06 - 90:08
    Hatem. l want to hear it again.
  • 90:08 - 90:14
    But l want you to say it kindIy. And cheemulIy,
    Nour.
  • 90:28 - 90:32
    That girl, Loza. She put on a loose rubber
    band, as loose as her waist.
  • 90:39 - 90:44
    Mary me, Nour. l am unable to sleep, unable
    to work, and unable to live at all.
  • 90:44 - 90:48
    -l don't care ifyou sleep, work, or live at all. l
    realIy made a mistake by coming here.
    -Oh y god.
  • 90:48 - 90:50
    Wiat, where are you going? Don't be cray.
  • 90:50 - 90:52
    l made this fish banquet, as a carpet for
    what's coming.
  • 90:54 - 90:56
    Nour, l want to make you happy. Wait a
    moment.
  • 91:06 - 91:10
    fl_
    B
  • 91:10 - 91:12
    And how did you know?
  • 91:12 - 91:14
    Did you forget, that l issued your l.D.
  • 91:15 - 91:16
    Happy birth day, Nour.
  • 91:17 - 91:18
    Thank you.
  • 91:22 - 91:24
    What is the matter, handsome? Has you got
    abandoned?
  • 91:25 - 91:27
    Do you want us to help you blow the candles?
  • 91:31 - 91:33
    Why did the girl abandon you?
  • 91:34 - 91:35
    Naughtiness isn't suitable for eveybody.
  • 91:35 - 91:38
    And as you know, you have nothing to do with
    it.
  • 91:38 - 91:40
    What is this?
  • 91:44 - 91:47
    Don't upset you self, Mr. Hatem. Let me cary
    this for you, sir.
  • 91:49 - 91:50
    Nour.
  • 91:52 - 91:53
    Nour.
  • 91:53 - 91:54
    Listen to me please.
  • 91:55 - 91:56
    -Listen to me.
    -Yes.
  • 91:56 - 91:59
    l will release you friend's father for you.
  • 92:00 - 92:01
    But this will be the last thing l ever do for you,
    Nour.
  • 92:02 - 92:03
    Thank you, sir.
  • 92:03 - 92:07
    Ok, come and take him with you. l brought
    him here with me, because l knew l was going
    to be weak in front ofyou.
  • 92:07 - 92:11
    -Ok,bring him.
    -You come and take him with you. l kept him
    at the docks. just a few steps away.
  • 92:11 - 92:12
    Come on.
  • 92:20 - 92:21
    -Zoukla.
    -Yes,sir.
  • 92:21 - 92:23
    -Bring the man, who is inside.
    -Yes, sir.
  • 92:23 - 92:24
    -Move.
    -Rightaway.
  • 92:26 - 92:31
    You fox. Look how is he sitting?
  • 92:42 - 92:46
    -Look.
    -My wife. She fainted.
  • 92:46 - 92:48
    fl _ _ __fl
    M
  • 92:50 - 92:50
    Yes, sir.
  • 93:06 - 93:06
    Move, quickIy.
  • 93:48 - 93:50
    Land it.
  • 93:51 - 93:52
    l said land it.
  • 93:52 - 93:54
    Tell him to take me back to the docks.
  • 93:55 - 93:58
    -Tell him to land.
    -No way.
  • 94:03 - 94:04
    Let go me.
  • 94:07 - 94:08
    Nour.
  • 94:09 - 94:10
    -Zoukla.
    -Yes, sir.
  • 94:11 - 94:12
    -Go get her quickly.
    -l can't swim, sir.
  • 94:13 - 94:14
    Welldone.
  • 94:48 - 94:49
    Step a side.
  • 94:52 - 94:54
    -Get a blanket or something.
    -ls there a blanket here?
  • 94:55 - 94:56
    Quickly.
  • 95:01 - 95:03
    l don't know what took her so long.
  • 95:03 - 95:05
    She said she was going to bm smoked fish,
    and come back right away.
  • 95:05 - 95:07
    She apparentIy has met one of her friends
    and they kept chatting.
