Creative houses from reclaimed stuff
-
0:01 - 0:07(Applause)
-
0:07 - 0:09Thank you very much.
-
0:09 - 0:11I have a few pictures,
-
0:11 - 0:13and I'll talk a little bit about
-
0:13 - 0:15how I'm able to do what I do.
-
0:15 - 0:17All these houses are built
-
0:17 - 0:20from between 70 and 80 percent recycled material,
-
0:20 - 0:23stuff that was headed to the mulcher, the landfill, the burn pile.
-
0:23 - 0:25It was all just gone.
-
0:25 - 0:27This is the first house I built.
-
0:27 - 0:30This double front door here with the three-light transom
-
0:30 - 0:32that was headed to the landfill.
-
0:32 - 0:34Have a little turret there.
-
0:34 - 0:37And then these buttons on the corbels here.
-
0:37 - 0:39Right there --
-
0:39 - 0:41those are hickory nuts.
-
0:41 - 0:43And these buttons there --
-
0:43 - 0:45those are chicken eggs.
-
0:45 - 0:48Of course, first you have breakfast,
-
0:48 - 0:51and then you fill the shell full of Bondo and paint it and nail it up,
-
0:51 - 0:53and you have an architectural button
-
0:53 - 0:55in just a fraction of the time.
-
0:55 - 0:57Then, this is a look at the inside.
-
0:57 - 0:59You can see the three-light transom there
-
0:59 - 1:01with the eyebrow windows --
-
1:01 - 1:03certainly an architectural antique
-
1:03 - 1:05headed to the landfill.
-
1:05 - 1:07Even the lockset is probably worth 200 dollars.
-
1:07 - 1:09Everything in the kitchen was salvaged.
-
1:09 - 1:11There's a 1952 O'Keefe & Merritt stove,
-
1:11 - 1:14if you like to cook -- cool stove.
-
1:14 - 1:16This is going up into the turret.
-
1:16 - 1:19I got that staircase for 20 dollars,
-
1:19 - 1:22including delivery to my lot.
-
1:22 - 1:25(Laughter)
-
1:25 - 1:27Then, looking up in the turret,
-
1:27 - 1:30you see there are bulges and pokes and sags and so forth.
-
1:30 - 1:32Well, if that ruins your life,
-
1:32 - 1:34well then you shouldn't live there.
-
1:34 - 1:36(Laughter)
-
1:36 - 1:38This is a laundry chute,
-
1:38 - 1:41and this right here is a shoe last.
-
1:41 - 1:43And those are those cast-iron things you see at antique shops.
-
1:43 - 1:45So I had one of those,
-
1:45 - 1:47so I made some low-tech gadgetry, there,
-
1:47 - 1:49where you just stomp on the shoe last
-
1:49 - 1:52and then the door flies open, you throw your laundry down.
-
1:52 - 1:55And then if you're smart enough, it goes on a basket on top of the washer.
-
1:55 - 1:58If not, it goes into the toilet.
-
1:58 - 2:00(Laughter)
-
2:00 - 2:02This is a bathtub I made,
-
2:02 - 2:04made out of scrap two-by-four here.
-
2:04 - 2:06Started with a rim there
-
2:06 - 2:08and then glued and nailed it up into a flat,
-
2:08 - 2:10corbelled it up and flipped it over,
-
2:10 - 2:12then did the two profiles on this side.
-
2:12 - 2:14It's a two-person tub.
-
2:14 - 2:17After all, it's not just a question of hygiene,
-
2:17 - 2:19but there's a possibility of recreation as well.
-
2:19 - 2:22(Laughter)
-
2:22 - 2:25Then, this faucet here
-
2:25 - 2:27is just a piece of Osage Orange.
-
2:27 - 2:29It looks a little phallic,
-
2:29 - 2:31but after all, it's a bathroom.
-
2:31 - 2:34(Laughter)
-
2:34 - 2:36Then, this is a house based on a Budweiser can.
