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    Everyone and welcome to tonight's episode,
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    a critical role over a bunch of us nerdy ass voice Hunter sit around and played
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    Dungeons and dragons
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    [inaudible]
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    like that every time. Um, so before we get into tonight's episode,
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    we do have some announcements to get through,
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    which begins with our two sponsors for tonight. The first up,
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    which is Disney's villainous game. Same if you don't.
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    This episode is sponsored by our pals at Ravensburger Ravensburger,
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    I don't know. And they're fun. Board game,
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    Disney villainess it's again where you play as your favorite Disney villain and
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    compete against others to reach your individual goals.
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    Now you can get the core set the worst takes it all.
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    And two expansions wicked to the core and evil comes prepared and mix and match
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    your favorite Disney villains, including captain hook, King John Scarr,
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    evil queen and more.
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    They also released some beautiful thousand piece puzzles using artwork from the
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    game to thank them for their sponsorship.
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    I wanted to dress as my favorite Disney villain, the evil queen from snow white,
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    but I couldn't find a costume.
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    So I just asked for any Disney costume they had and I'm now evil villainess
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    Chewbacca,
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    but I'm still going to read the bit that I prepared for the evil queen.
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    So just imagine that this costume is an evil queen costume and here we go.
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    Mirror, mirror in my hand.
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    Who's the fairest critical road man?
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    Chewy, chewy in the chair. Matthew Mercer is most fair.
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    Okay. Okay. I totally get that.
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    But who is second fairest after Matt?
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    He so stunning when you see him. The second fair is does young Liam.
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    Oh, fucking forget the Ferriss thing. Okay.
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    Who is the man who plays [inaudible]?
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    I feel like you want me to say it to you,
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    but I'd be lying so I don't know what to do.
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    Just just tell me I'm pretty and we'll end this bit. Come on,
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    Maxwell. Fucking say it.
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    This is weird, but sure. You're pretty there. Are you happy? Yeah. God,
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    why do you do this stuff to me? I just want to do my job.
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    That's it. I'm calling HR
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    and seeing,
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    don't forget to get all this great villainous stuff through target at Bewdley.
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    That's bit dot. L. Y slash. CR villainous, V. I. L L a.
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    I. N. O. U. S. back to you Matt.
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    Thank you Sam.
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    Our second sponsor for night are our friends who've been with us since the
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    beginning of campaign to D and D beyond the fact that they're just a great tool
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    for, you know, digitally keeping track of your characters, your campaigns,
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    spells creatures the whole deal.
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    They now have an encounter builder that's out of alpha. That's amazing. Uh,
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    they've been a fantastic supporter of the show from the beginning and thank you
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    guys so much. Um,
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    they also have great articles that go from their website written by actually
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    some friends of the show and they're all pretty damn brilliant. So, uh,
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    thank you. Deany beyond, keep up the good work. Uh, all right, Travis,
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    you have announcement to make?
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    Yes. Oh, I'm going to grab my, my,
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    my numbers here guys.
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    We have nine days left in our November fundraising campaign with our friends at
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    OSD and since we have launched our campaign,
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    we have banded together to raise $19,000 to help our military community.
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    And we have a very special announcement tonight.
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    My dear friend Travis Frederick center for the world champions,
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    or to be a Dallas Cowboys. Legendary all time. Real crap.
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    Travis Frederick has graciously offered to donate $500 for every natural one
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    that we roll during the month of November. The whole month. It was just tonight?
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    No, the whole, Oh, it's retroactive from the beginning.
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    Which means that we have now raised over $23,000.
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    Yeah, super, super gracious, generous. Such a great guy.
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    He has rules so much. Yeah. So if,
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    if it sucks for us, it's for a good cause.
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    Thank you so much everyone that's doing any police commute.
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    Continue to share the message.
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    The link is at [inaudible] dot com slash O S D let's finish strong.
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    That's amazing. Travis, thank you so much.
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    That is incredible and thank you all for donating to this incredible cause.
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    This is amazing.
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    I'm a huge Epic congrats to our very own Laura Bailey for her nomination of best
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    performance from the video game awards for her role as Diaz in gears. Five.
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    Super proud of you. That's amazing.
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    You can vote for your favorites, uh,
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    at the game awards.com/nominees, uh,
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    anytime before December 11th. So go and take a look at the list there.
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    And if you happen to like we did in the game,
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    you can go ahead and vote for who is, I mean, just vote for her anyway.
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    It doesn't matter if you're like, that's fine. But for me,
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    I tried to, I tried to, tried to be civil.
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    Our Austin live show is this weekend, two days from now.
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    I've never prepared so many maps in one week. I'm super excited. So you guys,
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    they're a, what's our one shot? The adventurers of the Darrington brigade, uh,
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    as part of our Kickstarter awards for the amazing, uh,
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    animated series kickstarted earlier in the year.
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    Thank you guys so much for that and for allowing this to happen. Um,
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    please refrain from boiling, uh, posting spoilers, not boiling.
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    We can do that too. I guess from posting spoilers online.
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    If you're there at the live show, those who aren't able to attend,
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    you can watch our live show on Friday, November 29th at 7:00 PM Pacific on,
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    on Twitch channel and it'll be available for VOD and on YouTube the following
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    Sunday. So keep an eye out for that. Posters do not coil anybody.
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    Please spoilers. Don't boil it. Don't boil.
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    This past month my brain's just slowly turned the Swiss cheese from week to week
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    and language is leaving me.
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    Yeah.
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    If anyone. Lennox is a critter. Hi. Uh,
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    next Thursday is the Thanksgiving holiday here in America. So, uh,
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    for those who, uh, who are not here and don't,
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    aren't aware that we will not be having a session next week. On Thursday,
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    we'll be having the time with our families. Um, so, uh,
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    in the Northern will be an episodic Vox mock. I'm sorry.
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    I've talked to in the week after Tuesday, December 3rd.
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    So there's going to be kind of a week off for the holiday for us here in the U S
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    but don't forget, we're going to kick back in the week after that,
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    the first week of December. Um,
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    but wish to wish all you guys a an amazing holiday.
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    We'll see you all the Thursday after that. Uh, and look forward to, uh,
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    picking it up from there. So, uh, Laura, you had some nuts.
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    Oh boy. Yes I do.
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    So this one has been a long time coming. I mean,
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    Liam have been very excited about this for a very long time by our very own key
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    Bev's tar, the Chassidy's, no prisons,
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    the Xander Ian calendar. Now I feel like I should point this out to you.
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    That is not an actual workable calendar. It is the Xander Ian calendar.
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    So it's pretty much just like a useless object that you hang.
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    It works in Xander, Xander.
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    And you can follow along and see when things are like, you know,
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    certain dates that are important. There's holidays in here. It's pretty awesome.
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    Did you put some posters on it and make it work and put boosted?
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    I feel like I should sneak peak. Should I sneak like one of the pages?
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    Okay. You're okay with me sharing this one, please.
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    So this is the
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    [inaudible] can see this [inaudible] yeah.
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    So do you spice that?
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    So yeah, plenty of use images are as tantalizing as that one. Oh there,
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    I can't show you more. But, um,
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    the other cool thing is that all of the pages are perforated so you can tear
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    them out and frame them.
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    They're perfectly sized so you can just put them in a frame,
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    just put them on your ceiling, you just put them wherever you want.
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    So yeah, Babs is amazing. So that's pretty awesome. Um,
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    and then the other thing that we have in the store right now is our white stone
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    dice.
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    So like you can go look in there just like, uh,
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    I think they're showing them right now. Uh,
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    they come in this really beautiful little case that we were really excited
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    about. Cause if you take off the lid and it works as a dice tray,
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    like a furry case, like velvety and fabulous,
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    and it's got the white stone crest on it and yeah,
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    so they look like they're made of white stone, which I'm very excited. Yeah.
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    So there you go. Awesome. It's amazing.
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    And they're both available in the U S and the U K right now.
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    They're going to,
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    they're awesome. Thank you Laura. Uh, I believe,
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    Oh my God, no way. There's gotta be more at the end of our announcements.
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    We know there's like December 25th,
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    but don't forget to watch the Terry [inaudible] love each other.
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    Yeah, right. This episode of the dam
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    [inaudible] they were always beside you
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    and the D M check guide you and they rise from the flames.
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    Are the battles that
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    cause your bow to be
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    does a monster comics? It's formation.
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    This Joe put your fate in your hands. Take that chance.
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    No, it's
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    [inaudible]. [inaudible]
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    welcome back. You made on the draw there. I know.
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    Proper music for this last, we left off
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    [inaudible]
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    mighty nine. Goddammit Sam
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    last, last time round. I wore a different mat shirt. That music matches
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    change the shirt, but it's still a nice shirt.
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    I'm gonna remember that. No, it is not. It is not the night to do that.
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    So
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    the mighty nine for quite some time,
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    I've been chasing the tracks of the angel of irons.
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    A somewhat new and esoteric that only whispers had been discovered about them
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    and what their plot was.
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    You came to uncover that the angel of irons was a cover to trick these other
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    people in cultists into helping the chain to oblivion thought it was doing begin
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    to unravel its bindings, deepen the abyss,
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    and chasing Oban who had gathered three figures to what he referred to as his
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    family. Your companion Yasha, the laughing hand, a terrible,
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    undying champion of Taurog and the inevitable and the keto gust owl.
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    All three of them bound to his will.
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    He carried them across Xander IA gathering things necessary to see this plot to
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    fruition.
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    Your last scribes spell revealing them arriving in the capital city of wrecks
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    and trim and wild Mount. It seemed at this time that vents,
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    another cultist had delivered some scrolls and information to a cathedral,
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    deepen the city and whispers of what seemed to be a rather imminent moment.
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    So rushing your way to Rex, interim asking for aid. You come to the rainy city,
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    dark storm clouds overhead.
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    You try and look for any sort of sign of where this cathedral might be.
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    And upon arriving high,
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    finding out that the city has seen the under attack at the same time by Crean
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    operatives.
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    You hear what sounds like a den of battle in the distance,
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    though you've seen none directly. Is it just chaos to distract?
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    Who knows?
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    But you've gathered yourselves and an ally Promaths soul who has come along with
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    you to deal with this scenario after he was attacked along with you in his house
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    since the dash and you've stepped out from the wrecks and from archive of the
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    cobalt soul into the wet slick cobblestone streets of the city heading eastward
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    towards the base of the shimmer ward where it is,
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    believe this cathedral known as the Chantry of the Don standards.
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    So by benign,
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    as you step out into the air above,
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    you can hear the heavy elements of rain coming down from above,
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    which I can do here with that with stuff, it's is fun music
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    pushing through.
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    You can see the streets are seemingly deserted by most civilians.
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    The few you see run confused, some of them out of curiosity. Others out of fear,
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    crowns, guard occasionally attempt to keep the peace among them.
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    If you're quick rumors and demands for information from the crowds to the guard
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    and none of them responding to you to push them into their homes or push them
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    out of the way,
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    you can hear shouts from congested neighborhoods at the peripheral of your watch
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    as you go from intersection to intersection heading East to deeper into the
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    city, the tall roofs and climbing spires, the various, uh,
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    buildings that surround and frame your continued travel looming. Uh,
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    just almost cutting out the gray sky above.
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    You can see I had the group of about 30 or so righteous brand that rushed past
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    you northwards toward the platinum veranda.
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    You can hear muffled shouts and a chaotic echo of battle.
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    [inaudible]
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    is there anything you want to do?
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    Continue traveling East and go towards the fray, right? Okay.
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    We'll wait towards the fray. I thought last time there was the freight.
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    You here's to the North.
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    You guys were heading eastward to the Chantry because that's where we saw them
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    doing some sort of ritual in this cathedral.
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    And your last last plants you saw there was the of the storm clouds above us.
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    Tiny sliver of light had broken through that framed the channel tree.
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    And you just said something about the platinum something and brand is location
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    in the city. That's northward. Platinum. Okay, so we're not going that way.
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    We're going East and we have,
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    we have alerted everyone we can possibly think of the, the,
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    the real target is to, this is to the East heaven. No, you don't belong here.
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    You,
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    you mentioned what you've learned briefly to the cobalt soul before you exited
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    and did we, did we tell them to, to send word to all of our,
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    all of our people tell them to send it to Laura.
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    And you told Laura,
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    Oh, we just said Wrexham. We didn't say the Shema. We touched down. No,
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    you guys, you, you touched on the tangles is the larger area,
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    the specific areas called the court of colors.
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    You being the only person who's been here, you know,
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    loosely the outlay out of the city and you the one who has the maps that you
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    might have to guide. If anything, if anything gets more scattered. I
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    would use it for spells slots, but then I could send it, look every,
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    every block that we go on I, I turned to Kayla and say,
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    did you live here? Did you live on this book? I didn't,
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    I didn't know. Did you ever do anything on this book?
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    Is this like where your school was or anything?
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    Caleb's ISO dotting everywhere and is the head of the pack leading us towards
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    the, um, the Chantry which I haven't seen.
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    Make a perception check if you don't mind.
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    I'm still shining down on it from my is, it's flickering like in and out.
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    Like the clouds tend to close and pass and it breaks through every now and then,
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    but it's like a singular Ray 15, 15,
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    uh, your eyes trained on the rising walkways and towers of the soul Tris Academy
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    that are peaking over the walls of the shimmer ward that you can just make out
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    on the horizon as you pass by a series of buildings with the roofs are a bit
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    lower than the other ones you've been rushing by.
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    You can see pale yellow walls that surround the shimmer ward of the Capitol.
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    You begin to approach the exterior of the visual circle,
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    which is a region between where you are and your destination as noted by the
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    network of ring, like streets that denote the circular marketplace,
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    varied shops and industries that normally fill this area, uh,
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    as well as the mini fortress of gray rock. And then it's the tower of RIT,
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    but everything is closed. Everything is shut down.
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    What was the tower of Ray? It's the central temper to a, this within the city
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    does not like the cathedral that you had seen within your vision.
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    Two more larger bands of righteous brand soldiers begin shouting, Oh yeah,
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    they run past and kind of cross your path and continue heading northward also
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    seemingly to join the rest northward.
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    Well then that is, there's also,
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    what do we want them to, I mean the, the Korean are attacking,
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    right? It's, we're waiting. We waste time. Jordan.
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    Why on earth would we want them to go kill the cream?
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    Well,
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    what were you supposed to just stop and try and convince them to stop?
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    We see G to keep going. We're saying all this is what we're running.
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    Yeah. Okay.
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    You didn't need to rush down the street ahead of you and kind of splits at one
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    point to kind of go into one of the, the circular regions in the marketplace.
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    Um, you know,
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    probably the shortest to the northward and you just pick that cause it's close
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    to the direction you're traveling. When you had a waist down for three crowns,
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    the guard come around the corner and uh,
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    there hurried gate shifting in your direction. They raised their hand.
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    One of them goes, please will tons of your homes.
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    We've had everything under control.
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    Yeah. Our home is that play out of songs.
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    We have a ways to go still.
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    It's in hurry up.
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    He noticed it first. This faint vibration, the gravity to you
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    ruin. Got ready.
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    You have just enough time to look to [inaudible] as he says this before you
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    begin to feel the ground you're cast.
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    Find yourself familiar with the purple worms we felt before you have that
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    thought and go, Holy shit. This feels like a purple
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    punishing and out of the ground, but 15 feet from where you stand.
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    Sending one of the crowns guard kind of thrown from where he was standing in
  • 19:58 - 20:02
    buffet team, feet tumbling across the slick cobblestone bits of stone and earth.
  • 20:02 - 20:05
    Go flying everywhere. As you see piercing under the ground,
  • 20:05 - 20:09
    rising up the gargantuan twisting form of an angry purple,
  • 20:09 - 20:12
    warm it's body covered in that signature hard,
  • 20:12 - 20:16
    dark purple scales with spines piercing through each area where they meet.
  • 20:16 - 20:17
    You can see the rows of teeth as it roars
  • 20:20 - 20:23
    in the sky and on its back you can see chains and bits of metal that are put
  • 20:23 - 20:26
    across them like Barden and holding onto it.
  • 20:26 - 20:31
    You can see three Crean soldiers that immediately leap off onto the ground
  • 20:32 - 20:35
    facing, not you, but facing the Crown's guard.
  • 20:35 - 20:37
    And you can see the one of the crowds got that tumbled. The ground is
  • 20:39 - 20:41
    pulling back and the other two are pulling their weapons and they're shaking.
  • 20:41 - 20:46
    Can we stop this answer? Confirmed? Do we just let them go?
  • 20:47 - 20:48
    I, we keep going.
  • 20:52 - 20:55
    As you say that one of them turns and looks at your group,
  • 20:57 - 21:01
    there's no, and the worm then turns its head in your direction.
  • 21:03 - 21:06
    So you guys, are you, are you continuing to run?
  • 21:07 - 21:08
    Should we just try to keep running
  • 21:11 - 21:15
    through under the [inaudible]? We don't know how much longer it,
  • 21:16 - 21:21
    yeah, we just keep going. Just keep going. It's not our fight, right? Not yet,
  • 21:22 - 21:26
    but I don't know who I'm rooting for. No, I don't either.
  • 21:27 - 21:30
    Could you just ask, how far are we off from the Chantry? Uh, would I know that,
  • 21:31 - 21:35
    uh, you would know. You're probably about, I'd say depending on,
  • 21:35 - 21:39
    on, you know, the being pretty empty. Maybe seven minutes. Oh,
  • 21:39 - 21:42
    I'm in the castle. Okay. Creature for Yasha. Okay.
  • 21:42 - 21:45
    And what's the range on that thousand feet or the last an hour. Okay,
  • 21:45 - 21:49
    there you go. So keep that in mind. You guys continue to run. All right.
  • 21:50 - 21:50
    The uh,
  • 21:51 - 21:55
    the Korean soldier that jumped off and noticed you when you shouted is now
  • 21:55 - 21:59
    giving a run in your direction because they're attacking the city
  • 22:01 - 22:05
    and the purple were immediately burrows under the ground.
  • 22:05 - 22:07
    I don't know. They pop up again.
  • 22:10 - 22:14
    You hear a few other screams as it seems. The two crowns guard, uh,
  • 22:14 - 22:17
    or actually it would be all three of them at this point are dispatched one after
  • 22:17 - 22:20
    the another by three queen soldiers.
  • 22:20 - 22:22
    Damn. They're good. We're good. If we're going to feel dirty,
  • 22:22 - 22:26
    no matter how the one that's chasing you is then behind,
  • 22:27 - 22:29
    you can see the other two are now rushing up to Jolene.
  • 22:29 - 22:33
    No warm insights from you. Keep running to us
  • 22:35 - 22:36
    greener. They're all following you guys. It's your,
  • 22:36 - 22:39
    the other marks that they dispatched, the crowns guardian.
  • 22:39 - 22:42
    I will stop and I'll turn around and I'll pull out our symbol of the bright
  • 22:42 - 22:47
    queen and I'll run up and I'll say, stop. People speak. We have business.
  • 22:47 - 22:50
    At the bright queen back control post. Make a persuasion check.
  • 22:53 - 22:57
    No one else can see this, right? It's just, there's no like
  • 22:59 - 23:04
    three 23 exception truck 27,
  • 23:04 - 23:05
    27. Okay.
  • 23:05 - 23:09
    You guys are keeping a watch. I mean there, there are guards running through.
  • 23:09 - 23:10
    There was one that, uh,
  • 23:10 - 23:14
    one that turns and just sees the purple worm or which by the way,
  • 23:14 - 23:17
    as you're having this conversation about 10 feet from you
  • 23:20 - 23:23
    slamming out of the ground, showering you with bits of rock and dirt, uh,
  • 23:23 - 23:26
    at that point the guard turned, sees it and just fucking bolts the other way.
  • 23:27 - 23:30
    Um, the, the first soldier comes weapon drawn and as you're,
  • 23:30 - 23:34
    as you're holding up the symbol rushes and you can see his form shift as a
  • 23:34 - 23:38
    shadow version of himself, splits and kind of flanks around you.
  • 23:38 - 23:42
    You've seen this once before in the sewers of the dash long ago,
  • 23:43 - 23:45
    and as it rushes towards you and you hold the symbol,
  • 23:45 - 23:49
    say that CIT falters and stands and looks,
  • 23:50 - 23:53
    and if you see it like caught in the moment, the two other ones catch up.
  • 23:53 - 23:55
    You can see they're both having their weapons drawn and they see you stopping
  • 23:56 - 24:01
    and they look taken aback by what you're holding in the fact that the one who
  • 24:01 - 24:04
    who's guiding this charge of stopped his weapon goes Slack a bit.
  • 24:06 - 24:10
    I slide up to me with my OMA. All right. I'll head back,
  • 24:11 - 24:14
    turns back and says something under common and the purple worm,
  • 24:14 - 24:16
    which is currently, I'm like a holding position.
  • 24:16 - 24:19
    Looking at them and looking at you begins to call you turning your direction and
  • 24:19 - 24:22
    it gives a shout out to any of you guys to understand and under common
  • 24:24 - 24:29
    I've got overcoming cause I get off this and the purple woman turns back to him
  • 24:31 - 24:36
    and then they all leap onto its back and then bros back into the ground.
  • 24:36 - 24:38
    Okay. Okay. Okay. What about that counter?
  • 24:46 - 24:47
    Continuing on,
  • 24:48 - 24:53
    you begin to see that Ray of sun is your beacon bringing you closer and closer.
  • 24:55 - 24:58
    You've got him this charge, you hear more shouts,
  • 24:58 - 25:00
    you hear an explosion in the distance, just a muffled
  • 25:02 - 25:03
    echo across the city.
  • 25:03 - 25:07
    Uncertain of necessarily the direction or the intensity of it.
  • 25:09 - 25:14
    That's when you also hear the bone fucking bells has a ring in the fucking
  • 25:15 - 25:20
    church bone or the water bells in a tech boom.
  • 25:20 - 25:24
    I mean the city bone. Oh,
  • 25:24 - 25:26
    maybe it's the sound clock. Is it a sound? This,
  • 25:27 - 25:28
    this is a sound that you've not heard,
  • 25:28 - 25:33
    but you are aware that throughout the city there are bells set everywhere for
  • 25:34 - 25:37
    the purposes of alerting everybody who may not be aware that it's not just
  • 25:38 - 25:40
    there's a problem. This is danger under attack.
  • 25:40 - 25:42
    And so now this has been declared and you hear other
  • 25:44 - 25:49
    careful there's about to be full on pandemonium going across the city.
  • 25:49 - 25:54
    Let's all stay close. This is when people could start to riot.
  • 25:54 - 25:56
    We just have to come through it quickly. Yeah.
  • 25:57 - 26:00
    Rain slicked soaked to the bone. You all rush around.
  • 26:01 - 26:05
    One of the large kind of a small or large small,
  • 26:05 - 26:09
    large military structures on this corner here that is small for like a large
  • 26:09 - 26:12
    stronghold, but it's a place here medium.
  • 26:15 - 26:16
    Um,
  • 26:16 - 26:21
    to see what you recognize as the Chantry of the Dawn is a massive cathedral and
  • 26:23 - 26:28
    you're immediately taken aback by the beautiful masonry and sculpture work that
  • 26:28 - 26:31
    comprises this opulent structure that stands before you.
  • 26:32 - 26:36
    A high reaching stone arches that are housing towering stained glass windows
  • 26:36 - 26:40
    that depict various stages of the sun in the sky. Uh,
  • 26:40 - 26:43
    statues of 10 foot tall armored soldiers, uh,
  • 26:43 - 26:46
    are set into pillars like celestial guardians. Uh,
  • 26:47 - 26:50
    and you can see there it goes up multiple stories to climb into this great Spire
  • 26:50 - 26:53
    that climbs into the, the raining sky. Um,
  • 26:53 - 26:58
    every square foot of the exterior is tailored with subtle carvings of like vines
  • 26:58 - 27:02
    and leaves that framing the powers of the powerful supports all reaching upward
  • 27:02 - 27:06
    towards the stretching rays of the sun. Upon each of these depictions.
  • 27:07 - 27:11
    Bone boom, boom, the Bell's still going off in the area.
  • 27:11 - 27:15
    You come to the 15 foot tall doors, the front of the Chantry
  • 27:18 - 27:22
    go in my feeling. Anything in anything? Yes you are.
  • 27:23 - 27:26
    Oh, she's here. Oh,
  • 27:27 - 27:30
    I should be able to pinpoint what direction, what direction she is from us.
  • 27:30 - 27:35
    And if she's moving, she is moving. She is within and below.
  • 27:35 - 27:37
    Oh God. Oh God.
  • 27:40 - 27:45
    Does anyone know anything watching this entrance that we can talk from the
  • 27:45 - 27:49
    outside? No. Uh Oh.
  • 27:49 - 27:54
    All right. All right. Talk to pharyngeal Yasha no, do it.
  • 27:54 - 27:59
    I'm going to save her Buster here. Do we want to try and do a perimeter route?
  • 28:00 - 28:02
    If people are expecting pressure to come through,
  • 28:02 - 28:04
    we should try and find a a more
  • 28:05 - 28:07
    corrosive land or anything on this door short.
  • 28:07 - 28:11
    I'll go check just in case while you figure out a side entrance look like how
  • 28:11 - 28:15
    big a deal. Okay, I'm checking for sure. Go for it.
  • 28:16 - 28:17
    Terrible.
  • 28:17 - 28:22
    1919 you don't sense any traps but it is definitely locked and it's like a big
  • 28:24 - 28:25
    lock. Like it's, it's the key.
  • 28:25 - 28:29
    You imagine probably is about that long and the metal is very thick. Mind you,
  • 28:29 - 28:31
    you've dealt with locks like that before, but just as a note,
  • 28:31 - 28:35
    it is a larger law. I will start unlocking it while they're scouting. Okay.
  • 28:35 - 28:38
    Left outbreak, right is you guys turn the corner.
  • 28:38 - 28:41
    You can see there's some small windows in the sides of what's almost like out
  • 28:41 - 28:44
    like an entryway. A almost like a four year to the, to the, the,
  • 28:44 - 28:49
    the entire Chantry at the building opens up into what would be considered the
  • 28:49 - 28:52
    main church, like center of the cathedral. Uh,
  • 28:52 - 28:56
    this is where it grows into the Spire above and you can see on the outside of
  • 28:56 - 28:59
    the windows begin again like the ones you saw in the beginning,
  • 29:00 - 29:05
    but the stained glass rises up for 40 feet with what looks like beautiful color
  • 29:05 - 29:10
    patterns of stars that kind of frame the sun in different visual bits of
  • 29:11 - 29:15
    splendor. And the bit of warm light is now coming down into this area,
  • 29:15 - 29:16
    hitting the stained glass.
  • 29:16 - 29:20
    The rain stops as you kind of curl around the side and find a small pocket where
  • 29:20 - 29:23
    the storm doesn't seem to be affecting you. Um,
  • 29:23 - 29:25
    you come around the backside and it's,
  • 29:25 - 29:28
    it's just almost solid stained glass on the back end except for the stone arches
  • 29:28 - 29:32
    that hold the entire structure up. Any of those windows that we passed,
  • 29:32 - 29:37
    are we able to slide up and just, just put one eye over the corner and PRM.
  • 29:37 - 29:40
    The windows you see are actually about eight feet off the ground.
  • 29:40 - 29:43
    And they're circular with a stained glass window.
  • 29:44 - 29:48
    Take my paint out. I'm going to paint a little hole in the wall. Zillow.
  • 29:48 - 29:52
    You can give the people a little glory which turned to break into a church
  • 29:52 - 29:55
    colored and goes on one of the sides of the door. Yeah, yeah, yeah.
  • 29:56 - 29:58
    So that's the front door you mean? Yeah. Yeah. Okay. Pillar,
  • 29:58 - 30:02
    make a perception check with disadvantage. I'm also just picking the lock,
  • 30:02 - 30:05
    not opening it. Oh God. Me also my
  • 30:08 - 30:10
    19 2020.
  • 30:10 - 30:13
    Okay. 19. No big lock.
  • 30:13 - 30:17
    It's a big lock and it's more intricate than you expected. The door does not.
  • 30:17 - 30:22
    When I'm doing the perimeter run, are there any seller insurances,
  • 30:22 - 30:26
    anything that looks like hatches that go down, make a perception check.
  • 30:27 - 30:30
    Um, you glancing through, you look inside and you can see some,
  • 30:30 - 30:34
    some candelabra has that are arranged is a race platform with a bit of a red
  • 30:34 - 30:37
    carpet on it. It looks to be a desk or some sort of a, a wide,
  • 30:37 - 30:41
    a beautifully carved table that's meant for greeting people who entered the Chan
  • 30:41 - 30:42
    tree. Uh,
  • 30:42 - 30:47
    you do see two figures that stand at the top of that platform and they're both,
  • 30:47 - 30:51
    uh, in the process of looking through like looks like drawers or papers there.
  • 30:52 - 30:54
    One of them we both looked at one side as if they're hearing something and you
  • 30:54 - 30:56
    can hear it very faintly,
  • 30:56 - 31:01
    a little bit of voices coming through the hole and then one of them kind of gets
  • 31:01 - 31:04
    out of your perspective of the people and that's all you see people look like
  • 31:05 - 31:08
    the door. Uh, they are heavily cloaked, um,
  • 31:09 - 31:12
    wearing what looks like a piece of cloth across the front of the face. Uh, the,
  • 31:12 - 31:14
    the, the hood and cloak,
  • 31:14 - 31:17
    they're wearing this like a gray dark gray color generally meant to look and
  • 31:17 - 31:21
    conspicuous but also to hide any sort of representation of who they are.
  • 31:21 - 31:26
    Yeah. People in there like rivaling through things. I'm going to throw my back,
  • 31:26 - 31:26
    uh,
  • 31:26 - 31:30
    away from the temple and squat down and pull out the pound and place it to my
  • 31:30 - 31:34
    forehead and cast abortions favor upon myself. Okay. Getting under my clothes.
  • 31:35 - 31:38
    You've got it. I rolled in 2012 a 20 total.
  • 31:39 - 31:42
    You do a pass and you didn't want you looking for the same your perception as
  • 31:42 - 31:46
    well. A good 20. Okay. Two twenties.
  • 31:46 - 31:49
    You guys come around the opposite sides and meet each other and you look about,
  • 31:50 - 31:52
    um, there is no cellar.
  • 31:53 - 31:57
    It looks like the whatever entrances there are here are designed to be either
  • 31:58 - 32:00
    purely that front or you haven't seen with our
  • 32:02 - 32:05
    basement of the Alamo. All good turn that
  • 32:07 - 32:09
    we get around to the back and meet each other. Yeah.
  • 32:09 - 32:12
    You guys like meet up on the opposite side if you're doing your scan? No,
  • 32:12 - 32:16
    nothing at all. No. The windows were fucking junk.
  • 32:16 - 32:19
    A sheet of rain comes through as the,
  • 32:19 - 32:21
    the beam of light gets partially interrupt.
  • 32:21 - 32:24
    Can I look through the people and see is there any area of the uh,
  • 32:24 - 32:26
    the chapel that looks like it's, um,
  • 32:26 - 32:31
    like hidden behind pews or maybe behind like if I look at like along the walls,
  • 32:31 - 32:33
    does it look like there's area has it hidden behind pillars? You can
  • 32:33 - 32:36
    see, you can only see the front chamber. You can't even,
  • 32:36 - 32:37
    you can't look into the main cathedral room.
  • 32:37 - 32:40
    It's only this like kind of anti chamber that you enter first. It gets
  • 32:40 - 32:44
    blocked. Like is anybody looking into this right now from what you can see,
  • 32:44 - 32:46
    which is just this little perspective.
  • 32:46 - 32:48
    You can see the center of the room and that race platform,
  • 32:48 - 32:50
    nobody sees you and there's,
  • 32:50 - 32:53
    but there are people that are essentially looking towards the front door. Okay.
  • 32:54 - 32:57
    If I moved along the side, would they be able to,
  • 32:57 - 33:01
    I want to paint a little crawl space to get in. You can do that,
  • 33:01 - 33:04
    but I want to do it out of I Shelton, what I can see through the people.
  • 33:06 - 33:08
    Okay. Front doors on fatal funnel,
  • 33:08 - 33:13
    like the dog doggy door along the side. We can go further along.
  • 33:14 - 33:16
    Let's go towards the back and I'll do the same thing there. Okay.
  • 33:17 - 33:20
    And then to them as we're, okay. So are you guys going with gesture then?
  • 33:21 - 33:24
    So you've all gathered up on the right or left side of the cathedral, call it.
  • 33:25 - 33:27
    Right. Okay. So you go on the right side of the cathedral,
  • 33:27 - 33:31
    you meet up with them, you kind of come around Beauregard uh,
  • 33:31 - 33:33
    but you're pretty quick on your feet anyway.
  • 33:33 - 33:36
    So you actually get there about the same time you all meet up kind of off to
  • 33:36 - 33:38
    the, the the right side and a little further back.
  • 33:38 - 33:42
    You're at the cusp where the wall would be that leads into that main chamber or
  • 33:42 - 33:46
    into the cathedral. You can see there's like a heavy wall that blocks the too.
