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La Tregua - Sergio Renán (1974) (Película) (english subs)

  • 0:01 - 0:04
    Downloaded From www.AllSubs.org
  • 1:05 - 1:09
    TRUCE
  • 4:10 - 4:14
    -Good morning. -Good
    morning, Dad. -Good morning.
  • 4:15 - 4:18
    -Did you have a good time
    yesterday? -As usual.
  • 4:18 - 4:21
    -And you? -I went to the club
    with my friends.
  • 4:21 - 4:23
    -What did you do?
    -Nothing.
  • 4:25 - 4:28
    -Sundays are very boring
    to you, aren't they? -Yes.
  • 4:29 - 4:32
    -Good morning. -What are you
    doing here so early?
  • 4:33 - 4:36
    They changed my shift
    this week. Come here, Blanca.
  • 4:38 - 4:40
    What are they up to?
  • 4:41 - 4:43
    -Hey.
    -Yes?
  • 4:43 - 4:46
    -What are they up to?
    -I don't know.
  • 4:46 - 4:49
    Remember the champagne.
    Don't forget.
  • 4:50 - 4:53
    -Have they paid you?
    -No, not yet.
  • 4:53 - 4:55
    -Do you need money?
    -No.
  • 4:56 - 4:59
    -It's just to remind me
    I owe him money. -That's right.
  • 4:59 - 5:03
    Jaime, Julio wanted to know
    if his belt was ready.
  • 5:04 - 5:09
    You' re working for your loafer
    friends again. You' re a jerk.
  • 5:09 - 5:12
    -You know what they call
    guys like you? -No. But I know...
  • 5:12 - 5:15
    -...what they call guys like your
    friends. -You starting again?!
  • 5:15 - 5:18
    -What do you care if he makes
    a belt for a friend? -Friend?!
  • 5:18 - 5:22
    -They just take advantage of
    him. -Mind your own business!
  • 5:22 - 5:25
    -Do I mess with your friends?
    -They' re not like your friends.
  • 5:25 - 5:27
    What do you mean?
  • 5:28 - 5:31
    Don't make me talk.
    It's not advisable for you.
  • 5:37 - 5:42
    Your son talks like a gangster.
    He utters threats with suspense.
  • 6:03 - 6:06
    -Do you have a cigarette?
    -There you have.
  • 6:08 - 6:12
    -Look at your face. Someone
    died? -lt' s my 49th birthday.
  • 6:12 - 6:17
    Today? Oh man!
    We have to celebrate.
  • 6:17 - 6:20
    Shut up! What do I have
    to celebrate?
  • 6:20 - 6:23
    -You' ll celebrate
    with your family? -No.
  • 6:23 - 6:27
    My sons and daughter forgot
    my birthday. It's better that way.
  • 6:27 - 6:32
    So? Let' s go and have fun. I
    got a girl for you. She's great.
  • 6:32 - 6:36
    -Robledo, do you have lbanez's
    file? -Yes, l' ll look for it.
  • 6:46 - 6:50
    1 1 were right. It's the second
    time. I' ll have a heart attack.
  • 6:51 - 6:55
    Speaking of football pools, Loco
    hasn't come. Maybe he won it.
  • 7:01 - 7:02
    Martin!
  • 7:03 - 7:06
    Martin! How do you do?
  • 7:07 - 7:08
    Wait!
  • 7:18 - 7:22
    -Martin! Martin San Tome!
    -Asshole!
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    How are you? I' m so happy.
    Give me a hug.
  • 7:27 - 7:30
    -Don't you remember me?
    Vignale. -Oh, Vignale.
  • 7:31 - 7:34
    -Where were you going?
    -To have lunch. Just there.
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    -l' ll go with you. We have to
    celebrate. -And your car?
  • 7:37 - 7:41
    Yes, it's okay! Come on,
    let's go. I' m so happy!
  • 7:42 - 7:48
    My monthly net profit is
    3 million, 3 million and a half.
  • 7:50 - 7:54
    Your food was good, uh?
    We couldn't go to that joint.
  • 7:54 - 7:57
    -What will you have?
    -Coffee.
  • 7:57 - 7:59
    Coffee? No, have a drink.
  • 7:59 - 8:03
    -OK, bring me a brandy.
    -And a whisky for me.
  • 8:03 - 8:05
    A small one.
  • 8:07 - 8:10
    You' re really something!
    You were always like that.
  • 8:10 - 8:14
    You were always so discreet.
    I used to have lunch...
  • 8:14 - 8:17
    ...at your house every day.
    Your mother was a great cook.
  • 8:17 - 8:20
    You had lunch at home every
    day? I don't remember that.
  • 8:20 - 8:23
    Well... So to speak.
    But I did it often.
  • 8:26 - 8:31
    Everyone in your family
    spoke in a low voice.
  • 8:31 - 8:35
    The Vignales speak in a loud
    voice. We' re very cheerful.
  • 8:37 - 8:41
    I talked about my business and
    didn't ask about your children.
  • 8:41 - 8:44
    -They must be grown-ups.
    How many do you have? -3.
  • 8:45 - 8:47
    Esteban is 26,...
  • 8:47 - 8:50
    ... Blanca 23 and Jaime 20.
  • 8:50 - 8:55
    My children are younger.
    I was older when I got married.
  • 8:55 - 9:00
    I really had fun. You were very
    young when you got married.
  • 9:00 - 9:04
    You fell in love when you were
    a kid. Isabel was beautiful.
  • 9:04 - 9:07
    -How is she?
    -lsabel is dead.
  • 9:08 - 9:09
    What?
  • 9:10 - 9:11
    She's dead?
  • 9:12 - 9:14
    You serious?
  • 9:15 - 9:19
    No, l' m sorry,
    I know you' re serious.
  • 9:19 - 9:21
    That's so unfortunate.
  • 9:22 - 9:25
    -When did it happen?
    -20 years ago.
  • 9:25 - 9:27
    20 years ago!
  • 9:29 - 9:31
    And you
    haven't married again.
  • 9:33 - 9:37
    It's as if you were single.
    So many years...
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    You like freedom, don't you?
  • 9:42 - 9:46
    -lf you' ll excuse me, I gotta
    go back to work. -Sure.
  • 9:46 - 9:49
    Let's meet again. Come home,
    you' ll meet my family...
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    -...and l' ll show you some photos.
    -What photos? -Are you nuts?
  • 9:54 - 9:57
    It' s my treat. Our photos
    when we were kids.
  • 9:58 - 10:01
    I'd like that.
    How can we do that?
  • 10:01 - 10:04
    Here' s my number.
    Give me yours, l' ll call you.
  • 10:04 - 10:07
    I don't have a card.
    I' ll write it here.
  • 10:07 - 10:10
    Call me at the office.
    I' m always there.
  • 10:11 - 10:13
    Clavacho!
  • 10:18 - 10:21
    One of these days
    you' ll win the football pools.
  • 10:21 - 10:25
    I know what l' m talking about.
    You' ll win some day.
  • 10:25 - 10:28
    You' re kidding me.But I guessed
    9 right answers this week.
  • 10:29 - 10:32
    -l' m getting closer. -Mendez
    guessed 1 1 right answers.
  • 10:32 - 10:36
    -1 1? -And for the second time.
    He's a winner.
  • 10:39 - 10:43
    Yes, he's a winner. But he
    hits incredible scores.
  • 10:44 - 10:47
    I hate people who choose
    any result and win.
  • 10:48 - 10:50
    It's a matter of luck.
  • 10:52 - 10:55
    And if we all gather some
    money and play together?
  • 10:56 - 10:59
    -Do you think so?
    -There' s nothing to lose.
  • 11:02 - 11:05
    Okay, but we' ll do it
    in an organized way.
  • 11:05 - 11:08
    One of us will be in charge
    of the ticket every week.
  • 11:08 - 11:10
    Everyone will have his week.
  • 11:10 - 11:13
    If I don't write it, I don't
    wanna know the answers.
  • 11:13 - 11:15
    It makes me nervous.
  • 11:16 - 11:19
    The manager asked me to
    introduce the 2 new employees...
  • 11:19 - 11:22
    ...of this department. Miss Laura
    Avellaneda, Mr. Alfredo Santini.
  • 11:22 - 11:25
    -Nice to meet you. -You won't
    introduce me? -Robledo.
  • 11:25 - 11:27
    Give me the file.
  • 11:28 - 11:30
    -Allow me.
    -Have a seat.
  • 11:31 - 11:33
    -Thanks.
    -Excuse me.
  • 11:34 - 11:38
    Miss Avellaneda, due to your
    experience it' ll be advisable...
  • 11:38 - 11:42
    ...for you to work in the
    calculation of increase in sales.
  • 11:43 - 11:46
    -It's more difficult but
    it's not so boring. -Okay, sir.
  • 11:48 - 11:52
    -What's wrong?
    Are you scared? -A little.
  • 11:52 - 11:55
    It's the first time
    I work in a large company.
  • 11:55 - 11:59
    Large?
    We no longer think that.
  • 11:59 - 12:01
    Mr. Santini,...
  • 12:04 - 12:09
    -... you know the system we use
    in our stock books. -Yes, sir.
  • 12:10 - 12:15
    Is there any chance for me
    to work facing a window?
  • 12:15 - 12:17
    I' m claustrophobic.
  • 12:18 - 12:22
    -Facing a window? -I wouldn't
    want to upset you the first day...
  • 12:23 - 12:25
    ... but it's a psychic problem.
  • 12:25 - 12:27
    A trauma.
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    Yes, don't worry.
  • 12:30 - 12:32
    -Mendez!
    -Yes?
  • 12:32 - 12:35
    -You have the desks keys,
    right? -Yes, sir.
  • 12:35 - 12:38
    -Robledo, the lady will work
    here. -That sounds great.
  • 12:38 - 12:41
    Give her the locker keys.
    Tell Sanchez to give her...
  • 12:41 - 12:44
    ...the production books.
    You' ll work here.
  • 12:44 - 12:47
    Give Mr. Santini a desk
    facing the back window.
  • 12:47 - 12:51
    -Facing the window?
    -l' m claustrophobic. I' m sorry.
