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LUISITA RUM FOR DELIVERY 2

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    - So when you think of rum,
    you'll always think
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    of pirates or beach.
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    Rum has always had
    that connotation or that reputation.
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    We want to push
    the needle further.
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    You know how people
    enjoy single malt?
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    It has that sipping culture—
    that's what we hope
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    to build for rum.
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    With Luisita Rum,
    we want to show the consumer
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    that it can be enjoyed
    as a sipper as well,
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    not just in cocktails
    but as a sipper.
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    - Hi! I'm John Go.
    I work with an importing
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    and distribution company
    called Grand Cru.
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    So our purpose is
    to make more niche
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    and boutique brands
    available locally.
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    I think Filipinos drink
    so much rum
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    because it's
    a very accessible spirit.
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    Like, we're a tropical country.
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    It's easy for sugarcane to grow
    in a tropical country.
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    We have Tanduay
    which is, I think,
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    one of the biggest
    rum producers in the world.
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    So the different brands
    of rum you can find here
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    in the Philippines
    are Clairin, Flor de Caña,
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    Doorly's, Tanduay,
    and of course, Luisita Rum.
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    For me, what makes a good rum
    is it has to have texture
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    and flavor.
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    - In Tarlac City, Philippines,
    the first and only
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    single estate rum
    in the country has been crafted
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    from soil to bottles since 2016.
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    Inspired by a deep fascination
    with wine,
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    father and son duo,
    Nando and Paco,
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    have been meticulously creating
    Luisita Rum with the vision
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    of producing a premium,
    farm-centric wine of the tropics.
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    - They know what it's all about.
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    - I believe so. Yeah.
    We have explained.
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    Cheers, pop.
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    Wow. That high ester stuff
    is really good.
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    - Oh, wow. It's really good.
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    - Yeah. I haven't tried
    this one in a while
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    but it's delicious.
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    Of course, the bird.
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    - This is the bird
    I was telling them.
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    - Philippine hawk-eagle.
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    - Yeah. 2136.
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    What's important with the brand
    is that we really stick
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    to the core value, right?
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    So we're trying to make
    a spirit that you can really
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    be proud of,
    something that's done
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    in the classic,
    traditional way of making
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    a world-class spirit,
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    and there are certain things
    you cannot compromise on
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    and you have to stick to that.
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    - The three most popular ways
    to make rum
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    is the Spanish style,
    the English style,
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    and the French style.
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    The most familiar style
    we have here is Spanish style.
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    Luisita is different
    from other rums made
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    in the Philippines because,
    one, they're single estate,
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    so all of the molasses they use
    all come from the sugarcane
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    in their land which gives them
    more quality control
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    with the raw material
    and also gives a higher chance
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    to expressing terroir.
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    So it's essentially grass to glass.
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    - Luisita actually was founded
    in 1881—the estate.
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    It was founded, at that time,
    the Philippines, our country,
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    was a colony of Spain.
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    So it was put up
    by a company called Tabacalera.
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    So Tabacalera was involved
    at that time,
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    they were the biggest
    tobacco traders in the world.
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    So the original plan
    of that company
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    was to plant tobacco here
    in Luisita,
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    but they found that the climate
    was not suitable
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    for tobacco farming.
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    So around... some time
    in the early, well,
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    the third of the century,
    early 1900s,
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    they shifted to, okay,
    let's start planting sugarcane.
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    So in 1927, our family,
    we had no stake here in Luisita.
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    My paternal great grandfather,
    actually he and his siblings,
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    they had a sugar mill
    further up north
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    called Paniqui Sugar Mill.
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    So it closed down already
    some time in the 90s,
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    and they actually had a rum
    at that time.
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    And this rum was being sold
    and really prevalent
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    in the market after the war.
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    Looking at the history
    as I started, like,
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    asking stories from relatives
    and looking at history books,
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    I slowly realized
    that rum making
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    is actually, not in our blood,
    but we've been doing it
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    for a long time
    without us even knowing.
