TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music
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0:11 - 0:14So what makes a piece of music beautiful?
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0:14 - 0:16Well, most musicologists would argue
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0:16 - 0:19that repetition is a key aspect of beauty.
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0:19 - 0:22The idea that we take a melody, a motif, a musical idea,
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0:22 - 0:25we repeat it, we set up the expectation for repetition,
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0:25 - 0:28and then we either realize it or we break the repetition.
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0:28 - 0:30And that's a key component of beauty.
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0:30 - 0:33So if repetition and patterns are key to beauty,
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0:33 - 0:36then what would the absence of patterns sound like
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0:36 - 0:37if we wrote a piece of music
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0:37 - 0:41that had no repetition whatsoever in it?
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0:41 - 0:43That's actually an interesting mathematical question.
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0:43 - 0:47Is it possible to write a piece of music that has no repetition whatsoever?
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0:47 - 0:49It's not random. Random is easy.
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0:49 - 0:52Repetition-free, it turns out, is extremely difficult
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0:52 - 0:54and the only reason that we can actually do it
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0:54 - 0:57is because of a man who was hunting for submarines.
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0:57 - 0:59It turns out a guy who was trying to develop
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0:59 - 1:02the world's perfect sonar ping
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1:02 - 1:05solved the problem of writing pattern-free music.
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1:05 - 1:08And that's what the topic of the talk is today.
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1:08 - 1:13So, recall that in sonar,
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1:13 - 1:16you have a ship that sends out some sound in the water,
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1:16 - 1:18and it listens for it -- an echo.
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1:18 - 1:21The sound goes down, it echoes back, it goes down, echoes back.
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1:21 - 1:24The time it takes the sound to come back tells you how far away it is.
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1:24 - 1:27If it comes at a higher pitch, it's because the thing is moving toward you.
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1:27 - 1:30If it comes back at a lower pitch, it's because it's moving away from you.
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1:30 - 1:32So how would you design a perfect sonar ping?
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1:32 - 1:37Well, in the 1960s, a guy by the name of John Costas
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1:37 - 1:40was working on the Navy's extremely expensive sonar system.
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1:40 - 1:42It wasn't working,
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1:42 - 1:44and it was because the ping they were using was inappropriate.
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1:44 - 1:46It was a ping much like the following here,
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1:46 - 1:49which you can think of this as the notes
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1:49 - 1:51and this is time.
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1:51 - 1:53(Music)
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1:53 - 1:56So that was the sonar ping they were using: a down chirp.
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1:56 - 1:58It turns out that's a really bad ping.
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1:58 - 2:01Why? Because it looks like shifts of itself.
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2:01 - 2:03The relationship between the first two notes is the same
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2:03 - 2:06as the second two and so forth.
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2:06 - 2:08So he designed a different kind of sonar ping:
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2:08 - 2:10one that looks random.
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2:10 - 2:13These look like a random pattern of dots, but they're not.
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2:13 - 2:15If you look very carefully, you may notice
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2:15 - 2:19that in fact the relationship between each pair of dots is distinct.
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2:19 - 2:21Nothing is ever repeated.
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2:21 - 2:24The first two notes and every other pair of notes
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2:24 - 2:26have a different relationship.
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2:26 - 2:29So the fact that we know about these patterns is unusual.
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2:29 - 2:31John Costas is the inventor of these patterns.
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2:31 - 2:34This is a picture from 2006, shortly before his death.
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2:34 - 2:37He was the sonar engineer working for the Navy.
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2:37 - 2:40He was thinking about these patterns
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2:40 - 2:42and he was, by hand, able to come up with them to size 12 --
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2:42 - 2:4412 by 12.
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2:44 - 2:46He couldn't go any further and he thought
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2:46 - 2:48maybe they don't exist in any size bigger than 12.
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2:48 - 2:50So he wrote a letter to the mathematician in the middle,
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2:50 - 2:53who was a young mathematician in California at the time,
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2:53 - 2:54Solomon Golomb.
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2:54 - 2:56It turns out that Solomon Golomb was one of the
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2:56 - 2:59most gifted discrete mathematicians of our time.
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2:59 - 3:03John asked Solomon if he could tell him the right reference
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3:03 - 3:04to where these patterns were.
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3:04 - 3:05There was no reference.
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3:05 - 3:07Nobody had ever thought about
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3:07 - 3:10a repetition, a pattern-free structure before.
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3:10 - 3:13Solomon Golomb spent the summer thinking about the problem.
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3:13 - 3:16And he relied on the mathematics of this gentleman here,
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3:16 - 3:18Evariste Galois.
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3:18 - 3:20Now, Galois is a very famous mathematician.
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3:20 - 3:23He's famous because he invented a whole branch of mathematics,
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3:23 - 3:25which bears his name, called Galois Field Theory.
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3:25 - 3:29It's the mathematics of prime numbers.
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3:29 - 3:32He's also famous because of the way that he died.
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3:32 - 3:35So the story is that he stood up for the honor of a young woman.
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3:35 - 3:39He was challenged to a duel and he accepted.
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3:39 - 3:41And shortly before the duel occurred,
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3:41 - 3:43he wrote down all of his mathematical ideas,
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3:43 - 3:44sent letters to all of his friends,
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3:44 - 3:46saying please, please, please --
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3:46 - 3:47this is 200 years ago --
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3:47 - 3:48please, please, please
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3:48 - 3:51see that these things get published eventually.
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3:51 - 3:54He then fought the duel, was shot, and died at age 20.
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3:54 - 3:57The mathematics that runs your cell phones, the Internet,
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3:57 - 4:01that allows us to communicate, DVDs,
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4:01 - 4:04all comes from the mind of Evariste Galois,
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4:04 - 4:07a mathematician who died 20 years young.
