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Evolution - What Darwin Never Knew - NOVA PBS Documentary

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    One question:
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    "Why is there such a
    stunning diversity of life?"
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    One answer:
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    "Evolution:
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    "Charles Darwin's brilliant theory that
    explains how species adapt and change."
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    It's been called
    the best idea anyone ever had.
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    But there's one big problem:
    How does it actually work?
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    Now, extraordinary science is
    answering that question.
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    It is uncovering the hidden
    mechanisms inside creatures' bodies
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    that can explain
    astonishing transformations,
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    like how birds can
    evolve from dinosaurs...
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    why a fish was
    once your ancestor...
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    and above all,
    what makes us human.
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    Right now on NOVA, you'll
    find out what Darwin never knew.
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    Major funding for "NOVA"
    is provided by the following:
    STEPHEN GREEN LEE, Exxon Mobil,
    Pacific Life, and people like you.
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    The Tree of Life on earth
    is one of stunning diversity.
    NARRATOR:
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    9.000 species of birds.
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    350,000 kinds of beetles.
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    28,000 types of fish.
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    Two million
    living species and counting.
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    And we
    are just one of them.
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    But why is there such an
    amazing variety of animals?
    (birds calling)
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    Why are there so
    many types of fish?
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    So many different
    species of beetle?
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    How did this extraordinary
    profusion of life on earth come about?
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    Today, we celebrate the man who
    would ultimately answer that question.
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    Charles Darwin.
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    He was born 200 years ago and it is 150
    years since he published the work that has
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    become the bedrock of our
    understanding of life on earth.
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    What Darwin wanted
    to understand was
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    how you get this extraordinary
    diversity of life on earth.
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    He was spot on.
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    He really nailed it.
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    Darwin's theory of evolution; his account
    of why species adapt and change;
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    Darwin's theory of evolution; his account
    of why species adapt and change;
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    has been called the best
    idea anyone ever had.
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    But even Darwin admitted that
    his work was incomplete.
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    Vast questions
    were still unanswered.
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    And the biggest question
    was: How?
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    How did evolution
    take place?
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    He didn't know any of
    the mechanics of that process.
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    He didn't understand
    the physical forces
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    that would actually change the way
    species appeared.
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    that would actually change the way
    species appeared.
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    But today, we can answer
    the questions that Darwin could not.
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    We can look under
    the hood of evolution
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    and see exactly how this mysterious process
    gives rise to such astounding diversity.
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    What's incredible about this time from
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    a scientific perspective is, we're going
    to be able to understand that diversity.
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    And that just adds to the excitement.
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    It doesn't demystify it.
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    It makes it all the more magical.
    CLIFF TABIN :
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    And this is the magic
    and mystery of evolution.
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    NARRATOR:
    And this is the magic
    and mystery of evolution.
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    NARRATOR:
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    Over eons of time,
    a single species gives rise to many.
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    An ancient fish evolves to become
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    the ancestor of all four- limbed
    animals, even us.
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    And one species, our own,
    develops a large
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    and uniquely complex brain,
    enabling us to dominate the planet.
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    This is the search for the answers
    to what Darwin never knew.
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    (CHILDREN CHATTERING):
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    Darwin began his love affair
    with nature when he was a child,
    (CHILDREN CHATTERING):
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    just like many of his
    modern followers, including
    (CHILDREN CHATTERING):
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    evolutionary biologist,
    Sean Carroll.
    (CHILDREN CHATTERING):
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    I developed my interest in animals
    the same way I think most biologists did,
    SEAN CARROLL:
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    which was either going out
    in the backyard or going to zoos.
    SEAN CARROLL:
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    SEAN CARROLL:
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    And anytime I got a chance, I'd flip
    over logs and look for salamanders and
    SEAN CARROLL:
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    snakes and frogs and things like this.
    SEAN CARROLL:
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    And I was just fascinated with
    their patterns and behavior.
    SEAN CARROLL:
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    NARRATOR:
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    So it was with
    the young Charles Darwin.
    NARRATOR:
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    Young Charles liked to
    traipse around the outdoors.
    SEAN CARROLL:
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    SEAN CARROLL:
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    He loved to collect beetles and things.
    SEAN CARROLL:
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    He was a completely ordinary kid.
    SEAN CARROLL:
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    And he didn't like school.
    SEAN CARROLL:
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    SEAN CARROLL:
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    In fact, he was such a poor student that
    his father, a rather successful physician
    SEAN CARROLL:
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    and a pretty imposing figure, was
    worried about Darwin's direction in life.
    In fact, he was such a poor student that
    his father, a rather successful physician
    SEAN CARROLL:
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    SEAN CARROLL:
    and a pretty imposing figure, was
    worried about Darwin's direction in life.
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    So his father packed him off to Edinburgh,
    NARRATOR:
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    the finest medical school in Europe,
    to become a doctor.
    NARRATOR:
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    But young Charles was just too squeamish.
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    And he was really horrified by medical school.
    SEAN CARROLL:
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    He witnessed an operation on a child
    and this is in the era before anesthetics.
    SEAN CARROLL:
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    And he just fled the operating theater
    vowing never to return.
    SEAN CARROLL:
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    Next, his father sent him to Cambridge,
    to study for the clergy.
    NARRATOR:
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    He didn't succeed at that either,
    but he did find his direction in life,
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    reviving his childhood interest in nature.
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    Darwin starts on his path to his divinity
    degree and he starts to mature as a student.
    SEAN CARROLL:
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    SEAN CARROLL:
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    He becomes more serious about some subjects,
    particularly natural history, and he learns
    SEAN CARROLL:
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    a lot more about botany and
    about geology and these things.
    SEAN CARROLL:
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    He's becoming a pretty
    solid field scientist.
    SEAN CARROLL:
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    His reputation as a naturalist
    gained him a spectacular invitation.
    NARRATOR:
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    NARRATOR:
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    Charles was offered a place on the
    British Navy ship the HMS Beagle,
    SEAN CARROLL:
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    whose mission was to survey
    the waters around South America.
    SEAN CARROLL:
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    SEAN CARROLL:
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    Now, the captain of the Beagle wanted a well
    educated, scientific person aboard,
    SEAN CARROLL:
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    and a dinner companion,
    somebody to share conversation with.
    SEAN CARROLL:
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    And Darwin fit the bill perfectly.
    SEAN CARROLL:
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    And so, Charles Darwin set off
    on a fateful voyage
    NARRATOR:
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    that would revolutionize our
    understanding of life's great diversity.
    NARRATOR:
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    The voyage of the Beagle
    took nearly five years.
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    It wove its way from the Cape Verde
    islands and along the coast of Brazil.
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    It was in Argentina that he made
    his first important discovery.
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    Early on in the voyage,
    Darwin found some amazing fossils.
    SEAN CARROLL:
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    He dug up some skulls, some jaws,
    SEAN CARROLL:
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    some backbones of what
    turned out to be giant mammals.
    SEAN CARROLL:
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    SEAN CARROLL:
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    Now, these were clearly extinct and
    Darwin began to ponder, .
    SEAN CARROLL:
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    what was the relationship of those fossils
    to the living animals of South America.
    SEAN CARROLL:
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    But one port of call on Darwin's voyage
    proved more important than all the others.
    NARRATOR:
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    The Galapagos.
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    This cluster of 13 isolated islands
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    lies 600 miles off the coast
    of Ecuador in the Pacific Ocean.
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    These islands are home to unusual
    animals found nowhere else on earth.
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    Penguins that live at the equator
    and swim in warm water,
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    instead of the frigid seas of the South Pole.
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    Giant tortoises that weigh up to 600 pounds.
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    Iguanas, huge lizards that swim and dive in the sea.
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    Everywhere else, they dwell only on land.
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    (BARKING)
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    Traveling for the first time
    in the Galapagos,
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    Sean Carroll is seeing the same
    creatures that so intrigued Darwin.
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    Of all animals, I think these
    marine iguanas
    SEAN CARROLL:
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    are the greatest symbol of the Galapagos,
    what I most wanted to see here.
    SEAN CARROLL:
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    are the greatest symbol of the Galapagos,
    what I most wanted to see here.
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    And to see them in their native habitat,
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    blending against that black rock,
    just as Darwin described it...
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    It's an absolute thrill.
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    It's a hideous looking creature,
    of a dirty black color,
    DARWIN (dramatized):
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    stupid and sluggish in its movements.
    DARWIN (dramatized):
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    DARWIN (dramatized):
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    They're as black as the porous
    rocks over which they crawl.
    DARWIN (dramatized):
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    NARRATOR:
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    Darwin meticulously described
    the iguanas in his diary.
    NARRATOR:
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    But he was far from the
    scientific authority he would become.
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    The Darwin that arrived here was not
    the great theorist that we know today.
    SEAN CARROLL:
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    He was a 26-year-old collector,
    collecting really, almost at random,
    SEAN CARROLL:
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    any kind of plants,
    any kind of animals, any kinds of rocks.
    SEAN CARROLL:
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    He didn't even know the meaning of
    what he was collecting until much later.
    SEAN CARROLL:
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    He was also fascinated
    by the giant tortoises,
    NARRATOR:
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    which allowed him to ride on their
    backs as they slowly lumbered around.
    NARRATOR:
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    I frequently got on their backs and then,
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    DARWIN:
    I frequently got on their backs and then,
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    upon giving a few raps on the hinder part
    of the shell, they would rise up and walk away.
    DARWIN:
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    But I found it very difficult
    to keep my balance.
    DARWIN:
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    Darwin measured the
    creatures' extreme slowness.
    NARRATOR:
  • 11:29 - 11:29
    NARRATOR:
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    About four miles a day, he calculated.
    NARRATOR:
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    About four miles a day, he calculated.
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    But the local people knew
    something else about the tortoises.
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    They could tell which island
    SEAN CARROL (whispering):
  • 11:37 - 11:40
    any tortoise came from
    just by looking at its shell.
    SEAN CARROL (whispering):
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    Their shells differed depending
    on which island they lived on.
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    NARRATOR:
    Their shells differed depending
    on which island they lived on.
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    Their shells differed depending
    on which island they lived on.
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    Some tortoises had shells
    shaped like a dome.
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    Others had shells arcing over
    their heads like a saddle.
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    Others differed subtly in color.
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    Or by how much the bottom
    of the shell flared out.
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    Darwin had literally been sitting on a clue:
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    a way to understand the great diversity
    of life, but he didn't yet realize it.
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    Instead, Darwin turned
    his attention to birds.
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    (BIRDS CALLING)
    Instead, Darwin turned
    his attention to birds.
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    (BIRDS CALLING)
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    The islands were full of what seemed
    to be a familiar assortment of species.
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    So, he stuffed his collecting bag with
    what he thought were types of finches,
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    grosbeaks, wrens and blackbirds.
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    And then, after five weeks in
    the Galapagos, Darwin and the Beagle
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    went to other ports in the Pacific
    and finally set sail for home.
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    On board, he started to sort through
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    the vast number of specimens he had
    collected on the five-year voyage.
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    But it was not until he returned to Britain
    that he was able to make sense of them.
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    It began with a startling revelation.
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    All the different birds he had collected
    actually were variations of a single type.
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    He learns that those
    birds he had collected on
    SEAN CARROLL:
  • 13:47 - 13:52
    the Galapagos actually represent
    13 different species of finch.
    SEAN CARROLL:
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    What misled Darwin was that
    they looked radically different.
    NARRATOR:
  • 13:58 - 13:58
    NARRATOR:
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    Some had wide, tough beaks.
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    Others had long slender ones.
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    And these differences depended on
    which islands they lived on.
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    Now, why would that be?
    SEAN CARROLL:
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    Why would there be slightly
    different birds, slightly different
    SEAN CARROLL:
  • 14:13 - 14:18
    species on different islands
    all in one part of the world?
    SEAN CARROLL:
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    Darwin now thought back
    to the Galapagos tortoises.
    NARRATOR:
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    They too differed from island to island.
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    His brain began racing.
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    Thoughts are starting to crystallize,
    SEAN CARROLL:
  • 14:38 - 14:40
    take shape in his mind,
    bit by bit, bit by bit.
    SEAN CARROLL:
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    He starts this process he
    describes as mental rioting.
    SEAN CARROLL:
  • 14:44 - 14:49
    Just stream of consciousness where he's
    jotting down note after note after note.
    SEAN CARROLL:
  • 14:49 - 14:51
    Thoughts as they occur to him.
    SEAN CARROLL:
  • 14:51 - 14:51
    SEAN CARROLL:
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    And finally, they converge on this one idea.
    SEAN CARROLL:
  • 14:55 - 15:03
    What Darwin now realized was that somehow,
    for some reason, species change.
    NARRATOR:
  • 15:11 - 15:16
    Originally, there must have been just
    one type of finch in the Galapagos,
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    but over time it had diversified
    into many kinds, with different beak shapes.
  • 15:24 - 15:26
    The same for the tortoises.
  • 15:27 - 15:31
    One type of tortoise must have
    turned into many kinds,
  • 15:31 - 15:36
    with different shells depending
    on which island they lived on.
  • 15:41 - 15:46
    With this great insight,
    Darwin entered dangerous new territory.
  • 15:46 - 15:51
    The standard view at the time was
    that God had created every species.
  • 15:51 - 15:56
    And that what God had created
    was perfect and could not change.
  • 15:57 - 15:58
    But Darwin said no.
    SEAN CARROLL:
  • 15:58 - 15:58
    SEAN CARROLL:
  • 15:58 - 16:03
    Why would the Creator bother with
    making slightly different finches
    SEAN CARROLL:
  • 16:03 - 16:05
    for each of these different islands
    that all looked alike?
    SEAN CARROLL:
  • 16:06 - 16:10
    The prevailing view
    just didn't make sense.
    NARRATOR:
  • 16:15 - 16:19
    But this was only the beginning
    of Darwin's revolution.
  • 16:20 - 16:25
    He turned his attention to the fossils
    he had collected in South America.
  • 16:25 - 16:28
    One was of a giant sloth.
  • 16:30 - 16:35
    Another was of a huge
    armadillo-like creature.
  • 16:36 - 16:44
    These animals were extinct, but little
    sloths still existed in South America.
  • 16:44 - 16:46
    And so did smaller armadillos.
  • 16:46 - 16:48
    What could this mean?
  • 16:48 - 16:50
    It dawned on him that
    they resembled each other.
    SEAN CARROLL:
  • 16:50 - 16:53
    So, what he had found in the ground
    SEAN CARROLL:
  • 16:53 - 16:53
    SEAN CARROLL:
  • 16:53 - 16:58
    were the buried ancestors of the
    living animals of South America.
    SEAN CARROLL:
  • 16:58 - 17:04
    So, again, here was more evidence
    that species changed.
    NARRATOR:
  • 17:07 - 17:12
    Somehow, these ancient giants
    must have been transformed into
  • 17:12 - 17:15
    the smaller creatures we see today.
  • 17:17 - 17:19
    But what Darwin would later find out
  • 17:19 - 17:25
    took this idea of how species change
    into a completely new league.
  • 17:29 - 17:36
    In Victorian times, scientists routinely
    studied life-forms at the embryonic stage.
  • 17:36 - 17:40
    How these tiny forms develop
    from just single cell
  • 17:40 - 17:43
    into an entire creature
  • 17:43 - 17:47
    has long been seen as one
    of the wonders of nature.
  • 17:48 - 17:53
    Watching a developing embryo is truly
    the most glorious miracle of nature.
    MICHAEL LEVINE:
  • 17:53 - 17:54
    I mean, you know, no bologna.
    MICHAEL LEVINE:
  • 17:56 - 18:00
    What Darwin learned from
    studying the embryos amazed him.
    NARRATOR:
  • 18:01 - 18:05
    In snake embryos, you could see tiny bumps.
  • 18:06 - 18:08
    The bony rudiments of legs.
  • 18:08 - 18:12
    But these would never
    develop in the adult snake.
  • 18:13 - 18:18
    Darwin wondered, "Were snakes somehow
    descended from animals with legs?"
  • 18:25 - 18:31
    He learned that whales, which have no
    teeth as adults, had them as embryos.
  • 18:34 - 18:38
    Those teeth disappeared
    before they were born.
  • 18:40 - 18:46
    To Darwin, it had to mean whales were
    descended from creatures with teeth.
  • 18:48 - 18:52
    But human embryos provided
    the most startling evidence.
  • 18:53 - 18:58
    Under the microscope, tiny slits
    around the neck were clearly visible.
  • 18:58 - 19:03
    Exactly the same structures
    were found in fish.
  • 19:04 - 19:07
    But in fish, they turned into gills.
  • 19:08 - 19:13
    In humans, they became
    the bones of our inner ear.
  • 19:16 - 19:22
    Surely, this showed that humans
    must be descended from fish.
  • 19:22 - 19:25
    It's an astonishing thought.
  • 19:26 - 19:28
    I don't know about
    your ancestors, but mine,
    OLIVIA JUDSON:
  • 19:28 - 19:33
    included priests and, you know,
    the,the usual, the usual suspects.