  • 95:08 - 95:11
    -She always makes me wory about her.
    -She will be ok.
  • 95:11 - 95:12
    Her she comes.
  • 95:14 - 95:16
    Hello, SaIy. Come in, m dear.
  • 95:23 - 95:24
    l think..
  • 95:26 - 95:28
    l think l have put Nour in a bad situation.
  • 95:29 - 95:32
    What are you talking about?
  • 95:41 - 95:43
    Here we are, miss.
  • 95:44 - 95:45
    This isn't the docks.
  • 95:46 - 95:47
    l swear to god it's the docks.
  • 95:50 - 95:52
    _
    ,
  • 95:53 - 95:54
    -yes , s ir.
    -Go , quickIy bring a car.
  • 95:56 - 95:57
    Come on.
  • 95:57 - 95:58
    No. No.
  • 95:58 - 96:01
    -Come on. l said no need to be a deceiver.
  • 96:01 - 96:03
    Come on.
  • 96:03 - 96:04
    Get in.
  • 96:06 - 96:07
    Wemust decide our affair today, Nour.
  • 96:08 - 96:09
    What affair? are you cray?
  • 96:09 - 96:10
    Yes.
  • 96:11 - 96:12
    About you.
  • 96:14 - 96:15
    lt's all because ofyou.
  • 96:17 - 96:19
    lf l could kill you to be able to go on with y
    life, l would have killed you.
  • 96:20 - 96:22
    But l can't live without you, Nour.
  • 96:25 - 96:28
    The onIy way left is to plant y fire inside you.
  • 96:30 - 96:34
    Maybe, You can give me a beautiful child,
    beautiful like you are.
  • 96:36 - 96:39
    So l can make him a minister.
  • 96:41 - 96:43
    Gentleman.
  • 96:43 - 96:46
    -Come here
    -Let me go you animal. Criminal.
  • 96:46 - 96:47
    l don't want to.
  • 96:51 - 96:52
    Nour.
  • 97:28 - 97:32
    This is too much. touch.
  • 97:35 - 97:39
    Do you mean Hatem the police assistant? He
    was here with a girl, but they leR half an hour
    ago.
  • 97:39 - 97:42
    She leR him. And he left a little while after she
    Ieft.
  • 97:42 - 97:44
    -Thank you.-You are welcome.
  • 97:47 - 97:49
    Don't be mad at me, Nour.
  • 97:50 - 97:52
    l can't stand it you be mad at me.
  • 97:54 - 97:56
    l wish ifyou have felt me.
  • 97:58 - 97:59
    Believeme.
  • 98:01 - 98:04
    Whe l have a child with you, you will learn to
    feel me.
  • 98:06 - 98:07
    Forgive me.
  • 98:10 - 98:12
    Do you know how much l loved you?
  • 98:15 - 98:16
    Toomuch.
  • 98:38 - 98:39
    Nour.
  • 98:40 - 98:40
    Nour.
  • 98:41 - 98:42
    Nour.
  • 98:43 - 98:44
    Nour.
  • 98:45 - 98:48
    l can't find her.
  • 98:48 - 98:50
    Don't wory, Bahia. She must be on her way.
  • 98:50 - 98:54
    -The waiter said that she left and left him
    there. Maybe she insisted to bm the smoked
    fish.
    -Calm down, my dear. Come.
  • 99:52 - 99:53
    Check the hospitals,
  • 99:54 - 99:56
    lfyou didn't call me l will call you again, but
    please ty.
  • 99:58 - 99:58
    l will go to the police station to find that
    rubbish Hatem. Maybe...
  • 100:00 - 100:00
    l will go to the police station to find that
    rubbish Hatem. Maybe...
  • 100:54 - 100:55
    Write this down.
  • 100:56 - 100:58
    After examining the victim.
  • 100:58 - 101:02
    We found out that she suffers from acute
    internal bleeding.
  • 101:02 - 101:05
    Caused by violent violation of her Genitals.
  • 101:08 - 101:15
    l didn't do that, sir. This a report stating that l
    was on during the time of the incident.
