< Return to Video

Sandbox

  • 0:00 - 0:04
    ♪ (Eerie music) ♪
  • 0:19 - 0:22
    (A voice)
    Are you still there?
  • 0:22 - 0:26

    Dude, are you still there?
  • 0:26 - 0:28
    Bro, are you still there?
  • 0:28 - 0:32

    Yeah. Yeah, I’m still here.
  • 0:32 - 0:34

    Did you hear what I said?
  • 0:34 - 0:36
    Yeah. You have a story,
    you have to write about it.
  • 0:36 - 0:39

    Yeah.
  • 0:44 - 0:47
    Okay, so tell me about the story.
  • 0:47 - 0:56
    Oh right. So it’s like at a hotel
    and there’s a guy named Tony.
  • 0:56 - 0:58

    Do you know that one?
  • 0:58 - 1:00

    Do I know a story about a guy named Tony?
  • 1:00 - 1:02

    He works at the hotel.
  • 1:02 - 1:04
    Yeah, but what does
    he do at the hotel?
  • 1:04 - 1:09

    Is he a doorman, is he a manager?
  • 1:09 - 1:13
    Can you tell me something
    else about the story?
  • 1:13 - 1:15

    There’s a guy named Carl.
  • 1:15 - 1:22

    Okay. What does Carl do?
  • 1:29 - 1:32
    Dude, be honest.
    Did you read the story?
  • 1:32 - 1:34

    Not yet.
  • 1:34 - 1:37
    Well, how are you gonna write
    about it if you didn’t read it?
  • 1:37 - 1:40

    I don’t know. I’ll just read it now.
  • 1:40 - 1:45
    Dude, you should have
    read it before we started.
  • 1:45 - 1:49
    Okay, do you want to
    just read it together?
  • 1:49 - 1:50

    You can read it with me?
  • 1:50 - 1:56
    Yeah, I get paid either way, dude.
    What’s the name of the story?
  • 1:56 - 2:01

    Uh… “I’ll Be Waiting.”
  • 2:04 - 2:07

    Oh, Chandler. Duh.
  • 2:07 - 2:08

    Who?
  • 2:08 - 2:11
    I’ve read the story before.
    The author is Raymond Chandler.
  • 2:11 - 2:13

    No, his name’s Tony.
  • 2:13 - 2:15

    That’s the main character.
  • 2:15 - 2:19
    Right, like the author who wrote it.
  • 2:19 - 2:24
    No, the guy who wrote
    the story is Raymond Chandler.
  • 2:24 - 2:25

    Oh.
  • 2:28 - 2:30
    Wait, didn’t he write the
    story about the baby?
  • 2:30 - 2:35
    I don’t know. What happened in
    the story about the baby?
  • 2:35 - 2:38

    It got ripped in half.
  • 2:38 - 2:39

    What?
  • 2:39 - 2:41

    They rip the baby in half.
  • 2:41 - 2:44

    Who ripped a baby in half?
  • 2:44 - 2:45

    The parents.
  • 2:45 - 2:49
    They were fighting and then they
    literally ripped the baby in half.
  • 2:54 - 2:56
    Oh, that’s Raymond Carver.
  • 2:56 - 2:58
    Yeah, that’s what I said.
  • 2:58 - 3:01
    No, Raymond Chandler
    wrote the story about Tony.
  • 3:01 - 3:06
    Raymond Carver wrote
    the one about the baby.
  • 3:06 - 3:07

    Oh.
  • 3:09 - 3:15
    Okay, let’s just take five minutes,
    read the first page.
  • 3:15 - 3:17

    Try to figure out what Tony’s job is.
  • 3:17 - 3:20

    Okay.
  • 3:39 - 3:41
    (A phone beep)
  • 3:51 - 3:54
    Hey, are you still there?
  • 3:54 - 3:57
    Are you still there?
  • 3:57 - 4:00

    Bro, are you still there?
  • 4:00 - 4:04
    Yeah, yeah, I’m still here.
  • 4:04 - 4:06

    I figured out what Tony does.
  • 4:06 - 4:08

    Okay. What does he do?
  • 4:08 - 4:09

    He’s a prostitute.
  • 4:09 - 4:13

    What? No, he’s a detective.
  • 4:13 - 4:15

    It says he’s the house dick.
  • 4:15 - 4:17

    What?
  • 4:17 - 4:21
    Right here. Tony says,
    “I wasn't kidding you, Miss Cressy.
  • 4:21 - 4:24
    I think Mozart was the
    greatest man that ever lived.”
  • 4:24 - 4:28
    And Miss Cressy says, “I thought you
    were the house dick,” and then it says,
  • 4:28 - 4:34

    “She put her head back on a pillow.”
  • 4:34 - 4:38
    She put her head back on a pillow
    because they just had sex.
  • 4:38 - 4:42
    Tony’s a prostitute who has sex with
    people so he can stay at the hotel for free.
  • 4:42 - 4:44

    He’s the house dick.
  • 4:44 - 4:48
    She's surprised because he's talking
    about Mozart, because he’s a prostitute
  • 4:48 - 4:53
    So why would he know who Mozart is?
    Prostitutes don’t listen to Mozart.
  • 4:57 - 5:02
    He’s a hotel detective.
  • 5:02 - 5:03
    What?
  • 5:03 - 5:06
    He’s the in-house detective for the hotel.
  • 5:06 - 5:09
    In the thirties, they used
    to call detectives “dicks.”
  • 5:09 - 5:11
    Well, how was I supposed to know that?
  • 5:11 - 5:14
    I don't know, context clues?
  • 5:19 - 5:23

    Dude, are you even interested in this?
  • 5:23 - 5:24
    Honestly?
  • 5:24 - 5:27
    Honesty is the best policy.
  • 5:27 - 5:30

    I just… do you really wanna know?
  • 5:30 - 5:34

    Yes. I don’t enjoy watching you suffer.
  • 5:34 - 5:37

    Do you really want to be here?
  • 5:37 - 5:41

    No. My parents made me come. I’m sorry.
  • 5:41 - 5:46

    Don’t apologize. It’s fine.
  • 5:46 - 5:50

    But… where would you rather be right now?
  • 5:50 - 5:51

    Honestly?
  • 5:51 - 5:54
    You keep saying that.
    Do you usually lie to people?
  • 5:54 - 5:58
    No. I dunno, I feel like
    people would laugh at me.
  • 5:58 - 6:01

    I’m not gonna laugh at you.
  • 6:01 - 6:03
    Where would you rather be? Right now.
  • 6:05 - 6:10

    I wanna play “Find the Invisible Cow.”
  • 6:10 - 6:12

    What is that?
  • 6:12 - 6:16

    It’s a game you play online.
  • 6:16 - 6:20
    There’s a blank screen with a
    cow hidden somewhere on it.
  • 6:20 - 6:22

    And you have to look for the cow.
  • 6:22 - 6:25
    And the game shouts “Cow”
    at you the whole time.
  • 6:25 - 6:32
    And the closer you get to the cow,
    the louder the shouting gets.
  • 6:32 - 6:40

    Cow, cow, cow.
  • 6:40 - 6:47

    And when you find the cow, it moos.
  • 6:47 - 6:52

    Do you play this online with other people?
  • 6:52 - 6:54

    No.
  • 6:54 - 6:58
    Good. Good, sometimes
    it’s good to be alone.
  • 6:58 - 7:01
    Well, it sounds like
    you’d rather be doing that.
  • 7:01 - 7:08
    So... go do what makes you happy.
    Go find your invisible cow.
  • 7:08 - 7:10

    But I can’t. My parents -
  • 7:10 - 7:13

    Yes you can. You have free will.
  • 7:13 - 7:15

    You can do whatever you want.
  • 7:15 - 7:18
    But I still have to write the paper.
  • 7:18 - 7:24

    No, you don’t. I’m gonna do you a favor.
  • 7:24 - 7:26
    I already know the story,
    I know what it’s about,
  • 7:26 - 7:29
    and I know what your
    professor’s gonna wanna read.
  • 7:29 - 7:35
    Why don’t I just do the paper for you?
  • 7:35 - 7:39

    Really? You’d do that for me?
  • 7:39 - 7:42

    Yeah. I would.
  • 7:42 - 7:44

    For free?
  • 7:44 - 7:46
    Fuck no. Twenty-five
    bucks a page, double-spaced.
  • 7:46 - 7:49
    You can have it by Friday, guaranteed A.
    What do you say?
  • 7:52 - 7:56
    Uh, are you still there?
  • 8:02 - 8:04
    Annie, are you using the microwave?
  • 8:04 - 8:07

    Yeah, I’m making Hot Pockets!
  • 8:07 - 8:10
    Well it’s messing with the Wi-Fi.
  • 8:10 - 8:12

    Well then pay the fucking Wi-Fi bill!
  • 8:12 - 8:15
    I can’t, because you keep
    fucking up my deals!
  • 8:15 - 8:16

    Fuck you!
  • 8:16 - 8:18
    Yeah, fuck you too.
    (A phone ringtone)
  • 8:18 - 8:19

    Hey, George.
  • 8:19 - 8:22

    Hey, David. How’s your dad? Still kicking?
  • 8:22 - 8:25

    Kicking and screaming. How’s yours?
  • 8:25 - 8:28
    He’s… dead. You know this.
  • 8:28 - 8:32
    Yeah, I just wanted to make sure
    he didn’t come back as a zombie.
  • 8:32 - 8:34

    If he does, I’ll let you know.
  • 8:34 - 8:37

    You can be his first meal.
  • 8:37 - 8:39
    Listen, David, what’s up?
  • 8:39 - 8:42
    I saw you just got disconnected
    from your last student?
  • 8:42 - 8:45
    Yeah, I’m sorry.
    My roommate is making Hot Pockets.
  • 8:45 - 8:48
    That’s great.
    I love anything with cheese in it,
  • 8:48 - 8:51
    but what does that
    have to do with anything?
  • 8:51 - 8:53
    The microwave messes
    with the connection
  • 8:53 - 8:55
    and the Wi-Fi’s like
    baby soft around here.
  • 8:55 - 8:57

    “Baby soft”?
  • 8:57 - 8:59

    It’s sensitive. It’s like a baby’s head.
  • 8:59 - 9:01
    You push it too hard,
    it’s messed up for life.
  • 9:01 - 9:04

    C’mon David, we talked about this.
  • 9:04 - 9:07

    Oh God, your kids. I’m so sorry, George.
  • 9:07 - 9:09

    I don’t have kids.
  • 9:09 - 9:12

    You don’t? Oh my God, what happened?
  • 9:12 - 9:15
    David, the only kids I have are the
    ones who come here for tutoring.
  • 9:15 - 9:19
    And right now one of
    those kids is left unattended.
  • 9:19 - 9:22
    What kind of father
    leaves their kid unattended?
  • 9:22 - 9:24

    Are we talking about my dad or yours?
  • 9:24 - 9:28
    It makes me a bad dad.
    You think I wanna be a bad dad?
  • 9:28 - 9:31
    One of those dads who leaves
    their kids in the car
  • 9:31 - 9:34
    while they pick up cigarettes
    from the Mini Mart?
  • 9:34 - 9:36

    So we’re talking about my dad.
  • 9:36 - 9:41
    David. I trusted you and
    you left that kid hanging.
  • 9:41 - 9:44
    You left that kid hanging
    like Michael Jackson.
  • 9:44 - 9:47
    You know what’s gonna happen to that
    kid if he doesn’t pass his exams?
  • 9:47 - 9:51

    He’s… gonna… join the army?
  • 9:51 - 9:55

    Worse. Didn’t you see today’s word?
  • 9:56 - 9:57

    No.
  • 9:57 - 10:09
    EDUCATION: Evil Dominates Uneducated Children
    And Teens, Indoctrinating Only Negativity.
  • 10:09 - 10:16
    Did you just put “uneducated”
    inside the word “education”?
  • 10:16 - 10:21
    Look, my point is:
    I can’t run an online business
  • 10:21 - 10:24
    if my employees don‘t have a stable
    Internet connection.
  • 10:24 - 10:29
    That’s like Mötley Crüe without Vince Neil.
    You know what I mean?
  • 10:29 - 10:31

    I think so?
  • 10:31 - 10:33
    So think about it from my end.
  • 10:33 - 10:35
    Do I get Vince back and
    go double platinum?
  • 10:35 - 10:39
    Or do I hang on to John Corabi
    and hope he finds his dick?
  • 10:39 - 10:44

    I… I don’t know who John Corabi is.
  • 10:44 - 10:47

    And what does that tell you?
  • 10:47 - 10:50

    That I wasn’t born in the seventies?
  • 10:50 - 10:53
    Find your dick, or you’re out of the band.
  • 10:53 - 10:56

    Can you find your dick, David?
  • 10:56 - 11:01
    I mean, I can look for it, but how
    do I know for sure which one's mine?
  • 11:01 - 11:04
    Listen: treat your Wi-Fi
    like a dog and get it fixed,
  • 11:04 - 11:07
    ‘cause I’m tired of
    seeing piss on the carpet.
  • 11:07 - 11:11
    I’m confused.
    Am I finding a dick or cutting one off?
  • 11:11 - 11:15

    Are we clear, David?
  • 11:15 - 11:17
    Beeeeeeeep.
  • 11:17 - 11:19

    What the hell was that?
  • 11:19 - 11:27
    It’s a defibrillator. “Clear.”
    Beeeeeeeep.
  • 11:27 - 11:30

    Because we’re clear.
  • 11:30 - 11:35
    Just do what I ask you.
  • 11:39 - 11:50
    Beep. Beep. Beep.
    Beeeeeeeeeeeeeeeeeeeeeeeep.
  • 11:55 - 11:57
    (Amy)
    Have you looked for other jobs?
  • 11:57 - 11:59
    Yeah, but… they’re
    not looking for me.
  • 11:59 - 12:02
    You’re a good writer.
    Why would they not be looking for you?
  • 12:02 - 12:06
    Because they’re not looking for good writers.
    They’re looking for good resumes.
  • 12:06 - 12:08

    You need a resume to do creative writing?
  • 12:08 - 12:10

    Not to do it, but, to get a job doing it?
  • 12:10 - 12:12
    Yeah. If you don’t have a
    degree from Columbia
  • 12:12 - 12:15
    or an internship at The Onion
    you’re basically fucked.
  • 12:15 - 12:17

    At least you have a degree.
  • 12:17 - 12:18

    Yeah. From U.U.
  • 12:18 - 12:19

    You mean Q.U.?
  • 12:19 - 12:21

    No. U.U. Unknown University.
  • 12:21 - 12:23
    That’s what everyone there calls it.
  • 12:23 - 12:24
    It's not that bad.
  • 12:24 - 12:29
    It’s not like University of Phoenix where
    nobody knows if it really exists or not.
  • 12:29 - 12:31

    Nobody knows Q.U. exists at all.
  • 12:31 - 12:33
    They see it on a resume
    and they’re like,
  • 12:33 - 12:37
    “Oh, is that in England?
    Did you study abroad?”
  • 12:38 - 12:41

    Thank God you didn’t go to acting school.
  • 12:41 - 12:44
    I might as well have I should
    have just skipped college;
  • 12:44 - 12:46
    I’d be doing just
    as well as I am now.
  • 12:46 - 12:48
    That's easy for you to say.
  • 12:48 - 12:49

    It’s easy ‘cause it’s true.
  • 12:49 - 12:52
    Some people just shouldn’t
    be forced to go to college
  • 12:52 - 12:53
    and take classes they don’t
    actually need.
  • 12:53 - 12:56
    I had this student today
    reading fucking detective fiction.
  • 12:56 - 12:57

    How is that gonna help him?
  • 12:57 - 13:00
    Why is he wasting his time when
    he could be doing something else?
  • 13:00 - 13:02

    Like what?
  • 13:02 - 13:04
    I don’t know. Something that
    actually makes him happy?
  • 13:04 - 13:08

    Uh-huh. How much did you charge him?
  • 13:08 - 13:11
    Look, seventy-five dollars is
    reasonable for a three-page paper.
  • 13:11 - 13:14
    It’s not reasonable when you’re
    already being paid to tutor him.
  • 13:14 - 13:17
    No, no, no. It’s not reasonable for him to let
    his parents pay me to tutor him for a
  • 13:17 - 13:20
    paper he’s just gonna buy from me anyway.
  • 13:20 - 13:24
    Thirty seconds ago you felt bad
    for the guy; now it’s his fault?
  • 13:24 - 13:25

    Whose fault is it?
  • 13:25 - 13:31
    Society’s. I don't know, I’m not the
    one making this kid go to school.
  • 13:31 - 13:33
    But you are the one
    that’s supposed to help him.
  • 13:33 - 13:35

    I am helping him.
  • 13:35 - 13:36

    You’re helping yourself, David.
  • 13:36 - 13:40
    Well, at least it’s going to
    someone who needs it.
  • 13:40 - 13:42

    So you admit you do need help.
  • 13:42 - 13:44

    We all do. It runs in the family.
  • 13:44 - 13:49
    You're right about that one.
  • 13:52 - 13:58

    Ask me how I’m doing.
  • 13:58 - 13:59

    How are you?
  • 13:59 - 14:01

    I’m shitty.
  • 14:01 - 14:02

    Sorry. What’s up?
  • 14:02 - 14:04
    Phil’s not doing too good.
  • 14:04 - 14:06

    He’s never doing well.
  • 14:06 - 14:08

    Like health-wise.
  • 14:08 - 14:09

    He’s never been healthy.
  • 14:09 - 14:10

    He’s proud of it.
  • 14:10 - 14:14
    If you told him he was healthy he’d shoot
    himself in the head just to prove you wrong.
  • 14:14 - 14:16

    I think he’s really sick this time.
  • 14:16 - 14:18
    He’s been coughing up
    some weird stuff, which…
  • 14:18 - 14:21
    you know, he always coughs up
    weird stuff, but it used to be black,
  • 14:21 - 14:23

    and then it was red, and now it’s still red
  • 14:23 - 14:26
    but it has, like, tints of blue
    in it so it looks purplish,
  • 14:26 - 14:29

    but there’s nothing on Web MD about that.
  • 14:29 - 14:31

    What he’d do? Drink out of a Porta Potty?
  • 14:31 - 14:34
    I don’t know, but he's gonna need one too.
  • 14:34 - 14:38
    The other day he almost
    had an accident in Key Food.
  • 14:38 - 14:40
    Did he run over another cashier?
  • 14:40 - 14:44
    David, I’m serious. He’s not old
    enough to be incontinent.
  • 14:44 - 14:47
    I wanna take him to see a doctor, but -
  • 14:47 - 14:50
    Don't take him to a doctor.
    He doesn’t like doctors.
  • 14:50 - 14:54
    No, he likes doctors,
    he just doesn’t trust doctors.
  • 14:54 - 14:56

    He’s very specific about this.
  • 14:56 - 15:00
    “I’ll have a drink with a doctor, but
    not if he’s gonna tell me how much to drink.”
  • 15:00 - 15:02

    He doesn’t like being told what to do.
  • 15:02 - 15:04
    He doesn’t like taking
    other people’s advice.
  • 15:04 - 15:09

    Even when he knows they’re right.
  • 15:09 - 15:10

    At me.
  • 15:10 - 15:13
    He’s just as stubborn as you are too, so,
  • 15:13 - 15:15
    just be prepared if
    something happens, okay?
  • 15:15 - 15:16

    Are you kidding?
  • 15:16 - 15:18
    I’ve been waiting for this
    for twenty-five years.
  • 15:18 - 15:22
    I have an expired bag of popcorn
    chosen specifically for this moment.
  • 15:22 - 15:25

    Get another one. I’ll join you.
  • 15:25 - 15:26

    Why do you even take care of him?
  • 15:26 - 15:28

    Are you gonna take care of him?
  • 15:28 - 15:30

    No, I’d dump his ass on the sidewalk.
  • 15:30 - 15:32
    You’re practically on
    the sidewalk yourself.
  • 15:32 - 15:35

    I mean, can’t you just put him somewhere?
  • 15:35 - 15:37

    Like a nursing home?
  • 15:37 - 15:38

    No, a funeral home.
  • 15:38 - 15:41
    Maybe they’ll think he’s already
    dead and box him up right there.
  • 15:41 - 15:43
    He won’t go to either.
  • 15:43 - 15:46
    He hates old people because
    they remind him that he’s old,
  • 15:46 - 15:50
    and he hates dead people
    because he’s jealous of them.
  • 15:50 - 15:56
    Anyway, as annoying as he is, I’d rather
    have him be unhappy here than be unhappy
  • 15:56 - 15:57
    somewhere else.
  • 15:57 - 15:59

    We owe him that much.
  • 15:59 - 16:02
    The only thing we owe him is a
    bill for years of financial abuse.
  • 16:02 - 16:06
    I’m not saying he was Keanu
    Reeves, but he was there for us.
  • 16:06 - 16:09
    Maybe we would have
    been better off without him.
  • 16:09 - 16:11

    Maybe we would have been worse.
  • 16:11 - 16:15
    Well, you’re not the one with a shit
    degree, living in a shit apartment,
  • 16:15 - 16:16
    working a shit job.
  • 16:16 - 16:20
    You could have no degree,
    no apartment, and no job.
  • 16:20 - 16:24
    Okay, but who is the
    common denominator here?
  • 16:24 - 16:26