    OLIVIA JUDSON:
  • 19:33 - 19:35
    But, but the idea that all of us have,
    OLIVIA JUDSON:
  • 19:35 - 19:38
    have fish in our family tree,
    I think it's amazing.
    OLIVIA JUDSON:
  • 19:39 - 19:44
    And so, Darwin arrived at an astonishing
    conclusion, one that would become
    NARRATOR:
  • 19:44 - 19:48
    central to his understanding
    of the great diversity of life.
  • 19:49 - 19:51
    Darwin had this amazingly bold idea:
    SEAN CARROL
  • 19:51 - 19:55
    The Tree Of Life :
    That all species were connected.
    SEAN CARROL
  • 19:55 - 19:56
    SEAN CARROL
  • 19:56 - 19:58
    And what it meant was,
    if you go far enough back
    SEAN CARROL
  • 19:58 - 20:01
    in our family tree of humans,
    you'll come to fish.
    SEAN CARROL
  • 20:01 - 20:04
    SEAN CARROL
  • 20:04 - 20:08
    If you go far enough back in the family
    tree of birds, you'll come to dinosaurs.
    SEAN CARROL
  • 20:08 - 20:11
    SEAN CARROL
  • 20:11 - 20:14
    So that creatures that don't look
    anything at all like each other
    SEAN CARROL
  • 20:14 - 20:16
    are actually deeply connected.
    SEAN CARROL
  • 20:16 - 20:16
    SEAN CARROL
  • 20:16 - 20:19
    No one came close to having
    this idea before Darwin.
    SEAN CARROL
  • 20:22 - 20:27
    This seemed to be an explanation
    for the vast diversity of animals.
    NARRATOR:
  • 20:27 - 20:32
    Beginning with a common ancestor,
    over time across generations,
  • 20:32 - 20:35
    species could change dramatically.
  • 20:35 - 20:38
    Some might add new body features.
  • 20:38 - 20:41
    Others might drop them.
  • 20:42 - 20:43
    Ultimately, one type of creature
  • 20:43 - 20:47
    could be transformed into
    something utterly different.
  • 20:48 - 20:49
    It's a process Darwin called
  • 20:49 - 20:53
    "descent with modification."
  • 20:55 - 20:56
    But it all begged a question.
  • 20:56 - 20:58
    Why?
  • 20:58 - 21:01
    What was making creatures change?
  • 21:04 - 21:05
    Darwin needed clues.
  • 21:05 - 21:09
    And he found them in
    a very surprising place.
  • 21:11 - 21:13
    Dogs.
  • 21:14 - 21:18
    Big, small, fat, tall.
  • 21:19 - 21:22
    The British have long
    been obsessed by them.
  • 21:25 - 21:29
    It was a full-blown love affair
    in Victorian England.
  • 21:32 - 21:35
    Even Her Majesty was dog crazy.
  • 21:37 - 21:40
    That love affair still continues today.
  • 21:41 - 21:44
    Especially among
    scientists like Heidi Parker,
  • 21:44 - 21:46
    at the National Institutes of Health.
  • 21:47 - 21:49
    So, one of the most interesting
    things about dogs,
    HEIDI PARKER:
  • 21:49 - 21:52
    is the kind of variation that you have.
  • 21:52 - 21:56
    We have dogs the size of groundhogs
    versus a dog like Zeppie,
  • 21:56 - 21:59
    the Leonberger, who can get
    to be the size of a mule deer.
  • 21:59 - 22:01
    If we had that kind of size
    variation in humans,
  • 22:01 - 22:05
    we would have people running
    around the size of Barbie dolls.
  • 22:06 - 22:12
    In his day, Darwin knew this range
    of sizes hadn't come about by chance.
    NARRATOR:
  • 22:13 - 22:16
    Through a careful process
    of selection, dog breeders
  • 22:16 - 22:22
    mix different dogs with different
    physical traits to create new forms.
  • 22:25 - 22:29
    HEIDI PARKER:
    Darwin was intrigued by what he was seeing
    breeders doing with the domestic dog.
  • 22:29 - 22:33
    They could select for individual
    traits like size or shape,
    HEIDI PARKER:
  • 22:33 - 22:34
    HEIDI PARKER:
  • 22:34 - 22:36
    and they could
    actually change their breed.
    HEIDI PARKER:
  • 22:38 - 22:42
    The Whippet, for example,
    had been developed to chase rabbits.
    NARRATOR:
  • 22:42 - 22:46
    It was created by mixing
    greyhounds for speed,
  • 22:46 - 22:50
    with terriers, used to
    hunt small game.
  • 22:53 - 22:54
    And then it hit Darwin.
  • 22:55 - 22:58
    Was there a similar form of selection
    going on in nature,
  • 22:59 - 23:01
    but without human interference?
  • 23:02 - 23:06
    Could natural selection explain
    the great diversity of life?
  • 23:07 - 23:09
    It was brilliant.
    SEAN CARROLL:
  • 23:09 - 23:09
    SEAN CARROLL:
  • 23:09 - 23:13
    He took something very familiar
    and comfortable, for example,
    SEAN CARROLL:
  • 23:13 - 23:17
    animal breeding, and explained that the
    same sort of thing was going on in nature
    SEAN CARROLL:
  • 23:17 - 23:22
    just at a little bit different pace
    and with no human guide.
    SEAN CARROLL:
  • 23:26 - 23:30
    But what could be
    carrying out selection in the wild?
    NARRATOR:
  • 23:30 - 23:35
    It was then that Darwin took a
    completely fresh look at nature.
  • 23:37 - 23:40
    The Victorian view
    of nature was sentimental.
  • 23:40 - 23:42
    Lambs lay down with lions.
  • 23:42 - 23:47
    But Darwin's travels on the Beagle,
    led him to a different view.
  • 23:50 - 23:53
    For Darwin, nature was savage.
  • 23:57 - 24:02
    Every creature was locked in a
    desperate struggle for survival,
  • 24:02 - 24:06
    ultimately ending in death.
  • 24:18 - 24:24
    The scale of death in nature
    is absolutely horrendous.
    OLIVIA JUDSON:
  • 24:24 - 24:26
    OLIVIA JUDSON:
  • 24:26 - 24:29
    And sometimes it's not just
    that there's a lot of death,
    OLIVIA JUDSON:
  • 24:29 - 24:33
    but it's very unpleasant death.
    OLIVIA JUDSON:
  • 24:44 - 24:50
    But in all this brutal chaos,
    Darwin saw a pattern.
    NARRATOR:
  • 24:50 - 24:52
    Darwin showed that
    nature was a battlefield,
    SEAN CARROLL:
  • 24:52 - 24:54
    and that everything
    was in competition.
    SEAN CARROLL:
  • 24:54 - 24:54
    SEAN CARROLL:
  • 24:54 - 24:58
    And this brutal battle, this war of
    nature as Darwin described it,
    SEAN CARROLL:
  • 24:58 - 25:00
    was actually a creative process.
    SEAN CARROLL:
  • 25:06 - 25:11
    The pattern that Darwin saw was
    that the creatures that survived
    NARRATOR:
  • 25:11 - 25:15
    were those best adapted to the
    specific environments they lived in.
  • 25:16 - 25:20
    For instance, some could
    handle extremes of climate.
  • 25:26 - 25:29
    Others were brilliantly
    honed killing machines,
  • 25:29 - 25:32
    perfect for catching
    the available prey.
  • 25:36 - 25:42
    Still others were perfect to evade
    those who might be hunting them.
  • 25:46 - 25:51
    But how did this harsh view of nature
    explain the finches on the Galapagos,
  • 25:51 - 25:54
    where Darwin observed that
    the birds on different islands
  • 25:54 - 25:57
    had different beak shapes?
  • 25:58 - 26:04
    Somehow, those different beaks
    must be helping the finches survive.
  • 26:08 - 26:13
    The finches of the Galapagos Islands
    have beaks of many sizes and shapes.
    CLIFF TABIN:
  • 26:13 - 26:15
    And there's a reason for that.
    CLIFF TABIN:
  • 26:15 - 26:16
    They use their beaks as tools.
    CLIFF TABIN:
  • 26:16 - 26:17
    CLIFF TABIN:
  • 26:17 - 26:21
    Now, if you think of the type of
    tool you would want to crush
    CLIFF TABIN:
  • 26:21 - 26:25
    a seed that's very tough,
    but is the food that you really like,
    CLIFF TABIN:
  • 26:25 - 26:30
    you'd want a beak like this, which is
    the type of beak the ground finch has.
    CLIFF TABIN:
  • 26:32 - 26:36
    On an island where the only food is
    seeds that are hard to crack,
    NARRATOR:
  • 26:37 - 26:42
    a short, powerful beak
    will mean a finch will survive.
  • 26:45 - 26:51
    But on another island, the available
    food isn't seeds but flowers.
  • 26:51 - 26:55
    If you wanted to get into narrow spaces
    to get pollen and nectar
    CLIFF TABIN:
  • 26:55 - 26:55
    CLIFF TABIN:
  • 26:55 - 26:58
    that are very hard to get at,
    you wouldn't need a big,
    CLIFF TABIN:
  • 26:58 - 27:01
    strong beak, you'd
    need a probing beak.
    CLIFF TABIN:
  • 27:01 - 27:05
    So, on a different island, where
    you have a different food source,
    NARRATOR:
  • 27:05 - 27:07
    you have a different beak shape.
  • 27:08 - 27:12
    And this pattern was
    repeated across the Galapagos.
  • 27:13 - 27:19
    It seems that the finches' beaks had altered
    to fit the diet of each particular island.
  • 27:19 - 27:25
    And that was how one original type
    of finch had been transformed into many.
  • 27:33 - 27:36
    But how had these
    changes come about?
  • 27:42 - 27:45
    Here, Darwin had another clue.
  • 27:46 - 27:49
    He could see
    it in his own family.
  • 27:51 - 27:56
    As every parent knows, no two
    children are ever exactly the same.
  • 27:57 - 28:00
    Charles looked different
    from his brother, Erasmus,
  • 28:00 - 28:03
    even though they
    shared the same parents.
  • 28:05 - 28:10
    Charles's children looked a
    bit like him and his wife Emma.
  • 28:11 - 28:14
    But they too looked
    different from each other.
  • 28:15 - 28:18
    That was something
    he called variation.
  • 28:19 - 28:21
    He realized that not every
    individual was the same,
    SEAN CARROL:
  • 28:21 - 28:21
    SEAN CARROL:
  • 28:21 - 28:24
    stamped out like
    a toy from a press.
    SEAN CARROL:
  • 28:24 - 28:25
    But there is variation.
    SEAN CARROL:
  • 28:27 - 28:33
    Darwin realized that variation must be the
    starting point for change in nature.
    NARRATOR:
  • 28:33 - 28:39
    In any generation, the animals in
    a litter are never quite the same.
  • 28:41 - 28:44
    And in the wild,
    such a tiny variation,
  • 28:44 - 28:48
    might make all the difference
    between life and death.
  • 28:51 - 28:54
    Two penguins, for instance,
    might differ a tiny bit
  • 28:54 - 29:00
    in the thickness of their blubber- a
    big factor if you live in extreme cold.
  • 29:00 - 29:04
    In a harsh climate,
    the environment will select
  • 29:04 - 29:07
    who will live and who will die.
  • 29:08 - 29:13
    And slowly, Darwin suggested,
    over many, many generations,
  • 29:13 - 29:17
    these tiny variations
    would allow the fit to get fitter
  • 29:17 - 29:22
    and the unfit would vanish.
  • 29:24 - 29:26
    These variations accumulate
  • 29:26 - 29:29
    and eventually,
    new species branch off.
  • 29:30 - 29:34
    This is evolution
    by natural selection.
  • 29:34 - 29:38
    It is one of the keys to how
    new species are formed.
  • 29:42 - 29:48
    And so, in 1859,
    after years of painstaking research,
  • 29:48 - 29:54
    Darwin finally published his masterwork,
    "On the Origin of Species."
  • 29:54 - 29:59
    It is still impossible to
    overstate its importance.
  • 29:59 - 30:02
    It was really a
    quantum advance in understanding.
    CLIFF TABIN:
  • 30:02 - 30:06
    It shook people up,
    it changed the way people thought.
    CLIFF TABIN:
  • 30:06 - 30:11
    Gone was the idea that all species
    were created perfect and immutable,
    NARRATOR:
  • 30:11 - 30:13
    taken as an article of faith.
  • 30:14 - 30:19
    In its place, Darwin provided
    a proper scientific theory,
  • 30:19 - 30:22
    based on facts and observation.
  • 30:24 - 30:29
    It is much more than the presentation
    of simply the idea of natural selection.
    OLIVIA JUDSON:
  • 30:29 - 30:29
    OLIVIA JUDSON:
  • 30:29 - 30:35
    It is a, it's a vision of how
    evolution by natural selection works.
    OLIVIA JUDSON:
  • 30:35 - 30:40
    150 years later, his theory
    has stood the test of time.
    NARRATOR:
  • 30:40 - 30:43
    What's amazing is that
    Darwin got so much right.
    SEAN CARROLL:
  • 30:43 - 30:44
    SEAN CARROLL:
  • 30:44 - 30:47
    His ideas, largely stay intact today.
    SEAN CARROLL:
  • 30:50 - 30:55
    But Darwin himself acknowledged
    that there were holes in his theory.
    NARRATOR:
  • 30:59 - 31:03
    He didn't actually
    know how it worked.
  • 31:06 - 31:11
    What was happening inside a
    creature's body that makes it change?
  • 31:15 - 31:19
    But now, at last, modern science
    is providing the answers
  • 31:19 - 31:23
    through a hidden mechanism
    that Darwin knew nothing about.
  • 31:33 - 31:38
    Arizona's Pinacarte Desert
    is a harsh and brutal place.
  • 31:39 - 31:43
    Especially if you're
    a rock pocket mouse.
  • 31:46 - 31:48
    They're the Snickers
    bar of the desert.
    MICHAEL NACHMAN:
  • 31:48 - 31:50
    They really are,
    they're eaten by everything.
  • 31:50 - 31:56
    They're probably eaten by foxes
    and coyotes and rattlesnakes, owls.
  • 31:57 - 31:59
    Weighing just half an ounce,
    NARRATOR:
  • 31:59 - 32:02
    this mouse could never
    fight off these large predators.
  • 32:02 - 32:07
    Its best hope for
    survival is camouflage.
  • 32:07 - 32:12
    Not surprisingly, its fur matches
    the color of the Pinacarte rocks.
  • 32:13 - 32:18
    But in some sections of the desert,
    the environment is different.
  • 32:21 - 32:24
    Ancient volcanoes erupted
    and now the desert
  • 32:24 - 32:28
    is a patchwork of
    dark lava and light rock.
  • 32:31 - 32:37
    But of course, a light mouse on
    a dark rock is easy pickings.
  • 32:39 - 32:43
    So, something has happened that
    Darwin might have predicted.
  • 32:47 - 32:53
    The mice now living on the dark rocks
    have evolved darker fur.
  • 32:54 - 32:58
    Those that stayed on
    the light rocks remain light.
  • 33:04 - 33:06
    Michael Nachman was fascinated.
  • 33:06 - 33:08
    How had this happened?
  • 33:08 - 33:11
    To find out, he first
    needed to catch some mice.
  • 33:11 - 33:16
    So, with Sean Carroll, he visits a line
    of traps he set the previous night.
  • 33:16 - 33:19
    All of the dark ones have
    a white underbelly and presumably,
    MICHAEL NACHMAN:
  • 33:19 - 33:21
    there's no selection for
    dark on the belly
    MICHAEL NACHMAN:
  • 33:21 - 33:24
    because predators are going,
    coming from above.
    MICHAEL NACHMAN:
  • 33:24 - 33:26
    This much Darwin
    could have done.
    NARRATOR:
  • 33:26 - 33:30
    Find some mice and compare the color
    of their fur to their environment.
  • 33:30 - 33:34
    But Nachman can now do something
    that Darwin never could.
  • 33:34 - 33:38
    He can look inside the animal's DNA.
  • 33:48 - 33:52
    The study of DNA is one of the great
    triumphs of modern science.
  • 33:56 - 34:00
    It has taken our understanding of how
    creatures evolve and develop,
  • 34:00 - 34:04
    to a level that Darwin could
    never have dreamed of.
  • 34:06 - 34:09
    The DNA molecule
    is one of the real secrets of life.
    SEAN CARROLL:
  • 34:09 - 34:09
    SEAN CARROLL:
  • 34:09 - 34:12
    It's a perfect system for storing
    the vast amounts of information
    SEAN CARROLL:
  • 34:12 - 34:12
    SEAN CARROLL:
  • 34:12 - 34:16
    that's necessary for building
    all kinds of creatures.
    SEAN CARROLL:
  • 34:19 - 34:25
    DNA consists of one long molecule
    spiraling around in a double helix.
