Sandbox
-
0:00 - 0:04♪ (Eerie music) ♪
-
0:19 - 0:22(A voice)
Are you still there? -
0:22 - 0:26
Dude, are you still there? -
0:26 - 0:28Bro, are you still there?
-
0:28 - 0:32
Yeah. Yeah, I’m still here. -
0:32 - 0:34
Did you hear what I said? -
0:34 - 0:36Yeah. You have a story,
you have to write about it. -
0:36 - 0:39
Yeah. -
0:44 - 0:47Okay, so tell me about the story.
-
0:47 - 0:56Oh right. So it’s like at a hotel
and there’s a guy named Tony. -
0:56 - 0:58
Do you know that one? -
0:58 - 1:00
Do I know a story about a guy named Tony? -
1:00 - 1:02
He works at the hotel. -
1:02 - 1:04Yeah, but what does
he do at the hotel? -
1:04 - 1:09
Is he a doorman, is he a manager? -
1:09 - 1:13Can you tell me something
else about the story? -
1:13 - 1:15
There’s a guy named Carl. -
1:15 - 1:22
Okay. What does Carl do? -
1:29 - 1:32Dude, be honest.
Did you read the story? -
1:32 - 1:34
Not yet. -
1:34 - 1:37Well, how are you gonna write
about it if you didn’t read it? -
1:37 - 1:40
I don’t know. I’ll just read it now. -
1:40 - 1:45Dude, you should have
read it before we started. -
1:45 - 1:49Okay, do you want to
just read it together? -
1:49 - 1:50
You can read it with me? -
1:50 - 1:56Yeah, I get paid either way, dude.
What’s the name of the story? -
1:56 - 2:01
Uh… “I’ll Be Waiting.” -
2:04 - 2:07
Oh, Chandler. Duh. -
2:07 - 2:08
Who? -
2:08 - 2:11I’ve read the story before.
The author is Raymond Chandler. -
2:11 - 2:13
No, his name’s Tony. -
2:13 - 2:15
That’s the main character. -
2:15 - 2:19Right, like the author who wrote it.
-
2:19 - 2:24No, the guy who wrote
the story is Raymond Chandler. -
2:24 - 2:25
Oh. -
2:28 - 2:30Wait, didn’t he write the
story about the baby? -
2:30 - 2:35I don’t know. What happened in
the story about the baby? -
2:35 - 2:38
It got ripped in half. -
2:38 - 2:39
What? -
2:39 - 2:41
They rip the baby in half. -
2:41 - 2:44
Who ripped a baby in half? -
2:44 - 2:45
The parents. -
2:45 - 2:49They were fighting and then they
literally ripped the baby in half. -
2:54 - 2:56Oh, that’s Raymond Carver.
-
2:56 - 2:58Yeah, that’s what I said.
-
2:58 - 3:01No, Raymond Chandler
wrote the story about Tony. -
3:01 - 3:06Raymond Carver wrote
the one about the baby. -
3:06 - 3:07
Oh. -
3:09 - 3:15Okay, let’s just take five minutes,
read the first page. -
3:15 - 3:17
Try to figure out what Tony’s job is. -
3:17 - 3:20
Okay. -
3:39 - 3:41(A phone beep)
-
3:51 - 3:54Hey, are you still there?
-
3:54 - 3:57Are you still there?
-
3:57 - 4:00
Bro, are you still there? -
4:00 - 4:04Yeah, yeah, I’m still here.
-
4:04 - 4:06
I figured out what Tony does. -
4:06 - 4:08
Okay. What does he do? -
4:08 - 4:09
He’s a prostitute. -
4:09 - 4:13
What? No, he’s a detective. -
4:13 - 4:15
It says he’s the house dick. -
4:15 - 4:17
What? -
4:17 - 4:21Right here. Tony says,
“I wasn't kidding you, Miss Cressy. -
4:21 - 4:24I think Mozart was the
greatest man that ever lived.” -
4:24 - 4:28And Miss Cressy says, “I thought you
were the house dick,” and then it says, -
4:28 - 4:34
“She put her head back on a pillow.” -
4:34 - 4:38She put her head back on a pillow
because they just had sex. -
4:38 - 4:42Tony’s a prostitute who has sex with
people so he can stay at the hotel for free. -
4:42 - 4:44
He’s the house dick. -
4:44 - 4:48She's surprised because he's talking
about Mozart, because he’s a prostitute -
4:48 - 4:53So why would he know who Mozart is?
Prostitutes don’t listen to Mozart. -
4:57 - 5:02He’s a hotel detective.
-
5:02 - 5:03What?
-
5:03 - 5:06He’s the in-house detective for the hotel.
-
5:06 - 5:09In the thirties, they used
to call detectives “dicks.” -
5:09 - 5:11Well, how was I supposed to know that?
-
5:11 - 5:14I don't know, context clues?
-
5:19 - 5:23
Dude, are you even interested in this? -
5:23 - 5:24Honestly?
-
5:24 - 5:27Honesty is the best policy.
-
5:27 - 5:30
I just… do you really wanna know? -
5:30 - 5:34
Yes. I don’t enjoy watching you suffer. -
5:34 - 5:37
Do you really want to be here? -
5:37 - 5:41
No. My parents made me come. I’m sorry. -
5:41 - 5:46
Don’t apologize. It’s fine. -
5:46 - 5:50
But… where would you rather be right now? -
5:50 - 5:51
Honestly? -
5:51 - 5:54You keep saying that.
Do you usually lie to people? -
5:54 - 5:58No. I dunno, I feel like
people would laugh at me. -
5:58 - 6:01
I’m not gonna laugh at you. -
6:01 - 6:03Where would you rather be? Right now.
-
6:05 - 6:10
I wanna play “Find the Invisible Cow.” -
6:10 - 6:12
What is that? -
6:12 - 6:16
It’s a game you play online. -
6:16 - 6:20There’s a blank screen with a
cow hidden somewhere on it. -
6:20 - 6:22
And you have to look for the cow. -
6:22 - 6:25And the game shouts “Cow”
at you the whole time. -
6:25 - 6:32And the closer you get to the cow,
the louder the shouting gets. -
6:32 - 6:40
Cow, cow, cow. -
6:40 - 6:47
And when you find the cow, it moos. -
6:47 - 6:52
Do you play this online with other people? -
6:52 - 6:54
No. -
6:54 - 6:58Good. Good, sometimes
it’s good to be alone. -
6:58 - 7:01Well, it sounds like
you’d rather be doing that. -
7:01 - 7:08So... go do what makes you happy.
Go find your invisible cow. -
7:08 - 7:10
But I can’t. My parents - -
7:10 - 7:13
Yes you can. You have free will. -
7:13 - 7:15
You can do whatever you want. -
7:15 - 7:18But I still have to write the paper.
-
7:18 - 7:24
No, you don’t. I’m gonna do you a favor. -
7:24 - 7:26I already know the story,
I know what it’s about, -
7:26 - 7:29and I know what your
professor’s gonna wanna read. -
7:29 - 7:35Why don’t I just do the paper for you?
-
7:35 - 7:39
Really? You’d do that for me? -
7:39 - 7:42
Yeah. I would. -
7:42 - 7:44
For free? -
7:44 - 7:46Fuck no. Twenty-five
bucks a page, double-spaced. -
7:46 - 7:49You can have it by Friday, guaranteed A.
What do you say? -
7:52 - 7:56Uh, are you still there?
-
8:02 - 8:04Annie, are you using the microwave?
-
8:04 - 8:07
Yeah, I’m making Hot Pockets! -
8:07 - 8:10Well it’s messing with the Wi-Fi.
-
8:10 - 8:12
Well then pay the fucking Wi-Fi bill! -
8:12 - 8:15I can’t, because you keep
fucking up my deals! -
8:15 - 8:16
Fuck you! -
8:16 - 8:18Yeah, fuck you too.
(A phone ringtone) -
8:18 - 8:19
Hey, George. -
8:19 - 8:22
Hey, David. How’s your dad? Still kicking? -
8:22 - 8:25
Kicking and screaming. How’s yours? -
8:25 - 8:28He’s… dead. You know this.
-
8:28 - 8:32Yeah, I just wanted to make sure
he didn’t come back as a zombie. -
8:32 - 8:34
If he does, I’ll let you know. -
8:34 - 8:37
You can be his first meal. -
8:37 - 8:39Listen, David, what’s up?
-
8:39 - 8:42I saw you just got disconnected
from your last student? -
8:42 - 8:45Yeah, I’m sorry.
My roommate is making Hot Pockets. -
8:45 - 8:48That’s great.
I love anything with cheese in it, -
8:48 - 8:51but what does that
have to do with anything? -
8:51 - 8:53The microwave messes
with the connection -
8:53 - 8:55and the Wi-Fi’s like
baby soft around here. -
8:55 - 8:57
“Baby soft”? -
8:57 - 8:59
It’s sensitive. It’s like a baby’s head. -
8:59 - 9:01You push it too hard,
it’s messed up for life. -
9:01 - 9:04
C’mon David, we talked about this. -
9:04 - 9:07
Oh God, your kids. I’m so sorry, George. -
9:07 - 9:09
I don’t have kids. -
9:09 - 9:12
You don’t? Oh my God, what happened? -
9:12 - 9:15David, the only kids I have are the
ones who come here for tutoring. -
9:15 - 9:19And right now one of
those kids is left unattended. -
9:19 - 9:22What kind of father
leaves their kid unattended? -
9:22 - 9:24
Are we talking about my dad or yours? -
9:24 - 9:28It makes me a bad dad.
You think I wanna be a bad dad? -
9:28 - 9:31One of those dads who leaves
their kids in the car -
9:31 - 9:34while they pick up cigarettes
from the Mini Mart? -
9:34 - 9:36
So we’re talking about my dad. -
9:36 - 9:41David. I trusted you and
you left that kid hanging. -
9:41 - 9:44You left that kid hanging
like Michael Jackson. -
9:44 - 9:47You know what’s gonna happen to that
kid if he doesn’t pass his exams? -
9:47 - 9:51
He’s… gonna… join the army? -
9:51 - 9:55
Worse. Didn’t you see today’s word? -
9:56 - 9:57
No. -
9:57 - 10:09EDUCATION: Evil Dominates Uneducated Children
And Teens, Indoctrinating Only Negativity. -
10:09 - 10:16Did you just put “uneducated”
inside the word “education”? -
10:16 - 10:21Look, my point is:
I can’t run an online business -
10:21 - 10:24if my employees don‘t have a stable
Internet connection. -
10:24 - 10:29That’s like Mötley Crüe without Vince Neil.
You know what I mean? -
10:29 - 10:31
I think so? -
10:31 - 10:33So think about it from my end.
-
10:33 - 10:35Do I get Vince back and
go double platinum? -
10:35 - 10:39Or do I hang on to John Corabi
and hope he finds his dick? -
10:39 - 10:44
I… I don’t know who John Corabi is. -
10:44 - 10:47
And what does that tell you? -
10:47 - 10:50
That I wasn’t born in the seventies? -
10:50 - 10:53Find your dick, or you’re out of the band.
-
10:53 - 10:56
Can you find your dick, David? -
10:56 - 11:01I mean, I can look for it, but how
do I know for sure which one's mine? -
11:01 - 11:04Listen: treat your Wi-Fi
like a dog and get it fixed, -
11:04 - 11:07‘cause I’m tired of
seeing piss on the carpet. -
11:07 - 11:11I’m confused.
Am I finding a dick or cutting one off? -
11:11 - 11:15
Are we clear, David? -
11:15 - 11:17Beeeeeeeep.
-
11:17 - 11:19
What the hell was that? -
11:19 - 11:27It’s a defibrillator. “Clear.”
Beeeeeeeep. -
11:27 - 11:30
Because we’re clear. -
11:30 - 11:35Just do what I ask you.
-
11:39 - 11:50Beep. Beep. Beep.
Beeeeeeeeeeeeeeeeeeeeeeeep. -
11:55 - 11:57(Amy)
Have you looked for other jobs? -
11:57 - 11:59Yeah, but… they’re
not looking for me. -
11:59 - 12:02You’re a good writer.
Why would they not be looking for you? -
12:02 - 12:06Because they’re not looking for good writers.
They’re looking for good resumes. -
12:06 - 12:08
You need a resume to do creative writing? -
12:08 - 12:10
Not to do it, but, to get a job doing it? -
12:10 - 12:12Yeah. If you don’t have a
degree from Columbia -
12:12 - 12:15or an internship at The Onion
you’re basically fucked. -
12:15 - 12:17
At least you have a degree. -
12:17 - 12:18
Yeah. From U.U. -
12:18 - 12:19
You mean Q.U.? -
12:19 - 12:21
No. U.U. Unknown University. -
12:21 - 12:23That’s what everyone there calls it.
-
12:23 - 12:24It's not that bad.
-
12:24 - 12:29It’s not like University of Phoenix where
nobody knows if it really exists or not. -
12:29 - 12:31
Nobody knows Q.U. exists at all. -
12:31 - 12:33They see it on a resume
and they’re like, -
12:33 - 12:37“Oh, is that in England?
Did you study abroad?” -
12:38 - 12:41
Thank God you didn’t go to acting school. -
12:41 - 12:44I might as well have I should
have just skipped college; -
12:44 - 12:46I’d be doing just
as well as I am now. -
12:46 - 12:48That's easy for you to say.
-
12:48 - 12:49
It’s easy ‘cause it’s true. -
12:49 - 12:52Some people just shouldn’t
be forced to go to college -
12:52 - 12:53and take classes they don’t
actually need. -
12:53 - 12:56I had this student today
reading fucking detective fiction. -
12:56 - 12:57
How is that gonna help him? -
12:57 - 13:00Why is he wasting his time when
he could be doing something else? -
13:00 - 13:02
Like what? -
13:02 - 13:04I don’t know. Something that
actually makes him happy? -
13:04 - 13:08
Uh-huh. How much did you charge him? -
13:08 - 13:11Look, seventy-five dollars is
reasonable for a three-page paper. -
13:11 - 13:14It’s not reasonable when you’re
already being paid to tutor him. -
13:14 - 13:17No, no, no. It’s not reasonable for him to let
his parents pay me to tutor him for a -
13:17 - 13:20paper he’s just gonna buy from me anyway.
-
13:20 - 13:24Thirty seconds ago you felt bad
for the guy; now it’s his fault? -
13:24 - 13:25
Whose fault is it? -
13:25 - 13:31Society’s. I don't know, I’m not the
one making this kid go to school. -
13:31 - 13:33But you are the one
that’s supposed to help him. -
13:33 - 13:35
I am helping him. -
13:35 - 13:36
You’re helping yourself, David. -
13:36 - 13:40Well, at least it’s going to
someone who needs it. -
13:40 - 13:42
So you admit you do need help. -
13:42 - 13:44
We all do. It runs in the family. -
13:44 - 13:49You're right about that one.
-
13:52 - 13:58
Ask me how I’m doing. -
13:58 - 13:59
How are you? -
13:59 - 14:01
I’m shitty. -
14:01 - 14:02
Sorry. What’s up? -
14:02 - 14:04Phil’s not doing too good.
-
14:04 - 14:06
He’s never doing well. -
14:06 - 14:08
Like health-wise. -
14:08 - 14:09
He’s never been healthy. -
14:09 - 14:10
He’s proud of it. -
14:10 - 14:14If you told him he was healthy he’d shoot
himself in the head just to prove you wrong. -
14:14 - 14:16
I think he’s really sick this time. -
14:16 - 14:18He’s been coughing up
some weird stuff, which… -
14:18 - 14:21you know, he always coughs up
weird stuff, but it used to be black, -
14:21 - 14:23
and then it was red, and now it’s still red -
14:23 - 14:26but it has, like, tints of blue
in it so it looks purplish, -
14:26 - 14:29
but there’s nothing on Web MD about that. -
14:29 - 14:31
What he’d do? Drink out of a Porta Potty? -
14:31 - 14:34I don’t know, but he's gonna need one too.
-
14:34 - 14:38The other day he almost
had an accident in Key Food. -
14:38 - 14:40Did he run over another cashier?
-
14:40 - 14:44David, I’m serious. He’s not old
enough to be incontinent. -
14:44 - 14:47I wanna take him to see a doctor, but -
-
14:47 - 14:50Don't take him to a doctor.
He doesn’t like doctors. -
14:50 - 14:54No, he likes doctors,
he just doesn’t trust doctors. -
14:54 - 14:56
He’s very specific about this. -
14:56 - 15:00“I’ll have a drink with a doctor, but
not if he’s gonna tell me how much to drink.” -
15:00 - 15:02
He doesn’t like being told what to do. -
15:02 - 15:04He doesn’t like taking
other people’s advice. -
15:04 - 15:09
Even when he knows they’re right. -
15:09 - 15:10
At me. -
15:10 - 15:13He’s just as stubborn as you are too, so,
-
15:13 - 15:15just be prepared if
something happens, okay? -
15:15 - 15:16
Are you kidding? -
15:16 - 15:18I’ve been waiting for this
for twenty-five years. -
15:18 - 15:22I have an expired bag of popcorn
chosen specifically for this moment. -
15:22 - 15:25
Get another one. I’ll join you. -
15:25 - 15:26
Why do you even take care of him? -
15:26 - 15:28
Are you gonna take care of him? -
15:28 - 15:30
No, I’d dump his ass on the sidewalk. -
15:30 - 15:32You’re practically on
the sidewalk yourself. -
15:32 - 15:35
I mean, can’t you just put him somewhere? -
15:35 - 15:37
Like a nursing home? -
15:37 - 15:38
No, a funeral home. -
15:38 - 15:41Maybe they’ll think he’s already
dead and box him up right there. -
15:41 - 15:43He won’t go to either.
-
15:43 - 15:46He hates old people because
they remind him that he’s old, -
15:46 - 15:50and he hates dead people
because he’s jealous of them. -
15:50 - 15:56Anyway, as annoying as he is, I’d rather
have him be unhappy here than be unhappy -
15:56 - 15:57somewhere else.
-
15:57 - 15:59
We owe him that much. -
15:59 - 16:02The only thing we owe him is a
bill for years of financial abuse. -
16:02 - 16:06I’m not saying he was Keanu
Reeves, but he was there for us. -
16:06 - 16:09Maybe we would have
been better off without him. -
16:09 - 16:11
Maybe we would have been worse. -
16:11 - 16:15Well, you’re not the one with a shit
degree, living in a shit apartment, -
16:15 - 16:16working a shit job.
