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Nancy Drew... Reporter (1939)

  • 0:55 - 0:59
    Listen, let me be wrong for once.
    Write a new head.
  • 1:06 - 1:07
    Hey, boy.
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    - Yes, sir?
    - Did you find Tracy yet?
  • 1:10 - 1:12
    No, sir. He's still out.
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    When you find Mr. Tracy, would you
    ask him if he'd condescend...
  • 1:15 - 1:18
    ...to undertake a reportorial chore
    for me this afternoon?
  • 1:18 - 1:20
    If you don't mind.
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    Oh, no, sir. I don't mind.
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    Don't stand there like an imbecile.
    Round him up.
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    Yes, sir.
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    - Well, they're here, Mr. Bostwick.
    - Who's here?
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    - The students.
    - What are they doing here?
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    Mr. Bostwick, don't you remember?
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    It was a promotion tie... up
    to increase circulation.
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    And what did I promise them?
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    Well, they were to work for you
    for three days as real reporters.
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    And the one who submits
    the best story during that time...
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    ...was to receive $50.
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    - And a gold medal.
    - Oh, I might have guessed it.
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    I don't know why I let you
    talk me into these things.
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    You had the place filled
    with a lot of champion potato pickers.
  • 1:55 - 1:58
    Now, the place will be over... crowded
    with a lot of crazy cubs.
  • 1:58 - 2:01
    - I won't see them.
    - Mr. Bostwick, they're right beside you.
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    Mr. Bostwick,
    these are the young people...
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    ...you've been so anxious to meet.
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    Nancy Drew from the Brinwood
    School for Young Ladies.
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    - I'm very pleased to meet you.
    - How are you?
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    Miss Phyllis Kimble of...
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    - How are you?
    - How do you do?
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    Are we really going to have
    real assignments just like real reporters?
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    - I know all about fashions.
    - I'm dying to find out.
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    Can I cover a scandal?
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    Girls, boys.
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    Mr. Bostwick, won't you say
    a few words to the contestants?
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    Yeah. Very few.
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    Why anyone is simple... minded enough
    to want to work on a newspaper...
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    ...Ive never been able to find out.
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    Why, Mr. Bostwick. Journalism
    is a very noble and glorious career.
  • 2:40 - 2:44
    With the adventure, romance and
    everything, I should think you'd love it.
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    I do love it, I love every minute of it.
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    I love my employees too.
    Here, take one.
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    All right. I won' t look.
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    What did you get?
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    I've gotta write a story about a squirrel
    in the park.
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    - Where's the mayor live?
    - Why?
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    I gotta find out how many babies
    he kissed.
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    "A human... interest story
    about a goldfish"?
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    "Ladies' Amateur Poetry Club,
    Cozy Nook Tea Room, 1 p.m."
  • 3:12 - 3:15
    - All right, now. Come on. Get going.
    - All right, children. Come on.
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    And if it isn't news,
    you needn't bother coming back.
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    - Clever idea?
    - We'll go into that later.
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    Mr. Bostwick, I don't believe
    you take us seriously.
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    My dear Miss Whoosis,
    in regard to your supposition...
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    ...I see you're not without perspicacity.
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    I still haven't been able to find
    Mr. Tracy.
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    Every time I depend upon a reporter,
    I'm double... crossed.
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    Oh, all right,
    leave a memo on his desk.
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    Tell him to hurry over
    to the courthouse.
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    They're holding an inquest
    on that woman.
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    - Yes, sir.
    - Yes, sir. Imbecile school children.
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    Are you satisfied with your assignment,
    Miss Drew?
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    Oh, I think it will do, for a start.
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    Dr. Carey, please.
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    Raise your right hand.
    Do you swear the testimony you give...
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    ...will be nothing but the truth?
    - I do.
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    Dr. Carey, as autopsy surgeon, you
    examined the body of Kate Lambert?
  • 4:42 - 4:45
    - I did.
    - And what did you find?
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    That Miss Lambert' s death was not
    caused by heart failure...
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    ...as Dr. Hibbard certified.
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    Her death was caused by a poison.
    Sodium ferranide.
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    What is sodium ferranide?
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    It's a chemical used in photography.
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    Is such a chemical easily obtained?
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    Oh, no. Only on special order
    from the manufacturer.
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    It's a new agent
    not yet on the open market.
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    In fact, only those who are well
    advanced in photography know about it.
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    Miles Lambert.
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    Mr. Lambert, you're the first to suspect
    your aunt had not met a natural death?
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    I was.
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    What aroused your suspicions?
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    For years, Dr. Hibbard had assured me...
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    ...that my aunt's heart condition
    was nothing to worry about.
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    And when she died so suddenly, I was
    naturally very shocked and surprised.
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    But even so, I didn't suspect anything...
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    ...until I happened to run across a
    scientific magazine in my aunt's library.
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    There was an article, which had
    a great deal of significance to me...
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    ...in view of the circumstances.
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    The article was about sodium ferranide...
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    ...and the portions of it dealing with
    the chemical's poisonous properties...
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    ...had been carefully marked in pencil.
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    To whom does this magazine belong?
  • 5:59 - 6:02
    It's addressed to Eula Denning.
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    - Did you mark this article, Miss Denning?
    - Well, l...
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    - I must have
    - Why?
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    I keep a file of all chemicals I work with.
  • 6:11 - 6:13
    Especially poisonous ones
    and their antidotes.
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    Then you are interested in photography?
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    Yes.
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    How familiar are you
    with sodium ferranide?
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    Well, I know something about it.
  • 6:23 - 6:27
    Miss Denning, what was your
    relationship to Kate Lambert?
  • 6:27 - 6:29
    My mother was her companion
    for many years.
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    After mother died,
    Miss Lambert took care of me.
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    Isn't it true that in Miss Lambert's will,
    you were the sole beneficiary?
  • 6:37 - 6:39
    Yes.
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    But I didn't kill her.
  • 6:42 - 6:45
    Why, Kate Lambert
    was the best friend I ever had.
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    She put me through school,
    treated me as her own child.
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    Yet you coerced her into making a will
    leaving all her property to you.
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    - No.
    - A will that was made...
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    ...less than a week before her death.
    - No. I didn't do it.
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    Someone must have taken the poison
    from the dark room.
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    Mr. Garrett, if you had the chemical tin,
    that would prove I was innocent.
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    How?
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    The murderer's fingerprints
    would be on it.
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    - Not if they'd been removed.
    - But they couldn't be removed.
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    If anyone touched that chemical...
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    ...the ferranide would etch the prints
    into the metal.
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    A search has been made
    for the poison container.
  • 7:17 - 7:19
    - Lt's missing.
    - But it must be in the house.
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    You were the only person connected
    with the Lambert household...
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    ...with a knowledge of sodium ferranide.
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    You were the only one who had access
    to her room the night she died.
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    And the only one who had motive
    to commit murder.
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    I didn't kill her, I tell you.
    I didn't. I didn't kill her, I tell you.
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    That's all.
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    - What's the verdict?
    - The girl's being held for trial. Murder.
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    What's up, baby?
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    Something we didn't figure on.
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    I gotta get out to the Lambert joint
    and find a tin can.
  • 7:59 - 8:01
    - Look out.
    - Oh, heavens.
  • 8:01 - 8:03
    Come back here.
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    He's gone away. He drove away.
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    Knocked the bumper off.
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    What's all this about a tin can?
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    There's fingerprints on it.
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    If the cops find it first,
    we're gonna be in a jam.
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    - A jam? How?
    - Never mind how.
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    If Eula Denning isn't set up,
    she'll get all that old lady's dough.
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    Oh, I see.
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    And if she is set up,
    the money goes to Miles Lambert.
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    Not bad.
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    - How much do you get?
    - Oh, Lambert will take care of me.
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    I'll have to start being nice
    to Mr. Lambert.
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    Don't you be nice to nobody but me,
    lamby pie.
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    Be careful, baby.
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    Officer, did a man come in here?
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    The DA's closed up this joint.
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    No one can get in here
    without a court order.
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    I'm here to see to that.
  • 9:51 - 9:54
    Well, the man bumped into my fender
    and ran away and...
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    Oh, a hit and runner?
  • 9:56 - 9:59
    Yes. And he must be around here
    some place.
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    - Lt's the only place he could've gone.
    - You and I will just take a look around.
  • 10:03 - 10:06
    Maybe you'd better go on that side,
    I'll go on this one, so he can't escape.
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    Good idea. And if you spot him, yell.
    I'll come a running.
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    Hey, what are you doing there?
  • 10:18 - 10:21
    Why, I'm here to read the gas meter.
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    That's the man, officer.
    He's the one who smashed my fender.
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    - Oh, a run and hitter?
    - Yes.
  • 10:27 - 10:30
    I won't prefer charges
    if you pay to have it fixed.
  • 10:30 - 10:31
    Well?
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    Will this square it?
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    Itll only cost me three and a half
    to have my fender fixed...
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    ...and about 50˘ for the gasoline
    I wasted, so here's a dollar back.