    How is any of that Phil’s fault?
  • 16:26 - 16:28

    If it’s not his fault, then whose is it?
  • 16:28 - 16:33
    I dunno, “society”? I’m not the one blaming
    other people for how my life turned out.
  • 16:33 - 16:35

    I don’t blame other people.
  • 16:35 - 16:36

    You just blamed him.
  • 16:36 - 16:38
    I said “other people.”
    Phil’s not a person.
  • 16:38 - 16:41
    Five minutes ago you were giving me
    a list of reasons why other
  • 16:41 - 16:43
    people won’t hire you.
  • 16:43 - 16:46
    They won’t hire me because
    my resume looks like shit,
  • 16:46 - 16:48
    and my resume looks like shit
    because Phil fucked me up.
  • 16:48 - 16:50

    So everything’s his fault?
  • 16:50 - 16:52

    He’s the reason both of us are stuck.
  • 16:52 - 16:53

    He’s the reason we don’t have a -
  • 16:53 - 16:55

    Who said I felt stuck? I never said that.
  • 16:55 - 16:56

    You’re stuck taking care of him.
  • 16:56 - 16:58

    I don’t mind taking care of him.
  • 16:58 - 17:00

    Well, five years down the line, you might.
  • 17:00 - 17:02
    If he even lives that long.
  • 17:02 - 17:04

    We should all be so lucky.
  • 17:04 - 17:06
    You can’t keep using Phil as
    an excuse to do nothing.
  • 17:06 - 17:08
    David, you’re an adult.
  • 17:08 - 17:11
    You’re not trapped at home like
    some SoundCloud rapper.
  • 17:11 - 17:13

    You can make choices.
  • 17:13 - 17:13

    What choices?
  • 17:13 - 17:16
    Choosing between paying for my WiFi
    so I can keep my job,
  • 17:16 - 17:18
    or paying for my rent so I have
    a place to live?
  • 17:18 - 17:22
    Choosing to apply to a different job,
    instead of talking yourself out of it.
  • 17:22 - 17:24

    I talk myself out of embarrassing myself.
  • 17:24 - 17:26

    It’s called having dignity.
  • 17:26 - 17:27
    Something I didn't get from Phil.
  • 17:27 - 17:30
    “Dignity?” David, you sell term
    papers to college students.
  • 17:30 - 17:32

    That’s a matter of integrity, not dignity.
  • 17:32 - 17:35

    I do not have integrity.
  • 17:35 - 17:40
    Are you gonna blame that on Phil,
    too? The man is dying, David.
  • 17:40 - 17:42

    Yeah, well it’s about fucking time.
  • 17:47 - 17:51
    You know, you have never
    had to bathe him because he
  • 17:51 - 17:52
    can't stand in the shower by himself.
  • 17:52 - 17:53

    Oh my God.
  • 17:53 - 17:56
    No. You keep talking about how
    much he fucked up your life,
  • 17:56 - 17:59
    but you don't have to put his dinner
    in the blender because he can’t
  • 17:59 - 18:01
    chew anything anymore.
  • 18:01 - 18:04
    You don’t see the look of embarrassment
    on his face when he has an accident
  • 18:04 - 18:06
    and he cries because he feels like a child.
    - Can I just say something
  • 18:06 - 18:10
    You don’t know what it feels like to be
    responsible for someone else.
  • 18:10 - 18:13
    All you’ve ever had to do was be responsible
    for yourself, and you can’t even do that right.
  • 18:13 - 18:15

    Can I just say one thing?
  • 18:15 - 18:16

    What?
  • 18:16 - 18:20

    Nobody is asking you to do all of that.
  • 18:21 - 18:23

    Fuck you.
  • 18:33 - 18:36
    (A dial tone)
  • 18:36 - 18:38

    What?
  • 18:38 - 18:41

    Okay, maybe I shouldn’t have said that.
  • 18:41 - 18:42

    Uh-huh.
  • 18:42 - 18:44

    But I do believe honesty is the best pol-
  • 18:44 - 18:47

    Oh, shut the fuck up.
  • 18:47 - 18:49
    (The line goes dead)
  • 18:58 - 19:00
    (An eerie wind sound)
  • 19:11 - 19:13
    (An announcer)
    Most people wouldn't bike
  • 19:13 - 19:16
    through a Native American reservation
    without expressly written consent
  • 19:16 - 19:18
    of the local tribe.
  • 19:18 - 19:20
    But we're not most people
  • 19:20 - 19:22
    How are we gonna
    get out of this jam?
  • 19:22 - 19:25
    Find out on the new season
    of 'Two White Guys'
  • 19:25 - 19:28
    (Static)
  • 19:48 - 19:54
    Annie, are you using the microwave?
  • 19:54 - 19:57

    Annie!
  • 19:58 - 20:00

    Annie!
  • 20:00 - 20:05

    Who’s Annie?
  • 20:12 - 20:14
    (Annie)
    What do you want?
  • 20:14 - 20:19

    I’m playing Stardew Valley.
  • 20:19 - 20:22
    Dude, what the fuck do you want?
  • 20:22 - 20:26
    Nothing, I just saw a spider.
  • 20:26 - 20:29

    Oh my God! Did you kill her?
  • 20:29 - 20:31

    Yeah, she’s dead.
  • 20:31 - 20:36

    What the fuck, man? Insect life is sacred!
  • 20:36 - 20:39

    It was an accident.
  • 20:39 - 20:42

    Are you sure she’s dead?
  • 20:42 - 20:46

    Yes. I’m sorry, Annie.
  • 20:46 - 20:53

    Okay, let me in. I’ll bury her.
  • 20:53 - 20:59

    I can’t. I need to be alone right now.
  • 20:59 - 21:01

    Why?
  • 21:01 - 21:07
    I have to pray.
  • 21:07 - 21:11

    I didn’t know you were religious?
  • 21:11 - 21:15

    Yeah, I’m making a change.
  • 21:15 - 21:17

    Look, I really need to repent.
  • 21:17 - 21:23
    Yeah, I’m sorry. Just bury her outside
    when you’re done, okay?
  • 21:23 - 21:25

    I’ll leave a trowel out.
  • 21:25 - 21:27

    I will. Thank you, Annie.
  • 21:29 - 21:33

    God bless you, David.
  • 21:33 - 21:37

    God bless you too, Annie.
  • 21:42 - 21:45

    That’s Annie.
  • 21:45 - 21:48
    I see. I should probably
    introduce myself.
  • 21:48 - 21:49

    You’re me.
  • 21:49 - 21:51
    Good. I’m glad we
    got that out of the way.
  • 21:51 - 21:54
    Or you’re a deepfake and
    someone is trying to hack me.
  • 21:54 - 21:57
    Okay, maybe we didn’t get that
    out of the way. Let me explain.
  • 21:57 - 22:00
    You don’t need to. Whoever you
    are, get the fuck off my TV.
  • 22:00 - 22:02

    I don’t have any money.
  • 22:02 - 22:04
    Honestly, if you wanna steal
    my identity, just go for it.
  • 22:04 - 22:05

    I don’t wanna be myself anyway.
  • 22:05 - 22:06
    Are we good?
  • 22:06 - 22:08

    Are you good?
  • 22:08 - 22:09

    No, my fucking TV is talking to me.
  • 22:09 - 22:12
    Do you wanna maybe take
    a moment to calm down?
  • 22:12 - 22:15
    I would really prefer if you
    just got the fuck off my TV.
  • 22:15 - 22:17
    Okay, well, that’s not
    gonna happen, David.
  • 22:17 - 22:19
    I have something important
    to talk to you about.
  • 22:19 - 22:21
    Great. Call my secretary.
    Make an appointment.
  • 22:21 - 22:23

    We’ll do lunch. Get the fuck off my TV.
  • 22:23 - 22:25
    You can’t just keep telling
    me to get the fuck off your TV.
  • 22:25 - 22:28
    Is that what I said? I'm sorry.
  • 22:28 - 22:31
    What I meant to say was,
    “Get the fuck off my TV.”
  • 22:31 - 22:33

    David. I understand that this is bizarre,
  • 22:33 - 22:36
    but this is happening whether
    you like it or not.
  • 22:36 - 22:39
    So can you calm down, and
    just give me a moment to explain?
  • 22:45 - 22:47

    I’m calling the police.
  • 22:47 - 22:50

    I can help you change your life.
  • 22:50 - 22:51

    Sure. How much do I send you?
  • 22:51 - 22:54
    Nothing. All I need is
    your time and effort.
  • 22:54 - 22:57
    I already have work to do, which, you’re
    kinda preventing me from doing right now.
  • 22:57 - 23:00
    You mean that cheap term paper
    you’re writing for someone else?
  • 23:00 - 23:02
    So you’re spying on me, too?
  • 23:02 - 23:05
    Is it really spying if you’re
    just watching yourself?
  • 23:05 - 23:06

    You’re not me.
  • 23:06 - 23:10

    Yes I am. And no I’m not.
  • 23:10 - 23:11

    Are you confused?
  • 23:11 - 23:16
    David, I’m you, from an alternate
    timeline, in the year twenty-thirty.
  • 23:16 - 23:21
    ♪ (A foreboding chord) ♪
  • 23:25 - 23:27

    So you’re from the future.
  • 23:27 - 23:28
    That's right.
  • 23:28 - 23:30

    But not my future.
  • 23:30 - 23:34
    Yes. I’m a different David from a
    different timeline that is parallel to yours.
  • 23:34 - 23:36
    And there are different
    Davids in different timelines?
  • 23:36 - 23:38
    That's right.
  • 23:38 - 23:39

    How many?
  • 23:39 - 23:40

    More than we can imagine.
  • 23:40 - 23:42
    Every timeline’s different
    from the last one.
  • 23:42 - 23:45
    It could be something big,
    like the planets are made of chocolate,
  • 23:45 - 23:48
    or it could be small,
    like Seth Rogen has two eyes.
  • 23:48 - 23:50

    Seth Rogen does have two eyes.
  • 23:50 - 23:52

    In this timeline he does.
  • 23:52 - 23:56
    Okay. And you must be from the timeline
    where I’m completely fucking insane?
  • 23:56 - 24:00
    We’re in your timeline, David.
    If anyone’s insane here, it’s you.
  • 24:00 - 24:03

    I’m not entirely convinced that I’m not.
  • 24:03 - 24:08
    Okay, David… I literally have a
    time-sensitive issue to discuss with you.
  • 24:08 - 24:15
    So can we just… tone down the defensive
    sarcasm and accept what is happening?
  • 24:19 - 24:21

    Prove it.
  • 24:21 - 24:22

    Prove what?
  • 24:22 - 24:24
    Prove that you’re me.
    Or, some version of me.
  • 24:24 - 24:26

    I don’t have time for this.
  • 24:26 - 24:28

    I thought you said you could time travel?
  • 24:28 - 24:29

    I said I was from the future.
  • 24:29 - 24:33
    This is not “travel,”
    this is telecommunication.
  • 24:33 - 24:36
    You know how much this costs on
    my phone bill - you know what, fine.
  • 24:36 - 24:38

    What do you want me to prove?
  • 24:38 - 24:39

    Tell me something only I would know.
  • 24:39 - 24:43
    Okay. Your father is currently coughing
    up something that looks like laundry detergent.
  • 24:43 - 24:45

    You could’ve listened to my phone calls.
  • 24:45 - 24:49
    Fair. Uh… in high school, you wrote a short
    story making fun of your music teacher,
  • 24:49 - 24:52
    but you got cold feet and didn’t
    submit it to the school newspaper.
  • 24:52 - 24:55
    I actually did submit that paper.
  • 24:55 - 25:01
    Oh. See, the timelines are a little different.
    How’d it go? Did they publish it?
  • 25:01 - 25:05
    No. They were not fans of the passage
    where Mr. Kleio tried to count how many
  • 25:05 - 25:07
    trumpets he could fit inside himself.
  • 25:07 - 25:09
    Yeah, good thing I didn’t submit it then.
  • 25:09 - 25:14
    Okay, I got it. You jerked off to the
    dance scene in Suspiria.
  • 25:20 - 25:21

    Which one?
  • 25:21 - 25:23

    We both know which one.
  • 25:23 - 25:25

    Okay, you have my attention.
  • 25:25 - 25:29
    Can we proceed with the assumption
    that I am you from a different timeline?
  • 25:29 - 25:32
    I will give you the benefit of the doubt
    provided you do not tell
  • 25:32 - 25:34
    anyone what you know.
  • 25:34 - 25:36
    I wouldn’t do that. We’re on
    the same side here, David.
  • 25:36 - 25:38
    Doesn’t feel like it.
  • 25:38 - 25:41
    Well, I need you on my side.
  • 25:41 - 25:42

    I need your help.
  • 25:42 - 25:43

    With what?
  • 25:43 - 25:45

    I need to catch a murderer.
  • 25:45 - 25:52
    ♪ (The foreboding chord) ♪
  • 25:52 - 25:53
    (A record scratch)
  • 25:53 - 25:57
    And why do you think I would be
    the best person to help you with that?
  • 25:57 - 25:58
    I’ll explain that in a moment.
  • 25:58 - 26:00

    David, I used to be a Temporal Agent.
  • 26:00 - 26:04
    You don’t know what they are yet,
    but they will exist in your future.
  • 26:04 - 26:08
    Our job is to regulate and control
    the usage of Temporal Technology,
  • 26:08 - 26:09
    also known as TempTech.
  • 26:09 - 26:12
    It’s what you probably call
    time travel technology.
  • 26:12 - 26:16
    We would call it that, but an
    interdimensional tourism company
  • 26:16 - 26:17
    kinda beat us to the patent rights.
  • 26:17 - 26:19

    So it’s TempTech.
  • 26:19 - 26:20

    Okay. TempTech.
  • 26:20 - 26:22

    Sounds made up, but I believe you.
  • 26:22 - 26:26
    A couple years ago, we started seeing
    videos of murders posted on TubeYou.
  • 26:26 - 26:27

    TubeYou?
  • 26:27 - 26:28

    TubeYou. You guys don’t have TubeYou?
  • 26:28 - 26:31

    I think it’s called YouTube here.
  • 26:31 - 26:32

    Oh. That’s weird.
  • 26:32 - 26:36
    Anyway, we started seeing
    videos of murders online.
  • 26:36 - 26:37

    But not just any murders.
  • 26:37 - 26:38

    What, like snuff films?
  • 26:38 - 26:40

    No.
  • 26:40 - 26:40

    Murder porn?
  • 26:40 - 26:41

    No.
  • 26:41 - 26:42

    Cannibalism?
  • 26:42 - 26:45

    No. Maybe it’s better if I show you -
  • 26:45 - 26:48
    No, no, no, no, no, no.
    I would rather not watch a murder.
  • 26:48 - 26:50

    Squeamish.
  • 26:50 - 26:51

    So was I.
  • 26:51 - 26:52

    You’ll get over it.
  • 26:52 - 26:54

    These videos show murders across time.
  • 26:54 - 26:58
    Someone got access to TempTech and
    is using it to leap across time
  • 26:58 - 27:00
    and murder
    people in the past.
  • 27:00 - 27:01
    Wouldn’t that change the future?
  • 27:01 - 27:03

    Like, in that shitty Ashton Kutcher movie?
  • 27:03 - 27:05

    The Fruit Fly Effect.
  • 27:05 - 27:06

    The Butterfly Effect.
  • 27:06 - 27:08
    Yeah, whatever.
    It’s terrible in my timeline too.
  • 27:08 - 27:10
    But surprisingly accurate.
    Let me explain.
  • 27:10 - 27:13
    You keep saying you’re
    gonna explain things.
  • 27:13 - 27:15
    You just met someone
    from an alternate timeline.
  • 27:15 - 27:17
    You didn’t think there’d be
    a huge exposition dump?
  • 27:17 - 27:19
    Yeah, but don’t you have a
    Powerpoint for this or something?
  • 27:19 - 27:23
    Powerpoints? Where we’re going,
    we don’t need Powerpoints.
  • 27:23 - 27:26

    Back to the Future. Surprising.
  • 27:26 - 27:29

    What? No, that’s from Blade Runner.
  • 27:29 - 27:31

    What the hell is Back to the Future?
  • 27:31 - 27:36
    Never mind. Just listen. Let’s say you
    have access to TempTech.
  • 27:36 - 27:37

    Okay.
  • 27:37 - 27:41

    If you could go back in time and kill anyone, who would you kill?
  • 27:41 - 27:41

    Adam.
  • 27:41 - 27:42

    What?
  • 27:42 - 27:45
    I’m kidding. Hitler.
    I’d go back and kill Hitler.
  • 27:45 - 27:47

    Right. Most people would.
  • 27:47 - 27:49
    But you can’t actually do that.
  • 27:49 - 27:50
    Yeah. It’s called a grandfather paradox.
  • 27:50 - 27:52
    If went back and killed someone you'd be
  • 27:52 - 27:58
    erasing the reason you went
    back in time in the first place
  • 27:58 - 28:00

    I read a lot of sci-fi.
  • 28:00 - 28:03
    That's exactly right. If you
    killed Hitler in the past,
  • 28:03 - 28:07
    you’d be erasing the reason you
    went back in time in the first place.
  • 28:07 - 28:10
    Right, so you can’t kill
    anyone in the past.
  • 28:10 - 28:13
    Well, that’s what you’d think,
    but the video says otherwise.
  • 28:13 - 28:14

    Video of what?
  • 28:14 - 28:16

    Of Hitler’s murder.
  • 28:16 - 28:17

    Hitler shot himself.
  • 28:17 - 28:19

    No, he didn’t.
  • 28:19 - 28:22
    Dude, this isn’t gonna be
    some Tupac conspiracy shit, is it?
  • 28:22 - 28:25
    No, it’s not a conspiracy.
    This is what actually happened.
  • 28:25 - 28:27

    That’s not what Wikipedia says.
  • 28:27 - 28:29

    Wikipedia is not fact.
  • 28:29 - 28:34
    Wikipedia is an observation
    made and recorded by humans.
  • 28:34 - 28:37
    Wikipedia is what we know,
    and what we think we know.
  • 28:37 - 28:39

    And Wikipedia was wrong.
  • 28:39 - 28:42
    We have video evidence that
    Adolf Hitler, as well as dozens
  • 28:42 - 28:46
    of other historical figures,
    were murdered.
  • 28:46 - 28:47

    All by the same person.
  • 28:47 - 28:52

    That’s not possible.
  • 28:52 - 28:54

    It would cause a grandfather paradox.
  • 28:54 - 28:56

    The killer didn’t change the past.
  • 28:56 - 28:59
    He already killed his victims;
    he just didn’t know it yet.
  • 28:59 - 29:00

    Nobody knew it.
  • 29:00 - 29:03
    People in the past had already come
    up with reasons to explain
  • 29:03 - 29:06
    why these deaths occurred.
    The killer didn’t change the past.
  • 29:08 - 29:10

    He caused it.
  • 29:10 - 29:11

    … so he killed Hitler?
  • 29:11 - 29:13

    Yes.
  • 29:13 - 29:16
    The video is taken from Hitler’s
    office in the Führerbunker .
  • 29:16 - 29:19
    Hitler and his wife, Eva Braun,
    are both restrained.
  • 29:19 - 29:23
    The killer forces Braun to eat
    a cyanide pill as Hitler watches.
  • 29:23 - 29:26
    Then he feeds Hitler a bullet
    sandwich with his own pistol.
  • 29:26 - 29:28
    So Hitler’s death was staged
    to look like a suicide?
  • 29:28 - 29:31
    Nobody would have known, because
    Hitler signed a last will two days earlier.
  • 29:31 - 29:34
    Everyone around him knew he was
    going to kill himself, so they didn’t
  • 29:34 - 29:36
    think to look for evidence.
  • 29:36 - 29:39
    But even if they did, they
    wouldn’t have found anything.
  • 29:39 - 29:41
    The timeline can’t allow
    for an anachronism.
  • 29:41 - 29:43
    So… the timeline hides
    evidence for this guy?
  • 29:43 - 29:47

    That’s right. He can kill with impunity,
  • 29:47 - 29:49
    because it’s impossible for
    him to be caught in the past.
  • 29:49 - 29:52
    But if he can only kill
    people he’s already killed…
  • 29:52 - 29:54

    how does he know who he’s already killed?
  • 29:54 - 29:59

    He doesn’t. If he fails, he fails.
  • 29:59 - 30:01

    He can’t get caught anyway.
  • 30:01 - 30:07
    But if he succeeds, he has video
    evidence proving Wikipedia is wrong.
  • 30:07 - 30:13
    People who see video after video of
    murders that supposedly never happened -
  • 30:13 - 30:15

    they lose faith in Wikipedia.
  • 30:15 - 30:19
    They start to question reality.
  • 30:19 - 30:24
    How do you believe in anything when
    there’s a madman slashing his way through
  • 30:24 - 30:26
    history who nobody can stop?
  • 30:26 - 30:28
    Nobody can even find?
  • 30:40 - 30:44
    I… I don’t know. I thought those
    were rhetorical questions.
  • 30:44 - 30:46
    They were, I was letting the moment land.
  • 30:46 - 30:48
    Point is, this is much
    bigger than just one killer.
  • 30:48 - 30:50
    So why doesn’t anyone
    in your universe stop him?
  • 30:50 - 30:53
    Okay, first of all “timeline,”
    not “universe.”
  • 30:53 - 30:55