  • 12:51 - 12:54
    -Really sorry. -There's
    nothing to be sorry about.
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    Mendez, come.
  • 12:58 - 13:01
    Come, l' ll introduce you
    to your workmates.
  • 13:06 - 13:08
    Martinez.
  • 13:09 - 13:11
    A woman at last!
  • 13:11 - 13:13
    -Hi.
    -Nice to meet you.
  • 13:14 - 13:18
    This claustrophobia thing
    must be terrible for you.
  • 13:18 - 13:22
    It's psychosomatic.
    But facing it does not cure it.
  • 13:22 - 13:24
    Oh, Sierra, excuse me.
  • 13:25 - 13:29
    Avellaneda, Santini,
    our football pools expert.
  • 13:29 - 13:32
    -You' re a Leo.
    -What?
  • 13:33 - 13:36
    -Your birthday?
    -August 20th.
  • 13:36 - 13:39
    Didn't I tell you?
    A typical Leo.
  • 13:40 - 13:44
    -Why typical? -Games of
    chance are irresistible for Leos.
  • 13:45 - 13:47
    He can make our horoscope.
  • 13:50 - 13:52
    Let's check.
  • 13:54 - 13:55
    Ibanez.
  • 13:56 - 13:57
    Yes, lbanez.
  • 14:02 - 14:05
    Pretty girl, isn't she?
    How old is she?
  • 14:08 - 14:11
    -24.
    -She's not a girl.
  • 14:11 - 14:14
    No? Then I am Tutankhamen.
  • 14:14 - 14:17
    No, why?
    What does it have to do?
  • 14:17 - 14:22
    Nothing. But age is not a good
    topic of conversation today.
  • 14:24 - 14:26
    -Did you find it?
    -Yes.
  • 14:28 - 14:30
    Ibanez and Company...
  • 14:31 - 14:33
    ... 200 spark plugs.
  • 14:35 - 14:40
    -Happy birthday to you!
    -Happy birthday, Dad. -Thanks.
  • 14:41 - 14:44
    -What's wrong?
    -I thought you'd forgotten.
  • 14:46 - 14:50
    -Okay, let's have dinner. I' m
    starving. -What's that face?
  • 14:50 - 14:52
    To your places!
  • 14:53 - 14:56
    -What's that? A present
    for me? -I don't know.
  • 14:56 - 14:58
    From the three of you?
  • 15:00 - 15:02
    -Let's see.
    -Let's see.
  • 15:04 - 15:07
    -This is a luxury robe.
    -You like it?
  • 15:07 - 15:10
    -l' ll be ashamed to wear it.
    -You deserve more than this.
  • 15:10 - 15:14
    -Hold it. I' ll try it on.
    -Give me your jacket.
  • 15:16 - 15:20
    -You' re so elegant.
    -It's too much.
  • 15:22 - 15:25
    -Let me see. Here...
    -How do I look?
  • 15:25 - 15:29
    Great. You look like me.
    You' re not ugly at all.
  • 15:29 - 15:31
    You look really handsome.
  • 15:31 - 15:34
    -Really?
    -You look great.
  • 15:34 - 15:37
    When I quit my job, I put it
    on and l' ll never take it off.
  • 15:38 - 15:41
    -And l' ll have dinner with
    the robe on! -Very good! Yes!
  • 15:44 - 15:48
    -You' re planning to quit
    your job next year? -Sure.
  • 15:48 - 15:51
    I can't believe you' re
    sick and tired of working.
  • 15:51 - 15:54
    What are you going to do
    at home all day long?
  • 15:55 - 15:58
    How do you know l' m gonna be
    locked at home all day long?
  • 15:58 - 16:01
    She divides the world into 2:
    The happy people who work...
  • 16:01 - 16:04
    ...in an office and the
    unhappy ones who stay home...
  • 16:04 - 16:07
    -...taking care of their family.
    -That's a lie. I never said that.
  • 16:07 - 16:09
    Don't start to argue.
  • 16:11 - 16:14
    Let's make a toast to me.
    What do you think about that?
  • 16:16 - 16:19
    -Do I have to make it?
    -No, of course not.
  • 16:23 - 16:27
    I hope you have a nice evening
    with your children.
  • 16:27 - 16:30
    -Cheers.
    -Amen.
  • 16:51 - 16:54
    Today I ran into an old friend
    of my childhood.
  • 16:56 - 16:58
    He talked for an hour.
  • 16:58 - 17:01
    At first I couldn't remember
    who he was.
  • 17:01 - 17:03
    Didn't he tell you his name?
  • 17:04 - 17:07
    Yes, Vignale. He said it
    right away.
  • 17:08 - 17:11
    But I couldn't remember him.
    And I remember all my friends.
  • 17:14 - 17:17
    Poor guy! When he asked
    about Mom, he felt terrible.
  • 17:19 - 17:21
    -He knew Mom?
    -Yes.
  • 17:22 - 17:24
    -He remembered her?
    -Sure.
  • 17:24 - 17:28
    -l' m happy for him.
    I don't remember her. -I do.
  • 18:25 - 18:27
    Excuse me.
  • 19:20 - 19:23
    If you' re gonna talk to me,
    make up your mind.
  • 19:24 - 19:27
    Skinny women get more
    wrinkles with age.
  • 19:28 - 19:32
    My younger sister was thinner.
    Now she looks older than me.
  • 19:32 - 19:34
    She hates that.
  • 19:35 - 19:38
    She doesn't say anything
    but she hates it.
  • 19:44 - 19:46
    I can't stop thinking.
  • 19:46 - 19:49
    I' m always thinking
    about something.
  • 19:50 - 19:54
    I can't even read because l
    can't keep anything in my head,...
  • 19:54 - 19:57
    ...I' m thinking about
    something else.
  • 19:57 - 19:59
    It's the same when I sew.
  • 20:03 - 20:07
    -And my parcel? Where's
    my parcel? -There it is.
  • 20:11 - 20:14
    My customer must be
    waiting for it.
  • 20:15 - 20:18
    I' m a great sewer
    but I don't like it.
  • 20:19 - 20:23
    It' s the same with everything.
    Being locked up at home.
  • 20:24 - 20:27
    My husband gets mad when
    I tell him I hate the house.
  • 20:28 - 20:31
    It's easy for him. He's at the
    shop all day long seeing people.
  • 20:32 - 20:34
    He tells me to watch TV.
  • 20:36 - 20:38
    Are you a banker?
  • 20:41 - 20:44
    -No, why? -But you
    keep accounts at work.
  • 20:44 - 20:47
    Sometimes. Why?
  • 20:49 - 20:51
    You make that face in bed.
  • 20:53 - 20:55
    -l' m sorry.
    -That' s the street.
  • 21:30 - 21:32
    At least he should pretend.
  • 21:33 - 21:36
    He doesn't work, he' s always
    late, he cuts work.
  • 21:36 - 21:39
    They' ll make you sub-manager
    by the end of the year, l' m sure.
  • 21:39 - 21:42
    But if you' re quitting,
    he' ll be the sub-manager.
  • 21:42 - 21:46
    There's a whole year ahead of
    us. He won't be here that long.
  • 21:47 - 21:49
    Show me those glasses.
  • 21:50 - 21:51
    Excuse me.
  • 21:52 - 21:54
    They really suit!
  • 21:54 - 21:57
    You must wear them
    all the time.
  • 21:57 - 21:59
    You wear them
    in the street?
  • 21:59 - 22:02
    406-6 from June 7th
    to June 1 4th...
  • 22:03 - 22:05
    ... 237 thousand pesos.
  • 22:10 - 22:14
    425-9 from August 1 5th
    to August 22nd...
  • 22:14 - 22:16
    ... 1 13 thousand pesos.
  • 22:17 - 22:18
    Santini.
  • 22:22 - 22:23
    Santini.
  • 22:28 - 22:29
    Santini!
  • 22:33 - 22:36
    I' m sorry. I was absent-minded.
  • 22:36 - 22:38
    Yes, I realized that.
  • 22:39 - 22:42
    Tell me, Santini.
    Are you sure...
  • 22:42 - 22:46
    ...that a refined guy like you
    likes a job like this one,...
  • 22:46 - 22:51
    -...a job you' re not interested in?
    -l' m interested in my job.
  • 22:51 - 22:56
    I think the claustrophobia
    doesn't let you focus.
  • 22:56 - 23:00
    Sierra told me you' re an expert
    in signs of the Zodiac.
  • 23:00 - 23:04
    Do that. You could have
    a section in a magazine.
  • 23:04 - 23:08
    I just got distracted.
    It doesn't mean l' m useless.
  • 23:08 - 23:10
    No! Nobody said that.
  • 23:11 - 23:14
    But I think
    you don't like your job.
  • 23:14 - 23:17
    Perhaps you'd like
    another job.
  • 23:17 - 23:20
    Why are you kidding me?!
    Do you like this kind of life?!
  • 23:20 - 23:23
    Are you happy
    with this routine?!
  • 23:23 - 23:26
    Haven't you ever imagined
    you' re somewhere else...
  • 23:26 - 23:29
    ...Ieading another life, doing
    something better than writing...
  • 23:29 - 23:32
    ...numbers in papers
    that nobody reads?! Jerks!
  • 23:32 - 23:36
    Wouldn't you like to be
    millionaires, artists,...
  • 23:36 - 23:40
    ... handsome?! Are you happy
    with this miserable life?!
  • 23:40 - 23:43
    What's wrong, Santini?
    Why are you shouting?
  • 23:45 - 23:48
    -l' m sorry... -It's our fault.
    We were kidding him.
  • 23:49 - 23:51
    I' m sorry, Santini.
  • 23:51 - 23:55
    Why don't you calm down
    and work for a change?
  • 24:03 - 24:06
    Listen, Suarez, did you solve
    Avellaneda's problem?
  • 24:06 - 24:09
    I can't work miracles
    with so many people.
  • 24:09 - 24:12
    We've been working overtime
    for two weeks and...
  • 24:12 - 24:15
    ...it's your section's fault.
    If you have a formula for...
  • 24:15 - 24:19
    ...not working, use it, but don't
    fuck with me or my people!