-
2:36 - 2:38It doesn't look like a can of beer,
-
2:38 - 2:40but the design take-offs are absolutely unmistakable.
-
2:40 - 2:43The barley hops design worked up into the eaves,
-
2:43 - 2:47then the dentil work comes directly off the can's red, white, blue and silver.
-
2:47 - 2:49Then, these corbeles going down underneath the eaves
-
2:49 - 2:51are that little design that comes off the can.
-
2:51 - 2:53I just put a can on a copier
-
2:53 - 2:56and kept enlarging it until I got the size I want.
-
2:56 - 2:58Then, on the can it says,
-
2:58 - 3:02"This is the famous Budweiser beer, we know of no other beer, blah, blah, blah."
-
3:02 - 3:05So we changed that and put, "This is the famous Budweiser house.
-
3:05 - 3:08We don't know of any other house," and so forth and so on.
-
3:08 - 3:10Then, this is a deadbolt. It's a fence from a 1930s shaper,
-
3:10 - 3:13which is a very angry woodworking machine.
-
3:13 - 3:16And they gave me the fence, but they didn't give me the shaper,
-
3:16 - 3:18so we made a deadbolt out of it.
-
3:18 - 3:20That'll keep bull elephants out, I promise.
-
3:20 - 3:23And sure enough, we've had no problems with bull elephants.
-
3:23 - 3:25(Laughter)
-
3:25 - 3:28The shower is intended to simulate a glass of beer.
-
3:28 - 3:31We've got bubbles going up there, then suds at the top with lumpy tiles.
-
3:31 - 3:34Where do you get lumpy tiles? Well, of course, you don't.
-
3:34 - 3:37But I get a lot of toilets, and so you just dispatch a toilet with a hammer,
-
3:37 - 3:40and then you have lumpy tiles.
-
3:40 - 3:42And then the faucet, there,
-
3:42 - 3:44is a beer tap.
-
3:44 - 3:46(Laughter)
-
3:46 - 3:48Then, this panel of glass
-
3:48 - 3:50is the same panel of glass
-
3:50 - 3:53that occurs in every middle-class front door in America.
-
3:53 - 3:56We're getting tired of it. It's kind of cliched now.
-
3:56 - 3:59So if you put it in the front door, your design fails.
-
3:59 - 4:01So don't put it in the front door; put it somewhere else.
-
4:01 - 4:03It's a pretty panel of glass.
-
4:03 - 4:05But then if you put it in the front door,
-
4:05 - 4:08people say, "Oh, you're trying to be like those guys, and you didn't make it."
-
4:08 - 4:10So don't put it there.
-
4:11 - 4:13Then, another bathroom upstairs.
-
4:13 - 4:16This light up here is the same light that occurs
-
4:16 - 4:18in every middle-class foyer in America.
-
4:18 - 4:20Don't put it in the foyer.
-
4:20 - 4:22Put it in the shower, or in the closet,
-
4:22 - 4:24but not in the foyer.
-
4:25 - 4:28Then, somebody gave me a bidet, so it got a bidet.
-
4:28 - 4:31(Laughter)
-
4:31 - 4:33This little house here,
-
4:33 - 4:36those branches there are made out of Bois D'arc or Osage Orange,
-
4:36 - 4:38and these pictures will keep scrolling
-
4:38 - 4:40as I talk a little bit.
-
4:40 - 4:42In order to do what I do,
-
4:42 - 4:44you have to understand
-
4:44 - 4:46what causes waste in the building industry.
-
4:46 - 4:49Our housing has become a commodity,
-
4:49 - 4:51and I'll talk a little bit about that.
-
4:51 - 4:54But the first cause of waste is probably even buried in our DNA.
-
4:54 - 4:56Human beings have a need for maintaining consistency
-
4:56 - 4:58of the apperceptive mass.
-
4:58 - 5:00What does that mean?
-
5:00 - 5:02What it means is, for every perception we have,
-
5:02 - 5:04it needs to tally with the one like it before,
-
5:04 - 5:06or we don't have continuity,
-
5:06 - 5:08and we become a little bit disoriented.