    NARRATOR:
  • 34:28 - 34:33
    That helix is, in turn, made up
    of four smaller molecules,
  • 34:34 - 34:40
    called by the letters
    G, A, T and C.
  • 34:41 - 34:46
    DNA can be found in the cells
    of every living thing on earth.
  • 34:49 - 34:52
    The thing about DNA
    that I think is remarkable
    OLIVIA JUDSON:
  • 34:52 - 34:52
    OLIVIA JUDSON:
  • 34:52 - 34:55
    is that the molecule
    itself is so elegant.
    OLIVIA JUDSON:
  • 34:55 - 34:56
    OLIVIA JUDSON:
  • 34:56 - 35:02
    With a small number of letters,
    you can say almost infinite words.
    OLIVIA JUDSON:
  • 35:04 - 35:07
    And that is the key.
    NARRATOR:
  • 35:08 - 35:12
    DNA is a code and its double strand
    contains all the information
  • 35:12 - 35:17
    to make living things
    grow and develop.
  • 35:17 - 35:21
    Lined along each DNA molecule
    are ranged special
  • 35:21 - 35:26
    sequences of this code
    that form our genes.
  • 35:33 - 35:36
    Many genes get
    translated into proteins.
  • 35:39 - 35:43
    And these proteins
    make the stuff of our bodies.
  • 35:44 - 35:46
    One protein makes hair.
  • 35:47 - 35:49
    Another makes cartilage.
  • 35:50 - 35:52
    Others make muscle.
  • 35:53 - 35:58
    What makes DNA so amazing is
    that it just contains four letters,
    SEAN CARROLL:
  • 35:58 - 36:02
    but all sorts of combinations of those
    four letters contains all the information
    SEAN CARROLL:
  • 36:02 - 36:05
    for making all the creatures
    that are on the planet.
    SEAN CARROLL:
  • 36:06 - 36:11
    It's a gene that determines
    whether our eyes are blue or not.
    NARRATOR:
  • 36:11 - 36:13
    Another gives us freckles.
  • 36:14 - 36:16
    Another gives us dimples.
  • 36:18 - 36:22
    But DNA has one other vital quality.
  • 36:24 - 36:27
    It doesn't stay the same.
  • 36:32 - 36:33
    (BABY CRYING)
  • 36:33 - 36:34
    When a baby is conceived,
    the fertilized egg receives
    (BABY CRYING)
  • 36:34 - 36:37
    When a baby is conceived,
    the fertilized egg receives
  • 36:37 - 36:41
    half its DNA from the mother
    and half from the father,
  • 36:41 - 36:44
    creating wholly new combinations.
  • 36:44 - 36:49
    It's why we look a bit like our
    parents, but also different.
  • 36:54 - 36:59
    Another way that DNA
    can change is mutation.
  • 37:01 - 37:05
    Mutation is a critical ingredient
    in the recipe for evolution.
    SEAN CARROLL:
  • 37:05 - 37:09
    Without mutation, everything would stay
    constant generation after generation.
    SEAN CARROLL:
  • 37:09 - 37:09
    SEAN CARROLL:
  • 37:09 - 37:14
    Mutation generates variation,
    differences between individuals.
    SEAN CARROLL:
  • 37:16 - 37:19
    Mutations can happen
    as our DNA copies itself
    NARRATOR:
  • 37:19 - 37:23
    when our cells divide
    and our bodies develop.
  • 37:25 - 37:31
    An "A" for instance, can be replaced
    by a "G" or a "C" by a "T."
  • 37:31 - 37:36
    This can cause minute changes
    that no one is even aware of.
  • 37:38 - 37:41
    But when mutations occur in the cells
    we pass down to our children,
  • 37:42 - 37:45
    they can cause big changes.
  • 37:50 - 37:55
    Like turning a
    light-colored mouse dark.
  • 37:55 - 37:58
    "Mutation" seems to mean that
    something bad has happened.
    SEAN CARROLL:
  • 37:58 - 38:01
    Well, mutations are neither good or bad.
    SEAN CARROLL:
  • 38:01 - 38:03
    Whether they are favored,
    or whether they are rejected,
    SEAN CARROLL:
  • 38:03 - 38:05
    or whether they're just neutral,
    SEAN CARROLL:
  • 38:05 - 38:05
    SEAN CARROLL:
  • 38:05 - 38:08
    depends upon the conditions
    an organism finds itself.
    SEAN CARROLL:
  • 38:08 - 38:12
    So for the pocket mouse, a mutation
    that caused the mouse to turn black...
    SEAN CARROLL:
  • 38:12 - 38:12
    SEAN CARROLL:
  • 38:12 - 38:14
    That is good if you're
    living on black rock,
    SEAN CARROLL:
  • 38:14 - 38:14
    SEAN CARROLL:
  • 38:14 - 38:17
    it's bad if you're living
    out in the sandy desert.
    SEAN CARROLL:
  • 38:20 - 38:24
    It was that mutation, the one that
    turned a light-colored mouse dark,
    NARRATOR:
  • 38:24 - 38:27
    that Michael Nachman
    was hunting for.
  • 38:34 - 38:39
    Back in the lab, he began the
    painstaking business of comparing
  • 38:39 - 38:44
    the genes of the two types of mice,
    trying to pinpoint any differences.
  • 38:45 - 38:48
    Science is fun when you really
    don't know what you're going to find.
    MICHAEL NACHMAN:
  • 38:55 - 39:00
    One by one the genes in
    the two mice proved identical.
    NARRATOR:
  • 39:01 - 39:06
    But then, in one gene,
    he found something.
  • 39:08 - 39:11
    There were four places where
    the sequence of "A's," "T's,"
  • 39:11 - 39:15
    "C's" and "G's" were different..
  • 39:17 - 39:22
    When a mouse is born with these
    mutations, its fur grows dark.
  • 39:25 - 39:31
    And that means it can survive on the
    dark rocks when others would not.
  • 39:32 - 39:38
    Here was a clear example of evolution
    and natural selection at work.
  • 39:41 - 39:45
    I think Darwin would have been
    delighted to know that we can find
    MICHAEL NACHMAN:
  • 39:45 - 39:48
    the genes that are responsible
    for evolutionary change.
  • 39:51 - 39:54
    And this was just one of many
    links that have been found
    NARRATOR:
  • 39:54 - 39:57
    between genetic mutations and evolution.
  • 40:00 - 40:04
    Scientists can now pinpoint a range
    of examples of evolution in action.
  • 40:09 - 40:14
    The Colobus monkey can see in color
    because of a mutation in one gene.
  • 40:14 - 40:20
    It can now tell nutritious red leaves
    from tough, old green ones.
  • 40:21 - 40:27
    A genetic glitch gave this Antarctic
    fish a potent antifreeze in its blood.
  • 40:27 - 40:31
    So it can survive in the icy
    waters when others cannot.
  • 40:32 - 40:37
    So powerful was this link between
    genetic mutation and evolution,
  • 40:37 - 40:40
    that an idea took hold.
  • 40:41 - 40:43
    To understand how evolution works,
  • 40:44 - 40:48
    all you need to do is
    compare creatures' genes.
  • 41:03 - 41:06
    One might think that you could
    understand all of evolution simply by
    SEAN CARROLL:
  • 41:06 - 41:06
    SEAN CARROLL:
  • 41:06 - 41:08
    mapping the genes of every creature.
    SEAN CARROLL:
  • 41:08 - 41:09
    SEAN CARROLL:
  • 41:09 - 41:11
    Identify all the genes,
    identify all the differences
    SEAN CARROLL:
  • 41:11 - 41:13
    and you could explain
    the differences between,
    SEAN CARROLL:
  • 41:13 - 41:13
    SEAN CARROLL:
  • 41:13 - 41:16
    say, mouse and
    monkeys and humans.
    SEAN CARROLL:
  • 41:18 - 41:21
    So when the Human Genome
    Project began in 1990,
    NARRATOR:
  • 41:21 - 41:24
    the scientific world
    was on tender hooks.
  • 41:25 - 41:27
    All three billion letters
    of our DNA
  • 41:27 - 41:29
    were going to be
    identified in order.
  • 41:30 - 41:33
    In parallel, the DNA of
    some animals and plants
  • 41:33 - 41:35
    was also being sequenced.
  • 41:35 - 41:38
    Surely, this would be a quantum
    leap in our understanding
  • 41:38 - 41:41
    of how different life-forms evolved.
  • 41:43 - 41:47
    With this came another idea:
    That complex animals like us
  • 41:47 - 41:51
    would have many more
    genes than simpler ones.
  • 41:51 - 41:55
    Here we are, the most complex and
    sophisticated animal on the planet, right?
    SEAN CARROLL:
  • 41:55 - 41:55
    You might think that would require
    a whole lot more genetic information.
    Here we are, the most complex and
    sophisticated animal on the planet, right?
    SEAN CARROLL:
  • 41:55 - 41:59
    SEAN CARROLL:
    You might think that would require
    a whole lot more genetic information.
  • 42:00 - 42:01
    The betting was on.
    NARRATOR:
  • 42:01 - 42:06
    Just how big would our genome
    be compared to other life-forms?
  • 42:06 - 42:08
    There were estimates that
    humans would have between,
    OLIVIA JUDSON:
  • 42:08 - 42:11
    let's say,80,000 and 120,000 genes.
    OLIVIA JUDSON:
  • 42:21 - 42:28
    So when the final answer
    came in 2003, it was a shocker.
    NARRATOR:
  • 42:29 - 42:35
    23,000 genes -
    the same number as a chicken...
  • 42:37 - 42:40
    less than an ear of corn.
  • 42:43 - 42:47
    I mean, people were freaked out by
    the relatively small number of genes.
    MICHAEL LEVINE:
  • 42:47 - 42:47
    MICHAEL LEVINE:
  • 42:47 - 42:50
    It's down to something
    like22,000 or 23,000
    MICHAEL LEVINE:
  • 42:50 - 42:50
    MICHAEL LEVINE:
  • 42:50 - 42:54
    protein-coding genes
    in the human genome.
    MICHAEL LEVINE:
  • 42:54 - 42:54
    MICHAEL LEVINE:
  • 42:54 - 42:58
    The simple nematode worm
    has about that same number.
    MICHAEL LEVINE:
  • 42:58 - 43:01
    And there are plants that have
    considerably more genes
    MICHAEL LEVINE:
  • 43:01 - 43:01
    MICHAEL LEVINE:
  • 43:01 - 43:03
    than the glorious human genome.
    MICHAEL LEVINE:
  • 43:03 - 43:06
    The whole human genome project
    has been a humbling experience,
    OLIVIA JUDSON:
  • 43:06 - 43:06
    OLIVIA JUDSON:
  • 43:06 - 43:09
    as we've discovered that,
    actually, it doesn't take
    OLIVIA JUDSON:
  • 43:09 - 43:09
    OLIVIA JUDSON:
  • 43:09 - 43:12
    as many genes to make
    a human as we had all hoped.
    OLIVIA JUDSON:
  • 43:13 - 43:16
    And it wasn't just
    that we had so few genes,
    NARRATOR:
  • 43:16 - 43:22
    but many of our key genes were
    identical to those of other animals.
  • 43:23 - 43:26
    Huge though,
    the breakthrough had been,
  • 43:26 - 43:30
    the genetic revolution had
    opened up a whole new set of puzzles.
  • 43:31 - 43:34
    As a solution to the mystery
    of how evolution works,
  • 43:34 - 43:38
    genes and their mutations
    were only part of the story.
  • 43:42 - 43:48
    There had to be something else more
    subtle and more mysterious going on.
  • 43:48 - 43:52
    We have to explain then,
    "How do you get all these differences
    SEAN CARROLL:
  • 43:52 - 43:52
    SEAN CARROLL:
  • 43:52 - 43:54
    if you have really
    similar sets of genes?"
    SEAN CARROLL:
  • 43:55 - 44:01
    The quest to uncover what Darwin
    never knew would have to start again.
    NARRATOR:
  • 44:05 - 44:09
    The first tantalizing clues
    would come from those life-forms
  • 44:09 - 44:14
    That Darwin himself
    had studied: embryos.
  • 44:15 - 44:16
    Look at these embryos.
  • 44:17 - 44:20
    It is almost impossible to tell
    just days after conception
  • 44:21 - 44:25
    which is the chicken,
    the turtle, the bat, the human.
  • 44:26 - 44:28
    They look almost the same.
  • 44:31 - 44:37
    Only as they grow does it
    become clear which is which.
  • 44:37 - 44:40
    Darwin wondered,
    as scientists do today,
  • 44:40 - 44:45
    How could they start out so similar
    and end up so different?
  • 44:47 - 44:52
    There is something profound about
    what the embryo was telling us.
    MICHAEL LEVINE:
  • 44:52 - 44:52
    MICHAEL LEVINE:
  • 44:52 - 44:57
    And we have rediscovered what
    Darwin was talking about all along,
    MICHAEL LEVINE:
  • 44:57 - 44:57
    MICHAEL LEVINE:
  • 44:57 - 44:59
    that the embryo's
    where the action is.
    MICHAEL LEVINE:
  • 44:59 - 44:59
    MICHAEL LEVINE:
  • 44:59 - 45:01
    In terms of animal diversity,
    it is the platform for diversity.
    MICHAEL LEVINE:
  • 45:01 - 45:01
    MICHAEL LEVINE:
  • 45:01 - 45:03
    it is the platform for diversity.
    MICHAEL LEVINE:
  • 45:08 - 45:10
    What fascinates
    modern biologists
    NARRATOR:
  • 45:10 - 45:14
    is that all these different animals
    don't just look the same,
  • 45:14 - 45:20
    they are using virtually the same
    set of key genes to build their bodies.
  • 45:25 - 45:29
    The body plan genes determine
    where the head goes,
  • 45:29 - 45:32
    where the limbs go,
    and what form they take
  • 45:32 - 45:38
    whether they are
    arms, legs or wings.
  • 45:40 - 45:45
    Another set of genes determines
    an animal's body patterning:
  • 45:45 - 45:48
    the blotches,
    the stripes and spots.
  • 45:48 - 45:51
    It is the same genes at
    work in every creature
  • 45:51 - 45:56
    from the leopard to the
    peacock to the fruit fly.
  • 45:58 - 46:02
    And yet they produce
    radically different results.
  • 46:06 - 46:09
    This has led scientists
    to a crucial insight
  • 46:09 - 46:12
    about how animal
    bodies have evolved.
  • 46:13 - 46:16
    It's not the number
    of genes that counts.
  • 46:17 - 46:20
    It's not the genes you have,
    but how you use them
    SEAN CARROLL
  • 46:20 - 46:20
    SEAN CARROLL
  • 46:20 - 46:23
    that generates the great
    diversity of the animal kingdom.
    SEAN CARROLL
  • 46:25 - 46:30
    Finding out just how these same genes
    are used to create such amazing diversity
    NARRATOR:
  • 46:30 - 46:36
    has been the work of Sean Carroll and
    an unlikely hero of modern science.
  • 46:40 - 46:42
    The fruit fly.
  • 46:45 - 46:47
    As much as I'd like to study the
    mammals of the African Savannah,
    SEAN CARROLL:
  • 46:47 - 46:47
    SEAN CARROLL:
  • 46:47 - 46:50
    they make poor choices
    for laboratory animals.
    SEAN CARROLL:
  • 46:50 - 46:53
    They're large, expensive and
    they reproduce very slowly.
    SEAN CARROLL:
  • 46:53 - 46:57
    To get data, we have to find
    the simplest examples
    SEAN CARROLL:
  • 46:57 - 46:59
    to the phenomenon
    we want to understand.
    SEAN CARROLL:
  • 47:01 - 47:05
    But the humble fruit fly
    does weird and wonderful things.
    NARRATOR:
  • 47:09 - 47:13
    This fruit fly is dancing for sex.
  • 47:14 - 47:17
    A rapt female takes in the show.
  • 47:19 - 47:24
    She's particularly besotted by
    the dark spots on the male's wings.
  • 47:25 - 47:30
    Watching it all is an equally
    besotted Sean Carroll.
  • 47:30 - 47:33
    You might think them just be annoying,
    but they're really charming.
    SEAN CARROLL :
  • 47:33 - 47:33
    SEAN CARROLL :
  • 47:33 - 47:36
    And the males of this species does
    a rather elaborate courtship dance,
    SEAN CARROLL :
  • 47:36 - 47:36
    SEAN CARROLL :
  • 47:36 - 47:40
    where he displays these
    spotted wings in front of the female.
    SEAN CARROLL :
  • 47:40 - 47:41
    SEAN CARROLL :
  • 47:41 - 47:44
    To us, it's as magnificent
    as what a peacock does.
    SEAN CARROLL :
  • 47:49 - 47:54
    But in some species of fruit fly,
    the males don't have wing spots.
