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(upbeat music)
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- Hi, I'm Dean Kelly and I'm
a story artist here at Pixar.
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You know that old saying,
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a picture's worth a thousand words?
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Well it's true.
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Using simple visual
cues, you can communicate
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all kinds of cool ideas
and different emotions.
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And because of this, a single
image can tell a whole story.
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(boing)
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Let's make this scene a simple drawing,
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like the storyboards we create at Pixar.
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The first thing you'll notice is that
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the bigger something is in the frame
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the more important it is.
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I'm clearly the most
important thing in this frame.
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Choosing to put a
character in a large space,
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where they appear small, is one way
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to communicate how vulnerable they are,
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or how big their world is.
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A low angle can make me
seem commanding or menacing.
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I now seem a little unbalanced.
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Everything you see on screen is a choice.
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And all of it can help you tell stories.
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This is development art from Ratatouille.
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This single image clearly illustrates
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how important shape and
framing are to storytelling.
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The artist who drew this chose
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everything in the frame,
including the framing.
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Look at Remy; he's a tiny rat,
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but in this frame and
from this perspective,
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he's the same size as the chefs.
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See how we separate from the
kitchen with these panes.
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He's literally being kept from
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his dreams of being a chef, with these
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horizontal and vertical
lines boxing him in.
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But Remy seems equal to the chefs,
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which is an important story point.
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Shape also helps us tell stories.
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Take these three main characters
from Monsters University.
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The artist who designed
Mike, Sully and Hardscrabble
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show shapes that amplified
and reflected their character.
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Mike is essentially a ball.
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He's just not threatening or scary.
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Sully's a big rectangle; he's
sturdy and he's tough to move.
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You believe he can be a scarer.
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Hardscrabble's a bunch of triangles.
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She's pointy and threatening.
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It helps her to be
intimidating, in the film.
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(screeching)
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(rumbling)
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As a visual storyteller, you have a chance
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to guide your viewers
in all sorts of ways.
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Color can guide the eye.
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Value, or how dark or light something is,
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can make it stand out from
everything else in an image.
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In the movies size and position
in the frame also matter.
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They have an effect on how we feel
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about a character or a moment.
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In the Incredibles script, this scene
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was just two people arguing,
but the story artist
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used Helen's stretching abilities
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and Helen becomes the
powerful one in this moment,
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just by being larger
than Bob by stretching.
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But usually an artist will
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make a character closer
and bigger in frame.
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In this storyboard I drew
for Monsters University,
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you can see how I made
Mike dominate the frame
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by putting him in the
foreground, close to camera.
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Mike is coming into his
own as a scare coach.
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And I made him the biggest thing in frame,
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because he's the strongest character
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in this moment; stronger than Sully.
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We can communicate so many things
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using only visual language.
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In these next lessons you get to explore
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these ideas and use them to
help tell your own stories.