  • 24:43 - 24:47
    I've been making calculations.
    When I retire, I'd have saved...
  • 24:47 - 24:51
    ... enough money to live on
    for 3 years and 2 months.
  • 24:51 - 24:54
    With a few accountings
    or gigs a year, l' ll...
  • 24:54 - 24:57
    ...earn enough money to live
    on for 5 years and 2 months.
  • 24:57 - 25:00
    Can't you talk about
    anything else?
  • 25:01 - 25:04
    You've only worked for a over
    a year, and you' re sick of it.
  • 25:04 - 25:08
    It shouldn't surprise you after
    35 years doing the same job.
  • 25:11 - 25:14
    Have you thought
    what you' re going to do?
  • 25:15 - 25:16
    I don't know.
  • 25:17 - 25:20
    Other than that,
    l' ll just think of something.
  • 25:21 - 25:26
    Right now all I want to do
    is loaf about. We' ll see.
  • 25:27 - 25:31
    I've never had enough time for
    me. But l' ll just waste time,...
  • 25:31 - 25:33
    ... not what I do
    in the office,...
  • 25:33 - 25:36
    ... stupid calculations
    nobody cares about.
  • 25:39 - 25:42
    As Santini says.
    He's right.
  • 25:42 - 25:45
    -Who's Santini?
    -A new worker.
  • 25:45 - 25:48
    -He's kind of weird.
    -Weird?
  • 25:48 - 25:50
    He's...
  • 25:50 - 25:54
    ... effeminate. He had
    an attack today.
  • 25:54 - 25:57
    He started to shout
    at Robledo and Mendez,...
  • 25:57 - 26:00
    ...asking them if they
    were happy with their lives.
  • 26:01 - 26:03
    What he said
    was quite right.
  • 26:04 - 26:08
    Robledo says that this guy, due
    to his problem, in the case he's...
  • 26:10 - 26:13
    -... a freak...
    -You mean sissy, Dad.
  • 26:14 - 26:19
    -That's what they' re called.
    -Yes, of course I know.
  • 26:19 - 26:22
    But it' s hard for me
    to accuse him.
  • 26:22 - 26:25
    Why accuse him?
    Is it a crime?
  • 26:29 - 26:32
    And what did Robledo say?
  • 26:35 - 26:39
    That... that' s why
    this guy is...
  • 26:40 - 26:41
    ... margined.
  • 26:42 - 26:44
    He looks at things from
    outside...
  • 26:46 - 26:49
    ... because society
    isn't built correctly.
  • 26:49 - 26:51
    Everything is adverse.
  • 26:53 - 26:54
    And for you?
  • 26:56 - 26:59
    -What? -For you,
    an ordinary man,...
  • 26:59 - 27:01
    ... things are not adverse?
  • 27:24 - 27:28
    -What are you doing? -You
    scared me. I didn't hear you.
  • 27:28 - 27:31
    -Where are you coming from?
    -The movies.
  • 27:32 - 27:34
    What do you mean?
    It's 3 am.
  • 27:39 - 27:42
    -What are you laughing at?
    -You.
  • 27:42 - 27:45
    You have the face of a father.
  • 27:45 - 27:50
    I like to have you shaking with
    fear every time I utter a word.
  • 27:53 - 27:55
    What are you doing?
  • 27:55 - 27:59
    I' m looking for some pictures
    Grandma gave me.
  • 27:59 - 28:02
    I thought they were here
    but I can't find them.
  • 28:02 - 28:05
    And you' re looking for them
    at 3 am?
  • 28:05 - 28:07
    Yes, I just felt like it.
  • 28:08 - 28:10
    Today I told a friend
    of mine...
  • 28:10 - 28:13
    ...something that happened
    to me when I was a kid.
  • 28:14 - 28:18
    -And I remember there's a
    photo of that day. -What day?
  • 28:19 - 28:23
    The day both of us went out
    alone. You took me to the zoo.
  • 28:23 - 28:25
    You were a little girl.
  • 28:27 - 28:31
    Yes. We never went out alone
    again. That's why I remember.
  • 28:35 - 28:37
    This room looks terrible.
  • 28:39 - 28:42
    It's a mess but I don't
    know where to start.
  • 28:45 - 28:48
    -Mom's sewing machine was
    there, wasn't it? -Yes.
  • 28:53 - 28:54
    Dad,...
  • 28:56 - 28:58
    ... how did you love Mom?
  • 29:00 - 29:04
    -That's a strange question.
    -Yes, but how did you love her?
  • 29:07 - 29:08
    I don't know.
  • 29:10 - 29:11
    A lot.
  • 29:13 - 29:15
    And you never got bored?
  • 29:17 - 29:19
    We didn't have time.
  • 29:28 - 29:31
    -Do you like widows?
    -What do you mean?
  • 29:31 - 29:33
    I' m just asking.
  • 29:33 - 29:36
    -You want me to get married?
    -Why not?
  • 29:36 - 29:39
    -You' re very handsome.
    -Why don't you get married?
  • 29:39 - 29:42
    And leave you alone
    with those beasts?
  • 29:44 - 29:47
    And I don't have
    a boyfriend.
  • 29:50 - 29:53
    I don't know...
    I want to do something...
  • 29:53 - 29:55
    ... but I don't know what.
  • 29:59 - 30:01
    Sometimes l' m afraid.
  • 30:02 - 30:05
    -What do you mean?
    -l' m afraid.
  • 30:07 - 30:10
    I' m afraid that nothing
    will happen to me.
  • 30:11 - 30:14
    That nothing will
    ever happen to me like...
  • 30:29 - 30:31
    I've finished.
  • 30:33 - 30:36
    -Okay. -Do you want me
    to wait while you check it?
  • 30:36 - 30:38
    -Did you check it?
    -Yes, twice.
  • 30:38 - 30:41
    -That's okay. Leave it there
    and go home. -Thank you.
  • 30:41 - 30:43
    See you tomorrow.
  • 30:43 - 30:46
    See you
    tomorrow.
  • 31:06 - 31:08
    You can't complain.
  • 31:09 - 31:10
    Why, Sir?
  • 31:12 - 31:17
    The guy they hired to replace
    Santini is a cute boy.
  • 31:29 - 31:31
    Come here. I' ll help you.
  • 31:32 - 31:35
    -Bring your list.
    -But you've finished.
  • 31:35 - 31:38
    But I gotta stay all the same.
    Come so we' ll leave earlier.
  • 31:45 - 31:47
    Dictate that to me.
  • 31:48 - 31:50
    -Bancalari...
    -No, wait, wait.
  • 31:50 - 31:52
    -500 spark...
    -Where were you?
  • 31:54 - 31:57
    I marked it down in pencil.
    I' d rather not write on it...
  • 31:57 - 32:00
    ...because after so many
    checks it' ll look untidy.
  • 32:00 - 32:02
    It' s a feminine mark.
  • 32:09 - 32:12
    You need the glasses or you
    wear them to cover your face?
  • 32:14 - 32:18
    In high school
    a friend of mine...
  • 32:18 - 32:21
    ...used to put them on and
    take them off, like you do.
  • 32:21 - 32:23
    He didn't need them but...
  • 32:23 - 32:27
    ... he was shy and he thought
    the glasses covered his face.
  • 32:28 - 32:31
    I need them. The
    ophtalmologist prescribed them.
  • 32:34 - 32:39
    Donado, 100 spark plugs. Model:
    17 M. 30 platinum, model: 20 E.
  • 32:39 - 32:45
    Flores, 165 spark plugs,
    model: 17 F.
  • 32:45 - 32:48
    I'd rather you wouldn't have
    worked overtime, but last week...
  • 32:48 - 32:51
    -...Robledo, Mendez and Sierra
    did it 3 times. -Robledo told me.
  • 32:51 - 32:54
    It's a good idea to take turns.
    It's unfair for you to be...
  • 32:54 - 32:58
    -...the one who always works
    overtime. -I don't have a choice.
  • 32:58 - 33:01
    And I don't care.
    Nobody's waiting for me.
  • 33:01 - 33:03
    Poor Geller, he was desperate.
  • 33:07 - 33:11
    -Maybe somebody was waiting
    for you. -No.
  • 33:13 - 33:14
    Nobody?
  • 33:15 - 33:16
    Not today.
  • 33:19 - 33:20
    Today.
  • 33:21 - 33:23
    But you do have a boyfriend.
  • 33:25 - 33:26
    Kind of.
  • 33:29 - 33:32
    And does he know he' s
    " kind of" a boyfriend?
  • 33:35 - 33:37
    Is anybody waiting for you?
  • 33:39 - 33:43
    -l' m a widower. It' s been
    20 years now. -I didn't know.
  • 33:44 - 33:46
    Do you live far from here?
  • 33:48 - 33:52
    -One hour trip.
    -You' ll get home starving.
  • 33:52 - 33:56
    -Let's go and have dinner. -No,
    thanks, they' re waiting for me.
  • 33:56 - 33:58
    Mom and Dad.
  • 34:00 - 34:01
    Dad...
  • 34:02 - 34:06
    ...doesn't stop working
    till I get home.
  • 34:06 - 34:09
    -What does he do?
    -He's a tailor.
  • 34:09 - 34:12
    -But a very bad one.
    -What do you mean?
  • 34:15 - 34:17
    All his jackets are the same.
  • 34:19 - 34:22
    With "sad shoulders",
    as he says.
  • 34:22 - 34:25
    His jackets only suit
    the mannequin.
  • 34:28 - 34:29
    Poor Dad!
  • 34:30 - 34:33
    Do you know what he uses
    to say?
  • 34:37 - 34:41
    The only well done thing
    in this world is Bach's music.
  • 34:43 - 34:45
    Are you an only daughter?
  • 34:46 - 34:47
    Why?
  • 34:48 - 34:51
    -Does it show?
    -No.
  • 34:53 - 34:56
    The streets look strange
    at this hour.
  • 34:59 - 35:01
    I' m kind of a maniac.
  • 35:05 - 35:10
    -I like to walk, to walk
    through different places. -Why?
  • 35:11 - 35:12
    I don't know.
  • 35:13 - 35:14
    For a change.
