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[music]
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[Woman] Do you know how we got here?
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[Clive] No.
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[Woman] You don't remember sitting down?
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[Clive] No.
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[Woman] We have been here about 10 minutes at least.
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[Clive] I have no knowledge of it. My eyes have just started working now, . . .
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conversation going on [not understandable]
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[Woman] And do you feel absolutely normal?
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[Clive] Not absolutely normal, no. I am completely confused.
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[Woman] Confused?
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[Clive] Yes. I have never eaten anything, never tasted anything, never touched anything or smelled anything.
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[woman] But you are.
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[Clive] Apparently. But I would like to know what the hell has been going on.
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[choir singing]
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>>Clive was an outstanding musician. He would take his work very very seriously.
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At the same time he loved music so much that he just really threw himself into it.
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>>Clive was a musician of enormous integrity.
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>>He was the world's expert on Lassus, one of the great composers of the Renaissance.
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>>And he also wrote a great deal of contemporary music and was
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chorus master for [inaudible] which is Europe's foremost group.
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>>Music flowed out of him whether he was singing or playing or conducting.
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[choir music in background]
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>>Clive Wearing through a cruel twist of fortune,
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shows us how fundamental consciousness and memory are to our lives.
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[sound of door opening]
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[Clive sings opera note and laughs]
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Well, well, well, well. [laughter] Isn't that a surprise?
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[unintelligible conversation]
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[Woman] Have you not seen me before?
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[Clive] No. This is the first time.
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[unintelligible]
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There is nobody else in the world I care about.
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[Woman] So how are you feeling?
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[Clive] I am conscious for the first time. It's the first time I've seen anybody at all.
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[Woman] You have not been conscious before?
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[Clive] No.
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[Woman] I came here before this.
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[Clive] I have not seen you before.
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[Woman] You haven't?
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[Clive] I have not seen anything at all before. Been completely blind the whole time.
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Hmmmm.
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[Clive] Never tasted before. This is the first taste I have had.
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[Woman] The first coffee you have had?
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[Clive] Yes. Cheers
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[Woman] Cheers.
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And how are you seeing things?
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[Clive] (Inaudible) the first time.
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So color?
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[Clive] I have never seen anything the whole time I have been ill. No black and white, nothing.
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[Woman] Do you remember me arriving?
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[Clive] No.
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I don't remember any of it. I don't remember writing any of that consciously. Unconscious writing.
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[Woman] What were you doing here?
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[Clive unintelligible]
[Woman] Do you remember starting again?
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[Clive] No.
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[Woman] It all started with a headache. Clive came home one day and he had a very bad headache.
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The headache did not lift, it did not respond to analgesics.
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By the fourth day he developed quite a high fever and on the evening of the fourth day
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for a little while he forgot his daughter's name.
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By the fifth day, he was very delirious.
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[Dr. Alan Parkin] Clive suffered from viral encephalitis which has led to the damage
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of the left and the right temporal lobes plus a good portion of the left frontal lobe.
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The temporal lobes contain a structure called the hippocampus which we know is
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implicated in memory function and in Clive it has almost
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certainly been completely destroyed in both sides of his brain.
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It is this that is primarily responsible for his severe memory impairment.
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In addition, the damage to his frontal lobes also causes a number of additional memory problems
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which manifest mostly in terms of him repeating himself a lot and generally showing highly emotional behavior.
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[Clive's wife, Deborah] Clive's world now consists of a moment
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with no past to anchor it and no future to look ahead to.
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It is a blinkered moment. He sees what is right in front of him.
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But as soon as that information hits the brain it fades.
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Nothing makes an impression. Nothing registers.
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Everything goes in perfectly well because he has all his faculties.
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His intellect is virtually intact and he perceives his world as you or I do.
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But as soon as he perceived it and looked away, it is gone for him.
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So, it is a moment to moment consciousness as it were. A time vacuum.
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And everything before that moment is completely void.
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And he feels as if he is awakening afresh the whole time.
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[unintelligible conversation with some singing]
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He always thinks he's been awake for about two minutes
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and that is why he looks at his watch all the time. To record it.
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To record the fact, "Ah, I've woken up." This is an important event therefore I will write it down in my diary.
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So, he writes: "11:54 a.m. I am now completely awake for the first time."
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And he underlines "first time." Patience begins. Because he is always playing patience.
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And the whole diary, every page is a succession of entries saying almost the same thing of "first awakeness."
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And when he goes back and looks at his own entries he does not acknowledge that they are genuine.
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He says he knows it is his handwriting, but as far as he is concerned
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he was unconscious when he wrote them. Quite often he will score out what he has written before
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and so his life is an ever repeating moment of first awakening.
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The strongest thing in his life I believe, and his diaries bear that out,
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is his love for me. And that is absolutely raw.
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And each time I walk into that room, it is as if it's the first time he has seen me for years.
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[Clive excitedly greets her]
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[Deborah] Hello, are you surprised to see me?
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[Clive] It's the first time I've seen anybody at all.
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[Deborah] Have you not seen me before? I have been here. So how are you feeling this morning?
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[Clive] I am conscious for the first time. It is the first time I've seen anybody at all.
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[Deborah] You haven't been conscious before?
[Clive] No.
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[Deborah] I have been here before.
[Clive] I have not seen you before.
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[Deborah] You haven't?
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[Clive] No, I have not seen anything at all before.
I have been completely blind the whole time.
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[Deborah] You don't remember me arriving at all?
[Clive] No, I don't remember you arriving at all.
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[Deborah] But you know who I am. . .
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Would you kiss all over me like that? [Deborah laughs]
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[Clive] You know I love you. [laughing]
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[Deborah] I do know. You've written all over your diary.
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I bet you if I look to see what you have written, you did not mention me on that page.
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You've mentioned me on this page. "My first thought - I adore Deborah for eternity."
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[Clive] That's right.
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[Deborah] "People's entries in the diary are rubbish." What does that mean?
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[Clive] I've no idea.
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[Deborah] Did you write that?
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[Clive] I have no consciousness of anything there. This is the first time.
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[Deborah] Is it your handwriting?
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[Clive] Yes, but I know nothing about it.
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[Deborah] So how do you think it got there?
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[Clive] I don't know.
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[Deborah] You must have.
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[Clive] I haven't! [angry talking] Listen to me for heaven's sake! When I say no, I mean exactly that!
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I haven't seen the book at all til now!
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That is what it means. It means I haven't seen it, I have no knowledge of it at all!
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That's all. There is no knowledge of that book. It is entirely new to me!
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[Deborah] But, you've put that . . . who would put that?
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[Clive] Just use your intelligence!
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[Deborah] But, who would put...
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[Clive] I don't know. Oh, for heaven's sake, just use your intelligence!
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[Deborah] Clive gets extraordinarily angry, and who wouldn't?
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Here you are not dealing with somebody who is demented, who is oblivious, who is gaga,
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you are dealing with a perfectly lucid, highly intelligent man who has been robbed
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of knowledge of his own life and he feels deeply humiliated to be put in that position
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and very very frustrated that he can't grasp what is wrong with him because
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even as you're telling him he is forgetting the previous sentence.