    NARRATOR:
  • 47:56 - 47:58
    There's another
    fruit fly species
    SEAN CARROLL:
  • 47:58 - 48:02
    that's different from the spotted
    species in two important ways:
    SEAN CARROLL:
  • 48:02 - 48:02
    SEAN CARROLL:
  • 48:02 - 48:07
    it doesn't have spots on its wings
    and it does a lot less dancing.
    SEAN CARROLL:
  • 48:07 - 48:10
    Here, then, is a classic
    evolutionary puzzle.
    NARRATOR:
  • 48:11 - 48:15
    Why does one type of fly
    have spots and the other doesn't?
  • 48:15 - 48:17
    Sean Carroll wanted to know.
  • 48:17 - 48:21
    What is going on in their
    genes that makes them different?
  • 48:21 - 48:24
    So we wanted to take apart
    the genetic machinery
    SEAN CARROLL:
  • 48:24 - 48:24
    SEAN CARROLL:
  • 48:24 - 48:27
    for making wing spots to understand
    how those wing spots evolved.
    SEAN CARROLL:
  • 48:32 - 48:37
    Carroll began the process of sifting
    through the two types of flies' DNA.
    NARRATOR:
  • 48:37 - 48:39
    He had one clue
    to set him on his way.
  • 48:41 - 48:45
    He already knew the gene that
    codes for the black wing spots.
  • 48:45 - 48:48
    He calls it the "paintbrush gene."
  • 48:51 - 48:55
    But surprisingly, when he compared
    the genes of the two flies,
  • 48:55 - 48:58
    they both had that gene.
  • 48:58 - 49:01
    And yet, only one had spots.
  • 49:05 - 49:06
    When we look at
    that gene in the two species,
    SEAN CARROLL:
  • 49:06 - 49:07
    SEAN CARROLL:
  • 49:07 - 49:09
    really they both have
    this paintbrush gene.
    SEAN CARROLL:
  • 49:09 - 49:09
    SEAN CARROLL:
  • 49:09 - 49:13
    So the big difference is not
    having the gene, it's how they use it.
    SEAN CARROLL:
  • 49:13 - 49:13
    SEAN CARROLL:
  • 49:13 - 49:15
    One species uses it
    in the wing to make spots.
    SEAN CARROLL:
  • 49:15 - 49:17
    SEAN CARROLL:
  • 49:17 - 49:18
    The other one doesn't.
    SEAN CARROLL:
  • 49:22 - 49:25
    So why did
    the paintbrush gene
    NARRATOR:
  • 49:25 - 49:31
    create spots in one type of fly,
    but not in the other?
  • 49:33 - 49:36
    In search of answers,
    Carroll turned to one of the least
  • 49:36 - 49:38
    understood regions of DNA:
  • 49:38 - 49:43
    the vast stretches that were
    once known as "junk."
  • 49:50 - 49:53
    It has been called the
    dark matter of the genome.
  • 49:54 - 49:56
    Mysterious.
  • 49:56 - 49:58
    Uncharted.
  • 49:58 - 50:00
    Strange.
  • 50:01 - 50:05
    The vast bulk of the double helix,
    some 98% of it,
  • 50:05 - 50:10
    doesn't code for proteins,
    which make the stuff of our bodies.
  • 50:10 - 50:15
    The genes which do,
    comprise just two percent.
  • 50:16 - 50:22
    Even now, no one is sure what much of
    this huge non-coding area actually does,
  • 50:23 - 50:27
    but it has long beckoned evolutionary
    detectives, like Sean Carroll.
  • 50:27 - 50:29
    LAB SCIENTIST:
    So, this is a bend.
    SEAN CARROLL'S LAB:
  • 50:29 - 50:29
    SEAN CARROLL'S LAB:
  • 50:29 - 50:31
    CARROLL: That's the fragment to test?
    LAB SCIENTIST: Yeah.
    SEAN CARROLL'S LAB:
  • 50:31 - 50:34
    Carroll had already learned
    that the paintbrush gene itself
    NARRATOR:
  • 50:34 - 50:36
    was identical in the
    two types of fly.
  • 50:37 - 50:40
    So he extended his
    search through their DNA.
  • 50:41 - 50:44
    And in one place,
    just outside the paintbrush gene,
  • 50:44 - 50:46
    he found an important clue.
  • 50:48 - 50:52
    A stretch of DNA that was different
    in the fly with wing spots.
  • 50:53 - 50:55
    What could this mean?
  • 50:58 - 51:01
    So Carroll conducted
    an experiment.
  • 51:02 - 51:05
    He decided to put that
    mysterious stretch of DNA
  • 51:06 - 51:10
    that he had found in the spotted fly
    in the unspotted fly.
  • 51:11 - 51:17
    To help him see if it had any effect, he
    attached it to a gene from a jellyfish,
  • 51:17 - 51:22
    a gene that codes for a protein
    that makes the jellyfish glow.
  • 51:22 - 51:24
    We cut the DNA
    up into little pieces,
    SEAN CARROLL:
  • 51:24 - 51:24
    SEAN CARROLL:
  • 51:24 - 51:27
    and we hook it up to a
    protein that glows in the dark.
    SEAN CARROLL:
  • 51:27 - 51:27
    SEAN CARROLL:
  • 51:27 - 51:31
    And then we inject that
    into the unspotted fly.
    SEAN CARROLL:
  • 51:33 - 51:36
    And then, something
    remarkable happened.
    NARRATOR:
  • 51:39 - 51:41
    When we looked at
    those unspotted flies,
    SEAN CARROLL:
  • 51:41 - 51:41
    SEAN CARROLL:
  • 51:41 - 51:44
    we see now their wings
    are glowing in the dark with spots.
    SEAN CARROLL:
  • 51:45 - 51:49
    Somehow that
    mysterious stretch of DNA
    NARRATOR:
  • 51:49 - 51:54
    had turned on the paintbrush
    gene in the unspotted fly's wings.
  • 51:54 - 51:58
    Once spotless,
    now it had luminous spots.
  • 51:59 - 51:59
    Bingo.
    SEAN CARROLL:
  • 51:59 - 51:59
    SEAN CARROLL:
  • 51:59 - 52:02
    We'd found the piece
    of DNA that mattered.
    SEAN CARROLL:
  • 52:04 - 52:07
    Carroll had found something that
    is revolutionizing our understanding
    NARRATOR:
  • 52:07 - 52:10
    of how different animal
    bodies have evolved.
  • 52:11 - 52:17
    A piece of DNA called a
    "switch."
  • 52:17 - 52:19
    Switches are not genes.
  • 52:19 - 52:23
    They don't make stuff like
    hair, cartilage or muscle.
  • 52:24 - 52:28
    But they turn on and off
    the genes that do.
  • 52:32 - 52:34
    Switches are very
    powerful parts of DNA,
    SEAN CARROLL:
  • 52:34 - 52:34
    SEAN CARROLL:
  • 52:34 - 52:36
    because they allow
    animals to use genes
    SEAN CARROLL:
  • 52:36 - 52:37
    SEAN CARROLL:
  • 52:37 - 52:42
    in one place and not another,
    at one time and not another.
    SEAN CARROLL:
  • 52:42 - 52:42
    SEAN CARROLL:
  • 52:42 - 52:48
    And so, choreograph the spots and
    stripes and blotches of animal bodies.
    SEAN CARROLL:
  • 52:49 - 52:52
    In the case of the fruit fly,
    it's a mutation-->
    NARRATOR:
  • 52:53 - 52:56
    a change in just a few
    letters of the DNA
  • 52:56 - 52:56
    that has caused the paintbrush
    gene to be switched on.
    a change in just a few
    letters of the DNA
  • 52:56 - 53:00
    that has caused the paintbrush
    gene to be switched on.
  • 53:02 - 53:07
    And so, a whole new species with
    wing spots has been created.
  • 53:09 - 53:12
    But switches are now
    explaining far more than that.
  • 53:14 - 53:18
    They are helping to solve many
    perplexing evolutionary questions.
  • 53:20 - 53:28
    Like how one creature can become
    another creature by losing its legs.
  • 53:34 - 53:38
    It all goes back to what Darwin
    had seen in the snake embryo.
  • 53:41 - 53:44
    The rudiments of leg bumps.
  • 53:48 - 53:53
    This convinced him that a snake must have
    evolved from some four-legged animal.
  • 53:55 - 53:59
    Over the years that same mysterious
    process, the losing of legs,
  • 53:59 - 54:03
    has been seen in other creatures.
  • 54:03 - 54:05
    Like the whale.
  • 54:07 - 54:11
    Its front flippers have all the
    bones of a land creature's arm,
  • 54:11 - 54:14
    even the fingers.
  • 54:16 - 54:18
    And further back in its body...
  • 54:20 - 54:23
    ...it has the vestiges of a pelvis.
  • 54:25 - 54:30
    Clearly, it is descended from
    an animal that walked on the land.
  • 54:30 - 54:34
    Lots of animals have evolved to
    slither through the ground like snakes.
    DAVID KINGSLEY:
  • 54:34 - 54:35
    DAVID KINGSLEY:
  • 54:35 - 54:38
    Other animals slither or swim
    through the water like whales.
    DAVID KINGSLEY:
  • 54:38 - 54:38
    DAVID KINGSLEY:
  • 54:38 - 54:43
    So if you need a streamlined body,
    it's good to get rid of these things
    DAVID KINGSLEY:
  • 54:43 - 54:43
    DAVID KINGSLEY:
  • 54:43 - 54:45
    that stick out
    from the body, like limbs.
    DAVID KINGSLEY:
  • 54:47 - 54:49
    Like the whale,
    NARRATOR:
  • 54:49 - 54:53
    the manatee is another huge
    mammal that lives in the sea.
  • 54:55 - 54:58
    And it, too,
    has lost its hind legs.
  • 54:59 - 55:00
    How?
  • 55:07 - 55:10
    Darwin could never have
    answered that question.
  • 55:11 - 55:16
    But now, thanks to our understanding
    of how DNA is switched on and off,
  • 55:17 - 55:21
    and a very small fish,
    we are getting a little closer.
  • 55:24 - 55:26
    In this lake in British Columbia,
  • 55:26 - 55:29
    there is a creature
    that really shouldn't be here.
  • 55:31 - 55:33
    A stickleback.
  • 55:36 - 55:38
    Most sticklebacks
    live in the ocean.
  • 55:40 - 55:42
    But some 10,000 years ago,
  • 55:42 - 55:48
    a few were left stranded in this lake,
    cut off from the Pacific.
  • 55:51 - 55:55
    And over the years,
    they have evolved.
  • 56:04 - 56:10
    The ocean stickleback has a pair of
    fins on its belly that are like spikes.
  • 56:11 - 56:13
    They are for defense.
  • 56:14 - 56:18
    The spikes make the
    stickleback hard to eat.
  • 56:38 - 56:42
    But the lake sticklebacks have
    lost those spikes on their bellies.
  • 56:48 - 56:51
    And it's this that
    intrigues researchers
  • 56:51 - 56:54
    David Kingsley and his
    colleague, Dolph Schluter.
  • 56:57 - 57:00
    To understand what's behind it,
    they first identified
  • 57:00 - 57:00
    the gene that makes
    he stickleback's spikes.
  • 57:03 - 57:07
    It's one of those key body plan
    genes and, not surprisingly,
  • 57:07 - 57:12
    they found it to be identical in both
    the ocean and the lake stickleback.
  • 57:13 - 57:16
    The question was,
    why hadn't in been turned on
  • 57:16 - 57:20
    in the lake stickleback,
    which had lost its spikes?
  • 57:20 - 57:23
    Kingsley felt the answer
    might lie in a switch.
  • 57:24 - 57:28
    We know these genetic switches exist,
    but they're still very hard to find.
    DAVID KINGSLEY:
  • 57:28 - 57:31
    We don't have a
    genetic code that
    DAVID KINGSLEY:
  • 57:31 - 57:33
    lets us read along
    the DNA sequence and say,
    DAVID KINGSLEY:
  • 57:33 - 57:36
    "There's a switch," to turn a gene
    on in a particular place.
    DAVID KINGSLEY:
  • 57:38 - 57:41
    But eventually, hunting
    through the vast stretch of DNA
    NARRATOR:
  • 57:41 - 57:45
    that does not code
    for proteins, he found it.
  • 57:45 - 57:49
    A section of DNA that had
    mutated in the lake stickleback.
  • 57:49 - 57:52
    These mutations meant
    that the switch was broken.
  • 57:52 - 57:55
    It didn't turn on the
    gene that makes spikes.
  • 58:01 - 58:05
    But this work may have implications
    far beyond sticklebacks.
  • 58:06 - 58:10
    They are convinced that there is a link
    between the stickleback losing its spikes
  • 58:10 - 58:14
    and other creatures,
    like a manatee, losing their legs.
  • 58:16 - 58:19
    And they have two
    tantalizing clues.
  • 58:20 - 58:25
    One: the same body plan gene that is
    responsible for the stickleback spikes,
  • 58:25 - 58:29
    also plays a role in the
    development of the hind limbs.
  • 58:32 - 58:34
    The second clue
    is more tentative.
  • 58:36 - 58:39
    The lake stickleback
    may have lost its spikes,
  • 58:39 - 58:43
    but evolution has left
    behind some tiny remnants...
  • 58:45 - 58:50
    the traces of bones,
    and they are lopsided
  • 58:50 - 58:52
    bigger on the left
    than on the right.
  • 58:53 - 58:55
    We thought,
    "Wouldn't it be amazing
    DAVID KINGSLEY:
  • 58:55 - 58:55
    DAVID KINGSLEY:
  • 58:55 - 59:01
    "if in fact this classic unevenness
    is "the signature of using
    DAVID KINGSLEY:
  • 59:01 - 59:01
    DAVID KINGSLEY:
  • 59:01 - 59:08
    the same gene to control hind limb loss
    in an incredibly different animal?"
    DAVID KINGSLEY:
  • 59:11 - 59:15
    So Kingsley, and his team
    went looking in manatees
  • 59:15 - 59:17
    searching for this
    lopsided pattern.
  • 59:20 - 59:22
    And they found it.
  • 59:22 - 59:25
    In box after box of
    manatee skeletons,
  • 59:25 - 59:30
    they saw pelvic bones that were bigger
    on the left and smaller on the right.
  • 59:31 - 59:36
    Right now, Kingsley and his team are
    looking for the same switch in the manatee
  • 59:36 - 59:39
    that caused the lake
    stickleback to lose its spikes.
  • 59:39 - 59:43
    And if they find it, they will have
    a powerful explanation
  • 59:43 - 59:45
    for something that
    baffled Darwin
  • 59:45 - 59:51
    how creatures like manatees, wales
    and snakes can evolve away their legs.
  • 59:52 - 59:55
    But all this begs
    another question:
  • 59:56 - 59:58
    If switches can play
    such a profound
  • 59:58 - 60:01
    role in the different shapes
    and patterns of animal bodies
  • 60:01 - 60:04
    from wing spots,
    to spikes to hind legs,
  • 60:05 - 60:10
    what is throwing those
    switches in the first place?
  • 60:15 - 60:20
    Researchers would see the answer
    in animals very familiar to Darwin:
  • 60:25 - 60:28
    Arkat Abzhanov and
    Cliff Tabin have spent years
  • 60:28 - 60:32
    trying to find out exactly
    how those Galapagos finches.
  • 60:32 - 60:34
    got their different beaks.
  • 60:35 - 60:39
    Their starting point was what they
    had learned from Darwin himself.
  • 60:40 - 60:44
    Their beaks were vital
    to the birds' survival.
  • 60:44 - 60:47
    On an island where
    the main food was seeds,
  • 60:47 - 60:50
    finches had short, tough beaks
    for cracking them open.
  • 60:52 - 60:55
    On an island where the
    main food was from flowers,
  • 60:55 - 61:00
    birds had long pointy beaks for
    sucking up nectar and pollen.
  • 61:02 - 61:04
    And they knew something else.
  • 61:06 - 61:10
    The finches are born with
    their beaks fully formed.
  • 61:11 - 61:14
    So the answer to why
    they had such different beaks,
  • 61:14 - 61:18
    must lie in something that happened
    to them as embryos in the egg.
  • 61:19 - 61:22
    Something amazing is
    happening inside those eggs.
    CLIFF TABIN:
  • 61:22 - 61:22
    CLIFF TABIN:
  • 61:22 - 61:24
    Genes are turning
    on and turning off.
    CLIFF TABIN:
  • 61:24 - 61:24
    CLIFF TABIN:
  • 61:24 - 61:27
    And depending on exactly
    how they turn on and off,
    CLIFF TABIN:
  • 61:27 - 61:27
    CLIFF TABIN:
  • 61:27 - 61:30
    will determine what
    type of finch is formed.
    CLIFF TABIN:
  • 61:34 - 61:36
    To find out just
    what was going on,
    NARRATOR:
  • 61:36 - 61:39
    the researchers first had
    to collect some eggs.
  • 61:40 - 61:42
    There she is.