    “Timeline,” okay?
  • 30:55 - 30:59
    If we start using different words, this is
    gonna get more confusing than it already is.
  • 30:59 - 31:02
    Second, we tried. When I was back
    at the Temp Agency we -
  • 31:02 - 31:04

    You worked at a temp agency?
  • 31:04 - 31:08
    The Temporal Agency. I was a Temporal
    Agent. I said that before.
  • 31:08 - 31:11
    Oh, sorry, just had to clarify.
  • 31:11 - 31:16
    The Agency didn’t want to waste resources
    trying to catch someone who couldn’t be caught.
  • 31:16 - 31:20
    The best they we could do was remove his
    videos and suspend his Twitch channel.
  • 31:20 - 31:26
    But it doesn’t stop him,
    and it’s not justice.
  • 31:26 - 31:30
    The Agency thought I was
    fixated on the case.
  • 31:30 - 31:32

    They say the killer just wants attention.
  • 31:32 - 31:37
    They think the problem will
    go away if they just ignore it.
  • 31:37 - 31:42
    Even in the future, people
    don’t learn from the past.
  • 31:42 - 31:46
    I’m the only one who wants
    to do anything about this.
  • 31:51 - 31:54

    You could ask me what my plan is.
  • 31:54 - 31:55

    Tell me more.
  • 31:55 - 32:00
    Before I left the Agency, I managed to get
    a hold of a new form of TempTech.
  • 32:00 - 32:04
    It was an experimental prototype that would
    allow telecommunication between
  • 32:04 - 32:09
    two timelines over
    a sixth dimensional plane.
  • 32:09 - 32:12
    Basically, the thing that
    lets us talk right now.
  • 32:12 - 32:13

    Okay.
  • 32:13 - 32:14

    So I had a theory.
  • 32:14 - 32:17

    I know I can’t find this guy,
  • 32:17 - 32:20
    I can’t catch him, and even if I did,
    I wouldn’t be able to kill him.
  • 32:20 - 32:23
    I can’t go back in time and stop him
    from getting access to TempTech,
  • 32:23 - 32:25
    because that would cause
    a grandfather paradox.
  • 32:25 - 32:28
    So you want me to kill him
    from my timeline.
  • 32:28 - 32:29
    Not just kill him.
  • 32:29 - 32:30

    Erase him.
  • 32:30 - 32:32
    I need you to prevent
    him from being born.
  • 32:32 - 32:34
    ♪ (A foreboding chord) ♪
  • 32:34 - 32:36
    Why can’t you just come
    here and do that yourself?
  • 32:36 - 32:40
    TempTech isn’t advanced enough to transfer
    physical matter between timelines.
  • 32:40 - 32:43
    If I tried, I would most likely
    just be spaghettified.
  • 32:43 - 32:44

    Spaghettified?
  • 32:44 - 32:48
    Imagine a baby. Happy.
    Healthy. Limbs intact.
  • 32:48 - 32:49
    Okay.
  • 32:49 - 32:56
    Now imagine that same baby being
    pushed through a cheese grater.
  • 32:56 - 32:59
    The gravity created by a wormball
    of that size would literally
  • 32:59 - 33:02
    tear the molecules out of my body.
  • 33:02 - 33:07
    Anyway, I can’t move between
    timelines, but electrons can.
  • 33:07 - 33:09

    That’s why I’m reaching out to you.
  • 33:09 - 33:15
    If we find out out who the killer is, you can
    use TempTech to visit my timeline in the past
  • 33:15 - 33:16
    contact his parents, and prevent
    them from meeting.
  • 33:16 - 33:18

    It’s two steps.
  • 33:18 - 33:23
    We find out who he is, you place
    a sixth-dimensional phone call.
  • 33:23 - 33:24
    And I sit and pray that it works.
  • 33:24 - 33:26

    You don’t know if it’ll work.
  • 33:26 - 33:29
    It’s the only way I can think of to
    escape a grandfather paradox.
  • 33:29 - 33:34
    But it wouldn’t. If you succeeded
    you'd be erasing your own present.
  • 33:34 - 33:39
    That's right, but that’s
    a risk I’m willing to take.
  • 33:39 - 33:41
    I have many questions.
  • 33:41 - 33:43

    Like: why do I want your help?
  • 33:43 - 33:46
    You don’t know anything about
    TempTech or serial killers.
  • 33:46 - 33:50
    You’re just a failed fiction writer with
    a weakness for demonic dance scenes.
  • 33:50 - 33:52

    Read my mind.
  • 33:52 - 33:55
    Sixth dimensional communication
    isn’t an exact science... yet.
  • 33:55 - 33:59
    You can’t calibrate it in a way that you know
    exactly what timeline you’re gonna end up in.
  • 33:59 - 34:02
    So I’ve been searching for the right David.
  • 34:02 - 34:05
    I couldn’t trust anyone but myself with this
    information, so who better to ask?
  • 34:05 - 34:08
    I found Davids who were
    interested in the science,
  • 34:08 - 34:11
    but too queasy to deal with the ethics of
    erasing someone from existence.
  • 34:11 - 34:15
    I found Davids who couldn’t care less about
    other people dying in a parallel timeline.
  • 34:15 - 34:20
    And then I found Davids who just…
    weren’t cut out for it.
  • 34:20 - 34:23

    And then I found you. And you were sad.
  • 34:23 - 34:28
    And you were disappointed in yourself,
    the same way I’m disappointed in myself.
  • 34:28 - 34:30
    I knew you were someone who
    needed a second chance.
  • 34:30 - 34:32
    You mean you thought you
    could manipulate me.
  • 34:32 - 34:38
    No. David, if you do this, you’ll save the
    lives of countless people in my timeline.
  • 34:38 - 34:41
    They’ll never know it,
    but that doesn’t change the facts.
  • 34:41 - 34:44

    History is just what’s recorded.
  • 34:44 - 34:49
    Your deeds matter, regardless of whether
    anyone recognizes them or not.
  • 34:49 - 34:53
    So, no, I don’t want to manipulate you.
  • 34:53 - 34:57
    I want to motivate you to do
    something selfless, something great.
  • 34:57 - 34:59

    I think you want to do something great.
  • 34:59 - 35:00
    You were wrong.
  • 35:00 - 35:02

    Look, I listened to your pitch.
  • 35:02 - 35:06
    You seem like an okay guy, and I’m not just
    saying that because you remind me of myself.
  • 35:06 - 35:11

    But I’m not your guy.
  • 35:11 - 35:14

    You didn’t ask about what I said earlier.
  • 35:14 - 35:16

    That I could help you change your life.
  • 35:16 - 35:18
    That’s because I know what false
    advertising looks like.
  • 35:18 - 35:22
    Maybe you’re so used to being lied to
    that you’ve stopped believing in the truth.
  • 35:22 - 35:25
    You’re not curious about
    what I can offer you?
  • 35:25 - 35:27
    You’re gonna give me TempTech in
    exchange for helping you.
  • 35:27 - 35:30
    That’s right. I can’t
    physically send you a device,
  • 35:30 - 35:33
    but I can give you all the documents and
    software you would need.
  • 35:33 - 35:37
    I also have a discount code for Skillshare
    so you can learn about the engineering.
  • 35:37 - 35:41
    It’ll take a while to understand all of it,
    but once you’re ready,
  • 35:41 - 35:44
    you can reach out to other Davids
    across the sixth dimensional plane.
  • 35:44 - 35:48
    Once you find the right one you
    can change your own timeline.
  • 35:48 - 35:51

    You can change your past.
  • 35:51 - 35:56
    You know I knew this was a
    scam, but... it’s worse.
  • 35:56 - 35:59

    Find another David?
  • 35:59 - 36:03

    This is just a fucking chain letter.
  • 36:03 - 36:06
    No wonder the Agency fired you
  • 36:06 - 36:12
    You’re just as insane as the
    guy you’re obsessed with.
  • 36:14 - 36:19
    Cute. But I don’t blame you.
    This is a lot to take in.
  • 36:19 - 36:23
    So I’m gonna come back
    forty-eight hours from now -
  • 36:23 - 36:24

    Don’t bother.
  • 36:24 - 36:27

    And you can give me your answer then.
  • 36:27 - 36:30
    And David, when you’re
    thinking about my offer,
  • 36:30 - 36:34
    remember this: I’m from
    the year twenty-thirty.
  • 36:34 - 36:37
    Why do think I visited you in
    the year twenty-twenty?
  • 36:37 - 36:39

    Because you’re a masochist?
  • 36:39 - 36:43
    No. Well, yes, but,
    that’s the reason why.
  • 36:43 - 36:47
    I visited your timeline
    in the year twenty-thirty.
  • 36:47 - 36:53
    I looked around for you.
    You weren’t there.
  • 36:53 - 36:57
    You need this more than you know.
  • 37:16 - 37:23
    (Typing)
  • 38:01 - 38:04
    (A dial tone)
  • 38:22 - 38:24
    (A phone ringing)
  • 38:35 - 38:37

    Hey.
  • 38:37 - 38:38

    You called?
  • 38:38 - 38:39

    Yeah. Are you busy?
  • 38:39 - 38:42

    I’m always busy, David. What do you want?
  • 38:42 - 38:46

    I… kinda got a job offer.
  • 38:46 - 38:49

    Oh? Where?
  • 38:49 - 38:52

    It’s um… I can’t really talk about it.
  • 38:52 - 38:54

    But you wanna talk about it.
  • 38:54 - 38:55

    Yeah.
  • 38:55 - 38:59

    Is it something I wouldn’t approve of?
  • 38:59 - 39:01

    Like, writing American history textbooks?
  • 39:01 - 39:03

    No, it’s not that bad.
  • 39:03 - 39:04

    But I don’t know if you’d approve.
  • 39:04 - 39:07

    I don’t even know if I approve.
  • 39:07 - 39:12
    Is it more ethical than selling term
    papers to low-income college students?
  • 39:12 - 39:15

    Yes. I think so.
  • 39:15 - 39:17

    Does it pay well?
  • 39:17 - 39:21
    No, not really? Yes and no?
  • 39:21 - 39:22

    So it doesn’t pay.
  • 39:22 - 39:24

    Not money.
  • 39:24 - 39:26

    So it’s an internship?
  • 39:26 - 39:28

    Not exactly.
  • 39:28 - 39:30
    So is it a writing job?
  • 39:30 - 39:34
    No. But if I do well, they’ll let
    me rewrite some stuff.
  • 39:34 - 39:37

    So it’s a stepping stone.
  • 39:37 - 39:40
    Yeah, it’s definitely a step.
  • 39:40 - 39:45
    But you’re not sure if it’s a
    step in the right direction?
  • 39:45 - 39:48
    Yeah, yeah, that’s it.
  • 39:48 - 39:50

    Why do you feel that way?
  • 39:50 - 39:54
    It feels like I’m moving backwards.
  • 39:54 - 39:58
    Like I’m doing something
    I’ve already done before.
  • 39:58 - 39:59

    Are you going back to Pizza Pagoda?
  • 39:59 - 40:00

    No.
  • 40:00 - 40:03
    Because I heard they
    unionized the kitchen there.
  • 40:03 - 40:04

    They get dental now.
  • 40:04 - 40:08
    They do?! I mean, uh - I’m not
    going back to Pizza Pagoda.
  • 40:08 - 40:13
    I just… I need to find something else,
    and this thing just kinda presented itself.
  • 40:13 - 40:17
    Well, don’t just take it because
    it’s the first thing that came along.
  • 40:17 - 40:20
    Look what happened to that
    guy that married Michelle Williams.
  • 40:20 - 40:23
    Well, I can’t just stay at the center.
    It’s a dead end.
  • 40:23 - 40:29
    Why do you have to move backwards,
    whatever that means?
  • 40:29 - 40:33
    I don’t know. It’s better than
    staying stuck in the same spot.
  • 40:33 - 40:35

    Do you remember Lenna?
  • 40:35 - 40:38

    Yeah. Why?
  • 40:38 - 40:46
    They uh, they run a journalism site now.
    Well, a music journalism site.
  • 40:46 - 40:50
    Yeah, they used to run a blog.
    Uh, Listening with Len?
  • 40:50 - 40:52

    They changed the name.
  • 40:52 - 40:53

    Oh, thank God.
  • 40:53 - 40:56
    Anyway, they’re getting like,
    solid traction on readership
  • 40:56 - 40:59
    and they’re looking to hire writers.
  • 40:59 - 41:03

    Oh, I wouldn’t wanna do that.
  • 41:03 - 41:06
    Why not? You two worked together.
  • 41:06 - 41:08
    Yeah, that’s the problem.
    They’ve seen me at work.
  • 41:08 - 41:14
    Well, writing is different from tutoring.
    Do they think you’re a good writer?
  • 41:14 - 41:15

    I don’t know.
  • 41:15 - 41:18
    Well, you should
    submit and find out.
  • 41:18 - 41:19

    Music journalism?
  • 41:19 - 41:21

    You like music.
  • 41:21 - 41:25
    Everyone likes music. That doesn’t mean
    everyone should write about it.
  • 41:25 - 41:26

    Have you ever read Pitchfork ?
  • 41:26 - 41:28

    Well, you wanted something different.
  • 41:28 - 41:30
    Well, it’s not the kind of
    writing I wanna do.
  • 41:30 - 41:33
    Nobody starts out writing
    what they wanna write.
  • 41:33 - 41:36
    Hemingway started out as a journalist.
  • 41:36 - 41:39
    Yeah, and he ended in
    pieces on the kitchen floor.
  • 41:39 - 41:42
    Yeah, but that’s was because
    he was a novelist.
  • 41:42 - 41:47
    Look, I’m not saying take the job
    or I’ll disown you.
  • 41:47 - 41:48
    But it’s an alternative.
  • 41:48 - 41:51
    You shouldn’t have to move
    backwards to move forward.
  • 41:51 - 41:56
    Sometimes you can move sideways.
  • 41:56 - 42:00
    Okay, I’ll think about it. Thank you.
  • 42:00 - 42:03
    Yeah, no problem.
  • 42:09 - 42:11

    Ask me how I’m doing.
  • 42:11 - 42:12

    Sorry. How are you?
  • 42:12 - 42:15

    Still shitty.
  • 42:15 - 42:18

    I, uh, I’m starting to plan.
  • 42:18 - 42:19

    Plan?
  • 42:19 - 42:21
    Yeah, for Phil.
  • 42:21 - 42:24
    What? Like, getting toxins that
    won’t show up on autopsy?
  • 42:24 - 42:30
    No, just making sure there’s
    enough money. Just in case.
  • 42:30 - 42:32

    Is it really that bad?
  • 42:32 - 42:39
    Yeah. He's coughing up more red, which
    is better than purple, but still not good.
  • 42:39 - 42:42
    And he’s having more accidents.
  • 42:42 - 42:44
    I just feel like something bad's
    gonna happen one day
  • 42:44 - 42:46
    and everything's gonna
    go downhill from there.
  • 42:46 - 42:48

    You’re gonna push him down a hill?
  • 42:48 - 42:57
    Can you be serious? Look, I think
    you need to talk to him.
  • 42:57 - 43:01
    About what? Like finding
    underwear that doesn’t stain?
  • 43:01 - 43:04
    I don’t know. Anything you
    need to tell him.
  • 43:04 - 43:07
    I don’t think I have
    anything to say to him.
  • 43:07 - 43:10
    Well, you don't know
    that until you see him.
  • 43:10 - 43:13

    When was the last time you were even here?
  • 43:13 - 43:16
    Uh… maybe like Feb...?
  • 43:16 - 43:18

    Feb?
  • 43:18 - 43:20

    Yeah, definitely Feb.
  • 43:20 - 43:23

    Uh-huh. Feb of which year?
  • 43:23 - 43:25

    Okay, it’s been a while.
  • 43:25 - 43:28
    Well, he can't go and see you, so…
  • 43:28 - 43:37
    Look, if I set up a chat between
    you two, would you talk to him?
  • 43:37 - 43:40

    Maybe convince him to see a doctor?
  • 43:40 - 43:41

    He’s not gonna listen to me.
  • 43:41 - 43:44
    Well, he’s not listening to me.
    And I’m the one that makes sense.
  • 43:44 - 43:47
    That’s because he only
    understands sarcasm.
  • 43:47 - 43:52

    Exactly. You speak the same language.
  • 43:52 - 44:01
    Look, you’re not giving him his
    last rites. Just think about it, please?
  • 44:01 - 44:03
    You’re giving me a lot to think about.
  • 44:03 - 44:06
    I know. This must be so hard for you.
  • 44:06 - 44:11
    Oh, I have something to share with you.
  • 44:11 - 44:13

    Is it a DoorDash coupon?
  • 44:13 - 44:20
    No. So I was going through
    the photos in the attic.
  • 44:20 - 44:23
    'Cause I figured I should have some ready.
  • 44:23 - 44:30
    And I found this.
    Uh, I’ll just send it to you.
  • 44:30 - 44:31
    (A phone beep)
  • 44:37 - 44:41
    Huh. I thought he got rid of them.
  • 44:41 - 44:44
    I thought so too.
    At first I didn’t know who it was.
  • 44:44 - 44:48

    Are we sure it’s her?
  • 44:48 - 44:49

    Who else would it be?
  • 44:49 - 44:51

    I don’t know. Maybe we should ask him.
  • 44:51 - 44:53
    Maybe you should ask him.
  • 44:53 - 44:58
    “Hey, haven’t seen you in two plus years.
    Also, who is this bitch?!”
  • 44:58 - 45:02
    I dunno, she looks... different.
  • 45:02 - 45:07
    She’s probably around our age here.
    Probably when they started dating.
  • 45:07 - 45:12
    Huh. If I looked like that,
    I’d leave him too.
  • 45:12 - 45:13

    She didn’t leave him.