  • 35:16 - 35:19
    I don't like to walk always
    through the same places.
  • 35:22 - 35:26
    -You must think l' m crazy.
    -Not at all. -Here it is.
  • 35:28 - 35:31
    -Thank you for your company.
    See you tomorrow. -Bye.
  • 35:46 - 35:47
    He's leaving.
  • 35:48 - 35:49
    Where to?
  • 35:50 - 35:55
    -I don't know. He's leaving home.
    He' ll live on his own. -Why?
  • 35:58 - 36:01
    Dad! You know what's
    going on with Jaime.
  • 36:02 - 36:05
    -I didn't know anything.
    -Yes, you knew.
  • 36:05 - 36:09
    We all knew. You also said
    his friends were weird.
  • 36:13 - 36:15
    He's like his friends!
  • 36:20 - 36:22
    Blanca, what do you mean?
  • 36:23 - 36:26
    Do you know
    what you' re talking about?!
  • 36:47 - 36:48
    It's okay.
  • 36:50 - 36:51
    Don't cry.
  • 37:16 - 37:18
    -So you' re leaving?
    -Yes.
  • 37:30 - 37:32
    Can you tell me why?
  • 37:32 - 37:35
    It's easier this way
    for all of us.
  • 37:38 - 37:41
    -I don't want it to be easy.
    -But I do!
  • 37:41 - 37:44
    I don't want to be judged or
    treated as a sick person.
  • 37:51 - 37:56
    -Why, Jaime? -I want to be
    alone, I want to live in peace.
  • 37:57 - 37:59
    That' s not what l' m asking?
  • 38:02 - 38:04
    And what are you asking?
  • 38:14 - 38:17
    Jaime, I don't want you
    to suffer.
  • 38:19 - 38:21
    I don't want you
    to be alone.
  • 38:27 - 38:30
    I don't know
    what went wrong with you.
  • 38:33 - 38:37
    -I don't know why I didn't
    realize. -You didn't want.
  • 38:37 - 38:41
    -But don't worry,
    it wouldn't have helped. -No?
  • 38:42 - 38:43
    Jaime...
  • 38:45 - 38:47
    Are you sure?
  • 38:48 - 38:51
    Are you sure
    things are that way?
  • 38:54 - 38:56
    Yes, yes, l' m sure.
  • 38:59 - 39:03
    Don't suffer. That thing you' re
    scared of, hasn't happened yet.
  • 39:15 - 39:17
    I' m so miserable.
  • 40:08 - 40:12
    -lnchauste's file, sir. -What's
    going on with Avellaneda?
  • 40:12 - 40:15
    -You' re singing a serenade
    to her? -Why?
  • 40:15 - 40:18
    -You've been talking a lot to
    her. -Poor girl. I saw her...
  • 40:18 - 40:22
    ...arguing with a guy at the
    diner. I think she was crying.
  • 40:22 - 40:24
    Have you seen her face?
  • 40:32 - 40:35
    -Did you have a fight with
    your boyfriend? -Yes.
  • 40:36 - 40:41
    Sometimes it's good to have a
    fight so you start all over again.
  • 40:41 - 40:45
    -I don't want to start all over
    again. -But you' re sad.
  • 40:48 - 40:51
    It's not that. I cherish an illusion
    and everything goes wrong.
  • 40:52 - 40:55
    I knew what I had
    to tell him but...
  • 40:55 - 40:58
    ... I got so nervous
    that I burst into tears.
  • 40:59 - 41:01
    I hate to cry.
  • 41:09 - 41:10
    Hi, Dad.
  • 41:11 - 41:15
    -Mr. Alejandro Ferrero,
    my father. -How do you do?
  • 41:17 - 41:21
    He has come to get the tools
    Jaime left at the workshop.
  • 41:22 - 41:27
    -Do you want some coffee?
    -No, thanks. I don't have time.
  • 41:28 - 41:32
    -Then l' ll go get those tools.
    -Yes.
  • 41:32 - 41:34
    -Excuse me.
    -Okay.
  • 41:38 - 41:41
    -So you' re a friend of Jaime' s?
    -Yes.
  • 41:43 - 41:46
    This kind of houses
    are nice.
  • 41:48 - 41:51
    Jaime told me you've lived
    here since he was born.
  • 41:52 - 41:56
    No, long before that. I've lived
    here since I got married.
  • 41:57 - 41:59
    Jaime is living with you?
  • 42:00 - 42:02
    With me? No, why?
  • 42:02 - 42:05
    He's living in a boarding house.
  • 42:08 - 42:11
    -Why have you thought
    he's living with me? -No...
  • 42:11 - 42:14
    -lt was just an idea.
    -What kind of idea?
  • 42:15 - 42:19
    Excuse me, but aren't you
    too old to be Jaime's friend?
  • 42:19 - 42:23
    -What do you mean?
    -You know exactly what I mean.
  • 42:23 - 42:27
    No, I don't know. You' ll have
    to speak clearer, Mr. San Tome.
  • 42:28 - 42:32
    You think l' m the pervert
    who corrupted your son...
  • 42:32 - 42:34
    ... and you don't dare to ask.
  • 42:35 - 42:36
    Ask me.
  • 42:37 - 42:39
    If you ask me, l' ll answer.
  • 42:46 - 42:48
    I don't know.
  • 42:51 - 42:53
    I don't know what to ask.
  • 42:57 - 42:59
    I' d like...
  • 43:01 - 43:03
    ... to hear about Jaime.
  • 43:06 - 43:09
    I'd like to know
    how he lives. But I don't know.
  • 43:11 - 43:12
    Listen.
  • 43:13 - 43:16
    I' m not the pervert
    who corrupts your son.
  • 43:17 - 43:19
    There' re no perverts.
  • 43:20 - 43:22
    And nobody is corrupted.
  • 43:23 - 43:26
    I don't know anything
    about that.
  • 43:28 - 43:29
    About what?
  • 43:31 - 43:34
    -About what?
    -Don't laugh at me.
  • 43:35 - 43:37
    I don't know my son.
  • 43:38 - 43:39
    Your son?
  • 43:44 - 43:47
    Your son is a sad boy...
  • 43:50 - 43:53
    ...who doesn't have the same
    sexual propensity as you.
  • 43:56 - 43:59
    At this point, I don't know
    if he has any sexual propensity.
  • 44:00 - 44:03
    He's too scared to do anything.
  • 44:03 - 44:05
    Scared of what?
  • 44:07 - 44:09
    Of being different.
  • 44:12 - 44:14
    You can be different,
    you know?
  • 44:37 - 44:39
    -Thanks.
    -You' re welcome.
  • 44:47 - 44:51
    You should grin more often.
    It really suits you.
  • 44:54 - 44:58
    -What does my face look like
    when I don't grin? -Excuse me?
  • 44:58 - 45:00
    Do I look like a banker?
  • 45:00 - 45:02
    I don't get it.
  • 45:04 - 45:07
    They told me once I looked
    like a banker, no...
  • 45:08 - 45:11
    That I looked like a worker
    who keeps accounts.
  • 45:12 - 45:15
    No, you look like a man.
  • 45:21 - 45:23
    See you tomorrow, sir.
  • 45:46 - 45:48
    Avellaneda.
  • 45:48 - 45:51
    -What a coincidence.
    -What a coincidence.
  • 45:53 - 45:56
    -Do you want to have a drink?
    -Okay, thank you.
  • 46:00 - 46:03
    -There's a place there.
    -l' m in a hurry. I' m going to...
  • 46:03 - 46:07
    -...the movies with a friend.
    -No boyfriend? -Not anymore.
  • 46:22 - 46:24
    Nice, isn't it?
  • 46:25 - 46:26
    Yes.
  • 46:29 - 46:32
    -Good afternoon. -What will
    you have? -A cup of tea.
  • 46:32 - 46:34
    -A cup of coffee.
    -Okay.
  • 46:39 - 46:41
    It' s no coincidence.
  • 46:42 - 46:46
    This meeting, I mean.
    It's not casual.
  • 46:47 - 46:50
    I've been coming here every
    afternoon for a week.
  • 46:50 - 46:53
    You once said you came
    this way every time you visited...
  • 46:53 - 46:55
    ... a friend of yours,
    remember?
  • 46:56 - 46:58
    So?
  • 47:00 - 47:03
    So I sat down here
    waiting for you to come by.
  • 47:04 - 47:05
    Why?
  • 47:12 - 47:13
    I' d like...
  • 47:15 - 47:18
    ...to find the perfect way
    to put it into words.
  • 47:23 - 47:25
    I think l' m in love with you.
  • 47:28 - 47:31
    The most logical thing
    would've been to keep it silent.
  • 47:33 - 47:36
    Anyway, whatever happens,...
  • 47:36 - 47:38
    ... take it as a homage.
  • 47:39 - 47:43
    And please don't feel you' re
    obliged to do anything.
  • 47:57 - 47:59
    I think...
  • 48:00 - 48:03
    ... I began to realize
    I was in love...
  • 48:05 - 48:08
    ... the first time
    I walked you to the bus.
  • 48:11 - 48:12
    That day we...
  • 48:13 - 48:15
    ... talked about
    your boyfriend.
  • 48:15 - 48:17
    -Remember?
    -Yes, I do.
  • 48:17 - 48:19
    The day of the argument.
  • 48:24 - 48:27
    Well... I just had to tell you,
    do you get it?
  • 48:28 - 48:30
    I get it.
  • 48:33 - 48:37
    You get it but don't you have
    anything to tell me?
  • 48:39 - 48:40
    Okay...
  • 48:42 - 48:45
    First tell me what you mean
    when you say you' re in love.
  • 48:49 - 48:52
    I think l' ll feel
    even more ridiculous.
  • 48:54 - 48:59
    You don't want to make a fool
    of yourself but neither do l.
  • 49:01 - 49:04
    To be in love might mean
    many things to men.
  • 49:06 - 49:07
    Okay...
  • 49:08 - 49:11
    Take the best of those things.
  • 49:15 - 49:16
    It makes me...
  • 49:18 - 49:21
    ... feel very bad
    to tell you this but...
  • 49:25 - 49:27
    ... you could be my daughter.