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    So here we have
    what we call a sandy loam.
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    Actually, they called it
    Luisita soil,
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    they gave it its own designation.
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    And this kind of soil,
    it's easily workable,
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    high in organic matter.
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    When you have good soil,
    everything else follows.
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    So the philosophy
    is always just focus
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    on the ground.
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    So with sugarcane farming,
    and any farming really,
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    you have to be very observant,
    take care of the soil,
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    and that is actually 99%
    of the battle.
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    - Our farming improves every year.
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    We don’t just plant sugarcane;
    we also take care of the soil.
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    Crop rotation is necessary,
    or adding organic matter
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    to restore fertility
    because the soil
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    has become acidic.
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    If your soil isn’t good,
    your production
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    won’t be good either
    since the sugarcane won’t grow well.
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    - Once you take care of the soil,
    the process
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    is setup seed beds,
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    so these would be nurseries
    where we grow specific varieties
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    that we pinpoint
    to specific soil type.
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    Sugarcane is actually
    not grown from seed
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    but we propagate it
    from the stalk itself.
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    There are eye buds
    in the sugarcane plant,
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    so sugarcane
    is actually a grass,
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    you plant it, and then it grows
    from these eye buds.
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    Come harvest time,
    we cut it by hand
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    in the first plant,
    and then we also use
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    mechanical harvesters now.
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    - What they do is load everything
    onto the truck first,
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    then later, they reverse it
    to pick up the scattered ones
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    and load them as well.
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    For example, they can load up
    to 10, 15, or even 19 tons.
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    But right now,
    they haven’t reached 19 tons yet.
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    They’ll harvest more.
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    Once loading is done,
    they transport it
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    to the central mill.
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    After that, they go
    to the ticket booth,
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    and it’s ready for milling.
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    - The first time I met Boss Paco
    was when we planted
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    at the nipa hut.
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    You were hauling, feeding,
    and even removing big stones
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    from the hut.
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    You were there too, right?
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    - Yeah, I was cutting as well.
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    - Me too. That’s why I know
    this job very well.
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    - I saw you cutting
    at Hacienda Bantug, sir,
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    with Boss Juan.
    They climbed up there.
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    - 47 trucks.
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    - Yeah, that’s it.
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    - 2015.
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    - He also experienced
    what they’re doing now.
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    He hauled, climbed the ladder—
    everything.
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    - Actually, I wanted
    to be a lawyer.
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    So growing up,
    even in grade school,
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    my father was a lawyer,
    so I thought, okay,
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    I want to be a lawyer.
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    And I tried it out,
    spent three months
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    in his law firm
    in his little cubicle...
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    And I'll be honest,
    I didn't have fun.
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    So I talked to him
    and I said, "Okay.
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    I don't think this is for me."
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    He sent me here.
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    "Okay. Try it out in Tarlac."
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    I thought I was going
    to be a farm manager right away,
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    you know?
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    Like, okay. Top position,
    here we go.
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    And apparently, my first job
    was to cut sugarcane.
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    I don't know if it was planned,
    that maybe he wanted me
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    to have the hardest job
    so that I'd go back and say,
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    "Okay. I'll be a lawyer."
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    Maybe it backfired.
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    Probably did.
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    I fell in love with it
    and I still really remember that.
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    So I look back on that now.
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    At that time,
    it didn't make sense to me.
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    It's a difficult job.
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    But now that I look back on it,
    it gives me confidence
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    in myself that, okay,
    I really love this,
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    'cause I wouldn't have done that,
    I wouldn't have...
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    and I'd do it again.
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    And it reminds me
    that I'm passionate about it.
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    When I cut that cane
    in 2014, 2015,
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    I didn't go home,
    I never left this place.
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    So I've been here
    for 10 years now.
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    Almost 11, actually.
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    So here in Luisita
    in Central Luzon,
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    we actually have
    the biggest fleet
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    of mechanical harvesters
    and we're really pushing
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    to mechanize the industry,
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    at least for sugarcane
    which is what we're involved in.