  • 33:47 - 33:49
    So if you're going to make, do you want peanut crawlspace?
  • 33:49 - 33:53
    Where do you want to paint it? What do you think? Which side? Big side. Front.
  • 33:54 - 33:58
    Front spices. Back backside. So the large cathedral.
  • 34:00 - 34:00
    Yeah, away from the door.
  • 34:01 - 34:05
    What are the people are the people that you saw are inside the kind of anti
  • 34:05 - 34:09
    chamber. Okay, I'll go get it then. Yes. The main spending away from here,
  • 34:09 - 34:10
    I'll give you a visual perspective.
  • 34:19 - 34:22
    This visual perspective is brought to you by dwarven forge combat cam.
  • 34:23 - 34:28
    They will be a PAX unplugged over the first weekend in December at the diehard
  • 34:29 - 34:34
    dice booth. Find the follow along on social at Borbon forge on Twitter.
  • 34:34 - 34:36
    Also an awesome dice company.
  • 34:37 - 34:41
    You guys were in this area. Okay. Okay. Okay.
  • 34:41 - 34:43
    You have been made people here,
  • 34:43 - 34:46
    which means you're able to look in and see this area with the desk and the
  • 34:46 - 34:48
    raised platform and the candelabra. So you saw
  • 34:52 - 34:56
    two figures up here are going through the desk and keeping a watch or warning
  • 34:56 - 34:58
    them. Walk this way out of your peripheral. Okay. Out of sight.
  • 34:58 - 35:00
    And that's all you've seen on the road. So we went to the,
  • 35:00 - 35:03
    you guys went around this side now over in this pocket. Okay.
  • 35:03 - 35:08
    So we could go around. This is, this is the extension of the main cathedral.
  • 35:08 - 35:10
    So this is it. This is the initial chamber.
  • 35:11 - 35:14
    And then you could go around or through here and this would lead into the main
  • 35:14 - 35:19
    cathedral. Yeah, yeah. We'll keep going back further and further and, okay,
  • 35:19 - 35:20
    we'll go back. Okay.
  • 35:20 - 35:25
    So you come a little further here and where do you want to draw? Where do you,
  • 35:25 - 35:29
    how do you want to pinch that wall? Right there? Yeah. Right here. Yeah,
  • 35:30 - 35:34
    yeah. In the corner. Yeah. Okay. So you take out your paints.
  • 35:35 - 35:38
    Um, it, there's still like water off of the roof
  • 35:38 - 35:39
    here.
  • 35:39 - 35:43
    You can't hear me so I can't see. Yeah. So it gets, keeps me dry.
  • 35:44 - 35:47
    Hold it over. Okay. And so what do you, what do you,
  • 35:47 - 35:51
    what kind of crawl space do you paint? Crawl space? Small,
  • 35:51 - 35:55
    just like big enough for all of us to be able to fit through.
  • 35:55 - 35:59
    You can get pretty, I have to crawl. Okay. Yeah.
  • 35:59 - 36:00
    Looks like a good place for traveler, this
  • 36:04 - 36:08
    gal, right? Traveler gate along the top. And then it's gonna be like,
  • 36:10 - 36:12
    okay, you go ahead and
  • 36:13 - 36:18
    finish your detailed art and create the little open crawl space as you finish
  • 36:18 - 36:19
    the details on it.
  • 36:19 - 36:22
    You watch and it's wild because you look at it and almost like your eyes are
  • 36:22 - 36:24
    blurred from there. You're not focusing. And once your eyes focus again,
  • 36:25 - 36:30
    it's like there was always an opening there. Um, kind of that's wild.
  • 36:30 - 36:31
    And as you kind of make your way in,
  • 36:31 - 36:35
    it is indeed crawl space that you could all fit through one by one.
  • 36:35 - 36:36
    So what's the matter?
  • 36:36 - 36:40
    Oh God. Go in and scout her out first. Sneaky as fuck. Right. All right.
  • 36:40 - 36:44
    I'll turn invisible. Check Jeff's. Yes,
  • 36:45 - 36:46
    the carrots.
  • 36:58 - 36:59
    So
  • 37:00 - 37:02
    if or when you guys want to go through, what is the marching order?
  • 37:02 - 37:05
    Who's going in first line first? That's when first. Who'd be after?
  • 37:05 - 37:09
    Not rolling in second. All right. I'll go behind ball.
  • 37:09 - 37:13
    I'll go behind Laura. Who's Laura? Well, jester fine.
  • 37:15 - 37:20
    Okay. Kayla takes the [inaudible] and then that'll come in after you guys.
  • 37:20 - 37:25
    Yeah, Kara. Yeah,
  • 37:26 - 37:28
    it could. This is gonna fit. He might take a mini, he might,
  • 37:28 - 37:31
    he might have a momentary kind of Winnie the Pooh moment, but he'll,
  • 37:31 - 37:32
    he'll eventually make its way through
  • 37:33 - 37:34
    me neither.
  • 37:34 - 37:37
    As you're painting this and finishing up Puma, it's like, all right,
  • 37:37 - 37:40
    I'm not going to lie. That's really impressive by the way.
  • 37:40 - 37:45
    How'd you stop that worm thing? Oh, that's a conversation for later.
  • 37:45 - 37:50
    We have a counterfeit badge. Yeah. Yeah. It's like a secret. Sorry. Okay,
  • 37:50 - 37:54
    well we'll talk later. That's really impressive. Confusing. Pretty impressive.
  • 37:55 - 37:59
    All right, so you had in first, are you waiting? You're waiting for nuts. Go.
  • 37:59 - 38:03
    Are you going to meet in the afternoon? Okay. Yeah. All right.
  • 38:04 - 38:06
    Self check. No, I'm just,
  • 38:06 - 38:08
    I'm kind of like putting my head down and I think we're all kind of like
  • 38:09 - 38:10
    cramping into the call, right? The doorway. Yeah.
  • 38:11 - 38:15
    Stealth checked with avenge please. I will summon, I also summon the sword.
  • 38:15 - 38:18
    Okay. And I will cast in visibility
  • 38:19 - 38:23
    so I can track not in the room. She's doing this.
  • 38:26 - 38:28
    She's herself. She's dead. We should leave.
  • 38:32 - 38:36
    All right, I'll roll. We're still a plus two
  • 38:37 - 38:38
    27
  • 38:38 - 38:41
    27. Okay. As you carefully step in,
  • 38:43 - 38:45
    you enter what is a
  • 38:48 - 38:49
    beautiful
  • 38:51 - 38:55
    religious space that you similar to when you first entered the bright Queens
  • 38:55 - 39:00
    quarter. Just like that kind of just overwhelming beauty though very different,
  • 39:00 - 39:01
    whereas that was a very cold white light.
  • 39:03 - 39:08
    This cavernous church chamber is a glorious hall of towering stone walls draped
  • 39:08 - 39:10
    in red velvet banners. Uh, chisel,
  • 39:10 - 39:15
    detailed framing around the numerous 40 foot tall stained glass windows, uh,
  • 39:15 - 39:19
    as the murals of Holy stories to pick that across them with Peller iconography,
  • 39:20 - 39:20
    uh,
  • 39:20 - 39:23
    brought to warm life by colorful beams of sunlight that are coming from that one
  • 39:23 - 39:27
    particular shaft that makes its way to the cathedral. Uh,
  • 39:27 - 39:30
    engulfs the interior in this kind of warmth, uh,
  • 39:31 - 39:34
    this kind of hearth type feel, which is very, uh,
  • 39:34 - 39:39
    conflicting with the interior of, of people that, that hold the inside. Um,
  • 39:39 - 39:42
    you do notice in the center there was a raised central platform that holds an
  • 39:43 - 39:46
    altar to the Don father as well as candelabra arranged around it.
  • 39:47 - 39:50
    You can see a series of pews that are aligned back. You can see there,
  • 39:50 - 39:53
    there are two large towers that kind of rise up in the middle of the chamber
  • 39:53 - 39:54
    with balconies.
  • 39:54 - 39:59
    And there are a set of raised kind of Royal seats towards the back that faced
  • 40:00 - 40:03
    the entire inside with stairs that raise up to them.
  • 40:03 - 40:08
    You can see about eight figures similarly close to the ones that you saw in
  • 40:08 - 40:13
    there as well as an older woman in red, golden silver.
  • 40:13 - 40:18
    The Cardinal respite currently at the alter and is in the process of reciting
  • 40:18 - 40:20
    something in a low muttered voice.
  • 40:23 - 40:23
    Uh,
  • 40:23 - 40:27
    do I know that you cast see in visibility? So I'm just going to say like
  • 40:29 - 40:33
    nine people. 10 people.
  • 40:34 - 40:38
    Wait, I know why I was late.
  • 40:42 - 40:44
    Medusa is inside. Yes.
  • 40:47 - 40:51
    Apparently the eight people inside and one crazy woman with weird hair.
  • 40:53 - 40:57
    Oh, I met. That's the lady that they saw. Who did you see really fucked up hair?
  • 40:58 - 40:59
    What does she do?
  • 40:59 - 41:02
    What do we know about the lady that ran the place or something? I don't,
  • 41:02 - 41:07
    we mean fucked up like, like bad breakage and damage was really frizzy.
  • 41:07 - 41:11
    I feel like no one would notice. Okay. Yeah, interrupting this.
  • 41:12 - 41:13
    I mean I don't know.
  • 41:13 - 41:18
    We probably all know does not just not see Yasha does not see Asha how she is
  • 41:20 - 41:25
    not in this room. I would say cause I've got to feel where lush it is. Yes.
  • 41:25 - 41:26
    Where is she
  • 41:27 - 41:29
    as you, as you continue to look around,
  • 41:29 - 41:31
    and you can see towards the very back of the chamber, behind the altar,
  • 41:31 - 41:36
    there is what looks to a stone entryway with a metal door that is closed and it
  • 41:38 - 41:40
    seems to slope downward indicating, uh,
  • 41:41 - 41:45
    a passageway that leads deeper beneath the cathedral.
  • 41:46 - 41:48
    [inaudible] right now on this map, is that,
  • 41:48 - 41:51
    is that altered back towards you or what am I showing you?
  • 41:58 - 41:58
    Here's the thing.
  • 41:58 - 42:01
    Now we're going to have one point of entry to get all eight of us in,
  • 42:01 - 42:03
    in a hurried fashion versus
  • 42:04 - 42:07
    this other map is also brought to you by the urban forest.
  • 42:07 - 42:08
    So we only have one point of entry.
  • 42:08 - 42:13
    We'd have to get all A's in real fast and fan that person to explain first
  • 42:14 - 42:17
    weekend of December, but she's mid, whatever she's doing.
  • 42:23 - 42:26
    [inaudible] you know what? We skipped this room too,
  • 42:34 - 42:36
    man. What the fuck, man? Feeling crafty.
  • 42:36 - 42:40
    So to give you a little bit of a heads up at the location that you know not,
  • 42:41 - 42:43
    I know, not. Oh
  • 42:48 - 42:53
    Whoa, there's the rodeo. Fuck,
  • 42:57 - 43:02
    Oh fuck. Oh, there's no way. Babies.
  • 43:02 - 43:05
    I'm sure they're all just like base level fighters.
  • 43:08 - 43:12
    Probably just really like a sickle,
  • 43:12 - 43:15
    you know who lost these balconies? Probably have motherfuckers too.
  • 43:15 - 43:16
    I'm just going to say
  • 43:20 - 43:20
    in there already.
  • 43:27 - 43:30
    Leading to the balconies do? Yes.
  • 43:30 - 43:32
    There are little doors underneath the balconies.
  • 43:32 - 43:36
    That might be a winding thing or at least there is on the one that's closest to
  • 43:36 - 43:36
    you.
  • 43:36 - 43:39
    You've come in through, you guys have been on this side of you. Yeah.
  • 43:39 - 43:42
    So you've come through and you're in this far corner.
  • 43:43 - 43:44
    Oh right there
  • 43:46 - 43:49
    as an individual like right to the left and you see them kind of like looking
  • 43:50 - 43:54
    occasionally checking in every now and then you'll hear the rattling of keys and
  • 43:54 - 43:57
    one of the doors that were there, which opens up into the previous chamber.
  • 43:57 - 44:02
    So many pokes through and asks like nothing yet crispy hoodie in.
  • 44:02 - 44:05
    Locks it again behind them and the ritual.
  • 44:05 - 44:09
    Can I just watch the ritual for a second and just see like is does it seem like
  • 44:09 - 44:13
    it's crescendoing or anything or is it just an even chant?
  • 44:14 - 44:18
    You listen to it and the phrases are less above like, uh,
  • 44:18 - 44:23
    you don't sense any magic. It seems like it's a sermon sermon. Okay. Okay.
  • 44:23 - 44:28
    Speaking of you hear the old woman go handed twice upon this day that the angel
  • 44:30 - 44:31
    Rose up
  • 44:32 - 44:37
    and gifted upon us our boons for what we've given of we have sacrificed by the
  • 44:38 - 44:39
    family below.
  • 44:39 - 44:44
    They will break the first of many chains and soon the angel will give unto us
  • 44:46 - 44:50
    what we have earned and they're all kind of listening intently while also
  • 44:50 - 44:50
    keeping an eye out
  • 44:50 - 44:51
    the room
  • 44:55 - 44:59
    just like we did that garden. Zack [inaudible] cut it off.
  • 44:59 - 45:04
    Now she makes you eat your installs in and surround an ambush and get the jump.
  • 45:04 - 45:05
    How [inaudible]
  • 45:06 - 45:07
    let me cover,
  • 45:07 - 45:12
    I'm going to slowly just walk that way in the room away from the entrance points
  • 45:12 - 45:15
    as slow and stealthy as possible. Okay.
  • 45:15 - 45:18
    Your stolen and stop check that you rolled the other side of the room.
  • 45:19 - 45:21
    Can you are invisible as you get across to that pillow over there and you do
  • 45:21 - 45:24
    kind of stop and look back and you see there's a slight trail of water from the
  • 45:24 - 45:25
    rain that you've
  • 45:26 - 45:28
    taken. Oh shit. Nobody seems to notice that
  • 45:30 - 45:35
    the first side of the room, I can take care of that. All right,
  • 45:36 - 45:41
    give me 30 seconds and I start walking fast along the side of the temple towards
  • 45:42 - 45:45
    the back. Back the sudden you mean? Yeah. Okay.
  • 45:47 - 45:48
    He's alone.
  • 45:49 - 45:52
    So you come around and you're now on the outside of the cathedral.
  • 45:53 - 45:57
    20 seconds later, 30 seconds later, 40 seconds later.
  • 45:57 - 46:01
    Massive cat's claw slams through the center. Stained glass one
  • 46:02 - 46:04
    right here. Yes. Paul
  • 46:09 - 46:13
    breaking into this space here at now sits, we'll say, right. Okay.
  • 46:14 - 46:17
    I'll put it over here. That's one way to do it. That is, I guess we're going,
  • 46:18 - 46:22
    yeah, we rolling in the deep. All right,
  • 46:22 - 46:24
    so the cat's claw crashes through,
  • 46:26 - 46:28
    but some glass come raining down from above.
  • 46:28 - 46:30
    As the entire thing falls in on itself,
  • 46:30 - 46:34
    the sunlight comes through and shines bright under the center pillar.
  • 46:34 - 46:37
    All of them. Spin and turn and look up and see them. Miss school claw.
  • 46:39 - 46:42
    What do you guys do? As soon as I hear the smash, I'll push throughout.
  • 46:42 - 46:45
    Now it's time to take initiative because you have now initiated.
  • 46:46 - 46:50
    What do you mean? We don't know if that's a friend or foe.
  • 46:57 - 47:01
    I used to have it. That's garbage. That's garbage. Good, good, good,
  • 47:01 - 47:04
    good. I was a natural one on my end.
  • 47:08 - 47:13
    Tara. Hey, that's great. Yay. Right? 500 bucks.
  • 47:13 - 47:15
    Wow. Thank you Travis. Frederick.
  • 47:15 - 47:19
    Thank you for softening the blow of my thing.
  • 47:21 - 47:24
    Hey that how his above his sneakers that you got last session. A doubt.
  • 47:24 - 47:26
    It does a little bit. That's true.
  • 47:27 - 47:30
    So 25 to 2024 23
  • 47:32 - 47:36
    2024 yeah.
  • 47:40 - 47:42
    Men. You had 2323
  • 47:45 - 47:49
    2215 Oh 1717 Oh,
  • 47:50 - 47:53
    Oh hello sir.
  • 47:55 - 47:56
    It's supposed to be what? I'm good at.
  • 47:56 - 47:57
    Hm?
  • 48:01 - 48:04
    15 to 10 1210 [inaudible].
  • 48:10 - 48:12
    Yeah. Yeah. So breathe it in. Breathe it in.
  • 48:13 - 48:15
    Use conduces to,
  • 48:23 - 48:26
    as soon as the glass shatters
  • 48:28 - 48:31
    and everyone turns and looks, you watch,
  • 48:31 - 48:34
    as Cardinal RESPA turns and sees it,
  • 48:35 - 48:37
    moves her fingers like this and then shouts,
  • 48:37 - 48:42
    and the magic that she summons causes her voice to boom loudly.
  • 48:42 - 48:46
    You recognize this as a thumb? Entergy, Ken Tripp says,
  • 48:47 - 48:52
    you who intrude on sacred ground in ceremonies shall be struck down bays.
  • 48:53 - 48:57
    And he's blinding light. The angel rises unseen,
  • 48:58 - 48:59
    let their children come,
  • 49:00 - 49:04
    and then she stomps the ground and the ground just suddenly quakes.
  • 49:05 - 49:09
    Alright. Top of the rounded jester doing gesture.
  • 49:10 - 49:12
    Uh, I'm gonna, uh, invoke duplicity.
  • 49:13 - 49:16
    You are all currently outside over here. Yeah.
  • 49:18 - 49:20
    And I'm assuming all of their,
  • 49:20 - 49:23
    they're all looking at the window, right?
  • 49:24 - 49:26
    They're all looking at the window at the moment. Yeah. Okay.
  • 49:26 - 49:29
    Then I'm going to send to my duplicate in
  • 49:31 - 49:33
    [inaudible] and she's soundless.
  • 49:34 - 49:38
    So is this versus this directed, I'm going to have her son come along the wall.
  • 49:39 - 49:43
    Okay. And come back here, like behind the person. Behind the person.
  • 49:45 - 49:50
    Okay. Yeah. And then that's your action.
  • 49:50 - 49:55
    Yeah. Um, I'm gonna try to sneak in,
  • 49:56 - 49:59
    make a stop, check Jesus' cook.
  • 49:59 - 50:04
    Right. May. Oh no, I can't do that. Can I? That's an action.
  • 50:04 - 50:04
    I'm not going to guide me.
  • 50:08 - 50:11
    14. Okay. You don't move half speed because you're going quietly. Okay.
  • 50:12 - 50:13
    Stuff get you in.
  • 50:15 - 50:18
    Just going to crouch down right next to where we came in at.
  • 50:18 - 50:23
    I'm gonna like be next to that bench. Okay. You come in,
  • 50:23 - 50:27
    can lean against the bench, but can I, can I duplicate, have gone further?
  • 50:29 - 50:29
    Uh,
  • 50:29 - 50:32
    sure. But that happened. Okay. Okay.
  • 50:33 - 50:37
    So that comes into the visual perspective. Now that the person is right here.
  • 50:38 - 50:41
    Yeah. Is looking up and in the peripheral they see the duplicate moving,
  • 50:42 - 50:44
    like running over this way. Turn and go right here.
  • 50:45 - 50:48
    Which drop Truda so let me look back
  • 50:50 - 50:52
    through the door. Right? They all look in, they see that.
  • 50:53 - 50:58
    And if you wouldn't look to you, dammit, that's your moving.
  • 50:58 - 51:02
    That's your action. Bonus. Action. Are you good? Uh, all right,
  • 51:02 - 51:06
    that finishes your turn. Next is not, not, you are over here behind. You see,
  • 51:07 - 51:11
    just or sneak in and create the, uh, the, the illusory, duplicative herself.
  • 51:11 - 51:11
    Come in.
  • 51:11 - 51:15
    And then you notice that people seem to have spotted the illusion and possibly
  • 51:16 - 51:20
    hurt. Wow. Hold on. I can do a bonus. I can do an a spell for my bonus action.
  • 51:20 - 51:25
    Oh, okay. I just feel like it's going to make a noise and they already see,
  • 51:25 - 51:28
    they already see me as a thing. We going, okay.
  • 51:28 - 51:32
    Then I'm going to a cast spiritual weapon. Okay. Second level.
  • 51:32 - 51:33
    Where are you going to
  • 51:33 - 51:35
    drop it? Uh,
  • 51:36 - 51:40
    right over the head of the person right here. Yeah. Okay.
  • 51:43 - 51:45
    Does a mom bring it down? Glenn roll for an attack.
  • 51:53 - 51:56
    27 that hits. Go ahead and roll damage.
  • 52:01 - 52:05
    Not at eight. Oh Jesus. Uh, eight points of damage.
  • 52:05 - 52:06
    Points of damage.
  • 52:07 - 52:09
    Well, I hit over the head. It looks back towards that, uh,
  • 52:09 - 52:14
    where it came from and sees the large cast it. Yeah. All right.
  • 52:15 - 52:19
    Sane. Okay. Uh, my spells come from the duplicate, right. Understood. If that,
  • 52:20 - 52:23
    um, so the, uh, blocking the head by the,
  • 52:23 - 52:26
    the lollipop can mislead floating in the air and noticing the duplicate looks at
  • 52:26 - 52:28
    it to see if somebody's shouting, you know,
  • 52:28 - 52:31
    intruder and kind of looks around and is just really confused.
  • 52:31 - 52:32
    That person doesn't quite notice you at the moment,
  • 52:33 - 52:38
    but others appear seem to not, what are you doing? A full movement,
  • 52:38 - 52:41
    a sort of back diagonal towards, towards the claw basically.
  • 52:42 - 52:47
    As far as I can get. 35 30. Oh, well then, right.
  • 52:47 - 52:50
    Bef as I'm moving, I will,
  • 52:51 - 52:56
    should I reveal myself? Maybe you can shoot and then hide behind a thing. Well,
  • 52:56 - 52:59
    that's what I was going to do, but they'll still see me. Um, right. I,
  • 52:59 - 53:03
    as I'm moving, I will shoot at Cardinal RESPA. Go for it.
  • 53:04 - 53:07
    Come not been noticed by her. So you have an advantage in the attack rolls. Yes.
  • 53:07 - 53:10
    Great. Woo.
  • 53:10 - 53:15
    [inaudible] nine to hit definitely hits. Uh,
  • 53:16 - 53:18
    all right. Let's see what we get.
  • 53:20 - 53:21
    Not the greatest,
  • 53:24 - 53:28
    not 24 points of damage.
  • 53:32 - 53:33
    I want to free fight more people.
  • 53:36 - 53:40
    Sorry. I'll just leave it at that. And then, uh, uh,
  • 53:40 - 53:45
    I will vote I, so you say say I can get to there, but I can't bonus action hide,
  • 53:45 - 53:47
    right. You're not. No, because you've,
  • 53:47 - 53:50
    and you've revealed yourself now with the attack. Yes.
  • 53:50 - 53:55
    And as you fire and you watch it as coroner respo who's currently like saw the
  • 53:55 - 53:58
    smashing glass, heard, intrude or turned and saw jester,
  • 53:58 - 54:01
    you were noticed by the Cardinal and you can see it.
  • 54:01 - 54:03
    She begins to cast or like beginning the process of thinking about a spell to
  • 54:03 - 54:07
    release before and the in their side and she reaches back.
  • 54:07 - 54:11
    The two other guys behind there are three that are watching her suddenly go and
  • 54:11 - 54:12
    look in your direction,
  • 54:12 - 54:15
    seeing the source of where it comes from and they immediately see you appear and
  • 54:15 - 54:16
    there's nowhere to hide from.
  • 54:16 - 54:21
    Well then I use my bonus action to dash the full movement back behind and can
  • 54:22 - 54:24
    just keep going around around the circle. 30,
  • 54:24 - 54:27
    35 that's as far as I can get there. Okay.
  • 54:28 - 54:30
    Well you want to be up against the wall? Uh, I'll be like against the wall.
  • 54:30 - 54:31
    Yeah. All right.
  • 54:31 - 54:32
    There you go.
  • 54:34 - 54:37
    All right. That finishes nuts. Go Caleb, you're up.
  • 54:37 - 54:40
    I need to understand what I see from outside. Is that window,
  • 54:40 - 54:44
    ground level or high above me? This, yeah. When you shattered it,
  • 54:44 - 54:46
    he shattered it kind of low and in the top parking are mostly broke.
  • 54:46 - 54:47
    There's still parts of it up there,
  • 54:47 - 54:50
    but there's like hanging broken bits and it's jagged.
  • 54:50 - 54:54
    You could carefully get through and walk through. Well, or is it up and in?
  • 54:55 - 54:57
    Um, you could certainly try.
  • 54:57 - 55:01
    It looks like there's anywhere between two to three feet of broken, jagged, um,
  • 55:02 - 55:04
    stained glass there. But you could try and kicking it out.
  • 55:04 - 55:08
    You could try and climb through it instead of, uh, for my bonus action, I will,
  • 55:08 - 55:12
    uh, pull the cat's claw down through that jagged glass, uh,
  • 55:12 - 55:17
    cracking out as much as possible. You know, the bottom and I use the claw to,
  • 55:17 - 55:21
    um, uh, push me the distance up into the building.
  • 55:22 - 55:27
    Forceful hands pushes have to save against it. Right? So you're back here,
  • 55:27 - 55:29
    back all the way to the right where I put it through. Sorry.
  • 55:29 - 55:34
    So just to scoop me up an in if possible. Oh, out.
  • 55:34 - 55:35
    That'll be your action to do that.
  • 55:35 - 55:39
    The Katz action on my action cause it's a bonus action once it's cast,
  • 55:39 - 55:43
    but it's what is action to have it attack and move. Yup. On subsequent turns.
  • 55:43 - 55:47
    So I did the spell before combat started. This is a new term,
  • 55:48 - 55:51
    so it's a bonus action for it to do whatever it's going to do. Okay.
  • 55:51 - 55:53
    According to this spot. Right. I'm just,
  • 55:53 - 55:56
    I'm just trying to remember [inaudible] attack and you can move it on a motor
  • 55:56 - 56:01
    section. Uh, was it one of the other, I believe. I believe that. Can you
  • 56:02 - 56:05
    just double check, uh, as a bonus action on your subsequent turns,
  • 56:05 - 56:08
    you can move the hand up to 60 feet and then cause one of the following effects
  • 56:08 - 56:12
    with it. Gotcha. Okay, cool. So it scoops through,
  • 56:12 - 56:17
    clears out the bottom of the glass, picks you up and then lifts to moves fast.
  • 56:17 - 56:19
    60 feet, six feet. That's pretty quick.
  • 56:22 - 56:24
    Oh wow. Wow.
  • 56:25 - 56:28
    Yup. That's a backup. It lifts you through,
  • 56:28 - 56:31
    I would say after hearing all that out, when you bring you in,
  • 56:31 - 56:33
    it has to be like 10, 15 feet.
  • 56:34 - 56:35
    Oh, I'm so sorry. Well,
  • 56:36 - 56:40
    I come scooping up in here and get the lay of the land in like three seconds.
  • 56:40 - 56:45
    And um, from the claw, uh, you see my hands come out and go
  • 56:48 - 56:53
    and a bowl of fire from the guano and a sulfa pulls out in my hands and I throw
  • 56:53 - 56:58
    it centered maybe to that side of the altar by her right by RESPA his right
  • 57:00 - 57:00
    side.
  • 57:00 - 57:05
    All right. Fuck you two whereabouts?
  • 57:07 - 57:11
    This side of her? The side of her right there. Yeah. Right there. Okay.
  • 57:12 - 57:15
    Cause they're trying to get all of the minute. Yeah. All right,
  • 57:15 - 57:18
    go ahead and roll the okay. I believe yes. So I might
  • 57:20 - 57:24
    just detonates in the center of the explosion resounding through the flames
  • 57:24 - 57:25
    causing this in the middle of the air,
  • 57:25 - 57:29
    like this pure sphere of burning fire that the bottom of it just being cut off
  • 57:29 - 57:32
    from the top of the pillar. It just engulfs everything up there.
  • 57:32 - 57:33
    And this is a fourth level,
  • 57:34 - 57:39
    so I love how the heart level spells break out of breath for the cast
  • 57:40 - 57:45
    18. So she's just jumped the line. She made her save.
  • 57:45 - 57:46
    She did
  • 57:50 - 57:51
    this.
  • 57:51 - 57:55
    You 30 points of fire damage? No, that's a one more
  • 57:55 - 58:00
    did he won 56 points of fire damage. Six nice.
  • 58:01 - 58:03
    Eight 30 alright, so she takes half damage. She succeeds.
  • 58:04 - 58:06
    He takes half damage there.
  • 58:09 - 58:12
    Fails and take the maple. 18 is great on that. That's awesome.
  • 58:14 - 58:18
    Oh, I didn't just screams and crumbles to the ground.
  • 58:18 - 58:19
    Just the charred skeleton
  • 58:19 - 58:22
    and it's place. Oh, this one here. It's called
  • 58:25 - 58:29
    uh, 14 knots. A fail. Is that a wisdom safe now?
  • 58:30 - 58:32
    Huh? [inaudible] going down from foster. Would
  • 58:34 - 58:37
    each one you have do a say for each one or is it like I've been to the turn.
  • 58:37 - 58:42
    If it's killed one, you don't have to do it for each one, but 18,
  • 58:42 - 58:46
    18. Okay. You're still holding on fails.
  • 58:51 - 58:52
    One fails.
  • 58:56 - 58:57
    You watch us. All of them scream. Only two of them.
  • 58:58 - 59:00
    Minister like Dodge out of the way, tumbled on the stairs,
  • 59:00 - 59:03
    put up the flames on their back or where they stand back up and turn in your
  • 59:03 - 59:04
    direction
  • 59:08 - 59:12
    was he is a ringing from the sounds of the screens and he just dives and falls
  • 59:12 - 59:16
    down behind that slope of stone with his movement off of the cat's claw.
  • 59:16 - 59:20
    Okay. Slide making that making a acrobatics check.
  • 59:22 - 59:22
    So good at
  • 59:22 - 59:26
    that. Uh, acrobatics. You sentence seven, right?
  • 59:26 - 59:30
    You are prone behind it right there. A bunch of glass.
  • 59:32 - 59:35
    So you take two points of piercing damage
  • 59:37 - 59:40
    as you got gotta tumble can align on your side.
  • 59:40 - 59:44
    It's all jammed into your cloak and stuff of me and my duplicate where like, Oh,
  • 59:50 - 59:54
    now I've got a fire spell. Ho ho, ho Dio. KAA motherfucka
  • 59:56 - 59:58
    concentration. All right.
  • 59:59 - 60:02
    That brings us to [inaudible] and gestures also in the concentration
  • 60:02 - 60:07
    for duplicate this one. Got it. All right.
  • 60:07 - 60:10
    That finishes you. You're trying to kill him. Alrighty.
  • 60:11 - 60:15
    It is now the cultists turn. There are these two here.
  • 60:16 - 60:20
    Um, they saw gesture, but then all of a sudden just flames burst in.
  • 60:21 - 60:22
    This one's going to go ahead
  • 60:25 - 60:27
    dirty while you go in.
  • 60:27 - 60:32
    So it's going to rush over 10 2025 30 and he does get,
  • 60:32 - 60:35
    does it get close to you? Yeah. Well does,
  • 60:35 - 60:38
    does the clock get to do anything on that or no. The closet creature.
  • 60:38 - 60:42
    10 o'clock. I'm just gonna go ahead and make 2 million attacks against you.
  • 60:42 - 60:46
    Okay. First one is going to be this cough. Ooh,
  • 60:47 - 60:52
    24 to hit right. Take
  • 60:53 - 60:57
    six points of piercing damage and the second attack,
  • 60:57 - 61:01
    is it harder cause he's prone or easier cause he's prone to hit him. Huh?
  • 61:02 - 61:06
    I mean they, it's advantage. Oh shit. The second one would be a yes.
  • 61:06 - 61:08
    It's take your, it makes sense. Hold on. One, two.
  • 61:09 - 61:11
    I'm 21 it's okay.
  • 61:12 - 61:15
    Then suffer four points of piercing damage.
  • 61:15 - 61:18
    Does it just stabs you twice with daggers? You're fine.
  • 61:20 - 61:24
    This one's going to go ahead and rush up and kind of [inaudible]
  • 61:25 - 61:28
    getting the other side of you and now two of them are already to just stop the
  • 61:28 - 61:31
    fuck anyway. The next term had used to actually get there. Um,
  • 61:35 - 61:38
    actually no. What, who is not? This guy is a different type.
  • 61:39 - 61:42
    He's going to go out and use his photo section and some of the chat
  • 61:44 - 61:47
    [inaudible] seminar, spiritual weapon. Oh, what's it look like?