    TABIN and ABZHANOV (whispering):
  • 61:42 - 61:42
    TABIN and ABZHANOV (whispering):
  • 61:42 - 61:44
    She just came back. Yeah.
    TABIN and ABZHANOV (whispering):
  • 61:44 - 61:44
    TABIN and ABZHANOV (whispering):
  • 61:44 - 61:46
    To lay eggs.
    TABIN and ABZHANOV (whispering):
  • 61:46 - 61:46
    TABIN and ABZHANOV (whispering):
  • 61:46 - 61:50
    It's really likely that she
    already has a clutch; great.
    TABIN and ABZHANOV (whispering):
  • 61:50 - 61:50
    TABIN and ABZHANOV (whispering):
  • 61:50 - 61:52
    She's coming out.
    TABIN and ABZHANOV (whispering):
  • 61:52 - 61:56
    Abzhanov checks a ground
    finch nest and finds a single egg.
    NARRATOR:
  • 61:57 - 62:00
    He won't remove it, because the
    mother might abandon the nest.
  • 62:03 - 62:05
    Another nest already
    has three eggs.
  • 62:06 - 62:10
    He takes one for his research, as he
    knows the mother will lay a replacement.
  • 62:13 - 62:15
    The team collects
    several eggs,
  • 62:15 - 62:18
    with embryos at different
    stages of development.
  • 62:18 - 62:23
    That way they will be able to chart
    exactly how the different beaks grow.
  • 62:28 - 62:31
    Back in the lab,
    they can begin the process.
  • 62:34 - 62:37
    This cactus finch embryo
    is well on the way
  • 62:37 - 62:40
    to its signature long,
    pointy beak.
  • 62:41 - 62:45
    And this ground finch embryo
    is growing a short, thick beak.
  • 62:46 - 62:49
    What we wanted to do was
    try and understand the genes
    CLIFF TABIN:
  • 62:49 - 62:49
    CLIFF TABIN:
  • 62:49 - 62:52
    that were involved in
    making the beak the way it was
    CLIFF TABIN:
  • 62:52 - 62:52
    CLIFF TABIN:
  • 62:52 - 62:54
    making a big,
    broad thick beak
    CLIFF TABIN:
  • 62:54 - 62:54
    CLIFF TABIN:
  • 62:54 - 62:57
    different from a long,
    thin beak or a short, thin beak.
    CLIFF TABIN:
  • 62:58 - 63:00
    They concentrated
    on a group of genes
    NARRATOR:
  • 63:00 - 63:03
    known to control the
    growth of birds' faces.
  • 63:05 - 63:08
    As they looked,
    they saw something intriguing.
  • 63:13 - 63:17
    One particular body plan gene
    became active in the ground finch
  • 63:17 - 63:21
    with the short, thick beak,
    on the fifth day of development.
  • 63:21 - 63:24
    But it didn't go to work
    in the cactus finch,
  • 63:24 - 63:28
    with its long, slender beak
    for another 24 hours.
  • 63:29 - 63:32
    This was a revelation.
  • 63:32 - 63:36
    The same genes were responsible
    for the beaks in all types of finch.
  • 63:37 - 63:41
    Any differences were
    in timing and intensity.
  • 63:41 - 63:42
    We've got it! We nailed it!
    CLIFF TABIN:
  • 63:42 - 63:42
    CLIFF TABIN:
  • 63:42 - 63:45
    It's the same genes
    in making a sharp,
    CLIFF TABIN:
  • 63:45 - 63:45
    CLIFF TABIN:
  • 63:45 - 63:48
    pointy beak or a big,
    broad-nut cracking beak.
    CLIFF TABIN:
  • 63:48 - 63:48
    CLIFF TABIN:
  • 63:48 - 63:51
    What's essential,
    what makes the difference,
    CLIFF TABIN:
  • 63:51 - 63:51
    CLIFF TABIN:
  • 63:51 - 63:54
    and all the difference,
    is how much you turn the gene on,
    CLIFF TABIN:
  • 63:54 - 63:54
    CLIFF TABIN:
  • 63:54 - 63:57
    when you turn it on,
    when you turn it off.
    CLIFF TABIN:
  • 63:58 - 64:00
    And the revelations
    didn't end there.
    NARRATOR:
  • 64:01 - 64:03
    There was something
    special about this gene.
  • 64:04 - 64:09
    Like all body plan genes, it doesn't
    actually make the stuff of our bodies.
  • 64:10 - 64:13
    It didn't make the cartilage
    for the finches' beaks.
  • 64:14 - 64:16
    It throws switches.
  • 64:17 - 64:22
    And the switches then turn on or
    off the genes that do make the beak.
  • 64:23 - 64:25
    These are a
    different type of gene.
    SEAN CARROLL:
  • 64:25 - 64:26
    SEAN CARROLL:
  • 64:26 - 64:28
    They're genes that
    boss other genes around.
    SEAN CARROLL:
  • 64:30 - 64:34
    Scientists now realize that
    not all genes are created equal.
    NARRATOR:
  • 64:34 - 64:37
    Some make the
    stuff of our bodies.
  • 64:37 - 64:41
    And switches are needed to turn
    many of these "stuff" genes on and off.
  • 64:42 - 64:45
    The body plan genes are
    what throw these switches,
  • 64:45 - 64:49
    which tell the stuff genes
    what to do and when.
  • 64:50 - 64:53
    This subtle choreography
    can have profound effects,
  • 64:53 - 64:56
    on how different
    animal bodies are formed.
  • 64:58 - 65:00
    And this knowledge is
    helping us solve,
  • 65:00 - 65:03
    perhaps the biggest
    Darwinian puzzle of all:
  • 65:03 - 65:06
    the mystery of the
    great transformations.
  • 65:13 - 65:16
    It all goes back to Darwin's
    idea of the tree of life.
  • 65:18 - 65:21
    That all life-forms
    are ultimately related.
  • 65:21 - 65:25
    And from the earliest common
    ancestor over billions of years,
  • 65:25 - 65:28
    they have changed
    and diversified,
  • 65:28 - 65:31
    so that creatures that started
    out looking the same,
  • 65:31 - 65:34
    evolved to become
    completely different.
  • 65:38 - 65:41
    And scientists have made
    some amazing connections.
  • 65:44 - 65:48
    That dinosaurs share a
    common ancestor with birds.
  • 65:49 - 65:51
    And that a fish must
    have been the ancestor
  • 65:51 - 65:56
    of all four- limber
    creatures, even us.
  • 65:59 - 66:04
    Of all his ideas, this was probably
    Darwin's most astonishing.
  • 66:06 - 66:08
    It was one thing to
    grasp how two species
    SEAN CARROLL:
  • 66:08 - 66:08
    SEAN CARROLL:
  • 66:08 - 66:11
    of finch could become different,
    how their beak shape could change.
    SEAN CARROLL:
  • 66:11 - 66:11
    SEAN CARROLL:
  • 66:11 - 66:13
    That was a small step.
    SEAN CARROLL:
  • 66:13 - 66:15
    But what about
    the big differences?
    SEAN CARROLL:
  • 66:15 - 66:15
    SEAN CARROLL:
  • 66:15 - 66:17
    The differences, say, between
    the fish that swim in the sea
    SEAN CARROLL:
  • 66:17 - 66:17
    SEAN CARROLL:
  • 66:17 - 66:19
    and the animals
    that walk on land?
    SEAN CARROLL:
  • 66:19 - 66:19
    SEAN CARROLL:
  • 66:19 - 66:21
    How did those
    changes take place?
    SEAN CARROLL:
  • 66:22 - 66:27
    Over the years, evidence for these
    great transformations has been found.
    NARRATOR:
  • 66:28 - 66:33
    For instance, just a year after Darwin
    published On the Origin of Species
  • 66:33 - 66:37
    a fossil called
    "archaeopteryx" was discovered.
  • 66:39 - 66:42
    It had features of both
    birds and dinosaurs.
  • 66:45 - 66:49
    And Darwin had seen equally
    persuasive evidence in embryos.
  • 66:51 - 66:55
    Those slits in the ear of
    all land creatures, even humans.
  • 66:56 - 67:00
    In us, they become tiny
    bones in the inner ear.
  • 67:03 - 67:06
    But in fish,
    they become gills.
  • 67:08 - 67:13
    A tantalizing hint that land animals
    must be descended from fish.
  • 67:14 - 67:18
    But the stumbling block
    has always been how.
  • 67:19 - 67:25
    How could a fish develop
    legs and walk on land?
  • 67:28 - 67:31
    Darwin had no idea.
  • 67:39 - 67:44
    But Neil Shubin was determined
    to tackle that problem.
  • 67:44 - 67:45
    It captured
    my imagination.
    NEIL SHUBIN:
  • 67:45 - 67:45
    NEIL SHUBIN:
  • 67:45 - 67:48
    I mean, here's a fin and
    on the other side was a limb.
    NEIL SHUBIN:
  • 67:48 - 67:48
    NEIL SHUBIN:
  • 67:48 - 67:50
    And they looked
    different in many ways.
    NEIL SHUBIN:
  • 67:50 - 67:51
    NEIL SHUBIN:
  • 67:51 - 67:54
    And I thought, "Well, what a
    first-class scientific problem
    NEIL SHUBIN:
  • 67:54 - 67:56
    to devote my research to
    NEIL SHUBIN:
  • 67:56 - 67:56
    NEIL SHUBIN:
  • 67:56 - 68:00
    And I've been devoting pretty much my
    research to it ever since, over 20 years.
    NEIL SHUBIN:
  • 68:02 - 68:06
    The first stage in Shubin's
    quest was to find a fossil.
    NARRATOR:
  • 68:07 - 68:10
    If Darwin were right,
    somewhere out there,
  • 68:10 - 68:12
    there had to be
    a transitional form,
  • 68:13 - 68:17
    a fossil that was part fish,
    but had the beginning of legs.
  • 68:18 - 68:20
    But where to look?
  • 68:23 - 68:25
    He had one clue.
  • 68:25 - 68:28
    The fossil record shows
    that creatures with legs
  • 68:28 - 68:32
    first appeared some
    365 million years ago.
  • 68:33 - 68:36
    Before that,
    they were only fish.
  • 68:42 - 68:46
    So, summer after summer, Shubin
    set up camp on Ellesmere Island,
  • 68:46 - 68:49
    just a few hundred miles
    from the North Pole.
  • 68:50 - 68:54
    It has exposed rock from
    that crucial transitional time.
  • 68:54 - 68:58
    The scientist's own video shows
    how remote and bleak the place was.
  • 69:00 - 69:01
    It's cold.
    NEIL SHUBIN:
  • 69:01 - 69:04
    It's about freezing every
    day over the summer.
  • 69:04 - 69:05
    Winds are high.
  • 69:05 - 69:07
    They can get up
    to 50 miles an hour.
  • 69:07 - 69:09
    There are polar bears there.
  • 69:09 - 69:11
    We have to prepare
    ourselves by carrying guns.
  • 69:11 - 69:13
    It's a beautiful place.
    You've got to love it.
  • 69:13 - 69:14
    It's my summer home.
  • 69:17 - 69:19
    Each expedition was costly,
    NARRATOR:
  • 69:19 - 69:23
    but after three of them there was
    little to show for their efforts.
  • 69:23 - 69:26
    A fourth trip
    seemed pointless.
  • 69:29 - 69:32
    I remember having a conversation
    with my colleagues, saying
    NEIL SHUBIN:
  • 69:32 - 69:34
    "Well, should we go?
    Is this really a waste of money?
    NEIL SHUBIN:
  • 69:34 - 69:35
    NEIL SHUBIN:
  • 69:35 - 69:38
    This was our do-or-die moment.
    NEIL SHUBIN:
  • 69:38 - 69:38
    NEIL SHUBIN:
  • 69:38 - 69:41
    And we almost didn't go.
    NEIL SHUBIN:
  • 69:43 - 69:46
    But they decided
    to try one last time.
    NARRATOR:
  • 69:52 - 69:57
    After three days, they still
    hadn't found anything.
  • 69:59 - 70:04
    Then, just when no one
    was expecting anything to happen...
  • 70:05 - 70:09
    A colleague was cracking rocks and
    I was working about five feet from him.
    NEIL SHUBIN:
  • 70:09 - 70:10
    NEIL SHUBIN:
  • 70:10 - 70:13
    And I hear, "Hey! Hey,
    guys, what's this?"
    NEIL SHUBIN:
  • 70:13 - 70:18
    NEIL SHUBIN:
  • 70:18 - 70:22
    Sticking out of the cliff
    was the snout of fish.
    NEIL SHUBIN:
  • 70:22 - 70:22
    NEIL SHUBIN:
  • 70:22 - 70:26
    And not just any fish,
    a fish with a flat head.
    NEIL SHUBIN:
  • 70:26 - 70:26
    NEIL SHUBIN:
  • 70:26 - 70:31
    By seeing a flat-headed fish in rocks
    about 375 million years old...
    NEIL SHUBIN:
  • 70:31 - 70:32
    NEIL SHUBIN:
  • 70:32 - 70:35
    we knew we had found
    what we were looking for.
    NEIL SHUBIN:
  • 70:37 - 70:40
    A flat snout with
    upward staring eyes:
    NARRATOR:
  • 70:41 - 70:45
    the signature of an animal that
    pushes its head out of the water.
  • 70:45 - 70:50
    And for that, it would have needed
    something like arms.
  • 70:50 - 70:53
    What we did at that moment
    was all jump around high-fiving.
    NEIL SHUBIN:
  • 70:53 - 70:55
    It was, uh, you know, there were only
    six of us in the field that time,
    NEIL SHUBIN:
  • 70:55 - 70:55
    NEIL SHUBIN:
  • 70:55 - 70:57
    so it was
    quite a scene.
    NEIL SHUBIN:
  • 71:01 - 71:04
    Back at home, Shubin and
    his team got to work,
    NARRATOR:
  • 71:05 - 71:09
    examining their
    375-million-year-old fossil.
  • 71:13 - 71:19
    They named their new finding "Tiktaalik,"
    an Inuit word for a freshwater fish.
  • 71:21 - 71:24
    Tiktaalik is a perfect
    transitional form.
  • 71:24 - 71:26
    Much of its body
    is that of a fish.
  • 71:26 - 71:28
    It's covered in scales.
  • 71:31 - 71:36
    But it also had
    something very un-fish like...
  • 71:40 - 71:45
    an arm-like fin,
    or perhaps a fin-like arm.
  • 71:48 - 71:53
    Tiktaalik had the bone structure that
    is seen in the arms and legs
  • 71:53 - 71:55
    of every four
    limbed animal.
  • 71:56 - 72:00
    One big bone at the top,
    two bones underneath,
  • 72:00 - 72:04
    leading a cluster of bones
    in the wrist and ankle.
  • 72:07 - 72:11
    It's the same pattern that is found
    in everything from sheep,
  • 72:11 - 72:14
    to sheepdogs,
    to Shubin himself.
  • 72:15 - 72:19
    You now have an animal that can
    push itself up off the substrate,
    NEIL SHUBIN:
  • 72:19 - 72:19
    NEIL SHUBIN:
  • 72:19 - 72:22
    either on the
    water bottom or on land.
    NEIL SHUBIN:
  • 72:26 - 72:28
    One obvious question
    NARRATOR:
  • 72:28 - 72:31
    Was: Why had Tiktaalik
    evolved this new structure?
  • 72:35 - 72:40
    One possible answer is suggested
    by other fossils found near it.
  • 72:42 - 72:45
    There are large predatory fish
    about ten to 15 feet long
    NEIL SHUBIN:
  • 72:45 - 72:45
    NEIL SHUBIN:
  • 72:45 - 72:48
    living alongside Tiktaalik.
    NEIL SHUBIN:
  • 72:49 - 72:52
    Tiktaalik was prey.
    NARRATOR:
  • 72:52 - 72:55
    To survive, it had few choices.
  • 72:59 - 73:03
    You can get big, you can get armor
    or you can get out of the way.
    NEIL SHUBIN:
  • 73:05 - 73:08
    Shubin thinks Tiktaalik
    got out of the way.
    NARRATOR:
  • 73:09 - 73:11
    With those arm-like fins,
  • 73:11 - 73:16
    it could have dragged itself to
    safety on land or in the shallows.
  • 73:20 - 73:22
    But this was only
    half the answer.
  • 73:24 - 73:28
    What it doesn't show us is
    the actual genetic mechanism,
    NEIL SHUBIN:
  • 73:28 - 73:28
    NEIL SHUBIN:
  • 73:28 - 73:32
    the genetic recipe that builds a fin
    into that which builds a limb.
    NEIL SHUBIN:
  • 73:39 - 73:46
    At 375 million years old,
    Tiktaalik's DNA had vanished long ago.
    NARRATOR:
  • 73:47 - 73:53
    Shubin needed a next-of-kin,
    a fish relative that was still alive.