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    The reason being so that
    the labor now can transfer
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    to jobs that cannot be mechanized.
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    So it's really bringing them
    to where the human touch
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    is required.
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    Once that cane is harvested,
    it's now sent here to the mill
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    and it's dumped.
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    So we have a special technology,
    we lift the truck up
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    and the special technology
    is called gravity.
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    The cane falls down
    from the truck.
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    - This is what we call
    mill processing—
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    how we position our trucks
    before dumping them into the mill.
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    There are two areas
    to prevent delays in processing.
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    As soon as one truck finishes,
    the next one follows,
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    keeping the dumping process
    continuous.
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    The sugarcane gets leveled—
    unlike before,
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    when dumping was uneven.
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    But once it passes
    through the equalizer,
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    it gets properly aligned.
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    Then, it goes through the mill,
    where the crushed sugarcane
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    is squeezed, extracting its juice.
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    These trucks come
    from different places—
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    Victoria, Nueva Ecija,
    Pangasinan, and Gerona.
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    Various locations supply us.
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    - So once that cane is dumped,
    it goes through a series of,
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    they call it a Unigrator.
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    To keep it simple,
    it's a lot of cane knives crushing it.
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    Inside the mill,
    you can just imagine
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    it's a sugarcane juicer
    but in a large scale.
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    The cane is really now squeezed,
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    we extract as much juice
    as we can,
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    and that juice now gets sent
    to the boiling house.
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    It's heated up,
    we evaporate as much water
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    as we can, really to concentrate
    the sugar content
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    in the sugarcane juice.
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    But inside the mill,
    that cane juice now goes
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    to the boiling house
    and whatever's left over,
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    'cause 78%
    of that sugarcane stalk
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    is actually fiber,
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    and that fiber
    is now really crushed
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    and we send that now
    to the boiler.
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    And in the boiler, it's burnt
    and that generates steam,
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    that steam is now sent
    to our turbine generators
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    to generate power.
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    So everything you need
    for sugarcane factories
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    and the sugar industry
    is almost, there I say,
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    carbon neutral
    because the energy required
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    to process the sugarcane
    and the sugar is also in the plant.
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    So that part is...
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    I'm always amazed by that.
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    We call it bagasse—that fiber.
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    It's now burnt,
    and then, of course,
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    people now think,
    "Oh, you're throwing pollutants
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    into the atmosphere."
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    So what we did, again,
    going back to taking care
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    of the soil is we put a,
    they call it a scrubber,
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    so it's just water jets
    that shoot into the chute,
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    the chimney, and now
    all the particulates fall
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    to the ground
    and it's called mill ash
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    which is very high in potassium
    and other trace elements—
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    molybdenum,
    all of that good stuff.
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    That mill ash now
    we apply it back into the field.
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    So again,
    it's a closed loop system.
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    So that's what happens
    with the fiber.
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    The juice, which is now
    in the boiling house,
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    once it hits the clarity
    that's needed,
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    the bricks that's required,
    we send that now
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    to the evaporators
    where more water is evaporated.
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    - This is the pan floor station.
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    This is the evaporation station,
    where we remove the water.
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    We concentrate the juice
    from 30 brix to 65 brix.
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    After boiling at the top
    and 24 hours of curing time,
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    this becomes C sugar.
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    The continuous centrifugal basket
    separates it.
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    This is our C sugar,
    and the remaining molasses
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    is the final molasses—
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    extracted here
    in the boiling house.
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    This final molasses is then sent
    to the distillery
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    for fermentation
    to produce alcohol.
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    - So molasses,
    locally we call it "pulot."
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    It's all the sugars
    that can no longer be crystallized.
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    - Here, we grow the sugar crystals
    from stage three
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    to pan numbers four and five.
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    We monitor their size
    and color until they reach
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    the pan five.
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    If we test them
    and no crystals stick
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    to the glass,
    it means they’re clean.