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    All right, get along with you?
  • 10:46 - 10:48
    Thanks a lot, officer.
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    He had an awful lot of money
    for a gas meter reader.
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    Maybe I'm in the wrong branch
    of the service.
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    Did he say he was
    from the gas company?
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    Yes.
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    Gee, that's kind of funny.
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    I got it, Mr. Bostwick.
    All about the Lambert inquest.
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    I was delayed on account of a man
    ran into my fender.
  • 11:07 - 11:08
    So it was you?
  • 11:09 - 11:11
    You switched those assignment slips,
    didn't you?
  • 11:11 - 11:14
    Well, I thought reporters
    always did things like that.
  • 11:14 - 11:15
    At least, they do in the movies.
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    It says right in my textbook...
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    ...that a newspaperman must stop
    at nothing to get news.
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    If she intends to impress the editor
    she must do much more...
  • 11:23 - 11:26
    ...than what the assignment calls for.
    So there.
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    A thing like this would happen to me.
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    I have it. Every word.
    Oh, it's sensational.
  • 11:32 - 11:34
    I'll bet you, you never thought
    I could do it.
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    The story of the Lambert inquest
    was on the street a half hour ago.
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    But that's impossible.
    I had it right here in...
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    We were lucky enough to get it
    from the DA's office.
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    Oh, dear.
  • 11:56 - 11:59
    And I was so sure I had a scoop
    and you'd have to stop the presses.
  • 11:59 - 12:01
    - Stop the presses?
    - Or something.
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    My dear little girly, will you please
    take pity on a poor, tired old man?
  • 12:06 - 12:11
    If another thing like this happens
    to me today, I'll lose my mind.
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    - Good morning, Dad.
    - Good morning, pet.
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    How's the star reporter this morning?
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    Don't mention it.
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    You watch. I'll show that Mr. Bostitch
    whatever his name is.
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    - I'll get a story yet.
    - That's the spirit.
  • 12:30 - 12:32
    - Good morning, Miss Nancy.
    - Good morning, Effie.
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    Doesn't that look good?
    Effie, you're an artist.
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    Boy, oh, boy. What cuisine.
  • 12:37 - 12:41
    Oh, shucks, Miss Nancy.
    That's just plain old cereal.
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    Dad, I have a favor I wanna ask of you.
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    Go right ahead, darling. I'm in
    a receptive mood this morning.
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    Go right ahead.
  • 12:53 - 12:56
    Well, Eula Denning needs a good lawyer
    and I want you to defend her.
  • 12:56 - 12:58
    No, I wouldn't want that case, Nancy.
  • 12:58 - 13:01
    I've been reading,
    I'm afraid the girl is guilty.
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    There's no extenuating evidence.
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    I'll bet she didn't do it.
  • 13:04 - 13:05
    What makes you think that?
  • 13:06 - 13:08
    I don't know. I guess maybe
    it's my woman's intuition.
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    She doesn't look the type
    who'd poison anybody.
  • 13:11 - 13:12
    You can't go by type.
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    The most charming woman in history
    was a murderess.
  • 13:15 - 13:17
    Committed crimes
    less than the Lambert estate.
  • 13:17 - 13:19
    That's where the man
    with the funny ear came in.
  • 13:20 - 13:22
    Funny ear?
    What are you talking about?
  • 13:22 - 13:24
    This man sat next to me
    during the inquest.
  • 13:24 - 13:27
    And afterwards got in a car
    and ran into my fender.
  • 13:27 - 13:30
    I'm gonna take that car away
    if you start having accidents.
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    But it wasn't my fault.
    I wasn't even in the car.
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    That's why I followed him.
    I made him pay for that fender too.
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    Guess what? He went to that estate
    and tried to get in.
  • 13:39 - 13:41
    - Probably another reporter.
    - I don't think so.
  • 13:41 - 13:43
    He didn't look smart,
    and he acted suspicious.
  • 13:43 - 13:45
    I wouldn't concern myself about it.
  • 13:45 - 13:47
    - Oh, no.
    - You want it?
  • 13:47 - 13:50
    Certainly. I'm saving it for last.
  • 13:51 - 13:53
    - Goodbye, darling.
    - Bye... bye, Dad.
  • 14:15 - 14:16
    Ted.
  • 14:17 - 14:18
    Oh, Ted.
  • 14:20 - 14:23
    - Where are you, Ted?
    - In the garage.
  • 14:24 - 14:26
    What do you want?
  • 14:26 - 14:28
    Come here, will you?
    It's something very important.
  • 14:28 - 14:30
    Oh, I'm busy.
  • 14:44 - 14:46
    Well, where are you?
  • 14:46 - 14:48
    Here.
  • 14:49 - 14:51
    What's the matter? What are you hiding for?
  • 14:51 - 14:53
    Somebody tried to blow up my car.
  • 14:53 - 14:56
    Oh, stop it, will you?
    It's nothing to get excited over.
  • 14:58 - 15:00
    Nothing to get excited over?
  • 15:01 - 15:03
    How can you say a thing like that?
  • 15:03 - 15:07
    Why, I might have been blown
    to bits right before my very eyes.
  • 15:07 - 15:09
    It's just a gag.
  • 15:09 - 15:11
    A whistle bomb.
  • 15:13 - 15:15
    - You mean, it's just a practical joke?
    - Sure.
  • 15:15 - 15:17
    It blows off when you press the starter.
  • 15:17 - 15:20
    And boy did you go into a tailspin.
  • 15:20 - 15:22
    I'll bet you put that thing there.
  • 15:22 - 15:24
    Oh, don't be an infant.
  • 15:24 - 15:26
    I got better things to do.
  • 15:26 - 15:30
    Well, fine thing.
    It's practically a menace to civilization.
  • 15:30 - 15:32
    Anyone who'd do a trick
    like that ought...
  • 15:32 - 15:34
    Pipe down. Pipe down.
  • 15:39 - 15:42
    - We didn't do anything.
    - Hey, let me go.
  • 15:42 - 15:44
    I'm gonna tell Ma on you.
  • 15:44 - 15:47
    - They got a load of them.
    - Not mine, they're Killer's.
  • 15:47 - 15:49
    Killer Parkins,
    you'll grow up to be a fiend.
  • 15:49 - 15:52
    - Lt was Mary's idea.
    - Lt certainly was.
  • 15:52 - 15:55
    Mary Nickerson,
    you ought to be ashamed of...
  • 15:55 - 15:57
    Ted, aren't you going to speak
    to your sister?
  • 15:57 - 15:59
    That gangster? She's out of my control.
  • 15:59 - 16:02
    You're jealous
    because you didn't think of it first.
  • 16:02 - 16:04
    - Give me those.
    - These belong to my big brother.
  • 16:04 - 16:07
    They don't, now.
    Now, go on. Get out of here.
  • 16:07 - 16:11
    Before I lose control of myself.
    Go on. Get out of here.
  • 16:11 - 16:12
    You thugs.
  • 16:12 - 16:14
    I'm in my own back yard
    and don't you dare come in.
  • 16:25 - 16:27
    Nice going, Nancy.
  • 16:27 - 16:28
    The very idea.
  • 16:28 - 16:31
    Just a nice quiet morning at the Drews.
  • 16:31 - 16:33
    - Well, so long, I'll be seeing you.
    - Where you going?
  • 16:34 - 16:37
    Where do you think I'd be going
    with tennis racket, to shovel coal?
  • 16:37 - 16:40
    I'll tell you where he's going
    for 10˘.
  • 16:41 - 16:43
    I wouldn't pay you a penny,
    I'm not interested.
  • 16:43 - 16:45
    Then what are you asking for?
  • 16:45 - 16:46
    You get in the house.
  • 16:48 - 16:49
    I'll tell you anyway.
  • 16:49 - 16:53
    He's got a date with a beautiful girl.
  • 16:54 - 16:56
    Are you going to play tennis
    again with that woman?
  • 16:57 - 16:58
    What do you mean, woman?
  • 16:58 - 17:00
    She is only two years older than you are.
  • 17:00 - 17:03
    Well, if you'd rather play tennis,
    why all right.
  • 17:03 - 17:05
    But I was sort of depending on you
    to help me.
  • 17:05 - 17:08
    Of course, my getting the best story
    for the paper isn't important.
  • 17:08 - 17:10
    You know how it is.
    The honor would be nice.
  • 17:11 - 17:13
    - Gosh, Nancy.
    - Lt's all right. Go right ahead.
  • 17:13 - 17:15
    Don 't mind me. I just...
  • 17:15 - 17:17
    Oh, by the way,
    I have something for you.
  • 17:17 - 17:19
    Oh, you have? Well, what is it?
  • 17:20 - 17:23
    It's nothing really.
    Just a little birthday present.
  • 17:24 - 17:27
    I spent the four bucks I had
    to fix the fender.
  • 17:27 - 17:29
    Well, gee, Nancy, thanks.
  • 17:30 - 17:32
    But my birthday isn't
    for two months yet.
  • 17:32 - 17:33
    Is that so?