  • 73:55 - 73:56
    What we needed
    was a creature
    NEIL SHUBIN:
  • 73:56 - 73:56
    NEIL SHUBIN:
  • 73:56 - 73:59
    was in the right part of
    the evolutionary tree,
    NEIL SHUBIN:
  • 73:59 - 73:59
    NEIL SHUBIN:
  • 73:59 - 74:03
    but also a fish that
    has a very fleshy fin.
    NEIL SHUBIN:
  • 74:03 - 74:03
    NEIL SHUBIN:
  • 74:03 - 74:05
    So the search was on.
    NEIL SHUBIN:
  • 74:08 - 74:10
    A number of
    fish fit the bill.
    NARRATOR:
  • 74:12 - 74:15
    But Shubin favored
    one in particular...
  • 74:18 - 74:20
    the paddle-fish.
  • 74:20 - 74:22
    The paddle-fish is
    a really weird fish.
    NEIL SHUBIN:
  • 74:22 - 74:22
    They developed
    this really long snout.
    The paddle-fish is
    a really weird fish.
    NEIL SHUBIN:
  • 74:22 - 74:25
    NEIL SHUBIN:
    They developed
    this really long snout.
  • 74:25 - 74:25
    NEIL SHUBIN:
  • 74:25 - 74:27
    And they're really voracious.
    NEIL SHUBIN:
  • 74:27 - 74:27
    They eat each other.
    And they're really voracious.
    NEIL SHUBIN:
  • 74:27 - 74:27
    NEIL SHUBIN:
    They eat each other.
  • 74:27 - 74:27
    NEIL SHUBIN:
  • 74:27 - 74:30
    So oftentimes you'll lose a lot of
    your fish when they swim together,
    NEIL SHUBIN:
  • 74:30 - 74:31
    NEIL SHUBIN:
  • 74:31 - 74:33
    because they'll
    eat each other.
    NEIL SHUBIN:
  • 74:34 - 74:39
    Living in the shallow waters of the
    Mississippi, it's also a living fossil.
    NARRATOR:
  • 74:41 - 74:44
    Scientists have spent years
    working out the relationships
  • 74:44 - 74:46
    between different species of fish
  • 74:47 - 74:50
    and they know that the paddle-fish
    is one of the last survivors
  • 74:50 - 74:53
    of the class to which
    Tiktaalik once belonged.
  • 74:54 - 74:58
    But unlike Tiktaalik, the
    paddle-fish is in plentiful supply.
  • 74:58 - 75:01
    Paddle-fish is a common
    source for caviar.
    NEIL SHUBIN:
  • 75:01 - 75:01
    NEIL SHUBIN:
  • 75:01 - 75:04
    So we'd get our paddle-fish
    from caviar farms.
    NEIL SHUBIN:
  • 75:06 - 75:10
    Intriguingly, even though
    Tiktaalik is extinct,
    NARRATOR:
  • 75:10 - 75:14
    the paddle-fish is actually
    the more primitive form.
  • 75:14 - 75:18
    Its fins bear far less relation to
    an arm or leg than Tiktaalik's.
  • 75:20 - 75:22
    And because
    they are related,
  • 75:22 - 75:25
    the two kinds of fish
    should share the same genes.
  • 75:30 - 75:34
    So Shubin began looking
    at paddle-fish embryos,
  • 75:34 - 75:37
    hunting for the genes
    that built its fins.
  • 75:41 - 75:44
    And soon he zeroed
    in on one particular
  • 75:44 - 75:49
    group of body plan
    genes called Hoax genes.
  • 75:54 - 75:57
    Hoax genes have been found
    in all complex animals
  • 75:57 - 76:02
    from the velvet worm,
    that dates back some 600 million years,
  • 76:02 - 76:05
    to the modern human.
  • 76:07 - 76:08
    And in all that time,
  • 76:08 - 76:13
    the letters of their DNA have
    remained virtually unchanged.
  • 76:14 - 76:17
    They are aristocrats of
    the gene community,
  • 76:17 - 76:20
    near the very top of
    the chain of command.
  • 76:20 - 76:24
    They give orders that cascade
    through a developing embryo...
  • 76:27 - 76:31
    activating entire networks
    of switches and genes
  • 76:31 - 76:33
    that make the
    parts of the body.
  • 76:37 - 76:43
    They are absolutely critical to the
    shape and form of a developing creature.
  • 76:43 - 76:47
    These genes determine where the front
    and the back of the animal's going to be;
    SEAN CARROLL:
  • 76:47 - 76:47
    SEAN CARROLL:
  • 76:47 - 76:50
    the top, the bottom,
    the left, right the inside,
    SEAN CARROLL:
  • 76:50 - 76:50
    SEAN CARROLL:
  • 76:50 - 76:52
    the outside: where the
    eyes are going to be,
    SEAN CARROLL:
  • 76:52 - 76:52
    SEAN CARROLL:
  • 76:52 - 76:54
    where the legs are going to be,
    where the gut's going to be
    SEAN CARROLL:
  • 76:54 - 76:54
    SEAN CARROLL:
  • 76:54 - 76:56
    how many fingers
    they're going to have.
    SEAN CARROLL:
  • 76:58 - 77:00
    Shubin found that
    Hoax genes had a key
    NARRATOR:
  • 77:00 - 77:00
    NARRATOR:
  • 77:00 - 77:03
    role in the formation
    of paddle-fish fins.
    NARRATOR:
  • 77:08 - 77:12
    One set of Hoax genes orders the
    first stage of fin development,
  • 77:12 - 77:16
    a sturdy piece of cartilage
    that grows out from the torso.
  • 77:19 - 77:24
    Amazingly, in all four-limbed
    animals, even us.
  • 77:25 - 77:29
    Exactly the same genes,
    create the long upper arm bone.
  • 77:34 - 77:36
    In the paddle-fish,
    another set of Hoax genes
  • 77:36 - 77:39
    command the next
    stage of fin development.
  • 77:42 - 77:48
    Again, exactly the same genes control
    the growth of our two forearm bones.
  • 77:53 - 77:57
    Finally, the same genes,
    working in a different order,
  • 77:57 - 78:00
    make the array of
    bones at the end of the fin.
  • 78:01 - 78:07
    The same sequence of the
    same genes makes our fingers and toes.
  • 78:09 - 78:12
    This was a massive revelation.
  • 78:18 - 78:21
    Suddenly the origin of
    creatures with arms and legs,
  • 78:21 - 78:24
    didn't seem such
    a huge leap after all.
  • 78:25 - 78:28
    If the same genes
    were at work in Tiktaalik,
  • 78:28 - 78:32
    then many of the genes
    needed to make legs and arms
  • 78:34 - 78:38
    were already being carried
    around by prehistoric fish.
  • 78:40 - 78:44
    All it needed was
    a few mutations;
  • 78:44 - 78:51
    a few changes to the timing and order
    of what was turned off and on,
  • 78:51 - 78:55
    and a fin could become a limb.
  • 78:55 - 78:58
    Oftentimes the origin of whole
    new structures in evolution,
    NEIL SHUBIN:
  • 78:58 - 78:58
    NEIL SHUBIN:
  • 78:58 - 79:02
    doesn't involve the origin of new
    genes or whole new genetic recipes.
    NEIL SHUBIN:
  • 79:02 - 79:02
    NEIL SHUBIN:
  • 79:02 - 79:05
    Old genes, old
    genetic pathways,
    NEIL SHUBIN:
  • 79:05 - 79:05
    NEIL SHUBIN:
  • 79:05 - 79:09
    can be reconfigured to make
    marvelously wonderful new things.
    NEIL SHUBIN:
  • 79:20 - 79:25
    So it is now possible to answer
    what Darwin didn't know,
    NARRATOR:
  • 79:25 - 79:31
    and explain how all four-legged
    creatures could be descended from fish.
  • 79:37 - 79:43
    Around 375 million years ago, a creature
    like Tiktaalik was under attack...
  • 79:45 - 79:47
    harried by predators.
  • 79:58 - 80:04
    But some random changes to the activity
    of the Hoax genes led to its fins,
  • 80:04 - 80:08
    developing a
    structure like a limb.
  • 80:10 - 80:16
    Tiktaalik could now haul itself
    out of danger, onto dry land.
  • 80:21 - 80:26
    On land, it would have found
    a world of plants and insects...
  • 80:28 - 80:30
    a world ripe for colonization...
  • 80:34 - 80:38
    a world perfect for
    animals with arms and legs.
  • 80:44 - 80:46
    And so, over millions of years,
  • 80:46 - 80:51
    these new limbs evolved,
    changed and diversified.
  • 80:52 - 80:55
    Some became
    adapted for running.
  • 80:57 - 80:59
    Others for flying.
  • 81:02 - 81:05
    Some for digging.
  • 81:09 - 81:12
    Others for swinging.
  • 81:13 - 81:19
    And so four-limbed creatures took over the
    world in a multitude of different ways.
  • 81:25 - 81:30
    And all because of some changes
    to an ancient set of genes.
  • 81:33 - 81:39
    And this is the true wonder of where our
    new understanding of DNA has led us to.
  • 81:39 - 81:42
    There are genes that
    make the stuff of our bodies,
  • 81:43 - 81:45
    switches that turn
    them off and on,
  • 81:46 - 81:49
    and still other genes that
    give those switches orders.
  • 81:51 - 81:55
    Together in a complex cascade
    of timing and intensity,
  • 81:55 - 82:00
    they combine to produce the amazing
    diversity of life on this planet.
  • 82:05 - 82:09
    That truly is something
    that Darwin never knew.
  • 82:12 - 82:15
    But can this new
    science also explain
  • 82:15 - 82:18
    perhaps the most
    fundamental question of all?
  • 82:19 - 82:22
    What makes us human?
  • 82:30 - 82:34
    The scope of human activity
    is simply astounding.
  • 82:34 - 82:38
    What fascinated me were all
    the crazy things that humans do.
    KATIE POLLARD:
  • 82:38 - 82:40
    KATIE POLLARD:
  • 82:40 - 82:41
    You look around the world,
    KATIE POLLARD:
  • 82:41 - 82:41
    KATIE POLLARD:
  • 82:41 - 82:44
    and if there is something bizarre and
    interesting that you could be doing,
    KATIE POLLARD:
  • 82:44 - 82:44
    KATIE POLLARD:
  • 82:44 - 82:46
    humans are up to it
    somewhere in the world.
    KATIE POLLARD:
  • 82:46 - 82:48
    KATIE POLLARD:
  • 82:48 - 82:52
    And when you look at all of this,
    you just have to ask yourself,
    KATIE POLLARD:
  • 82:52 - 82:52
    KATIE POLLARD:
  • 82:52 - 82:54
    what makes us special?
    KATIE POLLARD:
  • 82:54 - 82:54
    KATIE POLLARD:
  • 82:54 - 82:57
    What is the basis
    for this humanness?
    KATIE POLLARD:
  • 83:01 - 83:03
    For all nature's wonders,
    NARRATOR:
  • 83:03 - 83:06
    the achievements of the
    human mind are truly unique.
  • 83:08 - 83:13
    We are the only species to think
    about what others think about us,
  • 83:15 - 83:18
    to punish those who have
    harmed others,
  • 83:19 - 83:20
    to create art...
  • 83:22 - 83:23
    music...
  • 83:25 - 83:26
    architecture...
  • 83:28 - 83:30
    to engage in science...
  • 83:31 - 83:33
    medicine...
  • 83:34 - 83:36
    the microchip.
  • 83:43 - 83:49
    Only we can destroy millions
    at the push of a button.
  • 83:53 - 83:57
    Hardly surprising, then, that for
    centuries we thought that humans
  • 83:57 - 84:03
    were different from all other species,
    better, created in the image of God.
  • 84:08 - 84:13
    But then Darwin began to draw conclusions
    from evidence like gill slits
  • 84:13 - 84:19
    in human embryos that showed that
    we were descended from fish.
  • 84:22 - 84:24
    (PEOPLE AMAZED):
  • 84:24 - 84:25
    But it was when he drew
    parallels with other close relatives,
    (PEOPLE AMAZED):
  • 84:25 - 84:29
    But it was when he drew
    parallels with other close relatives,
  • 84:29 - 84:31
    that he got into real trouble.
  • 84:31 - 84:33
    Shortly after Darwin
    returned from his voyage,
    SEAN CARROLL:
  • 84:33 - 84:33
    SEAN CARROLL:
  • 84:33 - 84:37
    in London, an orangutan
    named Jenny went on exhibit.
    SEAN CARROLL:
  • 84:37 - 84:37
    SEAN CARROLL:
  • 84:37 - 84:38
    And this was a huge sensation.
    SEAN CARROLL:
  • 84:38 - 84:38
    SEAN CARROLL:
  • 84:38 - 84:42
    This was the first great
    ape to be exhibited in captivity.
    SEAN CARROLL:
  • 84:42 - 84:42
    SEAN CARROLL:
  • 84:42 - 84:48
    And Darwin was absolutely taken with
    how she was sort of childlike in her ways.
    SEAN CARROLL:
  • 84:48 - 84:48
    SEAN CARROLL:
  • 84:48 - 84:53
    And he saw a lot of human behavior
    in the way this orangutan behaved.
    SEAN CARROLL:
  • 84:55 - 85:01
    When Darwin suggested that human beings
    must actually be descended from apes,
    NARRATOR:
  • 85:01 - 85:02
    he was savaged.
  • 85:03 - 85:06
    He was accused of
    attacking that core belief
  • 85:06 - 85:12
    that humankind had been created in the
    image of God above all other creatures.
  • 85:12 - 85:17
    But today the idea that we share
    a common ancestor with apes
  • 85:17 - 85:20
    is completely accepted in biology.
  • 85:21 - 85:25
    Instead, as a result of having sequenced
    the genomes of both humans and apes,
  • 85:25 - 85:28
    we face a very different puzzle.
  • 85:28 - 85:31
    Katie Pollard is an
    expert on chimp DNA.
  • 85:31 - 85:34
    Given all the obvious differences
    between humans and chimps,
    KATE POLLARD:
  • 85:34 - 85:34
    KATE POLLARD:
  • 85:34 - 85:37
    you might expect our
    DNA to be really different.
    KATE POLLARD:
  • 85:37 - 85:37
    KATE POLLARD:
  • 85:37 - 85:41
    But in fact, it's more
    like 99% identical.
    KATE POLLARD:
  • 85:45 - 85:49
    Just a one-percent difference in
    the DNA of humans and chimps.
    NARRATOR:
  • 85:52 - 85:58
    The mystery facing modern science is not
    how can such different animals be related,
  • 85:58 - 86:04
    but how can such closely
    related species be so different?
  • 86:04 - 86:07
    That really is something
    that Darwin never knew,
  • 86:09 - 86:14
    but slowly, scientists are
    starting to find the answers.
  • 86:15 - 86:19
    And one answer begins
    with insights into the genetics
  • 86:19 - 86:23
    of a key human organ,
    our hands.
  • 86:27 - 86:30
    The human hand is a marvel,
  • 86:31 - 86:32
    nimble and dexterous.
  • 86:32 - 86:36
    Nothing quite like it exists
    anywhere else in nature.
  • 86:36 - 86:42
    It offers us a unique combination
    of precision and power,
  • 86:42 - 86:48
    and much of that is down to
    one particular digit, our thumb.
  • 86:50 - 86:52
    One of the features
    of the human hand,
    JIM NOONAM:
  • 86:52 - 86:52
    JIM NOONAM:
  • 86:52 - 86:56
    is our ability to touch all
    four fingers with the thumb.
    JIM NOONAM:
  • 86:56 - 86:56
    JIM NOONAM:
  • 86:56 - 87:01
    And that allows us to make grips
    like this, gives us a lot of precision.
    JIM NOONAM:
  • 87:01 - 87:04
    JIM NOONAM:
  • 87:04 - 87:10
    The power grip is the ability to put a
    lot of strength into this sort of contact.
    JIM NOONAM:
  • 87:10 - 87:11
    JIM NOONAM:
  • 87:11 - 87:14
    So if you're holding a ball,
    you're basically pinching it,
    JIM NOONAM:
  • 87:14 - 87:14
    JIM NOONAM:
  • 87:14 - 87:18
    and we can put a lot
    of strength into that.
    JIM NOONAM:
  • 87:19 - 87:21
    The better to
    throw a fastball with.
    NARRATOR:
  • 87:26 - 87:28
    Finding out why we have
    such versatile hands
  • 87:29 - 87:34
    compared to our nearest relatives is
    the task of Jim Noonan at Yale University.
  • 87:35 - 87:39
    He began sifting through
    that vital one percent of DNA
  • 87:39 - 87:42
    that is different in
    humans from chimps.
  • 87:43 - 87:46
    It's kind of one of the fundamental
    questions in science:
    JIM NOONAN:
  • 87:46 - 87:46
    Is, what makes us who we are?
    It's kind of one of the fundamental
    questions in science:
    JIM NOONAN:
  • 87:46 - 87:48
    JIM NOONAN:
    Is, what makes us who we are?