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    - Okay. So the final step
    or the second check that we have
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    for the molasses quality
    would be in the quality
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    of our raw sugar
    or our brown sugar.
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    So by flavor, by taste,
    I can tell if it's too sweet,
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    my molasses quality
    is not that good.
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    If there's a little bit
    of bitterness,
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    a little bit of molasses flavor,
    sugarcane flavor,
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    then it's great for distillation.
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    So right now, this sugar,
    when you taste it,
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    based on the taste alone...
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    No, not yet.
    It's not just like alcohol
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    but it's not overly sweet,
    so you don't want it
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    to be too sweet.
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    That means that there's still
    enough sugar in the molasses
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    that when we ferment it,
    we're going to be able
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    to hit the desired flavor profile
    for our rum distillate.
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    So the sugar is now sent
    to the warehouse for repacking
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    and you know,
    to supply the sugar in the market.
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    But the important part here
    when we got into making
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    the rum distillate
    is the aroma that you smell
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    when you taste the unaged rum
    before it hits the barrel.
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    This is what we look for,
    this smell, this aroma,
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    this brown sugar,
    almost like a crème brûlée
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    kind of essence.
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    And then, that's what tell us,
    okay, this distillate
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    is good for rum.
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    Yeah. This reaches
    the supermarket,
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    and then some of it
    we send to become white sugar,
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    depending on the market.
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    But this is our contribution
    to Philippine agriculture.
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    We focused on fermentation
    because in fermentation,
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    that is where alcohol
    and flavors are made.
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    - This is where we propagate yeast.
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    From just 12 liters of lab yeast,
    we expand it
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    to a large-scale volume
    of around 22,000 liters.
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    Inside the small cultivator,
    there is wort.
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    Wort is a combination
    of molasses,
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    which is a byproduct of sugar.
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    This is where the molasses
    is processed.
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    Wort consists of molasses,
    water, chlorine,
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    and other nutrients for yeast.
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    It is aerated
    to encourage further growth.
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    - So after this fermentation,
    we got to distillation.
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    So the yeast, the little animals
    which are friends,
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    they consume the residual sugars
    in the molasses
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    and turn that
    into what we know as alcohol,
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    but in our case,
    rum distillate.
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    So rum distillate is rum
    that has not seen
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    the inside of a barrel.
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    It doesn't have an age yet,
  • 21:42 - 21:44
    but there's already flavor there.
  • 21:44 - 21:49
    Once fermentation is done,
    we send it to this 98-year-old.
  • 21:49 - 21:52
    It was put up in 1926-1927.
  • 21:53 - 21:54
    Distillery.
  • 21:54 - 21:57
    So it's a twin column
    distillation process
  • 21:58 - 22:04
    designed specifically for rum,
    or for spirits.
  • 22:04 - 22:07
    The inside of that is all copper.
  • 22:07 - 22:10
    We have about 70 copper plates
    and bubble caps.
  • 22:10 - 22:12
    I don't want to get too technical.
  • 22:12 - 22:14
    But basically,
    to make good rum distillate,
  • 22:14 - 22:19
    you want the inside
    of your column still to be copper.
  • 22:38 - 22:41
    Here you'll see,
    we call it column no. 3.
  • 22:41 - 22:42
    So it's our oldest column.
  • 22:42 - 22:45
    So whatever was in fermentation
    gets fed first
  • 22:45 - 22:47
    into the beer still.
  • 22:47 - 22:51
    And then from the beer still,
    it goes to the rectifying column.
  • 22:52 - 22:54
    So the rectifying column
    is where we get...
  • 22:54 - 22:57
    we now collect our unaged rum—
  • 22:58 - 22:59
    so the rum distillate.
  • 22:59 - 23:02
    In simple terms,
    the way I like to view it,
  • 23:02 - 23:06
    I'm playing hide-and-seek
    to find the flavor.
  • 23:06 - 23:12
    So if you will notice,
    there are a lot of tapping points.