  • 17:34 - 17:37
    Oh, well. Now that you've seen it,
    you might as well keep it.
  • 17:37 - 17:41
    Well, gee, thanks. I don't...
  • 17:41 - 17:45
    Oh, gosh.
  • 17:45 - 17:47
    - Thanks.
    - You're welcome.
  • 17:47 - 17:49
    Wait a minute, Nancy.
  • 17:49 - 17:52
    Look, I might postpone my tennis date
    if you really need me.
  • 17:52 - 17:54
    Don't bother. Don't bother.
  • 17:54 - 17:56
    I was going down to the jail
    to interview Eula Denning...
  • 17:57 - 17:58
    ...I wanted you
    to take your camera along.
  • 17:59 - 18:01
    So far, she hasn't allowed anyone
    to take her picture.
  • 18:01 - 18:03
    Then how do you expect me to get one?
  • 18:03 - 18:05
    Oh, I'd think of a way.
  • 18:06 - 18:08
    Then you don't really need me?
  • 18:08 - 18:10
    Well, reporters always take
    staff photographers...
  • 18:10 - 18:13
    ...when they're on important
    assignments and besides...
  • 18:14 - 18:16
    ...Dad doesn't like
    my going into the jail alone.
  • 18:16 - 18:17
    I'll go with you.
  • 18:17 - 18:19
    A jail is no place for children, Mary.
  • 18:19 - 18:21
    Let her go. Maybe they'll lock her up.
  • 18:21 - 18:24
    I should say not. Now, go on,
    change your clothes.
  • 18:24 - 18:25
    Wear your new hat.
  • 18:25 - 18:29
    - All right.
    - I'll get your camera for you, Ted.
  • 18:30 - 18:32
    Hurry.
    I want to make the noon edition.
  • 18:32 - 18:35
    And besides, maybe you'll have
    time to fix my fender.
  • 18:36 - 18:37
    Duped again.
  • 18:42 - 18:44
    - No cameras.
    - Well, you see, l...
  • 18:44 - 18:46
    Give the lady your camera, Ted.
  • 18:46 - 18:49
    Well, okay.
  • 18:49 - 18:51
    All right. Over there.
  • 18:55 - 18:58
    That's that. You should have known
    you couldn't get a camera in.
  • 18:58 - 19:00
    I did.
  • 19:04 - 19:05
    What was in the case?
  • 19:05 - 19:08
    I took out the camera
    and put in a block of wood.
  • 19:08 - 19:09
    I figured something like this.
  • 19:10 - 19:13
    Look, you don't expect me to take
    a picture in here after what she said?
  • 19:13 - 19:14
    Of course, silly.
  • 19:14 - 19:16
    And if they catch us we'll stay here.
  • 19:16 - 19:18
    Oh, stop your worrying.
  • 19:18 - 19:20
    Put your hat on.
  • 19:21 - 19:22
    - Inside?
    - Of course.
  • 19:22 - 19:25
    You never saw a real newspaperman
    without his hat on, did you?
  • 19:25 - 19:28
    They even eat in them.
  • 19:29 - 19:33
    No, not like that. It looks awful.
  • 19:33 - 19:35
    For gosh sakes, what're you doing?
  • 19:35 - 19:38
    - You just gave it to me.
    - I know. No, now let me fix it.
  • 19:46 - 19:48
    Fix it is right.
  • 19:51 - 19:53
    Oh, you ruined it.
  • 19:58 - 20:02
    There. Now you look like a real reporter
    and not a store window dummy.
  • 20:11 - 20:13
    Yes?
  • 20:13 - 20:17
    I'm Nancy Drew of the Tribune,
    and Mr. Nickerson, my photographer.
  • 20:17 - 20:19
    - Hello.
    - Oh, a reporter.
  • 20:19 - 20:20
    You seem so young.
  • 20:21 - 20:23
    I guess, I better explain.
    We're not real reporters.
  • 20:24 - 20:27
    I want to win a prize in journalism
    and that's why I wanted an interview.
  • 20:27 - 20:30
    - What did you say your name was?
    - Nancy Drew.
  • 20:30 - 20:33
    Are you related to Carson Drew,
    the attorney?
  • 20:33 - 20:34
    He's her father.
  • 20:35 - 20:37
    Oh, I see.
  • 20:37 - 20:39
    Miss Denning, do you know a man
    with a funny ear?
  • 20:39 - 20:41
    It's all sorts folded up like.
  • 20:41 - 20:44
    No, I don't. Why do you ask?
  • 20:44 - 20:46
    There was one at the inquest.
  • 20:46 - 20:48
    I was wondering
    if he's a friend of yours.
  • 20:48 - 20:50
    I don't know who it could be.
  • 20:50 - 20:53
    Miss Denning,
    I don't think you did anything.
  • 20:53 - 20:56
    That is, I mean, I think you're innocent.
  • 20:56 - 20:59
    If it's all right,
    I'm gonna ask my father to come.
  • 20:59 - 21:01
    Oh, if he only would.
  • 21:01 - 21:02
    You see, there's...
  • 21:03 - 21:05
    Well, there're so much evidence
    against me.
  • 21:05 - 21:07
    Why, it's even worst now
    than it was yesterday.
  • 21:08 - 21:09
    Did they find something else?
  • 21:09 - 21:12
    Police checked with manufacturers
    and learned...
  • 21:12 - 21:15
    ...the only sale of sodium ferranide
    in this part of the country was to me.
  • 21:18 - 21:21
    Well, if you only had that tin can,
    the one the poison came in.
  • 21:21 - 21:24
    You know, you told about it
    at the inquest yesterday.
  • 21:24 - 21:26
    - Lt's disappeared.
    - Someone probably stole it.
  • 21:26 - 21:29
    I saw it just the other day
    when I was cleaning... out the darkroom.
  • 21:30 - 21:32
    I can't understand
    why they didn't find it.
  • 21:32 - 21:34
    - Lt was...
    - What's the matter?
  • 21:35 - 21:39
    The tin was empty,
    but I didn't throw it away.
  • 21:39 - 21:42
    I wanted to save it because
    the manufacturer's address was on it.
  • 21:42 - 21:45
    Think hard. Maybe you can remember
    what you did with it.
  • 21:46 - 21:51
    I put some empty bottles and things
    in the basement in an old cupboard.
  • 21:52 - 21:53
    The container must've been with them.
  • 21:54 - 21:55
    - Maybe it's still there.
    - Yeah.
  • 21:56 - 21:58
    You just leave it to me,
    and please don't tell anyone.
  • 21:58 - 22:02
    Oh, I almost forgot. Miss Denning,
    may we take a picture of you?
  • 22:02 - 22:05
    - I don't mind.
    - Hurry up, Ted.
  • 22:06 - 22:10
    Thanks a lot, Miss Denning,
    and we'll let you know what happens.
  • 22:17 - 22:19
    - A bit to your right.
    - Look sad now.
  • 22:19 - 22:20
    Hold it.
  • 22:25 - 22:27
    Here, what's the big idea?
    What's going on out here?
  • 22:27 - 22:31
    We're taking the quaddle form to porknip
    with the ornflarble. Am... skray.
  • 22:31 - 22:35
    - Ls the gentleman with the prisoner?
    - Ted, I think we better be leaving.
  • 22:48 - 22:50
    What if you can get in? It's still illegal.
  • 22:50 - 22:51
    Not for a reporter.
  • 22:51 - 22:54
    Reporter has the right to do things
    an ordinary person shouldn't.
  • 22:54 - 22:58
    Now go ahead
    and do exactly as I told you.
  • 22:58 - 22:59
    Okay.
  • 22:59 - 23:02
    But if anything happens,
    don't blame me.
  • 23:08 - 23:11
    - Hello.
    - Well?
  • 23:11 - 23:14
    You don't wanna subscribe
    to any magazines, do you?
  • 23:14 - 23:17
    - No.
    - I didn't think you did.
  • 23:18 - 23:21
    - Are you watching this place?
    - Yep.
  • 23:24 - 23:28
    Well, I guess you get kind of
    lonesome around here all by yourself?
  • 23:28 - 23:29
    Sometimes.
  • 23:29 - 23:32
    I'm not very busy right now.
  • 23:32 - 23:36
    If you like, I could play
    a little game of rummy or something.
  • 23:37 - 23:39
    Say, that's an idea, son.
  • 23:39 - 23:41
    - Draw up a chair.
    - Swell.
  • 23:44 - 23:49
    Look, do you mind if I sit over there?
    I'm kind of superstitious.
  • 23:49 - 23:51
    Oh, sure, sure.
  • 23:59 - 24:01
    We ought to have something
    to shoot at, son.
  • 24:01 - 24:05
    - Say, a penny a point?
    - A penny a...
  • 24:05 - 24:07
    Yeah, that'll be fine.
  • 24:08 - 24:10
    I'll keep score for you.
  • 24:18 - 24:21
    Hurry, Nancy
  • 24:21 - 24:25
    Hurry opkay's getting my oughday
    Hey
  • 24:26 - 24:27
    Don't do that.