  • 45:13 - 45:14

    Not the way he tells it.
  • 45:14 - 45:18
    He tells so many stories about it,
    I don’t even know what to believe anymore.
  • 45:18 - 45:20

    Maybe she’s still here.
  • 45:20 - 45:23
    We just can’t see her because
    we’re blinded by all the lies.
  • 45:23 - 45:29
    You get so used to being lied to that
    you stop believing in the truth.
  • 45:29 - 45:33
    That sounds like a really sad
    Panic! At the Disco song.
  • 45:33 - 45:35

    They’re all sad now.
  • 45:36 - 45:38
    (A phone ringtone)
  • 45:38 - 45:40
    Oh, shit, it’s George.
  • 45:40 - 45:42

    Speak of the devil.
  • 45:42 - 45:46
    “I heard you were talking about other
    writing opportunities, David.
  • 45:46 - 45:49
    The only thing you’ll be
    writing is your own obituary.”
  • 45:49 - 45:51

    Oh, shit. I gotta take this.
  • 45:51 - 45:53
    He’s probably pissed off
    his kids or something.
  • 45:53 - 45:57
    Yeah, no problem. Bye!
  • 45:57 - 46:01
    Don’t rob your students of a
    valuable learning experience!
  • 46:01 - 46:05


    No. Bye.
  • 46:05 - 46:07

    Hey, George. How’re the kids?
  • 46:07 - 46:13
    I don’t have - listen David,
    you’re gonna love this.
  • 46:13 - 46:16
    I just got off the phone with
    a student asking for a refund.
  • 46:16 - 46:22
    Get this. They said, and I quote,
    “My tutor didn’t deliver.”
  • 46:22 - 46:26
    Ooh, “deliver.” Someone’s been
    hitting Dictionary.com.
  • 46:26 - 46:30
    Right? So I tell him what
    we always tell ‘em.
  • 46:30 - 46:30

    What’d you tell him?
  • 46:30 - 46:35
    I told him to go take a hike
    in the Black Hills Forest.
  • 46:35 - 46:39
    He might be a little too young
    to understand that one.
  • 46:39 - 46:43

    I know. That’s how I get away with it.
  • 46:43 - 46:44

    But seriously.
  • 46:44 - 46:51
    I told them you tried your best and it just,
    you know, probably wasn’t a good fit.
  • 46:51 - 46:57
    I told they could try another tutor
    but they insist - they insist - on a refund.
  • 46:57 - 47:02

    So what do I do in this situation?
  • 47:02 - 47:05
    Tell them we have a no refund policy
    and we’ll see them in court.
  • 47:05 - 47:09
    That’s the thing. We don’t
    have a no refund policy.
  • 47:09 - 47:10

    We don’t?
  • 47:10 - 47:14
    No. I have a no refund policy.
  • 47:14 - 47:16
    What’s your policy, David?
  • 47:16 - 47:20
    My policy is the same as yours, George
  • 47:20 - 47:25
    Right. Your policy is the same
    as mine because you work for me.
  • 47:25 - 47:31
    You provide services which are guaranteed
    through my business establishment.
  • 47:31 - 47:35
    Right. So we have the same policy.
  • 47:35 - 47:41
    So what’s your policy when an
    employee violates the policy?
  • 47:42 - 47:45
    Uh, what?
  • 47:45 - 47:52
    What’s your policy when an
    employee violates the policy?
  • 47:52 - 47:53
    We - uh -
  • 47:53 - 47:58
    Not “we.” We don’t share policies.
  • 47:58 - 48:01
    I have my policy, and
    you have your policy.
  • 48:01 - 48:08
    They may be the exact same policy, but
    they’re separate policies nonetheless.
  • 48:08 - 48:15
    Now, I know what my policy is,
    but I want to see your policy.
  • 48:15 - 48:21
    So what is your policy when
    an employee violates the policy?
  • 48:21 - 48:27
    Uh, George, are you…
    accusing me of something?
  • 48:27 - 48:30
    I’m just asking you
    what your policy is.
  • 48:30 - 48:34
    But I don’t think you can tell me what your policy is,
  • 48:34 - 48:36
    because I don’t think
    you actually have one.
  • 48:36 - 48:39
    Well, you said your policy
    was the same as mine.
  • 48:39 - 48:45
    And last time I checked, I have a
    strict academic integrity policy.
  • 48:45 - 48:46

    Remember what that means?
  • 48:46 - 48:49
    Uh, yeah.
  • 48:49 - 48:52

    What does it mean?
  • 48:52 - 48:55
    It means we don’t write
    papers for our students.
  • 48:55 - 49:00

    And did you break that rule?
  • 49:00 - 49:02

    Go ahead, spin me a yarn.
  • 49:02 - 49:05

    Dig yourself a bigger pit to fall into.
  • 49:05 - 49:12
    No, you’re right, George.
    I broke the rules.
  • 49:12 - 49:16

    I know. But I want to hear it from you.
  • 49:18 - 49:26
    Um, the student didn’t understand
    the work, I was frustrated.
  • 49:26 - 49:28

    I saw an opportunity to help us both out.
  • 49:28 - 49:32
    So I offered to write the paper,
    but I didn’t even follow through with it.
  • 49:32 - 49:35

    I was gonna give the money back, but…
  • 49:35 - 49:40
    I needed the money to get
    my Wi-Fi fixed like you asked.
  • 49:40 - 49:44
    So I figured I’d just pay the
    student back next week.
  • 49:44 - 49:49
    I didn’t think they’d call you.
  • 49:49 - 49:52

    I’m sorry, George.
  • 49:52 - 49:56

    I… I took the easy way out.
  • 49:56 - 50:01
    Okay. I understand why
    you did what you did.
  • 50:01 - 50:03
    It was a moment of weakness.
  • 50:03 - 50:05

    We’ve all had them.
  • 50:05 - 50:10
    You see, my wife and I were
    having trouble last year -
  • 50:10 - 50:11

    You have a wife?
  • 50:11 - 50:15

    Yes! How - never mind.
  • 50:15 - 50:17
    I’m giving you a second chance.
  • 50:17 - 50:18

    Really?
  • 50:18 - 50:20
    Of course. Don’t you
    remember today’s word?
  • 50:20 - 50:32

    LEARNING: Lamentable Emasculations Assist Redemption, Newfound Initiative, and Natural Growth.
  • 50:32 - 50:37
    Oh, yeah, I totally forgot to
    check the website this morning.
  • 50:37 - 50:41
    Well, thank you, George.
    I won’t let you down.
  • 50:41 - 50:47
    I know you won’t. But I wanna keep
    this between us, alright?
  • 50:47 - 50:49
    I don’t need this kind
    of thing getting out.
  • 50:49 - 50:53

    Yeah. Yeah, absolutely.
  • 50:53 - 50:59
    And George, I promise, what happened
    with Louie will never happen again.
  • 50:59 - 51:02

    Louie? The student’s name was Ramjeet.
  • 51:04 - 51:07
    I’ll do it.
  • 51:07 - 51:08
    You will?
  • 51:08 - 51:12
    I’m broke, my father might be
    dying, and I just got lost my job.
  • 51:12 - 51:13
    I'm all the way in.
  • 51:13 - 51:15

    You got fired from the tutoring center?
  • 51:15 - 51:16

    I remember that. Good times.
  • 51:16 - 51:18

    Did you forget about Ramjeet?
  • 51:18 - 51:20

    I forgot about Ramjeet.
  • 51:20 - 51:21
    Never forget about Ramjeet.
  • 51:21 - 51:22
    You could’ve warned me
    about that, you know.
  • 51:22 - 51:25
    I don’t know everything
    about this timeline.
  • 51:25 - 51:28
    Besides, you’re here,
    so it worked out for the both of us.
  • 51:28 - 51:30

    I thought you might not show up.
  • 51:30 - 51:31


    Well, I showed up.
  • 51:31 - 51:32
    Where do we start?
  • 51:32 - 51:36
    I’ll tell you what we know about
    the killer, which isn't much.
  • 51:36 - 51:38

    First thing is the psych profile.
  • 51:38 - 51:41
    It’s short, obviously, because there
    isn't a lot of information available
  • 51:41 - 51:43
    on how time travel affects the brain.
  • 51:43 - 51:46
    I mean, I don’t even know what I’d
    do with a psych profile,
  • 51:46 - 51:49
    but, sure, tell me what you know.
  • 51:49 - 51:51

    Well, he’s a narcissist.
  • 51:51 - 51:54
    Delusions of grandeur;
    he likes to literally cause history.
  • 51:54 - 51:57
    He’s a people pleaser
    and an exhibitionist.
  • 51:57 - 52:00
    Posts videos of his crimes; he likes
    people to know what he’s doing,
  • 52:00 - 52:02
    especially when he knows
    he’s doing a good job.
  • 52:02 - 52:05
    Probably also doesn’t like it when people
    know he’s doing a bad job.
  • 52:05 - 52:10
    He doesn’t show videos of failed kills.
    Most likely middle or lower-class.
  • 52:10 - 52:15
    Low power physically, emotionally,
    economically, socially. Shit job.
  • 52:15 - 52:18
    Probably had issues with his parents,
    if they were around.
  • 52:18 - 52:21
    Failed to live up to everyone’s
    expectations, including his own.
  • 52:21 - 52:25
    If he had siblings, probably
    felt inferior to them.
  • 52:25 - 52:26

    Doesn’t have a lot of friends.
  • 52:26 - 52:31
    The few he does are probably
    through the Internet. Single. Virgin.
  • 52:31 - 52:33

    That’s all I got.
  • 52:35 - 52:39

    So… he’s a libertarian.
  • 52:39 - 52:43
    Second thing we know, which will
    probably be even less useful, is his name.
  • 52:43 - 52:44

    We have his name?
  • 52:44 - 52:47
    Not his real name, but what we
    called him at the Agency.
  • 52:47 - 52:49

    Promise not to laugh.
  • 52:49 - 52:51

    I won’t.
  • 52:51 - 52:53

    We call him “the Fizzle Killer.”
  • 52:53 - 53:00

    “The Fizzle Killer”? Why?
  • 53:00 - 53:04
    His videos and profiles
    referred to him as “Fizzle,”
  • 53:04 - 53:07

    Why not call him “the Time Killer”?
  • 53:07 - 53:10
    Like “time travel”, we can’t use
    that name for copyright reasons.
  • 53:10 - 53:12
    There’s a company that
    produces laser watches,
  • 53:12 - 53:18
    which are exactly as cool as they sound -
    and they beat us to the name.
  • 53:18 - 53:19

    So, he’s the Fizzle Killer.
  • 53:19 - 53:20

    Get your laughs in now.
  • 53:20 - 53:22

    Heinlein.
  • 53:22 - 53:24

    Was that a laugh in German?
  • 53:24 - 53:26

    No, Heinlein. Robert Heinlein.
  • 53:26 - 53:27

    He was a science-fiction writer.
  • 53:27 - 53:29

    You think he’s the Fizzle Killer?
  • 53:29 - 53:30

    No. He’s dead.
  • 53:30 - 53:32
    And you think the Fizzle
    Killer killed him?
  • 53:32 - 53:33

    No. You’ve never heard of him?
  • 53:33 - 53:37
    No. Why would I read
    science-fiction? I’m living it.
  • 53:37 - 53:41
    Robert Heinlein has a story
    called “-All You Zombies-.”
  • 53:41 - 53:43

    It’s about time travel.
  • 53:43 - 53:45
    The narrator talks about
    something called a Fizzle War.
  • 53:45 - 53:47
    You think there’s a clue
    hidden in the story?
  • 53:47 - 53:51
    No, that is the clue.
    This guy’s a fucking sci-fi nerd.
  • 53:51 - 53:54

    That would fit our profile. Huh.
  • 53:54 - 53:57
    We had a whole unit
    of Agents on this case.
  • 53:57 - 54:00
    We thought his name was just some
    stupid Readdat handle.
  • 54:00 - 54:01
    Readdat?
  • 54:01 - 54:04
    Readdat? You guys don’t have
    Readdat? It’s a fivum.
  • 54:04 - 54:05
    A what?
  • 54:05 - 54:09
    A fivum. It's a website where
    you share opinions and stuff.
  • 54:09 - 54:11
    Oh, a forum.
  • 54:11 - 54:13
    Why would you call it a forum?
  • 54:13 - 54:15
    I don’t know. Why
    would you call it a fivum?
  • 54:15 - 54:18
    Because five is better than four.
    Obviously.
  • 54:18 - 54:21
    Dude, you’re one of the smarter
    Davids I’ve met but God,
  • 54:21 - 54:23
    you live in a stupid ass timeline.
  • 54:23 - 54:25
    No arguments there.
  • 54:25 - 54:29
    This is a great clue though.
    He’s a sci-fi nerd. Of course.
  • 54:29 - 54:31

    Well, I do have something else for you.
  • 54:31 - 54:34
    I’m gonna send it across the
    sixth dimensional plane in a second,
  • 54:34 - 54:37

    I just gotta get the formatting right.
  • 54:37 - 54:38

    Do you guys have Pedia Files?
  • 54:38 - 54:42


    Uh. You mean PDF files?
  • 54:42 - 54:44

    Yeah, what did I say?
  • 54:48 - 54:50
    I’m fucking with you.
    I’m fucking with you.
  • 54:50 - 54:52

    I’m sending it over now.
  • 54:52 - 54:58
    I’m sorry. Give it a second.
    Check your email.
  • 54:58 - 55:00
    (Beep)
  • 55:01 - 55:02
    Really?
  • 55:02 - 55:04
    Aw, I thought you’d laugh at that.
  • 55:04 - 55:07
    You don’t think it’s a little dangerous to
    send me something that says that?
  • 55:07 - 55:13
    Oh come on. It’s not like the
    NSA is reading your emails.
  • 55:13 - 55:16

    Wait, do they actually do that here?
  • 55:16 - 55:19
    Why do I objectively
    live in the worst timeline?
  • 55:19 - 55:21

    Anyway, take a look at this.
  • 55:21 - 55:24
    It’s a collection of the videos that
    the killer posted on TubeYou.
  • 55:24 - 55:26

    I told you I don’t wanna look at those.
  • 55:26 - 55:29
    Dude, we’re catching a
    murderer, not watching CBS.
  • 55:29 - 55:32

    Besides, you read detective stories.
  • 55:32 - 55:35
    Reading about murder and
    watching it are two different things.
  • 55:35 - 55:38
    You’re right. Let’s wait five years
    for the book to come out.
  • 55:38 - 55:43
    Maybe Truman Capote’ll rise from the
    dead and do all the work for us.
  • 55:43 - 55:45

    This is a step in the right direction.
  • 55:45 - 55:48
    But you’re gonna have to take a
    couple more outside your
  • 55:48 - 55:53
    comfort zone if you wanna
    get where you're going.
  • 56:34 - 56:38
    (A phone ringtone)
  • 56:38 - 56:39
    (Amy)
    David
  • 56:39 - 56:42
    Hey, what’s up? Is Phil okay?
  • 56:42 - 56:43

    Yeah, he’s fine. Are you alright?
  • 56:43 - 56:45

    You mean in a cosmic sense?
  • 56:45 - 56:47

    No, I mean did you get fired?
  • 56:47 - 56:49

    Who told you that?
  • 56:49 - 56:54
    Lenna. They said you
    got fired two days ago.
  • 56:54 - 56:56

    Why would Lenna know that?
  • 56:56 - 56:59

    Because they talked to George.
  • 56:59 - 57:02
    Who the fuck talks to their ex-boss
    three years after they quit?
  • 57:05 - 57:07

    You submitted my resume.
  • 57:07 - 57:08

    Well, you weren’t going to do it.
  • 57:08 - 57:10

    I told you I’d think about it.
  • 57:10 - 57:12

    Yeah, that’s how I knew you wouldn’t.
  • 57:12 - 57:14

    You don’t “think.”
  • 57:14 - 57:17
    If you did, you would’ve stopped
    selling papers like I told you to.
  • 57:17 - 57:19

    David, what are you gonna do?
  • 57:19 - 57:21
    You just threw away a job
    you had for three years.
  • 57:21 - 57:23
    And now you can’t even use
    George as a reference because
  • 57:23 - 57:25
    he’s just gonna tell people
    you were selling so many
  • 57:25 - 57:27
    papers you couldn’t keep track
    of who you were selling them to.
  • 57:27 - 57:28

    I don’t need a reference.
  • 57:28 - 57:30

    I already got a new position.
  • 57:30 - 57:32

    Wha - How?
  • 57:32 - 57:34
    Is this the thing you were
    talking about last time?
  • 57:34 - 57:36

    Yeah. I got the job.
  • 57:36 - 57:37

    I thought it wasn’t a job.
  • 57:37 - 57:40

    It’s not. It - whatever it is, I have it.
  • 57:40 - 57:42

    Okay? You don’t need to worry.
  • 57:42 - 57:43

    Does it pay?
  • 57:43 - 57:44

    It will.
  • 57:44 - 57:45

    But not right now.
  • 57:45 - 57:46

    But it will.
  • 57:46 - 57:48

    I don’t want you to get evicted.
  • 57:48 - 57:49

    I’m not gonna get evicted.
  • 57:49 - 57:50

    Annie’s not gonna throw me out.
  • 57:50 - 57:52
    (Annie)
    Yes I will!
  • 57:52 - 57:54

    Love you too!
  • 57:54 - 57:56
    (Annie)
    Fuck off.
  • 57:56 - 57:57

    David.
  • 57:57 - 58:00
    She’s not. She’s just gonna
    rant about me on Tumblr.
  • 58:00 - 58:04
    And in real life. Look, I’m sorry you had
    to find out from Lenna that I got fired.
  • 58:04 - 58:08
    I was gonna tell you, but I already
    got so much work to do.
  • 58:08 - 58:11

    What are you even doing?
  • 58:11 - 58:17
    It's, uh, I’m assisting on a case.
  • 58:17 - 58:20

    “A case?” What did you do?
  • 58:20 - 58:21

    I didn’t do anything.
  • 58:21 - 58:23

    Are you a police informant?
  • 58:23 - 58:25

    You know I don’t like police.
  • 58:25 - 58:28
    No, it’s with a… private investigator.
  • 58:28 - 58:32
    He’s looking into some cold
    cases and he needs help.
  • 58:32 - 58:35
    “Cold cases?” Like, murders?
  • 58:37 - 58:39
    Uh, yeah.
  • 58:39 - 58:44
    Oh my God. Does he make
    you look at photos? Does he?
  • 58:44 - 58:51
    No, not… yet at least.
    It’s like clerical work.
  • 58:51 - 58:56
    Why would they hire someone like
    you for a job like that? No offense.
  • 58:56 - 59:02
    I don’t know, I guess he… sees
    himself in me or something. I dunno.
  • 59:02 - 59:05
    Or maybe he wanted to hire someone
    he could get away with not paying?
  • 59:05 - 59:09
    It’s not that he doesn’t want to pay me,
    it’s that he needs to find the guy
  • 59:09 - 59:11
    he’s looking for before he can pay me.
  • 59:11 - 59:14
    So it’s contingent on
    whether you solve the case?
  • 59:14 - 59:15

    How long is that gonna take?
  • 59:15 - 59:19
    I don’t know. Look, it’s an interesting
    job. I can use it for my writing.
  • 59:19 - 59:23
    I don’t want you to spend another three years
    working a job just for it to go nowhere again.
  • 59:23 - 59:28
    I’m not going to. I was stuck
    at the center, you know that.
  • 59:28 - 59:30

    I’m glad I got fired.
  • 59:30 - 59:33

    Amy, this is a good thing.
  • 59:33 - 59:35

    You said to move sideways.
  • 59:35 - 59:36

    This is a sideways move.
  • 59:38 - 59:41
    At least you’re taking my advice for once.
  • 59:41 - 59:43
    Yeah, I’m the only one
    in this family who does.
  • 59:43 - 59:45

    You should be grateful.
  • 59:45 - 59:47

    Don’t push it.
  • 59:47 - 59:50

    We need to do something about him.
  • 59:50 - 59:52

    Do we have to?
  • 59:52 - 59:53
    Well, if you don’t say
    anything to him soon,
  • 59:53 - 59:56
    we won’t have to because
    he's just gonna be dead.
  • 59:56 - 60:00
    Uh, okay, what's wrong with him?
  • 60:00 - 60:04
    He’s coughing up purple again,
    but now it’s like, flakes?
  • 60:04 - 60:07
    It’s like lilac petals that
    smell like stomach acid.
  • 60:07 - 60:11
    Can you just please talk to him?
  • 60:11 - 60:13
    What would I even say to him?
  • 60:13 - 60:17
    Tell him he’s a stubborn, cantankerous
    wiseass and if he doesn’t admit
  • 60:17 - 60:19
    that there’s something wrong
    with him, he's gonna die.
  • 60:19 - 60:22
    Why don’t you tell him he’s a
    stubborn, cantankerous wiseass?
  • 60:22 - 60:25
    I can’t do that!
    He thinks I’m the good one.
  • 60:25 - 60:28
    David… don’t get stuck in the past.
  • 60:28 - 60:31

    You saw what it did to him.
  • 60:31 - 60:33
    He spent the last twenty years
    trying to forget what happened
  • 60:33 - 60:35
    and everyone else moved on.
  • 60:35 - 60:37

    Time didn’t wait for him to catch up.
  • 60:37 - 60:41

    Now he’s alone.
  • 60:41 - 60:43
    I don’t want that to happen to us.
  • 60:43 - 60:44
    It won’t.
  • 60:44 - 60:48
    So just talk to him for yourself.
  • 60:48 - 60:51

    Just to move on from it.
  • 60:51 - 60:54
    If he can’t do it, or
    won’t do it, that’s on him.
  • 60:54 - 60:59
    At least you won’t have to wonder if
    you could have saved him or not.
  • 61:03 - 61:07
    Okay, I’ll talk to him, but ask him first.
  • 61:07 - 61:10
    I’m don't wanna force him to listen to me
    lecture him if he doesn’t want to.
  • 61:10 - 61:11
    Okay.
  • 61:11 - 61:14
    And just tell him I wanted to talk.
  • 61:14 - 61:17
    Don’t tell him this is an
    intervention or whatever.
  • 61:17 - 61:18
    Yeah, of course.
  • 61:18 - 61:20
    And I can’t guarantee results.
  • 61:20 - 61:24
    I would not expect you to. Thank you.
  • 61:24 - 61:26

    Don’t thank me yet;
  • 61:26 - 61:30
    I still have to actually
    follow through with it.
  • 61:30 - 61:33
    Look, I should probably get back to work.
  • 61:33 - 61:34
    I have to look at metadata.
  • 61:34 - 61:36
    “Metadata”?
  • 61:36 - 61:37
    Metadata.
  • 61:37 - 61:41
    It’s like this data that
    gets stored on videos,
  • 61:41 - 61:44
    like what date it was taken,
    what camera it was taken on,
  • 61:44 - 61:46
    GPS coordinates if there’s a...
  • 61:46 - 61:49
    Yeah, it’s boring, I know.
  • 61:49 - 61:52
    Yeah, it sounds like it.
  • 61:52 - 61:56
    Alright, I'll see you later.
  • 61:56 - 61:57
    Bye.
  • 61:57 - 62:00
    Metadata!
  • 62:00 - 62:02
    Metadata!
  • 62:09 - 62:14
    (Amy's voice, echoing)
    “Time didn’t wait for him to catch up.”
  • 62:14 - 62:18
    ( A man's voice)
    "It's a clue dumbass"
  • 62:22 - 62:24
    The metadata from the
    videos show that the killer
  • 62:24 - 62:26
    swapped out cameras
    between each murder.
  • 62:26 - 62:28
    He probably destroyed them
    after uploading the videos.
  • 62:28 - 62:30

    Makes it harder to catch him.
  • 62:30 - 62:32
    Right. But when you buy a new camera,
    or any new device, what happens?
  • 62:32 - 62:34
    You… throw away the instruction manual?
  • 62:34 - 62:38
    Yes, but, also, the device
    doesn’t know what time it is.
  • 62:38 - 62:39

