How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene
- Title:
- How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene
- Description:
-
more » « less
In this crime-on-the-border sequel starring Benicio Del Toro and Josh Brolin, explosive action is peppered throughout. But this scene provides one of the movie’s quieter moments. Read the New York Times movie review: https://nyti.ms/2tKwYJy
Here, Alejandro (Del Toro) is trying to protect Isabela (Isabela Moner), the daughter of a drug lord. They request shelter from a deaf man (Bruno Bichir), with whom Alejandro, whose daughter was deaf, makes a connection. The director Stefano Sollima discusses how the scene came to be, and how Mr. Del Toro suggested it be done in sign language.
More from The New York Times Video:
Subscribe: http://bit.ly/U8Ys7n
Watch all of our videos here: http://nytimes.com/video
Facebook: https://www.facebook.com/nytvideo
Twitter: https://twitter.com/nytvideo
----------
Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch. - Video Language:
- English
- Duration:
- 02:32
|
Alexandre Clemente edited English subtitles for How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene | |
|
|
Alexandre Clemente edited English subtitles for How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene | |
|
|
Alexandre Clemente edited English subtitles for How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene | |
|
|
Alexandre Clemente edited English subtitles for How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene | |
|
|
Alexandre Clemente added a video: How Benicio Del Toro Uses Sign Language in ‘Sicario: Day of the Soldado’ | Anatomy of a Scene |