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Pixar in a Box: Visual Language

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    (upbeat music)
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    - Hi, I'm Dean Kelly and I'm
    a story artist here at Pixar.
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    You know that old saying,
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    a picture's worth a thousand words?
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    Well it's true.
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    Using simple visual
    cues, you can communicate
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    all kinds of cool ideas
    and different emotions.
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    And because of this, a single
    image can tell a whole story.
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    (boing)
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    Let's make this scene a simple drawing,
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    like the storyboards we create at Pixar.
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    The first thing you'll notice is that
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    the bigger something is in the frame
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    the more important it is.
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    I'm clearly the most
    important thing in this frame.
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    Choosing to put a
    character in a large space,
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    where they appear small, is one way
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    to communicate how vulnerable they are,
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    or how big their world is.
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    A low angle can make me
    seem commanding or menacing.
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    I now seem a little unbalanced.
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    Everything you see on screen is a choice.
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    And all of it can help you tell stories.
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    This is development art from Ratatouille.
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    This single image clearly illustrates
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    how important shape and
    framing are to storytelling.
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    The artist who drew this chose
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    everything in the frame,
    including the framing.
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    Look at Remy; he's a tiny rat,
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    but in this frame and
    from this perspective,
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    he's the same size as the chefs.
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    See how we separate from the
    kitchen with these panes.
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    He's literally being kept from
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    his dreams of being a chef, with these
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    horizontal and vertical
    lines boxing him in.
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    But Remy seems equal to the chefs,
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    which is an important story point.
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    Shape also helps us tell stories.
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    Take these three main characters
    from Monsters University.
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    The artist who designed
    Mike, Sully and Hardscrabble
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    show shapes that amplified
    and reflected their character.
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    Mike is essentially a ball.
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    He's just not threatening or scary.
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    Sully's a big rectangle; he's
    sturdy and he's tough to move.
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    You believe he can be a scarer.
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    Hardscrabble's a bunch of triangles.
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    She's pointy and threatening.
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    It helps her to be
    intimidating, in the film.
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    (screeching)
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    (rumbling)
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    As a visual storyteller, you have a chance
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    to guide your viewers
    in all sorts of ways.
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    Color can guide the eye.
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    Value, or how dark or light something is,
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    can make it stand out from
    everything else in an image.
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    In the movies size and position
    in the frame also matter.
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    They have an effect on how we feel
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    about a character or a moment.
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    In the Incredibles script, this scene
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    was just two people arguing,
    but the story artist
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    used Helen's stretching abilities
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    and Helen becomes the
    powerful one in this moment,
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    just by being larger
    than Bob by stretching.
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    But usually an artist will
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    make a character closer
    and bigger in frame.
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    In this storyboard I drew
    for Monsters University,
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    you can see how I made
    Mike dominate the frame
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    by putting him in the
    foreground, close to camera.
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    Mike is coming into his
    own as a scare coach.
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    And I made him the biggest thing in frame,
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    because he's the strongest character
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    in this moment; stronger than Sully.
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    We can communicate so many things
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    using only visual language.
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    In these next lessons you get to explore
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    these ideas and use them to
    help tell your own stories.
Title:
Pixar in a Box: Visual Language
Description:

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Video Language:
English
Duration:
03:03

English subtitles

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