-
5:08 - 5:11So I can show you an object you've never seen before.
-
5:11 - 5:13Oh, that's a cell phone.
-
5:13 - 5:16But you've never seen this one before.
-
5:16 - 5:18What you're doing
-
5:18 - 5:20is sizing up the pattern of structural features here,
-
5:20 - 5:23and then you go through your databanks -- brrrr, cell phone.
-
5:23 - 5:25Oh, that's a cell phone.
-
5:25 - 5:27If I took a bite out of it,
-
5:27 - 5:30you'd go, "Wait a second.
-
5:30 - 5:32That's not a cell phone.
-
5:32 - 5:34That's one of those new chocolate cell phones."
-
5:34 - 5:36(Laughter)
-
5:36 - 5:38And you'd have to start a new category,
-
5:38 - 5:40right between cell phones and chocolate.
-
5:40 - 5:43That's how we process information.
-
5:43 - 5:45So you translate that to the building industry,
-
5:45 - 5:47if we have a wall of windowpanes and one pane is cracked,
-
5:47 - 5:50we go, "Oh, dear. That's cracked. Let's repair it.
-
5:50 - 5:53Let's take it out. Throw it away so nobody can use it and put a new one in."
-
5:53 - 5:56Because that's what you do with a cracked pane.
-
5:56 - 5:59Never mind that it doesn't affect our lives at all.
-
5:59 - 6:01It only rattles that expected pattern
-
6:01 - 6:04and unity of structural features.
-
6:04 - 6:06However, if we took a small hammer,
-
6:06 - 6:09and we added cracks to all the other windows,
-
6:09 - 6:12then we have a pattern.
-
6:12 - 6:15Because Gestalt Psychology emphasizes recognition of pattern
-
6:15 - 6:17over parts that comprise a pattern.
-
6:17 - 6:19We'll go, "Ooh, that's nice."
-
6:19 - 6:22So, that serves me every day.
-
6:22 - 6:24Repetition creates pattern.
-
6:24 - 6:26If I have a hundred of these, a hundred of those,
-
6:26 - 6:28it doesn't make any difference what these and those are.
-
6:28 - 6:31If I can repeat anything, I have the possibility of a pattern
-
6:31 - 6:34from hickory nuts and chicken eggs, shards of glass, branches.
-
6:34 - 6:36It doesn't make any difference.
-
6:36 - 6:38That causes a lot of waste in the building industry.
-
6:38 - 6:41Second is, Friedrich Nietzsche along about 1885
-
6:41 - 6:44wrote a book titled "The Birth of Tragedy."
-
6:44 - 6:46And in there he said
-
6:46 - 6:48that cultures tend to swing between one of two perspectives.
-
6:48 - 6:51On the one hand, we have an Apollonian perspective,
-
6:51 - 6:53which is very crisp and premeditated
-
6:53 - 6:55and intellectualized
-
6:55 - 6:58and perfect.
-
6:58 - 7:01On the other end of the spectrum, we have a Dionysian perspective,
-
7:01 - 7:04which is more given to the passions and intuition,
-
7:04 - 7:07tolerant of organic texture and human gesture.
-
7:07 - 7:10So the way the Apollonian personality takes a picture,
-
7:10 - 7:12or hangs a picture,
-
7:12 - 7:14is they'll get out a transit
-
7:14 - 7:17and a laser level and a micrometer.
-
7:17 - 7:19"Okay, honey. A thousandth of an inch to the left.
-
7:19 - 7:21That's where we want the picture. Right. Perfect."
-
7:21 - 7:24Predicated on plumb level, square and centered.
-
7:24 - 7:26The Dionysian personality
-
7:26 - 7:29takes the picture and goes ...
-
7:29 - 7:33(Laughter)
-
7:33 - 7:35That's the difference.
-
7:35 - 7:37I feature blemish.
-
7:37 - 7:39I feature organic process.
-
7:39 - 7:42Dead-center John Dewey.