-
16:16 - 16:20You could have no degree,
no apartment, and no job. -
16:20 - 16:24Okay, but who is the
common denominator here? -
16:24 - 16:26
How is any of that Phil’s fault? -
16:26 - 16:28
If it’s not his fault, then whose is it? -
16:28 - 16:33I dunno, “society”? I’m not the one blaming
other people for how my life turned out. -
16:33 - 16:35
I don’t blame other people. -
16:35 - 16:36
You just blamed him. -
16:36 - 16:38I said “other people.”
Phil’s not a person. -
16:38 - 16:41Five minutes ago you were giving me
a list of reasons why other -
16:41 - 16:43people won’t hire you.
-
16:43 - 16:46They won’t hire me because
my resume looks like shit, -
16:46 - 16:48and my resume looks like shit
because Phil fucked me up. -
16:48 - 16:50
So everything’s his fault? -
16:50 - 16:52
He’s the reason both of us are stuck. -
16:52 - 16:53
He’s the reason we don’t have a - -
16:53 - 16:55
Who said I felt stuck? I never said that. -
16:55 - 16:56
You’re stuck taking care of him. -
16:56 - 16:58
I don’t mind taking care of him. -
16:58 - 17:00
Well, five years down the line, you might. -
17:00 - 17:02If he even lives that long.
-
17:02 - 17:04
We should all be so lucky. -
17:04 - 17:06You can’t keep using Phil as
an excuse to do nothing. -
17:06 - 17:08David, you’re an adult.
-
17:08 - 17:11You’re not trapped at home like
some SoundCloud rapper. -
17:11 - 17:13
You can make choices. -
17:13 - 17:13
What choices? -
17:13 - 17:16Choosing between paying for my WiFi
so I can keep my job, -
17:16 - 17:18or paying for my rent so I have
a place to live? -
17:18 - 17:22Choosing to apply to a different job,
instead of talking yourself out of it. -
17:22 - 17:24
I talk myself out of embarrassing myself. -
17:24 - 17:26
It’s called having dignity. -
17:26 - 17:27Something I didn't get from Phil.
-
17:27 - 17:30“Dignity?” David, you sell term
papers to college students. -
17:30 - 17:32
That’s a matter of integrity, not dignity. -
17:32 - 17:35
I do not have integrity. -
17:35 - 17:40Are you gonna blame that on Phil,
too? The man is dying, David. -
17:40 - 17:42
Yeah, well it’s about fucking time. -
17:47 - 17:51You know, you have never
had to bathe him because he -
17:51 - 17:52can't stand in the shower by himself.
-
17:52 - 17:53
Oh my God. -
17:53 - 17:56No. You keep talking about how
much he fucked up your life, -
17:56 - 17:59but you don't have to put his dinner
in the blender because he can’t -
17:59 - 18:01chew anything anymore.
-
18:01 - 18:04You don’t see the look of embarrassment
on his face when he has an accident -
18:04 - 18:06and he cries because he feels like a child.
- Can I just say something -
18:06 - 18:10You don’t know what it feels like to be
responsible for someone else. -
18:10 - 18:13All you’ve ever had to do was be responsible
for yourself, and you can’t even do that right. -
18:13 - 18:15
Can I just say one thing? -
18:15 - 18:16
What? -
18:16 - 18:20
Nobody is asking you to do all of that. -
18:21 - 18:23
Fuck you. -
18:33 - 18:36(A dial tone)
-
18:36 - 18:38
What? -
18:38 - 18:41
Okay, maybe I shouldn’t have said that. -
18:41 - 18:42
Uh-huh. -
18:42 - 18:44
But I do believe honesty is the best pol- -
18:44 - 18:47
Oh, shut the fuck up. -
18:47 - 18:49(The line goes dead)
-
18:58 - 19:00(An eerie wind sound)
-
19:11 - 19:13(An announcer)
Most people wouldn't bike -
19:13 - 19:16through a Native American reservation
without expressly written consent -
19:16 - 19:18of the local tribe.
-
19:18 - 19:20But we're not most people
-
19:20 - 19:22How are we gonna
get out of this jam? -
19:22 - 19:25Find out on the new season
of 'Two White Guys' -
19:25 - 19:28(Static)
-
19:48 - 19:54Annie, are you using the microwave?
-
19:54 - 19:57
Annie! -
19:58 - 20:00
Annie! -
20:00 - 20:05
Who’s Annie? -
20:12 - 20:14(Annie)
What do you want? -
20:14 - 20:19
I’m playing Stardew Valley. -
20:19 - 20:22Dude, what the fuck do you want?
-
20:22 - 20:26Nothing, I just saw a spider.
-
20:26 - 20:29
Oh my God! Did you kill her? -
20:29 - 20:31
Yeah, she’s dead. -
20:31 - 20:36
What the fuck, man? Insect life is sacred! -
20:36 - 20:39
It was an accident. -
20:39 - 20:42
Are you sure she’s dead? -
20:42 - 20:46
Yes. I’m sorry, Annie. -
20:46 - 20:53
Okay, let me in. I’ll bury her. -
20:53 - 20:59
I can’t. I need to be alone right now. -
20:59 - 21:01
Why? -
21:01 - 21:07I have to pray.
-
21:07 - 21:11
I didn’t know you were religious? -
21:11 - 21:15
Yeah, I’m making a change. -
21:15 - 21:17
Look, I really need to repent. -
21:17 - 21:23Yeah, I’m sorry. Just bury her outside
when you’re done, okay? -
21:23 - 21:25
I’ll leave a trowel out. -
21:25 - 21:27
I will. Thank you, Annie. -
21:29 - 21:33
God bless you, David. -
21:33 - 21:37
God bless you too, Annie. -
21:42 - 21:45
That’s Annie. -
21:45 - 21:48I see. I should probably
introduce myself. -
21:48 - 21:49
You’re me. -
21:49 - 21:51Good. I’m glad we
got that out of the way. -
21:51 - 21:54Or you’re a deepfake and
someone is trying to hack me. -
21:54 - 21:57Okay, maybe we didn’t get that
out of the way. Let me explain. -
21:57 - 22:00You don’t need to. Whoever you
are, get the fuck off my TV. -
22:00 - 22:02
I don’t have any money. -
22:02 - 22:04Honestly, if you wanna steal
my identity, just go for it. -
22:04 - 22:05
I don’t wanna be myself anyway. -
22:05 - 22:06Are we good?
-
22:06 - 22:08
Are you good? -
22:08 - 22:09
No, my fucking TV is talking to me. -
22:09 - 22:12Do you wanna maybe take
a moment to calm down? -
22:12 - 22:15I would really prefer if you
just got the fuck off my TV. -
22:15 - 22:17Okay, well, that’s not
gonna happen, David. -
22:17 - 22:19I have something important
to talk to you about. -
22:19 - 22:21Great. Call my secretary.
Make an appointment. -
22:21 - 22:23
We’ll do lunch. Get the fuck off my TV. -
22:23 - 22:25You can’t just keep telling
me to get the fuck off your TV. -
22:25 - 22:28Is that what I said? I'm sorry.
-
22:28 - 22:31What I meant to say was,
“Get the fuck off my TV.” -
22:31 - 22:33
David. I understand that this is bizarre, -
22:33 - 22:36but this is happening whether
you like it or not. -
22:36 - 22:39So can you calm down, and
just give me a moment to explain? -
22:45 - 22:47
I’m calling the police. -
22:47 - 22:50
I can help you change your life. -
22:50 - 22:51
Sure. How much do I send you? -
22:51 - 22:54Nothing. All I need is
your time and effort. -
22:54 - 22:57I already have work to do, which, you’re
kinda preventing me from doing right now. -
22:57 - 23:00You mean that cheap term paper
you’re writing for someone else? -
23:00 - 23:02So you’re spying on me, too?
-
23:02 - 23:05Is it really spying if you’re
just watching yourself? -
23:05 - 23:06
You’re not me. -
23:06 - 23:10
Yes I am. And no I’m not. -
23:10 - 23:11
Are you confused? -
23:11 - 23:16David, I’m you, from an alternate
timeline, in the year twenty-thirty. -
23:16 - 23:21♪ (A foreboding chord) ♪
-
23:25 - 23:27
So you’re from the future. -
23:27 - 23:28That's right.
-
23:28 - 23:30
But not my future. -
23:30 - 23:34Yes. I’m a different David from a
different timeline that is parallel to yours. -
23:34 - 23:36And there are different
Davids in different timelines? -
23:36 - 23:38That's right.
-
23:38 - 23:39
How many? -
23:39 - 23:40
More than we can imagine. -
23:40 - 23:42Every timeline’s different
from the last one. -
23:42 - 23:45It could be something big,
like the planets are made of chocolate, -
23:45 - 23:48or it could be small,
like Seth Rogen has two eyes. -
23:48 - 23:50
Seth Rogen does have two eyes. -
23:50 - 23:52
In this timeline he does. -
23:52 - 23:56Okay. And you must be from the timeline
where I’m completely fucking insane? -
23:56 - 24:00We’re in your timeline, David.
If anyone’s insane here, it’s you. -
24:00 - 24:03
I’m not entirely convinced that I’m not. -
24:03 - 24:08Okay, David… I literally have a
time-sensitive issue to discuss with you. -
24:08 - 24:15So can we just… tone down the defensive
sarcasm and accept what is happening? -
24:19 - 24:21
Prove it. -
24:21 - 24:22
Prove what? -
24:22 - 24:24Prove that you’re me.
Or, some version of me. -
24:24 - 24:26
I don’t have time for this. -
24:26 - 24:28
I thought you said you could time travel? -
24:28 - 24:29
I said I was from the future. -
24:29 - 24:33This is not “travel,”
this is telecommunication. -
24:33 - 24:36You know how much this costs on
my phone bill - you know what, fine. -
24:36 - 24:38
What do you want me to prove? -
24:38 - 24:39
Tell me something only I would know. -
24:39 - 24:43Okay. Your father is currently coughing
up something that looks like laundry detergent. -
24:43 - 24:45
You could’ve listened to my phone calls. -
24:45 - 24:49Fair. Uh… in high school, you wrote a short
story making fun of your music teacher, -
24:49 - 24:52but you got cold feet and didn’t
submit it to the school newspaper. -
24:52 - 24:55I actually did submit that paper.
-
24:55 - 25:01Oh. See, the timelines are a little different.
How’d it go? Did they publish it? -
25:01 - 25:05No. They were not fans of the passage
where Mr. Kleio tried to count how many -
25:05 - 25:07trumpets he could fit inside himself.
-
25:07 - 25:09Yeah, good thing I didn’t submit it then.
-
25:09 - 25:14Okay, I got it. You jerked off to the
dance scene in Suspiria. -
25:20 - 25:21
Which one? -
25:21 - 25:23
We both know which one. -
25:23 - 25:25
Okay, you have my attention. -
25:25 - 25:29Can we proceed with the assumption
that I am you from a different timeline? -
25:29 - 25:32I will give you the benefit of the doubt
provided you do not tell -
25:32 - 25:34anyone what you know.
-
25:34 - 25:36I wouldn’t do that. We’re on
the same side here, David. -
25:36 - 25:38Doesn’t feel like it.
-
25:38 - 25:41Well, I need you on my side.
-
25:41 - 25:42
I need your help. -
25:42 - 25:43
With what? -
25:43 - 25:45
I need to catch a murderer. -
25:45 - 25:52♪ (The foreboding chord) ♪
-
25:52 - 25:53(A record scratch)
-
25:53 - 25:57And why do you think I would be
the best person to help you with that? -
25:57 - 25:58I’ll explain that in a moment.
-
25:58 - 26:00
David, I used to be a Temporal Agent. -
26:00 - 26:04You don’t know what they are yet,
but they will exist in your future. -
26:04 - 26:08Our job is to regulate and control
the usage of Temporal Technology, -
26:08 - 26:09also known as TempTech.
-
26:09 - 26:12It’s what you probably call
time travel technology. -
26:12 - 26:16We would call it that, but an
interdimensional tourism company -
26:16 - 26:17kinda beat us to the patent rights.
-
26:17 - 26:19
So it’s TempTech. -
26:19 - 26:20
Okay. TempTech. -
26:20 - 26:22
Sounds made up, but I believe you. -
26:22 - 26:26A couple years ago, we started seeing
videos of murders posted on TubeYou. -
26:26 - 26:27
TubeYou? -
26:27 - 26:28
TubeYou. You guys don’t have TubeYou? -
26:28 - 26:31
I think it’s called YouTube here. -
26:31 - 26:32
Oh. That’s weird. -
26:32 - 26:36Anyway, we started seeing
videos of murders online. -
26:36 - 26:37
But not just any murders. -
26:37 - 26:38
What, like snuff films? -
26:38 - 26:40
No. -
26:40 - 26:40
Murder porn? -
26:40 - 26:41
No. -
26:41 - 26:42
Cannibalism? -
26:42 - 26:45
No. Maybe it’s better if I show you - -
26:45 - 26:48No, no, no, no, no, no.
I would rather not watch a murder. -
26:48 - 26:50
Squeamish. -
26:50 - 26:51
So was I. -
26:51 - 26:52
You’ll get over it. -
26:52 - 26:54
These videos show murders across time. -
26:54 - 26:58Someone got access to TempTech and
is using it to leap across time -
26:58 - 27:00and murder
people in the past. -
27:00 - 27:01Wouldn’t that change the future?
-
27:01 - 27:03
Like, in that shitty Ashton Kutcher movie? -
27:03 - 27:05
The Fruit Fly Effect. -
27:05 - 27:06
The Butterfly Effect. -
27:06 - 27:08Yeah, whatever.
It’s terrible in my timeline too. -
27:08 - 27:10But surprisingly accurate.
Let me explain. -
27:10 - 27:13You keep saying you’re
gonna explain things. -
27:13 - 27:15You just met someone
from an alternate timeline. -
27:15 - 27:17You didn’t think there’d be
a huge exposition dump? -
27:17 - 27:19Yeah, but don’t you have a
Powerpoint for this or something? -
27:19 - 27:23Powerpoints? Where we’re going,
we don’t need Powerpoints. -
27:23 - 27:26
Back to the Future. Surprising. -
27:26 - 27:29
What? No, that’s from Blade Runner. -
27:29 - 27:31
What the hell is Back to the Future? -
27:31 - 27:36Never mind. Just listen. Let’s say you
have access to TempTech. -
27:36 - 27:37
Okay. -
27:37 - 27:41
If you could go back in time and kill anyone, who would you kill? -
27:41 - 27:41
Adam. -
27:41 - 27:42
What? -
27:42 - 27:45I’m kidding. Hitler.
I’d go back and kill Hitler. -
27:45 - 27:47
Right. Most people would. -
27:47 - 27:49But you can’t actually do that.
-
27:49 - 27:50Yeah. It’s called a grandfather paradox.
-
27:50 - 27:52If went back and killed someone you'd be
-
27:52 - 27:58erasing the reason you went
back in time in the first place -
27:58 - 28:00
I read a lot of sci-fi. -
28:00 - 28:03That's exactly right. If you
killed Hitler in the past, -
28:03 - 28:07you’d be erasing the reason you
went back in time in the first place. -
28:07 - 28:10Right, so you can’t kill
anyone in the past. -
28:10 - 28:13Well, that’s what you’d think,
but the video says otherwise. -
28:13 - 28:14
Video of what? -
28:14 - 28:16
Of Hitler’s murder. -
28:16 - 28:17
Hitler shot himself. -
28:17 - 28:19
No, he didn’t. -
28:19 - 28:22Dude, this isn’t gonna be
some Tupac conspiracy shit, is it? -
28:22 - 28:25No, it’s not a conspiracy.
This is what actually happened. -
28:25 - 28:27
That’s not what Wikipedia says. -
28:27 - 28:29
Wikipedia is not fact. -
28:29 - 28:34Wikipedia is an observation
made and recorded by humans. -
28:34 - 28:37Wikipedia is what we know,
and what we think we know. -
28:37 - 28:39
And Wikipedia was wrong. -
28:39 - 28:42We have video evidence that
Adolf Hitler, as well as dozens -
28:42 - 28:46of other historical figures,
were murdered. -
28:46 - 28:47
All by the same person. -
28:47 - 28:52
That’s not possible. -
28:52 - 28:54
It would cause a grandfather paradox. -
28:54 - 28:56
The killer didn’t change the past. -
28:56 - 28:59He already killed his victims;
he just didn’t know it yet. -
28:59 - 29:00
Nobody knew it. -
29:00 - 29:03People in the past had already come
up with reasons to explain -
29:03 - 29:06why these deaths occurred.
The killer didn’t change the past. -
29:08 - 29:10
He caused it. -
29:10 - 29:11
… so he killed Hitler? -
29:11 - 29:13
Yes. -
29:13 - 29:16The video is taken from Hitler’s
office in the Führerbunker . -
29:16 - 29:19Hitler and his wife, Eva Braun,
are both restrained. -
29:19 - 29:23The killer forces Braun to eat
a cyanide pill as Hitler watches. -
29:23 - 29:26Then he feeds Hitler a bullet
sandwich with his own pistol. -
29:26 - 29:28So Hitler’s death was staged
to look like a suicide? -
29:28 - 29:31Nobody would have known, because
Hitler signed a last will two days earlier. -
29:31 - 29:34Everyone around him knew he was
going to kill himself, so they didn’t -
29:34 - 29:36think to look for evidence.
-
29:36 - 29:39But even if they did, they
wouldn’t have found anything. -
29:39 - 29:41The timeline can’t allow
for an anachronism. -
29:41 - 29:43So… the timeline hides
evidence for this guy? -
29:43 - 29:47
That’s right. He can kill with impunity, -
29:47 - 29:49because it’s impossible for
him to be caught in the past. -
29:49 - 29:52But if he can only kill
people he’s already killed… -
29:52 - 29:54
how does he know who he’s already killed? -
29:54 - 29:59
He doesn’t. If he fails, he fails. -
29:59 - 30:01
He can’t get caught anyway. -
30:01 - 30:07But if he succeeds, he has video
evidence proving Wikipedia is wrong. -
30:07 - 30:13People who see video after video of
murders that supposedly never happened - -
30:13 - 30:15
they lose faith in Wikipedia. -
30:15 - 30:19They start to question reality.
-
30:19 - 30:24How do you believe in anything when
there’s a madman slashing his way through -
30:24 - 30:26history who nobody can stop?
-
30:26 - 30:28Nobody can even find?
-
30:40 - 30:44I… I don’t know. I thought those
were rhetorical questions. -
30:44 - 30:46They were, I was letting the moment land.