  • 87:48 - 87:48
    JIM NOONAN:
  • 87:48 - 87:50
    And that's really what
    we're trying to get to;
    JIM NOONAN:
  • 87:50 - 87:52
    JIM NOONAN:
  • 87:52 - 87:54
    what makes humans human.
    JIM NOONAN:
  • 87:56 - 87:58
    It was slow work.
    NARRATOR:
  • 87:58 - 88:00
    One percent may
    not sound like much,
  • 88:00 - 88:07
    but it's still some 30 million of DNA's
    chemical letters: A's, T's, C's and G's.
  • 88:08 - 88:09
    The genome's a big place.
    JIM NOONAN:
  • 88:09 - 88:11
    JIM NOONAN:
  • 88:11 - 88:15
    And just by looking at sequence,
    you really can't tell,
    JIM NOONAN:
  • 88:15 - 88:15
    JIM NOONAN:
  • 88:15 - 88:18
    for the most part,
    what is important and what isn't.
    JIM NOONAN:
  • 88:18 - 88:23
    But eventually, in human DNA
    he spotted something.
    NARRATOR:
  • 88:24 - 88:30
    A sequence that was different in
    13 places compared to chimp DNA.
  • 88:37 - 88:43
    The trouble was, he had no idea what
    this piece of DNA actually did.
  • 88:45 - 88:50
    To find out, he inserted it into
    the embryo of a mouse.
  • 88:51 - 88:55
    To make the effects of
    the DNA easier to follow,
  • 88:55 - 88:58
    he attached it to another gene
    that gives off a blue color.
  • 88:59 - 89:03
    That way he could see where the gene
    became active in the embryo.
  • 89:04 - 89:10
    As the embryo developed, the piece of
    DNA seemed to be active all over the place.
  • 89:12 - 89:16
    But most intriguingly, it was doing
    something in the growing paw.
  • 89:20 - 89:26
    Well, I thought "Wow, this is really cool."
    It was a really striking image.
    JIM NOONAN:
  • 89:27 - 89:31
    What Noonan saw
    was that the human DNA
    NARRATOR:
  • 89:31 - 89:35
    became active in the mouse
    embryo's thumb and big toe.
  • 89:41 - 89:44
    It seems that Noonan
    may have found a switch
  • 89:44 - 89:47
    that helps form that
    key human attribute:
  • 89:48 - 89:54
    our thumb, the part of our hand that
    gives us so much power and precision.
  • 89:59 - 90:03
    It's that power and precision that
    enables us to hold a paintbrush...
  • 90:06 - 90:08
    manipulate tools...
  • 90:11 - 90:15
    pilot a jet fighter,
  • 90:15 - 90:18
    record our thoughts.
  • 90:18 - 90:22
    All those things that
    separate us from other apes.
  • 90:30 - 90:32
    Of course, having a
    nimble hand is one thing,
  • 90:32 - 90:35
    but you have
    to know how to use it.
  • 90:35 - 90:40
    And for that, you need to have
    humankind's other signature organ:
  • 90:42 - 90:43
    our brain.
  • 90:49 - 90:53
    The human brain is vast,
    three times bigger than a chimp's,
  • 90:54 - 90:56
    and is structured very differently.
  • 90:58 - 91:01
    How this extraordinary
    organ evolved is central
  • 91:01 - 91:05
    to understanding why
    we are the way we are.
  • 91:06 - 91:09
    It is something that Darwin
    himself was at a loss to explain,
  • 91:10 - 91:13
    which is why many of his
    critics remained unconvinced,
  • 91:13 - 91:16
    by his account
    of human origins.
  • 91:21 - 91:25
    But now part of the answer to
    why we have such a remarkable brain,
  • 91:25 - 91:28
    may have come from
    a surprising source.
  • 91:30 - 91:34
    Hansell Stedman is a dedicated
    athlete and a medical doctor.
  • 91:35 - 91:36
    He never imagined
    he would come up with
  • 91:37 - 91:40
    an answer to a profound
    evolutionary mystery.
  • 91:42 - 91:46
    He has devoted his career to trying
    to cure muscular dystrophy;
  • 91:46 - 91:50
    a distressing and sometimes
    fatal degenerative disease.
  • 91:51 - 91:54
    His quest is very personal.
  • 91:54 - 91:58
    My first exposure to muscular
    dystrophy was inescapable;
    HANSELL STEDMAN:
  • 91:58 - 91:59
    HANSELL STEDMAN:
  • 91:59 - 92:04
    my younger and my older brother
    both born with muscular dystrophy.
    HANSELL STEDMAN:
  • 92:04 - 92:08
    Muscular dystrophy
    is a genetic disease.
    NARRATOR:
  • 92:08 - 92:11
    Its sufferers have a
    mutation in one gene,
  • 92:11 - 92:15
    that robs their muscles of
    the ability to repair themselves.
  • 92:16 - 92:22
    Typical workout here on the rocks might
    blow through a few thousand muscle cells,
    HANSELL STEDMAN:
  • 92:22 - 92:22
    HANSELL STEDMAN:
  • 92:22 - 92:24
    but they'll regenerate overnight,
    HANSELL STEDMAN:
  • 92:24 - 92:24
    HANSELL STEDMAN:
  • 92:24 - 92:27
    and if anything, be a little stronger
    the next day I come in,
    HANSELL STEDMAN:
  • 92:27 - 92:27
    HANSELL STEDMAN:
  • 92:27 - 92:30
    as a result of all of that.
    HANSELL STEDMAN:
  • 92:30 - 92:30
    HANSELL STEDMAN:
  • 92:30 - 92:34
    Whereas, in muscular dystrophy,
    HANSELL STEDMAN:
  • 92:34 - 92:34
    HANSELL STEDMAN:
  • 92:34 - 92:38
    the injury process
    is greatly accelerated,
    HANSELL STEDMAN:
  • 92:38 - 92:38
    HANSELL STEDMAN:
  • 92:38 - 92:43
    and the injury process outstrips
    the body's ability to repair.
    HANSELL STEDMAN:
  • 92:44 - 92:45
    In search of a cure,
    NARRATOR:
  • 92:45 - 92:48
    Stedman is investigating
    the hundreds of genes
  • 92:48 - 92:50
    that control the
    development of muscles.
  • 92:51 - 92:56
    So when the Human Genome Project took off,
    Stedman seized his chance.
  • 92:57 - 93:01
    When the horsepower of the entire
    Human Genome Project kicked in,
    HANSELL STEDMAN:
  • 93:01 - 93:01
    HANSELL STEDMAN:
  • 93:01 - 93:04
    we knew exactly
    what to look for.
    HANSELL STEDMAN:
  • 93:05 - 93:09
    Stedman was hunting for
    any new muscle-making genes.
    NARRATOR:
  • 93:09 - 93:12
    And so, as the human
    genome was sequenced,
  • 93:12 - 93:15
    he began sifting through
    the vast mountains of data.
  • 93:19 - 93:22
    Eventually he found
    what he was looking for;
  • 93:24 - 93:27
    a previously unidentified
    muscle-making gene.
  • 93:28 - 93:31
    But there was something
    strange about this new gene.
  • 93:31 - 93:34
    It didn't look like any other
    muscle-making genes.
  • 93:35 - 93:37
    Two letters were missing.
  • 93:39 - 93:42
    This gene should
    cause a disease.
  • 93:46 - 93:51
    It became very clear early on that
    if you have a mutation of this type,
    HANSELL STEDMAN:
  • 93:51 - 93:51
    HANSELL STEDMAN:
  • 93:51 - 93:55
    you get some serious
    muscle problem going on.
    HANSELL STEDMAN:
  • 93:58 - 93:59
    Here was a puzzle.
    NARRATOR:
  • 93:59 - 94:03
    Why would humans carry a
    gene that was clearly damaged?
  • 94:04 - 94:07
    Perhaps it was simply
    a mistake in the data.
  • 94:08 - 94:13
    Stedman decided to dig a little deeper
    and look in another human subject.
  • 94:16 - 94:18
    In the department
    of true confessions,
    HANSELL STEDMAN:
  • 94:18 - 94:18
    HANSELL STEDMAN:
  • 94:18 - 94:20
    we do certain experiments
    first on ourselves,
    HANSELL STEDMAN:
  • 94:20 - 94:20
    HANSELL STEDMAN:
  • 94:20 - 94:21
    largely out of convenience.
    HANSELL STEDMAN:
  • 94:21 - 94:21
    HANSELL STEDMAN:
  • 94:21 - 94:26
    You can swab your own cheek
    and get working on some DNA.
    HANSELL STEDMAN:
  • 94:27 - 94:32
    To his utter amazement, he found
    the same damaged gene in himself.
    NARRATOR:
  • 94:33 - 94:37
    I'm seeing this in my own DNA,
    and it's suggesting that "Wait a minute.
    HANSELL STEDMAN:
  • 94:37 - 94:37
    HANSELL STEDMAN:
  • 94:37 - 94:40
    "That means there's a muscle
    disease here somewhere,
    HANSELL STEDMAN:
  • 94:40 - 94:40
    HANSELL STEDMAN:
  • 94:40 - 94:43
    a muscle disease
    that I'm unaware of."
    HANSELL STEDMAN:
  • 94:43 - 94:43
    HANSELL STEDMAN:
  • 94:43 - 94:45
    And I thought it would
    be worth checking this out
    HANSELL STEDMAN:
  • 94:45 - 94:45
    HANSELL STEDMAN:
  • 94:45 - 94:46
    in some other
    members of the lab.
    HANSELL STEDMAN:
  • 94:48 - 94:51
    A few swabs later and...
    NARRATOR:
  • 94:53 - 94:55
    Sure enough,
    at the end of the day,
    HANSELL STEDMAN:
  • 94:55 - 94:55
    HANSELL STEDMAN:
  • 94:55 - 95:00
    every single person had the same glitch
    in their same DNA at the same place.
    HANSELL STEDMAN:
  • 95:04 - 95:07
    Here then
    was a real mystery.
    NARRATOR:
  • 95:07 - 95:12
    It seemed that this particular muscle
    -making gene was common in humans.
  • 95:14 - 95:17
    But when he identified
    the same gene in apes,
  • 95:17 - 95:20
    it was just like any other
    muscle-making gene.
  • 95:21 - 95:23
    Why was there
    such a difference?
  • 95:25 - 95:30
    What did this gene enable one species
    to do that the other could not?
  • 95:32 - 95:36
    Stedman began to research
    the role of this gene in apes.
  • 95:36 - 95:39
    And he found it made one
    particular kind of muscle;
  • 95:41 - 95:43
    the muscle for chewing.
  • 95:44 - 95:48
    In fact, the muscle used
    to close the jaw.
  • 95:49 - 95:52
    In humans, that genetic
    glitch meant that we chew
  • 95:52 - 95:55
    with just a fraction
    of the force of an ape.
  • 95:56 - 95:59
    This in itself
    was interesting,
  • 95:59 - 96:05
    but where Stedman went next was truly
    intriguing and highly controversial.
  • 96:07 - 96:11
    He drew a direct connection between
    the power of our jaw muscle
  • 96:11 - 96:14
    and the evolution
    of the human brain.
  • 96:23 - 96:25
    Stedman's thinking
    goes like this.
  • 96:27 - 96:32
    The skulls of apes and humans are made
    of several independent bone plates.
  • 96:33 - 96:36
    They let our heads
    get bigger as we grow.
  • 96:39 - 96:43
    The muscles for chewing
    pull against these plates.
  • 96:44 - 96:48
    And in an ape,
    these forces can be enormous.
  • 96:50 - 96:54
    In the gorilla, the muscle;
    the size of a human thigh muscle;
    HANSELL STEDMAN:
  • 96:54 - 96:54
    HANSELL STEDMAN:
  • 96:54 - 96:58
    lives here and has to go
    through this large space
    HANSELL STEDMAN:
  • 96:58 - 96:58
    HANSELL STEDMAN:
  • 96:58 - 97:02
    to power the jaw
    moving back and forth.
    HANSELL STEDMAN:
  • 97:02 - 97:02
    HANSELL STEDMAN:
  • 97:02 - 97:05
    We're not talking biceps,
    triceps, we're talking quad here.
    HANSELL STEDMAN:
  • 97:05 - 97:05
    HANSELL STEDMAN:
  • 97:05 - 97:07
    This is an
    enormous muscle,
    HANSELL STEDMAN:
  • 97:07 - 97:07
    HANSELL STEDMAN:
  • 97:07 - 97:13
    that has to come right through this hole
    here to power the jaw-closing apparatus.
    HANSELL STEDMAN:
  • 97:17 - 97:20
    Stedman contends
    that all this muscle power
    NARRATOR:
  • 97:20 - 97:26
    forces an ape's skull plates to
    fuse together at an early stage,
  • 97:27 - 97:31
    and this puts limits on how
    much the brain can grow.
  • 97:32 - 97:35
    In a chimpanzee,
    gorilla, orangutan,
    HANSELL STEDMAN:
  • 97:35 - 97:35
    HANSELL STEDMAN:
  • 97:35 - 97:39
    those growth plates
    are pretty much shut down,
    HANSELL STEDMAN:
  • 97:39 - 97:39
    HANSELL STEDMAN:
  • 97:39 - 97:43
    closed for business by
    about three, four years of age.
    HANSELL STEDMAN:
  • 97:43 - 97:43
    HANSELL STEDMAN:
  • 97:43 - 97:50
    In a human, they remain open
    for growth to perhaps age 30.
    HANSELL STEDMAN:
  • 97:53 - 97:57
    This, Stedman
    believes, is the key.
    NARRATOR:
  • 97:57 - 98:01
    A mutation in our jaw muscle
    allows the human skull
  • 98:01 - 98:04
    to keep expanding
    into adulthood,
  • 98:04 - 98:08
    creating a bigger
    space for our brain.
  • 98:12 - 98:18
    And so our most important
    organ is able to grow.
  • 98:21 - 98:24
    It's very cool to us
    to think that some kind of
    HANSELL STEDMAN:
  • 98:24 - 98:24
    HANSELL STEDMAN:
  • 98:24 - 98:30
    muscle-altering mutation might
    have actually been a signature event
    HANSELL STEDMAN:
  • 98:30 - 98:30
    HANSELL STEDMAN:
  • 98:30 - 98:36
    in the evolution of what
    makes us distinct as a species.
    HANSELL STEDMAN:
  • 98:36 - 98:38
    HANSELL STEDMAN:
  • 98:38 - 98:41
    It might have been an
    absolute prerequisite
    HANSELL STEDMAN:
  • 98:41 - 98:41
    HANSELL STEDMAN:
  • 98:41 - 98:43
    for us landing
    where we are today.
    HANSELL STEDMAN:
  • 98:50 - 98:53
    But having the space
    for a big brain is one thing.
    NARRATOR:
  • 98:54 - 98:57
    What is needed
    to actually grow one?
  • 99:04 - 99:08
    That is the question that
    Chris Walsh is trying to answer.
  • 99:08 - 99:11
    He's another scientist
    who never expected
  • 99:11 - 99:14
    to be taking on what even
    Darwin didn't know.
  • 99:15 - 99:17
    I never thought that
    I'd be studying evolution.
    CHRIS WALSH:
  • 99:17 - 99:17
    CHRIS WALSH:
  • 99:17 - 99:22
    I'm a neurologist interested in the
    brain and kids with neurological problems.
    CHRIS WALSH:
  • 99:22 - 99:22
    CHRIS WALSH:
  • 99:22 - 99:26
    How you doing, buddy?
    Are you doing all right, huh?
    CHRIS WALSH:
  • 99:26 - 99:26
    CHRIS WALSH:
  • 99:26 - 99:28
    You doing okay?
    CHRIS WALSH:
  • 99:28 - 99:28
    CHRIS WALSH:
  • 99:28 - 99:29
    No one was more
    surprised than us
    CHRIS WALSH:
  • 99:29 - 99:29
    CHRIS WALSH:
  • 99:29 - 99:32
    to find that the study
    of kids with disabilities
    CHRIS WALSH:
  • 99:32 - 99:32
    CHRIS WALSH:
  • 99:32 - 99:35
    would lead us into these
    fascinating evolutionary questions.
    CHRIS WALSH:
  • 99:35 - 99:36
    CHRIS WALSH:
  • 99:36 - 99:38
    Is his breathing generally
    okay during the day?
    CHRIS WALSH:
  • 99:38 - 99:38
    CHRIS WALSH:
  • 99:38 - 99:42
    Sometimes when he gets startled,
    it will go up fast, like...
    CHRIS WALSH:
  • 99:42 - 99:42
    CHRIS WALSH:
  • 99:42 - 99:46
    (panting) ...but then he calms
    himself right back down...
    CHRIS WALSH:
  • 99:46 - 99:50
    Walsh is a specialist in a rare
    disorder called microcephaly.
    NARRATOR:
  • 99:52 - 99:53
    Children with microcephaly,
  • 99:53 - 99:57
    are born with brains that
    can be half the normal size.