  • 61:48 - 61:52
    This you see what looks to be a, a large, uh,
  • 61:52 - 61:55
    sort of flame with dangling chains of fire off of it.
  • 61:56 - 62:00
    As it swings in the air arcs, downs, arcs down towards you. I'm ready to attack.
  • 62:01 - 62:05
    That is going to be 18. Hit shield. I like your mud. All right.
  • 62:06 - 62:10
    I misses the shield to flex the blow from the weapon. Uh,
  • 62:10 - 62:12
    that's going to finish its turf.
  • 62:13 - 62:17
    Now the regular compass or the other ones over here, I'm going to go ahead and
  • 62:20 - 62:21
    [inaudible].
  • 62:23 - 62:24
    Do you have any syllables? Save it
  • 62:27 - 62:31
    and you're face to face with you. See you try this one. Uh,
  • 62:33 - 62:34
    there is a hidden one, right?
  • 62:35 - 62:39
    I'm going to go over and of course there tend to strike the duplicate gesture
  • 62:41 - 62:46
    and does nothing but now is well aware that it is an illusion that finishes
  • 62:48 - 62:50
    their turn, but you're up
  • 62:53 - 62:56
    like it got hit. It's like, Oh, okay.
  • 63:00 - 63:05
    [inaudible] very dramatic. All right, pause. Still. Pretty sure you're
  • 63:07 - 63:10
    living with the stab and his hand went through and then like a second later it
  • 63:10 - 63:11
    began to act about
  • 63:16 - 63:21
    it looks back at you. It goes to put the gift for the robot.
  • 63:21 - 63:26
    [inaudible] um, all right, but what are you doing?
  • 63:27 - 63:32
    Okay, I'm going to slide through this whole like I'm sledding through home base.
  • 63:33 - 63:34
    Hmm. All right. It's good.
  • 63:34 - 63:39
    Five 10 15 that's your 15 feet there. Where do you want to go?
  • 63:40 - 63:45
    Short 2025 35 50 can I get face to face with her speed is 15 squeezing through
  • 63:52 - 63:56
    the hole actually would have to get through the crawl space would have taken 10
  • 63:56 - 63:58
    feet of movement. So you would get 50 would get you right in there.
  • 64:00 - 64:04
    You don't quite get base to base with her. Almost like you plan this yet.
  • 64:05 - 64:06
    How could you plan for that?
  • 64:06 - 64:09
    Never could have planned because of the two foot by two foot crawlspace.
  • 64:09 - 64:11
    So the moment of like squeezing through and getting up takes 10 feet.
  • 64:11 - 64:13
    You're moving to Spotify, practicing bear crawling
  • 64:17 - 64:18
    even with like,
  • 64:18 - 64:21
    and I remember in movement and movement is what gives you the 50.
  • 64:21 - 64:26
    You can move crazy fucking fast. Monk lighten country.
  • 64:27 - 64:27
    Yeah.
  • 64:27 - 64:30
    I'm sorry if you're unhappy with your super movement speed and ability to stun
  • 64:30 - 64:35
    everything I throw at you. But Superman kicks a rock gods. So lamb,
  • 64:37 - 64:39
    lightning, lightning pod, dry
  • 64:44 - 64:46
    sliders. Let's do it. Let's do it. Just one minute. Just one minute. Okay.
  • 64:46 - 64:49
    Let's start now. Slam the fist together.
  • 64:49 - 64:54
    The bolts of energy can strike through curling up the body. Nope.
  • 64:55 - 64:56
    Nope.
  • 65:01 - 65:06
    What are you doing? Uh, gonna rev it up. [inaudible]
  • 65:10 - 65:12
    just wrap it up. Take food.
  • 65:16 - 65:18
    [inaudible] okay. Um,
  • 65:19 - 65:22
    Papa 19 for the first one and 26 for the second.
  • 65:23 - 65:24
    Uh, both, both hit actually. Yeah.
  • 65:29 - 65:34
    Okay. Sam, do you remember what your uh, hit was number?
  • 65:34 - 65:37
    What did I hit the red check? The Cardinal with? Yeah,
  • 65:38 - 65:43
    I think it was a 2019 hit. Oh, okay.
  • 65:43 - 65:45
    Yeah. Um,
  • 65:46 - 65:50
    plus 12, 22 total. Nice lightning damage.
  • 65:52 - 65:52
    Both punches.
  • 65:52 - 65:56
    You see the bolts arking off about 20 feet hitting the Cardinal and then kind of
  • 65:56 - 65:59
    striking through her chest for like another foot or so before it dissipates and
  • 65:59 - 66:02
    curls back. Almost like a slip prominence being dragged back by gravity.
  • 66:03 - 66:07
    Each Hitchcock retracts and kind of looks at you with these wild eyes out of
  • 66:07 - 66:12
    anger and then kind of smiles. Yeah, you do have some breakage, honey.
  • 66:12 - 66:17
    Yeah, so everyone has actions though. Um, Oh my God.
  • 66:17 - 66:19
    I do do some
  • 66:22 - 66:26
    patient defense. Okay. You go into a defensive position,
  • 66:26 - 66:27
    ready to take whatever onslaught comes your way.
  • 66:28 - 66:31
    Finishing after Bo's turn is Cardinal respice go.
  • 66:33 - 66:34
    Oh yeah, she,
  • 66:35 - 66:36
    he goes for me,
  • 66:40 - 66:41
    it's a whole new one. When she wouldn't have it
  • 66:41 - 66:45
    attack in a chair. She seems like a sweet old like grandmas.
  • 66:45 - 66:48
    No one seemed done alive. Am I the only one who knows how this was going to go?
  • 66:48 - 66:52
    Okay, nevermind. She's just gonna risk the world and make a hospital.
  • 66:52 - 66:57
    She's jet backing out. It's going to go ahead and pass.
  • 67:00 - 67:05
    Good old classic, good old classic called firestorm.
  • 67:05 - 67:07
    Oh, Oh yeah.
  • 67:08 - 67:11
    She's high level y'all 10 foot cubes.
  • 67:12 - 67:13
    It's going to
  • 67:17 - 67:17
    what?
  • 67:17 - 67:20
    No, just how bad this good be is all
  • 67:30 - 67:32
    can she hit two more than two? She can
  • 67:34 - 67:39
    cause it line 10. They just have to like touch touch bases.
  • 67:41 - 67:43
    How many? 10 10 good. And
  • 67:46 - 67:47
    scrapes? No. Yeah, this is again,
  • 67:47 - 67:51
    she'll end up burning one of her own guys but doesn't give a shit. Um,
  • 67:51 - 67:53
    so in calls waffle
  • 67:55 - 67:57
    she'll get two of her own guys.
  • 67:57 - 67:59
    Why don't you know she can scoot around this one.
  • 67:59 - 68:03
    She was like around here and then curls in that way and gets the one next to you
  • 68:03 - 68:04
    see. So first
  • 68:05 - 68:07
    that'll be dexterity saving.
  • 68:07 - 68:12
    Throw from Caleb from nut and from a Beauregard because you are
  • 68:14 - 68:14
    prone,
  • 68:17 - 68:20
    it doesn't have anything all enrolled in national point. Oh good on you.
  • 68:24 - 68:25
    That probably doesn't affect his dexterity. Strangely,
  • 68:27 - 68:31
    I can take the Dodge action as a part of patient defense. The Dodger action,
  • 68:32 - 68:35
    right? Well that's how, that's how it works. Basically you,
  • 68:35 - 68:37
    you've done the doll Jackson, which gives you a disadvantage.
  • 68:39 - 68:42
    Yes. So what was your dexterity syndrome?
  • 68:42 - 68:45
    It's bullshit.
  • 68:45 - 68:49
    It's a 1313 fail success.
  • 68:49 - 68:52
    17 Gail. Okay. Now
  • 68:54 - 68:56
    do you think happening? Yes.
  • 68:56 - 69:00
    Well, I'm going to be healing our night.
  • 69:06 - 69:11
    Wow. 45 points of fire damage. So you take 22,
  • 69:12 - 69:17
    so 22, 22 and 22, you will take 22 points of fire damage. As you watch.
  • 69:17 - 69:21
    She raises her hands up with a smile cackling and you watch the flames are up.
  • 69:21 - 69:24
    The flames have a strange kind of like a darker tint to them,
  • 69:24 - 69:28
    almost like as opposed to light being animated. But a shadow is cast from them.
  • 69:28 - 69:32
    As the fire burns these pillars fire like burning like a giant series of,
  • 69:32 - 69:35
    of shockwaves, a flame across curling around the chamber.
  • 69:36 - 69:39
    It completely disintegrates. This guy, Oh actually, let me see.
  • 69:39 - 69:41
    He might survive. He survived weirdly
  • 69:45 - 69:45
    [inaudible]
  • 69:45 - 69:48
    but it was really, really, really, really hurt. It was like Whoa.
  • 69:53 - 69:57
    Um, and just incinerates the exterior of each of you.
  • 69:57 - 69:59
    The air escapes you from a minister's burnt away from the flames and then it
  • 69:59 - 70:03
    dies down and you all kind of like, ah, I'm a bit frazzled but bit chart.
  • 70:05 - 70:06
    Can we go ahead and move? All right,
  • 70:09 - 70:10
    32 there.
  • 70:12 - 70:16
    Uh, that brings us to Ford's turn. I will move through
  • 70:16 - 70:21
    a little show opening five, 10, 15 to get in front of jester. Great.
  • 70:21 - 70:25
    A and I'll use the other 15 to move, uh,
  • 70:25 - 70:27
    and more towards the room.
  • 70:27 - 70:31
    And so I can keep a line of sight with the Cardinal right there. That'll do.
  • 70:31 - 70:33
    And I'll send to L just blasts on hundreds.
  • 70:34 - 70:35
    So far I've roll two strikes.
  • 70:38 - 70:39
    That sucks.
  • 70:39 - 70:44
    14 and a 27 27 hits.
  • 70:45 - 70:46
    Right, right, right.
  • 70:49 - 70:53
    Ooh. Uh, seven points of Eldritch blast damage.
  • 70:54 - 70:59
    Woo. 7.7 blast damage already. Chest.
  • 71:01 - 71:05
    [inaudible] how'd you shoot the car? The car? No. Okay. All right chairman.
  • 71:05 - 71:10
    I was like, sorry, I didn't work a little bit.
  • 71:10 - 71:15
    Alright, so finish a drum. Yes. All right. It's not [inaudible] yeah.
  • 71:17 - 71:19
    Tight space here. Oh no.
  • 71:20 - 71:23
    Then he comes into the room and sees like the fire merging the, the,
  • 71:23 - 71:28
    the glass wall crumbled down, sees for one in fire,
  • 71:28 - 71:31
    Childers blast. One hits the stairs and scatters. The other one hits the carnal,
  • 71:31 - 71:31
    the ducks kind of
  • 71:31 - 71:36
    behind the pillar and he's like, Oh, it's, I'm heard of. I agree to do.
  • 71:37 - 71:40
    I was gonna go ahead and move from there. That space there.
  • 71:40 - 71:42
    And then for premeds turn
  • 71:45 - 71:49
    going to go ahead and cast dominate person.
  • 71:52 - 71:56
    I made notes of which spells man on Chapman who you are weak,
  • 72:00 - 72:05
    right? So servants like him.
  • 72:09 - 72:13
    Pardon mine. Sure.
  • 72:15 - 72:19
    All right. It's actually in a movement that was 10, 15,
  • 72:19 - 72:24
    2030 is going to get right there. Yeah, that'll do.
  • 72:24 - 72:27
    It's gonna cast dominate person on Cardinal RESPA.
  • 72:28 - 72:33
    Oh and is going to cast it on this cultist right there.
  • 72:34 - 72:34
    But when I was attacking,
  • 72:36 - 72:37
    cause that one's the other one that's kind of worrying him off to the side.
  • 72:37 - 72:42
    It's two posts for comfort. Um, so one for the hell of it.
  • 72:42 - 72:44
    Someone go and rolled the 20 for cargo restaurant. Ah,
  • 72:45 - 72:48
    I will roll for restaurant. She rolled a nine
  • 72:50 - 72:51
    [inaudible] plus
  • 72:52 - 72:56
    she succeeds the high wisdom roll. So good.
  • 72:59 - 73:01
    You're good role for the other one. If you went through the hell of it,
  • 73:01 - 73:05
    it's fine. You do this one. I use your shitty dice. Yeah.
  • 73:11 - 73:13
    That cultists suddenly kind of like liens
  • 73:13 - 73:16
    and then turns back and looks towards [inaudible]. Hey,
  • 73:16 - 73:19
    want to help us out here? Thanks buddy. Um,
  • 73:19 - 73:22
    that's going to be his turn. So,
  • 73:26 - 73:27
    uh, that brings us to,
  • 73:29 - 73:32
    you hear the skittering sound from the pillars above. Oh
  • 73:34 - 73:35
    yeah. I'm just kind of growling.
  • 73:35 - 73:38
    But as you all kind of glance over the shoulder,
  • 73:38 - 73:43
    you can see claws we needed to pull up and these strange like kind of humanoid,
  • 73:45 - 73:48
    uh, kind of almost imagine a,
  • 73:48 - 73:53
    a kind of dark greenish colored demonic creature,
  • 73:53 - 73:57
    but the skin is kind of hanging and dangling a bit off of its body.
  • 73:57 - 74:00
    It has like a snub nose, almost like a mole. And it kind of,
  • 74:02 - 74:04
    it means to curl up. You see multiples climbing up.
  • 74:04 - 74:09
    Similar to when you've seen previous rifts opened in spaces throughout wild
  • 74:09 - 74:13
    Mount. No, no, they got it open.
  • 74:14 - 74:15
    Whoa. That's a lot of,
  • 74:17 - 74:18
    Oh no,
  • 74:23 - 74:28
    she's going to be clever. Thus in whole
  • 74:31 - 74:34
    they're going to get down.
  • 74:35 - 74:37
    They're not very quick to these kind of like leap off,
  • 74:39 - 74:43
    hit the ground and splatter. They're really stupid. And
  • 74:43 - 74:46
    I just feel like there's some deck saves that happened. [inaudible] okay.
  • 74:48 - 74:52
    Or are there more fun? There are a door. Oh,
  • 74:52 - 74:55
    is that a staircase behind him? Yeah,
  • 74:55 - 74:58
    that's where you want to start. All right.
  • 74:58 - 75:02
    So that one takes three points of damage and gorillas and then we can lock it
  • 75:02 - 75:03
    behind us down. But
  • 75:07 - 75:08
    we get in there. Don't matter.
  • 75:10 - 75:11
    Oh no, there's that many.
  • 75:12 - 75:17
    We're missing up here. And they're gonna take their action to rush in in swarm,
  • 75:17 - 75:18
    not [inaudible].
  • 75:18 - 75:19
    Oh, traveler.
  • 75:24 - 75:25
    Oh,
  • 75:29 - 75:33
    the hands. There was other dead blog points. The name of my house.
  • 75:36 - 75:40
    Do they move in pairs? They're just rushing. They're kind of jumping off.
  • 75:40 - 75:41
    I think the daughters,
  • 75:41 - 75:44
    they like to hold onto each other so they don't like lose track of where they
  • 75:44 - 75:45
    are.
  • 75:45 - 75:47
    There's, they're smaller than you than like a medium size.
  • 75:47 - 75:48
    They're about maybe waist high or so. Sure.
  • 75:49 - 75:50
    And they're just skittering [inaudible]
  • 75:50 - 75:51
    Oh no, they're cute.
  • 75:54 - 75:59
    And they're gonna use their actual term swarm upon Beauregard. But they're not,
  • 75:59 - 76:02
    they don't have any action to attack you. These to leap off.
  • 76:03 - 76:07
    Oh no. I already work for them and they're fine. And they
  • 76:07 - 76:09
    move in and they're both going to take a tax.
  • 76:09 - 76:12
    And there's one more up here that's going to go ahead and take the leap off as
  • 76:12 - 76:14
    well. Yeah, he's fine. Natural time.
  • 76:16 - 76:21
    He's going to rush around to forward. So that's going to be no tax on knocks it.
  • 76:21 - 76:23
    Took them out to get them no tax on boats.
  • 76:23 - 76:27
    It took their action to get to you a attack on Puma and two on Ford.
  • 76:30 - 76:32
    That attack knew that's going to be a seven.
  • 76:32 - 76:35
    That's a miss in sport natural 20.
  • 76:35 - 76:40
    Oh [inaudible] and your natural 2002 in a row.
  • 76:43 - 76:45
    Well, getting this party started,
  • 76:45 - 76:48
    does that mean Travis Frederick has to take back $500
  • 76:50 - 76:54
    nationally to attacks? So we'll say that's the first one. Okay.
  • 76:54 - 76:59
    So you take eight points of piercing damage. Got it from lifers. Critical. Okay.
  • 77:00 - 77:03
    Not super strong. And the other one,
  • 77:04 - 77:07
    you take 12 points of piercing damage. Okay.
  • 77:08 - 77:10
    And the other one's going to take a bite and claw you well. All right.
  • 77:11 - 77:15
    Uh, that's going to be a 16 to hit the misses. Alright.
  • 77:16 - 77:19
    And a 13 to hit, uh,
  • 77:19 - 77:22
    there they both missed on the 2 million hits that, uh,
  • 77:22 - 77:26
    hit the star razor pulses and deals,
  • 77:28 - 77:33
    uh, seven points of radiant damage to the attacker. Nice. So with,
  • 77:33 - 77:36
    he strikes by you burst. It's John,
  • 77:36 - 77:40
    you can see the lips kind of curl back from the radiant burned. Now look at him.
  • 77:40 - 77:44
    Sit to the edge of his mouth. Uh, that finishes their turn since Europe. Uh,
  • 77:44 - 77:46
    I'm going to crawl through the whole
  • 77:50 - 77:52
    10 catty 15 to get right there. Uh,
  • 77:52 - 77:57
    I'm gonna keep moving against the wall to the side, I think.
  • 77:58 - 77:59
    Okay, we're here. Yeah.
  • 77:59 - 78:03
    I'm going to move against the wall so nothing can get behind me. Five 30.
  • 78:03 - 78:08
    All right there. And I'm going to take a, uh, sacred flame against, uh,
  • 78:08 - 78:13
    uh, the, the priestess since which was the, um,
  • 78:13 - 78:17
    the one that that boat was attacking them. The main one. Main one. How was the,
  • 78:17 - 78:20
    what's the range on six 60 feet? She is beyond 60. Oh, she's, where is she?
  • 78:20 - 78:22
    He right here. Oh, she, she ran. Yeah,
  • 78:22 - 78:24
    she went and moved to move to the side of the pillow.
  • 78:24 - 78:28
    She's about 90 feet from you. Oh, well, heck no. I can't see.
  • 78:28 - 78:32
    Oh heck in heck. I'm sure she don't want to say hell.
  • 78:33 - 78:37
    Then I'm going to hit one of the,
  • 78:37 - 78:40
    one of the two that's attacking belt right now. Okay. Go for it.
  • 78:41 - 78:45
    That's a deck. 17 that's a fail. All right,
  • 78:45 - 78:48
    so that's a torch.
  • 78:49 - 78:51
    23 points of radiant damage.
  • 78:52 - 78:57
    [inaudible] Christ is 28, 2121 points,
  • 78:57 - 78:58
    reading damage.
  • 79:00 - 79:04
    It just burns with the radiant flame and it's the flame funny, uh,
  • 79:04 - 79:06
    flicks out of existence behind.
  • 79:06 - 79:09
    There's just a hint of charred bone that clatters to the ground,
  • 79:09 - 79:13
    scatters and Ash, that demonic creature destroyed entirely from the
  • 79:15 - 79:18
    [inaudible]. So that's uh, that's my move. All right,
  • 79:19 - 79:22
    top of the round gesture. You're up. Oh, that's me.
  • 79:24 - 79:24
    [inaudible]
  • 79:24 - 79:27
    right. I am going to,
  • 79:27 - 79:29
    yeah,
  • 79:30 - 79:32
    hold on. Let me look at this thing real fast.
  • 79:35 - 79:38
    I'm Kim. Okay. I'm going to,
  • 79:38 - 79:43
    number one is my spiritual weapon to um,
  • 79:44 - 79:49
    attack this thing. This thing, it just attacked. Actually. No,
  • 79:49 - 79:50
    I'm gonna move to spiritual Lebanon.
  • 79:50 - 79:53
    I'm going to go try to get one of the things that attacked Fort,
  • 79:53 - 79:55
    cause I saw it took a pretty hard hit from that.
  • 79:55 - 79:58
    The one that gave him 12 damage. Okay. Whichever one,
  • 79:59 - 80:02
    then it's going to swing at them and it's going to
  • 80:04 - 80:09
    get a 20 general damage. Duh,
  • 80:09 - 80:11
    duh, duh, duh.
  • 80:12 - 80:16
    That is nine points. Nice. Same scenario,
  • 80:19 - 80:22
    Forbes sucking sound at the end standing even after the other two after the
  • 80:22 - 80:23
    seven points on top of that.
  • 80:23 - 80:26
    Oh well the seven one and seven damage was that one you couldn't quite get to
  • 80:26 - 80:28
    that one in time. Okay. I'm going to move to the 20 feet movement.
  • 80:28 - 80:30
    Right in the bonus. Yeah. I'm looking at another one.
  • 80:30 - 80:31
    This is the first damage it's taken away.
  • 80:32 - 80:37
    Okay. And then for my Derek, I'm going to cast
  • 80:40 - 80:44
    and as my duplicate is going to go the um,
  • 80:45 - 80:50
    120 feet, right? Yeah. Yeah. You can do that. Go ahead and roll an attack level.
  • 80:50 - 80:52
    By the way, 2020,
  • 80:52 - 80:55
    she does have half cover from going behind the pillar,
  • 80:55 - 81:00
    which gives her a plus to my duplicate to where like I can move it up here to
  • 81:00 - 81:02
    it. When did I go? Yeah. Okay. Yeah, let's do that.
  • 81:05 - 81:07
    That'll get you to get her outside of there.
  • 81:07 - 81:11
    The half cover wedding twentieths yeah. So
  • 81:15 - 81:16
    that is 76
  • 81:17 - 81:19
    Oh two three four,
  • 81:25 - 81:26
    yeah. Yeah, yeah.
  • 81:27 - 81:31
    Dan 2021 and
  • 81:32 - 81:35
    uh, so 24 points of ice.
  • 81:35 - 81:36
    Yeah.
  • 81:36 - 81:41
    And she is currently rating as the blast hits or she falls to one knee and kind
  • 81:41 - 81:44
    of gets up breathing hard. You can see a lot of the rope has been burned away.
  • 81:44 - 81:48
    The skin itself has burned and charred and the hair is kind of curled up on one
  • 81:48 - 81:50
    side where part of the face is now scarred from the impact. The radio. Yeah.
  • 81:52 - 81:55
    And then the next attack under gets advantage indeed. Oh, alright.
  • 81:55 - 82:00
    That's your action. You want to move or stay put? I'm going to stay put.
  • 82:00 - 82:04
    Okay. The next attack on her gets advantage. Yes. Do I know that?
  • 82:06 - 82:07
    [inaudible] so now it's your turn.
  • 82:09 - 82:12
    I will. Bonus action. Disengage. Okay.
  • 82:13 - 82:18
    Slide between one of those things. Legs and keep running.
  • 82:18 - 82:23
    I'm going to run towards the door behind the Pew, the sermon, the whatever,
  • 82:23 - 82:24
    the altar.
  • 82:24 - 82:24
    Yup. Yup.
  • 82:26 - 82:29
    And as I'm running, I'm going to turn and shoot the radiant glowing lady. Okay.
  • 82:29 - 82:30
    Go for it.
  • 82:32 - 82:37
    1919 just hits and that with advantage, right? Yeah. Yeah.
  • 82:37 - 82:40
    But just hits. So I get sneak attack
  • 82:43 - 82:44
    [inaudible] get sneak attack because
  • 82:52 - 82:53
    I get sneak attack.
  • 82:57 - 82:58
    Uh, okay.
  • 83:00 - 83:03
    Oh, a 10 drink,
  • 83:03 - 83:08
    24 points of damage. How do you want to [inaudible] [inaudible]
  • 83:10 - 83:14
    ah, I would like to uh, shoot her with a crossbow bolts.
  • 83:15 - 83:15
    Um,
  • 83:15 - 83:18
    but if possible I'd love it to go through her and I can sort of pin her to the,
  • 83:18 - 83:19
    to the pillow.
  • 83:22 - 83:24
    Did you run by? She turns and brings her hand out,
  • 83:24 - 83:27
    but you can see starts muttering and the fingers start to glow.
  • 83:27 - 83:29
    It's kinda matching the halo of writing energy.
  • 83:29 - 83:34
    That gesture had set you up with you aim your bow or your, your crossbow.
  • 83:34 - 83:35
    And for a split second you swear,
  • 83:36 - 83:39
    you see like a green hand kind of touch the side of your hand and correct your
  • 83:39 - 83:41
    aim and fire.
  • 83:41 - 83:45
    And right as she begins to cast in the last week in a church,
  • 83:46 - 83:49
    you see her eyes go wide as her arms just gonna go live to the side.
  • 83:50 - 83:54
    Blood just kind of spills out of her and eventually goes limp and just stays.
  • 84:01 - 84:04
    Neither did I. No, you're way too far. You've been staying in the corner.
  • 84:05 - 84:08
    He did it and I didn't even see this doing it to be nice. Wow.
  • 84:09 - 84:13
    Cool. All right, so does your movement and your action. That's my bonus as well.
  • 84:13 - 84:16
    Did this engage? So okay. Yup. So I can aim bots.
  • 84:16 - 84:19
    You can get your good like great. Gets you every time. Okay.
  • 84:20 - 84:23
    That finishes nuts. Turn. All right.
  • 84:24 - 84:25
    Not as you get up to the door,
  • 84:26 - 84:28
    you kind of sit there looking around and you hear, Oh,
  • 84:30 - 84:31
    you turned back on the door.
  • 84:33 - 84:34
    Naked. Dexterity saving, throw
  • 84:38 - 84:41
    16 you do manage to move out of the way.
  • 84:41 - 84:45
    Just in time as the doors slam open.
  • 84:45 - 84:47
    I would also know if he or she is coming, by the way,
  • 84:47 - 84:50
    I would be able to sense any sense or
  • 84:58 - 84:58
    [inaudible]
  • 84:58 - 85:02
    it comes barreling through and right as it was passed, you hear that
  • 85:04 - 85:09
    for the laughing sound again? You're like years or
  • 85:09 - 85:12
    anything. Oh shit. You also
  • 85:17 - 85:18
    during right after and flying up
  • 85:30 - 85:31
    then stepping out. You see Yasha
  • 85:34 - 85:36
    well she died. She found out she's dead.
  • 85:39 - 85:44
    Vic insurance dude. Oh shit.
  • 85:44 - 85:46
    Oh God. Oh fuck. Oh God.
  • 86:04 - 86:04
    [inaudible] so
  • 86:04 - 86:05
    the end of the fight when she dies,
  • 86:19 - 86:21
    Oh Nope. Please be out of practice. Please be able the practice.
  • 86:21 - 86:26
    Please be at the practice. Every time I sit at this table.
  • 86:26 - 86:27
    Like what? Standing
  • 86:32 - 86:33
    [inaudible] you kill your friends tonight.
  • 86:37 - 86:40
    Go initiative for me. Action. Cause you're joining the initiative board
  • 86:47 - 86:52
    setting. You did so good. I'm just standing there watching.
  • 86:53 - 86:53
    Okay. I'll come here.
  • 86:59 - 87:00
    Well I get advantage on that.
  • 87:03 - 87:06
    You're attacking right away. What are you doing? Oh wait, just doing initiative.
  • 87:06 - 87:10
    Oh shit. What's
  • 87:14 - 87:17
    closer? Closer in 13 alright.
  • 87:18 - 87:21
    What a shocker right after you're going at the same time as Puma.
  • 87:23 - 87:24
    Gotcha.
  • 87:26 - 87:31
    So not finish the emerge. So Bon goes first. Oh it's amazing.
  • 87:31 - 87:36
    Ready? Where I should be. Initiative. Where was,
  • 87:36 - 87:40
    where was that in the, that was after. Not wet but Obama.
  • 87:41 - 87:44
    Yes, I'm at after nine. No, no, you're out there.
  • 87:46 - 87:49
    You're way, way late after Ford.
  • 87:49 - 87:53
    Then I have time to read the player's handbook. Yup.
  • 87:54 - 87:55
    Learned. Andy please.
  • 87:56 - 88:00
    So when the doors opened I might just like behind a door out of sight now.
  • 88:02 - 88:06
    Uh Oh that'd be awesome. Okay, cool. You haven't hidden it. Did we also see
  • 88:09 - 88:12
    I'm 14 we are in 14 does that change my initiative?
  • 88:14 - 88:17
    [inaudible] puts you actually before Ford palms are sweaty,
  • 88:18 - 88:23
    pumps weak. You're not blocking the inevitable idea, by the way.
  • 88:24 - 88:28
    Oh, of course. But you can see invisible things for an hour,
  • 88:29 - 88:31
    but she also doesn't really go,
  • 88:34 - 88:39
    so she comes from on the ground phases. So yeah,
  • 88:39 - 88:42
    we're all bonds turned. Oh behind a wall right now,
  • 88:42 - 88:43
    pouring out in kind of flying up now.
  • 88:47 - 88:52
    Good more fought. And as he looks down with a grin,
  • 88:52 - 88:55
    he's going to go ahead and try a
  • 88:58 - 89:02
    product to go. Okay for me. But it's going to go ahead and cast,
  • 89:02 - 89:03
    dominate person
  • 89:05 - 89:06
    on
  • 89:10 - 89:11
    on you. Burn guard.
  • 89:13 - 89:17
    Can you go ahead and make a wisdom saving please. You got good wisdom now.
  • 89:17 - 89:20
    Guidance. I ain't gonna. I ain't going to guide you
  • 89:24 - 89:25
    on a reaction. No,
  • 89:29 - 89:30
    fuck God.
  • 89:35 - 89:36
    Fuck
  • 89:37 - 89:39
    was almost like six and eight. Oh God.
  • 89:39 - 89:44
    You look up into Oberon's eyes as his hands just kind of formed this like come
  • 89:44 - 89:46
    to me finger motion.
  • 89:46 - 89:50
    You feel all of a sudden your vision pulled back into your head like the sunken
  • 89:50 - 89:54
    place and you lose control of your body.
  • 89:56 - 89:56
    All right.
  • 90:00 - 90:02
    Oban finishes his term. He's charmed.
  • 90:02 - 90:05
    She's charmed and he can take complete control.
  • 90:06 - 90:08
    So you consider Oban and ally
  • 90:10 - 90:15
    and the rest of them enemies in this part dominate person. Telepathic link.
  • 90:15 - 90:15
    You both can see,
  • 90:15 - 90:19
    he can speak to you and you heard the voice in the head say kill them all,
  • 90:20 - 90:23
    kill them for the angel kills them from me.
  • 90:25 - 90:26
    Mmm.
  • 90:27 - 90:31
    And yeah, so you, you, your general course of action is to attack your friends.
  • 90:34 - 90:38
    But like let's just with your shirt. So Caleb,
  • 90:38 - 90:41
    your shirt. Okay. Chicken.
  • 90:41 - 90:45
    I will use a bonus section to have the claw attempt to shredding the one who's
  • 90:46 - 90:47
    stabbed. So as he's stabbing into me,
  • 90:47 - 90:50
    I'm trying to back away and doing this with my hand and drawing the clot to
  • 90:51 - 90:55
    shred him. Okay. Go ahead and roll for the tech of the cloth Costello.
  • 90:55 - 90:58
    That's great. That is a 21 to hit. That hits
  • 91:03 - 91:06
    2323 point lashing damage. Yeah.
  • 91:11 - 91:14
    Yeah. Okay. Is that an old one? No,
  • 91:14 - 91:16
    it's the one who was stabbing the shit out of me.
  • 91:16 - 91:19
    He just gets carved into ribbons
  • 91:21 - 91:22
    and crumbles to the ground.
  • 91:22 - 91:25
    The claws just seem like fall into four different pieces. Okay.
  • 91:25 - 91:30
    And Caleb starts to smear his blood on the ground as he crawls this way,
  • 91:30 - 91:35
    just five feet and he'll get in this way just five feet that way.
  • 91:35 - 91:39
    So I can see a little bit. And uh, in all the,
  • 91:39 - 91:41
    to Mount the hands clap together again
  • 91:43 - 91:48
    and another fireball flies out just to the side of that candle stick diagonally
  • 91:48 - 91:49
    maybe. Yeah.
  • 91:49 - 91:53
    We're going to get no closer to this guy right here and those guys over there.
  • 91:54 - 91:59
    Yeah, yeah, yeah, yeah. Go, go ahead and roll.
  • 92:03 - 92:07
    Place your mushroom cloud. Laughing hand
  • 92:09 - 92:13
    rolls in 1126 point. So fire damage. That was just a third level.