-
30:46 - 30:48Point is, this is much
bigger than just one killer. -
30:48 - 30:50So why doesn’t anyone
in your universe stop him? -
30:50 - 30:53Okay, first of all “timeline,”
not “universe.” -
30:53 - 30:55
“Timeline,” okay? -
30:55 - 30:59If we start using different words, this is
gonna get more confusing than it already is. -
30:59 - 31:02Second, we tried. When I was back
at the Temp Agency we - -
31:02 - 31:04
You worked at a temp agency? -
31:04 - 31:08The Temporal Agency. I was a Temporal
Agent. I said that before. -
31:08 - 31:11Oh, sorry, just had to clarify.
-
31:11 - 31:16The Agency didn’t want to waste resources
trying to catch someone who couldn’t be caught. -
31:16 - 31:20The best they we could do was remove his
videos and suspend his Twitch channel. -
31:20 - 31:26But it doesn’t stop him,
and it’s not justice. -
31:26 - 31:30The Agency thought I was
fixated on the case. -
31:30 - 31:32
They say the killer just wants attention. -
31:32 - 31:37They think the problem will
go away if they just ignore it. -
31:37 - 31:42Even in the future, people
don’t learn from the past. -
31:42 - 31:46I’m the only one who wants
to do anything about this. -
31:51 - 31:54
You could ask me what my plan is. -
31:54 - 31:55
Tell me more. -
31:55 - 32:00Before I left the Agency, I managed to get
a hold of a new form of TempTech. -
32:00 - 32:04It was an experimental prototype that would
allow telecommunication between -
32:04 - 32:09two timelines over
a sixth dimensional plane. -
32:09 - 32:12Basically, the thing that
lets us talk right now. -
32:12 - 32:13
Okay. -
32:13 - 32:14
So I had a theory. -
32:14 - 32:17
I know I can’t find this guy, -
32:17 - 32:20I can’t catch him, and even if I did,
I wouldn’t be able to kill him. -
32:20 - 32:23I can’t go back in time and stop him
from getting access to TempTech, -
32:23 - 32:25because that would cause
a grandfather paradox. -
32:25 - 32:28So you want me to kill him
from my timeline. -
32:28 - 32:29Not just kill him.
-
32:29 - 32:30
Erase him. -
32:30 - 32:32I need you to prevent
him from being born. -
32:32 - 32:34♪ (A foreboding chord) ♪
-
32:34 - 32:36Why can’t you just come
here and do that yourself? -
32:36 - 32:40TempTech isn’t advanced enough to transfer
physical matter between timelines. -
32:40 - 32:43If I tried, I would most likely
just be spaghettified. -
32:43 - 32:44
Spaghettified? -
32:44 - 32:48Imagine a baby. Happy.
Healthy. Limbs intact. -
32:48 - 32:49Okay.
-
32:49 - 32:56Now imagine that same baby being
pushed through a cheese grater. -
32:56 - 32:59The gravity created by a wormball
of that size would literally -
32:59 - 33:02tear the molecules out of my body.
-
33:02 - 33:07Anyway, I can’t move between
timelines, but electrons can. -
33:07 - 33:09
That’s why I’m reaching out to you. -
33:09 - 33:15If we find out out who the killer is, you can
use TempTech to visit my timeline in the past -
33:15 - 33:16contact his parents, and prevent
them from meeting. -
33:16 - 33:18
It’s two steps. -
33:18 - 33:23We find out who he is, you place
a sixth-dimensional phone call. -
33:23 - 33:24And I sit and pray that it works.
-
33:24 - 33:26
You don’t know if it’ll work. -
33:26 - 33:29It’s the only way I can think of to
escape a grandfather paradox. -
33:29 - 33:34But it wouldn’t. If you succeeded
you'd be erasing your own present. -
33:34 - 33:39That's right, but that’s
a risk I’m willing to take. -
33:39 - 33:41I have many questions.
-
33:41 - 33:43
Like: why do I want your help? -
33:43 - 33:46You don’t know anything about
TempTech or serial killers. -
33:46 - 33:50You’re just a failed fiction writer with
a weakness for demonic dance scenes. -
33:50 - 33:52
Read my mind. -
33:52 - 33:55Sixth dimensional communication
isn’t an exact science... yet. -
33:55 - 33:59You can’t calibrate it in a way that you know
exactly what timeline you’re gonna end up in. -
33:59 - 34:02So I’ve been searching for the right David.
-
34:02 - 34:05I couldn’t trust anyone but myself with this
information, so who better to ask? -
34:05 - 34:08I found Davids who were
interested in the science, -
34:08 - 34:11but too queasy to deal with the ethics of
erasing someone from existence. -
34:11 - 34:15I found Davids who couldn’t care less about
other people dying in a parallel timeline. -
34:15 - 34:20And then I found Davids who just…
weren’t cut out for it. -
34:20 - 34:23
And then I found you. And you were sad. -
34:23 - 34:28And you were disappointed in yourself,
the same way I’m disappointed in myself. -
34:28 - 34:30I knew you were someone who
needed a second chance. -
34:30 - 34:32You mean you thought you
could manipulate me. -
34:32 - 34:38No. David, if you do this, you’ll save the
lives of countless people in my timeline. -
34:38 - 34:41They’ll never know it,
but that doesn’t change the facts. -
34:41 - 34:44
History is just what’s recorded. -
34:44 - 34:49Your deeds matter, regardless of whether
anyone recognizes them or not. -
34:49 - 34:53So, no, I don’t want to manipulate you.
-
34:53 - 34:57I want to motivate you to do
something selfless, something great. -
34:57 - 34:59
I think you want to do something great. -
34:59 - 35:00You were wrong.
-
35:00 - 35:02
Look, I listened to your pitch. -
35:02 - 35:06You seem like an okay guy, and I’m not just
saying that because you remind me of myself. -
35:06 - 35:11
But I’m not your guy. -
35:11 - 35:14
You didn’t ask about what I said earlier. -
35:14 - 35:16
That I could help you change your life. -
35:16 - 35:18That’s because I know what false
advertising looks like. -
35:18 - 35:22Maybe you’re so used to being lied to
that you’ve stopped believing in the truth. -
35:22 - 35:25You’re not curious about
what I can offer you? -
35:25 - 35:27You’re gonna give me TempTech in
exchange for helping you. -
35:27 - 35:30That’s right. I can’t
physically send you a device, -
35:30 - 35:33but I can give you all the documents and
software you would need. -
35:33 - 35:37I also have a discount code for Skillshare
so you can learn about the engineering. -
35:37 - 35:41It’ll take a while to understand all of it,
but once you’re ready, -
35:41 - 35:44you can reach out to other Davids
across the sixth dimensional plane. -
35:44 - 35:48Once you find the right one you
can change your own timeline. -
35:48 - 35:51
You can change your past. -
35:51 - 35:56You know I knew this was a
scam, but... it’s worse. -
35:56 - 35:59
Find another David? -
35:59 - 36:03
This is just a fucking chain letter. -
36:03 - 36:06No wonder the Agency fired you
-
36:06 - 36:12You’re just as insane as the
guy you’re obsessed with. -
36:14 - 36:19Cute. But I don’t blame you.
This is a lot to take in. -
36:19 - 36:23So I’m gonna come back
forty-eight hours from now - -
36:23 - 36:24
Don’t bother. -
36:24 - 36:27
And you can give me your answer then. -
36:27 - 36:30And David, when you’re
thinking about my offer, -
36:30 - 36:34remember this: I’m from
the year twenty-thirty. -
36:34 - 36:37Why do think I visited you in
the year twenty-twenty? -
36:37 - 36:39
Because you’re a masochist? -
36:39 - 36:43No. Well, yes, but,
that’s the reason why. -
36:43 - 36:47I visited your timeline
in the year twenty-thirty. -
36:47 - 36:53I looked around for you.
You weren’t there. -
36:53 - 36:57You need this more than you know.
-
37:16 - 37:23(Typing)
-
38:01 - 38:04(A dial tone)
-
38:22 - 38:24(A phone ringing)
-
38:35 - 38:37
Hey. -
38:37 - 38:38
You called? -
38:38 - 38:39
Yeah. Are you busy? -
38:39 - 38:42
I’m always busy, David. What do you want? -
38:42 - 38:46
I… kinda got a job offer. -
38:46 - 38:49
Oh? Where? -
38:49 - 38:52
It’s um… I can’t really talk about it. -
38:52 - 38:54
But you wanna talk about it. -
38:54 - 38:55
Yeah. -
38:55 - 38:59
Is it something I wouldn’t approve of? -
38:59 - 39:01
Like, writing American history textbooks? -
39:01 - 39:03
No, it’s not that bad. -
39:03 - 39:04
But I don’t know if you’d approve. -
39:04 - 39:07
I don’t even know if I approve. -
39:07 - 39:12Is it more ethical than selling term
papers to low-income college students? -
39:12 - 39:15
Yes. I think so. -
39:15 - 39:17
Does it pay well? -
39:17 - 39:21No, not really? Yes and no?
-
39:21 - 39:22
So it doesn’t pay. -
39:22 - 39:24
Not money. -
39:24 - 39:26
So it’s an internship? -
39:26 - 39:28
Not exactly. -
39:28 - 39:30So is it a writing job?
-
39:30 - 39:34No. But if I do well, they’ll let
me rewrite some stuff. -
39:34 - 39:37
So it’s a stepping stone. -
39:37 - 39:40Yeah, it’s definitely a step.
-
39:40 - 39:45But you’re not sure if it’s a
step in the right direction? -
39:45 - 39:48Yeah, yeah, that’s it.
-
39:48 - 39:50
Why do you feel that way? -
39:50 - 39:54It feels like I’m moving backwards.
-
39:54 - 39:58Like I’m doing something
I’ve already done before. -
39:58 - 39:59
Are you going back to Pizza Pagoda? -
39:59 - 40:00
No. -
40:00 - 40:03Because I heard they
unionized the kitchen there. -
40:03 - 40:04
They get dental now. -
40:04 - 40:08They do?! I mean, uh - I’m not
going back to Pizza Pagoda. -
40:08 - 40:13I just… I need to find something else,
and this thing just kinda presented itself. -
40:13 - 40:17Well, don’t just take it because
it’s the first thing that came along. -
40:17 - 40:20Look what happened to that
guy that married Michelle Williams. -
40:20 - 40:23Well, I can’t just stay at the center.
It’s a dead end. -
40:23 - 40:29Why do you have to move backwards,
whatever that means? -
40:29 - 40:33I don’t know. It’s better than
staying stuck in the same spot. -
40:33 - 40:35
Do you remember Lenna? -
40:35 - 40:38
Yeah. Why? -
40:38 - 40:46They uh, they run a journalism site now.
Well, a music journalism site. -
40:46 - 40:50Yeah, they used to run a blog.
Uh, Listening with Len? -
40:50 - 40:52
They changed the name. -
40:52 - 40:53
Oh, thank God. -
40:53 - 40:56Anyway, they’re getting like,
solid traction on readership -
40:56 - 40:59and they’re looking to hire writers.
-
40:59 - 41:03
Oh, I wouldn’t wanna do that. -
41:03 - 41:06Why not? You two worked together.
-
41:06 - 41:08Yeah, that’s the problem.
They’ve seen me at work. -
41:08 - 41:14Well, writing is different from tutoring.
Do they think you’re a good writer? -
41:14 - 41:15
I don’t know. -
41:15 - 41:18Well, you should
submit and find out. -
41:18 - 41:19
Music journalism? -
41:19 - 41:21
You like music. -
41:21 - 41:25Everyone likes music. That doesn’t mean
everyone should write about it. -
41:25 - 41:26
Have you ever read Pitchfork ? -
41:26 - 41:28
Well, you wanted something different. -
41:28 - 41:30Well, it’s not the kind of
writing I wanna do. -
41:30 - 41:33Nobody starts out writing
what they wanna write. -
41:33 - 41:36Hemingway started out as a journalist.
-
41:36 - 41:39Yeah, and he ended in
pieces on the kitchen floor. -
41:39 - 41:42Yeah, but that’s was because
he was a novelist. -
41:42 - 41:47Look, I’m not saying take the job
or I’ll disown you. -
41:47 - 41:48But it’s an alternative.
-
41:48 - 41:51You shouldn’t have to move
backwards to move forward. -
41:51 - 41:56Sometimes you can move sideways.
-
41:56 - 42:00Okay, I’ll think about it. Thank you.
-
42:00 - 42:03Yeah, no problem.
-
42:09 - 42:11
Ask me how I’m doing. -
42:11 - 42:12
Sorry. How are you? -
42:12 - 42:15
Still shitty. -
42:15 - 42:18
I, uh, I’m starting to plan. -
42:18 - 42:19
Plan? -
42:19 - 42:21Yeah, for Phil.
-
42:21 - 42:24What? Like, getting toxins that
won’t show up on autopsy? -
42:24 - 42:30No, just making sure there’s
enough money. Just in case. -
42:30 - 42:32
Is it really that bad? -
42:32 - 42:39Yeah. He's coughing up more red, which
is better than purple, but still not good. -
42:39 - 42:42And he’s having more accidents.
-
42:42 - 42:44I just feel like something bad's
gonna happen one day -
42:44 - 42:46and everything's gonna
go downhill from there. -
42:46 - 42:48
You’re gonna push him down a hill? -
42:48 - 42:57Can you be serious? Look, I think
you need to talk to him. -
42:57 - 43:01About what? Like finding
underwear that doesn’t stain? -
43:01 - 43:04I don’t know. Anything you
need to tell him. -
43:04 - 43:07I don’t think I have
anything to say to him. -
43:07 - 43:10Well, you don't know
that until you see him. -
43:10 - 43:13
When was the last time you were even here? -
43:13 - 43:16Uh… maybe like Feb...?
-
43:16 - 43:18
Feb? -
43:18 - 43:20
Yeah, definitely Feb. -
43:20 - 43:23
Uh-huh. Feb of which year? -
43:23 - 43:25
Okay, it’s been a while. -
43:25 - 43:28Well, he can't go and see you, so…
-
43:28 - 43:37Look, if I set up a chat between
you two, would you talk to him? -
43:37 - 43:40
Maybe convince him to see a doctor? -
43:40 - 43:41
He’s not gonna listen to me. -
43:41 - 43:44Well, he’s not listening to me.
And I’m the one that makes sense. -
43:44 - 43:47That’s because he only
understands sarcasm. -
43:47 - 43:52
Exactly. You speak the same language. -
43:52 - 44:01Look, you’re not giving him his
last rites. Just think about it, please? -
44:01 - 44:03You’re giving me a lot to think about.
-
44:03 - 44:06I know. This must be so hard for you.
-
44:06 - 44:11Oh, I have something to share with you.
-
44:11 - 44:13
Is it a DoorDash coupon? -
44:13 - 44:20No. So I was going through
the photos in the attic. -
44:20 - 44:23'Cause I figured I should have some ready.
-
44:23 - 44:30And I found this.
Uh, I’ll just send it to you. -
44:30 - 44:31(A phone beep)
-
44:37 - 44:41Huh. I thought he got rid of them.
-
44:41 - 44:44I thought so too.
At first I didn’t know who it was. -
44:44 - 44:48
Are we sure it’s her? -
44:48 - 44:49
Who else would it be? -
44:49 - 44:51
I don’t know. Maybe we should ask him. -
44:51 - 44:53Maybe you should ask him.
-
44:53 - 44:58“Hey, haven’t seen you in two plus years.
Also, who is this bitch?!” -
44:58 - 45:02I dunno, she looks... different.
-
45:02 - 45:07She’s probably around our age here.
Probably when they started dating. -
45:07 - 45:12Huh. If I looked like that,
I’d leave him too. -
45:12 - 45:13
She didn’t leave him. -
45:13 - 45:14
Not the way he tells it. -
45:14 - 45:18He tells so many stories about it,
I don’t even know what to believe anymore. -
45:18 - 45:20
Maybe she’s still here. -
45:20 - 45:23We just can’t see her because
we’re blinded by all the lies. -
45:23 - 45:29You get so used to being lied to that
you stop believing in the truth. -
45:29 - 45:33That sounds like a really sad
Panic! At the Disco song. -
45:33 - 45:35
They’re all sad now. -
45:36 - 45:38(A phone ringtone)
-
45:38 - 45:40Oh, shit, it’s George.
-
45:40 - 45:42
Speak of the devil. -
45:42 - 45:46“I heard you were talking about other
writing opportunities, David. -
45:46 - 45:49The only thing you’ll be
writing is your own obituary.” -
45:49 - 45:51
Oh, shit. I gotta take this. -
45:51 - 45:53He’s probably pissed off
his kids or something. -
45:53 - 45:57Yeah, no problem. Bye!
-
45:57 - 46:01Don’t rob your students of a
valuable learning experience! -
46:01 - 46:05
No. Bye. -
46:05 - 46:07
Hey, George. How’re the kids? -
46:07 - 46:13I don’t have - listen David,
you’re gonna love this. -
46:13 - 46:16I just got off the phone with
a student asking for a refund. -
46:16 - 46:22Get this. They said, and I quote,
“My tutor didn’t deliver.” -
46:22 - 46:26Ooh, “deliver.” Someone’s been
hitting Dictionary.com. -
46:26 - 46:30Right? So I tell him what
we always tell ‘em. -
46:30 - 46:30
What’d you tell him? -
46:30 - 46:35I told him to go take a hike
in the Black Hills Forest. -
46:35 - 46:39He might be a little too young
to understand that one. -
46:39 - 46:43
I know. That’s how I get away with it. -
46:43 - 46:44
But seriously. -
46:44 - 46:51I told them you tried your best and it just,
you know, probably wasn’t a good fit. -
46:51 - 46:57I told they could try another tutor
but they insist - they insist - on a refund. -
46:57 - 47:02
So what do I do in this situation? -
47:02 - 47:05Tell them we have a no refund policy
and we’ll see them in court. -
47:05 - 47:09That’s the thing. We don’t
have a no refund policy. -
47:09 - 47:10
We don’t? -
47:10 - 47:14No. I have a no refund policy.
-
47:14 - 47:16What’s your policy, David?
-
47:16 - 47:20My policy is the same as yours, George
-
47:20 - 47:25Right. Your policy is the same
as mine because you work for me. -
47:25 - 47:31You provide services which are guaranteed
through my business establishment. -
47:31 - 47:35Right. So we have the same policy.
-
47:35 - 47:41So what’s your policy when an
employee violates the policy? -
47:42 - 47:45Uh, what?
