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Let's scan the whole planet with LiDAR

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    The most astounding place I've ever been
    is the Mosquitia Rain Forest in Honduras.
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    I've done archaeological fieldwork
    all over the world,
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    so I thought I knew what to expect
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    venturing into the jungle,
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    but I was wrong.
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    For the first time
    in my life, I might add.
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    (Laughter)
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    First of all, it's freezing.
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    It's 90 degrees, but you're
    soaking wet from the humidity,
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    and the canopy of trees is so thick
    that sunlight never reaches the surface.
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    You can't get dry.
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    Immediately, I knew that
    I hadn't brought enough clothing.
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    That first night, I kept feeling things
    moving underneath my hammock,
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    unknown creatures brushing and poking
    against the thin nylon fabric.
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    And I could barely sleep
    through all the noise.
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    The jungle is loud. It's shockingly loud.
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    It's like being downtown
    in a bustling city.
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    As the night wore on,
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    I became increasingly frustrated
    with my sleeplessness,
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    knowing I had a full day ahead.
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    When I finally got up at dawn,
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    my sense of unseen things
    was all too real.
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    There were hoof prints, paw prints,
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    linear snake tracks everywhere,
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    and what's even more shocking,
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    we saw those same animals in the daylight
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    and they were completely unafraid of us.
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    They had no experience with people.
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    They had no reason to be afraid.
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    As I walked toward the undocumented city,
    my reason for being there,
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    I realized that this was the only place
    that I had ever been
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    where I didn't see
    a single shred of plastic.
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    That's how remote it was.
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    Perhaps it's surprising to learn
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    that there are still places on our planet
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    that are so untouched by people,
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    but it's true.
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    There are still hundreds of places where
    people haven't stepped for centuries,
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    or maybe forever.
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    It's an awesome time
    to be an archaeologist.
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    We have the tools and the technology
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    to understand our planet
    like never before.
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    And yet, we're running out of time.
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    The climate crisis threatens to destroy
    our ecological and cultural patrimony.
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    I feel an urgency to my work
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    that I didn't feel 20 years ago.
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    How can we document everything
    before it's too late.
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    I was trained as
    a traditional archaeologist
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    using methodologies that
    have been around since the '50s.
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    That all changed in July of 2009
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    in Michoacán, Mexico.
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    I was studying the ancient
    Purépecha Empire,
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    which is a lesser known
    but equally important contemporary
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    of the Aztec.
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    Two weeks earlier, my team
    had documented an unknown settlement,
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    so we were painstakingly mapping,
    building foundations by hand,
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    hundreds of them.
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    Basic archaeological protocol
    is to find the edge of a settlement
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    so you know what you're dealing with,
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    and my graduate students
    convinced me to do just that.
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    So I grabbed a couple of Clif Bars,
    some water, a walkie,
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    and I set out alone on foot
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    expecting to encounter the edge
    in just a few minutes.
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    A few minutes passed, and then an hour.
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    Finally, I reached
    the other side of the malpaís.
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    Oh, there were ancient
    building foundations all the way across.
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    It's a city?
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    Oh, shit.
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    (Laughter)
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    It's a city.
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    Turns out that this
    seemingly small settlement
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    was actually an ancient urban megalopolis,
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    26 square kilometers in size,
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    with as many building foundations
    as modern day Manhattan,
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    an archaeological settlement so large
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    that it would take me
    decades to survey fully,
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    the entire rest of my career,
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    which was exactly how I didn't want
    to spend the entire rest of my career.
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    (Laughter)
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    Sweating, exhausted,
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    placating stressed out graduate students.
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    (Laughter)
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    Tossing scraps of PB&J sandwiches
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    to feral dogs,
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    which is pointless by the way
    because Mexican dogs
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    really don't like peanut butter.
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    (Laughter)
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    Just the thought of it bored me to tears.
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    So I returned home to Colorado
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    and I poked my head
    through a colleague's door.
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    "Dude, there's gotta be a better way."
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    He asked if I had heard
    of this new technology called LiDAR --
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    Light Detection And Ranging.
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    I looked it up.
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    LiDAR involves shooting
    a dense grid of laser pulses
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    from an airplane to the ground's surface.
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    What you end up with
    is a high resolution scan
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    of the earth's surface
    and everything on it.
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    It's not an image,
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    but instead it's a dense,
    three-dimensional plot of points.
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    We had enough money in the scan,
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    so we did just that.
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    The company went to Mexico,
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    they flew the LiDAR,
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    and they sent back the data.
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    Over the next several months, I learned
    to practice digital deforestation,
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    filtering away trees, brush,
    and other vegetation
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    to reveal the ancient
    cultural landscape below.
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    When I looked at my first visualization,
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    I began to cry,
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    which I know comes
    as quite a shock to you,
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    given how manly I must seem.
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    (Laughter)
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    In just 45 minutes of flying,
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    the LiDAR had collected
    the same amount of data
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    as what would have taken decades by hand:
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    every house foundation,
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    building, road, and pyramid,
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    incredible detail,
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    representing the lives
    of thousands of people
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    who lived and loved and died
    in these spaces.
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    And what's more, the quality of the data
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    wasn't comparable to traditional
    archaeological research.
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    It was much, much better.
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    I knew that this technology would change
    the entire field of archaeology
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    in the coming years,
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    and it did.
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    Our work came to the attention
    of a group of filmmakers
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    who were searching for a legendary
    lost city in Honduras.
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    They failed in their quest