  • 92:14 - 92:18
    It takes half them. Actually. No, he does not cause Austin's resistance.
  • 92:23 - 92:26
    This is a fireball. I have one. What's the right seat?
  • 92:29 - 92:31
    13 uh, no, actually he ministers to aim it.
  • 92:31 - 92:36
    So to not have not thank God you feel the heat and you're like close your eyes
  • 92:36 - 92:36
    in the fire.
  • 92:36 - 92:41
    Can I just barely licks past your eyebrows recoil a bit.
  • 92:42 - 92:45
    All tattooed eyebrows. A failure there.
  • 92:46 - 92:51
    Incinerates screens is the spiritual weapon that they had some advantages,
  • 92:59 - 93:04
    which is a, again, a 14, 14, yes. Is this leveled by Scott witches?
  • 93:04 - 93:08
    So 13 was the DC, so you succeed. Um, all right, this,
  • 93:08 - 93:11
    that was a little three spot. Yeah. Yeah. Fail.
  • 93:12 - 93:14
    It takes half damage because it is resistance
  • 93:16 - 93:20
    or the little things are resistant to fire. Oh, the little creatures. Yeah.
  • 93:20 - 93:23
    Cause they're from new business.
  • 93:26 - 93:30
    Failed. Untapped damage there.
  • 93:30 - 93:32
    And then that just there fails,
  • 93:32 - 93:34
    but to not take damage from your previous fireball.
  • 93:35 - 93:40
    Don't rush through if that takes a full 26 Ashley fricking Johnson appetites.
  • 93:42 - 93:43
    All right.
  • 93:43 - 93:47
    Uh, and so I used a, I'm 15 feet, half my movement to stand correctly.
  • 93:47 - 93:52
    Five feet that way. I'm going out that way. All right. Time boy.
  • 93:54 - 93:55
    Yeah, it's like this. Two of us.
  • 93:57 - 94:00
    All right on the edge there. Got it. All right.
  • 94:01 - 94:05
    That's the finishes. You'll go there. Next step.
  • 94:06 - 94:09
    Call tests. Uh Oh boy.
  • 94:10 - 94:13
    All this guy brushes up here. Sure.
  • 94:15 - 94:18
    Um, and this guy who is one of us is dominated.
  • 94:18 - 94:22
    He's going to go ahead and Josh to attack the one that's outside of,
  • 94:24 - 94:26
    Oh my goodness. One
  • 94:28 - 94:31
    central 20. Oh, that's good. That's good.
  • 94:31 - 94:34
    And 15 for both hit time.
  • 94:37 - 94:42
    You lose a boat. You gained cold, please let me break that line.
  • 94:46 - 94:50
    True. Okay. Uh, 15 points of damage
  • 94:51 - 94:52
    to that one.
  • 94:52 - 94:57
    So carbs into that one there with a dagger and the creature recoils bad looking,
  • 94:58 - 94:59
    confused
  • 94:59 - 95:00
    and angry as the cultist.
  • 95:00 - 95:03
    His eyes are still wide and kind of smiling or looking at Puma like [inaudible]
  • 95:04 - 95:07
    it's like, yeah, that's right. Um, the other one,
  • 95:09 - 95:11
    uh, that's over there is an attack. You Caleb
  • 95:12 - 95:17
    two-ish tax with Eden versus going to be a S 14, uh,
  • 95:17 - 95:20
    mrs. mrs can one that's going to be a 15,
  • 95:21 - 95:26
    a shield shield a second time reflected off the dagger scrapes off of the
  • 95:27 - 95:31
    outside of the arcane energy shield. No impact. Um,
  • 95:31 - 95:36
    aren't the finishes the cultist turn that point? That brings us to Beauregard.
  • 95:36 - 95:37
    Beauregard
  • 95:38 - 95:43
    so yeah, as I look at Oban and he says,
  • 95:43 - 95:44
    kill them all,
  • 95:44 - 95:49
    I start to slip into the sunken place and I just feel the darkness come through
  • 95:49 - 95:54
    like tunnel vision and then I just close my eyes and I resist him when I opened
  • 95:54 - 95:55
    them.
  • 95:55 - 95:59
    I'm sitting next to the ocean and Nica dryness,
  • 96:00 - 96:00
    meditating.
  • 96:03 - 96:08
    When I breathe and I want to use stillness of mind to end a Charmin
  • 96:14 - 96:15
    [inaudible]
  • 96:23 - 96:25
    and I opened back and I look at him and I just go,
  • 96:32 - 96:34
    RO hangry does your action.
  • 96:35 - 96:36
    That's my action.
  • 96:48 - 96:51
    Harnessing that stillness and that peace.
  • 96:53 - 96:56
    I'm going to just look around, I'm going to look laughing hands,
  • 96:56 - 97:01
    look at the Colton or the demon behind me and do patient defense again
  • 97:03 - 97:07
    and again.
  • 97:07 - 97:09
    I could theoretically move, but then he would get an attack. Right?
  • 97:09 - 97:10
    Both of them were, again, both of them.
  • 97:10 - 97:14
    When you're within range was blade rollers,
  • 97:14 - 97:16
    patient defense and hold strong.
  • 97:16 - 97:20
    Okay. As you do, you get out because you're, cause you're, you're naturally,
  • 97:20 - 97:24
    what's your, what's your passive, uh, perception? 13. 13.
  • 97:25 - 97:28
    Okay. The, the laughing hand as it's kind of stepped up. You,
  • 97:28 - 97:30
    you're the one who can kind of see it and it's like breathing heavy. It's like,
  • 97:36 - 97:41
    um, yeah. All right. The finishes, but regards turn is now [inaudible]
  • 97:43 - 97:44
    first move back.
  • 97:46 - 97:48
    You're probably right. Closest to, is that not right there?
  • 97:49 - 97:53
    It's just to the right. Yes. Okay.
  • 97:53 - 97:56
    Please don't kill me. Um,
  • 97:58 - 98:02
    so I would like to rage. Okay.
  • 98:06 - 98:09
    [inaudible] that face turning into a dour gridded expression.
  • 98:10 - 98:11
    Um,
  • 98:12 - 98:17
    I'm going to turn to my right and I am going to take out my skin.
  • 98:17 - 98:21
    Gorger okay. The affordable, rusted looking giant,
  • 98:21 - 98:24
    thick jagged blade in both hands.
  • 98:24 - 98:27
    And I'm going to stare at knots and I'm going to attack reckless.
  • 98:29 - 98:34
    Go for it. Oh, Oh. Oh.
  • 98:36 - 98:37
    I rolled two one.
  • 98:48 - 98:53
    Oh, so many levels of all this. Oh man.
  • 99:01 - 99:05
    Okay. Now, wow. As a bonus action.
  • 99:06 - 99:10
    I am. No, no, no, nevermind. Because I raged. Yeah. Okay.
  • 99:14 - 99:19
    All stay open. Stay there. All right.
  • 99:19 - 99:24
    That finishes your turn. Uh, Ford Europe. Wow. You see y'all shut them out.
  • 99:24 - 99:27
    Angerly rage and the rush over and swing twice towards not,
  • 99:27 - 99:28
    not gonna like backing out of the way.
  • 99:28 - 99:31
    Dodging the bleed is sparking against the stonework.
  • 99:31 - 99:32
    That's holding the doorframe. What are you doing?
  • 99:33 - 99:34
    Uh, with my bonus action,
  • 99:34 - 99:38
    I will put my hex blades curse on Oban.
  • 99:39 - 99:41
    Okay. What does that do?
  • 99:43 - 99:45
    19 or 20 is a critical hit against him.
  • 99:45 - 99:50
    It's extra damage and just a slew of other shit just for me.
  • 99:55 - 99:59
    Alright. And I will, um, look up at Oban and say,
  • 100:01 - 100:05
    looks like this is an area fight and I'll point up in the sky and my eyes are
  • 100:05 - 100:07
    rollback and I'll say it's time
  • 100:22 - 100:26
    every time. I think that adds a D for, for the pundit.
  • 100:27 - 100:32
    Yeah. But that goes to Matt here, the electric guitar.
  • 100:35 - 100:40
    Alright. This large like, like creepy vulture,
  • 100:40 - 100:42
    like demonic entity appear.
  • 100:42 - 100:47
    Its skin covered in like harsh feathers and this kind of sickly looking scale to
  • 100:47 - 100:51
    hide to the parts that aren't covered by the uh, uh, the feathers themselves.
  • 100:51 - 100:54
    Giant wings, long hooked beak claws. All right,
  • 100:54 - 100:59
    so good. Whatever my role initiative for it. Right. It should say this spell.
  • 101:00 - 101:04
    I think you can get roles its own initiative. Okay.
  • 101:07 - 101:11
    It's the two [inaudible] well actually it means it goes very soon. Yeah,
  • 101:11 - 101:15
    it does. You were right. Yeah, right after, right with me. Yeah. All right,
  • 101:15 - 101:18
    so keep track of that. I will think you can go first. It goes with producers,
  • 101:18 - 101:23
    right? All right. No, you can go for it. Please let it go first. Oh,
  • 101:23 - 101:25
    right. For death. That's your action.
  • 101:25 - 101:27
    Your movement and your bonus or your use your bonus for your hex bite number.
  • 101:27 - 101:28
    Yep. So stay put. You're gonna move.
  • 101:29 - 101:33
    I'm going to stay put so I don't incur a bunch of attacks of opportunity. Okay.
  • 101:33 - 101:36
    That brings us to a poor max turn.
  • 101:37 - 101:41
    Who mad is still controlling the guy who's going to go, uh, sorry.
  • 101:41 - 101:43
    This is good. A little out of hand here.
  • 101:43 - 101:46
    You seem like a little scared at the presence of all these these creatures
  • 101:46 - 101:47
    around.
  • 101:48 - 101:52
    Um, he's going to go ahead and
  • 101:57 - 102:01
    it's in a cast acid arrow at fifth level level
  • 102:03 - 102:07
    and he's going to go ahead and fire it at the laughing hand cause that's from
  • 102:07 - 102:11
    his perspective, the scariest guy right now I understand the blame. That's fair.
  • 102:12 - 102:14
    There's a lot of crazy shit going on in this.
  • 102:17 - 102:22
    I mean yeah, there's cultists and skeleton heads,
  • 102:23 - 102:27
    giant laid hand men and we still don't know where.
  • 102:28 - 102:32
    They still don't know where the inevitable end is. No, don't,
  • 102:32 - 102:37
    she might be at a spa. Maybe she's just chilling, you know, why did they up?
  • 102:39 - 102:42
    Oh, just embarrassed to do
  • 102:44 - 102:46
    the 14 points of acid damage to the laughing hand.
  • 102:49 - 102:52
    And he's going to go ahead and burn a little more on his turn.
  • 102:53 - 102:57
    I see. Who might kind of to by these things. She's the big guy.
  • 102:57 - 103:00
    Burst through it looks extremely scary. Goes no, no, no, no, no.
  • 103:01 - 103:05
    And relishes this dark green energy. It's fires Ford splatters into
  • 103:07 - 103:07
    mr.
  • 103:07 - 103:12
    Burn and singe the like somewhat sagging flesh covered in mouths that splatters
  • 103:13 - 103:15
    and burnt the miles that were kind of laughing,
  • 103:15 - 103:18
    kind of gargle a bit as it enters their, their interior.
  • 103:19 - 103:21
    Um, he's uh,
  • 103:22 - 103:26
    he's interesting tackle opportunity excuse would not like being here anytime
  • 103:26 - 103:31
    that guy controls. So got to move. One, two, three, four, six, uh,
  • 103:31 - 103:35
    both of them get tax on him. The first one, uh, yeah,
  • 103:35 - 103:36
    that'll hit,
  • 103:37 - 103:42
    takes no Poobah six points of slashing the image and he has to make a Sushan
  • 103:45 - 103:47
    saving thrill, which he makes.
  • 103:47 - 103:50
    So he maintains some domination of attack against him.
  • 103:51 - 103:53
    Mrs [inaudible].
  • 103:54 - 103:55
    All right. All right.
  • 103:55 - 103:59
    Here's the doors behind starting to unlock from the chamber.
  • 103:59 - 104:03
    You guys go NoDoz Juge all right. Finishing his turn.
  • 104:03 - 104:08
    It is now these guys turns. Wait where the other cultists coming from?
  • 104:09 - 104:14
    The ones we skipped, but we skipped that board. They're out of, it's done.
  • 104:14 - 104:17
    There's no more. It's a scrolling game. Super bro.
  • 104:18 - 104:20
    Yeah cause Hamburg cause those are called [inaudible] rush.
  • 104:20 - 104:23
    Not they're both going to attack you, not the first one
  • 104:25 - 104:30
    to be at 12 miss God first attack.
  • 104:30 - 104:34
    They do an advantage on you because you're currently flanking with the Asha.
  • 104:34 - 104:38
    Okay. A second attack from that one is going to be
  • 104:40 - 104:42
    13 Dodge.
  • 104:43 - 104:48
    This one here is really fucking with the laughing hand and that's going to be a
  • 104:48 - 104:53
    16 miss and the other one's going to be a 19 hit.
  • 104:53 - 104:58
    Oh my God. One of them got two. Yes. That's so excited. Yes. You take
  • 104:59 - 104:59
    seven,
  • 104:59 - 105:03
    seven points of piercing damages that bites into your shoulder and latches on
  • 105:03 - 105:07
    and you kind of shrug it off and you feel the teeth kind of drag across the side
  • 105:07 - 105:10
    of your arm and you can feel the blood beneath your armor. Uh,
  • 105:11 - 105:14
    I'm kidding. Dodge. That saved my reaction.
  • 105:14 - 105:16
    I'm going to save my reaction for something else.
  • 105:17 - 105:19
    Three of them are going to be taking you forward.
  • 105:20 - 105:25
    I'm going to go ahead and move this way to you and flanking it was going to stay
  • 105:26 - 105:30
    there. So the two that are flanking first attack, uh, 13,
  • 105:31 - 105:36
    uh, ms next one is 15 misses. That one's done.
  • 105:36 - 105:41
    I going across the way first attack 17. That is my se.
  • 105:41 - 105:42
    So it hits you.
  • 105:43 - 105:47
    You take five points of slashing damage from a cloth strike. Sure.
  • 105:48 - 105:53
    I don't think I have to make a thing to maintain the constitution saving.
  • 105:53 - 105:56
    Throw advantage on that cause uh, the thing,
  • 105:58 - 106:00
    uh, that is a 16. You're fine.
  • 106:01 - 106:04
    Also go roll your damage cause it struck you while you had to lay down.
  • 106:08 - 106:09
    I like this. I'm rubber. You're glue thing.
  • 106:09 - 106:13
    You got five points of radio damage on that one. She pulls back,
  • 106:14 - 106:17
    goes in for a secondary tech bite. Attack 18 hits,
  • 106:18 - 106:23
    take seven points of piercing damages. It bites into the side of your,
  • 106:23 - 106:24
    your hip.
  • 106:24 - 106:27
    As you try and swing back around you takes eight points of radiant dude,
  • 106:27 - 106:28
    I killed him.
  • 106:30 - 106:35
    He bites on you and the blast back causes his head to just scatter across the
  • 106:35 - 106:39
    ground. The body kind of under the floor behind you, across the marble floor.
  • 106:40 - 106:42
    Uh Oh, that's fine. A 2222 you're fine.
  • 106:42 - 106:44
    And that one gets to texting you without advantage.
  • 106:44 - 106:48
    The first one of these is going to be a 20 hits. All right. Um,
  • 106:49 - 106:50
    ah yeah, I'm going to use
  • 106:50 - 106:54
    my reaction to counter that to kind of what there wasn't a natural or, okay.
  • 106:55 - 106:57
    You're fine. Mine four points of slashing damage.
  • 106:59 - 107:00
    Five points of radiant to him.
  • 107:01 - 107:06
    Five points or eight to him and then totally say that's a 24 okay.
  • 107:07 - 107:10
    Second attack. It's a natural one missus. Okay. Alright.
  • 107:10 - 107:13
    And there a term that brings us to
  • 107:16 - 107:17
    no
  • 107:23 - 107:26
    chapel. Nine nine crazy.
  • 107:29 - 107:31
    The too far out. So it's going to be you forward unfortunately.
  • 107:32 - 107:34
    [inaudible] Oh no, she has. Yeah,
  • 107:34 - 107:38
    she comes from the ground.
  • 107:38 - 107:42
    You hear this like faint grinding sound and before you have moment even look
  • 107:42 - 107:47
    behind you. She's in an attempt attack. You. This is going to be
  • 107:53 - 107:55
    21 it's all right.
  • 107:55 - 108:00
    And the second attack with the structural blade is a 26 yes,
  • 108:04 - 108:08
    she does. She takes 11 image. Yes. 11 radio. I've got it from both attacks.
  • 108:08 - 108:10
    The first one is going to do,
  • 108:16 - 108:18
    that's 11 days over there,
  • 108:21 - 108:24
    honestly. How's it feel? Feels good. Yeah.
  • 108:25 - 108:27
    So far you're doing great. Thank you very much.
  • 108:28 - 108:31
    I really was trying for a double ones. So
  • 108:33 - 108:38
    did a great job. Yeah. Mission success. Mission six. Center to drive time.
  • 108:38 - 108:42
    45 points of piercing damage to you.
  • 108:43 - 108:47
    Okay. I need you to go ahead and, and uh, uh, it was saved with a, uh,
  • 108:47 - 108:51
    2121 on the one on the, uh, spell.
  • 108:51 - 108:56
    Maintaining 21, I don't think succeeds. Oh really? 45. 22 is the DC. It's half.
  • 108:56 - 108:59
    So you actually lose your concentration on your spell because your demon remains
  • 108:59 - 109:00
    out there, which is no longer under your control.
  • 109:00 - 109:02
    Oh,
  • 109:04 - 109:05
    Tom bone.
  • 109:08 - 109:11
    You're not gonna see the other side of [inaudible] how this works. Yup. Yup.
  • 109:11 - 109:13
    I'll submit constitution saving. Throw for me please. Okay, boy,
  • 109:15 - 109:18
    because the devil that he's 17, 17, 17, you resist the poison.
  • 109:19 - 109:24
    The second strike deals, I subscribed 15 points of slashing and left
  • 109:26 - 109:28
    [inaudible] and make another constitution saving throw. Okay.
  • 109:29 - 109:33
    First rate in damages. One point of radiant damage
  • 109:36 - 109:38
    was a 10, 10.
  • 109:39 - 109:43
    The poison pulses through your body. You are poisoned.
  • 109:49 - 109:54
    Be glad you didn't roll one lower. Oop, what? Oh,
  • 109:54 - 109:56
    that's right. [inaudible] Oh God.
  • 109:57 - 110:01
    What happens one lower and with that she's going to go vanish into the grounds.
  • 110:01 - 110:03
    You do get one of the type of opportunity against her. Okay.
  • 110:04 - 110:05
    Would disadvantage because you're poisoned.
  • 110:05 - 110:07
    You can also use a spell if you want to,
  • 110:07 - 110:09
    as your attack of opportunity is your work cast. If you could.
  • 110:10 - 110:13
    So if you have a spell you block to use and now an attack Spelman you'd like to
  • 110:13 - 110:18
    use, now is the time to use it. Not, not any that worked for what I wanted to.
  • 110:18 - 110:22
    Okay. A disadvantage, right? Yep. A little mess.
  • 110:22 - 110:27
    I think that's fifth 15, 15 misses. The other guy that's uh,
  • 110:27 - 110:29
    is currently controlled by, uh,
  • 110:31 - 110:35
    I'm not going to go ahead take a tech as well. And Kurt hits
  • 110:38 - 110:42
    mom. She takes five points. A piece of damage from the cultist. Alrighty.
  • 110:42 - 110:47
    That finishes her turn. Could use this in the rocker up rock first.
  • 110:47 - 110:51
    That's right. Take your turn. Yeah. Sorry.
  • 110:53 - 110:53
    Uh,
  • 110:53 - 110:58
    when does Brock lose its connection with a word it did immediately after this
  • 111:01 - 111:03
    turn? No, it's right now. It lost in trauma.
  • 111:04 - 111:09
    It's technically so it has a multi attack. Uh, it has a bunch of shit. I can,
  • 111:09 - 111:10
    you got it. Oh they be.
  • 111:14 - 111:16
    So this will save controlling your ends for us to,
  • 111:16 - 111:18
    and the demon spends its turns pursuing attacking the nearest non demons to the
  • 111:18 - 111:20
    best of its ability technically.
  • 111:21 - 111:22
    [inaudible] so it's not going to after after urban,
  • 111:24 - 111:27
    it's not going to offend is a demon. Like he's,
  • 111:27 - 111:32
    he's allied with an entity of the abyss and he's a [inaudible].
  • 111:32 - 111:35
    He's a devil. Is that a debate? It's not anymore.
  • 111:35 - 111:40
    Can you maybe not anymore. You made a deal or something?
  • 111:42 - 111:46
    Well he has a, he has a devilish heritage, but his Alliance,
  • 111:48 - 111:50
    no, you're right. No, no, no. I think,
  • 111:50 - 111:54
    I think with a rock not having any knowledge of Oberon's current thing. No,
  • 111:54 - 111:58
    he grabbed her. Yvonne. Yeah, let's go for it. Oh yeah, no,
  • 111:59 - 112:01
    that's a good point. So since you have the stats up,
  • 112:01 - 112:03
    if you wanna go ahead and roll for me. Oh sure.
  • 112:03 - 112:04
    Would you like to do a multi attack?
  • 112:04 - 112:08
    Would you like to send them orders or a stunning screech? Multi attack on it.
  • 112:09 - 112:13
    Got it. Okay. First one is a, uh, a beak attack,
  • 112:13 - 112:17
    which is a plus six. Ted's, that's 2121 that, uh, that hits
  • 112:20 - 112:23
    a seven. That's nine points of piercing damage already.
  • 112:24 - 112:28
    And the talent attack is plus six to hit, which is an 11 settlement misses.
  • 112:29 - 112:30
    All right? So that's the Brock's go
  • 112:32 - 112:36
    and it's gonna stay closest to him and just stay engaged going after him. Okay.
  • 112:36 - 112:39
    Uh, all right. That finishes, it's turn produces up. Um,
  • 112:40 - 112:44
    I'm going to turn invisible. Okay.
  • 112:46 - 112:48
    Uh, it's the first thing I'm going to do, cause this is a lot
  • 112:50 - 112:53
    you got as an action or a book that's a bonus action. Uh,
  • 112:53 - 112:56
    that also I can pass spells while I'm invisible. I know a lot of stuff.
  • 112:58 - 113:01
    I'm just trying to find that just to find it. And you
  • 113:02 - 113:03
    said you can pass the ball to the goal.
  • 113:04 - 113:06
    Most action tournaments go on until the start of your next turn. You attacked,
  • 113:07 - 113:10
    you'll damage or force of sitting through it. Yeah. Yeah. Uh,
  • 113:11 - 113:15
    so that's going, um,
  • 113:15 - 113:18
    I'm going to see all the name plates.
  • 113:19 - 113:22
    I'm going to bump the microphone to make a weird sound. Do it, do it.
  • 113:25 - 113:27
    Um, I'm going to
  • 113:29 - 113:33
    backup to get a little cover from Oban if I can up here. Yeah.
  • 113:33 - 113:35
    And like maybe like, like not much to get cover here.
  • 113:36 - 113:39
    Let's want to go under the table like no, no, no. And I'm about,
  • 113:39 - 113:43
    I just want to clear shot of Yasha if I can see Yasha. Uh,
  • 113:43 - 113:46
    she has half cover from where you're standing up to. Where can I get, well,
  • 113:46 - 113:50
    I'm just, I'm going to cast dispel. Okay.
  • 113:50 - 113:54
    I know that there's a little orange Mark. Correct? You're too far to see it.
  • 113:55 - 113:58
    Do I have to see it to dispel it if I know where it is? If you do not,
  • 113:59 - 114:02
    it's not an effect. It's a focus. So I would say yes,
  • 114:02 - 114:06
    you would have to discard it. Okay. So instead of sort of saying, okay,
  • 114:06 - 114:10
    so I'm gonna turn invisible and move towards until I can see it
  • 114:13 - 114:15
    30, you can get right there. You can see her.
  • 114:15 - 114:20
    It's an action to attempt to discern it. It's about just a casual look.
  • 114:20 - 114:24
    This is you trying to get a detail. I mean you could attend that next term.
  • 114:26 - 114:28
    Oh, but you have to see it first.
  • 114:31 - 114:35
    Okay. Um, um,
  • 114:35 - 114:39
    can I be against the pillar if I'm gonna be doing this? Sure. Thank you.
  • 114:40 - 114:41
    Um, I just don't want to be,
  • 114:41 - 114:44
    I want to make it as hard as possible to get to get riled up.
  • 114:45 - 114:48
    I will attempt to discern it. Both perception check.
  • 114:54 - 114:55
    [inaudible]
  • 114:56 - 115:00
    1111. Okay. You had to be 10.
  • 115:00 - 115:04
    Make an act to make an active search from looking at it from behind. Um,
  • 115:05 - 115:10
    you glance and in peer as she's attacking and moving and you see that glimmer,
  • 115:11 - 115:13
    that flash of orange, the base of her neck,
  • 115:14 - 115:18
    and you now know exactly where it is and where the focus can be attributed.
  • 115:21 - 115:26
    That's your turn. Just tournament, the furnaces to turn invisible.
  • 115:27 - 115:29
    Now the laughing. Yeah, that was awesome.
  • 115:30 - 115:35
    Let's pretend turns towards Beauregard kicks the chair down.
  • 115:35 - 115:40
    The way falls over. This boat knocks the rich, the actual,
  • 115:41 - 115:44
    uh, alter itself skits. Ford as he
  • 115:44 - 115:49
    kicks it out of the way and is going to go ahead and make a 2 million attacks
  • 115:49 - 115:52
    against you. Disadvantage [inaudible]
  • 115:57 - 116:02
    first one is a 21 to hit. Yeah.
  • 116:02 - 116:06
    Yeah. And the second one is a natural 20 with disadvantage.
  • 116:07 - 116:10
    Uh Oh no, sorry. It's national 20 in an 18.
  • 116:10 - 116:14
    So the second one just hits for the third 29. Okay.
  • 116:14 - 116:18
    Well it's better. Better than a critical patient defenses your friend.
  • 116:20 - 116:23
    Um, alright so that brings you to yeah,
  • 116:23 - 116:27
    I guess it is your right and try and give you the benefit here so as the blade
  • 116:27 - 116:32
    arcs and slams into you kind of try and Perry out of the way as you feel it cut
  • 116:32 - 116:37
    across your hand beside of your chest and down to your hip and blood just across
  • 116:37 - 116:40
    the stone. Remember you take
  • 116:41 - 116:43
    21 points of slashing damage
  • 116:46 - 116:48
    and then it's going to slam you with its other fist. It's going to,
  • 116:49 - 116:52
    which it did hit, but not critical that it's going to be,
  • 116:54 - 116:56
    uh, 14 points of bludgeoning damage.
  • 117:02 - 117:07
    Uh huh. Maybe already top of the round gesture. You're up.
  • 117:07 - 117:10
    Okay. Okay. You watched them all barrel through, uh,
  • 117:10 - 117:13
    you watched Beauregard just get smacked around by the laughing hand.
  • 117:13 - 117:16
    You watched the keto guys to appear in step the fuck out of Ford and Ford is now
  • 117:16 - 117:16
    doubling.
  • 117:16 - 117:21
    OVC Yahshua up hearing and striking at not conduces vanishes.
  • 117:21 - 117:25
    Can't even see where a Caleb is. What are you doing?
  • 117:25 - 117:30
    Oh God. Oh God. Um, how are you about to die for?
  • 117:30 - 117:31
    Does he look like he's about to die?
  • 117:34 - 117:34
    No.
  • 117:37 - 117:37
    Well,
  • 117:37 - 117:40
    it's more important trying to take down low ball and they're trying to heal.
  • 117:42 - 117:45
    I don't think I can stay ahead of all the damaged.
  • 117:45 - 117:47
    It's going to be a matter of getting people back up. I think.
  • 117:52 - 117:53
    I ain't going to disagree.
  • 117:56 - 117:59
    I'm going to, I have a question.
  • 117:59 - 118:00
    Yes. Poisons.
  • 118:00 - 118:03
    Do I take damage every round or is it just disadvantage on attack rolls? What?
  • 118:03 - 118:06
    You know right now it's just a submitted on a tech roles. What?
  • 118:06 - 118:08
    I know right now, I just feel like I'm going
  • 118:10 - 118:11
    through your veins.
  • 118:14 - 118:17
    It's not even that much feeling. It's not that much healing.
  • 118:17 - 118:21
    Even at like the highest level. It doesn't do fit. You don't heal, you attack.
  • 118:22 - 118:23
    So that is what you do.
  • 118:27 - 118:31
    I'm going to force level guiding bolt.
  • 118:32 - 118:34
    [inaudible] okay. [inaudible]
  • 118:41 - 118:42
    I'm a, I'm
  • 118:42 - 118:46
    a pallet valeted. What's that mean? I can do stuff. Yeah,
  • 118:47 - 118:52
    that's very good. Cause that is a 34 to hit 24
  • 118:55 - 118:57
    still amazing. It definitely hits. Okay.
  • 119:00 - 119:01
    That's 76.
  • 119:06 - 119:07
    You're close to Oban right
  • 119:10 - 119:15
    behind high joining page with a bunch of 22 points of radiant damage.
  • 119:16 - 119:20
    Nice. And he's glow. So she gets blasted,
  • 119:20 - 119:21
    like pushed back three feet in the air.
  • 119:21 - 119:24
    His wings have to kind of correct as you can afloat there for a second.
  • 119:24 - 119:26
    The rock still herring him. It looks down at you.
  • 119:26 - 119:30
    That's my duplicate at the duplicate. And then my bone is actually,
  • 119:30 - 119:35
    and I'm gonna take my spiritual weapon and try to clock the one that's next to
  • 119:35 - 119:39
    Ford and try to get some of those dudes off and go for it. Roll from tech. Whoa,
  • 119:39 - 119:43
    Whoa, Whoa. That was aggressive. 1919 hits. Good roll damage.
  • 119:46 - 119:48
    Uh, eight points, eight points of damage.
  • 119:48 - 119:52
    She had taken a lot of damage previously from attacking Ford and as it gets warm
  • 119:52 - 119:57
    under the ground, splats across the marble floor. Okay. All right.
  • 119:57 - 120:00
    You want to move or stay put? I'm staying put. Okay. All right.
  • 120:00 - 120:04
    That brings us to not, you're up.
  • 120:06 - 120:10
    I'm gonna uh, disengage by, uh,
  • 120:11 - 120:13
    by tapping gash on one shoulder and then go running around the other side.
  • 120:17 - 120:20
    Were you going straight that way? Uh,
  • 120:20 - 120:23
    until I get soon as you move out of the way. Yasha take your set. No attack.
  • 120:24 - 120:25
    Cause it ignores
  • 120:30 - 120:34
    [inaudible] do I still use reckless? That's okay. Um,
  • 120:34 - 120:38
    do you work reckless last term? I w I was [inaudible] ones.
  • 120:39 - 120:44
    Oh, that was the first attack then they were going a second attack. That's okay.
  • 120:44 - 120:49
    We can roll that up to this. You were reckless. Turd got real bad for me
  • 120:52 - 120:54
    and I forgot my second attack. Sorry. No worries. It's all good.
  • 120:54 - 120:58
    We'll come back and we'll, we'll, we'll retroactively do that. Oh, okay. Leave.
  • 120:58 - 121:01
    It's only on your turn, but I'll double check here. I'm at this attack.
  • 121:04 - 121:08
    You'll tell me on the shoulder using the strength during this turn. So yeah,
  • 121:08 - 121:12
    you do not have advantage on this. Okay. I rolled in 19,
  • 121:12 - 121:16
    but with the skin gorger that is a critical, that is, Oh,
  • 121:16 - 121:21
    I'll also go ahead and roll damage. Oh, I'm gonna, I'm gonna. Uh, I'm gonna,
  • 121:22 - 121:27
    I'm gonna, uh, might within 30. Nah, let me do it. Yeah. Yeah.
  • 121:28 - 121:30
    You go ahead and you cancel the critical hits. It's your Omega other damage.
  • 121:31 - 121:33
    Okay. Is that a spell that you just cast? No reaction,
  • 121:34 - 121:39
    no few or lucky he doesn't pop it out from this window.
  • 121:40 - 121:41
    I'm fine.
  • 121:41 - 121:45
    Right? Oh, I rolled low. Um, it's uh, uh, uh,
  • 121:45 - 121:49
    eight that includes your ex doesn't even make it more striking the term no.
  • 121:51 - 121:56
    11 when's the damage? Okay. Should take 11 points of damage. No.
  • 121:57 - 122:01
    Okay. Now I will use my, I'm Dodge to reduce that to five. Right. If we could,
  • 122:01 - 122:04
    speed is reduced to zero. So you are stuck there.