-
47:45 - 47:52What’s your policy when an
employee violates the policy? -
47:52 - 47:53We - uh -
-
47:53 - 47:58Not “we.” We don’t share policies.
-
47:58 - 48:01I have my policy, and
you have your policy. -
48:01 - 48:08They may be the exact same policy, but
they’re separate policies nonetheless. -
48:08 - 48:15Now, I know what my policy is,
but I want to see your policy. -
48:15 - 48:21So what is your policy when
an employee violates the policy? -
48:21 - 48:27Uh, George, are you…
accusing me of something? -
48:27 - 48:30I’m just asking you
what your policy is. -
48:30 - 48:34But I don’t think you can tell me what your policy is,
-
48:34 - 48:36because I don’t think
you actually have one. -
48:36 - 48:39Well, you said your policy
was the same as mine. -
48:39 - 48:45And last time I checked, I have a
strict academic integrity policy. -
48:45 - 48:46
Remember what that means? -
48:46 - 48:49Uh, yeah.
-
48:49 - 48:52
What does it mean? -
48:52 - 48:55It means we don’t write
papers for our students. -
48:55 - 49:00
And did you break that rule? -
49:00 - 49:02
Go ahead, spin me a yarn. -
49:02 - 49:05
Dig yourself a bigger pit to fall into. -
49:05 - 49:12No, you’re right, George.
I broke the rules. -
49:12 - 49:16
I know. But I want to hear it from you. -
49:18 - 49:26Um, the student didn’t understand
the work, I was frustrated. -
49:26 - 49:28
I saw an opportunity to help us both out. -
49:28 - 49:32So I offered to write the paper,
but I didn’t even follow through with it. -
49:32 - 49:35
I was gonna give the money back, but… -
49:35 - 49:40I needed the money to get
my Wi-Fi fixed like you asked. -
49:40 - 49:44So I figured I’d just pay the
student back next week. -
49:44 - 49:49I didn’t think they’d call you.
-
49:49 - 49:52
I’m sorry, George. -
49:52 - 49:56
I… I took the easy way out. -
49:56 - 50:01Okay. I understand why
you did what you did. -
50:01 - 50:03It was a moment of weakness.
-
50:03 - 50:05
We’ve all had them. -
50:05 - 50:10You see, my wife and I were
having trouble last year - -
50:10 - 50:11
You have a wife? -
50:11 - 50:15
Yes! How - never mind. -
50:15 - 50:17I’m giving you a second chance.
-
50:17 - 50:18
Really? -
50:18 - 50:20Of course. Don’t you
remember today’s word? -
50:20 - 50:32
LEARNING: Lamentable Emasculations Assist Redemption, Newfound Initiative, and Natural Growth. -
50:32 - 50:37Oh, yeah, I totally forgot to
check the website this morning. -
50:37 - 50:41Well, thank you, George.
I won’t let you down. -
50:41 - 50:47I know you won’t. But I wanna keep
this between us, alright? -
50:47 - 50:49I don’t need this kind
of thing getting out. -
50:49 - 50:53
Yeah. Yeah, absolutely. -
50:53 - 50:59And George, I promise, what happened
with Louie will never happen again. -
50:59 - 51:02
Louie? The student’s name was Ramjeet. -
51:04 - 51:07I’ll do it.
-
51:07 - 51:08You will?
-
51:08 - 51:12I’m broke, my father might be
dying, and I just got lost my job. -
51:12 - 51:13I'm all the way in.
-
51:13 - 51:15
You got fired from the tutoring center? -
51:15 - 51:16
I remember that. Good times. -
51:16 - 51:18
Did you forget about Ramjeet? -
51:18 - 51:20
I forgot about Ramjeet. -
51:20 - 51:21Never forget about Ramjeet.
-
51:21 - 51:22You could’ve warned me
about that, you know. -
51:22 - 51:25I don’t know everything
about this timeline. -
51:25 - 51:28Besides, you’re here,
so it worked out for the both of us. -
51:28 - 51:30
I thought you might not show up. -
51:30 - 51:31
Well, I showed up. -
51:31 - 51:32Where do we start?
-
51:32 - 51:36I’ll tell you what we know about
the killer, which isn't much. -
51:36 - 51:38
First thing is the psych profile. -
51:38 - 51:41It’s short, obviously, because there
isn't a lot of information available -
51:41 - 51:43on how time travel affects the brain.
-
51:43 - 51:46I mean, I don’t even know what I’d
do with a psych profile, -
51:46 - 51:49but, sure, tell me what you know.
-
51:49 - 51:51
Well, he’s a narcissist. -
51:51 - 51:54Delusions of grandeur;
he likes to literally cause history. -
51:54 - 51:57He’s a people pleaser
and an exhibitionist. -
51:57 - 52:00Posts videos of his crimes; he likes
people to know what he’s doing, -
52:00 - 52:02especially when he knows
he’s doing a good job. -
52:02 - 52:05Probably also doesn’t like it when people
know he’s doing a bad job. -
52:05 - 52:10He doesn’t show videos of failed kills.
Most likely middle or lower-class. -
52:10 - 52:15Low power physically, emotionally,
economically, socially. Shit job. -
52:15 - 52:18Probably had issues with his parents,
if they were around. -
52:18 - 52:21Failed to live up to everyone’s
expectations, including his own. -
52:21 - 52:25If he had siblings, probably
felt inferior to them. -
52:25 - 52:26
Doesn’t have a lot of friends. -
52:26 - 52:31The few he does are probably
through the Internet. Single. Virgin. -
52:31 - 52:33
That’s all I got. -
52:35 - 52:39
So… he’s a libertarian. -
52:39 - 52:43Second thing we know, which will
probably be even less useful, is his name. -
52:43 - 52:44
We have his name? -
52:44 - 52:47Not his real name, but what we
called him at the Agency. -
52:47 - 52:49
Promise not to laugh. -
52:49 - 52:51
I won’t. -
52:51 - 52:53
We call him “the Fizzle Killer.” -
52:53 - 53:00
“The Fizzle Killer”? Why? -
53:00 - 53:04His videos and profiles
referred to him as “Fizzle,” -
53:04 - 53:07
Why not call him “the Time Killer”? -
53:07 - 53:10Like “time travel”, we can’t use
that name for copyright reasons. -
53:10 - 53:12There’s a company that
produces laser watches, -
53:12 - 53:18which are exactly as cool as they sound -
and they beat us to the name. -
53:18 - 53:19
So, he’s the Fizzle Killer. -
53:19 - 53:20
Get your laughs in now. -
53:20 - 53:22
Heinlein. -
53:22 - 53:24
Was that a laugh in German? -
53:24 - 53:26
No, Heinlein. Robert Heinlein. -
53:26 - 53:27
He was a science-fiction writer. -
53:27 - 53:29
You think he’s the Fizzle Killer? -
53:29 - 53:30
No. He’s dead. -
53:30 - 53:32And you think the Fizzle
Killer killed him? -
53:32 - 53:33
No. You’ve never heard of him? -
53:33 - 53:37No. Why would I read
science-fiction? I’m living it. -
53:37 - 53:41Robert Heinlein has a story
called “-All You Zombies-.” -
53:41 - 53:43
It’s about time travel. -
53:43 - 53:45The narrator talks about
something called a Fizzle War. -
53:45 - 53:47You think there’s a clue
hidden in the story? -
53:47 - 53:51No, that is the clue.
This guy’s a fucking sci-fi nerd. -
53:51 - 53:54
That would fit our profile. Huh. -
53:54 - 53:57We had a whole unit
of Agents on this case. -
53:57 - 54:00We thought his name was just some
stupid Readdat handle. -
54:00 - 54:01Readdat?
-
54:01 - 54:04Readdat? You guys don’t have
Readdat? It’s a fivum. -
54:04 - 54:05A what?
-
54:05 - 54:09A fivum. It's a website where
you share opinions and stuff. -
54:09 - 54:11Oh, a forum.
-
54:11 - 54:13Why would you call it a forum?
-
54:13 - 54:15I don’t know. Why
would you call it a fivum? -
54:15 - 54:18Because five is better than four.
Obviously. -
54:18 - 54:21Dude, you’re one of the smarter
Davids I’ve met but God, -
54:21 - 54:23you live in a stupid ass timeline.
-
54:23 - 54:25No arguments there.
-
54:25 - 54:29This is a great clue though.
He’s a sci-fi nerd. Of course. -
54:29 - 54:31
Well, I do have something else for you. -
54:31 - 54:34I’m gonna send it across the
sixth dimensional plane in a second, -
54:34 - 54:37
I just gotta get the formatting right. -
54:37 - 54:38
Do you guys have Pedia Files? -
54:38 - 54:42
Uh. You mean PDF files? -
54:42 - 54:44
Yeah, what did I say? -
54:48 - 54:50I’m fucking with you.
I’m fucking with you. -
54:50 - 54:52
I’m sending it over now. -
54:52 - 54:58I’m sorry. Give it a second.
Check your email. -
54:58 - 55:00(Beep)
-
55:01 - 55:02Really?
-
55:02 - 55:04Aw, I thought you’d laugh at that.
-
55:04 - 55:07You don’t think it’s a little dangerous to
send me something that says that? -
55:07 - 55:13Oh come on. It’s not like the
NSA is reading your emails. -
55:13 - 55:16
Wait, do they actually do that here? -
55:16 - 55:19Why do I objectively
live in the worst timeline? -
55:19 - 55:21
Anyway, take a look at this. -
55:21 - 55:24It’s a collection of the videos that
the killer posted on TubeYou. -
55:24 - 55:26
I told you I don’t wanna look at those. -
55:26 - 55:29Dude, we’re catching a
murderer, not watching CBS. -
55:29 - 55:32
Besides, you read detective stories. -
55:32 - 55:35Reading about murder and
watching it are two different things. -
55:35 - 55:38You’re right. Let’s wait five years
for the book to come out. -
55:38 - 55:43Maybe Truman Capote’ll rise from the
dead and do all the work for us. -
55:43 - 55:45
This is a step in the right direction. -
55:45 - 55:48But you’re gonna have to take a
couple more outside your -
55:48 - 55:53comfort zone if you wanna
get where you're going. -
56:34 - 56:38(A phone ringtone)
-
56:38 - 56:39(Amy)
David -
56:39 - 56:42Hey, what’s up? Is Phil okay?
-
56:42 - 56:43
Yeah, he’s fine. Are you alright? -
56:43 - 56:45
You mean in a cosmic sense? -
56:45 - 56:47
No, I mean did you get fired? -
56:47 - 56:49
Who told you that? -
56:49 - 56:54Lenna. They said you
got fired two days ago. -
56:54 - 56:56
Why would Lenna know that? -
56:56 - 56:59
Because they talked to George. -
56:59 - 57:02Who the fuck talks to their ex-boss
three years after they quit? -
57:05 - 57:07
You submitted my resume. -
57:07 - 57:08
Well, you weren’t going to do it. -
57:08 - 57:10
I told you I’d think about it. -
57:10 - 57:12
Yeah, that’s how I knew you wouldn’t. -
57:12 - 57:14
You don’t “think.” -
57:14 - 57:17If you did, you would’ve stopped
selling papers like I told you to. -
57:17 - 57:19
David, what are you gonna do? -
57:19 - 57:21You just threw away a job
you had for three years. -
57:21 - 57:23And now you can’t even use
George as a reference because -
57:23 - 57:25he’s just gonna tell people
you were selling so many -
57:25 - 57:27papers you couldn’t keep track
of who you were selling them to. -
57:27 - 57:28
I don’t need a reference. -
57:28 - 57:30
I already got a new position. -
57:30 - 57:32
Wha - How? -
57:32 - 57:34Is this the thing you were
talking about last time? -
57:34 - 57:36
Yeah. I got the job. -
57:36 - 57:37
I thought it wasn’t a job. -
57:37 - 57:40
It’s not. It - whatever it is, I have it. -
57:40 - 57:42
Okay? You don’t need to worry. -
57:42 - 57:43
Does it pay? -
57:43 - 57:44
It will. -
57:44 - 57:45
But not right now. -
57:45 - 57:46
But it will. -
57:46 - 57:48
I don’t want you to get evicted. -
57:48 - 57:49
I’m not gonna get evicted. -
57:49 - 57:50
Annie’s not gonna throw me out. -
57:50 - 57:52(Annie)
Yes I will! -
57:52 - 57:54
Love you too! -
57:54 - 57:56(Annie)
Fuck off. -
57:56 - 57:57
David. -
57:57 - 58:00She’s not. She’s just gonna
rant about me on Tumblr. -
58:00 - 58:04And in real life. Look, I’m sorry you had
to find out from Lenna that I got fired. -
58:04 - 58:08I was gonna tell you, but I already
got so much work to do. -
58:08 - 58:11
What are you even doing? -
58:11 - 58:17It's, uh, I’m assisting on a case.
-
58:17 - 58:20
“A case?” What did you do? -
58:20 - 58:21
I didn’t do anything. -
58:21 - 58:23
Are you a police informant? -
58:23 - 58:25
You know I don’t like police. -
58:25 - 58:28No, it’s with a… private investigator.
-
58:28 - 58:32He’s looking into some cold
cases and he needs help. -
58:32 - 58:35“Cold cases?” Like, murders?
-
58:37 - 58:39Uh, yeah.
-
58:39 - 58:44Oh my God. Does he make
you look at photos? Does he? -
58:44 - 58:51No, not… yet at least.
It’s like clerical work. -
58:51 - 58:56Why would they hire someone like
you for a job like that? No offense. -
58:56 - 59:02I don’t know, I guess he… sees
himself in me or something. I dunno. -
59:02 - 59:05Or maybe he wanted to hire someone
he could get away with not paying? -
59:05 - 59:09It’s not that he doesn’t want to pay me,
it’s that he needs to find the guy -
59:09 - 59:11he’s looking for before he can pay me.
-
59:11 - 59:14So it’s contingent on
whether you solve the case? -
59:14 - 59:15
How long is that gonna take? -
59:15 - 59:19I don’t know. Look, it’s an interesting
job. I can use it for my writing. -
59:19 - 59:23I don’t want you to spend another three years
working a job just for it to go nowhere again. -
59:23 - 59:28I’m not going to. I was stuck
at the center, you know that. -
59:28 - 59:30
I’m glad I got fired. -
59:30 - 59:33
Amy, this is a good thing. -
59:33 - 59:35
You said to move sideways. -
59:35 - 59:36
This is a sideways move. -
59:38 - 59:41At least you’re taking my advice for once.
-
59:41 - 59:43Yeah, I’m the only one
in this family who does. -
59:43 - 59:45
You should be grateful. -
59:45 - 59:47
Don’t push it. -
59:47 - 59:50
We need to do something about him. -
59:50 - 59:52
Do we have to? -
59:52 - 59:53Well, if you don’t say
anything to him soon, -
59:53 - 59:56we won’t have to because
he's just gonna be dead. -
59:56 - 60:00Uh, okay, what's wrong with him?
-
60:00 - 60:04He’s coughing up purple again,
but now it’s like, flakes? -
60:04 - 60:07It’s like lilac petals that
smell like stomach acid. -
60:07 - 60:11Can you just please talk to him?
-
60:11 - 60:13What would I even say to him?
-
60:13 - 60:17Tell him he’s a stubborn, cantankerous
wiseass and if he doesn’t admit -
60:17 - 60:19that there’s something wrong
with him, he's gonna die. -
60:19 - 60:22Why don’t you tell him he’s a
stubborn, cantankerous wiseass? -
60:22 - 60:25I can’t do that!
He thinks I’m the good one. -
60:25 - 60:28David… don’t get stuck in the past.
-
60:28 - 60:31
You saw what it did to him. -
60:31 - 60:33He spent the last twenty years
trying to forget what happened -
60:33 - 60:35and everyone else moved on.
-
60:35 - 60:37
Time didn’t wait for him to catch up. -
60:37 - 60:41
Now he’s alone. -
60:41 - 60:43I don’t want that to happen to us.
-
60:43 - 60:44It won’t.
-
60:44 - 60:48So just talk to him for yourself.
-
60:48 - 60:51
Just to move on from it. -
60:51 - 60:54If he can’t do it, or
won’t do it, that’s on him. -
60:54 - 60:59At least you won’t have to wonder if
you could have saved him or not. -
61:03 - 61:07Okay, I’ll talk to him, but ask him first.
-
61:07 - 61:10I’m don't wanna force him to listen to me
lecture him if he doesn’t want to. -
61:10 - 61:11Okay.
-
61:11 - 61:14And just tell him I wanted to talk.
-
61:14 - 61:17Don’t tell him this is an
intervention or whatever. -
61:17 - 61:18Yeah, of course.
-
61:18 - 61:20And I can’t guarantee results.
-
61:20 - 61:24I would not expect you to. Thank you.
-
61:24 - 61:26
Don’t thank me yet; -
61:26 - 61:30I still have to actually
follow through with it. -
61:30 - 61:33Look, I should probably get back to work.
-
61:33 - 61:34I have to look at metadata.
-
61:34 - 61:36“Metadata”?
-
61:36 - 61:37Metadata.
-
61:37 - 61:41It’s like this data that
gets stored on videos, -
61:41 - 61:44like what date it was taken,
what camera it was taken on, -
61:44 - 61:46GPS coordinates if there’s a...
-
61:46 - 61:49Yeah, it’s boring, I know.
-
61:49 - 61:52Yeah, it sounds like it.
-
61:52 - 61:56Alright, I'll see you later.
-
61:56 - 61:57Bye.
-
61:57 - 62:00Metadata!
-
62:00 - 62:02Metadata!
-
62:09 - 62:14(Amy's voice, echoing)
“Time didn’t wait for him to catch up.” -
62:14 - 62:18( A man's voice)
"It's a clue dumbass" -
62:22 - 62:24The metadata from the
videos show that the killer -
62:24 - 62:26swapped out cameras
between each murder. -
62:26 - 62:28He probably destroyed them
after uploading the videos. -
62:28 - 62:30
Makes it harder to catch him. -
62:30 - 62:32Right. But when you buy a new camera,
or any new device, what happens? -
62:32 - 62:34You… throw away the instruction manual?
-
62:34 - 62:38Yes, but, also, the device
doesn’t know what time it is. -
62:38 - 62:39
Each camera has an internal clock. -
62:39 - 62:41
That’s how we get timestamps. -
62:41 - 62:44Most people update the time settings
as soon as they turn the camera on -
62:44 - 62:46so it matches the date
and time they're using it. -
62:46 - 62:47The killer didn’t.