  • 49:29 - 49:31
    And we both know that.
  • 49:34 - 49:36
    And there lies the problem.
  • 49:40 - 49:44
    What can I offer you?
    Courtship?
  • 49:47 - 49:50
    Ten years from now
    l' ll be 60.
  • 49:52 - 49:54
    What l' m proposing is...
  • 49:57 - 49:59
    ... an agreement,...
  • 50:01 - 50:03
    ... a deal between...
  • 50:04 - 50:06
    ... what I feel,...
  • 50:06 - 50:08
    ...between
    my love and your freedom.
  • 50:14 - 50:17
    The day
    you came to the office...
  • 50:17 - 50:19
    ... was my 49th birthday.
  • 50:20 - 50:23
    And I've been a widower
    for 20 years.
  • 50:25 - 50:29
    I've never felt that a woman
    could be my couple.
  • 50:31 - 50:33
    But I do feel that with you.
  • 50:35 - 50:37
    I don't know, l...
  • 50:38 - 50:40
    ... I have the feeling you' re...
  • 50:42 - 50:46
    ...the only person with whom
    I can talk about certain things,...
  • 50:49 - 50:53
    ...with whom I'd like to wake up
    every morning.
  • 50:55 - 50:57
    And I know you.
  • 50:58 - 51:00
    And I know you.
  • 51:03 - 51:06
    I know how many moles
    there are in your face.
  • 51:08 - 51:11
    That you comb your hair
    when you' re nervous.
  • 51:12 - 51:15
    That routine
    bores you to death.
  • 51:15 - 51:18
    That you cross your left leg
    over your right leg.
  • 51:22 - 51:23
    Well...
  • 51:26 - 51:29
    I think that's love,
    don't you?
  • 51:32 - 51:35
    I resigned myself to
    so many things in life:
  • 51:36 - 51:39
    To not being important
    to anyone.
  • 51:41 - 51:43
    To not understanding
    my children.
  • 51:45 - 51:49
    To not travelling, I don't know,
    to not writing a book.
  • 51:52 - 51:55
    I don't want to resign
    myself to losing you...
  • 51:56 - 51:59
    ... without attempting
    to do something.
  • 52:03 - 52:04
    I knew.
  • 52:07 - 52:10
    More or less,
    but I knew.
  • 52:12 - 52:17
    That's why I don't look
    so surprised. Because l' m not.
  • 52:19 - 52:22
    I was waiting for you
    to tell me.
  • 52:25 - 52:27
    But I don't know what to do.
  • 52:31 - 52:32
    I like you.
  • 52:34 - 52:36
    I love you,...
  • 52:38 - 52:39
    ... I think.
  • 52:42 - 52:43
    But...
  • 52:45 - 52:48
    ... it's all so complicated,
    isn't it?
  • 52:52 - 52:55
    Maybe we should think it over.
  • 52:59 - 53:00
    I...
  • 53:02 - 53:04
    I' m not too brave.
  • 53:05 - 53:08
    I don't know if l' ll
    be able to stand a situation...
  • 53:10 - 53:12
    ... that's kind of strange.
  • 53:15 - 53:19
    -I'd like to be older.
    -Or that I'd be younger.
  • 53:20 - 53:21
    No.
  • 53:23 - 53:26
    You are what you are
    because of your age.
  • 53:28 - 53:30
    But I don't know.
  • 53:31 - 53:34
    There are so many things
    I don't like.
  • 53:39 - 53:41
    And if we hurt each other...
  • 53:44 - 53:46
    ... and we feel miserable?
  • 53:47 - 53:49
    I have nothing to lose.
  • 53:50 - 53:53
    It's better for me
    to suffer...
  • 53:53 - 53:56
    ... than to be living
    the way I live.
  • 53:58 - 54:00
    But you' re so young.
  • 54:02 - 54:05
    You could overlook
    this whole thing.
  • 54:07 - 54:08
    No.
  • 54:11 - 54:13
    I don't think I could.
  • 56:17 - 56:20
    -Okay. Until tomorrow.
    -Until tomorrow.
  • 56:22 - 56:23
    Martin...
  • 56:29 - 56:32
    I wanted to tell you
    you' re very kind to me,...
  • 56:33 - 56:36
    -...you' re really behaving yourself.
    -Really?
  • 56:38 - 56:39
    I' m serious.
  • 56:41 - 56:43
    You say that but...
  • 56:44 - 56:47
    ... when I was a kid
    they taught me...
  • 56:48 - 56:52
    ... that when you behave
    properly, you get a prize.
  • 57:00 - 57:02
    Of course. You deserve it.
  • 57:29 - 57:30
    Nice.
  • 57:47 - 57:49
    -What's wrong?
    -What a shame!
  • 57:50 - 57:53
    -ls it me?
    -What a shame! What a shame!
  • 57:53 - 57:56
    It's a shame it all
    turned out to be this way.
  • 57:56 - 57:59
    It's a shame that
    I wasn't born before...
  • 57:59 - 58:02
    ...and that you lived all
    this time without me.
  • 58:03 - 58:05
    I' m so sorry!
  • 58:15 - 58:19
    -Mr. San Tome, can you explain
    something to me? -Sure.
  • 58:21 - 58:25
    How can I restrain myself from
    kissing you at work?
  • 58:25 - 58:28
    I don't know but l' m glad
    you feel like kissing me.
  • 58:30 - 58:32
    Thank you, Mr. San Tome.
  • 58:42 - 58:44
    Mom! He's trying to hit me!
  • 58:44 - 58:46
    Children, please!
  • 58:46 - 58:50
    -Stop fooling around!
    -Go inside.
  • 58:50 - 58:53
    Come here, Martin.
    Rosa, bring me that envelope!
  • 58:53 - 58:55
    And we want to be left alone.
  • 58:56 - 58:59
    -Do you want a liquor?
    -No, thanks.
  • 58:59 - 59:02
    -Just a little. -Bring me that
    envelope.You know where it is?
  • 59:02 - 59:04
    Yes. I' ll go get it.
  • 59:05 - 59:09
    What a mess!You must be used
    to it with your three children.
  • 59:09 - 59:12
    -But they' re grown-ups.
    -At their age they only make...
  • 59:12 - 59:16
    ... noise. They' re like my
    brothers and l, full of energy.
  • 59:16 - 59:19
    Here you have. Don't you want
    a glass of liquor?
  • 59:19 - 59:24
    -Don't ask him, just serve it!
    -Thank you.
  • 59:24 - 59:28
    -Alejandro is still hitting her.
    -Don't worry. They won't die!
  • 59:28 - 59:32
    -Sugar?
    -Will you leave us alone?!
  • 59:33 - 59:35
    -Hey.
    -Yes?
  • 59:35 - 59:38
    -Come back when your
    husband leaves. -You' re so rude!
  • 59:40 - 59:42
    My sister-in-law
    is pretty,uh?
  • 59:43 - 59:46
    Leave that coffee.
    Come and sit here.
  • 59:51 - 59:53
    I' ll make you suffer.
  • 59:55 - 59:57
    Do you remember this one?
  • 59:58 - 60:00
    Of course!
  • 60:02 - 60:04
    Your parents were so young.
  • 60:05 - 60:07
    You remember
    that neighbor?
  • 60:08 - 60:12
    That was Mrs. Luisa,
    my neighbor from the back.
  • 60:13 - 60:15
    This Spaniard sang very good.
  • 60:15 - 60:18
    And look at you.
    Your face looks just the same.
  • 60:18 - 60:21
    Even as a kid
    you looked serious.
  • 60:22 - 60:25
    I was thin.
    I was really skinny.
  • 60:26 - 60:28
    And do you remember
    this one?
  • 60:30 - 60:33
    -He's Cayolas!
    -Of course! Cayolas!
  • 60:33 - 60:36
    You remembered Cayolas!
  • 60:36 - 60:40
    He was the funniest of the gang.
    He listened to the funniest...
  • 60:40 - 60:43
    -...jokes and he never laughed.
    -He was amazing.
  • 60:44 - 60:47
    I had dinner with him a month
    ago. I see him once in a while.
  • 60:47 - 60:51
    But he's changed now.
    He's bald, fat. And he laughs!
  • 60:51 - 60:54
    -He laughs?
    -More than I do.
  • 60:55 - 60:58
    You' re a beast. I' m sorry, sir,
    but you' re a beast. He hit...
  • 60:58 - 61:01
    ...her face with a monkey wrench.
    She' ll die and...
  • 61:01 - 61:05
    ...it' ll be your fault. I begged you
    not to leave your tools there.
  • 61:05 - 61:07
    Okay!
  • 61:08 - 61:10
    Women get scared.
  • 61:13 - 61:17
    -Look what I found here!
    -Let me see.
  • 61:17 - 61:22
    New Year's eve. The picture
    of all the gang at the Chueco's.
  • 61:22 - 61:25
    -Her sister was about to
    get married. -Here' s Saverio.
  • 61:25 - 61:27
    We called him "Cruel"!
  • 61:32 - 61:34
    -What?
    -Look who's here!
  • 61:34 - 61:36
    -Who?
    -Paving Block.
  • 61:37 - 61:43
    He's so elegant.
    Paving Block, damn it!
  • 61:44 - 61:47
    -I don't find it funny.
    -What?
  • 61:48 - 61:50
    You know I hated it.
  • 61:51 - 61:52
    What?
  • 61:55 - 61:58
    You know I hated being called
    Paving Stone.
  • 62:01 - 62:03
    Oh, that's you.
  • 62:06 - 62:08
    Of course it's you.
  • 62:20 - 62:23
    -What are you drinking?
    -Chocolate.
  • 62:24 - 62:28
    -What are you laughing at?
    -Chocolate. I feel l' m a satyr.
  • 62:28 - 62:33
    -It's delicious. Have one.
    -No, thanks. I' ll stick to coffee.
  • 62:35 - 62:37
    Coward!
  • 62:38 - 62:41
    -You want to go to the
    movies? -Weren't you supposed...
  • 62:41 - 62:45
    -...to see Blanca? -At 10:30. She' ll
    introduce his boyfriend to me.
  • 62:46 - 62:48
    I' m happy.