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    but they instead documented
    an unknown culture,
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    now buried under a pristine
    wilderness rainforest,
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    using LiDAR.
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    I agreed to help interpret their data,
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    which is how I found myself deep
    in that Mosquitia jungle,
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    plastic-free and filled
    with curious animals.
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    Our goal was to verify
    that the archaeological features
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    we identified in our LiDAR
    were actually there on the ground,
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    and they were.
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    Eleven months later, I returned
    with a crack team of archaeologists
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    sponsored by the
    National Geographic Society
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    and the Honduran government.
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    In a month, we excavated over 400 objects
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    from what we now call
    the City of the Jaguar.
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    We felt a moral and ethical responsibility
    to protect this site as it was,
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    but in the short time that we were there,
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    things inevitably changed.
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    The tiny gravel bar where we first
    landed our helicopter was gone.
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    The brush had been cleared away
    and the trees removed
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    to create a large landing zone
    for several helicopters at once.
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    Without it,
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    after just one rainy season,
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    the ancient canals that we
    had seen in our LiDAR scan
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    were damaged or destroyed.
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    And the eden I described
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    soon had a large clearing,
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    central camp,
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    lights
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    and an outdoor chapel.
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    In other words, despite our best efforts
    to protect the site as it was,
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    things changed.
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    Our initial LiDAR scan
    of this City of the Jaguar
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    is the only record of this place
    as it existed just a few years ago.
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    And broadly speaking,
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    this is a problem for archaeologists.
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    We can't study an area
    without changing it somehow,
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    and regardless, the earth is changing.
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    Archaeological sites are destroyed.
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    History is lost.
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    Just this year, we watched in horror
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    as the Notre Dame cathedral
    went up in flames.
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    The iconic spire collapsed,
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    and the roof was all but destroyed.
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    Miraculously, the art historian
    Andrew Tallon and colleagues
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    scanned the cathedral in 2010 using LiDAR.
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    At the time, their goal was to understand
    how the building was constructed.
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    Now, their LiDAR scan is the most
    comprehensive record of the cathedral,
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    and it'll prove invaluable
    in the reconstruction.
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    They couldn't have anticipated the fire,
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    or how their scan would be used,
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    but we're lucky to have it.
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    We take for granted that our cultural
    and ecological patrimony
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    will be around forever.
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    It won't.
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    Organizations like SCI-Arc
    and Virtual Wonders
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    are doing incredible work
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    to record the world's historic monuments,
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    but nothing similar exists
    for the earth's landscapes.
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    We've lost 50 percent of our rainforests.
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    We lose 18 million acres
    of forest every year.
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    And rising sea levels will make cities,
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    countries and continents
    completely unrecognizable.
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    Unless we have a record of these places,
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    no one in the future
    will know they existed.
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    If the earth is the Titanic,
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    we've struck the iceberg,
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    everyone's on deck,
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    and the orchestra is playing.
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    The climate crisis threatens to destroy
    our cultural and ecological patrimony
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    within decades,
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    but sitting on our hands and doing nothing
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    is not an option.
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    Shouldn't we save everything
    we can on the lifeboats?
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    (Applause)
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    Looking at my scans
    from Honduras and Mexico,
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    it's clear that we need
    to scan, scan, scan
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    now as much as possible
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    while we still can.
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    That's what inspired the Earth Archive,
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    an unprecedented scientific effort
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    to LiDAR scan the entire planet,
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    starting with areas
    that are most threatened.
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    Its purpose is threefold.
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    Number one: create a baseline record
    of the earth as it exists today
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    to more effectively mitigate
    the climate crisis.
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    To measure change, you need
    two sets of data:
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    a before and an after.
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    Right now, we don't have
    a high-resolution before data set
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    for much of the planet,
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    so we can't measure change,
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    and we can't evaluate
    which of our current efforts
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    to combat the climate crisis
    are making a positive impact.
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    Number two: create a virtual planet
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    so that any number of scientists
    can study our earth today.
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    Archaeologists like me
    can look for undocumented settlements.
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    Ecologists can study tree size,
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    forests composition and age.
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    Geologists can study hydrology,
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    faults, disturbance.
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    The possibilities are endless.
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    Number three: preserve
    a record of the planet
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    for our grandchildren's grandchildren
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    so they can reconstruct and study
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    lost cultural patrimony in the future.
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    As science and technology advance,
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    they'll apply new tools, algorithms,
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    even AI to LiDAR scans done today
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    and ask questions that we
    can't currently conceive of.
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    Like Notre Dame, we can't imagine
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    how these records will be used,
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    but we know that they'll
    be critically important.
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    The Earth Archive is the ultimate gift
    to future generations,
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    because the truth be told,
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    I won't live long enough
    to see its full impact,
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    and neither will you.
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    That's exactly why it's worth doing.
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    The Earth Archive is a bet
    on the future of humanity.
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    It's a bet that together,
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    collectively,
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    as people and as scientists,
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    that we'll face the climate crisis
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    and that we'll choose
    to do the right thing,
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    not just for us today
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    but to honor those who came before us
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    and to pay it forward
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    to future generations
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    who will carry on our legacy.
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    Thank you.
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    (Applause)
Title:
Let's scan the whole planet with LiDAR
Speaker:
Chris Fisher
Description:

more » « less
Video Language:
English
Team:
closed TED
Project:
TEDTalks
Duration:
13:15

English subtitles

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