  • 122:05 - 122:08
    She hooks your foot and you kind of fall on the ground and get back up and she's
  • 122:08 - 122:09
    just on top of
  • 122:09 - 122:14
    dammit. Uh, okay. Am I, I'm, I'm like on the,
  • 122:14 - 122:18
    your left side of Yasha right now, right? [inaudible] um,
  • 122:18 - 122:21
    actually you wouldn't have been able to even get that far. Would you have,
  • 122:21 - 122:21
    you would still be,
  • 122:21 - 122:25
    or were you moved around as soon as he tried to move out of her combat range?
  • 122:25 - 122:27
    Move through? Yeah. So yeah,
  • 122:28 - 122:32
    attacks on Oban still have an advantage because you hit correct and he's engaged
  • 122:32 - 122:34
    with yeah. But don't engage with an ally,
  • 122:34 - 122:37
    but he does have the next tech as a manager. Doesn't have to be an ally.
  • 122:38 - 122:43
    He has to be engaged with an enemy of him. Oh, okay. Yeah. That's another point.
  • 122:43 - 122:47
    But either way. Either way. Am I more than 30 feet away? Because
  • 122:47 - 122:51
    does that imposes disadvantage on my crossbar shot?
  • 122:53 - 122:55
    But don't you have the crossbow? I have [inaudible]
  • 122:56 - 122:58
    Oh wait, no, no, no. You know it's stuff that's the structure, right? Yes.
  • 122:59 - 123:02
    So yeah. Uh, you'd be, yeah, he'd be just be on 30 feet.
  • 123:03 - 123:06
    So what does that mean? Do I get sneak attack or do no,
  • 123:06 - 123:07
    you do not get a mention the attack role,
  • 123:07 - 123:10
    but you do get sneak attack a few dams because you live rock. Okay. Alright.
  • 123:10 - 123:14
    I'll take it. Shoot it. Come on. Natural sweater.
  • 123:25 - 123:25
    [inaudible].
  • 123:25 - 123:28
    Okay. Not great. Average, average,
  • 123:33 - 123:37
    average 18 on the dice. All right,
  • 123:37 - 123:41
    so 36 damage plus plus six is 42.
  • 123:41 - 123:46
    I'll add fury of the small 50 to 2.0 that's not good.
  • 123:49 - 123:50
    Yeah, go for it.
  • 123:51 - 123:53
    Why don't you use your motor section to disengage so you can choose again,
  • 123:55 - 123:57
    20 to hit. That hits. Go to the image.
  • 123:57 - 124:00
    This is exactly as our mCLASS 12 more points of damage.
  • 124:02 - 124:07
    So it was old ones like weight from the rock suddenly like tumbles five feet
  • 124:07 - 124:09
    managed to pull back up and then she could shout again.
  • 124:09 - 124:14
    Looks down at you and it's furious at both of you. Um, fuck.
  • 124:14 - 124:19
    Okay. That's your turn. Yes. All right. He's,
  • 124:19 - 124:21
    he's looking hurt. Bond's looking at hurt. Okay.
  • 124:22 - 124:24
    That brings us to stow bonds.
  • 124:27 - 124:30
    Turbot Kotlin Oban is going to pull away from the rock,
  • 124:30 - 124:32
    so get some type of opportunity. Go ahead and make one for me.
  • 124:34 - 124:37
    And that's going to hit, that's a 19 plus something. Yeah,
  • 124:37 - 124:38
    that hits general damage. Oh, let's do
  • 124:38 - 124:40
    the, uh, let's do the talent attacks.
  • 124:42 - 124:46
    Did that burn the, the advantage, uh, his attacker did is the next attack.
  • 124:47 - 124:50
    You get it from being disadvantaged. Okay. Uh,
  • 124:50 - 124:54
    11 points of slashing damage shot it. Okay. It takes half of that
  • 124:57 - 125:00
    problem. It's okay. It's okay. All right.
  • 125:02 - 125:05
    And he's going to swoop down and stare right into knots.
  • 125:08 - 125:10
    Oh, maybe you are more useful than I thought.
  • 125:11 - 125:14
    I need you to go ahead and make a wisdom saving toward not my thing. Do it.
  • 125:15 - 125:18
    Counter spelling. Oh no, I'm not going to do it. Just say instead of eight,
  • 125:18 - 125:23
    I also have to see are out of my sight. Charmin Biova.
  • 125:24 - 125:26
    I also have, I'm chai
  • 125:29 - 125:30
    and Oban says
  • 125:33 - 125:36
    this area grows dangerous. Come with me.
  • 125:37 - 125:41
    We've business and he darts down and through the doors,
  • 125:41 - 125:45
    closing them behind him. Oh, we went into the basement, right? Yes. The doors.
  • 125:45 - 125:48
    How can they fall? He's really sending mixed messages.
  • 125:50 - 125:55
    Follow me. Do I follow? Uh, when it comes to, it's not, not your turn.
  • 125:55 - 125:57
    Okay. You're currently charmed by him and you consider everybody else in it.
  • 125:58 - 126:00
    Okay, great. All right.
  • 126:00 - 126:04
    That brings us to a is turn. Yeah. Okay.
  • 126:05 - 126:08
    So standing in the rain, pouring in through the broken window.
  • 126:08 - 126:12
    The cat's claw looms up over my head and hopefully slashes the shit out of the
  • 126:12 - 126:16
    conscious in front of me. Okay. Oh natural one.
  • 126:20 - 126:20
    [inaudible]
  • 126:20 - 126:25
    Oh yeah, sorry Travis. Let's do, um,
  • 126:26 - 126:30
    and I uh, cursing zoomed in onto my breath and slapped my hands together
  • 126:32 - 126:35
    and I crossed my fingers for good luck and throw
  • 126:38 - 126:42
    here to get, cause I can see his head.
  • 126:42 - 126:45
    I'm trying to right get his head right. I understand.
  • 126:45 - 126:49
    So I would use Hubel he's on the outskirts. If you hit him, I would move.
  • 126:50 - 126:51
    If it's high enough I could say you can,
  • 126:51 - 126:54
    I could say yes to hit him cause he's so tall and on the top you could probably
  • 126:54 - 126:59
    hit him in miss Yasha if you want to. Roger was not worried about that.
  • 127:04 - 127:08
    I was actually trying to get as many of these people as I could without hearing
  • 127:08 - 127:12
    myself and while hitting him to hit the guy near you,
  • 127:12 - 127:15
    it'll also hit not in him, so you'll still have to hit everything.
  • 127:15 - 127:19
    But the guy who's up next to you, I don't know why not. Is not, is right there.
  • 127:19 - 127:22
    No, I ain't. No, no. So if you're doing this, then you have to go after.
  • 127:22 - 127:27
    Not as well. It's a common enemy. That's true.
  • 127:27 - 127:31
    I'm doing it because I hit both the Asha and nut. He's my reaction.
  • 127:32 - 127:36
    Oh, but this is an Asian man. Yeah. It's been really damaged.
  • 127:42 - 127:43
    This isn't complicated.
  • 127:43 - 127:48
    It's not any points of [inaudible] lacking hand rolls a, Oh,
  • 127:48 - 127:49
    what was the 19?
  • 127:49 - 127:53
    No failure. He thinks, but he gets caught in that because it's resistance. No,
  • 127:53 - 127:57
    he's listed as distances. [inaudible] 30, 32. The laughing tan he's,
  • 127:58 - 128:01
    he's taking hits. Um, all right, so against,
  • 128:03 - 128:07
    uh, 30 30 points are you raging? Does that even
  • 128:08 - 128:11
    fire is fire even if both these guys succeed, let's do have spotter or water.
  • 128:11 - 128:14
    They explode and burn out of the way. A physical day. My motto,
  • 128:15 - 128:17
    um, well their wisdom saving throws
  • 128:19 - 128:21
    [inaudible] um, that guy next to you,
  • 128:23 - 128:28
    he pulls a 16 plus one 17.
  • 128:29 - 128:33
    Uh Oh, he saves. Okay. Yeah. That's DC 17.
  • 128:33 - 128:34
    So he takes,
  • 128:40 - 128:41
    he's already taken a hit though, right?
  • 128:43 - 128:47
    I don't remember mine. I think he ran over, he was a spiritual weapon guy.
  • 128:48 - 128:51
    [inaudible] destroy human over. So you have not hit him yet yet?
  • 128:51 - 128:55
    I don't think I got it. Okay. I got hit by something.
  • 128:55 - 128:57
    I feel like everybody has been hit by something.
  • 128:58 - 129:02
    Maybe not might've been hit by the last fireball, but he couldn't go down.
  • 129:02 - 129:06
    He was over here. Rush ran and ran over here. And then like Dasha
  • 129:06 - 129:07
    to catch up though.
  • 129:08 - 129:13
    I'll say I'll save the term for the bank for the [inaudible] sure. He had,
  • 129:13 - 129:14
    he's probably taken a head.
  • 129:14 - 129:18
    And that damage you took from this was almost all our Sue's hit points based on
  • 129:18 - 129:22
    what he had anyway, so he is disintegrated from that. And then something
  • 129:24 - 129:28
    got shot and not getting enrolled. Next 30 saving trips please. Gotcha.
  • 129:28 - 129:32
    You do not see its source. So you do not have advantage on this.
  • 129:32 - 129:33
    Now I will make my wisdoms.
  • 129:34 - 129:37
    This is not for the fire that I'm saving against right now. Right. Yeah.
  • 129:38 - 129:42
    This is saving against the fire. Yes. Oh, 2121. Yeah, sure.
  • 129:46 - 129:47
    Uh, that would be, uh,
  • 129:49 - 129:51
    21, 21, 15 points of fire damage to each of you.
  • 129:52 - 129:54
    You take none though cause you have a vision. So I'm going to add it back in.
  • 129:56 - 130:00
    Roll against the dominates spill on your car. Oh,
  • 130:01 - 130:04
    you got my girl. This isn't a spout. This is an ability.
  • 130:05 - 130:10
    And even then he didn't take any damage cause he's visitation. All right,
  • 130:11 - 130:12
    I'm going to move. Stay put.
  • 130:13 - 130:15
    That guy's calling a,
  • 130:15 - 130:20
    I'm going to come out this way past the hand over by that window so I can get
  • 130:20 - 130:25
    eyes on the field. Yeah. Okay. And then I got to show her the full view.
  • 130:38 - 130:40
    Caleb is his dad has done this one.
  • 130:41 - 130:45
    Cultists that remains here is going to go ahead and attack the,
  • 130:46 - 130:50
    uh, the other one doing there with two tight ends. One of them hits.
  • 130:52 - 130:52
    It's gonna do.
  • 130:57 - 130:59
    Okay. That was looking hurt too.
  • 131:01 - 131:02
    Uh, also these two doors.
  • 131:02 - 131:07
    Oh God. Yeah, those guys. Cool.
  • 131:07 - 131:10
    Those doors really open. That's pretty cool. And then
  • 131:17 - 131:19
    [inaudible] come through. What would you put them with different dishes?
  • 131:22 - 131:22
    30
  • 131:25 - 131:26
    building.
  • 131:30 - 131:33
    Once an accident was going to rush up to a pincer, uh, Puma.
  • 131:37 - 131:40
    Alrighty. Go cloaks all costs.
  • 131:42 - 131:44
    [inaudible] anyone down? Oh, we also have one guy taking you over.
  • 131:44 - 131:49
    There is a tax against you.
  • 131:49 - 131:52
    The disadvantage, the patient ends up just getting stuff for someone,
  • 131:53 - 131:54
    but in critical, Oh,
  • 131:54 - 131:59
    so said that rings to 15 myths and miss snippets missed. What was the nineties?
  • 131:59 - 132:01
    Always just them three now [inaudible]
  • 132:04 - 132:05
    Oh, okay.
  • 132:06 - 132:10
    I'm going to just kind of slip the guy behind me and as I am dodging him,
  • 132:11 - 132:13
    as I slip, I'm going to come around,
  • 132:13 - 132:17
    crack up or cut to the loving hand with my lightening fist and then I'm going to
  • 132:17 - 132:20
    slip again and go for his kidney. That's
  • 132:22 - 132:23
    ours mouse.
  • 132:28 - 132:28
    Oh, okay.
  • 132:29 - 132:33
    Pop pop two attacks 22 and 27 Ooh.
  • 132:33 - 132:34
    Both hit
  • 132:34 - 132:35
    good old damage
  • 132:38 - 132:42
    balls. Crap. 12 plus five.
  • 132:42 - 132:46
    So 1717 damage. Stunning.
  • 132:46 - 132:49
    Actually stunning strike. So I'm gonna check on that first one
  • 132:55 - 132:55
    14
  • 132:57 - 132:59
    miss or say say did. He does I get works.
  • 133:01 - 133:02
    That was a ride there.
  • 133:08 - 133:11
    [inaudible] second, third home and in the Viper [inaudible]
  • 133:13 - 133:13
    [inaudible]
  • 133:13 - 133:16
    that first hit you punch. It's weird.
  • 133:16 - 133:18
    You fought him previously and it was like hitting solid rock.
  • 133:18 - 133:22
    As you punch it has give to it and your hand almost feels like stuck.
  • 133:22 - 133:25
    Almost like the flesh is turned to a like a, like a thick, rubbery molasses.
  • 133:25 - 133:27
    And as you kind of like pull your hand out,
  • 133:27 - 133:31
    whatever you guys did to him or whatever he did to the PERMA heart definitely
  • 133:31 - 133:32
    fucked him up in
  • 133:32 - 133:34
    some ways. Mercy killing. Really.
  • 133:35 - 133:36
    All right, y'all blows.
  • 133:37 - 133:38
    All right.
  • 133:38 - 133:42
    Doing it again with advantage first pop
  • 133:44 - 133:46
    20 to 22 hits a second clock.
  • 133:48 - 133:49
    Oh,
  • 133:49 - 133:54
    what if you roll in natural one, but it's, but it said no,
  • 133:54 - 133:55
    no, 17,
  • 133:55 - 133:59
    17 does not hit. Okay. Okay, so one,
  • 134:01 - 134:03
    um, another nine damage damage.
  • 134:03 - 134:08
    You should see like the eyes kind of go loling a bit and he's,
  • 134:08 - 134:13
    he's looking to hurt and he's stunned. Yes, he is. All right.
  • 134:13 - 134:17
    That brings us to gotcha. Okay. Question.
  • 134:17 - 134:20
    Am I able to attack? Not, not.
  • 134:20 - 134:24
    She is not on your side, so no, not as a friend. Okay.
  • 134:24 - 134:29
    So you're used to Oban taking, uh, taking other people's wills for his own.
  • 134:29 - 134:33
    So now the closest enemy to you is okay. So, um,
  • 134:33 - 134:38
    or Caleb both within your reach, doesn't seek out. Does he kill him?
  • 134:38 - 134:43
    Caleb moved into her vision, so yeah. Okay. So I see, uh,
  • 134:43 - 134:46
    Beauregard and I am going to slowly start walking towards her
  • 134:48 - 134:51
    and move up the steps. It's holding the blade
  • 134:53 - 134:57
    as far as you can see. Yahshua arrive. It's kind of up.
  • 134:57 - 135:00
    It's above the top of the stairs. Just getting gorger at her side a long time.
  • 135:00 - 135:05
    Nosy, raging and reckless. Okay. That's a shit
  • 135:07 - 135:12
    that's so bad. Ooh, that's a 19. That's a credit.
  • 135:16 - 135:21
    Okay. Um, the national 19 it was a natural 19. Yeah, it's a crib.
  • 135:21 - 135:26
    It's gonna be wardrobe. Nope, I flurry of blows.
  • 135:29 - 135:31
    Okay, so
  • 135:38 - 135:41
    next round it feels like this flight's been going on for two hours.
  • 135:42 - 135:44
    It has been almost
  • 135:47 - 135:51
    a, that would be 1515 damage. And then that's,
  • 135:52 - 135:55
    that's are the extra D six, right? That's with the extra D six,
  • 135:55 - 135:58
    doubling the dice and then adding your tech modifier. Well, doubling,
  • 135:58 - 136:03
    that would be a, Ooh, double the dice. Yeah. Yes.
  • 136:03 - 136:06
    So that'd be 20. So 20 like 20 points of damage. Total.
  • 136:08 - 136:11
    Uh, what was the wrong one? So, sorry, the number you just said. 25,
  • 136:11 - 136:15
    25 points of damage from Yahshua's first drive. Oh, you're out. I know,
  • 136:15 - 136:20
    but regard falls. Sorry. 27. That's a lot of mat.
  • 136:22 - 136:27
    Sorry. 55. I was getting up. Just kidding. She's out.
  • 136:27 - 136:31
    You guys watch as Beauregard.
  • 136:33 - 136:35
    Suddenly it just falls down with a blow of Yaddo
  • 136:36 - 136:37
    your second attack.
  • 136:45 - 136:49
    Manage your reckless and okay.
  • 136:52 - 136:56
    Instantly to death. Save fails. Right when she hits you again. Fuck.
  • 136:56 - 137:00
    What are you going to hit her against? 21 five. So you feel to death saves you.
  • 137:01 - 137:02
    Asha cuts bow down,
  • 137:02 - 137:04
    she falls to the ground and you watch her step up and take the skin.
  • 137:04 - 137:05
    Gorger and just [inaudible]
  • 137:06 - 137:11
    it evokes imagery you've seen once before. Oh, Oh,
  • 137:14 - 137:19
    Oh no. Okay.
  • 137:24 - 137:27
    Right. Yeah. Uh, uh, uh,
  • 137:28 - 137:32
    do you want to move or Mmm. Mmm. Mmm.
  • 137:33 - 137:37
    You still have more movements if you want to use 15 movement feet or 15 feet to
  • 137:37 - 137:40
    get to her so you can move another 20 if you want.
  • 137:41 - 137:42
    Yeah. I,
  • 137:43 - 137:48
    I S start having tears rolled down my face and I slowly turn around and I start
  • 137:48 - 137:51
    walking down the stairs towards [inaudible].
  • 137:55 - 137:59
    Gotcha. Just comes towards you blade at the side of tears down her face.
  • 138:00 - 138:02
    All right. That finishes your turn. You off your Ford, it's your go
  • 138:02 - 138:07
    welcome back Ashley to 10 saves two to death fails. Yeah,
  • 138:07 - 138:09
    that totally changes. And I was expressing
  • 138:11 - 138:15
    a shit. So she's standing between me and Bo. Yeah,
  • 138:17 - 138:19
    right on the fly. On the fly.
  • 138:27 - 138:32
    We've got a long time before your turn. Okay. Very long time.
  • 138:32 - 138:33
    [inaudible] seconds.
  • 138:33 - 138:37
    But a lot of things can happen like other things attacking me in that
  • 138:38 - 138:43
    [inaudible] before I show that after all right. Yeah.
  • 138:43 - 138:45
    How would you look at y'all show walking towards me.
  • 138:45 - 138:48
    I'm going to hold my hand out. Say, tell me.
  • 138:48 - 138:52
    You can hear me and I will cast innervation.
  • 138:53 - 138:56
    Yasha I've never heard that word in my life.
  • 138:56 - 138:59
    And [inaudible] is innervation.
  • 139:00 - 139:04
    It is a tendril of inky darkness reaches out from your touching your creature.
  • 139:04 - 139:06
    You can see within range to drain life from it.
  • 139:07 - 139:11
    It must make a deck saving throw of 17 all right. Go ahead and make a
  • 139:13 - 139:16
    make a deck saving throat. You do have it. I have advantage of it.
  • 139:16 - 139:18
    Even if I don't know what it is.
  • 139:19 - 139:22
    There is a barbarian arguing against your raging
  • 139:24 - 139:29
    Jackson effects that you can see while not blind it. Okay.
  • 139:29 - 139:33
    So that would be 14 first ones
  • 139:35 - 139:40
    and 14 both. So that's a fail, right? Yes. Getting rid damage, right?
  • 139:40 - 139:44
    Dead. No, you killed her. She takes 48 necrotic damage.
  • 139:49 - 139:49
    [inaudible]
  • 139:49 - 139:54
    can you take 21 points in necrotic damage and I take 11 points of healing.
  • 139:58 - 140:00
    Oh, that's pretty tick.
  • 140:02 - 140:04
    As for does this reach out and grasps his fingers.
  • 140:04 - 140:09
    Suddenly the shadows bite into like the teeth and the pain chugs through your
  • 140:09 - 140:11
    body and the blood forces. The blood pulls out.
  • 140:11 - 140:15
    It kind of all shoots towards Ford and you watch his wounds begin to seal.
  • 140:15 - 140:18
    But the shadows stick to you. The spell continues.
  • 140:18 - 140:22
    There's the slightest look of red leaf
  • 140:25 - 140:26
    Ford. Is that your turn?
  • 140:27 - 140:30
    Uh, I, I still behind me, right? Yeah. And Yahshua's within melee range now.
  • 140:31 - 140:32
    Yup. Yeah, I'm not going anywhere. Alright,
  • 140:33 - 140:36
    pull month's turn poo months now being flanked by two guys and it's like,
  • 140:37 - 140:39
    all right, this is problematic
  • 140:42 - 140:46
    and it's going to go ahead and begin to cast a spell cause he reaches back
  • 140:46 - 140:50
    behind through a uh, a short sword and his sheath behind him.
  • 140:50 - 140:52
    And as he pulls it out, he begins casting,
  • 140:53 - 140:58
    muttering under his breath and you watch as suddenly his body begins to swell in
  • 140:58 - 140:59
    size. You watch his muscles,
  • 141:02 - 141:07
    he grows about three feet hoping to say keep going and his,
  • 141:07 - 141:10
    his road can a poles, Holtz style the edges of his body.
  • 141:11 - 141:16
    His short sword now emits this kind of force energy around it and Puma is now
  • 141:17 - 141:21
    hulked out between the two of them. Did we, we want to say together three, two,
  • 141:21 - 141:22
    one Puma. Swole.
  • 141:27 - 141:31
    [inaudible] hoping there'll be a reason he gains 50 temporary hit points.
  • 141:33 - 141:35
    Just a spell called transformation.
  • 141:38 - 141:43
    He's going to swing towards the cultist to his left with the short sword.
  • 141:44 - 141:47
    50 straight up, Andre the giant
  • 141:51 - 141:55
    hits. He's going to deal six plus
  • 141:57 - 142:00
    eight points of slashing damage plus
  • 142:03 - 142:04
    15 points of force damage and just
  • 142:07 - 142:11
    scatters that cultist to one side spins to swing. It's the other one.
  • 142:17 - 142:17
    [inaudible]
  • 142:17 - 142:18
    for two misses the other one.
  • 142:19 - 142:23
    But do you see ProMat just like completely disintegrate one of them to the blow
  • 142:23 - 142:24
    and the other one, he swings wide up there he goes,
  • 142:24 - 142:26
    freaks out and just turn this toward the
  • 142:28 - 142:29
    door.
  • 142:36 - 142:40
    He's gonna move here and just kind of like spin to turn his way in that
  • 142:40 - 142:43
    direction to the battle. Um, that finishes his turn.
  • 142:44 - 142:47
    It is now just turned two of them. Uh,
  • 142:48 - 142:49
    this one here is going to go ahead and swing.
  • 142:50 - 142:52
    Actually seeing come out like that. It's gonna rush over and strike him.
  • 142:53 - 142:57
    Now that he's the big threat, another one's going to attack you for. Okay. Um,
  • 142:58 - 143:00
    the advantage because I knew that's a clock on that one.
  • 143:01 - 143:06
    That's a eight misses second attack, 20 hits.
  • 143:07 - 143:08
    All right. You
  • 143:10 - 143:12
    take six points of piercing damage.
  • 143:12 - 143:16
    You will take six points of writing and doing fine. That'll destroy him, huh?
  • 143:17 - 143:18
    Oh man.
  • 143:18 - 143:21
    It just scatters off as into these strikes and from behind the sword pulsing
  • 143:21 - 143:24
    with each time you take damage. Um,
  • 143:25 - 143:29
    and the one that's going to be tech poo met. Nope.
  • 143:29 - 143:31
    He misses the first attack
  • 143:32 - 143:34
    and it's with the second one.
  • 143:39 - 143:42
    My, it's eight points a day. Which for a minute. Alrighty.
  • 143:44 - 143:44
    It is now.
  • 143:51 - 143:52
    Yeah.
  • 143:56 - 144:00
    Oh shit. Totally forgot about
  • 144:05 - 144:10
    [inaudible]. What's your [inaudible] perception by the way? Um,
  • 144:10 - 144:12
    has a perception 15, 15. Yeah.
  • 144:12 - 144:15
    You do not even notice until she's right upon you. Like you're looking,
  • 144:16 - 144:19
    looking at this and suddenly just like right in your face and you've stabs you
  • 144:19 - 144:24
    right in the gut or attempts to do at least, uh,
  • 144:24 - 144:28
    that's going to be 24 to hit Jesus H fucking
  • 144:30 - 144:32
    suffer. No,
  • 144:33 - 144:35
    it's two of these is all it takes. Yeah.
  • 144:42 - 144:45
    It's not looking good for our heroes guys. No, it's really not.
  • 144:46 - 144:49
    We got one down, 42 points of piercing damage. Let need,
  • 144:50 - 144:51
    just make constitution saving. Throw
  • 144:56 - 145:01
    a 17 plus, uh, three 20,
  • 145:02 - 145:05
    29. Okay. Around, no worries. And the second [inaudible]
  • 145:07 - 145:11
    but I can do some other [inaudible] uh, 18. Ah, Oh,
  • 145:11 - 145:16
    it hits my brand new. She'll shoot a flag the second one below
  • 145:19 - 145:23
    and then she's going to go ahead and, uh,
  • 145:25 - 145:26
    bench back into the floor.
  • 145:27 - 145:30
    Yeah. I get it. A ton of opportunity if you want it. Yeah. Yeah.
  • 145:30 - 145:33
    What am I action? Oh no, I don't really do anything with me.
  • 145:33 - 145:38
    I should get more caster. No. Okay. Gotcha. Whoa.
  • 145:39 - 145:43
    That's a, what is that? I don't know what that, that's a nice,
  • 145:43 - 145:47
    it's awesome is what it is. If I can tell when I'm 14 plus, so
  • 145:50 - 145:51
    [inaudible]
  • 145:51 - 145:55
    22 that that hits good with image
  • 145:57 - 145:59
    extract aspects.
  • 146:02 - 146:05
    Ashley, she's the striker. She vanishes back into the floor. Yes.
  • 146:06 - 146:06
    Here's at the site.
  • 146:09 - 146:13
    Okay. All right. That finishes her turn.
  • 146:14 - 146:18
    Could do SIS in the rock is Oban gone. The Brock is nearest enemy.
  • 146:22 - 146:23
    Oh.
  • 146:26 - 146:29
    Oh yeah. That's sound good. And make you a tax against the Asha.
  • 146:30 - 146:32
    Would you like to have an advantage? Because she'd use reckless strikes. Oh,
  • 146:32 - 146:36
    Jesus. Okay. You want the talent and the bite attack? Yeah.
  • 146:36 - 146:40
    Okay. How do we get rid of this thing?
  • 146:41 - 146:43
    Uh, Duke week, you have to take advantage.
  • 146:43 - 146:46
    That's only a 15 to hit are my classes.
  • 146:46 - 146:48
    1717
  • 146:49 - 146:51
    by the way, I guess I notice now Yahshua is wearing a new breast plate.
  • 146:52 - 146:56
    It has these curled tusk type horns that come off the front and Carver a curve
  • 146:56 - 146:57
    over the shoulders.
  • 146:58 - 147:02
    Whoa, that's bad ass. Whoa, wow.
  • 147:03 - 147:08
    17 cool. Just hit on that. It's half damage though because you've, you're ready?
  • 147:08 - 147:13
    Yeah. 10 so five,
  • 147:13 - 147:18
    five points. Alright. Could use a,
  • 147:18 - 147:23
    I become visible. [inaudible] rock is right there.
  • 147:24 - 147:24
    Does the rock
  • 147:24 - 147:29
    notice me or I mean it's just an attacking
  • 147:30 - 147:33
    [inaudible] with it. I am in bed. That's irritating.
  • 147:37 - 147:42
    No, I can't. I turn visible at the start of my term. Some weird,
  • 147:42 - 147:43
    some weird ability.
  • 147:43 - 147:47
    So first thing I'm going to do is I'm going to cast dispel at level five
  • 147:48 - 147:52
    at the back of Yahshua's neck, fifth level level. Come on,
  • 147:53 - 147:54
    come on. That works.
  • 147:58 - 147:59
    [inaudible]
  • 147:59 - 148:03
    so as you appear and you turn the Veronica heroine Yasha,
  • 148:03 - 148:06
    she spins around blade ready,
  • 148:06 - 148:10
    you see Beauregard over there bleeding to death on the top of the, of the altar.
  • 148:10 - 148:12
    Ford is sitting there desperately backing up.
  • 148:13 - 148:17
    As you focus and concentrate, the light around the cathedral
  • 148:17 - 148:21
    fades and darkness the clouds above.
  • 148:24 - 148:29
    Take the space as you open your hand and concentrate and feel the wild mother's
  • 148:29 - 148:32
    energy course through you. The dispel magic
  • 148:33 - 148:38
    emanates from her neck and you watched the symbol burn bright and shattering as
  • 148:38 - 148:41
    it does, lightning strikes the outside.
  • 148:41 - 148:43
    All of this thing that's windows
  • 148:45 - 148:48
    shattered down into the center of the cathedral. Oh wow.
  • 148:49 - 148:53
    Y'all HSA grabs the back of her neck and for the first time and as long as you
  • 148:53 - 148:55
    can remember [inaudible]
  • 148:57 - 149:02
    I let out a primal scream of of agony and relief and everything and just fall on
  • 149:03 - 149:04
    my knees.
  • 149:11 - 149:14
    Ah, action. That's my action for my bonus action.
  • 149:15 - 149:17
    As I have done my prayer and on my little thing,
  • 149:17 - 149:22
    I'm just going to a turn and a little beetle is going to run up and I'm going to
  • 149:23 - 149:26
    have a, and this one to run up and tap bow on the, on the,
  • 149:27 - 149:31
    on the ankle and spare. The dying is going to be cast.
  • 149:31 - 149:35
    You are stabilized grave clerics,
  • 149:35 - 149:39
    yo Doosan, you fucking die.
  • 149:41 - 149:43
    I'm like, I'm going to see myself already by him.
  • 149:43 - 149:45
    I'm going to keep seeing what's happened.
  • 149:45 - 149:50
    I'm just going to make sure that I'm standing next to Yasha so I'm just going to
  • 149:50 - 149:51
    keep my back to the wall.
  • 149:52 - 149:56
    I'm not gonna move and all right,
  • 149:56 - 150:01
    I'm just going to say, yeah, we got it back. Alrighty.
  • 150:01 - 150:05
    Finishing produces this. Turn the state options. Zero.
  • 150:05 - 150:08
    You are three successes. Three, three,
  • 150:08 - 150:12
    three that you're not on no more or three. That's it.
  • 150:13 - 150:14
    Here you are. You're at zero.
  • 150:15 - 150:20
    Oban washes away and you hear the crackle of funder echoing through the city and
  • 150:20 - 150:21
    you feel the surge of strength.
  • 150:22 - 150:25
    Feel you as the entity that's been trying desperately to help you break through
  • 150:26 - 150:28
    is definitely now at your side.
  • 150:28 - 150:31
    You close your eyes and remember yourself fighting against the chains and the
  • 150:31 - 150:34
    dreams that were given. And as you close your eyes,
  • 150:34 - 150:37
    you see yourself breaking the shackles. You see the influence.
  • 150:37 - 150:39
    No longer holding any sway over your soul.
  • 150:41 - 150:46
    There's nothing but the storm vengeance and hope [inaudible] heavy metal music
  • 150:47 - 150:51
    plays [inaudible] wrapping hands turns. He is done.
  • 150:53 - 150:54
    [inaudible] does nothing cause he's fucking stopped
  • 150:58 - 151:00
    until the end of Bo's. Next turn. Gesture. You're up.
  • 151:03 - 151:04
    Okay.
  • 151:05 - 151:07
    Well I'm going to have um,
  • 151:08 - 151:11
    my duplicate to run up to Bo on the grounds.
  • 151:12 - 151:14
    Oh yeah, I knew it touched you though.
  • 151:14 - 151:15
    Yeah.
  • 151:15 - 151:19
    She's going to kneel down and put both her hands on bows on the side of the face
  • 151:19 - 151:23
    and cast here. Wounds at 'em
  • 151:27 - 151:30
    fourth level and fourth level. Yeah. Okay.
  • 151:32 - 151:33
    It's 48.
  • 151:35 - 151:36
    Okay.
  • 151:42 - 151:43
    Fuck some shit up
  • 151:48 - 151:51
    around 1622 plus
  • 151:54 - 151:57
    27 27 points. That's great.
  • 152:00 - 152:02
    Well, mouths, there's like blood.
  • 152:05 - 152:07
    You look up and the first thing you see is the laughing hand over head going.
  • 152:12 - 152:13
    Oh shit. Shit. Shit.
  • 152:14 - 152:17
    Well the first thing you see is my duplicate. Sure.
