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How ancient art influenced modern art - Felipe Galindo

  • 0:07 - 0:12
    The term, "modern art" sounds like it
    means art that is popular at the moment,
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    but in fact, modern art is a style
    that originated over 150 years ago,
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    and includes artists that by now
    have attained classic status,
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    such as Picasso, Matisse and Gauguin.
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    And what's even more ironic is that
    the movement they pioneered,
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    considered revolutionary
    and even scandalous at the time,
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    was inspired largely by an object
    of a traditional and ancient design.
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    As far back as the Renaissance,
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    the primary European art movements
    emphasized conventional representation
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    and adherence to classical forms.
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    But that began to change
    in the late 19th Century
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    as artists like Van Gogh and Cézanne
    expanded the boundaries of painting.
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    Soon, a movement arose that sought
    to create an entirely new style of art,
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    and one way of doing so was to look
    beyond Western civilization.
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    For example, Paul Gauguin moved
    to the island of Tahiti in the 1890s.
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    There he found inspiration in the island's
    inhabitants, landscape, and culture
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    to create artwork that intertwined
    European themes and Polynesian lore.
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    Others looked the cultures
    of the Islamic world,
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    but the most influential inspiration
    would come from Sub-Saharan Africa.
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    As European Empires expanded
    deeper into the African continent,
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    its artifacts and artworks made their way
    into the hands of museums and collectors.
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    One such collector was Henri Matisse,
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    who showed his friend Picasso
    a mask he had acquired
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    made by the Dan tribe of the Ivory Coast.
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    The mask awoke Picasso's curiosity,
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    leading him to visit the Trocadéro
    Ethnographic Museum in Paris in 1907.
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    Founded to house acquisitions
    from colonial conquests,
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    the museum boasted
    a collection of African art,
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    with stylized figures
    and masks made of wood
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    and decorated with simple colors
    and materials.
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    The visit was a revelation for Picasso,
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    who proclaimed that African masks
    were what painting was all about.
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    At this time, Picasso had been working
    on a painting of five nude women
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    in a style that would later come
    to be known as Cubism.
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    And while three of these ladies
    show facial features
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    found in Ancient Iberian art,
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    a nod to Picasso's Spanish heritage,
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    the faces of the two on the right
    closely resemble African masks.
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    Created in 1907 after hundreds
    of sketches and studies,
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    Les Demoiselles d'Avignon
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    has been considered
    the first truly 20th century masterpiece,
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    breaking with many previously
    held notions in art.
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    It was at once aggressive and abstract,
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    distorted, yet primal in its raw geometry,
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    a new artistic language with new forms,
    colors, and meanings.
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    And these avant-garde qualities
    caused a sensation
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    when the painting was first exhibited
    almost ten years later.
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    The public was shocked,
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    critics denounced it as immoral,
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    and even Picasso's own friends
    were simultaneously surprised,
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    offended,
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    and mesmerized at his audacity.
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    More artists soon followed
    in Picasso's footsteps.
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    Constantin Brâncuși
    and Amedeo Modigliani in Paris,
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    as well as the German Expressionists,
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    all drew on the aesthetics
    of African sculptors in their work.
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    Others looked to a different continent
    for their inspiration.
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    British sculptor Henry Moore based many
    of his semi-abstract bronze sculptures
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    on a replica of a chacmool,
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    a distinctive reclining statue
    from the Toltec-Maya culture,.
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    Pre-Columbian art was also a major
    influence for Josef Albers.
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    He created a series of compositions,
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    such as the geometrical series,
    Homage to the Square,
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    that were inspired by pyramids
    and local art
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    he encountered
    on his frequent visits to Mexico.
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    Inspiration from ancient cultures
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    initiated one of the most revolutionary
    movements in art history,
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    but were these artists playing the role
    of explorers or conquistadors,
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    appropriating ideas and profiting
    from cultures they considered primative?
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    Questions like this deserve scrutiny,
    as artists continue to redefine standards.
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    Perhaps not too long from now,
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    the bold innovations of modern art
    will seem like stale orthodoxies,
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    ready to be overturned by a new set
    of radical trailblazers
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    drawing inspiration from another
    unlikely source.
Title:
How ancient art influenced modern art - Felipe Galindo
Description:

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Video Language:
English
Team:
closed TED
Project:
TED-Ed
Duration:
04:51

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