    Each camera has an internal clock.
  • 62:39 - 62:41

    That’s how we get timestamps.
  • 62:41 - 62:44
    Most people update the time settings
    as soon as they turn the camera on
  • 62:44 - 62:46
    so it matches the date
    and time they're using it.
  • 62:46 - 62:47
    The killer didn’t.
  • 62:47 - 62:50
    Well, yeah. He was going
    into the past anyway.
  • 62:50 - 62:53
    Right. There’s no point in changing the time setting
    for a camera you’re just gonna throw away.
  • 62:53 - 62:56
    But if you don’t set it up,
    it retains the factory settings.
  • 62:56 - 63:00
    So if I buy a camera today and
    insert the battery for the first time,
  • 63:00 - 63:05
    the default factory setting might be
    January first, two-thousand twenty.
  • 63:05 - 63:11
    But what happens if I take that camera and
    go back to, say, June first, two-thousand ten?
  • 63:11 - 63:13
    The camera still thinks you’re
    in January of two-thousand twenty.
  • 63:13 - 63:16
    Exactly. If you look at the
    recorded dates of the latest videos,
  • 63:16 - 63:18
    most of them are from January.
  • 63:18 - 63:22
    He didn’t spend a lot of time in the past,
    because they were short kills.
  • 63:22 - 63:25
    But most of the older videos
    are dated a couple months later.
  • 63:25 - 63:27

    So think about it.
  • 63:27 - 63:31
    If I take that same camera
    from January twenty-twenty,
  • 63:31 - 63:36
    and I travel to June twenty-ten
    and stay there for two months -
  • 63:36 - 63:38
    The camera will say
    it’s March twenty-twenty.
  • 63:38 - 63:42
    Right. Time doesn’t stop just
    because you’re in the past.
  • 63:42 - 63:45

    And if it doesn’t stop for the camera -
  • 63:45 - 63:45

    It’s not stopping for him either.
  • 63:45 - 63:48
    So if I go to June twenty-ten
    and stay for two months,
  • 63:48 - 63:52
    and then I travel back to the same
    moment I left in January twenty-twenty,
  • 63:52 - 63:54
    the camera will say March twenty-twenty.
  • 63:54 - 63:58
    So both the camera and the killer
    would have aged two months.
  • 63:58 - 64:00
    But no time would
    have elapsed in the present.
  • 64:00 - 64:02
    The killer can move through time,
    but he’s still affected by it.
  • 64:02 - 64:04
    He’s still aging when he’s in the past.
  • 64:04 - 64:06
    Which means he’s aging faster
    than people in the present.
  • 64:06 - 64:06

    Exactly.
  • 64:06 - 64:09
    So I worked with the assumption
    that the killer turned on each camera
  • 64:09 - 64:11
    at the same time he entered the past.
  • 64:11 - 64:14
    So, for example, if a video says
    it was taken on February first,
  • 64:14 - 64:18
    that’s one month from a default
    factory setting of January first,
  • 64:18 - 64:21
    so I can assume that the killer
    spent one month in the past.
  • 64:21 - 64:24
    So working with that estimate, I added
    up the total time he’s spent in the past.
  • 64:24 - 64:26
    How much time?
  • 64:26 - 64:27
    Close to eight years.
  • 64:27 - 64:28

    Holy shit.
  • 64:28 - 64:29

    And that’s conservative.
  • 64:29 - 64:31

    It’s hundreds of videos.
  • 64:31 - 64:34
    Some are short because all he had to
    do was show up and shoot someone in the face,
  • 64:34 - 64:38
    but others are more complicated,
    like poisoning or indirect causes
  • 64:38 - 64:40
    like emotional abuse that leads to
    the victim committing suicide.
  • 64:40 - 64:42
    Yeah. If he has to spend months,
    even years in the past,
  • 64:42 - 64:44

    he’ll do it to make sure he gets the kill.
  • 64:44 - 64:47

    But he’s still aging. And he’s realized this.
  • 64:47 - 64:49
    Which is why the more recent
    kills are getting shorter.
  • 64:49 - 64:51
    He needs kills to keep up with demand,
  • 64:51 - 64:53
    but that don’t take a
    lot of time to accomplish,
  • 64:53 - 64:55
    because the more time
    he spends in the past,
  • 64:55 - 64:57

    the more time he loses in his actual present-day life.
  • 64:57 - 65:02
    But you can’t just age eight years
    without people around you noticing.
  • 65:02 - 65:03
    Unless you’re Toss Cruime.
  • 65:03 - 65:05
    Who’s Toss Cruime?
  • 65:05 - 65:09
    He’s an actor. He was in, uh… Bottom Gun,
  • 65:09 - 65:12
    Assignment: Impractical, Strawberry Sky -
  • 65:12 - 65:14
    Oh, Tom Cruise.
  • 65:14 - 65:17
    Yeah, the guy who’s like sixty
    but looks like he’s twenty-two.
  • 65:17 - 65:19
    Yeah, but the killer’s
    not Tom Cruise.
  • 65:19 - 65:21
    Are we sure? I really want
    that guy to fuck up.
  • 65:21 - 65:24
    No, the killer’s a loser.
    Remember the profile?
  • 65:24 - 65:25
    He’s probably ugly.
  • 65:25 - 65:27
    With all the money he’s
    made selling videos online?
  • 65:27 - 65:29
    He could probably afford plastic surgery.
  • 65:29 - 65:31
    So that’s where we should be looking.
  • 65:31 - 65:35
    Plastic surgery, cases of advanced aging.
  • 65:35 - 65:38
    I can do some digging, but we
    don’t know where this guy lives.
  • 65:38 - 65:41
    I could interrogate every
    plastic surgeon in New York,
  • 65:41 - 65:44
    but it wouldn’t matter if
    the killer lives in Banglakok.
  • 65:44 - 65:49
    Banglakok? Never mind.
    I'm not gonna ask.
  • 65:49 - 65:53
    Look, I’ll do what I can to
    look into the medical stuff
  • 65:53 - 65:55
    This is progress. Good work.
  • 65:55 - 65:57
    Don’t thank me, thank Amy.
  • 65:57 - 65:58
    Who?
  • 65:58 - 66:01
    My sister. She's the one
    who gave me the idea.
  • 66:01 - 66:03

    Oh, right.
  • 66:03 - 66:05

    You didn’t tell her about this, did you?
  • 66:05 - 66:08

    No, of course not.
  • 66:10 - 66:12

    Do you… not have an Amy in your timeline?
  • 66:12 - 66:15

    Only child.
  • 66:15 - 66:18
    What about parents?
  • 66:20 - 66:26
    David, when we erase this guy -
    it’ll change my timeline permanently.
  • 66:26 - 66:30
    The me you know right
    now isn’t going to exist.
  • 66:30 - 66:34
    So, the less you know
    about me, the better.
  • 66:34 - 66:36

    I’ll look into plastic surgeons.
  • 66:36 - 66:38
    I’ll let you know what I find. Okay?
  • 66:38 - 66:40
    Yeah. Okay.
  • 66:40 - 66:42
    Good work today, David.
  • 66:42 - 66:45
    (Static)
  • 66:49 - 66:50
    He’s all set up in the other room.
  • 66:50 - 66:52
    Why isn’t he downstairs?
  • 66:52 - 66:54

    He doesn’t want me to be there.
  • 66:54 - 66:57
    He keeps calling me NASA for some reason.
  • 66:57 - 66:58
    NASA?
  • 66:58 - 67:03
    Yeah, I guarantee he’s gonna
    say something about that to you.
  • 67:03 - 67:06
    Anyway, upstairs is the only
    place where there’s any privacy.
  • 67:06 - 67:11
    I don't let him in on our calls,
    so I couldn’t really argue with him.
  • 67:11 - 67:13
    You don’t need to argue. Just threaten
    him with a morphine overdose.
  • 67:13 - 67:16
    I don’t give him morphine.
  • 67:16 - 67:17
    Good. Let him suffer.
  • 67:17 - 67:20
    You do remember we’re
    trying to save him, right?
  • 67:20 - 67:22
    I remember, I just may not commit to it.
  • 67:22 - 67:25
    You don’t have to do
    this if you don’t want to.
  • 67:25 - 67:27
    I just don’t wanna go
    through this for nothing.
  • 67:27 - 67:30
    Well, what’s the worst case scenario?
  • 67:30 - 67:32
    He doesn’t listen and he dies.
  • 67:32 - 67:35
    And what’s the best case scenario?
  • 67:35 - 67:37
    He doesn’t listen and he dies.
  • 67:37 - 67:39
    You’re right, good pep talk. Let’s do this.
  • 67:39 - 67:42
    Alright, I’m abandoning you.
  • 67:42 - 67:46
    I'll see you on the other side.
  • 67:49 - 67:51
    (Phil) Amelia! You stay
    off my wall, do you hear me?
  • 67:51 - 67:53
    I’m a grown man.
  • 67:53 - 67:54
    Hey, Phil.
  • 67:54 - 67:56

    Hey, Dave. You see her watchin’ me?
  • 67:56 - 68:00
    She’s like fuckin’ NASA,
    spyin’ on me all the time.
  • 68:00 - 68:01
    You mean the NSA?
  • 68:01 - 68:04

    No. Did I say NSA?
  • 68:04 - 68:07

    Fuckin’ NASA spyin’ on everybody.
  • 68:07 - 68:10
    They put those fuckin’ satellites up there
    and they’ve been spyin’ on us ever since.
  • 68:10 - 68:13
    SDI, Brilliant Pebbles, all that bullshit.
  • 68:13 - 68:15
    “Brilliant Pebbles?”
  • 68:15 - 68:18
    Brilliant Pebbles. You never
    heard ‘a’ Brilliant Pebbles?
  • 68:18 - 68:21
    I think I had some for breakfast t
    his morning.
  • 68:21 - 68:22
    Don’t get smart with me.
  • 68:22 - 68:25
    I know where you went to
    school, you ain’t that smart.
  • 68:25 - 68:26

    Brilliant Pebbles.
  • 68:26 - 68:29

    Look it up. NASA was behind all that shit.
  • 68:29 - 68:32

    Nobody gave a fuck about space.
  • 68:32 - 68:33

    They just wanted to bankrupt the Soviets.
  • 68:33 - 68:35

    It was a ruse.
  • 68:35 - 68:36
    It was a ruse for the Russkis.
  • 68:36 - 68:38
    You came up with that yourself?
  • 68:38 - 68:40

    You ain’t the only one good with words.
  • 68:40 - 68:42
    I mean the whole thing about NASA.
  • 68:42 - 68:44
    Eh, shut up.
  • 68:44 - 68:46
    You didn’t live through the eighties
    and ya don’t know nothin’ worth knowin’.
  • 68:46 - 68:48
    Liberal arts colleges.
  • 68:48 - 68:51

    Only thing liberal is who they let in.
  • 68:51 - 68:52

    So how ya doin’, Dave?
  • 68:52 - 68:54
    Amelia says you got a new gig.
  • 68:54 - 68:55
    Yeah, I did.
  • 68:55 - 68:57
    About time. Was startin’ to think
    you were gonna be a tutor forever.
  • 68:57 - 68:59

    So where’s the new job?
  • 68:59 - 69:02
    It’s with a detective.
  • 69:02 - 69:04
    You’re doin’ police work?
  • 69:04 - 69:07
    You know I don’t like the police.
  • 69:07 - 69:10
    No, he’s a private eye.
    I know him from around.
  • 69:10 - 69:12

    That can’t be safe.
  • 69:12 - 69:13
    You never know what those
    people get wrapped up in.
  • 69:13 - 69:15

    Murders, affairs.
  • 69:15 - 69:18
    Sometimes they watch people a little
    too closely, you know what I mean.
  • 69:18 - 69:23
    But I guess you know about all that
    from reading those detective novels.
  • 69:23 - 69:25
    You still doin’ that or what?
  • 69:25 - 69:27
    Am I still reading?
  • 69:27 - 69:28
    Nah, writin’. You still writin’?
  • 69:28 - 69:30
    Yeah, when I got time.
  • 69:30 - 69:32
    Any luck?
  • 69:32 - 69:35
    mmm, No.
  • 69:35 - 69:37
    Eh, it’s a rough business.
    Hard to stick out.
  • 69:37 - 69:40
    It’s not that. I haven’t
    really been submitting lately.
  • 69:40 - 69:43
    Well, you gotta follow
    through with these things.
  • 69:43 - 69:45
    You know, work's
    just been kind of busy.
  • 69:45 - 69:47
    How much are you workin’?
  • 69:47 - 69:48
    Are they even payin’ you over there?
  • 69:48 - 69:50
    Didn’t Amy tell you about it?
  • 69:50 - 69:52
    She doesn’t tell me anything.
    She’s just like her mother.
  • 69:52 - 69:54
    Are they payin’ you or what?
  • 69:54 - 69:55
    What does it matter?
  • 69:55 - 69:57
    I just wanna make sure
    you’re not gettin’ duped.
  • 69:57 - 69:59
    I can make sure I’m not getting duped.
  • 69:59 - 70:01
    I’m not a child, Phil.
  • 70:01 - 70:03
    I didn’t say you were.
  • 70:03 - 70:05
    Look, you wanna talk about somethin’ else?
  • 70:05 - 70:07
    Sure. How are you?
  • 70:07 - 70:09
    How am I?
  • 70:09 - 70:11
    I got rainbows comin’
    out either end of me.
  • 70:11 - 70:14
    I’m like a fuckin’ leprechaun.
  • 70:14 - 70:16
    Yeah, I know,
    Amy told me about that.
  • 70:16 - 70:18
    Course she told you.
  • 70:18 - 70:19

    You think I don’t know that?
  • 70:19 - 70:22
    I bet she asked you to
    talk to me about that, huh?
  • 70:22 - 70:25
    Whaddaya know, I got
    some detective skills ‘a’ my own.
  • 70:25 - 70:27
    Spill it. She set this
    whole thing up, right?
  • 70:27 - 70:30
    Well, she’s worried about you.
  • 70:30 - 70:32
    Are you worried about me?
  • 70:32 - 70:34
    Honestly?
  • 70:34 - 70:35
    What’d I always say to you kids?
  • 70:35 - 70:38

    Honesty is the best policy. Be honest.
  • 70:38 - 70:41

    You think I’m dyin’?
  • 70:41 - 70:43
    No. I think you probably
    drank too much Pepto.
  • 70:43 - 70:46

    Funny thing about Pepto.
  • 70:46 - 70:47
    You drink too much,
    your shit turns black.
  • 70:47 - 70:51
    Not pink. Pitch black.
  • 70:51 - 70:56
    Fascinating. But I'm not a doctor so
    it doesn't matter what I think.
  • 70:56 - 71:00
    You’re not a detective, either, but that
    didn’t stop you from working for one.
  • 71:00 - 71:03
    I’m talking about your life here.
  • 71:03 - 71:07
    And I’m talkin’ about your life.
  • 71:07 - 71:10
    You might be dying. You do realize that?
  • 71:10 - 71:14
    Everybody’s dyin’. No matter
    what they do, they’re dyin’.
  • 71:14 - 71:17
    Living, though? That’s a choice.
  • 71:17 - 71:20
    Phil, what the hell are you talking about?
  • 71:20 - 71:24
    Look. I asked Amelia not
    to be in here for a reason.
  • 71:24 - 71:26
    I know. It’s called
    “divide and conquer.”
  • 71:26 - 71:28
    Do I look like I’m
    going to war with you?
  • 71:28 - 71:31
    No. You look like you’ve
    slept through one though.
  • 71:31 - 71:34
    You’re right, I have. I did.
  • 71:34 - 71:41

    I… look. I know I wasn’t the best dad.
  • 71:41 - 71:42

    “Wasn’t” implies past tense.
  • 71:42 - 71:46
    Will you just listen to me?
    It was hard, okay?
  • 71:46 - 71:49

    It was hard to be a parent.
  • 71:49 - 71:52

    Your mother was gone, it was just me.
  • 71:52 - 71:55
    Everybody was lettin’
    cellphones raise their kids.
  • 71:55 - 71:57
    Then the economy was shit -
  • 71:57 - 71:59
    It’s still shit.
  • 71:59 - 72:01
    I know. You kids inherited shit.
  • 72:01 - 72:02
    It’s always shit.
  • 72:02 - 72:03

    Somebody always has shit going on.
  • 72:03 - 72:06
    What’s your point, Phil?
  • 72:06 - 72:08
    I’m just sayin’, I know
    it was hard for you, Dave.
  • 72:08 - 72:10

    But it was hard for me, too.
  • 72:10 - 72:13
    I made a lotta stupid
    mistakes raisin’ you guys.
  • 72:13 - 72:16
    Kids don’t come with an instruction manual.
  • 72:16 - 72:18
    You just figured that out?
  • 72:18 - 72:21
    Dave, I’m tryin’ to talk to you.
  • 72:21 - 72:25

    I don’t need life lessons from you. Okay?
  • 72:25 - 72:32
    Okay. I’m not tellin’ you
    how to live your life. Just live it.
  • 72:32 - 72:37
    Phil, can you just say
    what you mean for once?
  • 72:37 - 72:40

    Your sister is worried about you.
  • 72:40 - 72:45
    She thinks you’re havin’
    some kinda… quarter-life crisis.
  • 72:45 - 72:46
    Of course I’m having
    a quarter-life crisis.
  • 72:46 - 72:48

    I don’t have a life.
  • 72:48 - 72:50

    I have a quarter of a life.
  • 72:50 - 72:52
    And it’s definitely a crisis.
  • 72:52 - 72:54
    I’m tryin’ to talk to you about
    yourself and you’re makin’ a joke.
  • 72:54 - 72:57
    No, I just think it’s funny
    it’s called a quarter-life crisis.
  • 72:57 - 72:59
    Means I gotta deal with
    seventy-five more years of this shit.
  • 72:59 - 73:01
    See, it’s stuff like that that worries us.
  • 73:01 - 73:03
    Worries us?
  • 73:03 - 73:05
    Well, yes. I’m worried about you too.
  • 73:05 - 73:06
    No, you aren’t.
  • 73:06 - 73:07
    Like I said, I know I wasn’t the best -
  • 73:07 - 73:09
    No, shut up, Phil.
  • 73:09 - 73:10

    Now you wanna care?
  • 73:10 - 73:12
    My life is shit because of you.
  • 73:12 - 73:14
    Dave, do you really believe that?
  • 73:14 - 73:17
    Honesty is the best policy.
  • 73:17 - 73:20
    Alright. You think I ruined your life.
  • 73:20 - 73:24
    I can understand why you
    may feel that way.
  • 73:24 - 73:25
    I don't think you can.
  • 73:25 - 73:27
    Yes I can.
  • 73:27 - 73:28
    When your mother left, I -
  • 73:28 - 73:29
    Oh my God.
  • 73:29 - 73:31
    She left because of you.
  • 73:31 - 73:34
    I thought that for a long time too.
  • 73:34 - 73:37
    First, I blamed her,
    then I blamed myself -
  • 73:37 - 73:39
    Stop the wheel, Vanna. You got it.
  • 73:39 - 73:41
    But I realized it was
    somethin’ she had to do.
  • 73:41 - 73:44

    Yeah, to get away from you.
  • 73:44 - 73:47

    No. She wasn’t runnin’ away,
  • 73:47 - 73:49

    she was runnin’ toward somethin’.
  • 73:49 - 73:51
    Somethin’ important.
  • 73:51 - 73:52
    It was important to leave us?
  • 73:52 - 73:56

    What was more important than us?
  • 73:56 - 73:59
    You know, Phil, for somebody who
    keeps championing honesty,
  • 73:59 - 74:00
    you’re a really bad liar, Phil.
  • 74:00 - 74:03
    I’m not lying to you.
  • 74:03 - 74:05

    So answer my question.
  • 74:05 - 74:06

    I can’t.
  • 74:06 - 74:07
    Why not?
  • 74:07 - 74:09
    Because I don’t hate you
    enough to do that to you.
  • 74:09 - 74:10

    I don’t hate you at all.
  • 74:10 - 74:13
    I just wish you would figure
    that out for yourself.
  • 74:13 - 74:17

    Look, you hate me. Fine.
  • 74:17 - 74:20
    Your sister is worried about you.
  • 74:20 - 74:24
    Me? You realize you’re
    the burden on her, right?
  • 74:24 - 74:27
    I am? Who complains about me more?
  • 74:27 - 74:29

    Her? Or you?
  • 74:29 - 74:31
    You think you’re some
    kinda reprieve from me?
  • 74:31 - 74:33

    You’re the one she never sees.
  • 74:33 - 74:35

    You’re the one she worries about.
  • 74:35 - 74:40
    Look, can you just stop making her
    worry so much? She’s good to you, Dave.
  • 74:40 - 74:41

    She’s good to both of us.
  • 74:41 - 74:46

    I’m asking you to make her life easier.
  • 74:46 - 74:46

    Do it for her.
  • 74:50 - 74:53
    Can we work out a trade?
    You go to the doctor.
  • 74:53 - 74:57
    I’ll figure things out. Sound good?
  • 74:57 - 75:00
    Sounds good.
  • 75:00 - 75:02

    But do me a favor?
  • 75:02 - 75:06
    She’s gonna wanna know,
    so tell her we had a good talk.
  • 75:06 - 75:09
    I thought honesty was the best policy?
  • 75:09 - 75:10
    How old are you?
  • 75:10 - 75:14
    Just let her think we got along for once.
  • 75:14 - 75:17
    Okay, fine, I'll do that.
  • 75:17 - 75:19