  • 152:19 - 152:23
    You are covered in shattered stained glass by the way.
  • 152:24 - 152:28
    Just do, just do, just do,
  • 152:29 - 152:31
    all right. Just through that finish attorney in a move.
  • 152:32 - 152:32
    Uh,
  • 152:33 - 152:37
    yeah, I probably should check windows now are starting to, yeah,
  • 152:37 - 152:39
    I'm going to run. Cool.
  • 152:40 - 152:42
    I'm gonna run over. God,
  • 152:45 - 152:48
    there's nowhere to hide from the stupid chick. Um,
  • 152:48 - 152:51
    but I'm going to come and try to get over here if I can.
  • 152:55 - 152:59
    You've got not going to Jess.
  • 152:59 - 153:02
    I mean Beauregard is prone. Correct?
  • 153:03 - 153:08
    That imposes disadvantage on my attack. Correct. But Oban said to follow.
  • 153:09 - 153:13
    Yes. But I want to bust off a shot before I go. Okay. Go for it.
  • 153:13 - 153:16
    But she's at a disadvantage.
  • 153:16 - 153:18
    The Spanish are on strike against but regard go for it.
  • 153:19 - 153:24
    So I don't get sneak attack. No you do not. And I don't, I'm,
  • 153:24 - 153:27
    I'm too far from anyone who I would have advantage on.
  • 153:29 - 153:30
    Correct.
  • 153:30 - 153:35
    Cause they've gotten Yasha back so there's no clear like favorite to who I would
  • 153:36 - 153:40
    shoot technically a disadvantage that distance. That's disadvantage also,
  • 153:40 - 153:44
    but he has allies next to him. So you would, Oh, that's true. Yasha I'm not,
  • 153:44 - 153:47
    so I would fire with disadvantage on the shot,
  • 153:47 - 153:52
    but I would still get sneak attack if I hit against, c'mon you would? Yes.
  • 153:52 - 153:55
    Actually you can tell we're game against pink. It's got her guard because
  • 153:56 - 153:59
    I duplicate or do you think that might be me? I S I don't know.
  • 153:59 - 154:02
    That's a good question. I S I, I don't know.
  • 154:02 - 154:05
    I don't know what I saw earlier and if I retain that information,
  • 154:05 - 154:06
    I assume I retain that information.
  • 154:06 - 154:08
    I don't know which one is me and which one's triplicate.
  • 154:09 - 154:13
    Should I roll to find out what you want to attack? I if, uh,
  • 154:13 - 154:16
    I would wanna attack the person who I would get most damage on,
  • 154:16 - 154:18
    which would be gestures. If I think
  • 154:18 - 154:22
    it's just as if it's just a roll roll. Rolling intelligence check.
  • 154:22 - 154:26
    You just roll a D 20 a year intelligence modifier. You roll a attentional one.
  • 154:27 - 154:32
    Yeah. You think that's it's gesture.
  • 154:33 - 154:36
    I will attack jester after the attack.
  • 154:37 - 154:38
    Oh,
  • 154:38 - 154:40
    it's terrible. Anyway, it passes through.
  • 154:42 - 154:45
    Oh, so it's fine.
  • 154:45 - 154:48
    Then I'll say, come. Let's leave.
  • 154:49 - 154:53
    I will go down the stairs through the door.
  • 154:56 - 155:01
    All right, well, no, now we've lost. Nod the finishes.
  • 155:01 - 155:03
    NASCO Caleb, you're up.
  • 155:03 - 155:05
    Caleb. Totally arraign soaked and numb.
  • 155:05 - 155:08
    Just starts walking in having seen Beauregard,
  • 155:08 - 155:11
    his good friend get stabbed through, pulled up,
  • 155:11 - 155:15
    walks in directly behind the laughing hand pulls out the cat's cradle,
  • 155:15 - 155:18
    Slatons it into the ground and I cast widow gas.
  • 155:18 - 155:21
    It's web of fire and concentrated on the laughing hand.
  • 155:21 - 155:26
    I'm actually standing in front of the colon that can jump five feet or claim
  • 155:27 - 155:32
    five feet. So it should be able to go up and slam or know his ass fifth level.
  • 155:35 - 155:38
    Uh, so that will be 11 D six 11.
  • 155:40 - 155:44
    Fucking Oh uh, next. Say it for him.
  • 155:46 - 155:46
    Done.
  • 155:46 - 155:49
    He's done it. Which means he automatically fails. Dexterity saving throws
  • 155:53 - 155:54
    good. All those red
  • 156:00 - 156:01
    40, kill it.
  • 156:01 - 156:04
    46 points of fire damage. How do you want me to go?
  • 156:06 - 156:06
    [inaudible]
  • 156:06 - 156:08
    so cat's cradle hits the ground,
  • 156:08 - 156:13
    ring of fire goes and all of the,
  • 156:13 - 156:14
    uh,
  • 156:14 - 156:19
    moats of fire stretch out and converge into one thick five foot wide wall.
  • 156:19 - 156:23
    And like a tsunami of fire just goes, jumps up the steps,
  • 156:24 - 156:28
    climbs up his back and bones his entire backside
  • 156:29 - 156:33
    as the flames in Gulf and the fire is a, is a bond fire. The heat is immense.
  • 156:33 - 156:37
    And Beauregard you have to like when some pull away a bit, it's spurting so hot.
  • 156:37 - 156:40
    He just stands there not reacting.
  • 156:40 - 156:42
    The flames just engulfing the laughter gets louder
  • 156:43 - 156:48
    and louder and louder than center since center and center.
  • 156:50 - 156:51
    And then the flames eventually burn out.
  • 156:52 - 156:55
    He's still just standing in black and body on its feet.
  • 156:55 - 156:59
    Oh wow. Wow.
  • 156:59 - 157:00
    Away from my friends.
  • 157:04 - 157:05
    [inaudible]
  • 157:11 - 157:12
    I'm just going to go.
  • 157:14 - 157:16
    All right. Cultist over there. I was going
  • 157:16 - 157:18
    to go ahead and take it strikes at
  • 157:22 - 157:23
    how much per month? Swole
  • 157:25 - 157:28
    takes 6.0 slashing damage.
  • 157:28 - 157:33
    They're all just like grazing off of him from the temporary hip points. Um,
  • 157:33 - 157:36
    and you watch as two more.
  • 157:36 - 157:38
    Begin to rush him around the corners here.
  • 157:39 - 157:43
    Get this close with their full movement and get in there and you hear skittering
  • 157:43 - 157:44
    noises coming from
  • 157:48 - 157:49
    [inaudible]. I can pull it up.
  • 157:49 - 157:53
    20 guys to run it down. Um, some monsters spawn or somewhere low regard.
  • 157:53 - 157:54
    It's your turn.
  • 157:54 - 157:58
    My turn. Oh, it's my turn. Oh yeah. Oh
  • 158:00 - 158:04
    yeah. I'm going to stand up. So you didn't think of the things concentration on
  • 158:07 - 158:10
    are we going to try and maybe we run for it and I have
  • 158:12 - 158:13
    how we used to do,
  • 158:16 - 158:17
    um, you still have a rock by the way.
  • 158:17 - 158:21
    That has been summoned and is just fighting whatever's nearby. Oh. Um,
  • 158:21 - 158:25
    I didn't use my bonus action for my kitty clock. That's true.
  • 158:25 - 158:27
    What you want to do is I send it over to hit the bronc. Sure.
  • 158:29 - 158:30
    Now in Greek club
  • 158:34 - 158:37
    rock so much. Oh, Nope. I'll roll that. 12, 12.
  • 158:39 - 158:42
    We'll set our mCLASS of the rock. Uh, yeah.
  • 158:44 - 158:47
    Uh, uh, 15, 15. Yeah. Misses the,
  • 158:48 - 158:51
    just most of the block Dodges out of the way. There's two [inaudible]
  • 158:51 - 158:55
    people come in. We've got a lady on the floor.
  • 158:58 - 158:59
    All right.
  • 158:59 - 159:01
    You see not go downstairs?
  • 159:01 - 159:04
    Nope. No. You just come to consciousness and you see you,
  • 159:04 - 159:08
    what you pull back is watching the laughing hand just burn into a cinder. Uh,
  • 159:08 - 159:10
    you wake up, you look up and see gestures, uh,
  • 159:11 - 159:14
    form and you see Yasha over there holding on her knees, holding the skin.
  • 159:14 - 159:18
    Gorger you're covered in stained glass. It's broken. Uh,
  • 159:18 - 159:22
    Caleb walks around the way and kind of just looking intensely in his eyes.
  • 159:22 - 159:27
    Ford is still kind of like the poison still coursing through his body and
  • 159:28 - 159:30
    produce to some other side of the rock who's now like kind of stretching around.
  • 159:31 - 159:36
    I want to kind of still in shock, but an autopilot gonna wipe my mouth.
  • 159:37 - 159:42
    It was kind of assemble as I stagger over to this demon kind of on autopilot and
  • 159:43 - 159:47
    shake my head and jump back in the vape. Go for it.
  • 159:50 - 159:52
    Holding my rim. That's still fucked up.
  • 159:54 - 159:55
    Oh geez. The wheeze.
  • 159:56 - 160:01
    16 and the 1616 pop was the rock. Stacy's 15.
  • 160:01 - 160:05
    No, no, no, no, no. I wanted this guy. Oh, him. I'm sorry. I missed.
  • 160:06 - 160:11
    All right. Go for it. 16, 16 and 16. Okay. Hold on.
  • 160:13 - 160:14
    No, I'm
  • 160:14 - 160:17
    22. Oh man. Total damages. Yeah,
  • 160:17 - 160:19
    he is just splatted.
  • 160:22 - 160:25
    You're just like for one more for good margins. Curbstop bone.
  • 160:26 - 160:30
    I'm still fucked up. Yup. I look up at Puma and I'm just
  • 160:35 - 160:35
    [inaudible]
  • 160:35 - 160:36
    looking good.
  • 160:38 - 160:42
    I appreciate the words of grown produce show.
  • 160:43 - 160:44
    Um,
  • 160:46 - 160:48
    and then just lean on this bench next to me
  • 160:49 - 160:54
    and that's my turn. Okay. You got it. Uh, I'll show you return.
  • 160:54 - 160:56
    Okay. So, uh,
  • 160:59 - 161:02
    feeling a lot of shame and embarrassment. Um,
  • 161:02 - 161:05
    I will turn around to the rock and I will attack the rock.
  • 161:05 - 161:09
    Go for it recklessly. Yes.
  • 161:12 - 161:15
    Oh, that's frustrating. Okay.
  • 161:16 - 161:20
    Oh shit. No, that was cocked. [inaudible] the one and then,
  • 161:20 - 161:25
    and I rolled it to, so a nine total nine to hit? Yeah.
  • 161:25 - 161:29
    First strike misses second attack. Reckless. Yeah.
  • 161:30 - 161:34
    Okay. 1817. Okay.
  • 161:34 - 161:36
    So 18 hits, guttural damage.
  • 161:36 - 161:39
    This is full damage cause it's your first wreck and the term old traditional
  • 161:39 - 161:44
    distance. That's great. Okay. So
  • 161:47 - 161:50
    if you want to remember, you can roll one of the dye if you Savage attacker.
  • 161:50 - 161:51
    Oh yeah.
  • 161:54 - 161:58
    Same 13 points a day. You can watch damage to the Brock. Copy of that.
  • 161:59 - 162:03
    Alrighty. Um, Ford Europe.
  • 162:07 - 162:12
    Uh, yes. Hello. Am I doing? Oh, I'm going to, uh, look at your options.
  • 162:12 - 162:17
    Say I'll take you up on that grief and regret and I will continue to pull a 48
  • 162:18 - 162:22
    product turned out. Yeah, I did. Okay. All right. Go for it.
  • 162:23 - 162:25
    Oh, I want to get what's happening now.
  • 162:28 - 162:33
    19 points of necrotic damage. All right. That's your action and then,
  • 162:33 - 162:38
    and then you feel nine. Yes. Awesome. Well that's cool. That's pretty rad. Yeah.
  • 162:38 - 162:43
    Yeah. That's very more [inaudible] to and I will, I will.
  • 162:44 - 162:45
    All right. Right.
  • 162:46 - 162:51
    Can I move over here behind this pillar? Yup. I just it against it.
  • 162:53 - 162:56
    You got it. Cool. All right. [inaudible] turn
  • 162:59 - 163:00
    pronouns. Kind of seeing you guys looking rugged, rugged.
  • 163:00 - 163:02
    Sees everyone rushing through and goes like,
  • 163:03 - 163:04
    good.
  • 163:05 - 163:09
    There's more guys coming. I'll take care of this.
  • 163:09 - 163:10
    You go ahead.
  • 163:14 - 163:15
    Hands like this.
  • 163:15 - 163:16
    Does you watch win
  • 163:21 - 163:26
    until they whirlwind suddenly pulls up in the middle of the chamber and begins
  • 163:28 - 163:29
    to carve across this way.
  • 163:32 - 163:35
    That doesn't make it hard for things to fly around the room. Maybe
  • 163:37 - 163:41
    I can just suck up the flying creatures,
  • 163:42 - 163:46
    the feathers off of any creature and turn them into like a little Thanksgiving.
  • 163:47 - 163:51
    Turkey, Thanksgiving, 10 foot radius.
  • 163:52 - 163:53
    39 hold on. So
  • 163:58 - 163:59
    here we go.
  • 164:06 - 164:09
    30 feet in direction. So
  • 164:10 - 164:15
    we'll cast it and move. First. Appear here.
  • 164:18 - 164:22
    Uh, 10 15,
  • 164:23 - 164:28
    2025 30 it gets that far. [inaudible]
  • 164:28 - 164:30
    so the wind is whipping and kicking around. Glass.
  • 164:30 - 164:33
    Shards are getting caught up in it and spinning around inside the vortex.
  • 164:34 - 164:34
    The Virago
  • 164:36 - 164:40
    take one attendee. Six pleasure. Let's go ahead and roll a dexterity.
  • 164:41 - 164:44
    Save for the rock. One, one, one, one
  • 164:49 - 164:53
    19. Okay, so
  • 165:06 - 165:09
    14 points of bludgeoning damage and give it a strength saving. Throw up please.
  • 165:10 - 165:14
    No, there's nothing to a straight role, which is a nine,
  • 165:14 - 165:17
    a nine. It is restrained and pulled along with it.
  • 165:20 - 165:22
    It's forced movement as far as movement. Thank you.
  • 165:22 - 165:26
    But the Brocken gets pulled up into the whirlwind and you see giant [inaudible]
  • 165:26 - 165:30
    swole guiding it around the other cultures that are rushing into like chit and
  • 165:30 - 165:31
    they're seeing the warfarin. It's like
  • 165:32 - 165:35
    go, we get out of here. We want us to move up the property and go.
  • 165:35 - 165:38
    I have to go get it. Go critical. All right. There's them.
  • 165:40 - 165:43
    Oh wait. Oh no. Oh no.
  • 165:45 - 165:48
    I think it's the inevitable end. Stern. She could also join them.
  • 165:49 - 165:50
    She might've already gone.
  • 165:54 - 165:58
    She doesn't show up. Shit produces.
  • 166:00 - 166:05
    Um, how many feet am I from? We'll see what the purposes of the narrative here.
  • 166:05 - 166:09
    They're very focused on Puma and the whirlwind. I was, you guys could do,
  • 166:10 - 166:10
    I was going
  • 166:10 - 166:12
    to say, do I need to use my action as well or am I okay?
  • 166:13 - 166:16
    U S or probably wants to use your action to dash. Okay, I'll try.
  • 166:16 - 166:17
    I'll dash 30 minutes.
  • 166:20 - 166:24
    We all run by and bitch slap nut as we go by. And try and snap road.
  • 166:25 - 166:28
    Can we still bitch leper? Do the Sam on the break.
  • 166:33 - 166:37
    As you all begin to dart through the door into the below chamber,
  • 166:37 - 166:42
    you had the doors open lightless below staircase that descends.
  • 166:45 - 166:47
    Oh, goes forward to what is your marching order?
  • 166:49 - 166:50
    Well, whoever would get there first,
  • 166:51 - 166:54
    it would be you take a little bit for gesturey and caught up to you guys.
  • 166:54 - 166:56
    So you guys are waiting up for gesture once.
  • 166:56 - 166:59
    Once we're in there and we're going to get everybody in and I'm going to try and
  • 166:59 - 167:04
    barricade the door, the door. Okay. The second position. I'll take the charge.
  • 167:04 - 167:08
    I'm right. I think I'm closest. Okay. Just little words taking the charge.
  • 167:08 - 167:09
    I should,
  • 167:10 - 167:14
    I'll go behind the other two but my partner is down below. Oh,
  • 167:14 - 167:18
    you're talking handles. I do. Caleb. Uh, yeah, I'm two.
  • 167:20 - 167:21
    Alright.
  • 167:21 - 167:25
    Did you guys dart and close the door behind gesture? Who's the last one through?
  • 167:26 - 167:28
    You began to barricade it and there is like a,
  • 167:28 - 167:32
    a barricade point that comes down. It's a little flimsy. Um,
  • 167:32 - 167:33
    but if you have anything else you want to add to it,
  • 167:34 - 167:36
    that would possibly be, is a, is there a key hole in there at all?
  • 167:37 - 167:41
    We don't have the dagger. Yeah, she's got not has the thing. Oh, Oh,
  • 167:41 - 167:43
    I'm looking at you like you're with us. Oh, are we still going?
  • 167:44 - 167:46
    Are we doing a new initiative and we go down there or it might bring what
  • 167:46 - 167:48
    happens? Probably initiative initiative.
  • 167:48 - 167:51
    Once you guys got through this door and closed it, combat for you has ended.
  • 167:52 - 167:53
    So
  • 167:53 - 167:57
    do you wish to barricade anything else? Um, for all of us?
  • 167:57 - 167:59
    As in did you guys have gotten a room and closed it?
  • 167:59 - 168:01
    We're gonna put the thing down. You're not [inaudible]
  • 168:03 - 168:06
    the other side and people yelling and creatures screaming.
  • 168:08 - 168:10
    Um, [inaudible] on. Was that, do you know
  • 168:12 - 168:16
    if not faster than us? Anyone can use the lash. It doesn't work. Um,
  • 168:16 - 168:19
    lightening gloves are technically, so I'm going to take a moment to, uh,
  • 168:19 - 168:23
    use minor on command. Turn the wooden barricade slat to stone.
  • 168:24 - 168:25
    Oh, okay. I see.
  • 168:27 - 168:29
    It turns into solid stone blocking the doors.
  • 168:29 - 168:30
    It'll hold for holdings that last for
  • 168:31 - 168:34
    uh, I have to, Ooh, I have to spend time doing it. Um, okay.
  • 168:35 - 168:37
    How about much once we get down the steps a little bit,
  • 168:37 - 168:42
    I'm going to use the wand on the floor riser underneath the doors so that
  • 168:42 - 168:45
    anything coming through will slip and fall. At least how long you have
  • 168:47 - 168:50
    10 10 minutes to do it right as we get, well, if you're going to do that,
  • 168:51 - 168:53
    and I can, I can run a, I can run a mass healing for 10 minutes.
  • 168:53 - 168:56
    If we take 10 minutes, we'll let them have 10 minutes. Do both of it.
  • 168:56 - 168:58
    We're going to, yeah, we can do both. The one
  • 168:59 - 169:02
    sharing to focus and turn it to stone. You're going to cast masculine.
  • 169:02 - 169:06
    I'm going to cast masculine. Uh, I'm going to catch prayer of healing. I mean,
  • 169:06 - 169:08
    excuse me, since we're doing that, let's do that at
  • 169:08 - 169:12
    a, let's do that at fourth level bucket. Someone's kind of down.
  • 169:13 - 169:16
    So they'll also be able to like, is the, is the door made of stone or metal or
  • 169:18 - 169:22
    the, the door that we just shut the door. Just ask me to guest to be metal?
  • 169:22 - 169:25
    No. Okay. Okay.
  • 169:28 - 169:31
    1919 points to everybody.
  • 169:36 - 169:40
    [inaudible] you hear the demons keep coming 19 points seven. Um,
  • 169:41 - 169:45
    but that's yeah, that's somebody else's problem.
  • 169:46 - 169:51
    [inaudible] Bo is in front of me and I will very sheepishly over Coburn my hand
  • 169:52 - 169:57
    over where I stopped her and I will cast healing hands.
  • 169:57 - 170:02
    Oh. And um, so to start an extra 10 hit points, I'll say again,
  • 170:02 - 170:07
    he couldn't have like backed up and still controlled the wind and come in with
  • 170:07 - 170:10
    us is enormous. Giant.
  • 170:11 - 170:14
    Did you want to reopen the doors and check and see? No.
  • 170:14 - 170:18
    We'll keep going and not sternal do iron. We'll make that slap iron.
  • 170:19 - 170:22
    Okay. You got it. Reopened it before we turn them this stone
  • 170:24 - 170:25
    if you want to open the door.
  • 170:27 - 170:30
    But it's Torah told us to go. He told us to go.
  • 170:32 - 170:33
    How many were in there with him?
  • 170:39 - 170:43
    Right? There's like four of them. It's cool. He's got back there. Awesome.
  • 170:45 - 170:47
    So how much do they let everyone heals? 19 points. Everybody.
  • 170:48 - 170:49
    Everyone heals anything. Any points. If you have marked it already,
  • 170:49 - 170:51
    is there any other healing skills? We'll get her.
  • 170:51 - 170:54
    Should we be drinking puppies or are we also going to take a short Rose?
  • 170:55 - 170:58
    We're not taking a short rest. I was going to say if we're taking a short rest,
  • 170:58 - 171:01
    and I did not pull that that fucking spell cause that's, yeah,
  • 171:01 - 171:05
    but like I drink my drink, the functions,
  • 171:06 - 171:07
    I don't know how long those, those ain't while
  • 171:09 - 171:12
    I was a plus four to these things. It right to the regulars,
  • 171:14 - 171:16
    so it's four plus four.
  • 171:18 - 171:23
    The regulars are plus two plus two plus four and the big one is plus eight.
  • 171:26 - 171:31
    All right. I look at the ocean, I'm like,
  • 171:31 - 171:33
    sorry. And I fall more. No,
  • 171:36 - 171:38
    I actually, I have, I don't know where my physical one is.
  • 171:38 - 171:42
    I think I can do a portion of [inaudible]
  • 171:44 - 171:48
    rather than just a regular, like super low. I'm 20 points down.
  • 171:49 - 171:53
    I'm 51 points down. Even after that. Oh wow.
  • 171:55 - 171:58
    I'm going to go and close forward and I'm going to cast that. Oh my God.
  • 171:58 - 172:03
    First level care was, sorry that I don't actually here
  • 172:05 - 172:06
    or should we save
  • 172:06 - 172:09
    it for a like a Metta Metta medivac thing.
  • 172:10 - 172:13
    I mean potions or potions. Once you go down you can't use it.
  • 172:14 - 172:17
    I mean like a spell spelled. Yeah.
  • 172:18 - 172:19
    As you guys, I'm waiting here.
  • 172:19 - 172:22
    You hear like the wind died down after a lot bile outside
  • 172:24 - 172:28
    and then you hear like there's battle just going the whole time.
  • 172:28 - 172:31
    You guys are resting here. You finish, you've healed.
  • 172:32 - 172:34
    You've taken that moment to seal the door with iron.
  • 172:34 - 172:39
    You guys moving on. It's only okay Yasha make his,
  • 172:40 - 172:44
    yeah, there's no way. I mean, okay, wait, what?
  • 172:44 - 172:46
    So [inaudible] out there.
  • 172:47 - 172:48
    Alright, but what were you saying?
  • 172:51 - 172:53
    Good to have you back like back.
  • 172:55 - 172:59
    I'm very sorry. I did not know what I was doing.
  • 173:01 - 173:02
    Marina,
  • 173:08 - 173:11
    please forgive me. I don't know how I can
  • 173:12 - 173:15
    make any of you trust me again because I don't even trust myself.
  • 173:18 - 173:19
    It will hug Yasha around the waist.
  • 173:23 - 173:24
    Thank you Chester.
  • 173:28 - 173:32
    Stop by helping us kill this fucking, yeah,
  • 173:32 - 173:34
    well we'll talk later.
  • 173:35 - 173:40
    No, it's not like a place. We have a job to finish. I start walking
  • 173:41 - 173:46
    as you all follow suit with Mellon heading down the 10 foot wide descending
  • 173:46 - 173:50
    space into the depths beneath the Chen tree. Of the Dawn. We're thinking
  • 173:53 - 173:58
    three hour plus. Wow.
  • 173:58 - 174:00
    First vivid nervous
  • 174:04 - 174:07
    [inaudible] first, so we'll see what the next stage is here,
  • 174:08 - 174:12
    like 14 points, so it's great. Good. We'll be back here in a few minutes.
  • 174:12 - 174:14
    In the meantime, we do have our giveaway tonight.
  • 174:15 - 174:19
    That was a longer first half than last weeks. Yeah,
  • 174:19 - 174:24
    that was, that was a confrontation and I was thrilled. Sure.
  • 174:26 - 174:29
    The purple heart dice tray or the scam and special if you will,
  • 174:29 - 174:33
    going to one lucky winner in the chat room. The code name tonight is storm.
  • 174:34 - 174:38
    Put it in once, not more than one. So we have disqualified us and Canada only.
  • 174:38 - 174:39
    It's going to go back because the stupid laws,
  • 174:40 - 174:42
    we'll have a winner for you shortly.
  • 174:46 - 174:47
    Perfect.
  • 174:50 - 174:52
    But you need a place to track
  • 174:55 - 174:57
    your click to open your web page
  • 175:00 - 175:03
    and narrow your, get some button.
  • 175:30 - 175:31
    [inaudible]
  • 175:33 - 175:35
    Hey, what's up critters? It's Glen with OSD.
  • 175:35 - 175:40
    I just wanted to send you all a thank you message and my gratitude for all the
  • 175:40 - 175:41
    hard work so far this month.
  • 175:41 - 175:46
    The critters thus far have raised enough money to be able to impact over 400
  • 175:46 - 175:47
    veterans. We're here in our warehouse.
  • 175:47 - 175:50
    We're putting together additional supply drawers for our troops overseas,
  • 175:50 - 175:54
    including a million cups of coffee, video games, lots of board games.
  • 175:54 - 175:55
    As you can see,
  • 175:55 - 175:59
    as well as putting together different supplies for our chapters that they're
  • 175:59 - 176:01
    doing out in the local community, whether it's underprivileged kids,
  • 176:01 - 176:03
    it's the homeless, all these different things.
  • 176:03 - 176:07
    We're being able to make happen for veterans by veterans and with veterans
  • 176:07 - 176:10
    because we know that service to one's community is so gosh darn important.
  • 176:11 - 176:13
    So thank you again. If you want to continue to support,
  • 176:13 - 176:16
    visit [inaudible] dot com slash OSD that's crit
  • 176:19 - 176:22
    roll.com/osd we've still got half the month to go, so if we've hit 400 now,
  • 176:22 - 176:23
    let's push it.
  • 176:23 - 176:26
    Let's try to do 800 and let's really make a difference as we head through
  • 176:26 - 176:30
    Thanksgiving into Christmas and into 2020 thank you again
  • 176:32 - 176:34
    last time on tox Maki. Now,
  • 176:34 - 176:39
    do you know what I just thought of what three years ago tonight?
  • 176:39 - 176:41
    Yeah. This show first premiered.
  • 176:43 - 176:47
    It's kind of our birthday. It's our three year's fucking unreal birthday.
  • 176:47 - 176:48
    He's pretty crazy.
  • 176:49 - 176:52
    Totally like message us about messaged us about it this morning and then I
  • 176:52 - 176:56
    totally forgot. But it's so, it's so lovely. Like I,
  • 176:57 - 177:01
    I'll say, I'll be the first to say, I didn't think this show made sense at all.
  • 177:01 - 177:06
    Do you think it is now? What is, what has changed? Well, I thought like, Oh,
  • 177:06 - 177:07
    just let it play out at the table.
  • 177:07 - 177:11
    Who's gonna want to listen to us talk about our bullshit character shit that's
  • 177:11 - 177:14
    in our heads. I was wrong.
  • 177:15 - 177:17
    Do cuddle fish where I remember cuddles.
  • 177:29 - 177:34
    That's one of my favorites. Favorites. It's hard to beat. Okay.
  • 177:34 - 177:35
    They're all your questions.
  • 177:41 - 177:42
    Ooh,
  • 177:42 - 177:43
    Ooh. Watching gestures.
  • 177:43 - 177:46
    Late night conversation with the gentleman was really moving noxious for the
  • 177:46 - 177:47
    wonderful RP.
  • 177:47 - 177:50
    But also there are those of us in the community who can connect to having an
  • 177:50 - 177:54
    absent parent. What was your experience sitting at the table during that? Let's
  • 177:54 - 177:55
    see.
  • 177:55 - 178:00
    So you being a front row and like experimental black box with a world-class
  • 178:02 - 178:02
    actor.
  • 178:02 - 178:04
    God, so good. So fucking [inaudible].
  • 178:05 - 178:08
    Yeah, we've talked about this before. Laura is good.
  • 178:08 - 178:12
    Just nominated for an award in the gaming industry today. Um,
  • 178:12 - 178:15
    I've said 20 times. My favorite actor.
  • 178:16 - 178:20
    That's the end of the sentence. Um, yeah. Yeah. Laura is a fucking
  • 178:21 - 178:26
    great to watch men up close and you got the like the subtleties of her like
  • 178:26 - 178:30
    crying pretty much the second the gentleman rejected her when we were all
  • 178:30 - 178:35
    sitting there were when we were all talking to him initially because as soon as
  • 178:36 - 178:37
    she starts with that,
  • 178:38 - 178:43
    then you have to go through the process of like and see the adjusters crying.
  • 178:45 - 178:49
    Bo knows she's kind of in a conference room with
  • 178:51 - 178:53
    in the middle of an important conversation.
  • 178:54 - 178:58
    You kind of have to be focused at these things and ha I dunno.
  • 178:58 - 179:02
    It's just so good. It just, she's great at adding layers. It's fucking awesome.
  • 179:04 - 179:06
    Just phenomenal actor. Great moment
  • 179:06 - 179:10
    for this in this campaign. People will definitely highlight for sure.
  • 179:10 - 179:14
    Don't let her see this episode of tox mock and it could because if she hears us
  • 179:14 - 179:17
    compliment her like that, she will be intolerable for two weeks.
  • 179:18 - 179:22
    Has never seen episode of the show the shoe that she wasn't on. Yeah.
  • 179:25 - 179:28
    Cause she's new. Yeah. Winter for this week was sent in by
  • 179:30 - 179:34
    Christina Silva. So at Xtina is crafty. Let's take a look.
  • 179:40 - 179:42
    Oh wow.
  • 179:45 - 179:49
    Every single one. Yeah, that's crazy. All the same girl. Yeah. Gotcha.
  • 179:49 - 179:54
    Oh my God. I think the Ford is my favorite in the lineup, but
  • 179:56 - 180:00
    yeah, but look at the knot and the Kayla. Darryl.
  • 180:02 - 180:04
    Hey, that was really good. Dick Chez.
  • 180:06 - 180:11
    Mimi Vizio. [inaudible] it's a cool theme.
  • 180:12 - 180:14
    He was me. It sounds like, it sounds like,
  • 180:14 - 180:18
    it sounds like a guy who like was he was sure he, his, his,
  • 180:18 - 180:21
    his scenes weren't cut out of the Sopranos and his friends,
  • 180:21 - 180:25
    his friends were like, wait, what character did you play? He's like,
  • 180:25 - 180:30
    my guy's name was Mimi VZV. They're like, nah man, they cut your shit.
  • 180:30 - 180:35
    He's like, nah, it's the man. Tony looked at me and he said, more waffles.
  • 180:35 - 180:38
    We're just going to get out of the way at the start long.
  • 180:38 - 180:41
    Has Bo liked gesture in a more than just friends type
  • 180:41 - 180:44
    of way and why drop that bomb now?
  • 180:47 - 180:48
    Mm mm mm.
  • 180:51 - 180:52
    Good answer so far.
  • 180:53 - 180:58
    I'm maybe words I have been obviously like in this question,
  • 181:01 - 181:04
    cause you times and thinking about it two or three times
  • 181:06 - 181:07
    all week.
  • 181:07 - 181:11
    Well all weekend and up until now of how I'm going to answer it.
  • 181:12 - 181:17
    And it's hard because there's no real defining moment.
  • 181:18 - 181:21
    You've been through this before. I have,
  • 181:21 - 181:25
    I don't remember how it started and campaign just happened. It just happened
  • 181:27 - 181:31
    like relationships funny that just,
  • 181:32 - 181:37
    it's still do something and it kind of cocks your head and you're like,
  • 181:37 - 181:41
    Oh fuck, that was cute. And then you kind of go like, Hmm.
  • 181:42 - 181:46
    And then you forget about that and then something else happens and then they
  • 181:46 - 181:47
    build and then they build.