  • 101:18 - 101:28
    The police station's chief of investigation
    office, and the commissioner, are to be
    summoned, for the hearing of their testimony,
    regarding the suspect's testimony.
  • 101:28 - 101:34
    Yes, sir. Hatem has said the truth. He was
    with me in Hafzeyya, arresting drug dealers at
    that time.
  • 101:34 - 101:38
    Yes, that's true. l saw them leaving and l saw
    them returning.
  • 101:43 - 101:46
    The suspect is to be released, on security of
    his job.
  • 101:48 - 101:50
    Any service, Mr. Sherief?
  • 101:51 - 101:52
    Bye, Mr. Sherief.
  • 102:01 - 102:09
    _.AMBlrS.ORG
  • 102:10 - 102:11
    -You low, villain.
    -What are you doing?
  • 102:14 - 102:17
    -You, base.
    -You wicked shrew. You bite me.
  • 102:17 - 102:21
    -She is an old woman.
    -Wicked.
  • 102:21 - 102:23
    -Go home. Go home.
    -He raped y daughter.
  • 102:24 - 102:27
    -Get out of here, you witch.
    -She is gone.
  • 102:27 - 102:29
    -Calm down.
    -Here. Open the door.
  • 102:30 - 102:32
    Allright. All right, Bahia.
  • 102:33 - 102:34
    Patiance has a limit.
  • 102:34 - 102:36
    Alright. Move.
  • 102:40 - 102:43
    Nour. Can you remember what did the person
    who was with Hatem on the boat look like?
  • 102:46 - 102:50
    M _
    __fl
  • 102:55 - 102:57
    -Like this?
    -No, his beard was black and smaller than
    this.
  • 103:01 - 103:02
    l think it was like this.
  • 103:03 - 103:05
    l think his nose was smaller than this.
  • 103:07 - 103:08
    -Like this?
    -Yes.
  • 103:09 - 103:11
    Come on, we almost got him.
  • 103:12 - 103:14
    __
    _ _fl
  • 103:16 - 103:17
    That's him.
  • 103:18 - 103:19
    Print this picture.
  • 103:22 - 103:23
    Mr. Say.
  • 103:26 - 103:28
    lthink now you can easiIy find this man.
  • 103:29 - 103:31
    Yes, it will be easy. god welling.
  • 103:43 - 103:44
    Are you sure?
  • 103:48 - 103:49
    Come closer. Come here.
  • 103:51 - 103:53
    -Dose anyone know this person?
    -No, sir.
  • 103:54 - 103:55
    Look closer. Have anyone ofyou managed to
    even look at the picture?
  • 103:55 - 104:00
    There isn't any sailor among us who looks like
    this, sir. We are one FamiIy from Maadi to
    Qanater and we know each other vey well.
  • 104:00 - 104:04
    Ok. You have done what was asked from you.
    You can go to take care ofyour work now. Go.
  • 104:04 - 104:11
    Believe me Mr. Sherief, you are wasting your
    time. We have searched the river from
    Qanater to Maadi, and there is no sign of that
    Man .
  • 104:11 - 104:14
    Mr. Sherief. l think we have executed your
    instruction literalIy.
  • 104:14 - 104:17
    But please allow me to tell you tat you are
    wasting your time.
  • 104:17 - 104:19
    Once l saw that man's picture l knew that he
    is a criminal.
  • 104:20 - 104:24
    Anyway, all the criminal's data is on the
    computer. l hope you find his data among
    them.
  • 104:24 - 104:27
    Show Mr. Shrief the picture of our recorded
    criminals.
  • 104:27 - 104:29
    Sit down please, madam. Sit down please,
    Mr. Sherief.
  • 104:29 - 104:31
    Computer unite.
  • 104:35 - 104:35
    No.
  • 104:37 - 104:38
    No.
  • 104:38 - 104:40
    No.
  • 104:45 - 104:47
    Open the door.
  • 104:48 - 104:50
    -Come here, you.
    -Yes, sir.
  • 104:53 - 104:57
    -Please forgive me, sir. l suffered too much.