    Nice doin’ business.
  • 75:19 - 75:23
    Now put on your happy face.
    Amelia, we’re done!
  • 75:23 - 75:24

    I wanna watch Hulu.
  • 75:24 - 75:26
    (Amy)
    Coming!
  • 75:26 - 75:28

    Take care, Dave.
  • 75:28 - 75:30
    You too, Phil.
  • 75:30 - 75:34
    (Amy) I’ll be back in a second.
    I just gotta put on Hulu for him.
  • 75:34 - 75:35
    How’d it go?
  • 75:35 - 75:38
    (Phil)
    At least let me get outta earshot.
  • 75:38 - 75:39
    (Amy)
    He’s teasing.
  • 75:39 - 75:40
    What do you wanna watch?
  • 75:40 - 75:41
    (Beep)
  • 75:41 - 75:44
    (Phil)
    Put on the one with the, with the family.
  • 75:44 - 75:46
    (Amy)
    Arrested Development?
  • 75:46 - 75:48
    (Phil)
    Yeah.
  • 75:48 - 75:49
    (Beep)
  • 75:50 - 75:53
    (Amy) David, I’m just gonna
    move this to my room.
  • 75:53 - 75:56
    Yeah, no worries.
  • 75:56 - 76:00
    (Amy) Dad, let me know if
    you need anything!
  • 76:04 - 76:06
    Hey, how’d it go?
  • 76:06 - 76:08
    I didn’t hear any screaming.
  • 76:08 - 76:10
    “I don’t know why he saved my life.
  • 76:10 - 76:13
    Maybe in those last moments he
    loved life more than he ever had be- ”
  • 76:13 - 76:16
    Oh, shut up. What’d he say?
  • 76:16 - 76:17
    He’ll do it.
  • 76:17 - 76:18
    Really?
  • 76:18 - 76:21
    You’re surprised I did
    something right for once?
  • 76:21 - 76:25
    I’ve been telling him for two weeks
    and it takes you ten minutes?
  • 76:25 - 76:27
    I think he knows he should go.
  • 76:27 - 76:29
    He just wanted a second opinion.
  • 76:29 - 76:31
    It’s more like a third opinion.
  • 76:31 - 76:34
    Fourth. His counts twice.
  • 76:34 - 76:37
    Yeah, you’re right. He has power of veto.
  • 76:37 - 76:38

    Well, whatever.
  • 76:38 - 76:41
    I’m just glad it went well.
  • 76:41 - 76:45
    Yeah. Me too.
  • 76:45 - 76:49
    (David)
    I'm ready whenever you are.
  • 76:49 - 76:55
    (A dial tone)
  • 76:55 - 76:57
    Hello?
  • 76:57 - 77:00
    Hey, George.
  • 77:00 - 77:01
    Who is this?
  • 77:01 - 77:04
    It’s… David.
  • 77:04 - 77:08
    David? David who?
  • 77:08 - 77:11
    I used to work for you?
  • 77:11 - 77:17
    … oh. Sorry, I didn’t
    recognize the number.
  • 77:17 - 77:21
    Yeah, it's weird It’s the
    same number I’ve always had.
  • 77:21 - 77:23
    Yeah, I know. Your voice sounds different.
  • 77:23 - 77:26
    Have you been drinking water?
  • 77:26 - 77:28
    Yeah. I've been drinking
    a lot of water actually
  • 77:28 - 77:31
    Good. You should always
    drink a lot of water.
  • 77:31 - 77:33
    It’s so good for you.
  • 77:33 - 77:36
    And it tastes good, too.
  • 77:36 - 77:39
    Yeah, I’ll do that. Listen, George,
    I need to talk to you -
  • 77:39 - 77:41


    You know what else is good for you?
  • 77:41 - 77:47
    Apples. Do you like apples?
  • 77:47 - 77:51
    Yeah, yeah. You’ve seen me eat apples.
  • 77:51 - 77:55
    I love a good crunchy apple.
  • 77:55 - 77:58
    Okay, yeah.
    George, I need to talk to you -
  • 77:58 - 78:05
    What you need to do is try sliced apples
    with some sharp cheddar cheese.
  • 78:05 - 78:10
    I know Cracker Barrel gets a bad rap,
  • 78:10 - 78:16
    but the cheese is
    almost worth the racism.
  • 78:16 - 78:18
    George, why are you telling me this?
  • 78:18 - 78:23
    This is important. Apples and water.
  • 78:23 - 78:25

    That’s all you need to be healthy.
  • 78:25 - 78:28
    You need to know this.
    Everybody needs to know this.
  • 78:28 - 78:30
    Everyone already knows this, George
  • 78:30 - 78:35
    Everyone knows apples
    and water are healthy.
  • 78:35 - 78:37
    Well I know they do.
  • 78:37 - 78:39
    So why are you telling me
    something I already know?
  • 78:39 - 78:40
    I dunno.
  • 78:40 - 78:43
    Why are you calling me to tell
    me something I already know?
  • 78:43 - 78:45
    You don’t even know
    what I’m gonna say to you.
  • 78:45 - 78:49
    You think you’re the first person
    to come crawling back for their job?
  • 78:49 - 78:55
    I lived through the
    Pumpkins’ break-up, okay.
  • 78:55 - 78:57
    You know Lenna called me?
  • 78:57 - 79:01
    Yeah. Thanks for the glowing review.
  • 79:01 - 79:02

    Was I being honest?
  • 79:02 - 79:05
    Did I say something to offend you?
  • 79:05 - 79:08

    What do you want, David?
  • 79:08 - 79:11

    You know what I want.
  • 79:11 - 79:12

    Do you want something?
  • 79:12 - 79:14

    I wanna know what you want.
  • 79:14 - 79:16

    What you really want.
  • 79:16 - 79:19
    ‘Cause you sure as hell
    didn’t wanna work for me.
  • 79:19 - 79:21

    It’s not personal, George.
  • 79:21 - 79:24
    I know it’s not personal.
    I wish it had been.
  • 79:24 - 79:29

    At least you would’ve cared.
  • 79:29 - 79:32
    I do care, George.
  • 79:32 - 79:34

    Not about the work.
  • 79:34 - 79:38
    You know, when you started here,
    you took pride in your work.
  • 79:38 - 79:44
    But then you started spacing out,
    not responding to emails.
  • 79:44 - 79:48

    You lost interest.
  • 79:48 - 79:52
    Is that what happened
    with you and your wife?
  • 79:52 - 79:59
    David, I only talk to my
    friends about my wife.
  • 79:59 - 80:00

    We are not friends.
  • 80:00 - 80:03
    But I am gonna tell you something
    ‘cause I think you need to hear it:
  • 80:03 - 80:06

    you don’t want your job back.
  • 80:06 - 80:10
    Yes I do. George, I was
    wrong to do what I did -
  • 80:10 - 80:14
    And as an educator I can appreciate
    that you learned something,
  • 80:14 - 80:20
    but giving you your job back
    is not gonna reinforce that.
  • 80:20 - 80:24
    You made your decision,
    you got caught - twice.
  • 80:24 - 80:27

    Now you gotta live with it.
  • 80:27 - 80:29
    Do you know what today’s word is, huh?
  • 80:29 - 80:34
    No, but I guess you’re
    gonna tell me, anyway.
  • 80:34 - 80:48
    PROGRESS: Painful Realizations Open
    Gates, Reveal Errors, and Spark Success.
  • 80:48 - 80:56
    just like Jason Everman after
    he left Nirvana and Soundgarden.
  • 80:56 - 81:00
    George, I only know what one of
    those three things are.
  • 81:00 - 81:06
    You know when Lenna left, they came
    crawling back for their job too.
  • 81:06 - 81:09

    Said nobody was reading their blog,
  • 81:09 - 81:13
    they made a huge mistake,
    needed a steady income.
  • 81:13 - 81:15
    Guess what I told them.
  • 81:15 - 81:20
    If you want a steady income, you might
    wanna consider switching fields?
  • 81:20 - 81:31
    No. I told them they made their decision,
    and they needed to see it through.
  • 81:31 - 81:35

    And look at them now.
  • 81:35 - 81:39
    Can you imagine where they’d be right
    if I had given them their job back?
  • 81:39 - 81:44
    As opposed to running the eighth
    most popular music site in Queens?
  • 81:44 - 81:47
    I don't know.
  • 81:47 - 81:50

    They grew something, David.
  • 81:50 - 81:57
    You can’t grow if you don’t step
    outside of your comfort zone.
  • 81:57 - 82:00

    You were too comfortable here.
  • 82:00 - 82:03
    Now you want me to
    pull you outta the water
  • 82:03 - 82:09

    because you don’t wanna sink,
  • 82:09 - 82:19
    you need to stay in the pool
    and you need to learn how to swim.
  • 82:19 - 82:25

    ... is that what happened to your kids?
  • 82:25 - 82:29

    Goodbye, David.
  • 82:34 - 82:38
    So I reached out to whoever would speak
    to me about cases of advanced aging.
  • 82:38 - 82:39

    What’d you find out?
  • 82:39 - 82:42
    Nothing. All I got was a bunch
    of infographics about progeria.
  • 82:42 - 82:45
    Isn’t there like a database you
    could look into or something?
  • 82:45 - 82:47
    There is, but I don’t have
    access anymore.
  • 82:47 - 82:49
    Can't you just break in and steal it?
  • 82:49 - 82:51
    You literally have time
    travel technology.
  • 82:51 - 82:53
    I don’t have time
    travel technology.
  • 82:53 - 82:59
    I have a specific TempTech prototype that
    allows me to visit other timelines.
  • 82:59 - 83:01
    It doesn’t have a
    built-in hacker edition.
  • 83:01 - 83:03

    We need to be moving faster on this.
  • 83:03 - 83:05
    You can’t just force a case
    to move faster.
  • 83:05 - 83:06

    When we find a new lead, we’ll -
  • 83:06 - 83:09
    I get that, but I’m kind of eating
    out of my own savings here.
  • 83:09 - 83:11
    I’m barely gonna scrape
    by on rent this month.
  • 83:11 - 83:12

    I got Annie up my ass.
  • 83:12 - 83:14

    Oh, good for you.
  • 83:14 - 83:16
    No, she’s up my ass about the rent.
  • 83:16 - 83:18

    Hell yeah. Get bent, pay rent.
  • 83:18 - 83:19

    What?
  • 83:19 - 83:22
    Maybe “up my ass” isn’t a
    good thing in your timeline.
  • 83:22 - 83:24
    Whatever, just ask Amy for money.
  • 83:24 - 83:26
    I can’t. I promised my dad I’d be
    less of a headache to her.
  • 83:26 - 83:28

    Why would you promise that?
  • 83:28 - 83:29

    Don’t you know yourself?
  • 83:29 - 83:31
    Look, you can’t just send me
    a care package or something?
  • 83:31 - 83:34
    No, I can’t send anything
    physically over the timeline.
  • 83:34 - 83:36

    It’ll just be spaghettified.
  • 83:36 - 83:38
    Well, give me a stock tip or send
    me some bitcoins or something.
  • 83:38 - 83:41
    No. I can’t interfere with your
    timeline more than I already have.
  • 83:41 - 83:42

    It’ll jeopardize the mission.
  • 83:42 - 83:46
    Let me get this straight, you want me
    to kill someone in your timeline,
  • 83:46 - 83:47
    but you can’t even help me get on my feet?
  • 83:47 - 83:49

    It’s not killing, it’s -
  • 83:49 - 83:51

    I know what it is.
  • 83:51 - 83:53
    And you won’t help me because
    you need me helpless, right?
  • 83:53 - 83:56
    Because that’s the only way I’ll
    help you finish the mission
  • 83:56 - 83:57

    Honesty is the best policy.
  • 83:57 - 83:59
    Is that seriously a yes?
  • 83:59 - 84:01
    I told you I needed you because
    you were motivated.
  • 84:01 - 84:05
    And you don’t think I’ll be motivated unless
    I’m being threatened with an eviction notice?
  • 84:05 - 84:06

    David, this is not about you.
  • 84:06 - 84:08
    This is about stopping a murderer who has
  • 84:08 - 84:11
    killed more people than
    you’ve ever even met.
  • 84:11 - 84:13
    You’re right, it can
    make your life easier.
  • 84:13 - 84:14

    That’s why you agreed to do this.
  • 84:14 - 84:16
    I am not your enemy,
    I am your partner.
  • 84:16 - 84:17

    You need to trust me.
  • 84:17 - 84:18
    I don’t even know you.
  • 84:18 - 84:19
    I’m literally you.
  • 84:19 - 84:20

    You’re me but you’re not me.
  • 84:20 - 84:21

    That’s what you said.
  • 84:21 - 84:24
    Well, I’m as close to you
    as anyone is gonna get.
  • 84:24 - 84:27
    Look, I crossed the sixth
    dimensional plane to find you.
  • 84:27 - 84:28

    I made you a promise.
  • 84:28 - 84:33
    You don’t think I can deliver on it?
  • 84:33 - 84:34
    You don't think think I will deliver.
  • 84:34 - 84:36

    Why, because that’s what you would do?
  • 84:36 - 84:38
    If I could teleport
    to a different timeline?
  • 84:38 - 84:40

    Yeah, I’d take the money and run.
  • 84:40 - 84:43

    Well, like you said, I’m not you.
  • 84:43 - 84:45

    Look, I’m not forcing you to do this.
  • 84:45 - 84:48

    But you know what happens if you don’t.
  • 84:48 - 84:50
    How do I know what
    you told me is the truth?
  • 84:50 - 84:53

    Do you feel like it is?
  • 84:56 - 84:58
    How do you get past that?
  • 84:58 - 85:02
    I didn’t. I’m still that way,
    I just got better at dealing with it.
  • 85:02 - 85:04

    When?
  • 85:04 - 85:07
    I would say when
    I joined the agency.
  • 85:07 - 85:11
    It wasn't the work itself, just...
    having a purpose helps.
  • 85:11 - 85:14

    You need to find your purpose.
  • 85:14 - 85:16
    What if this is a timeline
    where I don’t have a purpose?
  • 85:16 - 85:20
    Then let this be your purpose.
  • 85:20 - 85:22
    And when we’re done,
    you’ll find a new one.
  • 85:25 - 85:28
    You said there isn't an
    Amy in your timeline.
  • 85:28 - 85:29

    Don’t get nihilistic.
  • 85:29 - 85:31

    I can’t deal with that shit.
  • 85:31 - 85:33

    No, I’m just asking.
  • 85:33 - 85:35
    No, Amy doesn't exist in my timeline.
  • 85:35 - 85:37

    So does she just not exist?
  • 85:37 - 85:39

    She wouldn’t exist as you know her.
  • 85:39 - 85:43
    In your timeline, you - David -
    have a sister named Amy.
  • 85:43 - 85:47
    In my timeline, I - also David -
    do not have a sister named Amy.
  • 85:47 - 85:50
    There are other timelines where
    you have a sister named Junebug,
  • 85:50 - 85:52
    or a father named Bobcat.
  • 85:52 - 85:54

    Why are you asking me this?
  • 85:54 - 85:57
    Are there timelines where
    the Fizzle Killer doesn’t exist?
  • 85:57 - 85:58

    Absolutely.
  • 85:58 - 86:00

    Is this one of them?
  • 86:00 - 86:02

    He could exist in this timeline.
  • 86:02 - 86:05
    What if we found the person who
    becomes the Fizzle Killer in this timeline
  • 86:05 - 86:07
    and then found the same
    person in your timeline?
  • 86:07 - 86:12
    We’d have no way of knowing whether the same
    person is the Fizzle Killer in my timeline.
  • 86:12 - 86:15
    They might have the same name, or they might
    look the same, but that’s circumstantial.
  • 86:15 - 86:17
    It’s inter-dimensional profiling.
  • 86:17 - 86:18

    But it might work?
  • 86:18 - 86:19

    It might work.
  • 86:19 - 86:21
    We might also erase an innocent
    person from existence.
  • 86:21 - 86:23

    Aren’t you guys used to that by now?
  • 86:23 - 86:24

    Used to what?
  • 86:24 - 86:26

    It was a police joke. Never mind.
  • 86:26 - 86:27

    We’re not the police.
  • 86:27 - 86:29

    I mean the Temp Agency.
  • 86:29 - 86:32
    Yeah, we're the Temporal Agency
  • 86:32 - 86:35
    We deal in matters related to spacetime.
  • 86:35 - 86:38
    Spacetime... the Temp Agency
    is part of NASA?
  • 86:38 - 86:40
    NASA deals with space, so, yeah.
  • 86:40 - 86:42
    What does space have to do with time?
  • 86:42 - 86:44
    It has literally everything to do with time.
  • 86:44 - 86:47
    To form a wormball, you need to warp gravity.
  • 86:47 - 86:51
    Gravity is weaker in space,
    so time moves more slowly on Earth.
  • 86:51 - 86:52
    It’s called time dilation.
  • 86:52 - 86:56
    The first TempTech experiments
    started because of Y2K paranoia.
  • 86:56 - 86:58
    They thought they could
    send a bunch of couples
  • 86:58 - 87:01
    to planets where time moved
    more slowly than on Earth.
  • 87:01 - 87:03
    That way if the world really did end,
  • 87:03 - 87:07
    they could wait it out and
    return back to Earth to repopulate.
  • 87:07 - 87:08
    So much for that.
  • 87:08 - 87:11
    Yeah, you can kind of imagine why NASA
    didn’t want that expense report getting out.
  • 87:11 - 87:13
    What happened to the astronauts?
  • 87:13 - 87:14
    Budgets.
  • 87:14 - 87:16
    NASA was already getting defunded,
  • 87:16 - 87:19
    but after Nine-Eleven nobody wanted
    to bankroll a rescue mission.
  • 87:19 - 87:21
    The astronauts were lost.
  • 87:21 - 87:23
    They’re probably still out there.
  • 87:27 - 87:30
    Would it be possible for
    us to get into NASA?
  • 87:30 - 87:32
    I told you, I don’t have access anymore.
  • 87:32 - 87:33
    Not in your timeline. In mine.
  • 87:33 - 87:35
    You mean, like, a walk-in appointment?
  • 87:35 - 87:37
    No, I mean like getting into their system.
  • 87:37 - 87:39
    You wanna hack NASA?
  • 87:39 - 87:41
    Remember the profile?
  • 87:41 - 87:43
    This is a guy who had a distant
    relationship with his parents.
  • 87:43 - 87:46
    What if that distance
    isn’t just metaphorical?
  • 87:46 - 87:48
    You think his parents might have
    been some of the astronauts?
  • 87:48 - 87:49
    Think about it.
  • 87:49 - 87:51
    Guy grows up without his parents,
  • 87:51 - 87:53
    hears all the time what heroes they
    are for shooting themselves into space.
  • 87:53 - 87:55
    Wants to live up to that sacrifice.
  • 87:55 - 87:58
    Goes into the family business.
  • 87:58 - 88:00
    You think the killer is a Temp Agent?
  • 88:00 - 88:01
    He’s a legacy hire.
  • 88:01 - 88:05
    But he has no real potential,
    he’s stuck in his parents’ shadow.
  • 88:05 - 88:07
    That explains how he’s been
    so good at evading us.
  • 88:07 - 88:09
    He knows how we think.
  • 88:09 - 88:12
    You were told The Agency
    didn't want to pursue this.
  • 88:12 - 88:16
    Maybe someone didn’t
    want you getting close.
  • 88:16 - 88:18
    Okay. If we got the list of astronauts,
  • 88:18 - 88:21
    we could cross-reference that with
    names in the Agency.
  • 88:21 - 88:26
    But getting that list is risky.
    Hacking NASA is no joke.
  • 88:26 - 88:27
    You can walk me through it.
  • 88:27 - 88:29
    You know all the passwords
    and security questions.
  • 88:29 - 88:31
    I don’t know that stuff
    from ten years ago.
  • 88:31 - 88:32
    I didn’t even work there then.
  • 88:32 - 88:36
    Even if I did, your timeline
    might have subtle differences.
  • 88:36 - 88:39
    If even one thing goes
    wrong, you go to jail
  • 88:39 - 88:41
    and I have to go look
    for another David.
  • 88:41 - 88:43
    No offense, but you’re not
    gonna be of much help from prison.
  • 88:43 - 88:45
    That's a risk I'm willing to take.
  • 88:45 - 88:47
    I thought you didn’t
    wanna worry your sister.
  • 88:47 - 88:51
    Three square meals?
    Regular housing? Home gym?
  • 88:51 - 88:52
    She’ll be proud of me.
  • 88:52 - 88:55
    Okay. Give me a couple days.
  • 88:55 - 88:59
    I can search Readdat and
    some other hacker fivums.
  • 88:59 - 89:03
    See if anyone’s breached NASA’s
    firewalls in the past.
  • 89:03 - 89:07
    In the meantime, you may not be
    a free man much longer,
  • 89:07 - 89:12
    so, sow some wild oats
    while you still can.
  • 89:12 - 89:14
    Is that not a saying here?
  • 89:14 - 89:22
    No, it is. I’ve just never heard
    anyone say that in real life.
  • 89:22 - 89:25
    Maybe that’s because you never
    had to think about it before.
  • 89:29 - 89:31
    (Amy) He’s got an
    appointment for next week.
  • 89:31 - 89:33
    I just gotta figure out transportation.
  • 89:33 - 89:35
    But he’s going along with it?
  • 89:35 - 89:38
    Yeah. He’s been fine
    about it. Kind of calm.
  • 89:38 - 89:42
    I think he’s, like, finally
    accepting his mortality.
  • 89:42 - 89:43
    Well, good. We all have to.
  • 89:45 - 89:46
    “We all have to”?
  • 89:46 - 89:50
    Yeah. Do we not? Is it negotiable?
  • 89:50 - 89:52
    No. Usually you’d make a joke there, like,
  • 89:52 - 89:55
    “He’s accepting his mortality,
  • 89:55 - 89:59
    more like he’s accepting his throne
    in the underworld” or something.
  • 89:59 - 90:02
    I dunno. It’s not a
    very “you” thing to say.
  • 90:02 - 90:04
    Well, I’m not the things I say.
  • 90:04 - 90:07
    It’s the things we do that
    make us who we are.
  • 90:07 - 90:09
    Yeah, no. That doesn’t sound like you.
  • 90:09 - 90:10
    What’s going on?
  • 90:10 - 90:13
    Work is a little... spicy right now.
  • 90:13 - 90:17
    Spicy like jerk chicken or spicy like IBS?
  • 90:17 - 90:20
    Spicy like exciting.
  • 90:20 - 90:21
    We might have had a break-in.
  • 90:21 - 90:24
    Oh my God. Did they steal anything?
  • 90:24 - 90:26
    Oh, no. I meant “breakthrough.”
  • 90:26 - 90:28
    I dunno why I said “break-in.”
  • 90:28 - 90:30
    Guilty conscience.
  • 90:30 - 90:33
    No, we just have to make
    kind of a risky move.
  • 90:33 - 90:35
    It’s not dangerous or anything,
  • 90:35 - 90:38
    it’s just kind of a big
    setback if it doesn’t pan out.
  • 90:38 - 90:41
    But if it works, we might get
    what we need to catch the guy.
  • 90:41 - 90:42
    Oh. Well, good.
  • 90:42 - 90:44
    You’ll finally get paid.
  • 90:44 - 90:46
    Yeah. Annie'll be excited to hear that.
  • 90:46 - 90:49
    (Annie)
    I can hear you, asshole!
  • 90:49 - 90:52
    I didn’t say anything bad about you.
  • 90:52 - 90:58
    (Annie)
    Oh. Okay. Carry on.
  • 90:58 - 91:03
    So, once you finish the case,
    is this gonna turn into a full-time gig?
  • 91:03 - 91:06
    No. The detective, this is like
    a passion project for him.
  • 91:06 - 91:09
    Once we’re done, it’s over for him.
  • 91:09 - 91:12
    “Over”? Like, suicide--?
  • 91:12 - 91:15
    No, no, no, like he’s gonna go back
    where he came from.
  • 91:15 - 91:18
    This is like his last job.
  • 91:18 - 91:21
    Oh, okay.
  • 91:21 - 91:23
    Can I be honest with you?
  • 91:23 - 91:27
    That depends. Is it the best policy?
  • 91:27 - 91:35
    I know this was something different
    for you, and I’m glad about that, but...
  • 91:35 - 91:37
    you can’t even talk about the work.
  • 91:37 - 91:40
    And, I hate to be a mom,
    but someone around here has to,
  • 91:40 - 91:43
    so, you can’t just take a job where you
    don’t know if you’re ever gonna get paid.
  • 91:43 - 91:44