  • 24:27 - 24:29
    It puts me off of my game.
  • 24:29 - 24:31
    Oh, I'm sorry.
  • 25:34 - 25:36
    What was that noise?
  • 25:36 - 25:37
    What noise?
  • 25:37 - 25:40
    - I'd better investigate.
    - Well, you were just hearing things.
  • 25:45 - 25:46
    Maybe so.
  • 26:01 - 26:03
    Ted.
  • 26:03 - 26:05
    Your mother wants you
    to come home right away.
  • 26:05 - 26:08
    Oh, hello. Glad to see you again.
  • 26:09 - 26:12
    Well, I guess I'll have to be going.
  • 26:12 - 26:15
    - How do we stand?
    - I'll figure it up.
  • 26:21 - 26:23
    You got me in a fine mess.
  • 26:23 - 26:25
    I lost my allowance to that rummy shark.
  • 26:25 - 26:27
    Well, it was worth it.
    I found the tin can.
  • 26:28 - 26:29
    Yeah?
  • 26:29 - 26:31
    That man with the funny ear
    was there.
  • 26:31 - 26:33
    He chased me out of the basement.
  • 26:33 - 26:36
    Gosh, Nancy, we took an awful chance.
  • 26:37 - 26:38
    Maybe we shouldn't have done it.
  • 26:38 - 26:40
    We better get this to the police station.
  • 26:40 - 26:43
    See if Captain Tweedy
    can find fingerprints on it.
  • 27:04 - 27:07
    Suffering cats. Look at the time.
    My tennis date was at 3.
  • 27:07 - 27:09
    But this is more important than tennis.
  • 27:09 - 27:13
    - She will never play with me again.
    - Don't you want to go?
  • 27:13 - 27:16
    You don't need me. You can tell me
    about it later. Goodbye.
  • 27:34 - 27:38
    Help. Help. Stop that woman.
    She's thief.
  • 27:42 - 27:45
    Look out. She's a thief.
    Stop her, please.
  • 27:45 - 27:49
    Thief. Stop her. Stop her. She's a thief.
  • 28:04 - 28:07
    Captain Tweedy, of all people,
    it would have to be you.
  • 28:13 - 28:16
    Well, what are you staring at?
    Come on, get away. Break it up.
  • 28:22 - 28:24
    - Hi, Dad.
    - Hello, pet.
  • 28:24 - 28:27
    - Gee, I'm glad you're home.
    - You are?
  • 28:27 - 28:28
    What are you doing up so late?
  • 28:28 - 28:31
    You get back to sleep. Good night.
  • 28:31 - 28:34
    - Oh, but Dad. I can't go to sleep.
    - What's the matter?
  • 28:35 - 28:37
    Nothing.
  • 28:37 - 28:38
    No?
  • 28:38 - 28:40
    Come on in, tell me all about it.
  • 28:44 - 28:45
    Now?
  • 28:45 - 28:48
    Dad you've always taught me
    to do right, haven't you?
  • 28:48 - 28:50
    I tried to, Nancy.
  • 28:50 - 28:53
    Dad, if I believed in something
    I knew was right...
  • 28:53 - 28:55
    ...I should always live up to it.
  • 28:55 - 28:58
    More than that.
    Don't back down an inch.
  • 28:58 - 29:01
    Supposing you made a promise
    that you knew was right...
  • 29:01 - 29:03
    ...I bet you you'd keep it.
    - Certainly.
  • 29:03 - 29:06
    A person who fails to live up
    to his promise is a weakling.
  • 29:07 - 29:09
    You'd never want me
    to break a promise, would you?
  • 29:09 - 29:11
    Of course not, Nancy.
  • 29:12 - 29:13
    If you make a promise in good faith...
  • 29:14 - 29:16
    ...Id expect you to live up to it,
    no matter what it cost you.
  • 29:17 - 29:18
    And you'd help me live up to it?
  • 29:18 - 29:21
    Certainly. What kind of a father
    do you think I am?
  • 29:21 - 29:23
    Then, you're going to defend
    Eula Denning...
  • 29:23 - 29:25
    ...because I promised her you would.
  • 29:25 - 29:26
    What?
  • 29:26 - 29:28
    You said you'd help me keep a promise.
  • 29:29 - 29:30
    Nancy, you tricked me into this.
  • 29:30 - 29:33
    You're always doing that to me.
    Now, I won't have...
  • 29:34 - 29:36
    Well, all right.
  • 29:36 - 29:39
    If you can give me any reason to
    believe that Eula Denning is innocent...
  • 29:39 - 29:40
    ...Ill take her case.
  • 29:41 - 29:44
    Oh, Dad, I knew you would.
  • 29:44 - 29:47
    Well, Ted and I went out
    to that Lambert house this afternoon.
  • 29:47 - 29:49
    I found that tin of sodium ferranide.
  • 29:49 - 29:51
    The one that could've had
    fingerprints on it.
  • 29:51 - 29:53
    You two went out there alone?
  • 29:53 - 29:55
    I know it was important
    evidence.
  • 29:55 - 29:57
    That man with the funny ear
    chased me out of the basement.
  • 29:57 - 29:59
    And Dad, that's not the worst of it.
  • 30:00 - 30:03
    When I was taking that tin to the police,
    a woman stole it from me.
  • 30:03 - 30:05
    That proves other people
    are mixed up in it.
  • 30:05 - 30:08
    - You should have gone to the police.
    - Oh, I know it.
  • 30:08 - 30:11
    Everything's gone wrong.
    I failed all around.
  • 30:11 - 30:13
    - Maybe I'm just not intelligent.
    - That's right.
  • 30:14 - 30:18
    - Dad.
    - Darling, everybody makes mistakes.
  • 30:21 - 30:22
    Don't you see, Dad?
  • 30:22 - 30:24
    If Miss Denning is convicted,
    it'll be my fault.
  • 30:24 - 30:27
    I was foolish and lost the evidence
    that could save her.
  • 30:28 - 30:30
    - I'm responsible.
    - Well, don't worry, Nancy.
  • 30:30 - 30:32
    I'll see Eula Denning in the morning.
  • 30:32 - 30:36
    Oh, Dad, honestly,
    I feel 10 years younger.
  • 30:36 - 30:38
    Don't be too enthusiastic.
  • 30:38 - 30:41
    There isn't a stick of evidence
    we could take into court.
  • 30:41 - 30:43
    There will be
    if you can get hold of that man.
  • 30:43 - 30:46
    - Would you know him if you saw him?
    - With that ear? I'll say.
  • 30:47 - 30:48
    It looked like one of Effie's popovers.
  • 30:49 - 30:50
    - A cauliflower ear?
    - What?
  • 30:50 - 30:53
    - I said a cauliflower ear.
    - What did you say?
  • 30:53 - 30:54
    I can't understand you, Nancy.
  • 30:55 - 30:59
    Well, how can you expect to splashing
    around like a seal after a fish.
  • 30:59 - 31:01
    - That's no way to talk to your father.
    - They're stockings.
  • 31:02 - 31:03
    Why don't you take them out?
  • 31:03 - 31:07
    Here's the towel. Oh, dear,
    Now I have to start all over again.
  • 31:07 - 31:11
    I said that that man's ear
    looked like one of Effie's popovers.
  • 31:11 - 31:13
    I said,
    it was probably a cauliflower ear.
  • 31:14 - 31:16
    That might indicate
    that he was a boxer or a wrestler.
  • 31:16 - 31:17
    Really?
  • 31:17 - 31:21
    What connection such a man could have
    in this case is more than I can see.
  • 31:21 - 31:24
    I felt all along that that man with
    the funny ear was a clue.
  • 31:24 - 31:26
    I think you ought to do something
    about him.
  • 31:26 - 31:29
    I'm going to do something about a girl
    with a funny face.
  • 31:29 - 31:32
    - Come on baby, you're going to bed.
    - Put me down. I'm no baby.
  • 31:32 - 31:35
    - You'll always be your daddy's baby.
    - I won't be anybody's baby.
  • 31:35 - 31:40
    Everybody loves a baby
    That's why I'm in love with you
  • 31:40 - 31:42
    - Pretty baby, Pretty baby
    - Oh, Dad.
  • 31:43 - 31:45
    Dad, don't be so silly.
  • 31:47 - 31:51
    Good night baby
    Good night baby
  • 31:51 - 31:54
    Good night baby
    I'm going to leave you now
  • 31:54 - 31:57
    Oh, Dad,
    we've gotta talk this thing over.
  • 31:57 - 32:01
    In the morning, the morning
    The bright and early morning
  • 32:01 - 32:03
    The morning
  • 32:10 - 32:12
    Hello.
  • 32:12 - 32:17
    - I'm Nancy Drew.
    - Charmed, I'm sure. Draw up a chair.
  • 32:18 - 32:20
    No, thank you.
    I've been standing all day.
  • 32:20 - 32:23
    Do you keep pictures
    of prize fighters and people like that?
  • 32:24 - 32:26
    You should meet
    some of my wife's folks.
