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The Story Of Marlon Riggs - filmmaker writer poet pt 4-4

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    *The Pacific Film Archives held a tribute for Marlon in 1993.*
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    *Marlon wore dark glasses to conceal a painful eye inflammation.*
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    ...I mean, Marlon I couldn't miss this for the world...
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    The last time I saw Marlon
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    was at the party that they had for him at the Pacific Film Archives.
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    Um, and I have to say that I was shocked to see the way he looked.
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    And yet there was still that calm, that patience, that...
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    it's a certain quality of actually looking at people.
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    You know, when I went up and said "How you doing?"...
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    I mean, he really looked at you,
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    and y'know, even as he knew I think, I'm certain he knew that it was very difficult for those of us who had known him,
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    to look at him,
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    he looked at you... y'know?
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    [Marlon] This is my Grandmother.
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    How nice to meet you!
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    [Jack Vincent] His mother and his grandmother are major forces in his life,
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    and they have been unconditionally accepting of our relationship,
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    of Marlon having AIDS, of Marlon's work and everything that he's accomplished,
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    I mean it's just, it's been phenomenal.
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    [Marlon] And I was in the hospital for about 6 months,
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    died nearly twice,
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    there was one moment when I had such pain, such wrenching, catastrophic pain,
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    I started to cry and sob and rolled back and forth,
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    the nurses couldn't do anything for me,
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    the doctors couldn't do anything for me,
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    my Grandmother`who stands by me had to leave the room because she couldn't bear it.
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    And my Mother, walked over, took me into her arms like a baby, she said
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    "Mommy knows. Mommy knows. Mommy knows.
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    Sweet baby. Harriet's come to help you again. Harriet's here. Don't worry, baby.
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    You've seen rivers like this, you've known pain like this,
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    you stepped into the water, you've crossed, you've made it to the other side."
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    [*SINGING: "precious lord, lead me on, let me stand..."*]
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    [*MUSIC: Composer Edward Elgar - March #1 - Pomp and Circumstance (graduation song)*]
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    *Marlon continued to receive distinction for his work.*
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    *He became one of the youngest tenured professors at UC Berkeley.*
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    *He was honoured by the American Foundation for AIDS Research,*
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    *and he received an honourary doctorate degree from the California College of Arts and Crafts.*
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    [Marlon] This is a great honour, and I want to say a very brief phrase from one of my Grandmother's songs.
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    [SINGING]
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    *I shall not be removed*
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    *just like a tree*
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    *that's standing by the water*
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    *I shall not be removed".
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    Thank you.
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    [APPLAUSE]
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    I can't say it enough: when I see that man come through the door to teach the class, I want to cry.
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    And I get serious.
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    If I don't have what I have... what should be done, I feel that I have like, shit on him.
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    Because he's giving me energy that he needs to be living, to teach.
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    [Marlon] Third issue, , Sobrante Park is not like any other place in the world, OK?
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    Easy to shoot.
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    I'm far more impatient with people these days who don't know what they're about.
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    It's like, if you don't know what you wanna do, go and spend your time somewhere else.
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    Cause my time is limited.
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    At that point Marlon's T-cells shot to about 10,
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    and his kidneys completely went out and he found out he had to be on permanent dialysis,
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    and this mean that his life was gonna change,
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    he was gonna be restricted in what he could and could not do, and it was devastating for him
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    because "Black Is...Black Ain't" [http://en.wikipedia.org/wiki/Blackis...Black_Ain't] was his life,
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    and this was something he needed to complete.
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    One of the things that Marlon and I talked about during one of those meetings
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    is...um...is dementia.
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    We had a conversation about it because Marlon was really afraid of it.
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    And I said "well, Marlon, what would happen if you felt like you did have it? What would happen if you had it?"
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    And he said that "I don't know, I'd just die".
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    [Marlon] I woke up one morning and told him I want to die.
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    I'm tired of this, I just want to die.
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    And there are times when I feel that,
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    that y'know, despite the project Black Is...Black Ain't, which I know is just wonderful,
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    but I don't care.
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    Let somebody else finish it,
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    I don't want to go through taking these goddamn medicines all the time,
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    I don't want to have to go to dialysis,
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    getting sick,
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    I don't wanna have to go through having no appetite,
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    I don't want to have to vomit again,
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    I don't wanna have to have this nausea again,
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    I don't want to have to have these headaches,
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    I don't wanna have to deal with looking at my body and seeing bones instead of muscles and skin,
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    I just wanna be finished.
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    What's the point?
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    And how do you get past that, Marlon? Do you may sit with it for a while?
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    [Marlon] Can I sit with it for awhile then it will pass, and I'll talk to my mother, about all of it,
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    I'll talk to a friend of mine named Akeba, and I'll take my anti-depressants [laughs]
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    um, and then I'll have a good day.
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    *Originally one capsule twice daily, later increase to three times a day for seizures, *
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    *grand mal, partial , ab_,... one capsule 4 times daily....*
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    [Jack] I saw the doctor's appointments, and I'd do the shopping and the house cleaning and the cooking.
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    *... one capsule 3 times daily for HIV dementia...*
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    [Marlon] And it's hard, I hate being dependent on people.
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    [Jack] If his prescriptions don't seem to be working, then I try to sort out in my own mind what the problems might be