    I know.
  • 91:44 - 91:45

    You need something stable.
  • 91:45 - 91:46

    I know.
  • 91:46 - 91:48

    And something you actually enjoy doing.
  • 91:48 - 91:51
    I know, I was actually
    gonna ask you about that.
  • 91:51 - 91:55
    The job with Lenna -
    is that still a possibility?
  • 91:55 - 91:57

    Well, I talked to them.
  • 91:57 - 91:59
    They weren’t happy with what George said.
  • 91:59 - 92:03
    But they also liked the
    writing sample I sent them.
  • 92:03 - 92:07
    You sent them my writing?
    What did you send?
  • 92:07 - 92:14
    Well, I... actually sent the one you
    wrote in high school. About Mr. Kleio.
  • 92:14 - 92:16

    You sent them “Trumpet Pumper”?!
  • 92:16 - 92:22
    Well, you hadn’t written any journalism and
    it was the only thing that had to do with music.
  • 92:22 - 92:23

    And they liked that?
  • 92:23 - 92:28
    They thought it was funny.
    Juvenile, but funny.
  • 92:28 - 92:31
    They wouldn’t hire you
    for a journalism position,
  • 92:31 - 92:34
    but, since they’re looking to expand,
  • 92:34 - 92:37
    they wanna try something
    a little experimental?
  • 92:37 - 92:40

    Like what?
  • 92:40 - 92:43

    It would be, like, satirical reviews.
  • 92:43 - 92:50
    You would be sort of a personality with
    these really off-color takes on new releases.
  • 92:50 - 92:57
    It’s entertainment, but with
    music journalism as a side salad.
  • 92:57 - 92:59

    What did you tell them?
  • 92:59 - 93:01
    I told them you’d be perfect for it,
  • 93:01 - 93:03
    but I also had to tell
    them that you made
  • 93:03 - 93:06
    a very sudden career shift
    without consulting me.
  • 93:09 - 93:11

    You should email them.
  • 93:11 - 93:12

    No! You should call them.
  • 93:12 - 93:14

    Tell them you love the idea.
  • 93:14 - 93:17

    People love verbal validation.
  • 93:17 - 93:19

    You’re right, that’s a great idea Amy!
  • 93:19 - 93:22

    Thanks, sarcastic dickhead!
  • 93:22 - 93:24

    But seriously, do it.
  • 93:24 - 93:26
    Yeah. I’ll do it.
  • 93:26 - 93:29

    So, how are you?
  • 93:29 - 93:31
    Who are you?
  • 93:31 - 93:33
    I know, I asked on my own for once.
  • 93:33 - 93:35

    I must be a fuckin’ alien.
  • 93:35 - 93:38

    I’m fine, David.
  • 93:38 - 93:40

    I’m glad you and Phil got along.
  • 93:40 - 93:42

    I’m glad you’re both doing okay.
  • 93:42 - 93:45

    That’s how we’re doing. How are you?
  • 93:45 - 93:51

    I dunno. I feel less worried for once.
  • 93:51 - 93:54

    I don’t really think about myself a lot.
  • 93:54 - 93:58
    Well, when you do,
    what do you think about?
  • 93:58 - 94:03
    I mostly just think that about
    how I don’t wanna be here.
  • 94:03 - 94:04

    Not forever at least.
  • 94:04 - 94:09
    Well, where do you want to be?
  • 94:09 - 94:13
    I feel like the thing I’m supposed
    to say is that I wanna go college.
  • 94:13 - 94:14

    But I don’t wanna say that.
  • 94:14 - 94:18
    Are you sure? U.U. is taking
    applications for the spring.
  • 94:18 - 94:21
    Nah, I can do way better than U.U.
  • 94:21 - 94:23

    Wow.
  • 94:23 - 94:28
    Well, maybe once I figure this
    all out, I can help out with Phil.
  • 94:28 - 94:33
    I mean, I’m can't help him shower, but
    like I can maybe send money at least.
  • 94:33 - 94:36
    You’re gonna send money
    on a writer’s salary?
  • 94:36 - 94:39
    I’ll just... write a lot.
    And maybe sell some parts.
  • 94:39 - 94:42

    Just some ribs you’re not using.
  • 94:42 - 94:44

    Hey, I’m right-handed.
  • 94:44 - 94:47
    If I write everything by hand,
    I can sell this whole thing.
  • 94:47 - 94:52
    Just… let me worry about it
    for once so you don’t have.
  • 94:54 - 94:57

    I really wanna believe you, I do -
  • 94:57 - 95:02

    I know. I’m gonna make sure you can.
  • 95:02 - 95:05

    Thank you.
  • 95:05 - 95:07

    You know what I’m gonna do?
  • 95:07 - 95:11
    I’m gonna go eat some sherbet
    and find a new hobby on YouTube.
  • 95:11 - 95:13

    Yeah. Do that.
  • 95:13 - 95:17
    Yeah I’m gonna do that. Don't forget to -
  • 95:17 - 95:18

    Email Lenna.
  • 95:18 - 95:19

    Call Lenna -
  • 95:19 - 95:20

    I will call Lenna.
  • 95:20 - 95:21

    And don’t -
  • 95:21 - 95:23

    Don’t die on the job. I know. I won’t.
  • 95:23 - 95:27
    I was actually gonna say
    “Don’t kill anyone.”
  • 95:27 - 95:30

    No promises there.
  • 95:30 - 95:34

    Yeah, sure. Bye, David.
  • 95:34 - 95:36

    Bye.
  • 95:42 - 95:43

    Annie!
  • 95:43 - 95:45
    (Annie)
    Yeah?
  • 95:45 - 95:49
    How long have you been
    able to hear me in my room?
  • 95:49 - 95:51
    (Annie)
    Always!
  • 95:51 - 95:54

    Do you hear me talk about my job?
  • 95:54 - 95:56
    (Annie)
    You don’t have a job.
  • 95:56 - 95:58

    You’re just talking to yourself.
  • 95:58 - 96:01

    That is correct.
  • 96:01 - 96:08
    (Annie) It’s okay. Mental illness
    is nothing to be ashamed of.
  • 96:08 - 96:09

    That’s true, Annie.
  • 96:09 - 96:12

    Thank you for understanding.
  • 97:29 - 97:30

    Are you there?
  • 97:30 - 97:34
    Yeah, I’m here. What the
    hell are you wearing?
  • 97:34 - 97:35

    We’re hacking.
  • 97:35 - 97:38
    Yeah. Hacking. Not robbing
    a Hot Topic at gunpoint.
  • 97:38 - 97:42
    Alright, here’s the plan. I did a bunch
    of searching on the dark web.
  • 97:42 - 97:45
    I found a list of passwords from
    a hack on NASA in my timeline.
  • 97:45 - 97:47

    You can just find that on the Internet?
  • 97:47 - 97:51
    Yeah. Hackers just post that shit
    online for people to find, it’s fantastic.
  • 97:51 - 97:56
    This list has thousands of NASA passwords
    that are probably still current in your timeline.
  • 97:56 - 97:58
    All we need to do is find the
    right target who has clearance
  • 97:58 - 98:01
    to the list of astronauts and
    launch a dictionary attack.
  • 98:01 - 98:02

    A dictionary attack?
  • 98:02 - 98:04
    Basically we’re throwing every
    password we have at the system
  • 98:04 - 98:05
    until one of them works.
  • 98:05 - 98:07

    I found the code for that online.
  • 98:07 - 98:10
    I sent it to you last night so all you
    have to do is copy and paste.
  • 98:10 - 98:15
    I’m guessing that’s the email that says
    “Die, Perish, Croak, Expire.”
  • 98:15 - 98:17
    Get it, ‘cause they’re “pass” words,
  • 98:17 - 98:19
    words you say when someone
    passes - okay, never mind.
  • 98:19 - 98:23
    I also found a list of NASA employees
    from this year but in my timeline.
  • 98:23 - 98:26
    I looked it over for targets who were likely
    to have clearance to mission personnel.
  • 98:26 - 98:29
    I also narrowed it down to people
    who were working for NASA
  • 98:29 - 98:32
    in the nineties when the first
    TempTech experiments were running.
  • 98:32 - 98:36
    I see it. I am not going to repeat
    what the subject line reads.
  • 98:36 - 98:40
    If one of these people has the
    same password as their parallel self
  • 98:40 - 98:43
    in my timeline, you’ll be able to
    get into their account easily.
  • 98:43 - 98:44

    Ready to do this?
  • 98:44 - 98:45

    I guess so.
  • 98:45 - 98:47
    You sure? Remember,
    I’m here as an outsider.
  • 98:47 - 98:49
    Everything we’re doing right
    now is changing the course
  • 98:49 - 98:51
    of your timeline permanently.
  • 98:51 - 98:53

    If you get caught, there’s nothing I can do.
  • 98:53 - 98:55

    You’re sure you wanna do this?
  • 98:55 - 98:58
    No. But I know what’s
    gonna happen if I don’t.
  • 98:58 - 98:59

    That’s the spirit!
  • 98:59 - 99:00
    Alright, let’s hack NASA.
  • 99:00 - 99:03
    I’m on the NASA login page.
  • 99:03 - 99:05

    Cool. Cool. Open the list of targets.
  • 99:05 - 99:06

    Open.
  • 99:06 - 99:08

    Cool. Fire at will.
  • 99:08 - 99:12

    Okay, sounds good. I’m gonna target...
  • 99:12 - 99:14

    Literally just pick anyone.
  • 99:14 - 99:15

    Alright, I’m gonna pick -
  • 99:15 - 99:16

    You don’t have to tell me.
  • 99:16 - 99:17

    Harrison Ford?
  • 99:17 - 99:18

    Who?
  • 99:18 - 99:21
    Harrison Ford. This guy’s
    name is Harrison Ford.
  • 99:21 - 99:23

    Okay. So what? Hack his ass.
  • 99:23 - 99:27
    It’s just cool that his name is Harrison
    Ford and he works at NASA.
  • 99:27 - 99:31
    Alright, alright.
    I’m launching the attack.
  • 99:31 - 99:32

    Is it supposed to do that?
  • 99:32 - 99:35
    Yeah. There’s like a couple
    million passwords in there
  • 99:35 - 99:37
    so we just have to wait for
    it to go through all of them.
  • 99:37 - 99:40

    Just sit tight.
  • 99:40 - 99:43

    So... who the fuck is Harrison Ford?
  • 99:43 - 99:46
    He’s the guy from - your timeline
    doesn’t have Star Wars .
  • 99:46 - 99:48

    Yes we do.
  • 99:48 - 99:51

    Oh. Who played Han Solo?
  • 99:51 - 99:52

    Christopher Walken. Who else?
  • 99:52 - 99:54

    Oh God.
  • 99:54 - 99:55

    What’s wrong with Christopher Walken?
  • 99:55 - 99:58

    He’s... he’s weird. He’s just weird.
  • 99:58 - 100:00

    You’re talking to yourself in a garage.
  • 100:00 - 100:03

    Also, why are we in a garage?
  • 100:03 - 100:05
    Annie can hear us through
    the walls in my room.
  • 100:05 - 100:09
    I figured it’d be better if she didn’t
    overhear me hacking into NASA.
  • 100:09 - 100:11

    Oh. Are you and Annie still...
  • 100:11 - 100:12

    Still what?
  • 100:12 - 100:14

    Look, we’re done.
  • 100:14 - 100:16

    Oh, I’m sorry to hear that.
  • 100:16 - 100:18
    No, the dictionary attack
    is done. No matches.
  • 100:18 - 100:20
    Guess it’s not the only one
    who can’t find a match.
  • 100:20 - 100:22

    Wha - Can you stay focused?
  • 100:22 - 100:24

    Just pick another name off the list.
  • 100:24 - 100:27

    Fine. I’m gonna pick -
  • 100:27 - 100:29

    You don’t have to tell me.
  • 100:29 - 100:30

    Ed Harris?
  • 100:30 - 100:31

    You’ve gotta be kidding me.
  • 100:31 - 100:32

    What?
  • 100:32 - 100:35
    There’s a guy named Ed Harris who
    worked at NASA in the nineties.
  • 100:35 - 100:38
    Does everybody at NASA
    have “Harris” in their name?
  • 100:38 - 100:39

    No, it’s just a funny coincidence.
  • 100:39 - 100:41

    How is that funny?
  • 100:41 - 100:43
    Because they both did
    movies about being in space.
  • 100:43 - 100:45

    Ed Harris was in Apollo 13 .
  • 100:45 - 100:46

    Okay. He lives in Harlem, so what?
  • 100:46 - 100:49

    Wha - never mind.
  • 100:49 - 100:52

    God, why is hacking NASA so boring?
  • 100:52 - 100:56

    It looks so fun on Mr. Robot .
  • 100:56 - 100:58

    Please tell me you know what Mr. Rob -
  • 100:58 - 101:01
    Let’s just avoid pop culture
    references from here on out.
  • 101:01 - 101:04

    Sure.
  • 101:04 - 101:06

    And... no matches.
  • 101:06 - 101:09
    How about that one. Laurence Cooper.
  • 101:09 - 101:13

    Sure. Why not?
  • 101:13 - 101:16

    Oh, shit. That was fast.
  • 101:16 - 101:18
    See what happens when you’re
    not blinded by star power?
  • 101:18 - 101:20

    Alright, copy paste and we’re in.
  • 101:20 - 101:21

    Okay.
  • 101:21 - 101:24

    Oh fuck. There’s security questions.
  • 101:24 - 101:26

    I don’t have passwords for this.
  • 101:26 - 101:30
    “What walks on four legs in the morning,
    two legs in the afternoon,
  • 101:30 - 101:32
    and three legs in the evening?”
  • 101:32 - 101:34

    It’s the Riddle of the Sphinx.
  • 101:34 - 101:35

    The answer is “man.”
  • 101:35 - 101:36

    No, it’s “polymelius.”
  • 101:36 - 101:38

    What? No.
  • 101:38 - 101:41
    This is NASA. They’re not literary
    guys, they’re science guys.
  • 101:41 - 101:42

    What the hell is polymelius?
  • 101:42 - 101:44
    Something the government
    hasn’t told you about yet.
  • 101:44 - 101:46

    It has a lot of legs.
  • 101:46 - 101:49

    Are you sure the answer is “polymelius”?
  • 101:49 - 101:52
    Absolutely.
  • 101:52 - 101:54

    You better be right about this.
  • 101:54 - 101:57
    P-O-L-Y-M-E-L-I-U-S.
  • 101:57 - 101:58
    (A computer ding)
  • 101:58 - 101:59

    You were right.
  • 101:59 - 102:04
    “What is so fragile that when
    you say its name it breaks?”
  • 102:04 - 102:06
    Silence. That’s so obvious.
  • 102:06 - 102:08

    Put “Blaschka sea monster.”
  • 102:08 - 102:08

    What is that?
  • 102:08 - 102:14
    It’s glass but not glass. It’s formed from
    volcanoes. Trust me, it’s the right answer.
  • 102:14 - 102:15

    Are you sure?
  • 102:15 - 102:16

    I’ve been right so far.
  • 102:16 - 102:18

    You’re risking my freedom on it.
  • 102:18 - 102:21

    No, you’re the one risking your freedom.
  • 102:21 - 102:23

    I promise, it’s the right answer.
  • 102:23 - 102:25

    Blaschka?
  • 102:25 - 102:30

    B-L-A-S-C-H-K-A.
  • 102:30 - 102:31
    (A computer ding)
  • 102:31 - 102:35

    “What has thirteen hearts but no organs?”
  • 102:35 - 102:36

    A deck of cards.
  • 102:36 - 102:38

    Vestigial cockroach.
  • 102:39 - 102:40

    V-E-S
  • 102:40 - 102:42

    I know how to spell it.
  • 102:44 - 102:46
    (A computer ding)
  • 102:46 - 102:47

    Of course it is.
  • 102:47 - 102:49

    How many of these are there?
  • 102:49 - 102:52
    “What flies without wings?”
    Time. Time flies.
  • 102:52 - 102:55

    No. Telekinetic squirrel.
  • 102:55 - 102:56

    Why do they all have to be animals?
  • 102:56 - 102:58

    Maybe this guy Cooper just likes animals.
  • 102:58 - 102:59

    How can it not be “time”?
  • 102:59 - 103:02
    We’re literally talking about
    NASA and time travel.
  • 103:02 - 103:03

    It’s too obvious.
  • 103:03 - 103:07

    I’m telling you, “telekinetic squirrel.”
  • 103:08 - 103:09
    (A computer ding)
  • 103:09 - 103:12

    Let’s pray this is the last one.
  • 103:12 - 103:15
    “What is the beginning of eternity,
    the end of time and space,
  • 103:15 - 103:18
    the beginning of every end,
    and the end of every race?”
  • 103:18 - 103:19

    What’s the answer
  • 103:19 - 103:22

    I... I don’t know.
  • 103:22 - 103:23

    Are you serious?
  • 103:23 - 103:25
    There’s no animal at the
    beginning of eternity.
  • 103:25 - 103:27

    Trust me, I’ve seen it.
  • 103:27 - 103:28
    Your guess is as good as mine.
  • 103:28 - 103:30

    Well, mine have all been wrong so far.
  • 103:30 - 103:32

    Might as well give it a shot.
  • 103:32 - 103:34

    We’re gonna get locked out if we don’t.
  • 103:36 - 103:37

    What?
  • 103:37 - 103:38

    Don’t put that.
  • 103:38 - 103:39
    (A computer ding)
  • 103:39 - 103:41

    Huh. How’d you know?
  • 103:41 - 103:43
    The letter “E” begins or
    ends all of the words.
  • 103:43 - 103:45
    I guess maybe they
    are literary people.
  • 103:45 - 103:47