  • 32:26 - 32:30
    You came to the right place. I know
    them all. What's your guy look like?
  • 32:30 - 32:33
    Oh, you'll know him in a minute.
    He has a cauliflower ear.
  • 32:44 - 32:48
    Here. If you recognize him,
    let me know.
  • 33:15 - 33:18
    - Ted. Oh, Ted.
    - What do you want?
  • 33:18 - 33:20
    Well, don't make me yell. Come here.
  • 33:21 - 33:23
    - Excuse me a second, Helen.
    - Okay.
  • 33:29 - 33:32
    - How did you find me here?
    - Hello, Ted.
  • 33:32 - 33:35
    - Oh, I get it.
    - Where would one expect to find you?
  • 33:35 - 33:38
    - Ted's got a girlfriend.
    - Ted's got a girlfriend.
  • 33:38 - 33:39
    Quiet, small fry.
  • 33:40 - 33:42
    - She's not so pretty.
    - I'll bet Ted thinks so.
  • 33:42 - 33:44
    - What's on your mind?
    - Look at this clipping I found.
  • 33:45 - 33:46
    Hey, let me see.
  • 33:47 - 33:49
    Soxie Anthens. Who's that?
  • 33:49 - 33:51
    He's the man I saw
    at the Lambert place.
  • 33:51 - 33:54
    He used to be a boxer. He's at
    Maxie's gymnasium on 1 st Street.
  • 33:54 - 33:56
    - How do you know?
    - Yeah. How do you know?
  • 33:56 - 33:59
    I just asked myself where I'd go
    if I were a prize fighter...
  • 33:59 - 34:01
    ...and it would be a gymnasium.
  • 34:01 - 34:04
    I called up all the places in town,
    pretended I was Mr. Anthen's girlfriend.
  • 34:04 - 34:07
    Pretty soon I found out he was
    at Maxie's. Then I hung up.
  • 34:07 - 34:12
    Yeah. Well, it was nice of you to tell
    me about it. L... I gotta get back.
  • 34:12 - 34:13
    - Goodbye, Ted.
    - Goodbye.
  • 34:13 - 34:14
    I don't want to keep you.
  • 34:15 - 34:17
    I thought I'd let you know
    where I'll be if Dad asks you.
  • 34:17 - 34:19
    You're not going down
    to that gym alone?
  • 34:19 - 34:22
    I am. Something has to be done
    about Soxie right sway.
  • 34:22 - 34:23
    He's important evidence.
  • 34:23 - 34:26
    You tell me about it so I'll get in a jam
    with your father...
  • 34:26 - 34:28
    ...for letting you go there.
  • 34:28 - 34:30
    I did no such thing.
    You're not responsible for me.
  • 34:30 - 34:33
    We'll go with you.
    We just love fights, don't we?
  • 34:33 - 34:36
    - I hope to kiss a polecat.
    - You two will not go.
  • 34:36 - 34:38
    - Why not?
    - Never mind.
  • 34:38 - 34:41
    Darn it, Nancy. Now you got me
    worried. Maybe I better go along.
  • 34:41 - 34:44
    I don't think you ought to.
    It's a tough place.
  • 34:44 - 34:49
    - I can take care of myself and you too.
    - Well, if you insist. Here.
  • 34:49 - 34:51
    - What's this?
    - Your costume.
  • 34:51 - 34:53
    You'll pose as a boxer
    by the name of One... Round Loogan...
  • 34:54 - 34:57
    ...gain Soxie's confidence. Who knows?
    Maybe he'll incriminate himself.
  • 34:57 - 34:59
    Say, you had this all figured out,
    didn't you?
  • 34:59 - 35:02
    Why, Ted Nickerson, I did not.
  • 35:18 - 35:20
    Ten cents.
  • 35:32 - 35:35
    - This is an awful joint.
    - Ted, there he is.
  • 35:37 - 35:41
    I'm positive the woman that stole the
    tin can from me is Soxie's girlfriend.
  • 35:41 - 35:44
    Now all you have to do is get him
    to tell you her name, where she lives.
  • 35:44 - 35:48
    Maybe you'd like to know if she's
    got any bridge work. How will l...?
  • 35:48 - 35:52
    Remember Captain Tweedy always said,
    "Cherchez la femme." Find the woman.
  • 35:52 - 35:55
    - The only smart thing he ever did say.
    - Yeah, and he stole that.
  • 35:55 - 35:57
    It's true. You can always get
    information from women.
  • 35:58 - 35:59
    They just love to talk.
  • 35:59 - 36:01
    Yeah, I've noticed that.
  • 36:01 - 36:03
    Go ahead now.
    I'll wait out here for you.
  • 36:06 - 36:11
    - He doesn't look very friendly does he?
    - Remember, you're One... Round Loogan.
  • 36:17 - 36:20
    - Wait a minute. What's the name?
    - One... Round Loogan.
  • 36:20 - 36:24
    All right, champ, but don't get sore.
    Everything's all right.
  • 36:29 - 36:31
    - Hi, champ.
    - I ain't no champ.
  • 36:31 - 36:34
    You sure train like one.
  • 36:34 - 36:36
    I'm kind of new around this break.
  • 36:36 - 36:39
    But I've been putting the boys
    on the canvas up in Frisco.
  • 36:39 - 36:42
    - Yeah?
    - That'll be enough of that.
  • 36:42 - 36:44
    Didn't I see you
    with a nice... looking dame?
  • 36:44 - 36:47
    - What's your name?
    - One... Round Loogan. I'll bet that babe...
  • 36:47 - 36:49
    One... Round Loogan.
    Never heard of you.
  • 36:49 - 36:53
    Well, I ain't very well known
    around here yet.
  • 36:53 - 36:56
    How about sparring a few rounds?
    That'll get you attention.
  • 36:56 - 36:59
    Oh, I ain't gonna do any training today.
  • 37:00 - 37:02
    If you're a fighter,
    you're in training all the time.
  • 37:02 - 37:05
    Well, well, I didn't bring my clothes.
  • 37:05 - 37:08
    That's all right. I'll get you some.
    Hey, Jake.
  • 37:08 - 37:10
    - Yeah.
    - Get the guy a pair of trunks.
  • 37:10 - 37:13
    He's gonna show me
    how they do things out in Frisco.
  • 37:13 - 37:17
    - Oh, sure. Well, come on.
    - But, I'd really rather not.
  • 37:35 - 37:37
    I want some gum, please.
  • 38:02 - 38:03
    Maxie's gym.
  • 38:04 - 38:06
    This is Soxie Anthens' girlfriend
    speaking.
  • 38:06 - 38:08
    Will you have him call me back
    as soon as he can.
  • 38:08 - 38:11
    Wait a minute. He's right here.
  • 38:11 - 38:12
    Hello?
  • 38:14 - 38:15
    Hey, Soxie.
  • 38:15 - 38:17
    Your girlfriend wants you to call her
    right away.
  • 38:18 - 38:19
    Okay.
  • 38:46 - 38:51
    Come on, in here. No, no, not there.
    Come on through here. Hey.
  • 38:51 - 38:54
    Get in there, will you?
    In you go.
  • 38:56 - 39:01
    All right, Soxie, warm up a little bit.
    A little, that's it.
  • 39:06 - 39:07
    No dames.
  • 39:08 - 39:10
    But I've gotta go in there.
    I'm his manager.
  • 39:10 - 39:13
    His manager? What...?
  • 39:14 - 39:16
    Ted, what are you doing?
  • 39:16 - 39:18
    Gee, Nancy, I'm in an awful mess.
  • 39:19 - 39:22
    I just learned something that might be
    an important clue. I wanna go.
  • 39:22 - 39:25
    So do I, but I can't. I gotta fight him.
  • 39:26 - 39:30
    Fight him? Oh, Ted, you mustn't.
  • 39:30 - 39:32
    I'll get mobbed or something if I don't.
  • 39:32 - 39:36
    Oh, dear. Oh, look.
    Maybe he's out of condition.
  • 39:36 - 39:39
    Yeah, like an ox.
  • 39:39 - 39:41
    Okay, One... Round, let's go.
    Ready, Jake?
  • 39:41 - 39:43
    All set.
  • 39:45 - 39:48
    Well, goodbye, Nancy.
  • 39:49 - 39:51
    Now folks, we're gonna have
    a little excitement.
  • 39:51 - 39:53
    Three... round boxing exhibition...
  • 39:53 - 39:57
    ...between Soxie Anthens of Chicago,
    who we all know...
  • 40:01 - 40:04
    ...and One... Round Loogan,
    the Frisco Flash.
  • 40:06 - 40:09
    All right, boys, go to your corners
    and come out fighting.
  • 40:10 - 40:14
    Why, One... Round, your glove is untied.
    Here, let me fix it for you.
  • 40:19 - 40:21
    Nancy, you're a genius.
  • 40:23 - 40:25
    Now if I can only tag him.
  • 40:28 - 40:30
    Come on, Soxie, come on.