-
7:42 - 7:45Apollonian mindset creates mountains of waste.
-
7:45 - 7:47If something isn't perfect,
-
7:47 - 7:50if it doesn't line up with that premeditated model, dumpster.
-
7:50 - 7:52"Oops, scratch, dumpster."
-
7:52 - 7:55"Oops" this, "oops" that. "Landfill. Landfill. Landfill."
-
7:55 - 7:58The third thing is arguably --
-
7:58 - 8:00the Industrial Revolution started in the Renaissance
-
8:00 - 8:02with the rise of humanism,
-
8:02 - 8:05then got a little jump-start along about the French Revolution.
-
8:05 - 8:07By the middle of the 19th century, it's in full flower.
-
8:07 - 8:10And we have dumaflages and gizmos
-
8:10 - 8:13and contraptions that will do anything
-
8:13 - 8:15that we, up to that point,
-
8:15 - 8:17had to do my hand.
-
8:17 - 8:19So now we have standardized materials.
-
8:19 - 8:22Well, trees don't grow two inches by four inches,
-
8:22 - 8:24eight, ten and twelve feet tall.
-
8:24 - 8:26We create mountains of waste.
-
8:26 - 8:28And they're doing a pretty good job
-
8:28 - 8:30there in the forest,
-
8:30 - 8:32working all the byproduct of their industry --
-
8:32 - 8:35with OSB and particle board and so forth and so on --
-
8:35 - 8:37but it does no good
-
8:37 - 8:40to be responsible at the point of harvest in the forest
-
8:40 - 8:43if consumers are wasting the harvest at the point of consumption,
-
8:43 - 8:45and that's what's happening.
-
8:45 - 8:47And so if something isn't standard,
-
8:47 - 8:50"Oops, dumpster." "Oops" this. "Oops, warped."
-
8:50 - 8:52If you buy a two-by-four and it's not straight,
-
8:52 - 8:54you can take it back.
-
8:54 - 8:56"Oh, I'm so sorry, sir. We'll get you a straight one."
-
8:56 - 8:59Well I feature all those warped things
-
8:59 - 9:01because repetition creates pattern,
-
9:01 - 9:03and it's from a Dionysian perspective.
-
9:03 - 9:05The fourth thing
-
9:05 - 9:08is labor is disproportionately more expensive than materials.
-
9:08 - 9:10Well, that's just a myth.
-
9:10 - 9:13And here's a story: Jim Tulles, one of the guys I trained,
-
9:13 - 9:15I said, "Jim, it's time now.
-
9:15 - 9:18I got a job for you as a foreman on a framing crew. It's time for you to go."
-
9:18 - 9:20"Dan, I just don't think I'm ready."
-
9:20 - 9:23"Jim, now it's time. You're the down, oh."
-
9:23 - 9:25So we hired on.
-
9:25 - 9:27And he was out there with his tape measure
-
9:27 - 9:29going through the trash heap, looking for header material,
-
9:29 - 9:31which is the board that goes over a door,
-
9:31 - 9:33thinking he'd impress his boss -- that's how we taught him to do it.
-
9:33 - 9:36And the superintendent walked up and said, "What are you doing?"
-
9:36 - 9:38"Oh, just looking for some header material,"
-
9:38 - 9:40waiting for that kudos.
-
9:40 - 9:43He said, "No, no. I'm not paying you to go through the trash. Get back to work."
-
9:43 - 9:45And he had the wherewithal to say,
-
9:45 - 9:47he said, "You know, if you were paying me
-
9:47 - 9:49300 dollars an hour,
-
9:49 - 9:51I can see how you might say that,
-
9:51 - 9:54but right now, I'm saving you five dollars a minute.
-
9:54 - 9:56Do the math."
-
9:56 - 9:58(Laughter)
-
9:58 - 10:01"Good call, Tulles. From now on, you guys hit this pile first."
-
10:01 - 10:04And the irony is that he wasn't very good at math.
-
10:04 - 10:07(Laughter)
-
10:07 - 10:09But once in a while you get access to the control room,
-
10:09 - 10:11and then you can kind of mess with the dials.