  • 181:47 - 181:51
    So you're saying it's been more of a series than it is just the one moment that
  • 181:51 - 181:54
    you can point to and say it was right here where I went like let's fuck,
  • 181:56 - 181:59
    I'm joking. I'm joking. But you know what I'm saying? But yes,
  • 182:01 - 182:03
    I understand. Okay. I'll be sure to watch that one.
  • 182:03 - 182:07
    No, it's nothing. It's nothing sexual in this.
  • 182:08 - 182:10
    Yeah, right. Danny. Danny pointing out,
  • 182:10 - 182:14
    you guys only level up after someone has sex. I want to level up now. Make it,
  • 182:15 - 182:17
    yeah, exactly. Exactly.
  • 182:20 - 182:21
    I will sleep with someone.
  • 182:21 - 182:24
    Every episode means we can be at level 20 straight up and 10 weeks straight up.
  • 182:27 - 182:31
    Hello? I'm on yeehaw game ranch. What the fuck?
  • 182:31 - 182:33
    Where have you been, man?
  • 182:34 - 182:37
    Yes. No more spunky ranch.
  • 182:37 - 182:41
    Fuck no more pissing my pants. Bless you. Minutes out or Jones.
  • 182:41 - 182:42
    You very little sales.
  • 182:42 - 182:47
    Yeah, the fucker re realm ported me here without you.
  • 182:48 - 182:49
    This place is a little fucking weird man.
  • 182:49 - 182:52
    It seems a little early for the holidays. If you ask me, you know, but
  • 182:53 - 182:56
    Oh, what discarded lump of call said, Hey,
  • 182:56 - 182:59
    it's never too early for the holidays.
  • 183:00 - 183:03
    Okay, cool. What the fuck? I swear, dude,
  • 183:03 - 183:04
    this shit is getting fucking [inaudible].
  • 183:05 - 183:08
    Oh, you can call me by my travel name.
  • 183:08 - 183:10
    Mary Sugarplum.
  • 183:11 - 183:16
    Fuck. Critter has two names, man. I can't fucking do this anymore.
  • 183:16 - 183:18
    This is getting excessive.
  • 183:18 - 183:23
    Well, why don't you kick the bucket? You cheer siphoning convent.
  • 183:27 - 183:30
    Oh, I'm so sorry.
  • 183:30 - 183:33
    Originally married Sugarplum uh,
  • 183:33 - 183:35
    where are you on base?
  • 183:37 - 183:40
    Well, ye har prehistoric ranch of course.
  • 183:40 - 183:45
    Oh my family comes here every year to celebrate the great calling of the,
  • 183:47 - 183:51
    Oh, the fuck. You're from the prehistoric ranch. What's that place like Holden?
  • 183:51 - 183:54
    Have y'all ever been to jungle ranch?
  • 183:55 - 183:59
    Basically that shit, but we're dinosaurs.
  • 184:01 - 184:02
    Wow.
  • 184:02 - 184:07
    The old Theo have really built a compelling and unique world.
  • 184:07 - 184:08
    It sounds like
  • 184:08 - 184:13
    you are building like a 13 year old skateboarder who sell cigarettes under
  • 184:13 - 184:13
    bleachers.
  • 184:15 - 184:19
    Oh, that's not untrue. You got arrested for that dude twice.
  • 184:21 - 184:23
    It's sugar bomb. I don't, you don't mind.
  • 184:23 - 184:28
    We usually get a little Dell lobe when we first arrived at these new realms.
  • 184:28 - 184:32
    Any thing we need to know about this snow cupboard? Festive play.
  • 184:33 - 184:35
    [inaudible] Mary,
  • 184:35 - 184:39
    bring joy to others and most importantly,
  • 184:40 - 184:41
    refuse the game soul.
  • 184:42 - 184:45
    That's cool. Wait. Refuse the game soul.
  • 184:45 - 184:47
    That's like against everything.
  • 184:47 - 184:48
    Hmm.
  • 184:54 - 184:58
    Quad. Oh, congrats.
  • 184:59 - 185:01
    Yeah. Let's see what this is about.
  • 185:08 - 185:12
    Yeah. I'm just going to go ahead. Whoa, Whoa, Whoa. The controls are cut.
  • 185:12 - 185:15
    I've inverted. Nope. I'm just bad. Are we winning?
  • 185:16 - 185:20
    We're winning this fight. I think we're losing. Nah, we're winning, man.
  • 185:22 - 185:26
    Um, Oh yeah.
  • 185:26 - 185:31
    Okay. Oh,
  • 185:31 - 185:33
    you got him. It was just a over
  • 185:38 - 185:43
    only Dak Prescott could nail those. Okay. What?
  • 185:44 - 185:48
    No way. Oh,
  • 185:48 - 185:50
    I should take it out of the plastic.
  • 185:50 - 185:52
    Right. You're fucking snoring right now.
  • 185:53 - 185:55
    A lot of people think, uh,
  • 185:55 - 186:00
    maybe I'm not as good as I say that I am based on how they saw me play against
  • 186:01 - 186:04
    those bots. But I guarantee you I'm far better.
  • 186:09 - 186:10
    Huh?
  • 186:10 - 186:12
    Do you want it? Do you want to have it? Do you want to have a dual fees?
  • 186:12 - 186:14
    You want to come up to the middle and we'll turn our back so we turned around
  • 186:17 - 186:19
    [inaudible] where are you? Where are you not going to shoot you?
  • 186:19 - 186:21
    I'm gonna show you I'm bucket ready. Ready? Okay. Yeah.
  • 186:21 - 186:23
    Stay on their side of the pumps. Yeah.
  • 186:23 - 186:26
    There's other parts where you got to look away. Okay, so wait, wait. Yeah. Stay.
  • 186:26 - 186:30
    Stay where you're going to be. Stay where you're going to be on a way. No, stay.
  • 186:30 - 186:33
    I'm turning. I'm turning away. Okay. Okay. I know what you fucking don't.
  • 186:43 - 186:45
    I will probably be the last
  • 186:45 - 186:46
    man standing
  • 186:53 - 186:55
    [inaudible] that word, but I killed myself at the same time.
  • 186:55 - 187:00
    I had to go round the corner and look like a dumb ass. God damn.
  • 187:00 - 187:05
    This game's fun. Okay. This is match point. [inaudible] I'm not joking. Okay.
  • 187:05 - 187:07
    Come out here to the center. Yep.
  • 187:08 - 187:13
    See if you can jump over this thing. Yeah. Okay,
  • 187:14 - 187:15
    so on the count of three,
  • 187:15 - 187:20
    let's jump and see if we could shoot each other in the head. Okay. Okay. Wait,
  • 187:20 - 187:24
    wait, wait, wait, wait. Jump on three. Yes. Jump and shoot on three.
  • 187:25 - 187:30
    One, two, three. There you go. One,
  • 187:30 - 187:35
    two, three. Wait. Okay. Hold on. Hold on. Hold on. Okay. One,
  • 187:35 - 187:37
    two, three.
  • 187:38 - 187:43
    We will leave out about what happened. One, two, three,
  • 188:35 - 188:36
    [inaudible].
  • 188:51 - 188:52
    [inaudible].
  • 189:05 - 189:07
    Hey everyone, the insanely talented Wilford L here.
  • 189:08 - 189:10
    I'm excited to announce that I have a new late night talk show coming to the
  • 189:10 - 189:15
    critical role YouTube channel on Wednesdays call mini primetime is brought to
  • 189:15 - 189:19
    you by the same creators as that one show with the hippie kid with the
  • 189:19 - 189:21
    bracelets, whatever that. Anyway,
  • 189:21 - 189:25
    my show mini primetime is a mini painting show for beginners and veterans or
  • 189:25 - 189:29
    life or this handsome face teaches the critical wool Cass how to paint their own
  • 189:29 - 189:33
    mighty nine minutes. We're going to be focusing on specific techniques, fade,
  • 189:33 - 189:37
    small detail work and taking your money to the next level by adding your bits.
  • 189:37 - 189:39
    So look for two critical goals.
  • 189:40 - 189:45
    Critical role. What is that? What is even a critical role? Oh, that's right.
  • 189:45 - 189:47
    That was the show with cash.
  • 190:12 - 190:13
    [inaudible]
  • 190:13 - 190:18
    subscribe or don't subscribe.
  • 190:20 - 190:22
    That's not a question.
  • 190:24 - 190:29
    Well that is nobler in the mind to ponder the pros and more pros of Twitch or
  • 190:30 - 190:31
    Twitch prime
  • 190:32 - 190:37
    or to take hands and gift new subs to creditors who find they can't afford them
  • 190:39 - 190:43
    to play, to sleep.
  • 190:46 - 190:46
    No mom.
  • 190:48 - 190:53
    And by asleep to say the cast and crew of critical role might find that naps
  • 190:53 - 190:58
    around the hectic schedule of a live broadcast that we have brought for your
  • 190:58 - 191:01
    consumption, both critter and fan alike
  • 191:04 - 191:07
    to play or sleep.
  • 191:10 - 191:14
    No sleep, but just to stream.
  • 191:17 - 191:17
    That's the rub.
  • 191:19 - 191:24
    Four with your subscription. What strains? Macomb
  • 191:28 - 191:32
    man. Oh man, that is a fucking tag line is we got that. Oh,
  • 191:33 - 191:38
    that is Twitch poetry. Oh. Anyway,
  • 191:39 - 191:39
    subscribe
  • 191:40 - 191:45
    to critical role use Twitch prime to subscribe. Gift some subscriptions. You,
  • 191:46 - 191:46
    you got it.
  • 192:16 - 192:17
    [inaudible] [inaudible]
  • 193:16 - 193:17
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    [inaudible] [inaudible]
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    [inaudible]
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    welcome back.
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    So the winner of our giveaway at the break who gets the lucky a scamming purple
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    hunt would die straight is mr Ricco. It's mr underscore,
  • 205:04 - 205:08
    R E. K. O. J. congratulations. The same to you ASAP.
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    So battered but filled with resolve.
  • 205:15 - 205:19
    Yasha returned to your side of the spelled broken that Oban has held over her
  • 205:19 - 205:19
    son.
  • 205:21 - 205:21
    Well,
  • 205:21 - 205:23
    since that time was lost,
  • 205:24 - 205:28
    you make your way down to the darkened stairs at 40,
  • 205:29 - 205:33
    50 feet before you come to an underground floor of what you would assume to be
  • 205:34 - 205:37
    Chantry housing or four chambers and all that appear to be of open bedroom
  • 205:37 - 205:40
    chambers, maybe storage, uh,
  • 205:40 - 205:43
    and you see what looks to be a continued stairway down into a crypt. Um,
  • 205:43 - 205:47
    what would you like to do? Um, first of all,
  • 205:47 - 205:51
    I'd like to turn to Yosha and say you've been down here.
  • 205:53 - 205:55
    I'm giving us a sneak peek of what we're looking forward to.
  • 205:56 - 206:00
    Um, yes. Um,
  • 206:03 - 206:06
    I don't exactly know everything, but
  • 206:09 - 206:12
    I know that we came down here too.
  • 206:14 - 206:15
    Mmm.
  • 206:17 - 206:22
    Break the shackles off of the fame and we needed four of us.
  • 206:25 - 206:26
    Mmm.
  • 206:30 - 206:32
    All I know is that that is down here.
  • 206:32 - 206:35
    And that was the plan was you succeed.
  • 206:38 - 206:39
    I don't think we've done it yet.
  • 206:41 - 206:46
    You were in transit before you were notified from a film upstairs and call them
  • 206:47 - 206:48
    to aid.
  • 206:52 - 206:54
    So you haven't, they only have three. You're haven't done it yet.
  • 206:56 - 206:58
    We haven't done it yet. I'm just going.
  • 207:00 - 207:04
    Yes. And I don't think it can be successful because
  • 207:06 - 207:11
    Oban looks for very specific people to do it. Mmm.
  • 207:13 - 207:15
    So as long as nobody else shows up,
  • 207:16 - 207:19
    I don't believe it can succeed you.
  • 207:22 - 207:26
    Um, well, from what
  • 207:28 - 207:30
    Oh, bond has told me. Um,
  • 207:32 - 207:37
    he has chosen people that, uh, he believes
  • 207:39 - 207:44
    cannot be killed. So
  • 207:47 - 207:51
    we continue to go to every one of these shackles and
  • 207:53 - 207:57
    try to break all of them because one, all four of us break them.
  • 207:57 - 208:00
    We die and then we come back and then we go to the next one.
  • 208:03 - 208:08
    The people that it does, it kills the people. Yes.
  • 208:08 - 208:13
    But you come back. How many Sharples have you been to?
  • 208:14 - 208:18
    This was the first one is that it chooses people who cannot be killed.
  • 208:19 - 208:21
    Yeah, but you can't be killed.
  • 208:22 - 208:27
    I feel like that is not entirely true. I think it's just
  • 208:28 - 208:31
    because of what I am. I guess I just, I don't know.
  • 208:33 - 208:37
    What are you? I don't know. I'm, I'm, I'm just, I'm,
  • 208:38 - 208:39
    I'm me. I'm, I'm,
  • 208:42 - 208:47
    I think just when I fall, sometimes I can be brought back a lot easier.
  • 208:48 - 208:49
    I can die, but I, I,
  • 208:52 - 208:57
    I don't know. But I,
  • 208:57 - 208:58
    I think
  • 209:06 - 209:07
    you have spent an awful lot of time with him.
  • 209:07 - 209:10
    What do you think is next to movies?
  • 209:16 - 209:18
    I feel like he will probably try to
  • 209:22 - 209:24
    bring me back to him and maybe
  • 209:27 - 209:30
    any of you that he thinks might be useful.
  • 209:32 - 209:37
    Is there anything we can do to make Nosha stronger on her resistances or
  • 209:38 - 209:40
    something if he tries to do it,
  • 209:43 - 209:47
    bless her. Right Taylor books up and cautiously
  • 209:48 - 209:53
    reaches above his own head and places a PO against her forehead and small little
  • 209:58 - 210:00
    fractals in geometric shapes.
  • 210:00 - 210:05
    Appear briefly in the air and I cast Fortune's favor on you so you can reroll a
  • 210:06 - 210:07
    save or
  • 210:09 - 210:10
    uh,
  • 210:13 - 210:17
    thank you Caleb. Good next hour. You can do that.
  • 210:17 - 210:20
    The top row about a truckers saving thrown
  • 210:25 - 210:29
    down there. If, if he realizes you can't do it,
  • 210:29 - 210:31
    maybe he'll just leave and take not with him.
  • 210:37 - 210:37
    Like you said a,
  • 210:37 - 210:42
    he was looking for certain people cannot even
  • 210:44 - 210:48
    then he can kill not and if I don't get there soon enough
  • 210:50 - 210:55
    then it will be a lot harder to bring her back. That'll take time.
  • 210:56 - 210:57
    Do you know if there are any traps down here
  • 211:00 - 211:04
    you didn't encounter any? I mean not that we would have set off
  • 211:06 - 211:10
    and we should move. There's that, there's the four chambers right here. Yeah,
  • 211:10 - 211:13
    it's like two bed chain really to listening to be two and a half bed chambers
  • 211:14 - 211:18
    and a storage room in one that's much supplier. Anything. Is there anything?
  • 211:18 - 211:20
    The order reception and just for clarity, right. Herb,
  • 211:21 - 211:25
    her resistance lowered my in the break.
  • 211:25 - 211:28
    So 500 bucks rolled a lot of ones.
  • 211:32 - 211:36
    10 point border. Remembering your resistance to not examine you do have the,
  • 211:37 - 211:38
    you would just,
  • 211:38 - 211:40
    you'd gain half of the damage that you took her from 42 would have actually
  • 211:41 - 211:45
    resist. Then you lost 10 20. I'm getting, I'm getting 2020 back.
  • 211:46 - 211:50
    We'll save one. Yeah, that's fine. It shows, shows resistance and necrotic.
  • 211:50 - 211:51
    So the thing that Ford was doing to her earlier,
  • 211:55 - 211:58
    it's all good. Welcome back. What's interesting though is, uh,
  • 211:58 - 212:02
    is where it says defenses and it says resistant to um, necrotic and radiant.
  • 212:03 - 212:07
    Um, which I didn't see fucking back
  • 212:10 - 212:13
    to chambers was there like, am I still poisoning? You are,
  • 212:13 - 212:18
    I will do a lay on hands and I will cure myself of the poison. Okay.
  • 212:18 - 212:19
    You are no longer poisoned.
  • 212:21 - 212:25
    As he reached down and there's like a dull green glow and where the wound was
  • 212:25 - 212:29
    with the poison ms seeping in new watch as these tiny green vines kind of grow
  • 212:29 - 212:33
    over the wound and you feel the poison just slowly dissipate from your
  • 212:33 - 212:35
    bloodstream. All right, June.
  • 212:39 - 212:40
    Uh, you want to help?
  • 212:40 - 212:44
    Let me clear these rooms just to make sure. Absolutely. Yes.
  • 212:44 - 212:48
    SWAT style will touch up corners.
  • 212:49 - 212:53
    You go into the first bed chamber and there's about six beds.
  • 212:53 - 212:56
    People sleeping in them. Oh, people are sleeping in them.
  • 212:57 - 213:01
    I turned around fucking,
  • 213:06 - 213:07
    yeah.
  • 213:07 - 213:10
    Does is ring rate them? Just feel I was right.
  • 213:18 - 213:20
    Oh,
  • 213:25 - 213:29
    is there like a nod or some like a lock? [inaudible] it's just,
  • 213:29 - 213:34
    it's just like an open door, but there's no door. Oh, forget all the, sorry.
  • 213:35 - 213:39
    Hey look, you want to roll a fucking fireball here? Or what are they breathing?
  • 213:39 - 213:39
    Listen.
  • 213:39 - 213:44
    Don't even know what they are making perception or for to mix it or not like
  • 213:44 - 213:47
    kids. Yeah, yeah, yeah, yeah.
  • 213:50 - 213:54
    15 well then this conversation you're looking and there's no moving in the body.
  • 213:55 - 214:00
    There's no rise and fall of breath. Oh, I'm going to detect on dead. Okay.
  • 214:01 - 214:02
    No, I'm dead.
  • 214:03 - 214:08
    Dad's dead some shit. Yes. Little Koolaid. Yeah,
  • 214:08 - 214:09
    they're all wearing that and use it.
  • 214:12 - 214:16
    Let's just keep it down. Um,
  • 214:17 - 214:17
    the body is already there.
  • 214:18 - 214:22
    I'm going to just as we're walking by Rhonda tech magic on the four rooms and
  • 214:22 - 214:24
    just see if anything is okay. Should we grab there?
  • 214:25 - 214:27
    Nothing catches your attention magically that you aren't expecting on your
  • 214:28 - 214:32
    persons. Uh, they're not.
  • 214:32 - 214:33
    They're wearing robes of the Chantry
  • 214:35 - 214:38
    mid looks and upon closer inspection you can see a bit of foam in the corner of
  • 214:38 - 214:43
    some of the mountains that appears that they were all unknowingly eating your
  • 214:45 - 214:49
    last meal probably this morning. Really? Um,
  • 214:49 - 214:54
    I'm glad we killed that old lady with the bad hair. Just for fun.
  • 214:54 - 214:56
    I'm going to try divine intervention. Okay.
  • 214:57 - 215:00
    I'm going to put a prayer out to see, do I have to beat?
  • 215:00 - 215:01
    How specific do I have to be?
  • 215:02 - 215:06
    Let just let me know what the intent of what challenge you want to help with.
  • 215:06 - 215:09
    I wish to be better prepared for the battle ahead. Okay. For all of us.
  • 215:13 - 215:15
    I'm 77. No, Nope.
  • 215:16 - 215:21
    Unfortunately there's something about the essence as you draw closer to whatever
  • 215:21 - 215:24
    is below the chin tree,
  • 215:25 - 215:29
    it blocks a clear motive. Communication with the wild mother.
  • 215:29 - 215:34
    Let's hit wild mother Maya. See and visibility is still up.
  • 215:34 - 215:38
    Last for an hour. Anything in here going off in the hallway?
  • 215:38 - 215:41
    Not in the rooms. Yeah. Okay.
  • 215:44 - 215:49
    Shall we? Yeah. Yeah. No,
  • 215:49 - 215:53
    I shouldn't have your mind leading the way. Who did all,
  • 215:55 - 215:56
    okay.
  • 215:57 - 216:00
    You had done the stairway towards the underground,
  • 216:00 - 216:01
    correct.
  • 216:04 - 216:07
    Immediately kind of the dark musty smell comes to you.
  • 216:07 - 216:11
    You can see the Crip itself stretches before about 80 feet, maybe 30,
  • 216:11 - 216:15
    40 feet wide. Uh, the smell of damp earth and incense,
  • 216:15 - 216:20
    kind of lingering old, nothing. Anything recent necessarily.
  • 216:21 - 216:25
    Um, though the smell of burning embers is still a little prominent.
  • 216:26 - 216:31
    You can see that the walls themselves are lined with shelves of bones and
  • 216:31 - 216:35
    carefully interned Holy corpses. The script,
  • 216:36 - 216:40
    many bodies, many old, some not
  • 216:41 - 216:45
    Mohsen fungus appear to have gathered at the corners of all the smooth through
  • 216:45 - 216:49
    rock. While about a half dozen blazers carry low embers.
  • 216:50 - 216:54
    See four of them specifically in the room that kind of prominently placed in the
  • 216:54 - 216:59
    center and like a square formation around what looks to be a single statue of
  • 216:59 - 217:03
    the Don father that sits in the center of his head himself. A braiser.
  • 217:03 - 217:06
    You see the armored body itself and where the head would be.
  • 217:06 - 217:09
    It's the lower half for braiser and all five of these razors you can see kind of
  • 217:09 - 217:10
    Ember Coles,
  • 217:10 - 217:14
    they've been burning for a while given off this dull orange glow.
  • 217:14 - 217:16
    And that is the only light source within the chamber.
  • 217:20 - 217:22
    There is no discernible exit beyond those attacks.
  • 217:22 - 217:27
    So you took the room. Hmm, let me think.
  • 217:27 - 217:29
    I'm visible in the room. Did you not see anything visible?
  • 217:29 - 217:33
    You want me to start chucking the walls carefully? Not by touch,
  • 217:33 - 217:38
    but peering looking for seams or cracks or any, okay, go ahead.
  • 217:38 - 217:42
    Make the perception. Um, I'm going to give you a,
  • 217:43 - 217:44
    so when you're doing, I'm going to give you guidance
  • 217:49 - 217:53
    and that's a [inaudible] perception, not investigation.
  • 217:53 - 217:57
    Just using your eyes and not like feeling along with your hands and looking for
  • 217:57 - 218:01
    things that say, yeah, I'll do that. So 13
  • 218:02 - 218:06
    1717 okay. You take a little while and begin to go on the walls.
  • 218:06 - 218:09
    You don't see any seams or notice anything hidden.
  • 218:10 - 218:12
    You don't know if it's a fault of your eyes or the room is just,
  • 218:13 - 218:14
    it does not contain what you're looking for
  • 218:16 - 218:19
    in this fuck down yet you've been in the crypt and this is as far as you've got.
  • 218:20 - 218:23
    Like you would just arrived in the crib and that was when the
  • 218:25 - 218:28
    happened and you were all some in the back up to the cathedral where the
  • 218:28 - 218:29
    encounter occurred.
  • 218:30 - 218:33
    I've conduced this or I could make it a lot brighter in here if we wanted
  • 218:36 - 218:40
    to do it. Might spell lights up the chamber.
  • 218:41 - 218:42
    All right there.
  • 218:45 - 218:48
    The chamber is brighter but it doesn't reveal anything.
  • 218:48 - 218:52
    Do I see any [inaudible] I can only start with looking behind the Crips and in
  • 218:52 - 218:57
    crevices looking for the pieces of the portal device or if there's anything that
  • 218:59 - 219:04
    looks reminiscent of that hidden of that hidden should make a perception check.
  • 219:05 - 219:08
    Where's any stashed shit in general perception
  • 219:09 - 219:12
    or investigation? Well, if, if you're, if you're like Haitian
  • 219:14 - 219:19
    looking specifically for like a device or, or like inspecting for a, uh,
  • 219:19 - 219:22
    yeah. Hands and knees and up going crazy crannies,
  • 219:22 - 219:25
    you're going to deepen making investigation, then he'll take you a little bit.
  • 219:25 - 219:29
    18, 18. Yeah. Okay.
  • 219:30 - 219:31
    You
  • 219:31 - 219:34
    do not find anything that resembles the device, don't see any sign
  • 219:34 - 219:36
    of metal or, or the,
  • 219:36 - 219:40
    the shape of it that you did see it in the scrying that was handed over,
  • 219:41 - 219:44
    um, to RESPA. You do not know where it's been installed.
  • 219:44 - 219:49
    You do know that the creatures that seem to be fighting were in the towers or
  • 219:49 - 219:51
    somewhere in that region. So it's probably out there.
  • 219:51 - 219:55
    So yeah, but they're coming out.
  • 219:55 - 219:59
    That's why they kept timing. You told me the layout of the room again,
  • 220:00 - 220:01
    I'll show it to you.
  • 220:03 - 220:04
    We're showing something,
  • 220:05 - 220:10
    says Jordan forge will be in PAX unplugged for the first weekend in September.
  • 220:11 - 220:12
    Go say hi.
  • 220:14 - 220:18
    Does food and food central dormant for John?
  • 220:21 - 220:21
    Ah,
  • 220:21 - 220:24
    so that is the general layout, correct?
  • 220:25 - 220:28
    That's skulls on the outside of the walls. Yeah. That's sick looking. Cool.
  • 220:31 - 220:32
    Let me just have a moment for how GoPro
  • 220:34 - 220:38
    bothers the statue in the center that races. It's like this razor is the head.
  • 220:39 - 220:42
    The his head is a braiser. Yes. And these are the views of the,
  • 220:42 - 220:43
    the four of razors in the edge.
  • 220:44 - 220:49
    Each of these is like a stone tomb that sits in the middle of the chambers and
  • 220:49 - 220:51
    the bracers, uh,
  • 220:51 - 220:54
    there's like burning coals and I guess there was fire in the brain.
  • 220:55 - 220:56
    There was there burning,
  • 220:56 - 220:59
    there's like embers in there that are kind of glowing orange climb up and look
  • 220:59 - 221:03
    in the head and see was in there. That one. Sure.
  • 221:04 - 221:07
    You go ahead and like climb up. It's not too hard to,
  • 221:07 - 221:11
    do you find a place to look up there similar to the other blazers looks like
  • 221:11 - 221:15
    some locals that are burning. Um, some like burn fats and things.
  • 221:15 - 221:18
    I'm going to start checking out all of these tunes to see if uh, yeah,
  • 221:20 - 221:21
    good to look for traps,
  • 221:22 - 221:25
    but I think maybe there are stairs or a passage in one of them.
  • 221:25 - 221:28
    I'm going to use an attorney to, to get the fires going a little hotter.
  • 221:28 - 221:32
    Again going to make the lights. Okay. So yeah, I pulled back a little bit.
  • 221:32 - 221:34
    Fire burned a little brighter.
  • 221:34 - 221:37
    The room lightens a little bit all around from the uh,
  • 221:37 - 221:39
    all the small low burning fires.
  • 221:39 - 221:43
    Now getting more intense corners of the room or those candles that are set up in
  • 221:43 - 221:47
    sort of like, uh, Oh the corners of the room. Those are um,
  • 221:48 - 221:51
    small areas where it looks like offerings to be left behind.
  • 221:51 - 221:54
    You can see bowls and plates, um,
  • 221:54 - 221:58
    that contain coins, old knickknacks,
  • 221:58 - 222:00
    pieces of jewelry that were, you know,
  • 222:00 - 222:05
    either left as a prayer or part of a bearing. Right. Um, can I inspect this,
  • 222:06 - 222:06
    that UNC,
  • 222:06 - 222:11
    if it twists or if there's any like things on it that move or make an
  • 222:11 - 222:11
    investigation.
  • 222:11 - 222:14
    I'll also say technically I think my detective magic would have still been
  • 222:14 - 222:19
    reading 10 minutes of us leaving that, that's four chambers.
  • 222:19 - 222:22
    Is it within 10 minutes? Uh,
  • 222:24 - 222:29
    but this, uh, I would say it is not. Okay. 21.
  • 222:29 - 222:32
    Okay. Looking at the statue, the braiser had anything around it. Nothing.
  • 222:32 - 222:34
    Nothing about this statue seems to move
  • 222:34 - 222:37
    for shift or anything like about the, the, the,
  • 222:37 - 222:41
    the Don father structure. It is a solid piece of stone and said,
  • 222:41 - 222:45
    I want to investigate tunes, see if there are any triggers,
  • 222:46 - 222:48
    slight steps for laterals inside them.
  • 222:48 - 222:52
    And the role [inaudible] was waiting for you to tell me what, okay, sorry.
  • 222:52 - 222:55
    So that'd be investigation for both of you. I'm going to explain.
  • 222:57 - 222:58
    Okay.
  • 222:58 - 223:02
    Just like a half of a face and then like a little speech bubble coming out.
  • 223:02 - 223:05
    Oh God. My head, Oh my head.
  • 223:08 - 223:12
    It would be gesture to deface a very Holy Relic at the bottom of the Chantry at
  • 223:12 - 223:16
    this moment. I love it. 22, uh,
  • 223:16 - 223:21
    you go through them one by one and as you feel around they're all pretty solid.
  • 223:22 - 223:26
    You lift and look inside and they're old,
  • 223:27 - 223:32
    old bodies that are interred carefully wrapped in an ornamental robes,
  • 223:32 - 223:33
    some of which that are just slowly deteriorated.
  • 223:33 - 223:37
    They probably been in some of them, they're a hundred years, maybe 200,
  • 223:37 - 223:41
    as long as wrecks and tremens been, um, a few of them, a little more fresh,
  • 223:41 - 223:44
    but all six of them seem to carry corpses and uh,
  • 223:45 - 223:47
    no signs of being able to descend within them.
  • 223:48 - 223:51
    Anything interesting on the bodies? Oh yeah.
  • 223:51 - 223:54
    Can I touch each one of them and make sure my hand doesn't pass through them?
  • 223:54 - 223:55
    Sure.
  • 223:56 - 223:56
    Uh,
  • 223:56 - 224:01
    one by one you begin to press the bodies and they kind of rock back and forth
  • 224:01 - 224:04
    and dust kind of fall. Some of them crumble. And uh,
  • 224:04 - 224:07
    you eliminate all of them as possibly being illusions.
  • 224:07 - 224:08
    And your fingers smell a little funny.
  • 224:08 - 224:10
    They're all real. I don't know.
  • 224:13 - 224:18
    Can I, um, can I go search the base of the soaked in
  • 224:22 - 224:25
    [inaudible] as she gets there,
  • 224:25 - 224:29
    I'm starting to kneel down and pray to the traveler in front of the shrine.
  • 224:29 - 224:31
    I just made 13 2121.
  • 224:32 - 224:35
    You get down to it and you can see, um,
  • 224:36 - 224:40
    towards the back of it there's a general layer of dust that settled in this
  • 224:40 - 224:43
    ground and some of it's kicked up from feet and you know, steps and movement.
  • 224:43 - 224:47
    But she, your guys moving around. Um, there are two, there's like a,
  • 224:47 - 224:49
    an element like a square behind the backside of it where the dust isn't
  • 224:49 - 224:52
    pushed aside. Oh. Um,
  • 224:54 - 224:57
    I'm going to try to push it. Okay. Make a Springs check.
  • 225:01 - 225:06
    Can I give her an advantage? Can I help her out since I'm sitting right there?
  • 225:07 - 225:10
    [inaudible] Oh wow. Wow. You even need it. I can give you advantage.
  • 225:10 - 225:14
    Try it again. This ice man.
  • 225:15 - 225:19
    Well yeah, 26 and the six.
  • 225:20 - 225:24
    You both get behind it and push, push nothing. Wow.
  • 225:24 - 225:27
    There's a button or something. There's got to be,
  • 225:27 - 225:31
    do any of these skulls or look like they're a different age than the rest of
  • 225:31 - 225:35
    them? Yeah, the age varies tremendously. Some of them are hundreds of years old.
  • 225:35 - 225:36
    Some of them are a couple of decades old.
  • 225:36 - 225:39
    Some of them look maybe within the past couple of years. One more.
  • 225:39 - 225:40
    One more detect on dead. Just for fun.
  • 225:41 - 225:45
    Okay. Is there petroleum on the floor that rats, this is,
  • 225:45 - 225:49
    this is the cathedral of the Don father who is one of the many keys that
  • 225:49 - 225:53
    despises on death and in much of this area is hallowed specifically to prevent
  • 225:53 - 225:54
    anything from rising.
  • 225:55 - 226:00
    I'm going to start hearing Juster. So it was kind of be a button. You're,
  • 226:00 - 226:03
    you're, you all are messing with the statute, right? For clarity. Yeah,
  • 226:03 - 226:03
    it didn't work.
  • 226:03 - 226:06
    So I'm going to kneel down and try to pray to the traveler again.