    -You are released get out of here. Let him out.
  • 104:57 - 105:01
    All the demonstrations detainees. stand in a
    line. Let's see what is going to end with Mr.
    Sherief.
  • 105:01 - 105:02
    Follow me.
  • 105:06 - 105:07
    -Open the door.
    -Yes, sir.
  • 105:09 - 105:10
    Remove this blanket.
  • 105:14 - 105:15
    Open the interior cell's door.
  • 105:15 - 105:19
    -Get inside. Move.
  • 105:19 - 105:20
    Get in.
  • 105:21 - 105:22
    Get in, you dirt.
  • 105:23 - 105:25
    Close the door and pull the blanket over.
  • 105:25 - 105:26
    Move.
  • 105:31 - 105:32
    No.
  • 105:33 - 105:33
    That's him,.
  • 105:42 - 105:45
    Whatisgoingon? What is the matter Mr.
    Sherief. This is vey improper.
  • 105:47 - 105:48
    Talk tome.
  • 105:48 - 105:50
    Whatis the matter, Mr. Sherief?
  • 106:14 - 106:18
    You and the commissioners lied to me. Zoukla
    is here and l swear to y mother's honor l
    won't let you get away with it this time.
  • 106:19 - 106:21
    l swear to y mother's honor, that he is not
    hear.
  • 106:23 - 106:25
    Do you believe me Mr. Sherief or should l
    take an oath on the hoIy book?
  • 106:25 - 106:27
    You have already swore to your mother's
    head six times in the docks.
  • 106:38 - 106:41
    Wait, you soldiers.
  • 106:41 - 106:42
    Freez.
  • 106:42 - 106:44
    Lower your weapons. Dismissed.
  • 106:46 - 106:49
    -what is it this time Mr. Sherief?
    -Tell him to open the cells for me right now.
  • 106:49 - 106:51
    -So you want to check on the cells. Ok.
  • 106:52 - 106:53
    Come on, Say. Let's see where is going to
    end.
  • 107:01 - 107:04
    Yes,mom. l am with Sherief in the police
    station.
  • 107:04 - 107:06
    Come on .Mr. Sherief.
  • 107:13 - 107:16
    Stand up. Open the door.
  • 107:48 - 107:52
    So?
  • 107:55 - 107:56
    Lt's go.
  • 107:58 - 108:06
    So you inspected and you found nothing. So
    why did you have to attack the police
    station ,break the doors, and accuse
    respectable people of Iying
  • 108:06 - 108:07
    Speak politeIy.
  • 108:08 - 108:11
    -l am polite, polite...
    -Say, calm down.
  • 108:11 - 108:13
    -So have you finished yet?
    -So have you finished yet?
  • 108:14 - 108:15
    Or do you more orders for us Mr. Sherief?
  • 108:15 - 108:18
    Come on Say. l want to talkto you. come
    On.
  • 108:19 - 108:21
    -Should l make you a cup oftea, sir.
    -Thank you.
  • 108:23 - 108:26
    -What is the matter, Bahia?
    -Hatem took Nour to the police station.
  • 108:26 - 108:30
    Wasn't it enough what he did to her, the low
    villain? But why are you going to the police
    station alone, Bahia.
  • 108:30 - 108:36
    -Will crunch him with my teeth.
    -We have our people there too, we wont let
    them take us one by one.
  • 108:36 - 108:41
    -Youare right, sister.
    -Help! Help us, men.
  • 109:20 - 109:24
    Release our detained brothers.
  • 109:25 - 109:25
    You have been robbing our county for years.
  • 110:00 - 110:34
    You have been robbing our county for years.
  • 110:41 - 110:50
    Slute the chief for the failure. He is protecting
    the thieves.
  • 110:50 - 110:53
    -Release our detained brothers.
    -Get off the way.
  • 110:54 - 110:58
    You have been robbing our county for years.
  • 110:59 - 111:05
    -Close this door, soldier.
    -QuickIy. Move. Barrack the door. Move.
  • 111:07 - 111:09
    -Do something, Samy.