  • 99:58 - 100:01
    This disorder can be very devastating
    for the kids that have it.
    CHRIS WALSH:
  • 100:01 - 100:01
    CHRIS WALSH:
  • 100:01 - 100:04
    They typically will have s
    severe mental retardation,
    CHRIS WALSH:
  • 100:04 - 100:04
    CHRIS WALSH:
  • 100:04 - 100:08
    and so will not be able to achieve
    normal language and normal schooling.
    CHRIS WALSH:
  • 100:08 - 100:08
    CHRIS WALSH:
  • 100:08 - 100:12
    And so it's really an event
    that defines the whole family.
    CHRIS WALSH:
  • 100:12 - 100:12
    CHRIS WALSH:
  • 100:12 - 100:14
    It defines the lives
    not only of the child,
    CHRIS WALSH:
  • 100:14 - 100:14
    CHRIS WALSH:
  • 100:14 - 100:15
    but of the parents
    of that child.
    CHRIS WALSH:
  • 100:15 - 100:16
    CHRIS WALSH:
  • 100:16 - 100:21
    And these families are desperately
    eager to try to understand,
    CHRIS WALSH:
  • 100:21 - 100:21
    CHRIS WALSH:
  • 100:21 - 100:25
    at least what caused the
    disorder in their kids.
    CHRIS WALSH:
  • 100:26 - 100:30
    The purpose of Walsh's work
    was initially to help families
    NARRATOR:
  • 100:30 - 100:32
    that might be carrying
    any defective genes,
  • 100:32 - 100:36
    causing microcephaly
    to plan their lives.
  • 100:37 - 100:40
    We're able to offer those
    families predictive testing,
    CHRIS WALSH:
  • 100:40 - 100:42
    so that if they're planning
    on having additional children,
  • 100:42 - 100:46
    we can tell them ahead of time whether
    that child is likely to be affected or not.
  • 100:50 - 100:54
    First, Walsh had to decide
    where to look in the vast genome
    NARRATOR:
  • 100:54 - 100:58
    to find any possible
    microcephaly-causing genes.
  • 100:59 - 101:03
    So he focused on one
    particular area of DNA.
  • 101:04 - 101:08
    Other research suggested it contained
    a gene involved in the condition.
  • 101:09 - 101:14
    That gene is known to control how and
    when brain cells divide in animals,
  • 101:14 - 101:17
    such as
    fruit flies and mice.
  • 101:17 - 101:20
    What this gene seems
    to do is help control
    CHRIS WALSH:
  • 101:20 - 101:20
    CHRIS WALSH:
  • 101:20 - 101:23
    the fundamental decision
    that the brain has to make,
    CHRIS WALSH:
  • 101:23 - 101:23
    CHRIS WALSH:
  • 101:23 - 101:25
    which is "When do
    I stop making cells?
    CHRIS WALSH:
  • 101:25 - 101:25
    CHRIS WALSH:
  • 101:25 - 101:27
    When is the
    brain big enough?"
    CHRIS WALSH:
  • 101:29 - 101:32
    Then his team began
    searching for that same gene
    NARRATOR:
  • 101:32 - 101:35
    in a family with a
    history of the disease.
  • 101:37 - 101:40
    And sure enough,
    they found something.
  • 101:41 - 101:45
    A gene that helps
    direct brain growth.
  • 101:46 - 101:49
    And crucially,
    it was defective.
  • 101:51 - 101:54
    Walsh decided to check this
    finding in other patients.
  • 101:55 - 101:57
    Once we found this gene,
    CHRIS WALSH:
  • 101:57 - 101:57
    CHRIS WALSH:
  • 101:57 - 102:01
    we sequenced it in our kids
    with microcephaly disorder.
    CHRIS WALSH:
  • 102:01 - 102:02
    CHRIS WALSH:
  • 102:02 - 102:04
    And we found that
    one family after another,
    CHRIS WALSH:
  • 102:04 - 102:04
    CHRIS WALSH:
  • 102:04 - 102:07
    had a disabling change in the gene that
    completely removed its function.
    CHRIS WALSH:
  • 102:10 - 102:16
    In total he has found some 21 different
    mutations responsible for microcephaly.
    NARRATOR:
  • 102:19 - 102:23
    Sometimes one of the DNA's chemical
    letters is replaced with another letter.
  • 102:24 - 102:26
    Sometimes letters
    are missing entirely.
  • 102:26 - 102:31
    But whatever the defect is, they all
    stop the brain cells from dividing
  • 102:31 - 102:34
    at a very early
    stage of development.
  • 102:37 - 102:41
    Walsh was now certain;
    thanks to his microcephaly patients;
  • 102:41 - 102:46
    he had found a gene key to the
    growth of the human brain.
  • 102:48 - 102:51
    Now he decided to
    compare normal versions
  • 102:51 - 102:54
    of the gene found
    in healthy humans
  • 102:54 - 102:59
    with the same gene in chimpanzees,
    our closest relatives.
  • 103:00 - 103:04
    And what he found
    was astonishing.
  • 103:07 - 103:12
    The gene in humans was radically
    different from that found in chimps.
  • 103:15 - 103:19
    There had been a
    large series of mutations.
  • 103:22 - 103:24
    It could be that
    these mutations,
  • 103:24 - 103:28
    were a major factor in the
    evolution of our huge brains.
  • 103:31 - 103:36
    And this discovery came about only
    because of Walsh's work with his patients.
  • 103:36 - 103:39
    I think one of the
    amazing things for us
    CHRIS WALSH:
  • 103:39 - 103:39
    CHRIS WALSH:
  • 103:39 - 103:41
    was the extent to which
    studying human disease
    CHRIS WALSH:
  • 103:41 - 103:41
    CHRIS WALSH:
  • 103:41 - 103:45
    can unexpectedly enlighten us about
    something like human evolution.
    CHRIS WALSH:
  • 103:53 - 103:55
    But this is only the
    beginning of our understanding
    NARRATOR:
  • 103:55 - 103:58
    of the evolution of
    the human brain.
  • 103:58 - 104:01
    It's an area of research that
    is now attracting scientists
  • 104:01 - 104:05
    with a range of skills that
    Darwin would have marveled at.
  • 104:12 - 104:16
    Katie Pollard is
    a bio statistician.
  • 104:16 - 104:18
    Her life is spent
    crunching numbers.
  • 104:19 - 104:23
    What I love about my work is
    gee-king out on a computer
    KATIE POLLARD:
  • 104:23 - 104:26
    and writing programs
    and thinking about biology.
  • 104:26 - 104:27
    And that in doing this,
  • 104:27 - 104:31
    I'm actually working on something
    that not just scientists care about,
  • 104:31 - 104:34
    but really every human being can
    relate to and cares profoundly about,
  • 104:34 - 104:36
    and that's what
    makes us human.
  • 104:38 - 104:42
    Pollard has constructed
    an ambitious computer program.
    NARRATOR:
  • 104:42 - 104:47
    It's designed to highlight DNA that is
    similar in apes and other animals,
  • 104:47 - 104:50
    but which is very
    different in humans.
  • 104:53 - 104:59
    That way, she hopes to identify
    the key DNA that makes us, us.
  • 104:59 - 105:04
    Out of these 15 million letters that
    make humans different from chimps,
    KATIE POLLARD:
  • 105:04 - 105:04
    KATIE POLLARD:
  • 105:04 - 105:07
    we need to try to figure out
    which ones were important.
    KATIE POLLARD:
  • 105:07 - 105:08
    KATIE POLLARD:
  • 105:08 - 105:11
    And so we use a technique
    which is to look for places
    KATIE POLLARD:
  • 105:11 - 105:11
    KATIE POLLARD:
  • 105:11 - 105:12
    where human is
    different from chimp,
    KATIE POLLARD:
  • 105:12 - 105:12
    KATIE POLLARD:
  • 105:12 - 105:16
    but chimp looks almost
    identical to the other animals.
    KATIE POLLARD:
  • 105:18 - 105:22
    She too is looking for DNA
    relating to the human brain.
    NARRATOR:
  • 105:24 - 105:27
    The brain is one of the things that's
    changed the most during human evolution,
    KATIE POLLARD:
  • 105:27 - 105:27
    KATIE POLLARD:
  • 105:27 - 105:30
    both in terms of its
    complexity and its size.
    KATIE POLLARD:
  • 105:30 - 105:31
    KATIE POLLARD:
  • 105:31 - 105:36
    And so when we look to find the parts
    or our genome that make us human,
    KATIE POLLARD:
  • 105:36 - 105:36
    KATIE POLLARD:
  • 105:36 - 105:38
    we're particularly
    interested in finding out
    KATIE POLLARD:
  • 105:38 - 105:38
    KATIE POLLARD:
  • 105:38 - 105:40
    whether these are things
    that are involved in the brain.
    KATIE POLLARD:
  • 105:42 - 105:45
    It is a huge feat
    of number crunching,
    NARRATOR:
  • 105:46 - 105:51
    as Pollard loaded in DNA sequences
    from both humans and chimps.
  • 105:52 - 105:54
    You basically take a bunch
    of computer hard drives
    KATIE POLLARD:
  • 105:54 - 105:54
    KATIE POLLARD:
  • 105:54 - 105:56
    and you stack
    them up together.
    KATIE POLLARD:
  • 105:56 - 105:56
    KATIE POLLARD:
  • 105:56 - 106:00
    We were able to take a task
    that would have run for 35 years
    KATIE POLLARD:
  • 106:00 - 106:00
    KATIE POLLARD:
  • 106:00 - 106:03
    on a desktop computer
    and do it in one afternoon.
    KATIE POLLARD:
  • 106:08 - 106:10
    And at the end
    of that afternoon,
    NARRATOR:
  • 106:10 - 106:12
    they had a whole
    array of material,
  • 106:12 - 106:16
    charting the differences
    between humans and chimps.
  • 106:18 - 106:23
    Importantly, many of those differences
    were not in the actual genes.
  • 106:23 - 106:25
    They were in switches.
  • 106:27 - 106:31
    It turns out that the vast
    majority are not genes.
    KATIE POLLARD:
  • 106:31 - 106:31
    KATIE POLLARD:
  • 106:31 - 106:35
    Instead they're pieces of our DNA
    that we can think of as switches;
    KATIE POLLARD:
  • 106:35 - 106:35
    KATIE POLLARD:
  • 106:35 - 106:40
    they're pieces of DNA that turn
    a nearby gene on or off...
    KATIE POLLARD:
  • 106:40 - 106:40
    KATIE POLLARD:
  • 106:40 - 106:45
    that tell it where, in what cells
    in our body, in what tissue,
    KATIE POLLARD:
  • 106:45 - 106:45
    KATIE POLLARD:
  • 106:45 - 106:48
    at what time or at
    what level to be operating.
    KATIE POLLARD:
  • 106:49 - 106:53
    And there was something even more
    intriguing about those switches.
    NARRATOR:
  • 106:54 - 106:56
    A large number of them,
    more than half,
    KATIE POLLARD:
  • 106:56 - 106:56
    KATIE POLLARD:
  • 106:56 - 106:58
    were nearby a gene that
    was involved in the brain.
    KATIE POLLARD:
  • 107:03 - 107:08
    In Pollard's work, one particular
    piece of DNA stood out.
    NARRATOR:
  • 107:10 - 107:14
    It was a piece of DNA that is known
    to be active in the development
  • 107:14 - 107:18
    of one of the key parts of the
    human brain in the embryo...
  • 107:18 - 107:19
    the cortex.
  • 107:21 - 107:26
    The cortex is that wrinkled
    outer layer of our brain.
  • 107:28 - 107:31
    It's vital for those defining
    human capabilities like,
  • 107:31 - 107:35
    language, music
    and mathematics.
  • 107:43 - 107:46
    When she looked at
    that DNA in chimps
  • 107:46 - 107:49
    and compared it to
    the same DNA in a chicken,
  • 107:49 - 107:52
    it was different
    in just two letters.
  • 107:53 - 107:58
    But in humans it was
    different by 18 letters.
  • 107:59 - 108:01
    A massive mutation.
  • 108:05 - 108:09
    This was about as great of a eureka
    moment as you could have as a scientist.
    KATIE POLLARD:
  • 108:11 - 108:14
    So here is another
    intriguing piece of evidence,
    NARRATOR:
  • 108:14 - 108:19
    suggesting how DNA can shape
    our distinctive human qualities.
  • 108:20 - 108:24
    We now know that DNA
    works in many different ways,
  • 108:24 - 108:28
    through genes that make
    the stuff of our bodies,
  • 108:28 - 108:31
    through switches that turn
    those genes on and off
  • 108:31 - 108:37
    and through sequences of DNA's
    chemicals that throw those switches.
  • 108:37 - 108:40
    Taken together,
    what this all adds up to,
  • 108:40 - 108:45
    is a way that we can at last understand
    how small differences in DNA
  • 108:45 - 108:48
    can generate
    enormous change.
  • 108:49 - 108:53
    Basically, you can make massive
    changes just changing those switches.
    KATIE POLLARD:
  • 108:53 - 108:54
    KATIE POLLARD:
  • 108:54 - 108:56
    So a small change,
    a couple of DNA letters,
    KATIE POLLARD:
  • 108:56 - 108:56
    KATIE POLLARD:
  • 108:56 - 108:58
    could have a
    profound effect.
    KATIE POLLARD:
  • 109:01 - 109:04
    And so that final
    Darwinian puzzle;
    NARRATOR:
  • 109:04 - 109:08
    how a human can be so
    closely related to an ape,
  • 109:08 - 109:15
    and yet be so different;
    is now slowly being answered.
  • 109:20 - 109:25
    150 years after Darwin first
    put forward his grand theory,
  • 109:25 - 109:28
    to explain the great diversity of life,
  • 109:31 - 109:37
    the scientists who carry on his legacy
    have advanced his work in wondrous ways.
  • 109:38 - 109:42
    I think if Darwin were here today,
    he'd be absolutely stunned,
    SEAN CARROLL:
  • 109:42 - 109:42
    SEAN CARROLL:
  • 109:42 - 109:48
    delighted, even moved to see
    how much his theory has grown.
    SEAN CARROLL:
  • 109:50 - 109:54
    What we now are able to understand on
    the one hand would just blow him away.
    CLIFF TABIN:
  • 109:54 - 109:54
    CLIFF TABIN:
  • 109:54 - 109:57
    But I also think it would give
    him enormous satisfaction,
    CLIFF TABIN:
  • 109:57 - 109:57
    CLIFF TABIN:
  • 109:57 - 110:00
    because ultimately
    everything we've been learning,
    CLIFF TABIN:
  • 110:00 - 110:00
    CLIFF TABIN:
  • 110:00 - 110:02
    validates the
    things that he said.
    CLIFF TABIN:
  • 110:03 - 110:06
    I think that Darwin
    was a remarkable scientist
    OLIVIA JUDSON:
  • 110:06 - 110:06
    OLIVIA JUDSON:
  • 110:06 - 110:08
    and absolutely
    should be celebrated.
    OLIVIA JUDSON:
  • 110:08 - 110:08
    OLIVIA JUDSON:
  • 110:08 - 110:13
    However, I do not think that he
    was the end of evolution.
    OLIVIA JUDSON:
  • 110:13 - 110:13
    OLIVIA JUDSON:
  • 110:13 - 110:14
    On the contrary,
    I think he was the beginning.
    OLIVIA JUDSON:
  • 110:14 - 110:14
    OLIVIA JUDSON:
  • 110:14 - 110:17
    He outlined the
    major points,
    OLIVIA JUDSON:
  • 110:17 - 110:17
    OLIVIA JUDSON:
  • 110:17 - 110:21
    but we have discovered more than
    I think he would have imagined possible.
    OLIVIA JUDSON:
  • 110:24 - 110:28
    As we celebrate the 200th
    birthday of Charles Darwin
    NARRATOR:
  • 110:28 - 110:32
    and the 150th anniversary
    of his great work,
  • 110:32 - 110:35
    there is still much
    more to understand
  • 110:35 - 110:39
    about how the endless
    forms of nature have arisen.
  • 110:48 - 110:51
    And in rising to
    that challenge,
  • 110:51 - 110:54
    it is likely that we will
    continue to advance medicine
  • 111:03 - 111:04
    and come to a better understanding
    of ourselves as well.
  • 111:05 - 111:06
    NOVA has a brand-new evolution
    Web site with dozens of videos,
  • 111:06 - 111:07
    interviews, slide shows and the
    latest in evolutionary science.
  • 111:07 - 111:08
    Bookmark it today and
    let us know what you think.
  • 111:08 - 111:09
    Find it at pbs.org.
Title:
Evolution - What Darwin Never Knew - NOVA PBS Documentary
Description:

DOWNLOAD BOOK ( pdf ): http://www.mediafire.com/?39l9wwiurjns48y
READ ON-LINE: http://archive.org/stream/originofspecies00darwuoft#page/n0/mode/2up

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Video Language:
English
Duration:
01:52:05

English, British subtitles

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