-
62:47 - 62:50Well, yeah. He was going
into the past anyway. -
62:50 - 62:53Right. There’s no point in changing the time setting
for a camera you’re just gonna throw away. -
62:53 - 62:56But if you don’t set it up,
it retains the factory settings. -
62:56 - 63:00So if I buy a camera today and
insert the battery for the first time, -
63:00 - 63:05the default factory setting might be
January first, two-thousand twenty. -
63:05 - 63:11But what happens if I take that camera and
go back to, say, June first, two-thousand ten? -
63:11 - 63:13The camera still thinks you’re
in January of two-thousand twenty. -
63:13 - 63:16Exactly. If you look at the
recorded dates of the latest videos, -
63:16 - 63:18most of them are from January.
-
63:18 - 63:22He didn’t spend a lot of time in the past,
because they were short kills. -
63:22 - 63:25But most of the older videos
are dated a couple months later. -
63:25 - 63:27
So think about it. -
63:27 - 63:31If I take that same camera
from January twenty-twenty, -
63:31 - 63:36and I travel to June twenty-ten
and stay there for two months - -
63:36 - 63:38The camera will say
it’s March twenty-twenty. -
63:38 - 63:42Right. Time doesn’t stop just
because you’re in the past. -
63:42 - 63:45
And if it doesn’t stop for the camera - -
63:45 - 63:45
It’s not stopping for him either. -
63:45 - 63:48So if I go to June twenty-ten
and stay for two months, -
63:48 - 63:52and then I travel back to the same
moment I left in January twenty-twenty, -
63:52 - 63:54the camera will say March twenty-twenty.
-
63:54 - 63:58So both the camera and the killer
would have aged two months. -
63:58 - 64:00But no time would
have elapsed in the present. -
64:00 - 64:02The killer can move through time,
but he’s still affected by it. -
64:02 - 64:04He’s still aging when he’s in the past.
-
64:04 - 64:06Which means he’s aging faster
than people in the present. -
64:06 - 64:06
Exactly. -
64:06 - 64:09So I worked with the assumption
that the killer turned on each camera -
64:09 - 64:11at the same time he entered the past.
-
64:11 - 64:14So, for example, if a video says
it was taken on February first, -
64:14 - 64:18that’s one month from a default
factory setting of January first, -
64:18 - 64:21so I can assume that the killer
spent one month in the past. -
64:21 - 64:24So working with that estimate, I added
up the total time he’s spent in the past. -
64:24 - 64:26How much time?
-
64:26 - 64:27Close to eight years.
-
64:27 - 64:28
Holy shit. -
64:28 - 64:29
And that’s conservative. -
64:29 - 64:31
It’s hundreds of videos. -
64:31 - 64:34Some are short because all he had to
do was show up and shoot someone in the face, -
64:34 - 64:38but others are more complicated,
like poisoning or indirect causes -
64:38 - 64:40like emotional abuse that leads to
the victim committing suicide. -
64:40 - 64:42Yeah. If he has to spend months,
even years in the past, -
64:42 - 64:44
he’ll do it to make sure he gets the kill. -
64:44 - 64:47
But he’s still aging. And he’s realized this. -
64:47 - 64:49Which is why the more recent
kills are getting shorter. -
64:49 - 64:51He needs kills to keep up with demand,
-
64:51 - 64:53but that don’t take a
lot of time to accomplish, -
64:53 - 64:55because the more time
he spends in the past, -
64:55 - 64:57
the more time he loses in his actual present-day life. -
64:57 - 65:02But you can’t just age eight years
without people around you noticing. -
65:02 - 65:03Unless you’re Toss Cruime.
-
65:03 - 65:05Who’s Toss Cruime?
-
65:05 - 65:09He’s an actor. He was in, uh… Bottom Gun,
-
65:09 - 65:12Assignment: Impractical, Strawberry Sky -
-
65:12 - 65:14Oh, Tom Cruise.
-
65:14 - 65:17Yeah, the guy who’s like sixty
but looks like he’s twenty-two. -
65:17 - 65:19Yeah, but the killer’s
not Tom Cruise. -
65:19 - 65:21Are we sure? I really want
that guy to fuck up. -
65:21 - 65:24No, the killer’s a loser.
Remember the profile? -
65:24 - 65:25He’s probably ugly.
-
65:25 - 65:27With all the money he’s
made selling videos online? -
65:27 - 65:29He could probably afford plastic surgery.
-
65:29 - 65:31So that’s where we should be looking.
-
65:31 - 65:35Plastic surgery, cases of advanced aging.
-
65:35 - 65:38I can do some digging, but we
don’t know where this guy lives. -
65:38 - 65:41I could interrogate every
plastic surgeon in New York, -
65:41 - 65:44but it wouldn’t matter if
the killer lives in Banglakok. -
65:44 - 65:49Banglakok? Never mind.
I'm not gonna ask. -
65:49 - 65:53Look, I’ll do what I can to
look into the medical stuff -
65:53 - 65:55This is progress. Good work.
-
65:55 - 65:57Don’t thank me, thank Amy.
-
65:57 - 65:58Who?
-
65:58 - 66:01My sister. She's the one
who gave me the idea. -
66:01 - 66:03
Oh, right. -
66:03 - 66:05
You didn’t tell her about this, did you? -
66:05 - 66:08
No, of course not. -
66:10 - 66:12
Do you… not have an Amy in your timeline? -
66:12 - 66:15
Only child. -
66:15 - 66:18What about parents?
-
66:20 - 66:26David, when we erase this guy -
it’ll change my timeline permanently. -
66:26 - 66:30The me you know right
now isn’t going to exist. -
66:30 - 66:34So, the less you know
about me, the better. -
66:34 - 66:36
I’ll look into plastic surgeons. -
66:36 - 66:38I’ll let you know what I find. Okay?
-
66:38 - 66:40Yeah. Okay.
-
66:40 - 66:42Good work today, David.
-
66:42 - 66:45(Static)
-
66:49 - 66:50He’s all set up in the other room.
-
66:50 - 66:52Why isn’t he downstairs?
-
66:52 - 66:54
He doesn’t want me to be there. -
66:54 - 66:57He keeps calling me NASA for some reason.
-
66:57 - 66:58NASA?
-
66:58 - 67:03Yeah, I guarantee he’s gonna
say something about that to you. -
67:03 - 67:06Anyway, upstairs is the only
place where there’s any privacy. -
67:06 - 67:11I don't let him in on our calls,
so I couldn’t really argue with him. -
67:11 - 67:13You don’t need to argue. Just threaten
him with a morphine overdose. -
67:13 - 67:16I don’t give him morphine.
-
67:16 - 67:17Good. Let him suffer.
-
67:17 - 67:20You do remember we’re
trying to save him, right? -
67:20 - 67:22I remember, I just may not commit to it.
-
67:22 - 67:25You don’t have to do
this if you don’t want to. -
67:25 - 67:27I just don’t wanna go
through this for nothing. -
67:27 - 67:30Well, what’s the worst case scenario?
-
67:30 - 67:32He doesn’t listen and he dies.
-
67:32 - 67:35And what’s the best case scenario?
-
67:35 - 67:37He doesn’t listen and he dies.
-
67:37 - 67:39You’re right, good pep talk. Let’s do this.
-
67:39 - 67:42Alright, I’m abandoning you.
-
67:42 - 67:46I'll see you on the other side.
-
67:49 - 67:51(Phil) Amelia! You stay
off my wall, do you hear me? -
67:51 - 67:53I’m a grown man.
-
67:53 - 67:54Hey, Phil.
-
67:54 - 67:56
Hey, Dave. You see her watchin’ me? -
67:56 - 68:00She’s like fuckin’ NASA,
spyin’ on me all the time. -
68:00 - 68:01You mean the NSA?
-
68:01 - 68:04
No. Did I say NSA? -
68:04 - 68:07
Fuckin’ NASA spyin’ on everybody. -
68:07 - 68:10They put those fuckin’ satellites up there
and they’ve been spyin’ on us ever since. -
68:10 - 68:13SDI, Brilliant Pebbles, all that bullshit.
-
68:13 - 68:15“Brilliant Pebbles?”
-
68:15 - 68:18Brilliant Pebbles. You never
heard ‘a’ Brilliant Pebbles? -
68:18 - 68:21I think I had some for breakfast t
his morning. -
68:21 - 68:22Don’t get smart with me.
-
68:22 - 68:25I know where you went to
school, you ain’t that smart. -
68:25 - 68:26
Brilliant Pebbles. -
68:26 - 68:29
Look it up. NASA was behind all that shit. -
68:29 - 68:32
Nobody gave a fuck about space. -
68:32 - 68:33
They just wanted to bankrupt the Soviets. -
68:33 - 68:35
It was a ruse. -
68:35 - 68:36It was a ruse for the Russkis.
-
68:36 - 68:38You came up with that yourself?
-
68:38 - 68:40
You ain’t the only one good with words. -
68:40 - 68:42I mean the whole thing about NASA.
-
68:42 - 68:44Eh, shut up.
-
68:44 - 68:46You didn’t live through the eighties
and ya don’t know nothin’ worth knowin’. -
68:46 - 68:48Liberal arts colleges.
-
68:48 - 68:51
Only thing liberal is who they let in. -
68:51 - 68:52
So how ya doin’, Dave? -
68:52 - 68:54Amelia says you got a new gig.
-
68:54 - 68:55Yeah, I did.
-
68:55 - 68:57About time. Was startin’ to think
you were gonna be a tutor forever. -
68:57 - 68:59
So where’s the new job? -
68:59 - 69:02It’s with a detective.
-
69:02 - 69:04You’re doin’ police work?
-
69:04 - 69:07You know I don’t like the police.
-
69:07 - 69:10No, he’s a private eye.
I know him from around. -
69:10 - 69:12
That can’t be safe. -
69:12 - 69:13You never know what those
people get wrapped up in. -
69:13 - 69:15
Murders, affairs. -
69:15 - 69:18Sometimes they watch people a little
too closely, you know what I mean. -
69:18 - 69:23But I guess you know about all that
from reading those detective novels. -
69:23 - 69:25You still doin’ that or what?
-
69:25 - 69:27Am I still reading?
-
69:27 - 69:28Nah, writin’. You still writin’?
-
69:28 - 69:30Yeah, when I got time.
-
69:30 - 69:32Any luck?
-
69:32 - 69:35mmm, No.
-
69:35 - 69:37Eh, it’s a rough business.
Hard to stick out. -
69:37 - 69:40It’s not that. I haven’t
really been submitting lately. -
69:40 - 69:43Well, you gotta follow
through with these things. -
69:43 - 69:45You know, work's
just been kind of busy. -
69:45 - 69:47How much are you workin’?
-
69:47 - 69:48Are they even payin’ you over there?
-
69:48 - 69:50Didn’t Amy tell you about it?
-
69:50 - 69:52She doesn’t tell me anything.
She’s just like her mother. -
69:52 - 69:54Are they payin’ you or what?
-
69:54 - 69:55What does it matter?
-
69:55 - 69:57I just wanna make sure
you’re not gettin’ duped. -
69:57 - 69:59I can make sure I’m not getting duped.
-
69:59 - 70:01I’m not a child, Phil.
-
70:01 - 70:03I didn’t say you were.
-
70:03 - 70:05Look, you wanna talk about somethin’ else?
-
70:05 - 70:07Sure. How are you?
-
70:07 - 70:09How am I?
-
70:09 - 70:11I got rainbows comin’
out either end of me. -
70:11 - 70:14I’m like a fuckin’ leprechaun.
-
70:14 - 70:16Yeah, I know,
Amy told me about that. -
70:16 - 70:18Course she told you.
-
70:18 - 70:19
You think I don’t know that? -
70:19 - 70:22I bet she asked you to
talk to me about that, huh? -
70:22 - 70:25Whaddaya know, I got
some detective skills ‘a’ my own. -
70:25 - 70:27Spill it. She set this
whole thing up, right? -
70:27 - 70:30Well, she’s worried about you.
-
70:30 - 70:32Are you worried about me?
-
70:32 - 70:34Honestly?
-
70:34 - 70:35What’d I always say to you kids?
-
70:35 - 70:38
Honesty is the best policy. Be honest. -
70:38 - 70:41
You think I’m dyin’? -
70:41 - 70:43No. I think you probably
drank too much Pepto. -
70:43 - 70:46
Funny thing about Pepto. -
70:46 - 70:47You drink too much,
your shit turns black. -
70:47 - 70:51Not pink. Pitch black.
-
70:51 - 70:56Fascinating. But I'm not a doctor so
it doesn't matter what I think. -
70:56 - 71:00You’re not a detective, either, but that
didn’t stop you from working for one. -
71:00 - 71:03I’m talking about your life here.
-
71:03 - 71:07And I’m talkin’ about your life.
-
71:07 - 71:10You might be dying. You do realize that?
-
71:10 - 71:14Everybody’s dyin’. No matter
what they do, they’re dyin’. -
71:14 - 71:17Living, though? That’s a choice.
-
71:17 - 71:20Phil, what the hell are you talking about?
-
71:20 - 71:24Look. I asked Amelia not
to be in here for a reason. -
71:24 - 71:26I know. It’s called
“divide and conquer.” -
71:26 - 71:28Do I look like I’m
going to war with you? -
71:28 - 71:31No. You look like you’ve
slept through one though. -
71:31 - 71:34You’re right, I have. I did.
-
71:34 - 71:41
I… look. I know I wasn’t the best dad. -
71:41 - 71:42
“Wasn’t” implies past tense. -
71:42 - 71:46Will you just listen to me?
It was hard, okay? -
71:46 - 71:49
It was hard to be a parent. -
71:49 - 71:52
Your mother was gone, it was just me. -
71:52 - 71:55Everybody was lettin’
cellphones raise their kids. -
71:55 - 71:57Then the economy was shit -
-
71:57 - 71:59It’s still shit.
-
71:59 - 72:01I know. You kids inherited shit.
-
72:01 - 72:02It’s always shit.
-
72:02 - 72:03
Somebody always has shit going on. -
72:03 - 72:06What’s your point, Phil?
-
72:06 - 72:08I’m just sayin’, I know
it was hard for you, Dave. -
72:08 - 72:10
But it was hard for me, too. -
72:10 - 72:13I made a lotta stupid
mistakes raisin’ you guys. -
72:13 - 72:16Kids don’t come with an instruction manual.
-
72:16 - 72:18You just figured that out?
-
72:18 - 72:21Dave, I’m tryin’ to talk to you.
-
72:21 - 72:25
I don’t need life lessons from you. Okay? -
72:25 - 72:32Okay. I’m not tellin’ you
how to live your life. Just live it. -
72:32 - 72:37Phil, can you just say
what you mean for once? -
72:37 - 72:40
Your sister is worried about you. -
72:40 - 72:45She thinks you’re havin’
some kinda… quarter-life crisis. -
72:45 - 72:46Of course I’m having
a quarter-life crisis. -
72:46 - 72:48
I don’t have a life. -
72:48 - 72:50
I have a quarter of a life. -
72:50 - 72:52And it’s definitely a crisis.
-
72:52 - 72:54I’m tryin’ to talk to you about
yourself and you’re makin’ a joke. -
72:54 - 72:57No, I just think it’s funny
it’s called a quarter-life crisis. -
72:57 - 72:59Means I gotta deal with
seventy-five more years of this shit. -
72:59 - 73:01See, it’s stuff like that that worries us.
-
73:01 - 73:03Worries us?
-
73:03 - 73:05Well, yes. I’m worried about you too.
-
73:05 - 73:06No, you aren’t.
-
73:06 - 73:07Like I said, I know I wasn’t the best -
-
73:07 - 73:09No, shut up, Phil.
-
73:09 - 73:10
Now you wanna care? -
73:10 - 73:12My life is shit because of you.
-
73:12 - 73:14Dave, do you really believe that?
-
73:14 - 73:17Honesty is the best policy.
-
73:17 - 73:20Alright. You think I ruined your life.
-
73:20 - 73:24I can understand why you
may feel that way. -
73:24 - 73:25I don't think you can.
-
73:25 - 73:27Yes I can.
-
73:27 - 73:28When your mother left, I -
-
73:28 - 73:29Oh my God.
-
73:29 - 73:31She left because of you.
-
73:31 - 73:34I thought that for a long time too.
-
73:34 - 73:37First, I blamed her,
then I blamed myself - -
73:37 - 73:39Stop the wheel, Vanna. You got it.
-
73:39 - 73:41But I realized it was
somethin’ she had to do. -
73:41 - 73:44
Yeah, to get away from you. -
73:44 - 73:47
No. She wasn’t runnin’ away, -
73:47 - 73:49
she was runnin’ toward somethin’. -
73:49 - 73:51Somethin’ important.
-
73:51 - 73:52It was important to leave us?
-
73:52 - 73:56
What was more important than us? -
73:56 - 73:59You know, Phil, for somebody who
keeps championing honesty, -
73:59 - 74:00you’re a really bad liar, Phil.
-
74:00 - 74:03I’m not lying to you.
-
74:03 - 74:05
So answer my question. -
74:05 - 74:06
I can’t. -
74:06 - 74:07Why not?
-
74:07 - 74:09Because I don’t hate you
enough to do that to you. -
74:09 - 74:10
I don’t hate you at all. -
74:10 - 74:13I just wish you would figure
that out for yourself. -
74:13 - 74:17
Look, you hate me. Fine. -
74:17 - 74:20Your sister is worried about you.
-
74:20 - 74:24Me? You realize you’re
the burden on her, right? -
74:24 - 74:27I am? Who complains about me more?
-
74:27 - 74:29
Her? Or you? -
74:29 - 74:31You think you’re some
kinda reprieve from me? -
74:31 - 74:33
You’re the one she never sees. -
74:33 - 74:35
You’re the one she worries about. -
74:35 - 74:40Look, can you just stop making her
worry so much? She’s good to you, Dave. -
74:40 - 74:41
She’s good to both of us. -
74:41 - 74:46
I’m asking you to make her life easier. -
74:46 - 74:46
Do it for her. -
74:50 - 74:53Can we work out a trade?
You go to the doctor. -
74:53 - 74:57I’ll figure things out. Sound good?
-
74:57 - 75:00Sounds good.
-
75:00 - 75:02
But do me a favor? -
75:02 - 75:06She’s gonna wanna know,
so tell her we had a good talk. -
75:06 - 75:09I thought honesty was the best policy?
-
75:09 - 75:10How old are you?
-
75:10 - 75:14Just let her think we got along for once.
-
75:14 - 75:17Okay, fine, I'll do that.