-
10:11 - 10:14And that's what happened there.
-
10:14 - 10:16The fifth thing is that maybe, after 2,500 years,
-
10:16 - 10:19Plato is still having his way with us in his notion of perfect forms.
-
10:19 - 10:21He said that we have in our noggin
-
10:21 - 10:24the perfect idea of what we want,
-
10:24 - 10:27and we force environmental resources to accommodate that.
-
10:27 - 10:29So we all have in our head the perfect house,
-
10:29 - 10:31the American dream, which is a house,
-
10:31 - 10:33the dream house.
-
10:33 - 10:35The problem is we can't afford it.
-
10:35 - 10:37So we have the American dream look-alike,
-
10:37 - 10:39which is a mobile home.
-
10:39 - 10:42Now there's a blight on the planet.
-
10:42 - 10:44It's a chattel mortgage,
-
10:44 - 10:46just like furniture, just like a car.
-
10:46 - 10:49You write the check, and instantly it depreciates 30 percent.
-
10:49 - 10:51After a year, you can't get insurance on everything you have in it,
-
10:51 - 10:53only on 70 percent.
-
10:53 - 10:55Wired with 14-gauge wire typically.
-
10:55 - 10:57Nothing wrong with that,
-
10:57 - 10:59unless you ask it to do what 12-gauge wire's supposed to do,
-
10:59 - 11:01and that's what happens.
-
11:01 - 11:03It out-gasses formaldehyde so much so
-
11:03 - 11:06that there is a federal law in place
-
11:06 - 11:08to warn new mobile home buyers
-
11:08 - 11:11of the formaldehyde atmosphere danger.
-
11:11 - 11:13Are we just being numbingly stupid?
-
11:13 - 11:15The walls are this thick.
-
11:15 - 11:18The whole thing has the structural value of corn.
-
11:18 - 11:20(Laughter)
-
11:20 - 11:22"So I thought Palm Harbor Village was over there."
-
11:22 - 11:24"No, no. We had a wind last night.
-
11:24 - 11:26It's gone now."
-
11:26 - 11:29(Laughter)
-
11:29 - 11:32Then when they degrade, what do you do with them?
-
11:32 - 11:34Now, all that,
-
11:34 - 11:37that Apollonian, Platonic model,
-
11:37 - 11:40is what the building industry is predicated on,
-
11:40 - 11:42and there are a number of things that exacerbate that.
-
11:42 - 11:45One is that all the professionals,
-
11:45 - 11:47all the tradesmen, vendors,
-
11:47 - 11:49inspectors, engineers, architects
-
11:49 - 11:51all think like this.
-
11:51 - 11:53And then it works its way back to the consumer,
-
11:53 - 11:55who demands the same model.
-
11:55 - 11:58It's a self-fulfilling prophecy. We can't get out of it.
-
11:58 - 12:01Then here come the marketeers and the advertisers.
-
12:01 - 12:03"Woo. Woohooo."
-
12:03 - 12:06We buy stuff we didn't know we needed.
-
12:06 - 12:08All we have to do is look at
-
12:08 - 12:10what one company did with carbonated prune juice.
-
12:10 - 12:12How disgusting.
-
12:12 - 12:14(Laughter)
-
12:14 - 12:16But you know what they did? They hooked a metaphor into it
-
12:16 - 12:18and said, "I drink Dr. Pepper ..."
-
12:18 - 12:21And pretty soon, we're swilling that stuff by the lake-ful,
-
12:21 - 12:23by the billions of gallons.
-
12:23 - 12:26It doesn't even have real prunes. Doesn't even keep you regular.
-
12:26 - 12:28(Laughter)
-
12:28 - 12:30My oh my, that makes it worse.
-
12:30 - 12:33And we get sucked into that faster than anything.
-
12:33 - 12:35Then a man named Jean-Paul Sartre wrote a book
-
12:35 - 12:37titled "Being and Nothingness."