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    and talk to the doctors and the nurses about it.
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    *...one tablet as needed for muscle stiffness to counteract side-effects of other medications...*
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    Jack is very thoughtful and very considerate and very concerned for Marlon,
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    but Marlon tends to dismiss it,
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    he says "well, nobody asks you to do that, you didn't have to do that..."
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    [Jack] He does appreciate it, he doesn't say that he appreciates it,
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    and sometimes I have to read between the lines.
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    *...anti psychotic for anxiety and inappropriate anger...*
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    It's clear to me that the work became the msot important thing in his life,
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    not relationships, not any other personal stuff, it was the work.
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    [Jack] If he's having trouble breathing I couldn't give him a tranquilizer
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    because that would just depress his breathing response even more,
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    it was really, it was, it was overwhelming.
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    Then we had to rush him to the hospital
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    and he was not...cooperative, um, and was yelling at me,
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    and I wasn't sure what to do.
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    [Marlon] Mom, I'm having a low blood pressure drop, just a second...
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    *Marlon entered the hospital for the last time in November 1993.*
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    He did not want this to be this depressing film
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    that not only was talking about the death of his community, and his own personal death,
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    but he wanted this to be something that was inspiring.
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    And I think part of his, um, attempt in doing this was his sense of humour.
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    *Marlon singing*
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    "Turn... this mother out!
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    We're gonna turn this mother out!
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    ?
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    He was strong enough to talk to me and to tell me what he wanted in the film,
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    to tell me what he wanted to do,
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    he was strong enough to tell me stories that I could use in the film,
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    but he wasn't strong enough to sit at a computer and work on a script,
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    so my idea was that if I interviewed him in the hospital,
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    and sort of asked him questions about all the different elements in the script,
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    that I could in a sense fill in the blanks with the hospital footage.
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    I was really afraid to ask him certain questions.
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    So when Marlon did spontaneously talk to me about his own death, it was quite moving,
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    and it still is.
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    [Marlon] I know there will come a time, and I won't be able to, um, get up out of this bed,
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    and all we can do is just take me home,
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    and let me lie in my bed...
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    and I can look out the window,
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    and then it may reach a point where I can't even open up my eyes,
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    and I'm just lying there,
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    and I want my Mother and I want my Grandmother, and Jack to be there.
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    ah, to hold my hand, and to rub my head and my feet, and let me die.
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    The fearlessness of his work,
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    I mean, he would try to do anything, y'know, he was always learning, he was constantly evolving,
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    so even at the end with Black Is...Black Ain't, it leaves you wondering what he might have done
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    if he'd lived to be 50 or 60, and what kind of filmmaker he could have been.
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    *On February 17, 1994, Marlon Riggs turned 37. *
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    *Six weeks later he decided to leave the hospital. *
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    *He died on April 5th, 1994, in the home that he shared with Jack Vincent.*
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    [Softly singing] ...*and I'm trying*
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    *to make heaven*
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    *my home*
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    [Reverend] Marlon died so that you and I might come together.
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    Marlon died so that tongues, which have been tied down and silenced might shout out for freedom and joy.
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    He needed his feet massaged,
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    and Karenm uh, who was up here earlier, uh, took one foot, and I took the other foot,
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    and we gradually worked on these feet and legs until he fell asleep.
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    Now the gift of this, I'm still learning,
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    because I really think that in this time, when we can do nothing else,
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    it's such a horrible time,
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    we can massage the feet of the people who stand for us.
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    I've been blessed to have Marlon for 37 years.
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    You know?
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    And I wish he could've lived a long life like Dr King said.
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    Mhm. But sometimes that's not the way.
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    In the time of his life, and the fullness of his life, it was very complete.
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    Because he touched others.
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    He was such a sweet thing.
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    You just couldn't help but love him.
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    And he was so cute and pretty [chuckles]
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    You ever see him in his pictures when he was small, he is really a darling.
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    [Jack] My dearest Marlon,
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    I have not written you many love letters,
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    and as I write this, I do not know if you will ever be able to read it,
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    but I would like to tell you some things, I hope and pray you already know.
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    My life with you has been special,
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    more special than I could have dreamed.
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    Nothing that we have gone through would make me think twice about choosing you again and again.
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    You are my hero.
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    I will always be able to think of you
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    and know that a person can in fact live what they believe,
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    as I believe you do, every day.
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    [Marlon] Death can be transcended by memory,
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    I mean, these people are not dead to me,
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    when I read about their lives, when I see their images in photos, I don't see death,
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    I see this extremely empowering life-giving force,
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    and I know that I can achieve that too, and pass that on.
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    [SONG] *Just like a tree that's anchored by the water*
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    *woah I shall not be removed*
Title:
The Story Of Marlon Riggs - filmmaker writer poet pt 4-4
Description:

http://en.wikipedia.org/wiki/Marlon_Riggs

Tongues Untied

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Video Language:
English
Duration:
15:16
Radical Access Mapping Project added a translation

English subtitles

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