-
75:17 - 75:19
Nice doin’ business. -
75:19 - 75:23Now put on your happy face.
Amelia, we’re done! -
75:23 - 75:24
I wanna watch Hulu. -
75:24 - 75:26(Amy)
Coming! -
75:26 - 75:28
Take care, Dave. -
75:28 - 75:30You too, Phil.
-
75:30 - 75:34(Amy) I’ll be back in a second.
I just gotta put on Hulu for him. -
75:34 - 75:35How’d it go?
-
75:35 - 75:38(Phil)
At least let me get outta earshot. -
75:38 - 75:39(Amy)
He’s teasing. -
75:39 - 75:40What do you wanna watch?
-
75:40 - 75:41(Beep)
-
75:41 - 75:44(Phil)
Put on the one with the, with the family. -
75:44 - 75:46(Amy)
Arrested Development? -
75:46 - 75:48(Phil)
Yeah. -
75:48 - 75:49(Beep)
-
75:50 - 75:53(Amy) David, I’m just gonna
move this to my room. -
75:53 - 75:56Yeah, no worries.
-
75:56 - 76:00(Amy) Dad, let me know if
you need anything! -
76:04 - 76:06Hey, how’d it go?
-
76:06 - 76:08I didn’t hear any screaming.
-
76:08 - 76:10“I don’t know why he saved my life.
-
76:10 - 76:13Maybe in those last moments he
loved life more than he ever had be- ” -
76:13 - 76:16Oh, shut up. What’d he say?
-
76:16 - 76:17He’ll do it.
-
76:17 - 76:18Really?
-
76:18 - 76:21You’re surprised I did
something right for once? -
76:21 - 76:25I’ve been telling him for two weeks
and it takes you ten minutes? -
76:25 - 76:27I think he knows he should go.
-
76:27 - 76:29He just wanted a second opinion.
-
76:29 - 76:31It’s more like a third opinion.
-
76:31 - 76:34Fourth. His counts twice.
-
76:34 - 76:37Yeah, you’re right. He has power of veto.
-
76:37 - 76:38
Well, whatever. -
76:38 - 76:41I’m just glad it went well.
-
76:41 - 76:45Yeah. Me too.
-
76:45 - 76:49(David)
I'm ready whenever you are. -
76:49 - 76:55(A dial tone)
-
76:55 - 76:57Hello?
-
76:57 - 77:00Hey, George.
-
77:00 - 77:01Who is this?
-
77:01 - 77:04It’s… David.
-
77:04 - 77:08David? David who?
-
77:08 - 77:11I used to work for you?
-
77:11 - 77:17… oh. Sorry, I didn’t
recognize the number. -
77:17 - 77:21Yeah, it's weird It’s the
same number I’ve always had. -
77:21 - 77:23Yeah, I know. Your voice sounds different.
-
77:23 - 77:26Have you been drinking water?
-
77:26 - 77:28Yeah. I've been drinking
a lot of water actually -
77:28 - 77:31Good. You should always
drink a lot of water. -
77:31 - 77:33It’s so good for you.
-
77:33 - 77:36And it tastes good, too.
-
77:36 - 77:39Yeah, I’ll do that. Listen, George,
I need to talk to you - -
77:39 - 77:41
You know what else is good for you? -
77:41 - 77:47Apples. Do you like apples?
-
77:47 - 77:51Yeah, yeah. You’ve seen me eat apples.
-
77:51 - 77:55I love a good crunchy apple.
-
77:55 - 77:58Okay, yeah.
George, I need to talk to you - -
77:58 - 78:05What you need to do is try sliced apples
with some sharp cheddar cheese. -
78:05 - 78:10I know Cracker Barrel gets a bad rap,
-
78:10 - 78:16but the cheese is
almost worth the racism. -
78:16 - 78:18George, why are you telling me this?
-
78:18 - 78:23This is important. Apples and water.
-
78:23 - 78:25
That’s all you need to be healthy. -
78:25 - 78:28You need to know this.
Everybody needs to know this. -
78:28 - 78:30Everyone already knows this, George
-
78:30 - 78:35Everyone knows apples
and water are healthy. -
78:35 - 78:37Well I know they do.
-
78:37 - 78:39So why are you telling me
something I already know? -
78:39 - 78:40I dunno.
-
78:40 - 78:43Why are you calling me to tell
me something I already know? -
78:43 - 78:45You don’t even know
what I’m gonna say to you. -
78:45 - 78:49You think you’re the first person
to come crawling back for their job? -
78:49 - 78:55I lived through the
Pumpkins’ break-up, okay. -
78:55 - 78:57You know Lenna called me?
-
78:57 - 79:01Yeah. Thanks for the glowing review.
-
79:01 - 79:02
Was I being honest? -
79:02 - 79:05Did I say something to offend you?
-
79:05 - 79:08
What do you want, David? -
79:08 - 79:11
You know what I want. -
79:11 - 79:12
Do you want something? -
79:12 - 79:14
I wanna know what you want. -
79:14 - 79:16
What you really want. -
79:16 - 79:19‘Cause you sure as hell
didn’t wanna work for me. -
79:19 - 79:21
It’s not personal, George. -
79:21 - 79:24I know it’s not personal.
I wish it had been. -
79:24 - 79:29
At least you would’ve cared. -
79:29 - 79:32I do care, George.
-
79:32 - 79:34
Not about the work. -
79:34 - 79:38You know, when you started here,
you took pride in your work. -
79:38 - 79:44But then you started spacing out,
not responding to emails. -
79:44 - 79:48
You lost interest. -
79:48 - 79:52Is that what happened
with you and your wife? -
79:52 - 79:59David, I only talk to my
friends about my wife. -
79:59 - 80:00
We are not friends. -
80:00 - 80:03But I am gonna tell you something
‘cause I think you need to hear it: -
80:03 - 80:06
you don’t want your job back. -
80:06 - 80:10Yes I do. George, I was
wrong to do what I did - -
80:10 - 80:14And as an educator I can appreciate
that you learned something, -
80:14 - 80:20but giving you your job back
is not gonna reinforce that. -
80:20 - 80:24You made your decision,
you got caught - twice. -
80:24 - 80:27
Now you gotta live with it. -
80:27 - 80:29Do you know what today’s word is, huh?
-
80:29 - 80:34No, but I guess you’re
gonna tell me, anyway. -
80:34 - 80:48PROGRESS: Painful Realizations Open
Gates, Reveal Errors, and Spark Success. -
80:48 - 80:56just like Jason Everman after
he left Nirvana and Soundgarden. -
80:56 - 81:00George, I only know what one of
those three things are. -
81:00 - 81:06You know when Lenna left, they came
crawling back for their job too. -
81:06 - 81:09
Said nobody was reading their blog, -
81:09 - 81:13they made a huge mistake,
needed a steady income. -
81:13 - 81:15Guess what I told them.
-
81:15 - 81:20If you want a steady income, you might
wanna consider switching fields? -
81:20 - 81:31No. I told them they made their decision,
and they needed to see it through. -
81:31 - 81:35
And look at them now. -
81:35 - 81:39Can you imagine where they’d be right
if I had given them their job back? -
81:39 - 81:44As opposed to running the eighth
most popular music site in Queens? -
81:44 - 81:47I don't know.
-
81:47 - 81:50
They grew something, David. -
81:50 - 81:57You can’t grow if you don’t step
outside of your comfort zone. -
81:57 - 82:00
You were too comfortable here. -
82:00 - 82:03Now you want me to
pull you outta the water -
82:03 - 82:09
because you don’t wanna sink, -
82:09 - 82:19you need to stay in the pool
and you need to learn how to swim. -
82:19 - 82:25
... is that what happened to your kids? -
82:25 - 82:29
Goodbye, David. -
82:34 - 82:38So I reached out to whoever would speak
to me about cases of advanced aging. -
82:38 - 82:39
What’d you find out? -
82:39 - 82:42Nothing. All I got was a bunch
of infographics about progeria. -
82:42 - 82:45Isn’t there like a database you
could look into or something? -
82:45 - 82:47There is, but I don’t have
access anymore. -
82:47 - 82:49Can't you just break in and steal it?
-
82:49 - 82:51You literally have time
travel technology. -
82:51 - 82:53I don’t have time
travel technology. -
82:53 - 82:59I have a specific TempTech prototype that
allows me to visit other timelines. -
82:59 - 83:01It doesn’t have a
built-in hacker edition. -
83:01 - 83:03
We need to be moving faster on this. -
83:03 - 83:05You can’t just force a case
to move faster. -
83:05 - 83:06
When we find a new lead, we’ll - -
83:06 - 83:09I get that, but I’m kind of eating
out of my own savings here. -
83:09 - 83:11I’m barely gonna scrape
by on rent this month. -
83:11 - 83:12
I got Annie up my ass. -
83:12 - 83:14
Oh, good for you. -
83:14 - 83:16No, she’s up my ass about the rent.
-
83:16 - 83:18
Hell yeah. Get bent, pay rent. -
83:18 - 83:19
What? -
83:19 - 83:22Maybe “up my ass” isn’t a
good thing in your timeline. -
83:22 - 83:24Whatever, just ask Amy for money.
-
83:24 - 83:26I can’t. I promised my dad I’d be
less of a headache to her. -
83:26 - 83:28
Why would you promise that? -
83:28 - 83:29
Don’t you know yourself? -
83:29 - 83:31Look, you can’t just send me
a care package or something? -
83:31 - 83:34No, I can’t send anything
physically over the timeline. -
83:34 - 83:36
It’ll just be spaghettified. -
83:36 - 83:38Well, give me a stock tip or send
me some bitcoins or something. -
83:38 - 83:41No. I can’t interfere with your
timeline more than I already have. -
83:41 - 83:42
It’ll jeopardize the mission. -
83:42 - 83:46Let me get this straight, you want me
to kill someone in your timeline, -
83:46 - 83:47but you can’t even help me get on my feet?
-
83:47 - 83:49
It’s not killing, it’s - -
83:49 - 83:51
I know what it is. -
83:51 - 83:53And you won’t help me because
you need me helpless, right? -
83:53 - 83:56Because that’s the only way I’ll
help you finish the mission -
83:56 - 83:57
Honesty is the best policy. -
83:57 - 83:59Is that seriously a yes?
-
83:59 - 84:01I told you I needed you because
you were motivated. -
84:01 - 84:05And you don’t think I’ll be motivated unless
I’m being threatened with an eviction notice? -
84:05 - 84:06
David, this is not about you. -
84:06 - 84:08This is about stopping a murderer who has
-
84:08 - 84:11killed more people than
you’ve ever even met. -
84:11 - 84:13You’re right, it can
make your life easier. -
84:13 - 84:14
That’s why you agreed to do this. -
84:14 - 84:16I am not your enemy,
I am your partner. -
84:16 - 84:17
You need to trust me. -
84:17 - 84:18I don’t even know you.
-
84:18 - 84:19I’m literally you.
-
84:19 - 84:20
You’re me but you’re not me. -
84:20 - 84:21
That’s what you said. -
84:21 - 84:24Well, I’m as close to you
as anyone is gonna get. -
84:24 - 84:27Look, I crossed the sixth
dimensional plane to find you. -
84:27 - 84:28
I made you a promise. -
84:28 - 84:33You don’t think I can deliver on it?
-
84:33 - 84:34You don't think think I will deliver.
-
84:34 - 84:36
Why, because that’s what you would do? -
84:36 - 84:38If I could teleport
to a different timeline? -
84:38 - 84:40
Yeah, I’d take the money and run. -
84:40 - 84:43
Well, like you said, I’m not you. -
84:43 - 84:45
Look, I’m not forcing you to do this. -
84:45 - 84:48
But you know what happens if you don’t. -
84:48 - 84:50How do I know what
you told me is the truth? -
84:50 - 84:53
Do you feel like it is? -
84:56 - 84:58How do you get past that?
-
84:58 - 85:02I didn’t. I’m still that way,
I just got better at dealing with it. -
85:02 - 85:04
When? -
85:04 - 85:07I would say when
I joined the agency. -
85:07 - 85:11It wasn't the work itself, just...
having a purpose helps. -
85:11 - 85:14
You need to find your purpose. -
85:14 - 85:16What if this is a timeline
where I don’t have a purpose? -
85:16 - 85:20Then let this be your purpose.
-
85:20 - 85:22And when we’re done,
you’ll find a new one. -
85:25 - 85:28You said there isn't an
Amy in your timeline. -
85:28 - 85:29
Don’t get nihilistic. -
85:29 - 85:31
I can’t deal with that shit. -
85:31 - 85:33
No, I’m just asking. -
85:33 - 85:35No, Amy doesn't exist in my timeline.
-
85:35 - 85:37
So does she just not exist? -
85:37 - 85:39
She wouldn’t exist as you know her. -
85:39 - 85:43In your timeline, you - David -
have a sister named Amy. -
85:43 - 85:47In my timeline, I - also David -
do not have a sister named Amy. -
85:47 - 85:50There are other timelines where
you have a sister named Junebug, -
85:50 - 85:52or a father named Bobcat.
-
85:52 - 85:54
Why are you asking me this? -
85:54 - 85:57Are there timelines where
the Fizzle Killer doesn’t exist? -
85:57 - 85:58
Absolutely. -
85:58 - 86:00
Is this one of them? -
86:00 - 86:02
He could exist in this timeline. -
86:02 - 86:05What if we found the person who
becomes the Fizzle Killer in this timeline -
86:05 - 86:07and then found the same
person in your timeline? -
86:07 - 86:12We’d have no way of knowing whether the same
person is the Fizzle Killer in my timeline. -
86:12 - 86:15They might have the same name, or they might
look the same, but that’s circumstantial. -
86:15 - 86:17It’s inter-dimensional profiling.
-
86:17 - 86:18
But it might work? -
86:18 - 86:19
It might work. -
86:19 - 86:21We might also erase an innocent
person from existence. -
86:21 - 86:23
Aren’t you guys used to that by now? -
86:23 - 86:24
Used to what? -
86:24 - 86:26
It was a police joke. Never mind. -
86:26 - 86:27
We’re not the police. -
86:27 - 86:29
I mean the Temp Agency. -
86:29 - 86:32Yeah, we're the Temporal Agency
-
86:32 - 86:35We deal in matters related to spacetime.
-
86:35 - 86:38Spacetime... the Temp Agency
is part of NASA? -
86:38 - 86:40NASA deals with space, so, yeah.
-
86:40 - 86:42What does space have to do with time?
-
86:42 - 86:44It has literally everything to do with time.
-
86:44 - 86:47To form a wormball, you need to warp gravity.
-
86:47 - 86:51Gravity is weaker in space,
so time moves more slowly on Earth. -
86:51 - 86:52It’s called time dilation.
-
86:52 - 86:56The first TempTech experiments
started because of Y2K paranoia. -
86:56 - 86:58They thought they could
send a bunch of couples -
86:58 - 87:01to planets where time moved
more slowly than on Earth. -
87:01 - 87:03That way if the world really did end,
-
87:03 - 87:07they could wait it out and
return back to Earth to repopulate. -
87:07 - 87:08So much for that.
-
87:08 - 87:11Yeah, you can kind of imagine why NASA
didn’t want that expense report getting out. -
87:11 - 87:13What happened to the astronauts?
-
87:13 - 87:14Budgets.
-
87:14 - 87:16NASA was already getting defunded,
-
87:16 - 87:19but after Nine-Eleven nobody wanted
to bankroll a rescue mission. -
87:19 - 87:21The astronauts were lost.
-
87:21 - 87:23They’re probably still out there.
-
87:27 - 87:30Would it be possible for
us to get into NASA? -
87:30 - 87:32I told you, I don’t have access anymore.
-
87:32 - 87:33Not in your timeline. In mine.
-
87:33 - 87:35You mean, like, a walk-in appointment?
-
87:35 - 87:37No, I mean like getting into their system.
-
87:37 - 87:39You wanna hack NASA?
-
87:39 - 87:41Remember the profile?
-
87:41 - 87:43This is a guy who had a distant
relationship with his parents. -
87:43 - 87:46What if that distance
isn’t just metaphorical? -
87:46 - 87:48You think his parents might have
been some of the astronauts? -
87:48 - 87:49Think about it.
-
87:49 - 87:51Guy grows up without his parents,
-
87:51 - 87:53hears all the time what heroes they
are for shooting themselves into space. -
87:53 - 87:55Wants to live up to that sacrifice.
-
87:55 - 87:58Goes into the family business.
-
87:58 - 88:00You think the killer is a Temp Agent?
-
88:00 - 88:01He’s a legacy hire.
-
88:01 - 88:05But he has no real potential,
he’s stuck in his parents’ shadow. -
88:05 - 88:07That explains how he’s been
so good at evading us. -
88:07 - 88:09He knows how we think.
-
88:09 - 88:12You were told The Agency
didn't want to pursue this. -
88:12 - 88:16Maybe someone didn’t
want you getting close. -
88:16 - 88:18Okay. If we got the list of astronauts,
-
88:18 - 88:21we could cross-reference that with
names in the Agency. -
88:21 - 88:26But getting that list is risky.
Hacking NASA is no joke. -
88:26 - 88:27You can walk me through it.
-
88:27 - 88:29You know all the passwords
and security questions. -
88:29 - 88:31I don’t know that stuff
from ten years ago. -
88:31 - 88:32I didn’t even work there then.
-
88:32 - 88:36Even if I did, your timeline
might have subtle differences. -
88:36 - 88:39If even one thing goes
wrong, you go to jail -
88:39 - 88:41and I have to go look
for another David. -
88:41 - 88:43No offense, but you’re not
gonna be of much help from prison. -
88:43 - 88:45That's a risk I'm willing to take.
-
88:45 - 88:47I thought you didn’t
wanna worry your sister. -
88:47 - 88:51Three square meals?
Regular housing? Home gym? -
88:51 - 88:52She’ll be proud of me.
-
88:52 - 88:55Okay. Give me a couple days.
-
88:55 - 88:59I can search Readdat and
some other hacker fivums. -
88:59 - 89:03See if anyone’s breached NASA’s
firewalls in the past. -
89:03 - 89:07In the meantime, you may not be
a free man much longer, -
89:07 - 89:12so, sow some wild oats
while you still can. -
89:12 - 89:14Is that not a saying here?
-
89:14 - 89:22No, it is. I’ve just never heard
anyone say that in real life. -
89:22 - 89:25Maybe that’s because you never
had to think about it before. -
89:29 - 89:31(Amy) He’s got an
appointment for next week. -
89:31 - 89:33I just gotta figure out transportation.