  • 23:12 - 23:15
    So we put a tapping point
    in each part
  • 23:15 - 23:17
    of the rectifying column.
  • 23:17 - 23:21
    So as we go on,
    every hour we're tasting,
  • 23:21 - 23:24
    and we find
    where the good alcohol is.
  • 23:24 - 23:25
    So it's hide-and-seek.
  • 23:25 - 23:27
    So sometimes
    we might get it here,
  • 23:27 - 23:29
    sometimes we might get it here,
  • 23:30 - 23:32
    most times we get it here.
  • 23:34 - 23:37
    So again,
    it's a sensory experience.
  • 23:38 - 23:39
    You smell it.
  • 23:43 - 23:45
    And to make the decision,
  • 23:46 - 23:48
    it's just like food,
    if it tastes good, collect,
  • 23:49 - 23:51
    if you don't like how it tastes,
    divert it.
  • 23:58 - 24:01
    After distillation,
    it's coming off the still
  • 24:01 - 24:05
    at 95% or even 93% alcohol,
    that's not...
  • 24:06 - 24:08
    you can drink it
    but actually, no,
  • 24:08 - 24:10
    you cannot drink it,
    do not drink it.
  • 24:10 - 24:12
    So that's already rum distillate.
  • 24:12 - 24:13
    That's already considered rum.
  • 24:14 - 24:16
    What you do now,
    what we do is we get that
  • 24:16 - 24:21
    and we now send that
    to our blending facility
  • 24:21 - 24:26
    where we slowly drop the proof
    or the alcohol percent
  • 24:26 - 24:33
    to about 62-65% ABV
    or alcohol by volume.
  • 24:34 - 24:39
    And once that's done,
    once you hit the target ABV,
  • 24:39 - 24:41
    that's what we now put
    into the barrel.
  • 24:47 - 24:51
    At least as far as aging
    is concerned in the bodega,
  • 24:51 - 24:54
    we find here in Luisita
    that it should,
  • 24:54 - 24:58
    given the climate,
    it takes about two years
  • 24:58 - 25:01
    to reach the profile
    that we are looking for.
  • 25:01 - 25:05
    Now, our oldest batch
    is eight years already actually.
  • 25:05 - 25:08
    So once it's in that barrel,
    the rum distillate
  • 25:08 - 25:12
    is interacting with the wood,
    all of that lignin layers
  • 25:12 - 25:15
    and you really just let time
    do its thing,
  • 25:15 - 25:18
    you let nature do its thing,
    and all of these
  • 25:18 - 25:21
    chemical compounds,
    alcohol, esters, congeners,
  • 25:21 - 25:26
    they now form inside the barrel
    and the taste develops
  • 25:26 - 25:27
    even further.
  • 25:34 - 25:37
    - Yes, aging is a big factor
    in rum production.
  • 25:37 - 25:40
    In the Philippines,
    because of our warm climate,
  • 25:40 - 25:45
    our aging process
    is faster compared
  • 25:45 - 25:53
    to colder countries
    where aging takes 10 to 15 years.
  • 25:56 - 25:58
    - One good thing that came out
    of the pandemic
  • 25:58 - 26:01
    is all the barrels
    that you see here,
  • 26:01 - 26:03
    we tasted it and we scored it.
  • 26:04 - 26:06
    We scored it on a rating
    of one to five.
  • 26:06 - 26:10
    So this is called the barrel thief,
  • 26:10 - 26:12
    but this is the real barrel thief.
  • 26:12 - 26:13
    (chuckles)
  • 26:13 - 26:16
    So this is our way
    of testing the barrel
  • 26:17 - 26:19
    and rum that is inside.
  • 26:20 - 26:25
    So we make it a point
    to taste at least...
  • 26:25 - 26:28
    maximum 30 barrels
    in one day,
  • 26:29 - 26:34
    and then we score it
    one to five based on flavor,
  • 26:35 - 26:40
    aroma, and then style.