    -l am doing something.
  • 111:09 - 111:11
    -Are you happy with what is happening now?
    -What is happening is happening because of
    you.
  • 111:12 - 111:13
    Happening because of us?
  • 111:14 - 111:17
    Open the door, tyrants. Open the door.
  • 111:23 - 111:25
    Shoot anybody who advances.
  • 111:26 - 111:29
    -Shoot.
    -We are in a self defense situation.
  • 111:29 - 111:30
    Anyone who uses a weapon will get a life time
    in prison.
  • 111:31 - 111:31
    SpecialIy, you.
  • 111:32 - 111:34
    What's wrong with you. We are here to file
    reports against Hatem.
  • 111:35 - 111:37
    Yes. My son is illegalIy locked up here.
  • 111:37 - 111:41
    Hatem has turned the police station into a
    tomb. Those who enter it, never get out.
  • 111:41 - 111:42
    Mr. Commissioner, what happens here,
    doesn't please the lord.
  • 111:43 - 111:44
    Where is he? Bring him here and l will tore
    him apart.
  • 111:45 - 111:47
    Half of the population ofShoubra are coming
    behind us. To file reports against Hatem.
  • 111:47 - 111:50
    You can't shut us up or intimidate us anymore.
  • 111:51 - 111:51
    Where are you going this time? You have
    crossed all the limits.
  • 111:53 - 111:54
    You have provoked the people against us.
  • 111:55 - 111:57
    And the case that you are here to investigate.
    You yourself has closed it.
  • 111:58 - 112:01
    -And l want to let you know that the
    emergency law is enforceable on eveybody.
    -Yes.
  • 112:01 - 112:03
    -Even you.
    -Yes.
  • 112:04 - 112:05
    l want to go to the cells.
  • 112:06 - 112:08
    Get in, Mr. Sherief.
  • 112:19 - 112:22
    -ls there another cell? other than these ones
    behind me?
    -Search me.
  • 112:39 - 112:40
    Open the door.
  • 112:40 - 112:41
    l said open the door.
  • 112:44 - 112:47
    What are you doing?
  • 112:50 - 112:50
    Open the door.
  • 112:54 - 112:56
    tVg_
    __n
  • 112:56 - 112:58
    Violence for violence, and you will open the
    door.
  • 112:58 - 113:03
    This is the third time that you assault me. l am
    a government employee. l wont let it go. l will
    complain to the General Prosecutor.
  • 113:04 - 113:05
    What you are doing is illegal, Mr. Sherief.
  • 113:06 - 113:10
    And is it legal to hide criminals? Is it legal to
    Iockup people who were ordered by the
    general prosecutors office to be released?
  • 113:11 - 113:15
    And to flex your muscles on the poor people
    while you leave the sharks rob the county, Is
    that legal?
  • 113:15 - 113:19
    Mr. Sherief, this room has been locked for
    years. And nobody has got it's key.
  • 113:19 - 113:23
    Ok. Get back, Nour. So it's true that violence
    is the onIy way.
  • 113:27 - 113:29
    -Move away.
  • 113:30 - 113:34
    -Tyrany has never delayed tomorrow.
    -Get in. Iower this thing.
  • 113:34 - 113:40
    -Jail has never changed an idea. Tyranny has
    never delayed tomorrow.
    -Let him go.
  • 113:41 - 113:43
    -Tell them to let him go.
    -Tell him too open the door.
  • 113:43 - 113:45
    -Keep building prisons and raising fences.
    Tomorrow it will all come down.
    Open the door.
  • 113:46 - 113:48
    Let him go.
  • 113:49 - 113:51
    The demonstrations' students get out now.
    -Move.
  • 113:52 - 113:54
    Get out.
  • 113:56 - 113:58
    -Eveybody, get out of here.
    -No Mr. Sherief.
  • 113:58 - 114:00
    The general prosecutor's office has ordered
    their detention.
    -Criminals.
  • 114:01 - 114:05
    Villans. Criminals.
  • 114:06 - 114:07
    What did l do to you?