-
89:33 - 89:35But he’s going along with it?
-
89:35 - 89:38Yeah. He’s been fine
about it. Kind of calm. -
89:38 - 89:42I think he’s, like, finally
accepting his mortality. -
89:42 - 89:43Well, good. We all have to.
-
89:45 - 89:46“We all have to”?
-
89:46 - 89:50Yeah. Do we not? Is it negotiable?
-
89:50 - 89:52No. Usually you’d make a joke there, like,
-
89:52 - 89:55“He’s accepting his mortality,
-
89:55 - 89:59more like he’s accepting his throne
in the underworld” or something. -
89:59 - 90:02I dunno. It’s not a
very “you” thing to say. -
90:02 - 90:04Well, I’m not the things I say.
-
90:04 - 90:07It’s the things we do that
make us who we are. -
90:07 - 90:09Yeah, no. That doesn’t sound like you.
-
90:09 - 90:10What’s going on?
-
90:10 - 90:13Work is a little... spicy right now.
-
90:13 - 90:17Spicy like jerk chicken or spicy like IBS?
-
90:17 - 90:20Spicy like exciting.
-
90:20 - 90:21We might have had a break-in.
-
90:21 - 90:24Oh my God. Did they steal anything?
-
90:24 - 90:26Oh, no. I meant “breakthrough.”
-
90:26 - 90:28I dunno why I said “break-in.”
-
90:28 - 90:30Guilty conscience.
-
90:30 - 90:33No, we just have to make
kind of a risky move. -
90:33 - 90:35It’s not dangerous or anything,
-
90:35 - 90:38it’s just kind of a big
setback if it doesn’t pan out. -
90:38 - 90:41But if it works, we might get
what we need to catch the guy. -
90:41 - 90:42Oh. Well, good.
-
90:42 - 90:44You’ll finally get paid.
-
90:44 - 90:46Yeah. Annie'll be excited to hear that.
-
90:46 - 90:49(Annie)
I can hear you, asshole! -
90:49 - 90:52I didn’t say anything bad about you.
-
90:52 - 90:58(Annie)
Oh. Okay. Carry on. -
90:58 - 91:03So, once you finish the case,
is this gonna turn into a full-time gig? -
91:03 - 91:06No. The detective, this is like
a passion project for him. -
91:06 - 91:09Once we’re done, it’s over for him.
-
91:09 - 91:12“Over”? Like, suicide--?
-
91:12 - 91:15No, no, no, like he’s gonna go back
where he came from. -
91:15 - 91:18This is like his last job.
-
91:18 - 91:21Oh, okay.
-
91:21 - 91:23Can I be honest with you?
-
91:23 - 91:27That depends. Is it the best policy?
-
91:27 - 91:35I know this was something different
for you, and I’m glad about that, but... -
91:35 - 91:37you can’t even talk about the work.
-
91:37 - 91:40And, I hate to be a mom,
but someone around here has to, -
91:40 - 91:43so, you can’t just take a job where you
don’t know if you’re ever gonna get paid. -
91:43 - 91:44
I know. -
91:44 - 91:45
You need something stable. -
91:45 - 91:46
I know. -
91:46 - 91:48
And something you actually enjoy doing. -
91:48 - 91:51I know, I was actually
gonna ask you about that. -
91:51 - 91:55The job with Lenna -
is that still a possibility? -
91:55 - 91:57
Well, I talked to them. -
91:57 - 91:59They weren’t happy with what George said.
-
91:59 - 92:03But they also liked the
writing sample I sent them. -
92:03 - 92:07You sent them my writing?
What did you send? -
92:07 - 92:14Well, I... actually sent the one you
wrote in high school. About Mr. Kleio. -
92:14 - 92:16
You sent them “Trumpet Pumper”?! -
92:16 - 92:22Well, you hadn’t written any journalism and
it was the only thing that had to do with music. -
92:22 - 92:23
And they liked that? -
92:23 - 92:28They thought it was funny.
Juvenile, but funny. -
92:28 - 92:31They wouldn’t hire you
for a journalism position, -
92:31 - 92:34but, since they’re looking to expand,
-
92:34 - 92:37they wanna try something
a little experimental? -
92:37 - 92:40
Like what? -
92:40 - 92:43
It would be, like, satirical reviews. -
92:43 - 92:50You would be sort of a personality with
these really off-color takes on new releases. -
92:50 - 92:57It’s entertainment, but with
music journalism as a side salad. -
92:57 - 92:59
What did you tell them? -
92:59 - 93:01I told them you’d be perfect for it,
-
93:01 - 93:03but I also had to tell
them that you made -
93:03 - 93:06a very sudden career shift
without consulting me. -
93:09 - 93:11
You should email them. -
93:11 - 93:12
No! You should call them. -
93:12 - 93:14
Tell them you love the idea. -
93:14 - 93:17
People love verbal validation. -
93:17 - 93:19
You’re right, that’s a great idea Amy! -
93:19 - 93:22
Thanks, sarcastic dickhead! -
93:22 - 93:24
But seriously, do it. -
93:24 - 93:26Yeah. I’ll do it.
-
93:26 - 93:29
So, how are you? -
93:29 - 93:31Who are you?
-
93:31 - 93:33I know, I asked on my own for once.
-
93:33 - 93:35
I must be a fuckin’ alien. -
93:35 - 93:38
I’m fine, David. -
93:38 - 93:40
I’m glad you and Phil got along. -
93:40 - 93:42
I’m glad you’re both doing okay. -
93:42 - 93:45
That’s how we’re doing. How are you? -
93:45 - 93:51
I dunno. I feel less worried for once. -
93:51 - 93:54
I don’t really think about myself a lot. -
93:54 - 93:58Well, when you do,
what do you think about? -
93:58 - 94:03I mostly just think that about
how I don’t wanna be here. -
94:03 - 94:04
Not forever at least. -
94:04 - 94:09Well, where do you want to be?
-
94:09 - 94:13I feel like the thing I’m supposed
to say is that I wanna go college. -
94:13 - 94:14
But I don’t wanna say that. -
94:14 - 94:18Are you sure? U.U. is taking
applications for the spring. -
94:18 - 94:21Nah, I can do way better than U.U.
-
94:21 - 94:23
Wow. -
94:23 - 94:28Well, maybe once I figure this
all out, I can help out with Phil. -
94:28 - 94:33I mean, I’m can't help him shower, but
like I can maybe send money at least. -
94:33 - 94:36You’re gonna send money
on a writer’s salary? -
94:36 - 94:39I’ll just... write a lot.
And maybe sell some parts. -
94:39 - 94:42
Just some ribs you’re not using. -
94:42 - 94:44
Hey, I’m right-handed. -
94:44 - 94:47If I write everything by hand,
I can sell this whole thing. -
94:47 - 94:52Just… let me worry about it
for once so you don’t have. -
94:54 - 94:57
I really wanna believe you, I do - -
94:57 - 95:02
I know. I’m gonna make sure you can. -
95:02 - 95:05
Thank you. -
95:05 - 95:07
You know what I’m gonna do? -
95:07 - 95:11I’m gonna go eat some sherbet
and find a new hobby on YouTube. -
95:11 - 95:13
Yeah. Do that. -
95:13 - 95:17Yeah I’m gonna do that. Don't forget to -
-
95:17 - 95:18
Email Lenna. -
95:18 - 95:19
Call Lenna - -
95:19 - 95:20
I will call Lenna. -
95:20 - 95:21
And don’t - -
95:21 - 95:23
Don’t die on the job. I know. I won’t. -
95:23 - 95:27I was actually gonna say
“Don’t kill anyone.” -
95:27 - 95:30
No promises there. -
95:30 - 95:34
Yeah, sure. Bye, David. -
95:34 - 95:36
Bye. -
95:42 - 95:43
Annie! -
95:43 - 95:45(Annie)
Yeah? -
95:45 - 95:49How long have you been
able to hear me in my room? -
95:49 - 95:51(Annie)
Always! -
95:51 - 95:54
Do you hear me talk about my job? -
95:54 - 95:56(Annie)
You don’t have a job. -
95:56 - 95:58
You’re just talking to yourself. -
95:58 - 96:01
That is correct. -
96:01 - 96:08(Annie) It’s okay. Mental illness
is nothing to be ashamed of. -
96:08 - 96:09
That’s true, Annie. -
96:09 - 96:12
Thank you for understanding. -
97:29 - 97:30
Are you there? -
97:30 - 97:34Yeah, I’m here. What the
hell are you wearing? -
97:34 - 97:35
We’re hacking. -
97:35 - 97:38Yeah. Hacking. Not robbing
a Hot Topic at gunpoint. -
97:38 - 97:42Alright, here’s the plan. I did a bunch
of searching on the dark web. -
97:42 - 97:45I found a list of passwords from
a hack on NASA in my timeline. -
97:45 - 97:47
You can just find that on the Internet? -
97:47 - 97:51Yeah. Hackers just post that shit
online for people to find, it’s fantastic. -
97:51 - 97:56This list has thousands of NASA passwords
that are probably still current in your timeline. -
97:56 - 97:58All we need to do is find the
right target who has clearance -
97:58 - 98:01to the list of astronauts and
launch a dictionary attack. -
98:01 - 98:02
A dictionary attack? -
98:02 - 98:04Basically we’re throwing every
password we have at the system -
98:04 - 98:05until one of them works.
-
98:05 - 98:07
I found the code for that online. -
98:07 - 98:10I sent it to you last night so all you
have to do is copy and paste. -
98:10 - 98:15I’m guessing that’s the email that says
“Die, Perish, Croak, Expire.” -
98:15 - 98:17Get it, ‘cause they’re “pass” words,
-
98:17 - 98:19words you say when someone
passes - okay, never mind. -
98:19 - 98:23I also found a list of NASA employees
from this year but in my timeline. -
98:23 - 98:26I looked it over for targets who were likely
to have clearance to mission personnel. -
98:26 - 98:29I also narrowed it down to people
who were working for NASA -
98:29 - 98:32in the nineties when the first
TempTech experiments were running. -
98:32 - 98:36I see it. I am not going to repeat
what the subject line reads. -
98:36 - 98:40If one of these people has the
same password as their parallel self -
98:40 - 98:43in my timeline, you’ll be able to
get into their account easily. -
98:43 - 98:44
Ready to do this? -
98:44 - 98:45
I guess so. -
98:45 - 98:47You sure? Remember,
I’m here as an outsider. -
98:47 - 98:49Everything we’re doing right
now is changing the course -
98:49 - 98:51of your timeline permanently.
-
98:51 - 98:53
If you get caught, there’s nothing I can do. -
98:53 - 98:55
You’re sure you wanna do this? -
98:55 - 98:58No. But I know what’s
gonna happen if I don’t. -
98:58 - 98:59
That’s the spirit! -
98:59 - 99:00Alright, let’s hack NASA.
-
99:00 - 99:03I’m on the NASA login page.
-
99:03 - 99:05
Cool. Cool. Open the list of targets. -
99:05 - 99:06
Open. -
99:06 - 99:08
Cool. Fire at will. -
99:08 - 99:12
Okay, sounds good. I’m gonna target... -
99:12 - 99:14
Literally just pick anyone. -
99:14 - 99:15
Alright, I’m gonna pick - -
99:15 - 99:16
You don’t have to tell me. -
99:16 - 99:17
Harrison Ford? -
99:17 - 99:18
Who? -
99:18 - 99:21Harrison Ford. This guy’s
name is Harrison Ford. -
99:21 - 99:23
Okay. So what? Hack his ass. -
99:23 - 99:27It’s just cool that his name is Harrison
Ford and he works at NASA. -
99:27 - 99:31Alright, alright.
I’m launching the attack. -
99:31 - 99:32
Is it supposed to do that? -
99:32 - 99:35Yeah. There’s like a couple
million passwords in there -
99:35 - 99:37so we just have to wait for
it to go through all of them. -
99:37 - 99:40
Just sit tight. -
99:40 - 99:43
So... who the fuck is Harrison Ford? -
99:43 - 99:46He’s the guy from - your timeline
doesn’t have Star Wars . -
99:46 - 99:48
Yes we do. -
99:48 - 99:51
Oh. Who played Han Solo? -
99:51 - 99:52
Christopher Walken. Who else? -
99:52 - 99:54
Oh God. -
99:54 - 99:55
What’s wrong with Christopher Walken? -
99:55 - 99:58
He’s... he’s weird. He’s just weird. -
99:58 - 100:00
You’re talking to yourself in a garage. -
100:00 - 100:03
Also, why are we in a garage? -
100:03 - 100:05Annie can hear us through
the walls in my room. -
100:05 - 100:09I figured it’d be better if she didn’t
overhear me hacking into NASA. -
100:09 - 100:11
Oh. Are you and Annie still... -
100:11 - 100:12
Still what? -
100:12 - 100:14
Look, we’re done. -
100:14 - 100:16
Oh, I’m sorry to hear that. -
100:16 - 100:18No, the dictionary attack
is done. No matches. -
100:18 - 100:20Guess it’s not the only one
who can’t find a match. -
100:20 - 100:22
Wha - Can you stay focused? -
100:22 - 100:24
Just pick another name off the list. -
100:24 - 100:27
Fine. I’m gonna pick - -
100:27 - 100:29
You don’t have to tell me. -
100:29 - 100:30
Ed Harris? -
100:30 - 100:31
You’ve gotta be kidding me. -
100:31 - 100:32
What? -
100:32 - 100:35There’s a guy named Ed Harris who
worked at NASA in the nineties. -
100:35 - 100:38Does everybody at NASA
have “Harris” in their name? -
100:38 - 100:39
No, it’s just a funny coincidence. -
100:39 - 100:41
How is that funny? -
100:41 - 100:43Because they both did
movies about being in space. -
100:43 - 100:45
Ed Harris was in Apollo 13 . -
100:45 - 100:46
Okay. He lives in Harlem, so what? -
100:46 - 100:49
Wha - never mind. -
100:49 - 100:52
God, why is hacking NASA so boring? -
100:52 - 100:56
It looks so fun on Mr. Robot . -
100:56 - 100:58
Please tell me you know what Mr. Rob - -
100:58 - 101:01Let’s just avoid pop culture
references from here on out. -
101:01 - 101:04
Sure. -
101:04 - 101:06
And... no matches. -
101:06 - 101:09How about that one. Laurence Cooper.
-
101:09 - 101:13
Sure. Why not? -
101:13 - 101:16
Oh, shit. That was fast. -
101:16 - 101:18See what happens when you’re
not blinded by star power? -
101:18 - 101:20
Alright, copy paste and we’re in. -
101:20 - 101:21
Okay. -
101:21 - 101:24
Oh fuck. There’s security questions. -
101:24 - 101:26
I don’t have passwords for this. -
101:26 - 101:30“What walks on four legs in the morning,
two legs in the afternoon, -
101:30 - 101:32and three legs in the evening?”
-
101:32 - 101:34
It’s the Riddle of the Sphinx. -
101:34 - 101:35
The answer is “man.” -
101:35 - 101:36
No, it’s “polymelius.” -
101:36 - 101:38
What? No. -
101:38 - 101:41This is NASA. They’re not literary
guys, they’re science guys. -
101:41 - 101:42
What the hell is polymelius? -
101:42 - 101:44Something the government
hasn’t told you about yet. -
101:44 - 101:46
It has a lot of legs. -
101:46 - 101:49
Are you sure the answer is “polymelius”? -
101:49 - 101:52Absolutely.
-
101:52 - 101:54
You better be right about this. -
101:54 - 101:57P-O-L-Y-M-E-L-I-U-S.
-
101:57 - 101:58(A computer ding)
-
101:58 - 101:59
You were right. -
101:59 - 102:04“What is so fragile that when
you say its name it breaks?” -
102:04 - 102:06Silence. That’s so obvious.
-
102:06 - 102:08
Put “Blaschka sea monster.” -
102:08 - 102:08
What is that? -
102:08 - 102:14It’s glass but not glass. It’s formed from
volcanoes. Trust me, it’s the right answer. -
102:14 - 102:15
Are you sure? -
102:15 - 102:16
I’ve been right so far. -
102:16 - 102:18
You’re risking my freedom on it. -
102:18 - 102:21
No, you’re the one risking your freedom. -
102:21 - 102:23
I promise, it’s the right answer. -
102:23 - 102:25
Blaschka? -
102:25 - 102:30
B-L-A-S-C-H-K-A. -
102:30 - 102:31(A computer ding)
-
102:31 - 102:35
“What has thirteen hearts but no organs?” -
102:35 - 102:36
A deck of cards. -
102:36 - 102:38
Vestigial cockroach. -
102:39 - 102:40
V-E-S -
102:40 - 102:42
I know how to spell it. -
102:44 - 102:46(A computer ding)
-
102:46 - 102:47
Of course it is. -
102:47 - 102:49
How many of these are there? -
102:49 - 102:52“What flies without wings?”
Time. Time flies. -
102:52 - 102:55
No. Telekinetic squirrel. -
102:55 - 102:56
Why do they all have to be animals? -
102:56 - 102:58
Maybe this guy Cooper just likes animals. -
102:58 - 102:59
How can it not be “time”? -
102:59 - 103:02We’re literally talking about
NASA and time travel. -
103:02 - 103:03
It’s too obvious. -
103:03 - 103:07
I’m telling you, “telekinetic squirrel.” -
103:08 - 103:09(A computer ding)
-
103:09 - 103:12
Let’s pray this is the last one. -
103:12 - 103:15“What is the beginning of eternity,
the end of time and space, -
103:15 - 103:18the beginning of every end,
and the end of every race?” -
103:18 - 103:19
What’s the answer -
103:19 - 103:22
I... I don’t know. -
103:22 - 103:23
Are you serious? -
103:23 - 103:25There’s no animal at the
beginning of eternity. -
103:25 - 103:27
Trust me, I’ve seen it. -
103:27 - 103:28Your guess is as good as mine.
-
103:28 - 103:30
Well, mine have all been wrong so far. -
103:30 - 103:32
Might as well give it a shot. -
103:32 - 103:34
We’re gonna get locked out if we don’t. -
103:36 - 103:37
What? -
103:37 - 103:38
Don’t put that. -
103:38 - 103:39(A computer ding)
-
103:39 - 103:41
Huh. How’d you know? -
103:41 - 103:43The letter “E” begins or
ends all of the words. -
103:43 - 103:45I guess maybe they
are literary people. -
103:45 - 103:47
Well, good for us. -
103:47 - 103:49
Okay. Where would I find the list? -
103:49 - 103:51Try “Directory.
