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Love -- you're doing it wrong

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    What is love?
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    It's a hard term to define
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    in so far as it has a very wide application.
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    I can love jogging,
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    I can love a book, a movie.
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    I can love escalopes...
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    I can love my wife.
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    (Laughter)
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    But there's a great difference
    between an escalope and my wife,
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    for instance.
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    That is, if I value the escalope,
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    the escalope, on the other hand, it doesn't value me back.
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    Whereas my wife, she calls me
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    the star of her life.
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    Therefore, only another desiring conscience
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    can conceive me as a desirable being.
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    I know this, that's why
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    love can be defined in a more accurate way
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    as the desire of being desired.
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    Hence the eternal problem of love:
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    how to become and remain desirable?
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    Once, the individual would find
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    an answer to this problem
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    by submitting his life to community rules.
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    they had a specific part to play
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    according to their sex, their age,
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    their social status,
    and they only had to play their part
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    to be valued and loved by the whole community.
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    Think about the young maiden
    that must remain chaste before the wedding.
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    Think about the youngest son
    who must obey the eldest son,
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    who in turn must obey the patriarch.
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    But a phenomenon
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    started in the 13th century,
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    and happened mainly in the Renaissance in the West.
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    It caused the biggest identity crisis
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    in the history of humankind.
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    This phenomenon is modernity.
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    We can basically summarize it
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    by a triple process. First,
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    a rationalization process of scientific research,
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    that has accelerated technical progress.
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    Next, a political democratization process,
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    that has developed individual rights.
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    And finally, a rationalization process
    of the economic production
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    and of trade liberalization.
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    These three intertwined processes
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    have completely annihilated all the traditional
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    markers of the Western societies.
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    It brings a radical consequence for the individual.
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    Now, the individual is free
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    to value or devalue
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    this attitude, this choice, this object.
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    But as a result, their own self
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    is confronted to this same freedom that others have
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    to value or devalue them.
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    In other words, my former value
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    was ensured by submitting myself
    to the traditional authorities.
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    Now, it is quoted in the stock exchange.
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    On the free market of individual desires
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    I negotiate my value every day.
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    Hence the contemporary man's anguish.
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    His obsession: "Am I desirable? How much?
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    How many people are going to love me?"
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    How does he respond to this anguish?
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    Well, by hysterically accumulating
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    the symbols of desirability.
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    (Laughter)
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    I call this accumulation,
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    along with others, the seduction capital.
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    Indeed, our consumer society is largely based
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    on the seduction capital.
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    It is said about consumption
    that our age is materialistic.
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    But it's not true! We accumulate objects
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    in order to communicate with other minds.
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    We do it to make them love us, to seduce them.
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    Nothing is less materialistic or more sentimental
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    than a teenager buying brand new jeans
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    and tearing it at the knees,
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    because he wants to please Jennifer.
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    (Laughter)
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    Consumerism is not materialism.
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    It is rather engulfed matter,
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    sacrificed in the name of the Love god,
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    or rather in the name of the seduction capital.
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    In the light of this observation on today's love,
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    how can we think the love of the years to come?
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    We can envision two hypotheses.
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    The first one consists in betting on an intensification
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    of the narcissistic capitalisation process.
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    It is hard to say what shape this intensification will take,
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    because it largely depends
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    on social and technical innovations,
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    which are, by definition, difficult to predict.
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    But we can, for instance,
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    imagine a dating website
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    which, a bit like the fidelity programs,
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    works with seduction capital points
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    that vary according to my age, my height/weight ratio,
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    my degree, my salary,
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    or the number of clicks collected on my profile.
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    We can also imagine
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    a chemical treatment for breakups
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    that weakens the attachment feeling.
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    By the way, there's a program on MTV already
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    in which seduction teachers
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    treat heartache as a disease.
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    These teachers call themselves "pick-up artists".
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    "Artist" in French is easy, it means "artiste".
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    To "pick-up" is to pick up someone,
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    but it's about picking up chicks.
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    So they are artists at picking up chicks.
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    (Laughter)
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    And they call heartache "one-itis".
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    In English, "itis" is a suffix that means infection.
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    One-itis can be translated as "the infection of the one".
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    It's a bit disgusting. Indeed, for the pick-up artists,
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    falling in love with someone
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    is a waste of time,
    it's squandering your seduction capital.
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    So it must be eliminated like a disease, an infection.
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    We can also envision
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    an amorous use of the genomic map.
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    Everyone would carry it around
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    and present it like a business card
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    to verify if seduction can develop into reproduction.
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    (Laughter)
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    Certainly this seduction rush,
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    like every fierce competition, will entail
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    big disparities in narcissistic satisfaction,
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    and therefore a lot of loneliness and frustration too.
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    So we can expect that modernity itself, When the seduction capital comes into being,
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    from which the seduction capital originates,
    to be challenged.
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    I'm thinking particularly of the communitarian reactions
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    of a neo-fascist or religious type.
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    But such a future doesn't have to be.
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    Another path to think love may be possible.
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    But how?
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    How to renounce the hysterical need to be valued?
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    Well, by becoming aware
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    of my uselessness. (Laughter)
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    Yes,
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    I'm useless.
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    But rest assured:
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    so are you.
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    (Laughter)
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    (Applause)
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    We are all useless.
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    This uselessness is pretty easy to demonstrate,
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    because to be valued
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    I need another to desire me,
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    which implies that I do not have any value by myself.
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    I don't have any value in myself.
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    We all pretend to have an idol.
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    We all pretend to be someone's idol, but actually
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    we are all impostors, a bit like the man who goes by
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    lording it indifferently over everyone in the street,
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    while he has actually anticipated and calculated
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    everything so that all eyes are on him.
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    I think that becoming aware
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    of this general imposture
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    that concerns all of us
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    would pacify our love relationships.
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    It is because I want to be loved
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    from head to toe, and to be
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    justified in my every choice,
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    that seduction hysteria exists.
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    And therefore I want to look perfect
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    so that another can love me.
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    I want them to be perfect
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    so that they can reassure me about my value.
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    and it leads to couples obsessed
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    with performance
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    who will break up precisely
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    at the slightest underachievement.
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    In contrast to this attitude,
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    I call upon tenderness, upon love as tenderness.
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    What is tenderness?
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    To be tender is to accept the loved one's weaknesses.
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    It's not about becoming a sad couple
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    of orderlies. (Laughter)
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    There's plenty
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    of charm and happiness in tenderness.
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    I refer specifically to a kind of humour
    that is unfortunately uncommon.
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    It is a sort of poetry of unabashed clumsiness.
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    I refer to self-mockery.
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    For a couple who is no longer sustained, supported
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    by the constraints of tradition,
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    I believe that self-mockery
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    is one of the best means for the relationship to last.
Title:
Love -- you're doing it wrong
Speaker:
Yann Dall'Aglio
Description:

more » « less
Video Language:
French
Team:
closed TED
Project:
TEDTalks
Duration:
10:42
Morton Bast edited English subtitles for L'amour -- vous le faites mal.
Morton Bast edited English subtitles for L'amour -- vous le faites mal.
Madeleine Aronson approved English subtitles for L'amour -- vous le faites mal.
Madeleine Aronson accepted English subtitles for L'amour -- vous le faites mal.
Madeleine Aronson edited English subtitles for L'amour -- vous le faites mal.
Madeleine Aronson edited English subtitles for L'amour -- vous le faites mal.
Madeleine Aronson edited English subtitles for L'amour -- vous le faites mal.
Madeleine Aronson edited English subtitles for L'amour -- vous le faites mal.
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