  • 114:08 - 114:12
    Criminals
  • 114:12 - 114:13
    -Enough, Let go him.
    - Criminals.
  • 114:15 - 114:18
    -Get up. Come on.
    -Villains.
  • 114:20 - 114:21
    ls this Zoukla, Mr. Officer or you step father?
  • 114:27 - 114:34
    All officers and police assistant, arrest police
    assistant, HatemAbd Elbaset
  • 114:37 - 114:40
    Yes, sir.
  • 114:40 - 114:43
    -lhope it's good news, sir.
    -Good news? Do you think there can be good
    news?
  • 114:44 - 114:47
    We have been suspended and put under
    investigation, Mr. Say.
  • 114:51 - 114:53
    -Let them go, soldier.
    -Clear the way.
  • 114:55 - 114:57
    -Go.
    Gameel.
  • 115:13 - 115:16
    -What is going on?
    -We are looking for Hatem. There is a
    command to arrest him.
  • 115:17 - 115:19
    -Hatemis on the roof, but let me do this.
    -Hatem is on the roof.
  • 115:21 - 115:23
    Stop Hatem.
  • 115:23 - 115:24
    Stop Hatem.
  • 115:39 - 115:41
    Stop Hatem. There he is.
  • 115:42 - 115:43
    Stop him.
  • 115:44 - 115:46
    -Stop him.
    -Stop Hatem.
  • 115:46 - 115:48
    There he is.
  • 115:57 - 115:59
    Bashandy. Bashandy, what's going on?
  • 115:59 - 116:00
    Hated is wanted.
  • 116:04 - 116:06
    Now would you tell these people to go home?
    Aren't we done yet?
  • 116:06 - 116:08
    -No we aren't done yet.
    -When you arrest Hatem.
  • 116:08 - 116:10
    l told you the forces are looking for him
    eveywhere.
  • 116:10 - 116:12
    There is Hatem. Catch him.
  • 116:13 - 116:16
    Clear the way.
  • 116:17 - 116:18
    Shoubra police station.
  • 116:25 - 116:27
    Clear the way.
  • 116:27 - 116:29
    Move away.
  • 116:31 - 116:32
    Soldiers
  • 116:36 - 116:38
    Move away. Make way all ofyou.
  • 116:39 - 116:41
    Move.
  • 116:47 - 116:49
    Get out of here sons of..
  • 116:49 - 116:52
    Move away.
  • 116:52 - 116:55
    Move away.
  • 117:19 - 117:20
    -Step back.
    -Step back, soldier.
  • 117:20 - 117:23
    -Turn around.
    -Hatem this isn't proper behavior, Hatem.
  • 117:23 - 117:24
    We are tying to protect you.
  • 117:25 - 117:26
    Hatem, you know that we love you.
  • 117:36 - 117:38
    l am ok. Don't wory.
  • 117:40 - 117:42
    Help me to stand up.
  • 117:42 - 117:44
    -Get up, my dear.
    -Easy.
  • 117:45 - 117:45
    Get up, y dear.
  • 118:22 - 118:23
    Tell Nour to forgive me.
  • 118:24 - 118:28
    Why are you cying now? Didn't you do it to
    your self?
  • 118:28 - 118:32
    l am cying, because l will never see her
    again.
  • 119:01 - 119:10
    Order or chaos.
  • 119:13 - 119:14
    Subtitled at Lord Cinema production.
  • 119:15 - 130:40
    ',9),9),9);!,lh,,;!,lhi3q'tt,,;' '
Title:
Film Hiya Fawda Complete - فيلم هي فوضي - نسخة كاملة
Description:

http://www.ZeeArab.Com Film Hiya Fawda Complete - فيلم هي فوضي - نسخة كاملة Film Hiya Fawda Complete - فيلم هي فوضي - نسخة كاملة Film Hiya Fawda Complete - فيلم هي فوضي - نسخة كاملة Film Hiya Fawda Complete - فيلم هي فوضي - نسخة كاملة

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Video Language:
English
Duration:
02:01:53

English subtitles

Revisions