  • 26:40 - 26:44
    So style would be how close it is
    to the flavor
  • 26:44 - 26:48
    or the profile of Luisita Rum
    that we are looking for.
  • 26:49 - 26:50
    - How old is that?
  • 26:50 - 26:52
    - So this one would be...
  • 26:53 - 26:55
    This is about five years. Yeah.
  • 26:56 - 27:00
    So you guys asked a while ago
    what is my favorite way
  • 27:00 - 27:02
    of drinking Luisita Rum,
    it's like this,
  • 27:02 - 27:04
    straight from the barrel, neat.
  • 27:04 - 27:06
    So this is 65%.
  • 27:19 - 27:22
    - So Bar By is
    an architectural firm by day,
  • 27:22 - 27:24
    and then a cocktail bar
    at night.
  • 27:24 - 27:27
    So after working,
    you can drink.
  • 27:28 - 27:31
    I started as a guest at this bar.
  • 27:31 - 27:35
    Then, after sharing a few drinks,
    it all started—
  • 27:35 - 27:38
    “Okay, let’s work together.”
    That’s how it happened.
  • 27:38 - 27:42
    I think a lot of things happen
    when people drink
  • 27:42 - 27:44
    and share stories,
    and maybe that’s
  • 27:44 - 27:46
    what happened here.
  • 27:46 - 27:51
    - Our menu offers a fun twist
    on classic signatures,
  • 27:51 - 27:54
    and we also create bespoke cocktails.
  • 27:54 - 27:58
    Here at Bar By,
    we use calamansi liqueur
  • 27:58 - 27:59
    and dalandan.
  • 27:59 - 28:03
    Our latest addition
    is Intramuros chocolate liqueur,
  • 28:03 - 28:06
    along with Luisita Rum
    and other local rums.
  • 28:07 - 28:10
    - We use a lot of local spirits
    and liquors.
  • 28:10 - 28:13
    One of them is Luisita Rum.
  • 28:13 - 28:17
    In fact, two of our bartenders
    visited the farm,
  • 28:17 - 28:20
    saw the entire process,
    and now they truly understand
  • 28:20 - 28:21
    their drinks.
  • 28:22 - 28:28
    - We highlight local ingredients,
    produce, local liquors,
  • 28:28 - 28:32
    and liqueurs—
    products that can compete
  • 28:32 - 28:36
    with international brands.
  • 28:38 - 28:41
    Right now, I’ll be making
    the River Valley—
  • 28:41 - 28:46
    a clarified cocktail
    using milk punch.
  • 28:46 - 28:51
    Most rums originate
    from tropical countries
  • 28:51 - 28:55
    like Barbados, the Caribbean,
    and Trinidad & Tobago.
  • 28:55 - 28:59
    Sugar is a basic necessity
    in the Philippines,
  • 28:59 - 29:03
    so we can say that we have
    the raw materials to make rum.
  • 29:06 - 29:09
    - With Luisita Rum,
    we always want to keep
  • 29:09 - 29:11
    that sense of place.
  • 29:11 - 29:13
    So we're not going
    to release a product
  • 29:13 - 29:15
    that we feel is...
    will not be worthy
  • 29:15 - 29:18
    of the name Luisita Rum.
  • 29:18 - 29:20
    It has to be something
    we're proud of.
  • 29:20 - 29:23
    People always ask me that,
    and it's sort of a crossroad,
  • 29:23 - 29:25
    "Are you going to go mass market?"
  • 29:25 - 29:27
    "Are you going
    to go full production?"
  • 29:27 - 29:28
    "You want to be
    in every shelf of the world?"
  • 29:29 - 29:31
    Of course, a part of you
    will say yes,
  • 29:32 - 29:36
    but if I do that
    and I lose the quality,
  • 29:38 - 29:40
    that's not the dream
    for Luisita Rum
  • 29:40 - 29:42
    because like I said,
    we want to show the world
  • 29:42 - 29:46
    that we're capable
    of producing a really world-class
  • 29:46 - 29:51
    premium spirit
    that just tastes really good
  • 29:51 - 29:54
    and it hits that quality
    that we're looking for.