    Well, good for us.
  • 103:47 - 103:49

    Okay. Where would I find the list?
  • 103:49 - 103:51
    Try “Directory.
  • 103:51 - 103:53

    “Manned Missions.”
  • 103:53 - 103:55

    This is all ISS stuff.
  • 103:55 - 103:57

    Yeah, it’s not gonna be in there.
  • 103:57 - 103:59

    Maybe it’s hidden somehow.
  • 103:59 - 104:01
    We have clearance.
    We should be able to see it.
  • 104:01 - 104:03

    Well, what if they removed it?
  • 104:03 - 104:04
    Why would they remove it?
  • 104:04 - 104:06

    They didn’t want hackers finding it.
  • 104:06 - 104:09
    Maybe that program
    doesn’t exist in your timeline.
  • 104:09 - 104:10

    It has to exist.
  • 104:10 - 104:12
    No, it doesn’t. It’s a difference
    between our timelines.
  • 104:12 - 104:13
    No, hang on.
  • 104:13 - 104:15

    Look, we came here on a long shot.
  • 104:15 - 104:17
    - There are other leads we can try -
    - Just hang on
  • 104:17 - 104:20
    Could we use TempTech to
    contact someone in the nineties?
  • 104:20 - 104:23
    Well, you were five then, and
    we can’t involve someone else.
  • 104:23 - 104:25
    Besides, if I reach out from my timeline,
    there’s no grandfather paradox
  • 104:25 - 104:28
    to stop your timeline from changing.
  • 104:28 - 104:31

    So send me instead.
  • 104:31 - 104:33

    Give me access to TempTech.
  • 104:33 - 104:37
    Send me the software, and I can log in to
    Cooper’s account in nineteen-ninety-nine.
  • 104:37 - 104:40
    There’s no possibility of me being
    caught, and I can’t change the timeline
  • 104:40 - 104:43
    because I can only cause events that
    would have happened anyway.
  • 104:43 - 104:45
    This is what the Fizzle
    Killer does, right?
  • 104:45 - 104:48
    He uses the grandfather
    paradox to evade capture.
  • 104:48 - 104:50
    We might as well catch him
    using his own loophole.
  • 104:50 - 104:52

    I appreciate the poetry of that -
  • 104:52 - 104:54
    Please don’t say we shouldn’t
    “stoop to his level.”
  • 104:54 - 104:55

    I wasn’t going to say that.
  • 104:55 - 104:57
    Well, you’re not saying “yes” either,
    so what are you saying?
  • 104:57 - 105:01

    Do you want the list or not?
  • 105:01 - 105:02

    You don’t trust me with it.
  • 105:02 - 105:04

    That’s not true.
  • 105:04 - 105:06
    You think once I get access to TempTech
    I’m not gonna complete the mission.
  • 105:06 - 105:09
    You told me, if it was you,
    you’d take the money and run.
  • 105:09 - 105:11
    Well, maybe I’m not doing
    this for me anymore.
  • 105:11 - 105:14

    You asked me to trust you. I did.
  • 105:14 - 105:17

    Now I need you to trust me.
  • 105:17 - 105:21
    What version of Mac are
    you running? Sonora?
  • 105:21 - 105:24
    Uh, Mojave. It’s probably the same -
  • 105:24 - 105:26

    It’s probably the same thing.
  • 105:26 - 105:30

    I’m sending you the software now.
  • 105:30 - 105:32
    (A spacey sound)
    Oh, shit.
  • 105:32 - 105:34

    Yeah, it takes up a lot of space.
  • 105:34 - 105:35

    You might need to delete some po-
  • 105:35 - 105:38
    No. I think Laurence Cooper
    just logged into his account.
  • 105:38 - 105:43

    Fuck. Pretend to be someone else.
  • 105:49 - 105:51

    David?
  • 105:51 - 105:54

    Honesty is the best policy.
  • 105:56 - 105:58
    (Another spacey sound)
  • 105:58 - 105:59

    Shit.
  • 105:59 - 106:01

    Just ward him off.
  • 106:01 - 106:05

    Make him think you’re trying to help.
  • 106:10 - 106:11
    (The sound again)
  • 106:22 - 106:23
    (And again)
  • 106:26 - 106:27

    Alright, good.
  • 106:27 - 106:29

    No, fuck that. Just log out.
  • 106:29 - 106:31

    Done.
  • 106:31 - 106:33

    Alright, TempTech is installed.
  • 106:33 - 106:35
    Just warning you, it’s gonna
    be a little weird at first.
  • 106:35 - 106:36
    Weird how?
    (A futuristic sound)
  • 106:36 - 106:38
    Oh, shit.
  • 106:38 - 106:40
    That’s just a spacetime warp.
    It won’t hurt you.
  • 106:40 - 106:43

    Better not fuck up my MacBook.
  • 106:43 - 106:45

    Alright, what do I do now?
  • 106:45 - 106:47
    Key yourself in to the year
    nineteen ninety-nine.
  • 106:47 - 106:49

    Doesn’t matter what day or time.
  • 106:49 - 106:51

    Alright.
  • 106:51 - 106:54
    Wow. So this is what the Internet
    looked like in nineteen-ninety-nine.
  • 106:54 - 106:57

    Yep, that’s exactly what it looked like.
  • 106:57 - 106:59

    Alright, let’s head to NASA.
  • 106:59 - 107:00

    Done.
  • 107:00 - 107:02

    Log in as Laurence Cooper.
  • 107:02 - 107:05

    Launch attack.
  • 107:05 - 107:05

    Got it.
  • 107:05 - 107:10
    The good news is the security’s
    gonna be much lower here.
  • 107:10 - 107:11

    Found it.
  • 107:11 - 107:15
    And... here’s the list.
    It’s not long, either.
  • 107:15 - 107:21

    We could go through this today. Dude?
  • 107:21 - 107:24

    Where’d you go?
  • 107:24 - 107:27
    Are you still there?
  • 108:07 - 108:10

    Look like you’ve seen a ghost.
  • 108:10 - 108:13
    Dude, what the fuck is this?
  • 108:13 - 108:15

    You tell me.
  • 108:15 - 108:18

    It’s your timeline, I’m just living in it.
  • 108:18 - 108:21

    This is my mother.
  • 108:21 - 108:23

    She was one of the astronauts.
  • 108:26 - 108:29

    You wanted me to find this.
  • 108:29 - 108:32
    I wanted you to figure
    things out for yourself.
  • 108:32 - 108:35

    Figure out what?
  • 108:35 - 108:39

    Honesty is the best policy, David.
  • 108:39 - 108:40

    So be honest with me.
  • 108:40 - 108:43
    Be honest with yourself.
    What do you think?
  • 108:43 - 108:45

    I’m not the Fizzle Killer.
  • 108:45 - 108:47

    What makes you say that?
  • 108:47 - 108:49
    Because I’m not like you.
  • 108:49 - 108:51

    Are we really that different, David?
  • 108:51 - 108:53

    I don’t kill people, for one thing.
  • 108:53 - 108:55

    Not yet.
  • 108:55 - 108:59
    I started with the Agency when
    I was a little older than you are.
  • 108:59 - 109:05

    After a few years, I started killing.
  • 109:05 - 109:11
    I realized I was aging faster than people
    around me, so I turned to cryogenics.
  • 109:11 - 109:13

    You froze yourself?
  • 109:13 - 109:17

    Couple of months, here and there.
  • 109:17 - 109:18

    Offset the aging.
  • 109:18 - 109:20

    You waste a lot of vacation time.
  • 109:20 - 109:24

    But when you’re committed to something,
  • 109:24 - 109:26

    it’s worth it.
  • 109:26 - 109:30
    You think killing people is worth it?
    What is it worth?
  • 109:30 - 109:32

    It’s worth living for.
  • 109:32 - 109:34

    I had to kill those people.
  • 109:34 - 109:37
    The timeline doesn’t
    allow for paradoxes, David
  • 109:37 - 109:40

    Only I could have killed those people.
  • 109:40 - 109:42

    That was my purpose.
  • 109:42 - 109:45

    And it’s your purpose, too.
  • 109:45 - 109:46

    That is not my purpose.
  • 109:46 - 109:48

    That is a depressing ass purpose.
  • 109:48 - 109:50

    If it wasn’t, you wouldn’t be here.
  • 109:50 - 109:53
    I tried other Davids, David
  • 109:53 - 109:56

    They weren’t willing to go this far.
  • 109:56 - 109:57

    You did.
  • 109:57 - 109:59

    You’re the one who wants this.
  • 109:59 - 110:03
    You offered to help me change my
    past, not make me a murderer.
  • 110:03 - 110:06
    How do you think I
    became the Fizzle Killer?
  • 110:06 - 110:11
    Someone came to me
    just like I came to you.
  • 110:11 - 110:16

    David, the universe brought us together.
  • 110:18 - 110:20

    It doesn’t make mistakes.
  • 110:20 - 110:23

    Yeah, but you did.
  • 110:23 - 110:25
    I won't become you.
  • 110:25 - 110:27

    And I’m getting rid of TempTech right now.
  • 110:27 - 110:31

    Go ahead. You’ll find your way back.
  • 110:31 - 110:34

    First you’ll join the agency.
  • 110:34 - 110:35

    I won’t join the agency.
  • 110:35 - 110:38

    You’ll try to do good. You’ll fail.
  • 110:38 - 110:43
    You might succeed, but only
    when the universe allows it.
  • 110:43 - 110:46
    If you really think that,
    then why are you even here?
  • 110:46 - 110:48

    Because I’m supposed to be.
  • 110:48 - 110:52
    You think having no choice in
    what you do is a bad thing.
  • 110:52 - 110:56

    But it’s not.
  • 110:56 - 111:03
    There are no mistakes, there is no “good”
    or “bad,” the universe moves as it should.
  • 111:03 - 111:07

    That’s not scary. It’s comforting.
  • 111:07 - 111:13
    Everything that has happened
    was supposed to happen.
  • 111:13 - 111:16

    If you don’t believe me, see for yourself.
  • 111:16 - 111:17

    See what?
  • 111:17 - 111:20
    Finish the mission.
    Erase the Fizzle Killer.
  • 111:20 - 111:22

    You know who my mother is.
  • 111:22 - 111:24

    You have TempTech.
  • 111:24 - 111:27
    Go to my timeline,
    stop me from being born.
  • 111:27 - 111:30

    You can do it right now, I won’t stop you.
  • 111:34 - 111:36

    No.
  • 111:36 - 111:38

    Because you’re afraid it won’t work?
  • 111:38 - 111:41

    No. I think you want it to work.
  • 111:41 - 111:43

    You want me to erase you.
  • 111:43 - 111:45

    Because that’s what you would want?
  • 111:45 - 111:49
    You know, I really thought we
    were past the edgelord shit.
  • 111:49 - 111:52
    No, you want this because you
    don’t actually live for anything.
  • 111:52 - 111:55
    I was right from the beginning,
    this is a fucking chain letter.
  • 111:55 - 111:58
    Dude, I’m sorry another David
    came and convinced you
  • 111:58 - 112:02
    this was what made your
    life meaningful, but it’s not.
  • 112:02 - 112:05
    The only reason you’re doing
    this is because you want to prove
  • 112:05 - 112:08
    that other Davids feel the same way
    you do, and none of them do.
  • 112:08 - 112:11
    None of the other ones
    did, and neither do I.
  • 112:11 - 112:13

    You don’t have to believe me now.
  • 112:13 - 112:24
    But you will. You‘ll realize
    this is where you belong.
  • 112:24 - 112:26
    The only thing I’ve realized
    is where you belong.
  • 112:26 - 112:31
    And where is--
  • 112:31 - 112:33
    (Future David)
    David!
  • 112:38 - 112:43
    Really? You know you can’t
    just walk away from me
  • 112:44 - 112:46
    (Future David)
    You’ll be back!
  • 112:46 - 112:51
    I know. I’ll have to sell that
    TV to pay my rent this month.
  • 112:51 - 112:53
    So Amelia tells me your
    boss ran out on you.
  • 112:53 - 112:56
    Yeah, he had to do some
    kinda undercover thing.
  • 112:56 - 112:58

    He say where he went?
  • 112:58 - 113:01
    Nah, he’s keeping a
    lid on the whole thing.
  • 113:01 - 113:03
    What’s he doin’? Livin’ in
    someone’s dumpster?
  • 113:05 - 113:06

    Yeah.
  • 113:06 - 113:09

    He’s nuts. What’d I tell ya?
  • 113:09 - 113:13
    You follow someone too closely,
    pretty soon you’re as crazy as them.
  • 113:13 - 113:15

    So what are you gonna do?
  • 113:15 - 113:17

    Amy set me up with a music journalism gig.
  • 113:17 - 113:20

    Music journalism? Is that still a thing?
  • 113:20 - 113:23
    You’re just jumpin’ from one
    dyin’ industry to another.
  • 113:23 - 113:24

    They’re all dying.
  • 113:24 - 113:27
    Yeah, but next thing you know
    you’ll be workin’ in a cemetery.
  • 113:27 - 113:29
    Everybody’s dying to get in.
  • 113:29 - 113:31
    Isn’t that what you said?
    Everybody’s dying?
  • 113:31 - 113:34

    Yeah, I’ll eat my own words on that one.
  • 113:34 - 113:36
    Good. You can have that
    instead of Brilliant Pebbles.
  • 113:36 - 113:39
    Oh, you want me to
    talk about Russia again?
  • 113:39 - 113:41
    - It was nineteen-eighty-eight.
    - I'm not listening to this.
  • 113:41 - 113:45
    - Reagan and Gorbachev -
    - I'm not listening to this
  • 113:45 - 113:47

    Amy! Shut it down!
  • 113:47 - 113:50

    I’m tryin’ to teach you history.
  • 113:50 - 113:52

    I know. You’re just very bad at it.
  • 113:54 - 113:57

    Phil, be honest with me for a second.
  • 113:57 - 113:59

    I’m always honest with you.
  • 113:59 - 114:00

    No, seriously.
  • 114:00 - 114:02

    Oh, now we’re serious all of a sudden.
  • 114:02 - 114:06

    Go ahead, I got nothin’ better to do.
  • 114:06 - 114:09

    Why did Mom leave?
  • 114:12 - 114:17
    I told you. She had
    somethin’ important to do.
  • 114:17 - 114:21

    She didn’t wanna leave us. But she had to.
  • 114:21 - 114:23

    Where’d she go?
  • 114:23 - 114:28

    Honestly? I dunno.
  • 114:28 - 114:31

    I don’t think anyone knows. Not even her.
  • 114:35 - 114:38
    I’m sorry, Phil. I know
    that was hard for -
  • 114:38 - 114:40
    Oh God. Alright, we had the serious talk,
  • 114:40 - 114:43
    can we shift to a lighter
    topic of conversation?
  • 114:43 - 114:47

    Sure. How’d it go at the doctor?
  • 114:47 - 114:48

    How is that light?
  • 114:48 - 114:51
    Depending on the answer,
    it could be pretty funny.
  • 114:51 - 114:53

    It’s just bronchitis and dehydration.
  • 114:53 - 114:54

    What’d I tell you?
  • 114:54 - 114:56

    Your sister worries too much.
  • 114:56 - 114:59
    Unless I get hit by a truck,
    I’m not dyin’ anytime soon.
  • 114:59 - 115:00

    Aw.
  • 115:00 - 115:03

    I know, all that planning for nothing.
  • 115:03 - 115:09
    You don’t understand; I ordered
    a Cookie Puss from Carvel.
  • 115:09 - 115:11
    Seriously though, Phil,
    I’m glad you’re alright.
  • 115:13 - 115:14
    Yeah, me too.
  • 115:14 - 115:17
    Alright, I gotta go piss
    out some Skittles.
  • 115:17 - 115:18

    Thanks for callin’.
  • 115:18 - 115:19

    Let’s do it again next week.
  • 115:19 - 115:21

    Can you recover by then?
  • 115:21 - 115:22

    From pissin’ or from you?
  • 115:22 - 115:25
    From me? You realize you’re
    the one I get all this from, right?
  • 115:25 - 115:26

    What’d I say?
  • 115:26 - 115:28

    Don’t follow people too closely.
  • 115:28 - 115:30
    Never know what’s gonna
    come out the other end.
  • 115:30 - 115:33
    Don’t worry, Amy’s told me exactly
    what comes out your other end.
  • 115:33 - 115:39
    What?! Amelia! I told you, she’s
    like fuckin’ NASA. Amelia!
  • 115:39 - 115:43
    - What? I’m making puppets.
    - Are you telling him all my secrets?
  • 115:43 - 115:47
    (Amy) Well, someone has to.
    You don’t tell anyone anything.
  • 115:47 - 115:49
    When have I ever been
    less than honest with you?
  • 115:49 - 115:51
    (Amy) You really have to ask that?
  • 115:51 - 115:54

    Dave, back me up here.
  • 116:28 - 116:34
    ♪ (Rhythmic music) ♪
  • 117:01 - 117:05
    (A phone ringtone)
  • 117:12 - 117:13

    Hello?
  • 117:13 - 117:15

    Howdy, am I speaking to David?
  • 117:15 - 117:17
    Uh, which one?
  • 117:17 - 117:21
    Hi, David. This is Larry C.
    I work for STAB.
  • 117:21 - 117:24
    We’ve been speaking about your interest
    in our program over the past few days.
  • 117:24 - 117:26

    Yeah, we haven’t been speaking.
  • 117:26 - 117:30
    You’ve kinda just been sending
    me unsolicited messages.
  • 117:30 - 117:32

    But we have spoken.
  • 117:32 - 117:36
    In fact, I’m pleased as a first-prize pickle
    about your recent interest in STAB.
  • 117:36 - 117:40
    Dude, I’m not interested. I don’t
    even know what STAB is.
  • 117:40 - 117:43

    We’re a new subdivision of NASA.
  • 117:43 - 117:46

    The “Space Time Adjustment Bureau.” STAB.
  • 117:46 - 117:49

    Not the most inviting name, is it?
  • 117:49 - 117:50

    We’ll change it someday.
  • 117:50 - 117:53

    What did you say your name was again?
  • 117:53 - 117:59

    Larry. But my government name is Laurence.
  • 117:59 - 118:01

    Laurence Cooper.
  • 118:01 - 118:05
    You know, I’ve been looking for
    you for quite some time, David.
  • 118:05 - 118:08

    About twenty years, as a matter of fact.
  • 118:08 - 118:13
    I’ve been trying to figure out how I got
    hacked in nineteen-ninety-nine
  • 118:13 - 118:18
    from a MacBook that wasn’t manufactured
    until two-thousand fifteen.
  • 118:18 - 118:23
    That sounds rough.
    You should ask Apple about that.
  • 118:23 - 118:27
    That sounds like some
    Terminator shit, don’t it?
  • 118:27 - 118:31
    I thought maybe the Woz beat us to
    the punch and built time travel computers.
  • 118:31 - 118:34

    Boy, was I wrong.
  • 118:34 - 118:36

    But I waited.
  • 118:36 - 118:40

    I waited like a snake hunting shrews.
  • 118:40 - 118:44
    Finally, I tracked down that
    MacBook and it led me to you.
  • 118:44 - 118:47

    And then I waited some more,
  • 118:47 - 118:50
    sent some messages
    hoping you’d take the bait.
  • 118:50 - 118:56
    And boy did you take it when you
    hacked into my account the other day.
  • 118:56 - 119:01
    Now, what I don’t understand is,
    how did a wannabe writer
  • 119:01 - 119:06
    with a deadbeat dad and a stay-at-home sister
    get access to that kind of technology?
  • 119:06 - 119:10

    But I know you can tell me.
  • 119:17 - 119:20

    You still there, David?
  • 119:20 - 119:23

    David, are you still there?
  • 119:23 - 119:29
    Yep. I’m still here.
Title:
Sandbox
Description:

You can use this Sandbox to try out things with the Amara tool.

The video that is primarily streaming here is http://www.youtube.com/watch?v=ZU2kyr9jRkg , which is completely blank. But you can go to the URLs tab to add the URL of another video and make it primary.

Please remember to download your subtitles if you want to keep them, as they will get deleted - and the streaming URL reverted to the blank video if you changed it - after a week or two,

more » « less
Video Language:
English
Team:
Captions Requested
Duration:
01:46:39
Claude Almansi edited English subtitles for Sandbox
Claude Almansi edited English subtitles for Sandbox
Claude Almansi edited English subtitles for Sandbox
Claude Almansi edited English subtitles for Sandbox
Claude Almansi edited English subtitles for Sandbox
koma edited English subtitles for Sandbox
koma edited English subtitles for Sandbox
Claude Almansi edited English subtitles for Sandbox
Show all
  • Revision 1 = provided subtitles for Lecture 1.2 of Prof. Scott Plous' Social Psychology course

  • Revision 1 = provided subtitles for Lecture 1.2 of Prof. Scott Plous' Social Psychology course

  • Revision 1 = provided subtitles for Lecture 1.2 of Prof. Scott Plous' Social Psychology course

English subtitles

Incomplete

Revisions Compare revisions