  • 40:30 - 40:32
    Come again, Ted. I mean, Loogan.
  • 40:39 - 40:42
    - Tag him on a whisker, Soxie.
    - The kid ain't got no whiskers yet.
  • 40:43 - 40:44
    He has too.
  • 40:49 - 40:51
    Wow, chalk one up.
  • 40:54 - 40:56
    Well, chase him for a change.
  • 40:59 - 41:03
    - How much time left?
    - Come on, Ted. Don't be so nice to him.
  • 41:06 - 41:10
    Attaboy, Ted. Come on, hit again,
    hit him again. Come on.
  • 41:11 - 41:14
    Come on, Loogan. Come on, hit him.
    Do something, hit him, hit him.
  • 41:14 - 41:16
    Attaboy, Ted. Now, you got him.
  • 41:18 - 41:20
    Ted.
  • 41:21 - 41:26
    Ted, Ted. Oh, Ted, speak to me.
  • 41:26 - 41:29
    Speak to me. Ted, what happened?
  • 41:29 - 41:32
    That's what I was just about to ask you.
  • 41:33 - 41:36
    Try three, five, two, four, four, nine.
  • 41:38 - 41:40
    Gee, I wonder what they're doing.
  • 41:40 - 41:43
    I don't know, Killer.
    Maybe they're both insane.
  • 41:44 - 41:50
    Hello, this is Soxie Athens.
    Is my girlfriend there?
  • 41:52 - 41:54
    No soap.
  • 41:54 - 41:58
    Dear, there's only one more
    we can call, and that just has do be it.
  • 41:58 - 42:01
    - Lf you got the rest of them right.
    - Oh, I'm sure I have.
  • 42:01 - 42:03
    Yeah.
  • 42:04 - 42:06
    Oh, look at me. I'm ruined.
  • 42:06 - 42:08
    I won't even dare show up
    for my tennis lessons now.
  • 42:09 - 42:10
    Tennis lessons?
  • 42:10 - 42:13
    Ted, is that girl you've been playing
    with a tennis teacher?
  • 42:13 - 42:18
    Sure. It's Helen Winfield, the champ.
    Those lessons cost me one... fifty a copy.
  • 42:18 - 42:20
    Tennis teacher. Oh, that's wonderful.
  • 42:20 - 42:23
    I mean, I'm sorry
    about your lessons, but...
  • 42:23 - 42:24
    Hey, what's the matter with you?
  • 42:25 - 42:29
    Nothing. Nothing. Now try that other
    number three, five, two, four, four, O.
  • 42:29 - 42:32
    Maybe you ought to be psychoanalyzed.
  • 42:33 - 42:35
    Oh, I'm going home
    and getting me a cookie.
  • 42:35 - 42:38
    Get me one too. I'm gonna stay here
    and find out what it's all about.
  • 42:38 - 42:40
    Okay, pal.
  • 42:46 - 42:47
    Room clerk, Beldenburg Hotel.
  • 42:48 - 42:52
    This is Mr. Soxie Anthens.
    I'm calling my girlfriend.
  • 42:52 - 42:54
    She isn't here just now, Mr. Anthens.
  • 42:55 - 42:58
    - Lt's the place, how do I get her name?
    - Be strategic.
  • 42:58 - 43:00
    Yeah. Yeah.
  • 43:01 - 43:02
    Do you know where Miss... went?
  • 43:03 - 43:06
    No I don't, but I'll see
    if she left a message in your box.
  • 43:06 - 43:09
    - Soxie lives there too.
    - Really?
  • 43:10 - 43:14
    No, there's no message, Mr. Anthens.
    Shall I tell her you called?
  • 43:14 - 43:17
    Just a moment. Oh, Joe,
    did Miss Lucas take your cab?
  • 43:18 - 43:19
    Yeah. Why?
  • 43:19 - 43:21
    - Her name is Lucas.
    - Yeah.
  • 43:22 - 43:24
    She went to the Mandarin Cafe,
    Mr. Anthens.
  • 43:24 - 43:28
    Well, thank you ve...
    Thank you very much.
  • 43:28 - 43:31
    Mandarin Cafe.
  • 43:38 - 43:40
    Have you any money?
  • 43:40 - 43:44
    - Well, not to brag about.
    - Neither have I. Don't eat too much.
  • 43:46 - 43:48
    Oh, boy, a Chinese place.
  • 43:48 - 43:50
    Mary Nickerson.
  • 43:50 - 43:52
    We just love Chinese places. Don't we?
  • 43:52 - 43:54
    - Yeah.
    - Where did you hoodlums come from?
  • 43:55 - 43:57
    Thought you'd get away from us,
    didn't you?
  • 43:57 - 43:58
    Yeah.
  • 43:58 - 44:00
    - You're going home.
    - We are not.
  • 44:00 - 44:02
    We might get lost.
    We're going with you.
  • 44:02 - 44:04
    - Over my dead body.
    - Mine too.
  • 44:05 - 44:09
    Well, I guess I'll just have
    to call up Nancy's father then.
  • 44:09 - 44:12
    Oh, all right, all right.
    I suppose we'll have to do it.
  • 44:12 - 44:16
    On one condition, when the waiter takes
    your order, you say "I'm not hungry."
  • 44:16 - 44:19
    - But I am. How about you, Killer?
    - I'm starved.
  • 44:19 - 44:20
    We haven't enough money.
  • 44:20 - 44:22
    Are you going to cooperate with us
    or not?
  • 44:22 - 44:25
    - How about it, Killer?
    - Sure, we'll play along.
  • 44:25 - 44:26
    Okay, let's go.
  • 44:26 - 44:28
    Wait a minute. Let's just try this once.
  • 44:28 - 44:31
    Now, I'm the waiter.
    What'll you have, pests?
  • 44:32 - 44:33
    Chop suey.
  • 44:33 - 44:36
    - No. No.
    - No, No. Look, we're broke.
  • 44:36 - 44:38
    We can't buy you any food.
  • 44:38 - 44:42
    - Would you settle for a glass of milk?
    - Well, we might go that far.
  • 44:42 - 44:44
    Okay. It's a deal.
  • 44:45 - 44:47
    Ted, why do you have to have a sister?
  • 44:48 - 44:50
    Ask Ma.
  • 44:57 - 45:01
    Oh, I'm afraid this is a little too close
    to the orchestra.
  • 45:09 - 45:11
    This will be fine.
    Thank you very much.
  • 45:12 - 45:15
    Ted, did you see?
    She's right in the next booth...
  • 45:15 - 45:18
    ...with Miles Lambert.
    - She is?
  • 45:18 - 45:20
    Something's funny.
  • 45:20 - 45:22
    I'm positive that's Soxie's girl.
  • 45:22 - 45:24
    I think she's stepping out
    with Mr. Lambert.
  • 45:24 - 45:28
    - Do you suppose Soxie knows Lambert?
    - He might.
  • 45:28 - 45:29
    Let me out.
  • 45:29 - 45:30
    - What for?
    - Never mind.
  • 45:33 - 45:35
    Never mind that.
  • 45:39 - 45:40
    Come on.
  • 45:45 - 45:48
    Maxie's Gym. Soxie.
  • 45:53 - 45:57
    - Hello.
    - Mr. Anthens? This is a friend.
  • 45:57 - 45:59
    Would you be interested in knowing...
  • 45:59 - 46:01
    ...that Miss Lucas is dining
    with Miles Lambert...
  • 46:01 - 46:04
    ...at the Mandarin Cafe?
    - Who's talking?
  • 46:20 - 46:21
    Who'd you call?
  • 46:21 - 46:25
    I phoned Soxie about Lambert
    and Miss Lucas. And was he mad.
  • 46:25 - 46:28
    - Suffering cats.
    - We may learn something important.
  • 46:28 - 46:30
    When he gets here,
    something's sure to happen.
  • 46:30 - 46:33
    Yeah, probably a tong war.
  • 46:34 - 46:36
    What you order, please?
  • 46:36 - 46:38
    I'll have some egg foo young.
  • 46:38 - 46:41
    - And you?
    - Just tea.
  • 46:41 - 46:42
    And you too, please?
  • 46:46 - 46:47
    Glass of milk.
  • 46:49 - 46:53
    - And chop suey.
    - Yes, yes.
  • 47:06 - 47:08
    Ted, look.
  • 47:23 - 47:24
    - Soxie.
    - You cheap little...
  • 47:24 - 47:26
    - Take it easy, Soxie.
    - Sit down.
  • 47:27 - 47:29
    You've been planning
    to run out...
  • 47:29 - 47:31
    ...since you found Lambert
    was on that lady's dough.
  • 47:32 - 47:33
    Shut up, Soxie.
  • 47:33 - 47:36
    As for you wise guy,
    you want this dame, she's yours.
  • 47:36 - 47:40
    But the moment you and her try a
    break, you're gonna get a surprise.
  • 47:40 - 47:43
    I still got the tin can,
    with fingerprints on it.
  • 47:44 - 47:47
    - I know what to do with it.
    - Why, you...