  • 62:49 - 62:51
    But l' m scared.
  • 63:01 - 63:02
    Well...
  • 63:03 - 63:06
    -You wouldn't want me to make
    a speech. -No, on the contrary.
  • 63:07 - 63:10
    I've been thinking l' m the one
    who should make a speech.
  • 63:11 - 63:14
    But you surely
    want to know about me.
  • 63:14 - 63:16
    Yes, sure, but...
  • 63:17 - 63:20
    ... I don't know how to ask.
    I've no experience.
  • 63:21 - 63:23
    Neither do l.
  • 63:25 - 63:27
    I' m not a good match...
  • 63:28 - 63:31
    ... and...
    I don't intend to change.
  • 63:32 - 63:35
    Blanquita says you' re not
    interested in that...
  • 63:36 - 63:39
    ... but I think it's better
    for me to tell you.
  • 63:42 - 63:47
    I' m not a successful man
    of tomorrow, as they call them.
  • 63:49 - 63:53
    I don't know. I don't
    earn a lot of money because...
  • 63:54 - 63:57
    ...I' m not interested
    in working 20 hours a day.
  • 63:57 - 64:00
    I'd rather do other things
    like...
  • 64:00 - 64:02
    ... working in politics.
  • 64:06 - 64:09
    I can't think of anything else
    to tell you.
  • 64:09 - 64:12
    Do you want
    to ask me anything?
  • 64:16 - 64:19
    Excuse me. I laughed
    because I remembered...
  • 64:21 - 64:24
    ...I told lsabel's father
    exactly the opposite.
  • 64:25 - 64:27
    Isabel was my wife.
  • 64:29 - 64:32
    I told him I was the
    successful man of tomorrow.
  • 64:34 - 64:37
    Poor old guy!
    I' m sure he didn't believe me.
  • 64:42 - 64:46
    -What' s wrong? -Nothing. I' m
    fed up with working overtime.
  • 64:46 - 64:49
    You don't want to work in the
    evening so you come earlier.
  • 64:49 - 64:52
    It's not the same. I come
    to work an hour earlier.
  • 64:52 - 64:54
    Anyway, I can't sleep.
  • 64:55 - 64:58
    -You planning on staying there
    all the morning? -Yes, sir.
  • 64:58 - 65:01
    Until my shift begins.
  • 65:04 - 65:07
    What' re you looking at?
    I just want to leave earlier.
  • 65:07 - 65:09
    To have the evening
    for myself.
  • 65:10 - 65:14
    For yourself and who else?
    You think it doesn't show?
  • 65:14 - 65:16
    Come on, spit it.
  • 65:19 - 65:21
    You' re seeing a woman.
  • 65:21 - 65:23
    This might be tragic.
  • 65:25 - 65:27
    At your age
    it's dangerous.
  • 65:29 - 65:32
    So? You won't tell me?
  • 65:36 - 65:37
    No.
  • 65:39 - 65:42
    I woke up an hour later
    for nothing.
  • 65:42 - 65:45
    Be careful. You' re the right
    person to be a victim.
  • 65:45 - 65:48
    If you take it too seriously,
    you may end up in trouble.
  • 65:50 - 65:53
    Why?
    What may happen to me?
  • 65:53 - 65:56
    What's worse than
    an empty life?
  • 65:56 - 65:58
    -You' re right.
    -Do me a favor.
  • 65:58 - 66:01
    -As long as it doesn't involve
    working. -Fill in the...
  • 66:01 - 66:04
    -...pools ticket. I don't
    understand anything. -Me.
  • 66:04 - 66:07
    As Loco says, l' m a blockhead.
  • 66:07 - 66:10
    The guys prepared something
    for him for next week.
  • 66:10 - 66:13
    -You' re always playing jokes
    on him. -It's great. When we...
  • 66:13 - 66:17
    ...fill in the ticket, he doesn't
    want to know what we choose.
  • 66:17 - 66:21
    They' ll make him believe
    Mendez hit all soccer results.
  • 66:21 - 66:24
    He' ll have a heart attack.
    Be careful.
  • 66:26 - 66:28
    Oh God!
  • 66:29 - 66:31
    Racing vs. San Lorenzo...
  • 66:31 - 66:33
    Racing will win.
  • 66:37 - 66:40
    You' re planning on being
    discreet for a long time?
  • 66:43 - 66:45
    About that girl, I mean.
  • 67:08 - 67:11
    -At last! -Careful.
    -Turn on the light.
  • 67:13 - 67:15
    Take off your clothes.
  • 67:15 - 67:17
    Quickly, come on.
  • 67:17 - 67:20
    -Hurry.
    -Here's a towel.
  • 67:23 - 67:26
    Careful. You' ll throw me
    to the ground.
  • 67:33 - 67:36
    -Are you wet?
    -Yes, dry me off.
  • 67:48 - 67:52
    -l' ll make tea. -Take off your
    clothes or you' ll get a cold.
  • 67:58 - 68:01
    -And the matches?
    -On the first shelf.
  • 68:23 - 68:24
    This.
  • 68:27 - 68:31
    Happiness is exactly this.
  • 69:04 - 69:07
    -How are you?
    -Always the same.
  • 69:07 - 69:10
    You' re always behind
    the newspaper.
  • 69:16 - 69:19
    I sometimes forget you have
    a face and I think of you...
  • 69:19 - 69:21
    ... as a sports headline.
  • 69:24 - 69:26
    Are you drunk?
  • 69:28 - 69:31
    One day I don't say good
    morning and you think l' m drunk.
  • 69:32 - 69:34
    Unbelievable!
  • 69:38 - 69:41
    What' re you going to do?
    You won't go to the match?
  • 69:42 - 69:45
    No, we played in Rosario
    and I didn't feel like going.
  • 69:45 - 69:48
    You won't go out
    with your girlfriend?
  • 69:49 - 69:52
    You' re playing a matchmaker
    or a detective?
  • 69:53 - 69:54
    A father.
  • 69:56 - 69:59
    -Too late.
    -ls that an accusation?
  • 69:59 - 70:01
    No.
  • 70:05 - 70:07
    Listen, Esteban.
  • 70:12 - 70:13
    Esteban.
  • 70:14 - 70:15
    Yes?
  • 70:17 - 70:20
    Can you put down
    that paper for a change?!
  • 70:20 - 70:24
    What' s wrong with you?
    Now you' re shouting?
  • 70:24 - 70:27
    What's wrong with all of you?
    You' re always bothering me.
  • 70:27 - 70:30
    Blanca tried to talk
    to a newspaper?
  • 70:30 - 70:33
    She was trying to find out why
    you don't live here anymore...
  • 70:33 - 70:36
    -...and why l' m so bitter. -And
    did you help her understand?
  • 70:36 - 70:40
    What? Why you left
    without saying anything?
  • 70:42 - 70:44
    It was that, wasn't it?
  • 70:46 - 70:47
    Alright.
  • 70:51 - 70:53
    I' m living with a woman.
  • 70:54 - 70:55
    I love her.
  • 70:56 - 70:58
    I have that right.
  • 71:00 - 71:04
    She's a very nice person but
    she's much younger than me.
  • 71:07 - 71:09
    That's it. I told you.
  • 71:12 - 71:15
    Now that you' re having
    a relationship you wake up.
  • 71:21 - 71:25
    The father opens his eyes,
    looks around and says:
  • 71:25 - 71:28
    " What's wrong with this boy?
    He's always so bitter."
  • 71:31 - 71:34
    You' re my father,
    that's what's wrong!
  • 71:35 - 71:38
    I don't know how to escape
    from this trap of doing...
  • 71:38 - 71:41
    ...the same work every day
    for 30 years just to retire!
  • 71:43 - 71:46
    Because l' m just like you!
    Just the same!
  • 71:46 - 71:48
    And that's what scares me!
  • 71:50 - 71:55
    It's like having a mirror
    in front of me, you understand?
  • 71:55 - 71:57
    A mirror that is set ahead.
  • 72:03 - 72:06
    The worst of all is that I have
    nothing to reproach you with.
  • 72:07 - 72:10
    You' re a good guy,
    you' re smart.
  • 72:14 - 72:17
    What's killing me is the thought
    of living all my life this way.
  • 72:18 - 72:21
    No. That's if you want that.
  • 72:21 - 72:24
    Why? You wanted it
    to be that way?
  • 72:25 - 72:27
    No. No, dear, no.
  • 72:29 - 72:31
    I just gave up.
  • 72:33 - 72:36
    Because at your age,
    I wasn't furious.
  • 72:37 - 72:40
    If I had been furious, l
    wouldn't have led the life I led.
  • 72:41 - 72:43
    But you' re still on time.
  • 72:44 - 72:47
    -You can change things.
    -It's easier said than done.
  • 72:48 - 72:52
    I can't do another job. You
    want me to starve to death?
  • 72:53 - 72:55
    But my son!
  • 72:55 - 72:57
    If at my age...
  • 72:57 - 73:00
    ...I dare live with a woman who
    could easily be my daughter,...
  • 73:01 - 73:04
    ...if I have the boldness
    to start over again,..
  • 73:05 - 73:09
    ...why wouldn't you
    do the same? You must do it.
  • 73:10 - 73:14
    Think about the kind
    of life you want...
  • 73:14 - 73:17
    ...and you' ll see it doesn't
    depend on your job that much.
  • 73:17 - 73:19
    I've just come to learn that.
  • 73:20 - 73:24
    What you really want
    is what you' re meant to be.
  • 73:24 - 73:27
    So you must take it
    or give it a try.
  • 73:28 - 73:31
    You can spend your whole
    life looking for that...
  • 73:33 - 73:38
    ... but it's a better life...
    I don't know...
  • 73:38 - 73:42
    ... than trying to get
    promotions or making money,...
  • 73:44 - 73:46
    ... or giving up.
  • 73:55 - 73:57
    That girl...
  • 74:03 - 74:05
    The girl you talked about...
  • 74:07 - 74:08
    Yes?
  • 74:10 - 74:12
    What's her name?
  • 74:14 - 74:15
    Laura.
  • 74:20 - 74:22
    Is she as pretty...