-
12:37 - 12:39It's a pretty quick read.
-
12:39 - 12:42You can snap through it in maybe two years
-
12:42 - 12:45if you read eight hours a day.
-
12:45 - 12:47In there he talked about the divided self.
-
12:47 - 12:50He said human beings act differently when they know they're alone
-
12:50 - 12:52than when they know somebody else is around.
-
12:52 - 12:55So if I'm eating spaghetti, and I know I'm alone,
-
12:55 - 12:57I can eat like a backhoe.
-
12:57 - 13:00I can wipe my mouth on my sleeve, napkin on the table,
-
13:00 - 13:03chew with my mouth open, make little noises,
-
13:03 - 13:05scratch wherever I want.
-
13:05 - 13:07(Laughter)
-
13:07 - 13:09But as soon as you walk in,
-
13:09 - 13:11I go, "Ooh. Spaghetti sauce there."
-
13:11 - 13:13Napkin in my lap, half bites,
-
13:13 - 13:15chew with my mouth closed, no scratching.
-
13:15 - 13:17Now what I'm doing
-
13:17 - 13:20is fulfilling your expectations
-
13:20 - 13:23of how I should live my life.
-
13:23 - 13:25I feel that expectation,
-
13:25 - 13:27and so I accommodate it,
-
13:27 - 13:30and I'm living my life according to what you expect me to do.
-
13:30 - 13:32That happens in the building industry as well.
-
13:32 - 13:35That's why all of our subdivisions look the same.
-
13:35 - 13:37Sometimes we even have
-
13:37 - 13:39these formalized cultural expectations.
-
13:39 - 13:41I'll bet all your shoes match.
-
13:41 - 13:44Sure enough, we all buy into that,
-
13:44 - 13:47and with gated communities,
-
13:47 - 13:49we have a formalized expectation
-
13:49 - 13:51with a homeowners association.
-
13:51 - 13:53Sometimes those guys are Nazis,
-
13:53 - 13:55my oh my.
-
13:56 - 13:59That exacerbates and continues this model.
-
13:59 - 14:02The last thing is gregariousness.
-
14:02 - 14:04Human beings are a social species.
-
14:04 - 14:06We like to hang together in groups,
-
14:06 - 14:08just like wildebeests, just like lions.
-
14:08 - 14:10Wildebeests don't hang with lions
-
14:10 - 14:12because lions eat wildebeests.
-
14:12 - 14:14Human beings are like that.
-
14:14 - 14:16We do what that group does
-
14:16 - 14:18that we're trying to identify with.
-
14:18 - 14:21And so you see this in junior high a lot.
-
14:21 - 14:24Those kids, they'll work all summer long,
-
14:24 - 14:26kill themselves,
-
14:26 - 14:28so that they can afford
-
14:28 - 14:30one pair of designer jeans.
-
14:30 - 14:32So along about September
-
14:32 - 14:34they can stride in and go,
-
14:34 - 14:36"I'm important today.
-
14:36 - 14:38See, look, don't touch my designer jeans.
-
14:38 - 14:41I see you don't have designer jeans.
-
14:41 - 14:43You're not one of the beautiful people.
-
14:43 - 14:46See, I'm one of the beautiful people. See my jeans?"
-
14:46 - 14:49Right there is reason enough to have uniforms.
-
14:49 - 14:52And so that happens in the building industry as well.
-
14:52 - 14:54We have confused
-
14:54 - 14:56Maslow's hierarchy of needs
-
14:56 - 14:58just a little bit.
-
14:58 - 15:00On the bottom tier
-
15:00 - 15:02we have basic needs --
-
15:02 - 15:05shelter, clothing, food, water, mating and so forth.
-
15:05 - 15:08Second, security. Third, relationships.
-
15:08 - 15:11Fourth, status, self-esteem -- that is, vanity.
-
15:11 - 15:14And we're taking vanity and shoving it down here.
-
15:14 - 15:17And so we end up
-
15:17 - 15:19with vain decisions
-
15:19 - 15:21and we can't even afford our mortgage.