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4:07 - 4:09When you talk about the legacy that you leave,
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4:09 - 4:11of course he couldn't have even anticipated the way
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4:11 - 4:12that his mathematics would be used.
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4:12 - 4:14Thankfully, his mathematics was eventually published.
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4:14 - 4:17Solomon Golomb realized that that mathematics was
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4:17 - 4:20exactly the mathematics needed to solve the problem
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4:20 - 4:23of creating a pattern-free structure.
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4:23 - 4:26So he sent a letter back to John saying it turns out you can
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4:26 - 4:28generate these patterns using prime number theory.
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4:28 - 4:34And John went about and solved the sonar problem for the Navy.
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4:34 - 4:37So what do these patterns look like again?
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4:37 - 4:39Here's a pattern here.
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4:39 - 4:43This is an 88 by 88 sized Costas array.
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4:43 - 4:45It's generated in a very simple way.
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4:45 - 4:49Elementary school mathematics is sufficient to solve this problem.
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4:49 - 4:53It's generated by repeatedly multiplying by the number 3.
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4:53 - 4:581, 3, 9, 27, 81, 243 ...
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4:58 - 5:01When I get to a bigger [number] that's larger than 89
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5:01 - 5:02which happens to be prime,
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5:02 - 5:05I keep taking 89s away until I get back below.
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5:05 - 5:08And this will eventually fill the entire grid, 88 by 88.
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5:08 - 5:12And there happen to be 88 notes on the piano.
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5:12 - 5:15So today, we are going to have the world premiere
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5:15 - 5:20of the world's first pattern-free piano sonata.
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5:20 - 5:23So, back to the question of music.
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5:23 - 5:24What makes music beautiful?
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5:24 - 5:26Let's think about one of the most beautiful pieces ever written,
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5:26 - 5:28Beethoven's Fifth Symphony.
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5:28 - 5:32And the famous "da na na na" motif.
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5:32 - 5:34That motif occurs hundreds of times in the symphony --
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5:34 - 5:37hundreds of times in the first movement alone,
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5:37 - 5:39and also in all the other movements as well.
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5:39 - 5:41So this repetition, the setting up of this repetition
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5:41 - 5:43is so important for beauty.
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5:43 - 5:48If we think about random music as being just random notes here,
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5:48 - 5:51and over here is somehow Beethoven's Fifth in some kind of pattern,
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5:51 - 5:53if we wrote completely pattern-free music,
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5:53 - 5:54it would be way out on the tail.
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5:54 - 5:56In fact, the end of the tail of music
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5:56 - 5:58would be these pattern-free structures.
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5:58 - 6:02This music that we saw before, those stars on the grid,
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6:02 - 6:05is far, far, far from random.
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6:05 - 6:07It's perfectly pattern-free.
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6:07 - 6:11It turns out that musicologists --
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6:11 - 6:13a famous composer by the name of Arnold Schoenberg --
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6:13 - 6:17thought of this in the 1930s, '40s and '50s.
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6:17 - 6:20His goal as a composer was to write music that would
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6:20 - 6:22free music from total structure.
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6:22 - 6:25He called it the emancipation of the dissonance.
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6:25 - 6:27He created these structures called tone rows.
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6:27 - 6:28This is a tone row there.
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6:28 - 6:30It sounds a lot like a Costas array.
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6:30 - 6:34Unfortunately, he died 10 years before Costas solved the problem of
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6:34 - 6:37how you can mathematically create these structures.
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6:37 - 6:42Today, we're going to hear the world premiere of the perfect ping.
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6:42 - 6:46This is an 88 by 88 sized Costas array,
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6:46 - 6:48mapped to notes on the piano,
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6:48 - 6:52played using a structure called a Golomb ruler for the rhythm,
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6:52 - 6:54which means the starting time of each pair of notes
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6:54 - 6:56is distinct as well.
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6:56 - 6:59This is mathematically almost impossible.
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6:59 - 7:01Actually, computationally, it would be impossible to create.
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7:01 - 7:04Because of the mathematics that was developed 200 years ago --
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7:04 - 7:07through another mathematician recently and an engineer --
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7:07 - 7:10we are able to actually compose this, or construct this,
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7:10 - 7:13using multiplication by the number 3.
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7:13 - 7:15The point when you hear this music
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7:15 - 7:18is not that it's supposed to be beautiful.
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7:18 - 7:22This is supposed to be the world's ugliest piece of music.
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7:22 - 7:26In fact, it's music that only a mathematician could write.
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7:26 - 7:29When you're listening to this piece of music, I implore you:
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7:29 - 7:31Try and find some repetition.
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7:31 - 7:34Try and find something that you enjoy,
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7:34 - 7:37and then revel in the fact that you won't find it.
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7:37 - 7:38Okay?
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7:38 - 7:41So without further ado, Michael Linville,
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7:41 - 7:44the director of chamber music at the New World Symphony,
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7:44 - 7:48will perform the world premiere of the perfect ping.
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7:49 - 7:57(Music)
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9:35 - 9:37Thank you.
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9:37 - 9:42(Applause)
- Title:
- TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music
- Description:
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Scott Rickard set out to engineer the ugliest possible piece of music, devoid of repetition, using a mathematical concept known as the Golomb ruler. In this talk, he shares the math behind musical beauty (and its opposite).
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDxTalks
- Duration:
- 09:46
Xiang Li edited English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell approved English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell edited English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell edited English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell edited English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell accepted English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell edited English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music | ||
Jenny Zurawell edited English subtitles for TEDxMIA - Scott Rickard - The beautiful math behind the ugliest music |