  • 74:26 - 74:28
    ... as Mom was?
  • 74:35 - 74:39
    It's really easy. Mendez calls
    and says we won on the pools.
  • 74:39 - 74:42
    You' re shocked and you give
    the phone to someone else.
  • 74:42 - 74:46
    I' m no good for that kind of
    things. I' ll blow your cover.
  • 74:49 - 74:52
    -You' ll get the phone.
    -And where will you be?
  • 74:52 - 74:55
    -I told you l' m no good for this.
    -But you' ll have to pretend...
  • 74:55 - 74:57
    ... or you' ll ruin our joke.
  • 74:57 - 75:00
    Don't you think
    that joke's too risky?
  • 75:00 - 75:03
    -How long will you cling to
    that joke? -For some minutes.
  • 75:03 - 75:06
    Mendez will be right back.
    Be careful!
  • 75:06 - 75:08
    Good morning.
  • 75:08 - 75:11
    -Mendez hasn't arrived yet?
    -No. Do you need him?
  • 75:11 - 75:13
    No, why would l?
  • 75:15 - 75:18
    I'd better stay here so that
    I can answer the phone.
  • 75:20 - 75:24
    -Robledo, did you see Mendez
    yesterday? -No. Why?
  • 75:25 - 75:28
    As you go to soccer
    matches together I thought...
  • 75:29 - 75:31
    No, I haven't seen him.
  • 75:38 - 75:43
    -What was the prize for the
    football pools? -7 40 million.
  • 75:45 - 75:47
    Get out.
    He's about to call.
  • 76:19 - 76:20
    Hi.
  • 76:21 - 76:23
    No, Martinez. Who is it?
  • 76:24 - 76:26
    What's wrong? Mendez.
  • 76:27 - 76:28
    What?
  • 76:29 - 76:30
    What?!
  • 76:31 - 76:35
    What are you saying?
    Don't play jokes on us. What?!
  • 76:37 - 76:40
    -All of them?
    -What is he saying?
  • 76:40 - 76:43
    All our soccer results
    were right!
  • 76:44 - 76:46
    I knew it! I knew it!
  • 76:47 - 76:50
    I knew it!
    We won the soccer pools!
  • 76:53 - 76:56
    I knew it! I knew it!
  • 76:56 - 76:58
    7 40 million!
  • 77:01 - 77:04
    We won! We won!
  • 77:07 - 77:10
    We did it!
    We' ll all retire...
  • 77:10 - 77:13
    ... but we' ll all be rich!
    Rich!
  • 77:17 - 77:21
    Come on, Sierra!
    Come on, Sierra!
  • 77:21 - 77:25
    This job is over! It's over!
  • 77:28 - 77:30
    I' m through with this!
  • 77:33 - 77:36
    Come on, Sierra!
    Come on, come on, Sierra!
  • 77:38 - 77:42
    -Come on, come on, Sierra!
    -What's all that shouting?
  • 77:43 - 77:45
    I' m shaking to death.
  • 77:46 - 77:49
    I have some news for you.
  • 77:50 - 77:53
    We' re millionaires.
    Millionaires!
  • 77:53 - 77:57
    All of us are millionaires! And
    you can go and fuck yourself!
  • 77:57 - 77:59
    Let me kiss you.
  • 77:59 - 78:01
    You' re still afraid of him?
  • 78:01 - 78:05
    -We can hire him to open
    the doors of our car. -Stop it.
  • 78:05 - 78:08
    We' re millionaire! Millionaire!
    But don't worry.
  • 78:08 - 78:11
    We' ll give you some money,
    Piggy.
  • 78:14 - 78:16
    Listen, Sierra.
  • 78:17 - 78:18
    The guys...
  • 78:20 - 78:22
    All of us decided...
  • 78:23 - 78:25
    ... until you get
    another job...
  • 78:26 - 78:29
    It's no sacrifice to any of us.
    We' re several guys.
  • 78:31 - 78:33
    We' ll gather your salary...
  • 78:33 - 78:35
    ... until you find
    another job.
  • 78:37 - 78:39
    Come on, man.
  • 78:47 - 78:50
    Why don't you go
    and fuck yourselves?
  • 78:52 - 78:56
    Do you remember that day
    Santini had that attack,...
  • 78:57 - 78:59
    ... a week before he left?
  • 79:00 - 79:02
    Yes, I remember.
  • 79:02 - 79:04
    Did you realize?
  • 79:06 - 79:10
    In another way, he talked about
    the same things as Sierra did.
  • 79:11 - 79:13
    Who, Santini?
  • 79:16 - 79:20
    Yes. I know
    they were different but...
  • 79:22 - 79:24
    ... he couldn't stand it either...
  • 79:25 - 79:29
    ... and called us slaves
    all day long, like Sierra.
  • 79:32 - 79:34
    I don't know but I think...
  • 79:34 - 79:37
    ... that's why
    we plot without even realizing.
  • 79:39 - 79:41
    And we do something to...
  • 79:41 - 79:43
    ... get them off our backs,...
  • 79:44 - 79:47
    ... to stop them
    from disturbing us,...
  • 79:47 - 79:50
    ... to stop them from
    dreaming in a loud voice.
  • 79:52 - 79:54
    You can't stand it either.
  • 79:55 - 79:59
    Why don't you take
    some vacations?
  • 80:08 - 80:12
    -You know l' m retiring,
    don't you? -Yes.
  • 80:12 - 80:16
    -Don't you find it crazy?
    -No, why?
  • 80:16 - 80:19
    Now that Suarez's been fired,
    everybody's saying l' ll be...
  • 80:19 - 80:22
    -...sub-manager. -But you
    don't want to go on working?
  • 80:22 - 80:26
    -But how will we manage?
    -We' ll think of something.
  • 80:34 - 80:36
    -You' re okay?
    -Yes.
  • 80:38 - 80:41
    You wouldn't mind living
    with a retired worker.
  • 80:45 - 80:48
    If you don't mind living
    with a woman with a cold.
  • 80:50 - 80:53
    You look so good.
    I've never seen you so happy.
  • 80:55 - 80:58
    -Do you love her a lot?
    -Yes.
  • 80:59 - 81:02
    -Aren't you going
    to get married? -No.
  • 81:02 - 81:05
    She's too young.
    It wouldn't be fair.
  • 81:05 - 81:08
    -ls that what she says?
    -I say that but she understands.
  • 81:10 - 81:12
    What is she like?
  • 81:15 - 81:17
    Would you like to meet her?
  • 81:21 - 81:23
    He has a girlfriend!
  • 81:24 - 81:28
    He has a girlfriend!
    He has a girlfriend!
  • 81:29 - 81:32
    Blow your nose.Don't embarrass
    me in front of my daughter.
  • 81:34 - 81:38
    -Hi.
    -Okay, the time has come.
  • 81:41 - 81:46
    Don't get nervous.
    I' m more scared than you are.
  • 83:04 - 83:08
    -Hi. -At last!
    The rice was overcooking.
  • 83:08 - 83:10
    Did you miss me?
  • 83:11 - 83:13
    -A lot.
    -So did l.
  • 83:15 - 83:17
    The rice!
  • 83:19 - 83:23
    I've something to tell you.
    Geller mimics Robledo.
  • 83:23 - 83:28
    Today he walked me to the
    bus and I couldn't stop laughing.
  • 83:38 - 83:42
    Martin! I was waiting for you.
    Let's go have a coffee.
  • 83:42 - 83:45
    -l' m sorry, someone's
    waiting for me. -Just a coffee.
  • 83:45 - 83:49
    -They' re waiting for me. -I must
    talk with you. I' m desperate.
  • 83:49 - 83:51
    Why?
  • 83:52 - 83:54
    It happened.
  • 83:54 - 83:57
    -What happened?
    -My sister-in-law.
  • 83:57 - 84:00
    -What sister-in-law?
    -I saw it coming.
  • 84:00 - 84:03
    She was always seducing me.
    I have a reputation...
  • 84:03 - 84:07
    And now she' s driving me crazy.
    I think my wife found out.
  • 84:07 - 84:09
    I don't know what to do.
  • 84:11 - 84:13
    That's the fate of seducers.
  • 84:14 - 84:17
    -l' m leaving. They' re waiting
    for me. -I tell you...
  • 84:17 - 84:19
    ... I' m desperate and you leave.
  • 84:19 - 84:22
    I' m sorry. I was
    with Santillan. Have a seat.
  • 84:28 - 84:31
    Okay, San Tome, here we are.
  • 84:32 - 84:36
    I won't tell you any news.
    You know the sub-management...
  • 84:36 - 84:39
    ... is vacant.
    That position is yours.
  • 84:39 - 84:43
    We just have to make it official.
  • 84:44 - 84:48
    -Actually...
    -No, don't thank me, please.
  • 84:48 - 84:51
    Your help will be really useful.
  • 84:51 - 84:54
    I must take my wife to Europe,
    otherwise she' ll kill me.
  • 84:55 - 84:58
    You should come and work
    in this floor...
  • 84:58 - 85:00
    ... during the afternoons.
  • 85:00 - 85:03
    How much time do I have
    to give you an answer?
  • 85:05 - 85:08
    I' m sorry, I don't get it.
    An answer to what?
  • 85:08 - 85:11
    If l' ll accept the position or not.
  • 85:14 - 85:18
    San Tome, what's wrong
    with you? Are you sick?
  • 85:18 - 85:20
    No, l' m okay but...
  • 85:23 - 85:26
    ...after 30 years I feel like
    doing something else...
  • 85:26 - 85:29
    -...and I'd like to retire.
    -Don't talk nonsense!
  • 85:29 - 85:32
    Do you think they' ll offer you
    an executive position knowing...
  • 85:32 - 85:35
    ...you' re planning to retire?
    What' re you planning to do?
  • 85:35 - 85:37
    Go and sunbathe at the park?
  • 85:37 - 85:39
    Aren't you ashamed?
  • 85:39 - 85:43
    Five months from now
    everything will be different.
  • 85:45 - 85:48
    Although it's too late for
    some things, with you...
  • 85:48 - 85:51
    -...it' ll all be different.
    -Too late for what?