  • 226:06 - 226:11
    I'm going to go around and I'm going to go up to these skulls and bodies in the
  • 226:12 - 226:13
    walls and just start like
  • 226:15 - 226:20
    juggling them. Okay. Just soon.
  • 226:20 - 226:24
    Pull a femur, see what happens. Okay. So you begin doing that.
  • 226:24 - 226:26
    It's gonna take a little while. I'm going to begin number two.
  • 226:27 - 226:30
    Casting can text magic too, since everybody's trying everything. Okay.
  • 226:31 - 226:33
    Maybe a warm okay. While they're doing this is like,
  • 226:33 - 226:38
    see if I can notice one follow up. Okay. Are you
  • 226:41 - 226:46
    a divine intervention? Who would the traveler while I'm here?
  • 226:49 - 226:53
    Uh, 25 five. Okay, cool. We'll get to that in a second.
  • 226:53 - 226:57
    So I'll take a little while. I'm going to ask him to, um,
  • 226:57 - 227:01
    to help protect us when we get down to Oban to keep us from
  • 227:03 - 227:07
    being turned. Please keep anybody from being turned. Okay.
  • 227:08 - 227:13
    Go ahead and roll for demanding. Where's my person?
  • 227:16 - 227:18
    Do I rule two percentiles? 1% Tom one not.
  • 227:19 - 227:21
    Yeah, I detained and then a person told him yes sir.
  • 227:24 - 227:27
    2222 Oh, his presence is felt.
  • 227:27 - 227:31
    You gather that the protection he provides is already present.
  • 227:32 - 227:34
    Understandable. He's a really close by
  • 227:39 - 227:43
    him. Just there. Can you help me with something?
  • 227:44 - 227:47
    Yeah. What do you need? This is really stupid,
  • 227:47 - 227:48
    but I don't know what might be something.
  • 227:49 - 227:50
    I wonder if we can like try turning the,
  • 227:51 - 227:54
    the whole statues that, I know I was trying to do it, but maybe we two less.
  • 227:54 - 227:57
    Yeah, let me, I'm going to,
  • 227:57 - 227:59
    I'm going to add some more guidance.
  • 227:59 - 228:02
    Doesn't actually isn't gonna help with this, is it? No, really not. No.
  • 228:04 - 228:09
    A check. Each of us doing this is not an ability 20 Oh,
  • 228:09 - 228:13
    nevermind. Which is a total of total of 28,
  • 228:13 - 228:17
    28 and I'm starting to roll day 28. I'm sorry. Uh, uh,
  • 228:17 - 228:20
    23, 29.
  • 228:20 - 228:25
    Okay. So that's all right. Uh,
  • 228:25 - 228:28
    so you guys push and push, push and push and push.
  • 228:29 - 228:32
    Nothing. It's not. Okay. Is that for juices? Can you um,
  • 228:32 - 228:37
    let's just get 20 of the natural twenties languish. The flames. Sure.
  • 228:38 - 228:42
    Dramaturgy. All the bracers go out. Yeah.
  • 228:42 - 228:43
    You have your goggles on.
  • 228:43 - 228:46
    Stetler it's not the lights still up cause I haven't turned off the lights
  • 228:48 - 228:49
    but the light go.
  • 228:49 - 228:51
    It's still though. Still has his lights bell, but all the braces,
  • 228:52 - 228:54
    the lights changed? Correct. Okay.
  • 228:55 - 228:58
    You now at this point have gone around the room, pulled all sorts of things,
  • 228:58 - 229:01
    look for it. Do you feel pretty confident that you've done a pretty valid sweep?
  • 229:01 - 229:03
    That there's nothing in the walls? Nothing that corpses into the bones.
  • 229:04 - 229:05
    You've disturbed a lot of the dead. Um,
  • 229:05 - 229:09
    and there's been no sign of [inaudible].
  • 229:09 - 229:13
    What are we going to say? You've come down here with them. Yeah,
  • 229:13 - 229:15
    we came down here but we didn't go further than this.
  • 229:15 - 229:17
    Speak to you do when you were in the habit, anything?
  • 229:18 - 229:19
    Well,
  • 229:19 - 229:24
    Obama began reading the scrolls that were handed to him by respite and while he
  • 229:25 - 229:28
    was in the process of doing so, it was when you guys were called up.
  • 229:28 - 229:32
    So you're not certain as, as part of your investigation. 25,
  • 229:32 - 229:35
    I will say you do notice is that uh,
  • 229:35 - 229:40
    the braiser on the back left, but to the foot on that side,
  • 229:41 - 229:41
    there is a,
  • 229:42 - 229:46
    a faint bit of Ash and charcoal on the ground around it.
  • 229:46 - 229:50
    Like a little ring that is more prominent than the other.
  • 229:50 - 229:51
    Bracers
  • 229:52 - 229:54
    hang on, hang on.
  • 229:57 - 229:59
    Good. Can you use this? Yeah.
  • 230:01 - 230:05
    When you're, what you making this or I make it back.
  • 230:07 - 230:10
    There's lamb. Some of the action.
  • 230:11 - 230:13
    Was this even in Burnsville? Like lacquer is this,
  • 230:13 - 230:15
    it looks like stuff that would fall over. Yeah.
  • 230:15 - 230:18
    Fraser on the ground. [inaudible]
  • 230:20 - 230:23
    shifted or doesn't shift. It's locked in place.
  • 230:23 - 230:28
    Sarah do a feeling of mechanisms grew up in a braiser to make an investigation
  • 230:28 - 230:30
    check if I'm going to give you a 24 for that.
  • 230:31 - 230:33
    So you seem to be doing a thing too.
  • 230:35 - 230:39
    Why is it always such a journey? It's not a great,
  • 230:40 - 230:41
    um, uh, 19,
  • 230:42 - 230:46
    19. Um, does it move the braiser of solid to the ground?
  • 230:46 - 230:48
    It's not like a bowl that's the on pillars. It's like a,
  • 230:48 - 230:52
    it's like a solid stone pillar that has an interior part that has some openings
  • 230:52 - 230:54
    in the side where it kind of keeps everything in,
  • 230:54 - 230:56
    where the flames can come out and there's just a little bit of a little ring of
  • 230:56 - 231:01
    sprinkled Ash and charcoal on the ground around it. The other ones,
  • 231:01 - 231:02
    students doing more snow planes are extinct.
  • 231:03 - 231:06
    Can you give it a give it a big, big boost?
  • 231:07 - 231:09
    [inaudible] actually light it up. I can't, I don't care.
  • 231:10 - 231:12
    I wonder if something's got to be burned around.
  • 231:13 - 231:18
    [inaudible] grow the bruiser Midlands in the braiser maybe,
  • 231:20 - 231:21
    I don't know. Throw, throw,
  • 231:23 - 231:27
    throw a fireball to this thing or something. I'm going to pull out.
  • 231:27 - 231:29
    I think I have matches so I'm just going to,
  • 231:31 - 231:32
    okay. We use a match.
  • 231:32 - 231:36
    It slowly begins to take anti liturgy and you use Madigan,
  • 231:36 - 231:38
    the bracers now glowing, right?
  • 231:39 - 231:42
    There you go. Anything,
  • 231:45 - 231:48
    there's nowhere to look underneath. Really solid is the,
  • 231:48 - 231:51
    is the thing itself was stuck in is like a, what's the, it's a,
  • 231:51 - 231:54
    is it a lazy Susan? No, it's like it's a weird word.
  • 231:55 - 231:58
    What is the, it's so, so just looks like Ash that's around the block.
  • 231:59 - 232:01
    What is the Ash made of? Like it's a circle in front of it.
  • 232:01 - 232:04
    Not around it or around it. Like okay. Like get like poop.
  • 232:04 - 232:09
    Like is this kind of like a water flicking overflowed. Only around overflow.
  • 232:10 - 232:11
    Only around that.
  • 232:11 - 232:15
    That one is there more Ash in the ratio then the other ones?
  • 232:17 - 232:17
    Um,
  • 232:19 - 232:21
    it looks like the ashes and the ground was displaced.
  • 232:21 - 232:23
    So there's maybe a little bit less for the amount that's now around. Yeah.
  • 232:24 - 232:26
    In the ground. Something came up from the bottom event.
  • 232:26 - 232:30
    Would you imagine my hand down into the Brasier? Is it still Emory?
  • 232:31 - 232:34
    No. And you detect no metric. Okay. Yeah.
  • 232:34 - 232:38
    Is it still am very high? It is now cause he, cause he lived it. Oh
  • 232:40 - 232:41
    I'll bring it all. I'm not, I'm not going to quite kill it,
  • 232:41 - 232:43
    but I'm going to relate really, really low. Okay.
  • 232:45 - 232:46
    Does anyone got a stick? Somebody give me something,
  • 232:48 - 232:51
    I stick it in and move it around and see if there's a hole at the high.
  • 232:56 - 232:59
    You do feel a bottom. It's about two and a half feet down.
  • 232:59 - 233:01
    It's not the whole base of the pillar to pillar.
  • 233:01 - 233:03
    And the braiser itself is up about two and a half, three feet or so.
  • 233:03 - 233:05
    It's about a little above your waist, um,
  • 233:06 - 233:09
    or about your waist height and it goes down about a foot and a half and then
  • 233:09 - 233:12
    hits the bottom too. You kinda miss the round inside. Um,
  • 233:16 - 233:20
    make an investigation. Sure. [inaudible]
  • 233:24 - 233:28
    nice. Super nice. 1616. Okay.
  • 233:29 - 233:32
    Low back. Moving around in there.
  • 233:32 - 233:35
    Can I move some of the charcoal around the sword? Pull it out.
  • 233:36 - 233:39
    This smells like a Brasier. I don't know what the bridge normally feels like.
  • 233:41 - 233:44
    Well, it's going to hurt our hands, but yeah,
  • 233:44 - 233:46
    I'll start going over and start them. Okay.
  • 233:47 - 233:51
    You know, even when we took the flame out, it's still a little warm. Um,
  • 233:51 - 233:56
    I'll say in the process of doing, so take two points of fire damage. Okay.
  • 233:56 - 233:57
    Uh,
  • 233:57 - 234:02
    but you empty out the braiser while the Ash going to use in the end of my Bose
  • 234:02 - 234:04
    staff to, okay. I'm going to,
  • 234:04 - 234:08
    I'm going to start emptying out the other ones too. I, I got,
  • 234:08 - 234:12
    I got a tiny shovel. Okay. Um,
  • 234:12 - 234:15
    as you guys go into any other ones, you get down to the very,
  • 234:15 - 234:18
    very bottom of this. The very bottom there is a lever about that long,
  • 234:18 - 234:19
    about two inches long.
  • 234:20 - 234:21
    Ah,
  • 234:21 - 234:24
    in any of the other ones? Uh, Nope. Just
  • 234:27 - 234:31
    doesn't move. What do you mean it doesn't move? It's solid.
  • 234:31 - 234:34
    The lever solid. It's not moving.
  • 234:35 - 234:38
    Is it like a lover or like, Oh, it's, it's,
  • 234:38 - 234:42
    it looks like a little like metal switch that has some sort of a rotational bit,
  • 234:42 - 234:46
    but it's locked in place. Maybe. Maybe he has some sort of, um,
  • 234:46 - 234:50
    key staff or key of some device to turn that.
  • 234:50 - 234:55
    Does it look like some sort of gear? Maybe it's like a, um,
  • 234:55 - 234:59
    rod, the camping or something. I heard about those things. Wait a minute.
  • 234:59 - 235:02
    What do we know about the donor father? [inaudible]. Um,
  • 235:03 - 235:08
    he has like a light a lot and there's some sun involved.
  • 235:09 - 235:13
    Maybe we have to do this when it's on fire and rally tall and he doesn't have a
  • 235:13 - 235:17
    face and it had his only half bare.
  • 235:18 - 235:21
    Light it back up. Let's double. I'm going to just double check the rest of the,
  • 235:21 - 235:24
    of all of the, including the one justice takes a little bit,
  • 235:24 - 235:26
    but you skip through best. This is the only one that has it. All right.
  • 235:26 - 235:31
    We'll put it all together. I'm going to light them all up and get them going.
  • 235:31 - 235:34
    Okay, so you put all the Ash back in light the mech out the blazers now kind of
  • 235:34 - 235:39
    burning a bit. Okay. You reach in your hand,
  • 235:40 - 235:44
    takes or down. Does it go take four points of fire damage or hold really low.
  • 235:44 - 235:48
    Okay. Um, as you reach and grab it. Ouch. Ouch.
  • 235:48 - 235:52
    And it moves about any resistance. As soon as you move the switch,
  • 235:54 - 235:59
    the stone center moves along about five feet revealing a staircase.
  • 235:59 - 236:00
    That a sentence further down.
  • 236:03 - 236:04
    Only out of the burn through PayPal.
  • 236:09 - 236:10
    No,
  • 236:17 - 236:18
    I'll source the marching order here.
  • 236:21 - 236:25
    Caleb is very concerned of art. So he is,
  • 236:26 - 236:31
    he is going second. Alright I'll go third. Okay so
  • 236:33 - 236:34
    Yasha Kayla
  • 236:36 - 236:41
    could use this probably to caboose once you've been charmed you can't be charmed
  • 236:41 - 236:44
    again for awhile. Right? Cause the ability and the ability.
  • 236:44 - 236:47
    I'll go between Bowen for if Bose okay.
  • 236:47 - 236:50
    Being after cause he says Bose after
  • 236:52 - 236:56
    [inaudible] got it. Okay. Sounds good.
  • 236:57 - 236:58
    This the one
  • 237:05 - 237:09
    that was from Georgia and forge, we could have been
  • 237:14 - 237:18
    trying to solve that. It is a very small staircase,
  • 237:18 - 237:22
    single file heading down deeper and
  • 237:22 - 237:22
    deeper.
  • 237:22 - 237:27
    It spirals on and on for what must be a hundred feet beneath the crypt or more
  • 237:28 - 237:32
    slowly making your way through until eventually a faint bit of light is visible.
  • 237:36 - 237:37
    [inaudible]
  • 237:37 - 237:39
    the staircase comes to an end,
  • 237:39 - 237:44
    the spiral flattens out into a straight staircase that sends for an additional
  • 237:44 - 237:48
    15 or so feet and you can see an Archway that is open and
  • 237:50 - 237:53
    leads into what looks to be like a cylindrical type chamber
  • 237:55 - 237:57
    made of rough, ancient rock.
  • 237:58 - 238:01
    You can see there's three pillars in there, kind of, you know,
  • 238:02 - 238:04
    load bearing holding for this chamber is up.
  • 238:05 - 238:09
    It's not an immense chamber. It's maybe
  • 238:10 - 238:15
    50, 60 feet across or a little less than that even. Um,
  • 238:15 - 238:18
    from what you can kind of just see as you kind of glance down in the first look,
  • 238:19 - 238:24
    you can see there's like an obelisk in the center that has ruins up the side,
  • 238:24 - 238:28
    which is kind of glow. This constant bright kind of white,
  • 238:28 - 238:32
    yellow color is their medicine to the objects that you all had found in the
  • 238:32 - 238:36
    King's cage. But the script is Celeste steel
  • 238:38 - 238:43
    and it is old, very old
  • 238:46 - 238:49
    at the top of this obligate, which actually where you're standing now,
  • 238:49 - 238:50
    you want me to see the top of it?
  • 238:50 - 238:53
    It is obvious gated by the top of the archery to leave them at the chamber.
  • 238:56 - 238:57
    I think a perception check,
  • 239:03 - 239:07
    natural time you glance.
  • 239:09 - 239:11
    What's the total with your perception and attitude?
  • 239:12 - 239:14
    2323 glancing down,
  • 239:14 - 239:19
    you can see between these three pillars in the floor and the obelisk that sits
  • 239:19 - 239:20
    in the center,
  • 239:21 - 239:26
    there are four runic circles drawn on the ground in a jacket script at the
  • 239:29 - 239:32
    corner of this op LISC,
  • 239:33 - 239:37
    each corner having a circle. And one of the circles
  • 239:39 - 239:43
    taken from one of the circles in the opposite side. You seem not standing.
  • 239:52 - 239:57
    Um, I just quietly no. Hmm.
  • 240:00 - 240:03
    Hmm. Well, if he makes health checks please.
  • 240:06 - 240:07
    What's your password? Perception?
  • 240:10 - 240:15
    1116,
  • 240:16 - 240:19
    1614,
  • 240:21 - 240:25
    1316. I have no idea. Ah,
  • 240:27 - 240:29
    all right. What do you guys do
  • 240:32 - 240:33
    about my head really quickly and just
  • 240:36 - 240:41
    say a quick prayer to this storm. Lord, please,
  • 240:41 - 240:43
    please don't leave me again.
  • 240:47 - 240:49
    As you save that and close your eyes and take a prayer.
  • 240:52 - 240:54
    Do you hear a thunder roll?
  • 240:55 - 240:59
    But it's not echoing around you. It's internally. That's,
  • 240:59 - 241:00
    it gets louder and louder.
  • 241:00 - 241:03
    You can feel the strength of the storm pulsing through you.
  • 241:04 - 241:08
    And for a moment you can feel the cold rain and your dreams falling upon your
  • 241:08 - 241:11
    skin. The sense of peace comes over. You
  • 241:14 - 241:15
    stay there.
  • 241:20 - 241:24
    Can I see any of the rooms? Um,
  • 241:25 - 241:28
    I read any of the read what the, the script on the, um,
  • 241:30 - 241:32
    you said it's an [inaudible] steel? Yeah. Yeah. Okay.
  • 241:34 - 241:38
    It's old, old sled steel. Um,
  • 241:38 - 241:40
    they speak of,
  • 241:40 - 241:45
    it's less of a sentence as in it's more these very intricate large runes that
  • 241:45 - 241:46
    themselves are,
  • 241:47 - 241:52
    are words like each reser presentative of an idea as opposed to a script of,
  • 241:52 - 241:53
    of language. Okay.
  • 241:53 - 241:58
    And it says like eternal bound,
  • 241:59 - 242:02
    uh, forever at Bay,
  • 242:03 - 242:06
    left to darkness secret. Like it's,
  • 242:06 - 242:09
    this is based on everything you've known,
  • 242:09 - 242:14
    everything you've gathered this in particular? This is probably the shackle.
  • 242:15 - 242:16
    Okay. Okay.
  • 242:21 - 242:26
    I tried to relay this in of the information as quietly as I can by me cause I
  • 242:26 - 242:30
    know where single file here. Caleb tries to peek under her armpit.
  • 242:30 - 242:33
    Henry the semester as well. Yeah. Okay.
  • 242:35 - 242:36
    Make a perception check.
  • 242:41 - 242:45
    20 total. Okay. Would you be able to make up the same elements that she did?
  • 242:50 - 242:55
    Juicy. You have the three circles that come to mind.
  • 242:56 - 242:57
    It's clear from
  • 242:59 - 243:02
    how far away are we trying to [inaudible] uh,
  • 243:02 - 243:05
    well you guys are all in a line up the top Yahshua's just at the top of the
  • 243:05 - 243:08
    stairs kind of flattening out. And so you're about,
  • 243:09 - 243:14
    I'd say 10 feet, 15 feet from the Archway. That leads in how far from,
  • 243:14 - 243:17
    not far from how far from not. I'd say maybe third.
  • 243:19 - 243:22
    Can I see anything up above? No.
  • 243:23 - 243:24
    Cause the Archway is like down below you and it's blocking.
  • 243:24 - 243:27
    You'd have to descend the stairs to be able to get a better look inside.
  • 243:27 - 243:32
    You'd better know or since I can see him visibility. No, it's not span.
  • 243:32 - 243:35
    I tap everyone on the shoulder and have them move to the side.
  • 243:35 - 243:39
    Still staying within where Yahshua Asha is and just look around the room and see
  • 243:39 - 243:41
    if I see anyone before he goes up.
  • 243:42 - 243:45
    Come in and grab your hand as you walk past me and go. Just be careful.
  • 243:47 - 243:50
    Are you entering the Archway? No. No. From, from within the Archway.
  • 243:50 - 243:54
    Still behind cover. Get down and look inside. You don't see anything else. Okay.
  • 243:54 - 243:58
    It's not spec to all of us. Not, it's actually facing the obelisk.
  • 243:59 - 244:03
    So we see our paint from police here. Could do some lunch.
  • 244:03 - 244:07
    I can try and dispatch. Yeah.
  • 244:07 - 244:09
    I think this are you going to try and dispel?
  • 244:09 - 244:14
    I can can give you so I can get,
  • 244:14 - 244:19
    I think I don't check the language and I'm think guidance will help with the
  • 244:19 - 244:21
    dispel role. How far away is his inability to check,
  • 244:21 - 244:22
    which is what the disparate which,
  • 244:22 - 244:27
    which is what guidance helps is a number one rule to one ability check of his
  • 244:27 - 244:31
    choice. Yeah. Yeah. Try and kind of do four
  • 244:33 - 244:35
    excellent mutter as quietly as I can.
  • 244:35 - 244:40
    Move my hands to the air and I cast that fourth level and fourth level.
  • 244:40 - 244:44
    Yeah. Okay. Go ahead and roll the 20 add your intelligence,
  • 244:45 - 244:46
    Spotify or and before.
  • 244:47 - 244:51
    I'm going to use Fortune's favorite turtle and that again, much better.
  • 244:52 - 244:56
    What do I add to that? Did you say do four because you told us about a fire.
  • 244:56 - 245:00
    Okay. I'm going to get towards her in case he notices. Yeah.
  • 245:01 - 245:02
    25 25
  • 245:05 - 245:08
    your will is your own unexpectedly.
  • 245:08 - 245:12
    Suddenly all of this strangeness and it and it came from the doorway.
  • 245:13 - 245:15
    Hello. Hello.
  • 245:17 - 245:21
    Oh, pop the wire.
  • 245:22 - 245:27
    We are one of us. Do not reply to this message.
  • 245:39 - 245:41
    Praise be,
  • 245:44 - 245:48
    Oh, bond is going to know as soon as that thing is broken. Anyway, yeah,
  • 245:49 - 245:53
    with you and you know it just shouldn't cough.
  • 245:53 - 245:57
    One time I look around. Does anyone in here with me? Do I know
  • 246:00 - 246:04
    it's yours? Remember guys,
  • 246:04 - 246:05
    does the villainess
  • 246:15 - 246:18
    a ones that we rode tonight and then we can drive.
  • 246:19 - 246:23
    It's at least yes. My responsible for doing
  • 246:33 - 246:34
    the cost the golf was if someone was in
  • 246:38 - 246:42
    town. Okay. Do you have things that could help us?
  • 246:44 - 246:47
    Bart? Wisdom. I mean 19 cast.
  • 246:47 - 246:52
    Oh cast plus what? Oh, cast.
  • 246:52 - 246:56
    Bless what was written. Oh guess bless on.
  • 246:56 - 246:59
    If you do it at a high enough level, you can bless everybody or both.
  • 246:59 - 247:02
    Or both of us can bless as a fourth level for
  • 247:03 - 247:07
    [inaudible] second level, third level. Um,
  • 247:07 - 247:09
    we could split it or I could also do, um,
  • 247:09 - 247:14
    I can also have to worry about me necessarily cause you have it from one, two,
  • 247:14 - 247:19
    three, four. I can do that. Yeah. Cause that's probably fine. Yeah.
  • 247:20 - 247:24
    That's a level three. Okay.
  • 247:24 - 247:30
    Or I can do less if you prefer or actually you might want to do level one just
  • 247:31 - 247:35
    both through level. One less. Yeah. All right. Um, I'll take,
  • 247:37 - 247:39
    um, who do you, who should you want to take?
  • 247:39 - 247:43
    I'll take forward and Caleb and you.
  • 247:45 - 247:49
    All right. And I'll take, um, great. Good. A restore log one.
  • 247:49 - 247:53
    I didn't give one out, but honestly I need it to
  • 247:54 - 247:59
    actually, uh, yeah, just cause for attack stuff. Um,
  • 248:00 - 248:04
    again. Okay. So we're all covered. Let's do [inaudible]. Yeah,
  • 248:04 - 248:07
    we're all blessed. Yeah, I'll take it. I'll do it at level two.
  • 248:08 - 248:09
    That's everybody's blessed.
  • 248:10 - 248:13
    Everybody's blessed before two attacks and before to saves.
  • 248:15 - 248:16
    I've talked on safety. Um,
  • 248:16 - 248:21
    but I would say let's not cast it until right at the cause. It's one minute.
  • 248:22 - 248:27
    So let's cast it like as soon as we know we're about to go in, that's when we,
  • 248:27 - 248:31
    yeah, whenever the portal. All right,
  • 248:32 - 248:35
    let's blend. We'll walk in and I wait, before we do,
  • 248:35 - 248:38
    I whisper we are coming again.
  • 248:38 - 248:43
    Don't do anything rash or maybe just tell her,
  • 248:43 - 248:46
    maybe just tell her to run and then you can send the fighter bull in there. So
  • 248:50 - 248:54
    three, two, one, start walking.
  • 248:56 - 249:00
    All right. As you enter the chamber, y'all show first.
  • 249:01 - 249:06
    You now see this 15 foot tall ARB Lisk rises up and at the top it's just this
  • 249:07 - 249:10
    bright light, impossibly bright, like you can't look into it.
  • 249:10 - 249:13
    It's so bright that lights up the top of the chamber.
  • 249:13 - 249:18
    Three gold thick gold chains emanate from it to connect to the different walls
  • 249:18 - 249:21
    of the room. And you see nothing else in there,
  • 249:24 - 249:28
    boy. Lots of lots of dwarven forge tonight guys.
  • 249:29 - 249:30
    It's the door of and for GS
  • 249:32 - 249:35
    and chains.
  • 249:37 - 249:40
    Wow man. Wow. Fuck dude.
  • 249:43 - 249:45
    [inaudible] those circles. The circles are the,
  • 249:45 - 249:49
    where do you saw the learning circles? Not
  • 249:51 - 249:54
    in this one. This one. And no one else is.
  • 249:55 - 249:59
    Can I do a one store with my C and visible? Sure.
  • 249:59 - 250:01
    You enter? Yep. All. Alright.
  • 250:01 - 250:04
    Do you all enter alongside yesterday you started fanning out.
  • 250:05 - 250:08
    I'm going to hang in the doorway. Okay.
  • 250:09 - 250:12
    Run out. Very kind of Flink towards not uh, I'll go to the left.
  • 250:13 - 250:16
    Underneath that first gold chain. Yeah. Okay. I'll put cheese there.
  • 250:17 - 250:19
    Like against the wall. It's the wall always.
  • 250:21 - 250:26
    It's bad, but we running this way that way. Yeah. Under the other gold chain.
  • 250:26 - 250:30
    Yup. I'm back to the wall. Same thing. Okay. Question four. I
  • 250:33 - 250:37
    mean I guess I'll go, I'll go in right next to the door. Right here.
  • 250:38 - 250:42
    Yeah, I'll just go to the side of it right here. Yeah. Okay.
  • 250:44 - 250:46
    Looking for need to move man.
  • 250:49 - 250:54
    I think you guys all walk in or you are towards the back, right? Uh,
  • 250:54 - 250:56
    no. I've walked up towards the front and tried to look into the doorway.
  • 250:57 - 250:57
    Right to the Archway.
  • 250:57 - 251:00
    But I mean as we all enter when I was near the front of the book. Okay.
  • 251:01 - 251:05
    So why do I remember my state? Like am I hypnotized?
  • 251:05 - 251:09
    Am I that was I asked to stay here. You were told to stay there,
  • 251:09 - 251:14
    told to stay here. But like I have my like do you now have your own will? No,
  • 251:14 - 251:18
    I know I do, but like what? I was instructed by my prior master.
  • 251:19 - 251:24
    I'm just wondering if they re if they came in the room I would shoot at them if
  • 251:25 - 251:30
    I were trying to give off the illusion that I was still mind controlled if you
  • 251:32 - 251:35
    were trying to put off that illusion. Yeah. Okay. So as soon as they walk in,
  • 251:35 - 251:37
    I fire a bolt,
  • 251:37 - 251:41
    scream and run to the corner of the room and intentionally miss.
  • 251:42 - 251:46
    Okay, so you went off which corner? Back, back, left,
  • 251:46 - 251:48
    back this way. Okay.
  • 251:51 - 251:54
    As you all kind of walk in and fan out Ford,
  • 251:54 - 251:59
    you look around and look up and you're the only one who can see,
  • 251:59 - 252:00
    Oh my God.
  • 252:01 - 252:05
    Oh Vaughn and the keto Geist who are both floating up at the top of the chamber
  • 252:05 - 252:08
    about 50 feet up above you, where the, where the pillars,
  • 252:08 - 252:12
    the load bearing pillars are all kind of coming to kind of almost like a a
  • 252:12 - 252:16
    pyramid type gathering at the top to keep this whole chamber up and they're just
  • 252:16 - 252:19
    going to up there watching you. All right.
  • 252:19 - 252:23
    As you look up at them bongos and they both, everyone rolling.
  • 252:24 - 252:26
    Oh, so hereditary.
  • 252:30 - 252:34
    I'm like, Hey, initiative. Terry.
  • 252:35 - 252:36
    Creepy as a
  • 252:42 - 252:45
    25 to 20 it's a weird 25 to twenties yeah.
  • 252:47 - 252:49
    Nobody, nobody. Nobody. Nobody.
  • 252:50 - 252:54
    Take 20 to 1518 1715 wow.
  • 252:54 - 252:59
    Nice insuring or Ashley Johnson? No, prettier.
  • 252:59 - 253:02
    10 Oh, Oh no.
  • 253:05 - 253:09
    My Ford Yosha and who was it? 15 conduces
  • 253:11 - 253:14
    ten five 17 produces about seven,
  • 253:16 - 253:20
    seven. So then it's bone to bone. Then Katelyn.
  • 253:23 - 253:25
    Alrighty. Sorry, can you, can you run it down from top to bottom?
  • 253:25 - 253:27
    I can't read my own fucking head. Running forward.
  • 253:27 - 253:30
    Could this produces Yasha jester Bo, not Kayla.
  • 253:31 - 253:35
    That's cool. Alright.
  • 253:37 - 253:38
    Done. Top of the round.
  • 253:41 - 253:45
    Goodness gracious from an invisible light by your side,
  • 253:45 - 253:50
    by regard as you were on that and catered guys to appears and goes to shunt the
  • 253:50 - 253:54
    blade into you and be good.
  • 253:54 - 253:57
    That's going to be the advantage.
  • 253:58 - 254:02
    Not a great role, but still 22 come on.
  • 254:02 - 254:07
    None of us are over 20 years old or so.
  • 254:07 - 254:08
    Young homemade guy
  • 254:13 - 254:14
    Jake yet, but
  • 254:17 - 254:21
    it's a good shade out cause that's a really,
  • 254:21 - 254:24
    really bad sneak attack. Roll three, two, two, three, one.
  • 254:25 - 254:28
    So you're looking at anything and never came anywhere.
  • 254:29 - 254:32
    You take 35 points of slashing damage
  • 254:34 - 254:36
    and these make a constitution saving throw.
  • 254:41 - 254:43
    Oh, ah.
  • 254:43 - 254:48
    Is that Gox like Nope. Number. Okay. What was it?
  • 254:49 - 254:52
    Constitution saying? Ooh, I'm going to blessed. I'm blessed. Yeah.
  • 254:54 - 254:57
    Oh yeah. 1227 yeah, yeah,
  • 254:58 - 255:01
    yeah worries. He 40 attacks. I can strike him.
  • 255:02 - 255:06
    It's going to be a 19. Miss mrs.
  • 255:06 - 255:10
    So just the first blow hits in the blade withdraws boys and [inaudible]
  • 255:11 - 255:13
    just spilled across the stonework and another strike.
  • 255:13 - 255:16
    You just carry it out of the way. Uh, she's to have to move into the wall.
  • 255:16 - 255:21
    I just healed that wound bitch. So true. You do get to go for it.
  • 255:22 - 255:23
    So how did he pull your attack?
  • 255:23 - 255:25
    Damn God. Damn. Come on, please don't.
  • 255:29 - 255:30
    Yeah. Yup, yup.
  • 255:31 - 255:35
    Yeah. 27 that hits. Go ahead and roll. Damage. Yes.
  • 255:37 - 255:41
    Well damage. And now Bruce is saying, yeah, she can't move.
  • 255:41 - 255:46
    She gets punched and you grab it and like, like your mystical hands that can,
  • 255:46 - 255:50
    that can kind of punch ghosts as she goes into like a, a ghostly mode.
  • 255:50 - 255:53
    You reach out and grab her throat and yank and hold her there and plates and
  • 255:53 - 255:55
    just like, it looks at you with his eyes. I'm like,
  • 255:55 - 256:00
    the fuck are you my brand new robes. All right. That finishes
  • 256:01 - 256:05
    her turn. The mirrored form now expands out of her.
  • 256:05 - 256:10
    Can I tell you that straight? I can't, no, Nope. Nope. Keep going. Get back.
  • 256:11 - 256:15
    Um, which actually yeah, I'm going to see if, no, she fucking rolled too.