  • 30:04 - 30:07
    - I'm still kicking.
    Senior citizen.
  • 30:07 - 30:09
    I'm super senior.
  • 30:10 - 30:14
    I was born and raised here,
    and I’m still
  • 30:14 - 30:18
    in the sugarcane business.
  • 30:18 - 30:22
    I continue working here,
    and I’m proud that I was able
  • 30:22 - 30:24
    to send my children
    to school because of this.
  • 30:24 - 30:26
    I hope it lasts.
  • 30:26 - 30:34
    We teach the younger ones
    so that when we’re gone,
  • 30:34 - 30:40
    they can continue the work.
    That’s my dream.
  • 30:40 - 30:43
    - I was able to put my children
    through school.
  • 30:44 - 30:47
    I supported all of them
    through this hacienda.
  • 30:48 - 30:50
    As long as you’re happy
    with your job,
  • 30:50 - 30:51
    that’s what matters.
  • 30:51 - 30:58
    Even at 62, I’m still working here.
  • 30:59 - 31:03
    - I see the fruits of my labor
    in the market,
  • 31:03 - 31:07
    enjoyed by people
    who are truly happy with their drink.
  • 31:08 - 31:14
    - We started this project
    with the Cojuangcos
  • 31:14 - 31:15
    when it was still small.
  • 31:15 - 31:22
    Now, it’s growing, expanding,
    and I’m very proud
  • 31:22 - 31:25
    of what we’ve achieved.
  • 31:26 - 31:34
    My dream for Luisita Rum is
    for it to grow even further,
  • 31:36 - 31:40
    for all our projects to succeed,
  • 31:40 - 31:45
    and for it to be
    renowned worldwide—
  • 31:45 - 31:46
    not just in the Philippines.
  • 31:54 - 31:57
    - So the potential
    for Filipino rum worldwide
  • 31:57 - 32:00
    is good because in other parts
    of the world,
  • 32:00 - 32:03
    rum is becoming more popular.
  • 32:03 - 32:06
    Historically, most of the rum
    come from the Caribbean,
  • 32:06 - 32:10
    but with the rising trend of rum,
    other parts of the world,
  • 32:10 - 32:13
    mostly Asia,
    they're making more rum.
  • 32:13 - 32:16
    I think Luisita is a good indicator
    that the Philippines
  • 32:16 - 32:20
    can have more craft
    rum brands in the future.
  • 32:25 - 32:28
    - It’s delighting to hear people say,
    “Wow, we’re not just
  • 32:28 - 32:31
    planting sugarcane anymore—
    we’re planting rum.”
  • 32:32 - 32:36
    It's nice to hear
    because now you're value adding,
  • 32:36 - 32:39
    of course, and it uplifts
    the community, it helps them.
  • 32:40 - 32:43
    Make the most of it
    and the dream is that
  • 32:43 - 32:45
    the brand really outlives me.
  • 32:45 - 32:50
    The driving factor really there
    would be to create
  • 32:50 - 32:54
    something that, you know,
    100 years from now,
  • 32:54 - 32:56
    200 years from now,
    it's still there,
  • 32:56 - 32:57
    Luisita Rum is still there.
  • 33:09 - 33:11
    And what I've learned now
    is that, you know,
  • 33:11 - 33:12
    the smile is enough.
  • 33:13 - 33:14
    My dad would smile.
  • 33:15 - 33:19
    It's already their way of saying
    that it's a product worthy
  • 33:19 - 33:22
    of their name,
    it's a product worthy
  • 33:22 - 33:24
    of carrying on the name
    of Luisita.
Title:
LUISITA RUM FOR DELIVERY 2
Description:

more » « less
Video Language:
Filipino
Duration:
33:51

English subtitles

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