-
15:21 - 15:24We can't even afford to eat anything except beans.
-
15:24 - 15:26That is, our housing
-
15:26 - 15:28has become a commodity.
-
15:28 - 15:31And it takes a little bit of nerve
-
15:31 - 15:34to dive into those primal,
-
15:34 - 15:37terrifying parts of ourselves
-
15:37 - 15:40and make our own decisions
-
15:40 - 15:42and not make our housing a commodity,
-
15:42 - 15:45but make it something that bubbles up from seminal sources.
-
15:45 - 15:47That takes a little bit of nerve,
-
15:47 - 15:50and, darn it, once in a while you fail.
-
15:50 - 15:52But that's okay.
-
15:52 - 15:54If failure destroys you,
-
15:54 - 15:56then you can't do this.
-
15:56 - 15:58I fail all the time, every day,
-
15:58 - 16:01and I've had some whopping failures, I promise,
-
16:01 - 16:03big, public, humiliating,
-
16:03 - 16:05embarrassing failures.
-
16:05 - 16:07Everybody points and laughs,
-
16:07 - 16:09and they say, "He tried it a fifth time and it still didn't work.
-
16:09 - 16:11What a moron."
-
16:11 - 16:13Early on, contractors come by and say,
-
16:13 - 16:15"Dan, you're a cute little bunny,
-
16:15 - 16:17but you know, this just isn't going to work.
-
16:17 - 16:20What don't you do this, and why don't you do that?"
-
16:20 - 16:22And your instinct is to say,
-
16:22 - 16:24"Why don't you suck an egg?"
-
16:25 - 16:27But you don't say that,
-
16:27 - 16:30because they're the guys you're targeting.
-
16:30 - 16:32And so what we've done --
-
16:32 - 16:34and this isn't just in housing.
-
16:34 - 16:36It's in clothing and food
-
16:36 - 16:39and our transportation needs, our energy --
-
16:39 - 16:42we sprawl just a little bit.
-
16:42 - 16:45And when I get a little bit of press,
-
16:45 - 16:48I hear from people all over the world.
-
16:48 - 16:50And we may have invented excess,
-
16:50 - 16:52but the problem of waste
-
16:52 - 16:55is worldwide.
-
16:55 - 16:58We're in trouble.
-
16:58 - 17:01And I don't wear ammo belts crisscrossing my chest
-
17:01 - 17:03and a red bandana,
-
17:03 - 17:05but we're clearly in trouble.
-
17:05 - 17:07And what we need to do
-
17:07 - 17:09is reconnect
-
17:09 - 17:12with those really primal parts of ourselves
-
17:12 - 17:14and make some decisions
-
17:14 - 17:17and say, "You know, I think I would like
-
17:17 - 17:19to put CDs across the wall there.
-
17:19 - 17:22What do you think, honey?"
-
17:22 - 17:24If it doesn't work, take it down.
-
17:25 - 17:28What we need to do is reconnect with who we really are,
-
17:28 - 17:30and that's thrilling indeed.
-
17:30 - 17:32Thank you very much.
-
17:32 - 17:36(Applause)
- Title:
- Creative houses from reclaimed stuff
- Speaker:
- Dan Phillips
- Description:
-
In this funny and insightful talk from TEDxHouston, builder Dan Phillips tours us through a dozen homes he's built in Texas using recycled and reclaimed materials in wildly creative ways. Brilliant, low-tech design details will refresh your own creative drive.
- Video Language:
- English
- Team:
- closed TED
- Project:
- TEDTalks
- Duration:
- 17:37
Krystian Aparta commented on English subtitles for Creative houses from reclaimed stuff | ||
Krystian Aparta edited English subtitles for Creative houses from reclaimed stuff | ||
Krystian Aparta edited English subtitles for Creative houses from reclaimed stuff | ||
TED edited English subtitles for Creative houses from reclaimed stuff | ||
TED added a translation |
Krystian Aparta
The English transcript was updated on 10/18/2016.