  • 47:48 - 47:49
    Soxie, Soxie, don't.
  • 47:50 - 47:52
    Hey, what's the matter?
    Hey, where you come from?
  • 47:52 - 47:54
    - What you doing? What's the matter?
    - Why?
  • 47:55 - 47:58
    - I go call the police.
    - No, no. Don't do that.
  • 48:00 - 48:02
    We don't want any publicity.
  • 48:02 - 48:04
    Come on, dolly.
  • 48:06 - 48:09
    - Get the check. I gotta call Dad.
    - Sure.
  • 48:17 - 48:19
    - Yes?
    - Your daughter's on the phone.
  • 48:19 - 48:20
    Thank you.
  • 48:21 - 48:22
    Hello, Nancy.
  • 48:22 - 48:25
    Dad what happens to the Lambert estate
    if Eula Denning is convicted?
  • 48:26 - 48:29
    It goes to Miss Lambert's
    nearest relative, Miles Lambert. Why?
  • 48:29 - 48:32
    Oh, I was just wondering. Thanks, Dad.
  • 48:35 - 48:39
    - Come on, Ted, hurry up.
    - Give me some dough. I'm short.
  • 48:40 - 48:42
    It's all I have.
  • 48:42 - 48:44
    Sixty... five cents more, please.
  • 48:45 - 48:49
    Look mister, that's all we got.
    Maybe you'll trust us?
  • 48:49 - 48:52
    Oh, sure, sure,
    you nice people, I trust you.
  • 48:52 - 48:55
    Thank you very much.
    Come on, Ted, we've got to hurry.
  • 48:55 - 48:56
    Sixty... five cents.
  • 48:56 - 48:58
    But you just said you trust us.
  • 48:58 - 49:01
    You see, we gotta go home
    and get the money from our folks.
  • 49:01 - 49:03
    But we'll come back.
  • 49:03 - 49:04
    Sixty... five cent.
  • 49:06 - 49:08
    Now, look what you got us into.
  • 49:08 - 49:10
    We don't know nothing about it,
    do we, Killer?
  • 49:10 - 49:12
    No, they invited us.
  • 49:14 - 49:17
    Look, mister,
    we haven't got 65 cents.
  • 49:17 - 49:19
    Got check, no 65 cent?
  • 49:20 - 49:21
    - Yeah. That's right.
    - No.
  • 49:32 - 49:37
    You wash dish all day.
    Maybe two, three day.
  • 49:37 - 49:39
    Hey, hey, where you go?
    Kitchen that way.
  • 49:40 - 49:42
    - Kitchen that way.
    - Now, look.
  • 49:42 - 49:46
    - I don't wanna wash dishes.
    - I'm awful tired, but I can supervise.
  • 49:46 - 49:49
    You're gonna wash dishes, both of you,
    and it'll serve you right too.
  • 49:50 - 49:53
    - Hey, mister, maybe she could entertain.
    - Entertain?
  • 49:53 - 49:56
    - Yeah, she's a famous singer.
    - I thought you was my pal.
  • 49:56 - 49:59
    - What're you trying to do?
    - You must be winging.
  • 49:59 - 50:01
    Honest, sir,
    she's sung all over the world.
  • 50:01 - 50:06
    All right, you sing nice American song.
    No good, wash dishes.
  • 50:06 - 50:08
    Come on, quick.
  • 50:10 - 50:14
    - What will I sing?
    - Anything. "Little Bo Peep."
  • 50:15 - 50:19
    - Oh, oh, dear.
    - We'll be in for life after this.
  • 50:20 - 50:22
    Say, mister, can't you help her out?
  • 51:52 - 51:56
    I can't do it, they're just too fast.
  • 52:00 - 52:02
    Oh, phooey.
  • 52:58 - 53:01
    Oh, Miss Drew, now we are all present.
  • 53:01 - 53:04
    Now, here's the $50 and the medal.
  • 53:04 - 53:07
    And now, if Mr. Bostwick has chosen
    the best news story...
  • 53:07 - 53:10
    ...submitted by our charming...
    - Give the prize to this one.
  • 53:10 - 53:13
    About the humane worker
    who invented a nut cracker...
  • 53:13 - 53:14
    ...for toothless squirrels.
  • 53:14 - 53:18
    That's me. I won. I won.
  • 53:18 - 53:21
    - Lt is with great pleasure...
    - Unless Miss Drew has a story.
  • 53:21 - 53:25
    Oh, I have a story, Mr. Bostwick,
    but it's very confidential.
  • 53:25 - 53:28
    You see, my father...
  • 53:31 - 53:33
    Well, what is it?
  • 53:35 - 53:38
    The fact is, Mr. Bostwick,
    some strange man called my father...
  • 53:39 - 53:42
    ...and said he had the missing tin
    of sodium ferranide...
  • 53:42 - 53:45
    ...with fingerprints on it that would
    prove Eula Denning is innocent.
  • 53:45 - 53:48
    And would show up
    the real murderer of Kate Lambert.
  • 53:48 - 53:51
    - Ls this true?
    - Why, Mr. Bostwick...
  • 53:52 - 53:56
    ...you know my father's reputation
    and I wouldn't tell a lie.
  • 53:56 - 53:59
    - Go on. Go on.
    - Furthermore...
  • 54:00 - 54:03
    ...the man's bringing the tin
    to my father's office this evening.
  • 54:03 - 54:04
    Terrific.
  • 54:05 - 54:08
    Charlie, stop the presses.
    You're wonderful, Miss Drew.
  • 54:08 - 54:11
    Hold page one for replate.
    Hottest story yet. Hey, rewrite.
  • 54:12 - 54:15
    Don't stand there like a half wit,
    give her the money, she won.
  • 54:15 - 54:17
    - Congratulations.
    - And now, Miss Drew...
  • 54:18 - 54:22
    ...I take great pleasure in presenting
    you the check and the medal.
  • 54:23 - 54:26
    Give the check to the others,
    I'll just take the medal.
  • 54:26 - 54:27
    Come on, Ted. We're in a hurry.
  • 54:41 - 54:43
    Remarkable.
  • 54:43 - 54:45
    - Remarkable.
    - Isnt it a whopper?
  • 54:45 - 54:48
    "Well, Soxie Anthens
    gonna spill the beans."
  • 54:48 - 54:49
    Well, well.
  • 54:50 - 54:53
    You don't understand Sergeant
    Entwhistle, that story isn't true.
  • 54:53 - 54:55
    It's printed in the paper.
  • 54:55 - 54:58
    - Nancy just made it up.
    - What they print it for, if it isn't true?
  • 54:58 - 55:00
    That's the trouble with newspapers.
  • 55:00 - 55:04
    It wasn't their fault. I made the editor
    think the story was on the level.
  • 55:04 - 55:05
    Why?
  • 55:05 - 55:09
    Oh, dear, Sergeant Entwhistle, are you
    sure Captain Tweedy won't be back?
  • 55:09 - 55:13
    Sure, I'm sure. He's in Chicago on
    a radio interview on how to avoid crime.
  • 55:13 - 55:15
    He's done it, all right.
  • 55:15 - 55:17
    - Just the same, I'll bet he'd understand.
    - Yeah.
  • 55:17 - 55:19
    What's Captain Tweedy got
    that I don't?
  • 55:19 - 55:21
    - Well, for one thing...
  • 55:22 - 55:24
    Look, sergeant,
    I put that story in the paper...
  • 55:24 - 55:27
    ...so the police could trap
    the real murderer.
  • 55:27 - 55:29
    Well, that's different. How?
  • 55:29 - 55:32
    Don't you see? That paper'll be
    on the street any minute.
  • 55:32 - 55:33
    If Lambert's the murderer...
  • 55:34 - 55:37
    ...he'll go after that tin can
    the minute he reads the story.
  • 55:37 - 55:39
    He'll think Soxie's gonna
    double... cross him.
  • 55:39 - 55:42
    Miss Drew, I'm sort of influenced
    to think you've got something.
  • 55:42 - 55:46
    Of course. All you have to do is be
    at Soxie's place when Lambert arrives...
  • 55:46 - 55:48
    ...and arrest them with the evidence.
  • 55:48 - 55:51
    - Where does this guy, Soxie, live?
    - Room 815, Beldenburg Hotel.
  • 55:51 - 55:52
    We'll help you identify them.
  • 55:53 - 55:55
    - You can't come along.
    - But I got to go along.
  • 55:55 - 55:57
    I want to get an eyewitness story
    about the case.
  • 55:57 - 56:00
    When they read what I write,
    you'll be promoted.
  • 56:00 - 56:02
    Yeah? I see what you mean.
  • 56:02 - 56:04
    Promise to keep out of trouble.
  • 56:04 - 56:06
    - Oh, sure, we promise.
    - We promise.
  • 56:06 - 56:09
    This is Sergeant Entwhistle.
    Send up a couple of squad cars.
  • 56:09 - 56:11
    - Hey.
    - Oh, no, no. You mustn't do that.
  • 56:11 - 56:13
    If they see police around,
    they'll run away.