  • 85:51 - 85:55
    -For so many things.
    -What things?
  • 85:56 - 85:57
    To...
  • 85:58 - 86:00
    ... write a book,...
  • 86:01 - 86:03
    ... to dance like Fred Astaire.
  • 86:03 - 86:06
    Why is it too late
    to write a book?
  • 86:08 - 86:10
    Do you love me?
  • 86:10 - 86:13
    -Excuse me? -You've never
    told me you love me.
  • 86:18 - 86:21
    It's so hard to be romantic
    with that cough.
  • 86:21 - 86:24
    -Yes.
    -You have fever.
  • 86:24 - 86:27
    We' re two fools. You should've
    seen a doctor a week ago.
  • 86:27 - 86:30
    -He' ll tell me to stay in bed.
    -And you' ll do it.
  • 86:30 - 86:33
    You' ll call the office and say:
    " I can't go to work.
  • 86:33 - 86:36
    I've to look after Avellaneda."
  • 86:37 - 86:40
    I'd better go to
    my parents' for some days.
  • 86:42 - 86:44
    You don't want to be alone?
  • 86:45 - 86:47
    Then I won't go.
  • 86:48 - 86:51
    No, you should go. Your mother
    will take good care of you.
  • 86:52 - 86:56
    But don't stay here alone.
    Go with your children.
  • 86:56 - 86:58
    You' ll get sad.
  • 87:36 - 87:40
    -How are you, Dad?
    -How are you? Sit down.
  • 87:43 - 87:44
    And Blanca?
  • 87:45 - 87:47
    She's getting dressed.
  • 87:48 - 87:51
    -You' re going out?
    -Yes.
  • 87:53 - 87:57
    -We' re going to the movies.
    -They' re so stupid. Look at that!
  • 88:00 - 88:03
    -Of course!
  • 88:03 - 88:07
    -Again!
  • 88:10 - 88:14
    Dad! I didn't know you
    were coming. You' re staying?
  • 88:17 - 88:18
    Come, come.
  • 88:22 - 88:24
    -Anything wrong?
    -No.
  • 88:25 - 88:29
    Laura has the flu. She' ll be
    at her mother's for a few days.
  • 88:29 - 88:32
    -Did you have dinner?
    -No, but l' m not hungry.
  • 88:34 - 88:38
    -Don't you want to join us?
    -No, l' m tired. -It's getting late.
  • 88:41 - 88:43
    -Good evening, sir.
    -Bye.
  • 88:43 - 88:46
    -Bye, Dad.
    -Bye, honey. -Bye.
  • 88:49 - 88:52
    -You want to come?
    -No, I want to go to bed early.
  • 88:53 - 88:55
    -So you' re staying?
    -Yes.
  • 88:56 - 88:58
    Wait for me. I' m coming.
  • 89:00 - 89:03
    -ls there anything wrong?
    -No, l' m fine.
  • 89:03 - 89:05
    -Really?
    -Really.
  • 89:06 - 89:09
    -Alright. See you later.
    -See you later.
  • 90:00 - 90:01
    Hello.
  • 90:02 - 90:04
    No, Robledo. Who is it?
  • 90:05 - 90:07
    Oh yes. How is she?
  • 90:08 - 90:14
    Okay. No problem. Send her our
    regards. I hope she gets better.
  • 90:14 - 90:17
    No problem. I' ll tell him.
  • 90:19 - 90:22
    -On behalf of Avellaneda.
    -They wanted to talk to me?
  • 90:22 - 90:25
    No, just tell us the doctor
    ordered her to stay in bed.
  • 90:25 - 90:27
    -For how long?
    -I didn't ask.
  • 90:27 - 90:30
    I didn't want her to think
    we were hastening her.
  • 90:31 - 90:33
    -Sure.
    -Anything wrong?
  • 90:35 - 90:38
    -No, why?
    -Your face looks awful.
  • 90:38 - 90:40
    I' m just tired.
  • 90:43 - 90:45
    That thing with that woman...
  • 90:46 - 90:47
    ... is okay?
  • 90:49 - 90:50
    Okay.
  • 91:02 - 91:05
    Please, now you push
    when you cover.
  • 91:05 - 91:08
    -That doesn't mean they' re
    playing. -What do you mean?
  • 91:08 - 91:11
    You call that playing?
    That's so nice!
  • 91:11 - 91:14
    So that's playing?
    Give me a break, man!
  • 91:14 - 91:17
    Playing was what we did
    at my time.
  • 91:17 - 91:20
    I'd like to see one of
    your players playing today.
  • 91:20 - 91:23
    -There wasn't anything.
    -I mean the younger ones.
  • 91:23 - 91:27
    -When they' re in minor leagues,
    they play. -Yes, they do play.
  • 91:27 - 91:29
    Hey. Robledo.
  • 91:29 - 91:33
    -Give me a break!
    -Robledo, stop it. Robledo!
  • 91:33 - 91:35
    Cut it out!
  • 91:38 - 91:41
    Hello. Yes, it's me.
  • 91:42 - 91:44
    How is she?
  • 91:54 - 91:56
    What are you talking about?
  • 91:58 - 92:00
    Shut up!
  • 92:03 - 92:08
    Shut up, bastard! Shut up!
    What are you talking about?
  • 92:08 - 92:11
    -Shut up, bastard!
    -What's wrong? -Shut up!
  • 92:11 - 92:15
    -Give me the phone. -Tell him
    to shut up! -Who is it?
  • 92:16 - 92:18
    What happened?
  • 92:18 - 92:20
    How did it happen?
  • 92:23 - 92:25
    No, l' m sorry.
    But he's shocked.
  • 92:27 - 92:28
    Yes.
  • 92:29 - 92:32
    We were all very fond of her.
  • 92:34 - 92:35
    Excuse us.
  • 92:40 - 92:41
    Avellaneda...
  • 92:43 - 92:45
    She died this morning.
  • 93:11 - 93:14
    -Sir?
    -Excuse me. Good afternoon.
  • 93:14 - 93:16
    The tailor lives here?
  • 93:17 - 93:18
    Yes.
  • 93:19 - 93:23
    -I wanted to have a suit made.
    -Come in, please.
  • 93:28 - 93:30
    They' re looking for you.
  • 93:34 - 93:38
    -Good afternoon. I wanted
    to have a suit made. -Sure.
  • 93:38 - 93:40
    -You brought your fabric?
    -No.
  • 93:41 - 93:44
    I' ll see if I have something
    you like.
  • 94:05 - 94:07
    You live
    in the neighborhood?
  • 94:09 - 94:11
    No, he was highly recommended.
  • 94:13 - 94:15
    These fabrics are good.
  • 94:20 - 94:22
    Okay. This one.
  • 94:26 - 94:28
    When will it be ready?
  • 94:29 - 94:33
    I have to get your measures
    and you must choose a model.
  • 94:37 - 94:42
    -Like this one. -Hold on a
    minute. I' ll take your measures.
  • 95:03 - 95:05
    Pretty, isn't she?
  • 95:06 - 95:08
    She was our only daughter.
  • 95:11 - 95:14
    Forgive me. My wife
    will take your measures.
  • 95:14 - 95:16
    She's good at that.
  • 95:17 - 95:18
    Excuse me.
  • 95:26 - 95:28
    It's you, aren't you?
  • 95:38 - 95:40
    She talked about you.
  • 95:43 - 95:46
    She spent the last 10 days
    talking about you.
  • 95:48 - 95:50
    He doesn't know anything.
  • 95:53 - 95:55
    I wanted to let you know but...
  • 95:57 - 95:59
    ...there was no time.
  • 96:00 - 96:03
    Everything happened
    so fast that...
  • 96:05 - 96:07
    And there was no reason...
  • 96:09 - 96:12
    The doctor said
    it was her heart...
  • 96:14 - 96:17
    ... and that that kind
    of things happen.
  • 96:18 - 96:20
    You can't take precautions.
  • 96:25 - 96:28
    I pictured you
    the way you are.
  • 96:30 - 96:33
    I think I recognized you
    when I opened the door.
  • 96:39 - 96:41
    Forgive me but...
  • 96:48 - 96:50
    ...I didn't want to come.
  • 96:53 - 96:55
    I don't know why l' m here.
  • 96:59 - 97:02
    I've been stunned
    all this month.
  • 97:05 - 97:09
    When I left the office,
    I came straight here.
  • 97:17 - 97:19
    I don't know what to say.
  • 97:23 - 97:25
    Since that day...
  • 97:27 - 97:30
    ...I haven't talked about
    her with anybody.
  • 97:33 - 97:34
    I needed...
  • 97:36 - 97:38
    I understand.
  • 97:41 - 97:43
    I have something for you.
  • 97:45 - 97:50
    Laura wanted to show you
    her pictures as a little girl.
  • 97:51 - 97:55
    She was going to show them
    to you when she saw you again.
  • 97:58 - 98:00
    I' ll give them to you.
  • 98:23 - 98:25
    Here they are.
  • 98:28 - 98:31
    And now leave
    and don't ever come back.
  • 98:33 - 98:34
    Forgive me,...
  • 98:35 - 98:38
    ... but he doesn't know anything
    about this...
  • 98:38 - 98:41
    ... and I wouldn't know
    what to tell him.
  • 99:41 - 99:45
    -l' m sorry, Dad, but we were
    worried about you. -Come in.
  • 99:48 - 99:50
    How are you?
  • 99:51 - 99:52
    Fine, son.
  • 100:05 - 100:07
    May I help you?
  • 100:10 - 100:11
    Not much.
  • 101:18 - 101:19
    That's it.
  • 101:22 - 101:23
    It's over.
  • 101:30 - 101:33
    I know what l' ll tell you
    will sound stupid...
  • 101:35 - 101:38
    ... but you mustn't think
    it's all over.
  • 101:42 - 101:44
    It was not just her.
  • 101:46 - 101:48
    You felt like living again.
  • 101:51 - 101:53
    Does that have to end?
  • 101:54 - 102:04
    Downloaded From www.AllSubs.org
Title:
La Tregua - Sergio Renán (1974) (Película) (english subs)
Description:

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Duration:
01:42:27

English subtitles

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