-
103:51 - 103:53
“Manned Missions.” -
103:53 - 103:55
This is all ISS stuff. -
103:55 - 103:57
Yeah, it’s not gonna be in there. -
103:57 - 103:59
Maybe it’s hidden somehow. -
103:59 - 104:01We have clearance.
We should be able to see it. -
104:01 - 104:03
Well, what if they removed it? -
104:03 - 104:04Why would they remove it?
-
104:04 - 104:06
They didn’t want hackers finding it. -
104:06 - 104:09Maybe that program
doesn’t exist in your timeline. -
104:09 - 104:10
It has to exist. -
104:10 - 104:12No, it doesn’t. It’s a difference
between our timelines. -
104:12 - 104:13No, hang on.
-
104:13 - 104:15
Look, we came here on a long shot. -
104:15 - 104:17- There are other leads we can try -
- Just hang on -
104:17 - 104:20Could we use TempTech to
contact someone in the nineties? -
104:20 - 104:23Well, you were five then, and
we can’t involve someone else. -
104:23 - 104:25Besides, if I reach out from my timeline,
there’s no grandfather paradox -
104:25 - 104:28to stop your timeline from changing.
-
104:28 - 104:31
So send me instead. -
104:31 - 104:33
Give me access to TempTech. -
104:33 - 104:37Send me the software, and I can log in to
Cooper’s account in nineteen-ninety-nine. -
104:37 - 104:40There’s no possibility of me being
caught, and I can’t change the timeline -
104:40 - 104:43because I can only cause events that
would have happened anyway. -
104:43 - 104:45This is what the Fizzle
Killer does, right? -
104:45 - 104:48He uses the grandfather
paradox to evade capture. -
104:48 - 104:50We might as well catch him
using his own loophole. -
104:50 - 104:52
I appreciate the poetry of that - -
104:52 - 104:54Please don’t say we shouldn’t
“stoop to his level.” -
104:54 - 104:55
I wasn’t going to say that. -
104:55 - 104:57Well, you’re not saying “yes” either,
so what are you saying? -
104:57 - 105:01
Do you want the list or not? -
105:01 - 105:02
You don’t trust me with it. -
105:02 - 105:04
That’s not true. -
105:04 - 105:06You think once I get access to TempTech
I’m not gonna complete the mission. -
105:06 - 105:09You told me, if it was you,
you’d take the money and run. -
105:09 - 105:11Well, maybe I’m not doing
this for me anymore. -
105:11 - 105:14
You asked me to trust you. I did. -
105:14 - 105:17
Now I need you to trust me. -
105:17 - 105:21What version of Mac are
you running? Sonora? -
105:21 - 105:24Uh, Mojave. It’s probably the same -
-
105:24 - 105:26
It’s probably the same thing. -
105:26 - 105:30
I’m sending you the software now. -
105:30 - 105:32(A spacey sound)
Oh, shit. -
105:32 - 105:34
Yeah, it takes up a lot of space. -
105:34 - 105:35
You might need to delete some po- -
105:35 - 105:38No. I think Laurence Cooper
just logged into his account. -
105:38 - 105:43
Fuck. Pretend to be someone else. -
105:49 - 105:51
David? -
105:51 - 105:54
Honesty is the best policy. -
105:56 - 105:58(Another spacey sound)
-
105:58 - 105:59
Shit. -
105:59 - 106:01
Just ward him off. -
106:01 - 106:05
Make him think you’re trying to help. -
106:10 - 106:11(The sound again)
-
106:22 - 106:23(And again)
-
106:26 - 106:27
Alright, good. -
106:27 - 106:29
No, fuck that. Just log out. -
106:29 - 106:31
Done. -
106:31 - 106:33
Alright, TempTech is installed. -
106:33 - 106:35Just warning you, it’s gonna
be a little weird at first. -
106:35 - 106:36Weird how?
(A futuristic sound) -
106:36 - 106:38Oh, shit.
-
106:38 - 106:40That’s just a spacetime warp.
It won’t hurt you. -
106:40 - 106:43
Better not fuck up my MacBook. -
106:43 - 106:45
Alright, what do I do now? -
106:45 - 106:47Key yourself in to the year
nineteen ninety-nine. -
106:47 - 106:49
Doesn’t matter what day or time. -
106:49 - 106:51
Alright. -
106:51 - 106:54Wow. So this is what the Internet
looked like in nineteen-ninety-nine. -
106:54 - 106:57
Yep, that’s exactly what it looked like. -
106:57 - 106:59
Alright, let’s head to NASA. -
106:59 - 107:00
Done. -
107:00 - 107:02
Log in as Laurence Cooper. -
107:02 - 107:05
Launch attack. -
107:05 - 107:05
Got it. -
107:05 - 107:10The good news is the security’s
gonna be much lower here. -
107:10 - 107:11
Found it. -
107:11 - 107:15And... here’s the list.
It’s not long, either. -
107:15 - 107:21
We could go through this today. Dude? -
107:21 - 107:24
Where’d you go? -
107:24 - 107:27Are you still there?
-
108:07 - 108:10
Look like you’ve seen a ghost. -
108:10 - 108:13Dude, what the fuck is this?
-
108:13 - 108:15
You tell me. -
108:15 - 108:18
It’s your timeline, I’m just living in it. -
108:18 - 108:21
This is my mother. -
108:21 - 108:23
She was one of the astronauts. -
108:26 - 108:29
You wanted me to find this. -
108:29 - 108:32I wanted you to figure
things out for yourself. -
108:32 - 108:35
Figure out what? -
108:35 - 108:39
Honesty is the best policy, David. -
108:39 - 108:40
So be honest with me. -
108:40 - 108:43Be honest with yourself.
What do you think? -
108:43 - 108:45
I’m not the Fizzle Killer. -
108:45 - 108:47
What makes you say that? -
108:47 - 108:49Because I’m not like you.
-
108:49 - 108:51
Are we really that different, David? -
108:51 - 108:53
I don’t kill people, for one thing. -
108:53 - 108:55
Not yet. -
108:55 - 108:59I started with the Agency when
I was a little older than you are. -
108:59 - 109:05
After a few years, I started killing. -
109:05 - 109:11I realized I was aging faster than people
around me, so I turned to cryogenics. -
109:11 - 109:13
You froze yourself? -
109:13 - 109:17
Couple of months, here and there. -
109:17 - 109:18
Offset the aging. -
109:18 - 109:20
You waste a lot of vacation time. -
109:20 - 109:24
But when you’re committed to something, -
109:24 - 109:26
it’s worth it. -
109:26 - 109:30You think killing people is worth it?
What is it worth? -
109:30 - 109:32
It’s worth living for. -
109:32 - 109:34
I had to kill those people. -
109:34 - 109:37The timeline doesn’t
allow for paradoxes, David -
109:37 - 109:40
Only I could have killed those people. -
109:40 - 109:42
That was my purpose. -
109:42 - 109:45
And it’s your purpose, too. -
109:45 - 109:46
That is not my purpose. -
109:46 - 109:48
That is a depressing ass purpose. -
109:48 - 109:50
If it wasn’t, you wouldn’t be here. -
109:50 - 109:53I tried other Davids, David
-
109:53 - 109:56
They weren’t willing to go this far. -
109:56 - 109:57
You did. -
109:57 - 109:59
You’re the one who wants this. -
109:59 - 110:03You offered to help me change my
past, not make me a murderer. -
110:03 - 110:06How do you think I
became the Fizzle Killer? -
110:06 - 110:11Someone came to me
just like I came to you. -
110:11 - 110:16
David, the universe brought us together. -
110:18 - 110:20
It doesn’t make mistakes. -
110:20 - 110:23
Yeah, but you did. -
110:23 - 110:25I won't become you.
-
110:25 - 110:27
And I’m getting rid of TempTech right now. -
110:27 - 110:31
Go ahead. You’ll find your way back. -
110:31 - 110:34
First you’ll join the agency. -
110:34 - 110:35
I won’t join the agency. -
110:35 - 110:38
You’ll try to do good. You’ll fail. -
110:38 - 110:43You might succeed, but only
when the universe allows it. -
110:43 - 110:46If you really think that,
then why are you even here? -
110:46 - 110:48
Because I’m supposed to be. -
110:48 - 110:52You think having no choice in
what you do is a bad thing. -
110:52 - 110:56
But it’s not. -
110:56 - 111:03There are no mistakes, there is no “good”
or “bad,” the universe moves as it should. -
111:03 - 111:07
That’s not scary. It’s comforting. -
111:07 - 111:13Everything that has happened
was supposed to happen. -
111:13 - 111:16
If you don’t believe me, see for yourself. -
111:16 - 111:17
See what? -
111:17 - 111:20Finish the mission.
Erase the Fizzle Killer. -
111:20 - 111:22
You know who my mother is. -
111:22 - 111:24
You have TempTech. -
111:24 - 111:27Go to my timeline,
stop me from being born. -
111:27 - 111:30
You can do it right now, I won’t stop you. -
111:34 - 111:36
No. -
111:36 - 111:38
Because you’re afraid it won’t work? -
111:38 - 111:41
No. I think you want it to work. -
111:41 - 111:43
You want me to erase you. -
111:43 - 111:45
Because that’s what you would want? -
111:45 - 111:49You know, I really thought we
were past the edgelord shit. -
111:49 - 111:52No, you want this because you
don’t actually live for anything. -
111:52 - 111:55I was right from the beginning,
this is a fucking chain letter. -
111:55 - 111:58Dude, I’m sorry another David
came and convinced you -
111:58 - 112:02this was what made your
life meaningful, but it’s not. -
112:02 - 112:05The only reason you’re doing
this is because you want to prove -
112:05 - 112:08that other Davids feel the same way
you do, and none of them do. -
112:08 - 112:11None of the other ones
did, and neither do I. -
112:11 - 112:13
You don’t have to believe me now. -
112:13 - 112:24But you will. You‘ll realize
this is where you belong. -
112:24 - 112:26The only thing I’ve realized
is where you belong. -
112:26 - 112:31And where is--
-
112:31 - 112:33(Future David)
David! -
112:38 - 112:43Really? You know you can’t
just walk away from me -
112:44 - 112:46(Future David)
You’ll be back! -
112:46 - 112:51I know. I’ll have to sell that
TV to pay my rent this month. -
112:51 - 112:53So Amelia tells me your
boss ran out on you. -
112:53 - 112:56Yeah, he had to do some
kinda undercover thing. -
112:56 - 112:58
He say where he went? -
112:58 - 113:01Nah, he’s keeping a
lid on the whole thing. -
113:01 - 113:03What’s he doin’? Livin’ in
someone’s dumpster? -
113:05 - 113:06
Yeah. -
113:06 - 113:09
He’s nuts. What’d I tell ya? -
113:09 - 113:13You follow someone too closely,
pretty soon you’re as crazy as them. -
113:13 - 113:15
So what are you gonna do? -
113:15 - 113:17
Amy set me up with a music journalism gig. -
113:17 - 113:20
Music journalism? Is that still a thing? -
113:20 - 113:23You’re just jumpin’ from one
dyin’ industry to another. -
113:23 - 113:24
They’re all dying. -
113:24 - 113:27Yeah, but next thing you know
you’ll be workin’ in a cemetery. -
113:27 - 113:29Everybody’s dying to get in.
-
113:29 - 113:31Isn’t that what you said?
Everybody’s dying? -
113:31 - 113:34
Yeah, I’ll eat my own words on that one. -
113:34 - 113:36Good. You can have that
instead of Brilliant Pebbles. -
113:36 - 113:39Oh, you want me to
talk about Russia again? -
113:39 - 113:41- It was nineteen-eighty-eight.
- I'm not listening to this. -
113:41 - 113:45- Reagan and Gorbachev -
- I'm not listening to this -
113:45 - 113:47
Amy! Shut it down! -
113:47 - 113:50
I’m tryin’ to teach you history. -
113:50 - 113:52
I know. You’re just very bad at it. -
113:54 - 113:57
Phil, be honest with me for a second. -
113:57 - 113:59
I’m always honest with you. -
113:59 - 114:00
No, seriously. -
114:00 - 114:02
Oh, now we’re serious all of a sudden. -
114:02 - 114:06
Go ahead, I got nothin’ better to do. -
114:06 - 114:09
Why did Mom leave? -
114:12 - 114:17I told you. She had
somethin’ important to do. -
114:17 - 114:21
She didn’t wanna leave us. But she had to. -
114:21 - 114:23
Where’d she go? -
114:23 - 114:28
Honestly? I dunno. -
114:28 - 114:31
I don’t think anyone knows. Not even her. -
114:35 - 114:38I’m sorry, Phil. I know
that was hard for - -
114:38 - 114:40Oh God. Alright, we had the serious talk,
-
114:40 - 114:43can we shift to a lighter
topic of conversation? -
114:43 - 114:47
Sure. How’d it go at the doctor? -
114:47 - 114:48
How is that light? -
114:48 - 114:51Depending on the answer,
it could be pretty funny. -
114:51 - 114:53
It’s just bronchitis and dehydration. -
114:53 - 114:54
What’d I tell you? -
114:54 - 114:56
Your sister worries too much. -
114:56 - 114:59Unless I get hit by a truck,
I’m not dyin’ anytime soon. -
114:59 - 115:00
Aw. -
115:00 - 115:03
I know, all that planning for nothing. -
115:03 - 115:09You don’t understand; I ordered
a Cookie Puss from Carvel. -
115:09 - 115:11Seriously though, Phil,
I’m glad you’re alright. -
115:13 - 115:14Yeah, me too.
-
115:14 - 115:17Alright, I gotta go piss
out some Skittles. -
115:17 - 115:18
Thanks for callin’. -
115:18 - 115:19
Let’s do it again next week. -
115:19 - 115:21
Can you recover by then? -
115:21 - 115:22
From pissin’ or from you? -
115:22 - 115:25From me? You realize you’re
the one I get all this from, right? -
115:25 - 115:26
What’d I say? -
115:26 - 115:28
Don’t follow people too closely. -
115:28 - 115:30Never know what’s gonna
come out the other end. -
115:30 - 115:33Don’t worry, Amy’s told me exactly
what comes out your other end. -
115:33 - 115:39What?! Amelia! I told you, she’s
like fuckin’ NASA. Amelia! -
115:39 - 115:43- What? I’m making puppets.
- Are you telling him all my secrets? -
115:43 - 115:47(Amy) Well, someone has to.
You don’t tell anyone anything. -
115:47 - 115:49When have I ever been
less than honest with you? -
115:49 - 115:51(Amy) You really have to ask that?
-
115:51 - 115:54
Dave, back me up here. -
116:28 - 116:34♪ (Rhythmic music) ♪
-
117:01 - 117:05(A phone ringtone)
-
117:12 - 117:13
Hello? -
117:13 - 117:15
Howdy, am I speaking to David? -
117:15 - 117:17Uh, which one?
-
117:17 - 117:21Hi, David. This is Larry C.
I work for STAB. -
117:21 - 117:24We’ve been speaking about your interest
in our program over the past few days. -
117:24 - 117:26
Yeah, we haven’t been speaking. -
117:26 - 117:30You’ve kinda just been sending
me unsolicited messages. -
117:30 - 117:32
But we have spoken. -
117:32 - 117:36In fact, I’m pleased as a first-prize pickle
about your recent interest in STAB. -
117:36 - 117:40Dude, I’m not interested. I don’t
even know what STAB is. -
117:40 - 117:43
We’re a new subdivision of NASA. -
117:43 - 117:46
The “Space Time Adjustment Bureau.” STAB. -
117:46 - 117:49
Not the most inviting name, is it? -
117:49 - 117:50
We’ll change it someday. -
117:50 - 117:53
What did you say your name was again? -
117:53 - 117:59
Larry. But my government name is Laurence. -
117:59 - 118:01
Laurence Cooper. -
118:01 - 118:05You know, I’ve been looking for
you for quite some time, David. -
118:05 - 118:08
About twenty years, as a matter of fact. -
118:08 - 118:13I’ve been trying to figure out how I got
hacked in nineteen-ninety-nine -
118:13 - 118:18from a MacBook that wasn’t manufactured
until two-thousand fifteen. -
118:18 - 118:23That sounds rough.
You should ask Apple about that. -
118:23 - 118:27That sounds like some
Terminator shit, don’t it? -
118:27 - 118:31I thought maybe the Woz beat us to
the punch and built time travel computers. -
118:31 - 118:34
Boy, was I wrong. -
118:34 - 118:36
But I waited. -
118:36 - 118:40
I waited like a snake hunting shrews. -
118:40 - 118:44Finally, I tracked down that
MacBook and it led me to you. -
118:44 - 118:47
And then I waited some more, -
118:47 - 118:50sent some messages
hoping you’d take the bait. -
118:50 - 118:56And boy did you take it when you
hacked into my account the other day. -
118:56 - 119:01Now, what I don’t understand is,
how did a wannabe writer -
119:01 - 119:06with a deadbeat dad and a stay-at-home sister
get access to that kind of technology? -
119:06 - 119:10
But I know you can tell me. -
119:17 - 119:20
You still there, David? -
119:20 - 119:23
David, are you still there? -
119:23 - 119:29Yep. I’m still here.
- Title:
- Sandbox
- Description:
-
You can use this Sandbox to try out things with the Amara tool.
The video that is primarily streaming here is http://www.youtube.com/watch?v=ZU2kyr9jRkg , which is completely blank. But you can go to the URLs tab to add the URL of another video and make it primary.
Please remember to download your subtitles if you want to keep them, as they will get deleted - and the streaming URL reverted to the blank video if you changed it - after a week or two,
- Video Language:
- English
- Team:
- Captions Requested
- Duration:
- 01:46:39
Claude Almansi edited English subtitles for Sandbox | ||
Claude Almansi edited English subtitles for Sandbox | ||
Claude Almansi edited English subtitles for Sandbox | ||
Claude Almansi edited English subtitles for Sandbox | ||
Claude Almansi edited English subtitles for Sandbox | ||
koma edited English subtitles for Sandbox | ||
koma edited English subtitles for Sandbox | ||
Claude Almansi edited English subtitles for Sandbox |
Claude Almansi
Revision 1 = provided subtitles for Lecture 1.2 of Prof. Scott Plous' Social Psychology course
Claude Almansi
Revision 1 = provided subtitles for Lecture 1.2 of Prof. Scott Plous' Social Psychology course
Claude Almansi
Revision 1 = provided subtitles for Lecture 1.2 of Prof. Scott Plous' Social Psychology course