  • 56:13 - 56:15
    Or at least get rid of that tin.
  • 56:15 - 56:17
    Yes, I see what you mean.
  • 56:17 - 56:19
    I'll go alone,
    capture them single... handed.
  • 56:19 - 56:22
    That will be much better,
    but, if they even see you, then...
  • 56:22 - 56:24
    Don't worry. They'll never know me.
  • 56:24 - 56:26
    I'll wear that disguise
    in the Cullen case.
  • 56:26 - 56:28
    Here it is, sergeant.
  • 56:29 - 56:30
    Thanks.
  • 56:39 - 56:40
    Thank you.
  • 56:41 - 56:46
    - Oh, careful, Grandma's medicine.
    - Clumsy.
  • 56:47 - 56:49
    - Good evening, young man.
    - Good evening, madam.
  • 56:49 - 56:51
    Will you register, Arthur?
  • 56:51 - 56:53
    Oh, sure, Grandma.
  • 56:54 - 56:56
    Grandmother would like the same room
    she had when she was here.
  • 56:57 - 56:58
    - What was it, Grandma?
    - Let's see.
  • 56:58 - 57:03
    My memory ain't what it used to be.
    Was it, 815?
  • 57:03 - 57:05
    Well, 815 is occupied, Mrs. Plopper.
  • 57:05 - 57:07
    But I can give you the one
    right next to it.
  • 57:08 - 57:10
    - Oh, that would be wonderful.
    - Yes, that will have to do.
  • 57:11 - 57:13
    I have to be up high
    on the account of my asthma.
  • 57:13 - 57:15
    I see.
  • 57:15 - 57:19
    - Show Mrs. Plopper to 817.
    - Come children.
  • 57:20 - 57:22
    Why don't they make these doors
    bigger?
  • 57:22 - 57:25
    - Careful, Arthur.
    - Yes, Grandma.
  • 57:41 - 57:42
    - Anything else, madam?
    - No, thanks.
  • 57:44 - 57:45
    There you are.
  • 57:46 - 57:47
    Thank you.
  • 57:49 - 57:51
    Get those bags open.
  • 57:52 - 57:54
    Didn't I tell you about my disguise?
  • 57:54 - 57:56
    - Out here, sergeant.
    - Okay.
  • 57:56 - 57:59
    Did I fool them. Did I fool them.
  • 57:59 - 58:01
    Anything happens,
    I'll give you the signal.
  • 58:02 - 58:03
    Right.
  • 58:43 - 58:45
    - Let me do that, will you, Nancy?
    - Yeah.
  • 58:52 - 58:54
    This one goes to the wall.
  • 59:01 - 59:03
    - Pull that wire through, will you, Nancy?
    - Sure.
  • 59:07 - 59:09
    - Here.
    - Okay.
  • 59:10 - 59:13
    I don't like this business, Nancy,
    it gives me the whim... whams.
  • 59:13 - 59:15
    I know. Me too.
  • 59:17 - 59:20
    All set here.
    If you don't hear me, let me know.
  • 59:20 - 59:22
    - I can hear him.
    - Yeah?
  • 60:03 - 60:06
    Why, I'm so sorry.
  • 60:06 - 60:10
    Why, I guess I must be
    in the wrong room.
  • 60:14 - 60:17
    - What's your name?
    - Why, my name is Mrs. Plopper.
  • 60:19 - 60:21
    Help. Help. Help.
    Get the wagon and set it off.
  • 60:28 - 60:31
    Oh, do something. Oh.
  • 60:33 - 60:35
    - Hello.
    - Drop that phone.
  • 60:36 - 60:38
    We weren't doing anything. Honest.
  • 60:38 - 60:40
    No, we were merely trying...
  • 60:40 - 60:43
    Shut up. Come on, get up, you.
  • 60:48 - 60:50
    All right, get out of here.
  • 60:56 - 60:58
    Come on.
  • 61:00 - 61:03
    Upstairs. All right, hurry it up.
  • 61:08 - 61:09
    Come on.
  • 61:18 - 61:21
    Mister, what are you gonna do to us?
  • 61:25 - 61:27
    All right, in here.
  • 61:42 - 61:44
    I wonder what they did
    to Sergeant Entwhistle?
  • 61:44 - 61:46
    Gosh, I don't know.
  • 61:54 - 61:58
    - We've gotta get out.
    - Yeah, I know.
  • 61:59 - 62:02
    - Oh, it's no use, Nancy.
    - Let's yell.
  • 62:02 - 62:04
    Yeah, together.
  • 62:04 - 62:08
    - Help. Help.
    - Help. Help. Somebody, help.
  • 62:08 - 62:10
    Think, I hope they got machine guns
    in this picture.
  • 62:10 - 62:12
    So do I.
  • 62:12 - 62:14
    Say, look.
  • 62:17 - 62:20
    - Nancy's car.
    - Nancy's car.
  • 62:20 - 62:23
    - Let's let the air out of the tires.
    - We ought to do something.
  • 62:23 - 62:27
    Say, I just remembered.
  • 62:34 - 62:36
    Hey, those are mine.
  • 62:38 - 62:42
    - Let's put them all on.
    - Oh, boy.
  • 62:43 - 62:45
    Help, somebody.
  • 62:46 - 62:48
    There's not a chance, Nancy.
    Not a chance.
  • 62:48 - 62:53
    With hundreds of people right under
    our feet, there must be some way out.
  • 62:53 - 62:57
    - What's that?
    - Oh, it's just a fuse box.
  • 62:57 - 63:01
    Say, those are the fuses
    to the electric sign.
  • 63:01 - 63:03
    If we turned that off,
    we'd get attention.
  • 63:03 - 63:05
    They wouldn't notice it for hours,
    maybe.
  • 63:05 - 63:09
    By that time, it'll be too late.
    Beldenburg.
  • 63:10 - 63:14
    Wait a minute, I've got an idea.
  • 63:24 - 63:28
    - There, that ought to create a sensation.
    - And this will help.
  • 63:35 - 63:36
    Look.
  • 63:42 - 63:44
    Bed Bud Hotel.
  • 63:53 - 63:56
    Get the engineer to fix it right away.
  • 64:21 - 64:25
    Somebody's coming.
    Hurry up. Open the door.
  • 64:27 - 64:29
    - Mister, downstairs, a criminal.
    - We gotta catch it.
  • 64:30 - 64:31
    Follow me.
  • 64:42 - 64:44
    So you were gonna double... cross me.
  • 64:46 - 64:48
    - Get the police, quick.
    - All right.
  • 64:49 - 64:50
    Give me that.
  • 64:55 - 64:56
    That will hold them.
  • 65:00 - 65:02
    - Ted, hurry up.
    - Right.
  • 65:06 - 65:07
    You're punchy, Lambert.
  • 65:08 - 65:10
    - That story in the paper was a phony.
    - Yeah?
  • 65:10 - 65:12
    You're still hanging on
    to that tin can.
  • 65:12 - 65:14
    In case I have to prove
    you killed the old dame.
  • 65:14 - 65:15
    I don't trust you.
  • 65:15 - 65:18
    You'll get your dough,
    soon as they convict Eula.
  • 65:18 - 65:21
    If I double... crossed you, you don't
    think I'd tie up the law here, do you?
  • 65:22 - 65:25
    - Where did he come from?
    - He was looking for that tin can.
  • 65:25 - 65:27
    Say this is a frame.
  • 65:42 - 65:45
    Ted, they're getting away.
  • 65:48 - 65:51
    Help. Help.
  • 66:01 - 66:03
    Come on, let's grab this one.
  • 66:17 - 66:19
    They're getting away
    in my daughter's car.
  • 66:27 - 66:30
    Hey. Hey. Wait.
  • 66:31 - 66:32
    Hey.
  • 66:33 - 66:35
    Hey.
  • 66:36 - 66:38
    After them, man.
  • 67:03 - 67:05
    Nancy, get off that car.
  • 67:06 - 67:08
    Stop you idiot.
    That's the car I'm chasing.
  • 67:10 - 67:12
    Come on, let's go.
  • 67:14 - 67:16
    Hell, what's this all about?
  • 67:16 - 67:19
    That's the man that poisoned
    the Lambert woman.
  • 67:19 - 67:21
    - And here's the proof.
    - Hi, Dad.
  • 67:21 - 67:23
    Nancy, how many times
    have I told you not...
  • 67:23 - 67:25
    Sergeant, how dare you
    allow my daughter...
  • 67:31 - 67:37
    Calling car 21, calling car 2... 1.
    Proceed to Gem Movie Theater.
  • 67:37 - 67:40
    Apprehend two kids,
    boy and girl, about 13.
  • 67:41 - 67:43
    Didn't like picture. Set off whistle bomb.
  • 67:43 - 67:45
    That is all.
  • 67:57 - 67:58
    {{{ the end }}}
Title:
Nancy Drew... Reporter (1939)
Description:

more » « less
Video Language:
English
Team:
Film & TV
Duration:
01:07:40

English subtitles

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